Wallen – Another America: Earth

Page 1

Contemporary

Wallen Another America: Earth Opera Libretto by Errollyn Wallen Full Score

EP 7717



ERROLLYN WALLEN

Another America: Earth Opera in one Act

Full Score

EIGENTUM DES VERLEGERS

ALLE RECHTE VORBEHALTEN

ALL RIGHTS RESERVED

EDITION PETERS LONDON

路 FRANKFURT/M. 路 LEIPZIG 路 NEW YORK


To the memory of Martin Luther King and with grateful thanks to Peter Edlund

Commissioned by the Royal Opera House and NITRO, 2003

First performance at Nitro at the Opera, Linbury Studio Theatre, Royal Opera House, 9 November 2003

This score is a facsimile of the composer’s manuscript, reflecting the state of editorial work and correction as October 2003


ERROLLYN WALLEN

Another America: Earth Opera in One Act Libretto by Errollyn Wallen

Dramatis personae in order of appearance Priest Marcus Yellow Ruth Yellow (Marcus' wife) Star Woman Gelma (neighbour and girlfriend of Marcus and Ruth's son) United States Government Official Congregation

Tenor Baritone Soprano Mezzo-Soprano Soprano Tenor SATB Chorus

Instrumentation Flute Bassoon Horn Trumpet Trombone Percussion (2 players) Violin 3 Celli 6 String Electric Bass Guitar

Time and Place The year 1930, Mississippi Delta Duration c.20 minutes

Percussion Marimba Vibraphone 32 inch Bass drum 4 Tom-toms Triangle Tam-Tam Snare Drum African gourd Rattle Shakers Chains Suspended Cymbal Pair of Crash Cymbals Crotales Whip Large Plank of suspended wood (to be struck with metal mallet)



Another America: Earth

Flute

Bassoon

Horn in F

   

To the memory of Martin Luther King and with grateful thanks to Peter Edlund

q = c. 76

      

    

Trombone

Percussion I

Percussion II

Ruth

   

Chorus Tenor

Violoncello I

  

BASS DRUM

  

Bass Guitar

    





 

 

f

  



 

 

 

  

"In



the

sweat





of

thy

face

shalt



thou



eat



bread,

 till



thou

re - turn





un - to

 the

 

  

 

 

      



ffp

 



 



 

 

ff



 ground;





f

  

 

 

 

   

 

 

ffp

ffp

Violoncello III

ffp

Violoncello II

  

Chorus Alto

Violin

f

   

US Government official

   

  

Preacher

Chorus Bass

 

Star Woman

Chorus soprano (Gelma)

   

Gelma

Marcus

    

 

Harp

 

Trumpet in B flat

ff

f

ERROLLYN WALLEN

   

f

f

ffp

ffp

Edition Peters No. 7717 © 2003 by Hinrichsen Edition, Peters Edition Ltd, London


2

      4

Bassoon

Horn in F

Trombone

Percussion II

Ruth

   

 

Violin

 

 

 

 

 

 

  







                 for out of it



  

  

     

 

       

    



  

  

  

       

 











   

 Marcus rests his hoe in the field

 

and un - to dust shalt thou



    



  

 

for dust thou art

re - turn

f

   

I hear the

  

Violoncello II

      

wast thou ta - ken;

 

Violoncello I

Violoncello III

 

 

Preacher

Marcus

   

                        





 



  

  

 

 

   

     



 

 

 

 

  

 train

     

 

mp,lyrical and expressive





f

 









 





f







 



 





 



 

 

     

f

 10

Horn in F

Trumpet in B flat

Ruth

Marcus

Violin

  

stopped

  

mp



with harmon mute



 

com - ing

  

I

hear

 the

 

mp

 mp





Why,

 

 

sky

sing - ing

why

  

Violoncello II





f

you

                                

Violoncello I

Violoncello III

want to leave

    



 

 





mf









mf

mf

 this


       14

Flute

Bassoon

Horn in F

   

 

  

    



     





   

     

f

f



con sord.

                           

p

 

Trumpet in B flat



  

sfp

Percussion I

Ruth

                               

 

con sord.

sfp f senza sord.

 

   

land,

Violin

            

Violoncello I

Violoncello II

Violoncello III

Flute

Bassoon

Horn in F

Marcus,

   19

   

in yourhands

   

    

    

  

   

Trombone

 

 

 

f



f

Ruth

Violin

fp

f



 

 

 

      

This

is

our



home

now.

   



   Not

 

 theirs,

 

 

fp

f

 



not

theirs.



 



Here,





 

ff

This isourdirt



 



 rall.

  

f

f

 



 

 



 



 



 



 



 



  



fff

   Let our

    3            



 

  



now.Not theirs.

 

f

    

f  



 

    

 

 



     

 



here

 

fp

Trumpet in B flat

   

ture?

 



fu -



 



   

 





 

there is a new





p



    

when

SUSPENDED CYMBAL

picks up a handful of earth

   

 

  

f

sfp

f

  



con sord.

p

f

senza sord.

f

Trombone

  

f

                                p

senza sord.

   

3

 

  

sweat,

    

let our sweat run in - to it

   

 

   

 

   

 

   

 

fff

   

 

   

   

 

 

 

Violoncello I

Violoncello II

Violoncello III

 

    



  

ffp

ffp

ffp

 3                  fff

3                 

fff



  

fff

3

  

   

  


Slower q = c.69

4

  24

Percussion II

Ruth

 

  

AFRICAN GOURD RATTLE

mf

   

  

Our free

Marcus

 mp, weary



 



 

   

In

p

Violoncello III

 

  

Violoncello II

sweat

con sordino

Violoncello I

p

con sordino



p

the

South

con sordino (harmon)

 p

 the

 3   3    

dirt will al - ways be - long to them.

 



     

The North

calls

me,

   

ba - by.

In

the North

we

can



 

   

 



 

 



 

 

 





 





 

 be



  

27

Flute

Bassoon

Horn in F

  

 



 

p

Marcus

Violin

 

p





 

 



 



 

Violoncello III





 

p

ffp

ffp

mf

 mf

mf

f

         sub. p

     

 



  

ffp

    

ffp

  

 pp

 

mf

pp

 mf pp

mf



pp

ffp

 

ffp

mf pp

stopped   



 

ffp

  



mf

 ffp

ffp

ffp

mf

 ffp

mf



ffp

          We can for - get that wewere tied

in

  

ffp

   

ffp

 mf

 mf

mf

   

ffp

 ffp

pp

pp

 

 



 

 

 mf

 

pp

mf

 

mf

 mf

chains. We can for - get that our

    

   

mfpp

            

mp

ffp

 



stopped

ffp

ff

 

ffp



p

mf

We can for - get that wewere tied

p

Violoncello II

ffp

 

p

  

 

 

free

         

Violoncello I

ffp



 

stopped

p

Trombone

pp

  

Trumpet in B flat



ffp

ffp

blood

 mf



 

mf pp

 mf pp



mf pp

   


5

  

poco rit.

31

Flute

Horn in F

Percussion II

Marcus

 

 



   3

in - to this

      

Bass Guitar

Bassoon

Horn in F

Percussion I

Marcus

   



pp





        

mp

too hard

      pp

  

to make a

  



     



p

 

 







     

    

   

    

pp



   

    

     



    

     



   



p

pp

pp

  

p



pp

pp

                

                

p poco a poco cresc.

p



 



                

   



     

  

can't make it breathe

    

Violoncello II

no

  

   

 

    

   

  

      

     

        p

mp

 

 

      

 



               

 

p

mp

more

     

p



 

    

 

    

 



p poco a poco cresc.

TOM-TOMS

    

  

p

   





p

p

    

p poco a poco cresc.

    

p poco a poco cresc.

  

land.

        



p



pp

p

from this



mf

pp

pp



  

li - ving



mf

mf

p

 

senza sord.



p

 



senza sord.

    

 

sord. senza        

with some distortion

p

mf



 

  

Violoncello I

Bass Guitar









 

mp

p

Violoncello III

 

pp

senza sord.

pp



I

Violin

p

It's

pp



 

Trumpet in B flat

Trombone

   

f



36

Flute

earth

  

  

   

p

mp Violoncello III



mp

Violoncello II

pp

   

AFRICAN GOURD RATTLE

  



        

Violoncello I

ran

Violin

a Tempo

p

 

mf

mf

p

mf

p

mf

mf

p

  I

 hear

 

mf

a

train

 

com - ing









p poco a poco cresc.

p poco a poco cresc.

p poco a poco cresc.

 

p poco a poco cresc.

 

 

 

3

gliss.


6

   40

Flute

Bassoon

Horn in F

Percussion I

Percussion II

Ruth

Marcus

Violin

Violoncello I

Violoncello II

Violoncello III

Bass Guitar

Flute

Bassoon

Percussion I

Percussion II

Harp

                

 

Violin

    



Violoncello II

Violoncello III

Bass Guitar

 

 

 

p

 

 

I

hear

  



  

the

sky

sing - ing



  

  

    

  

 

  

  

mp

 



my

son



   run







  

  

  

      

   

f







Where I can't

hear

the



fp

        

  

  

    

 

 

   

 



home



 

    p







 

harmonics



 

 

                



p p, gently

 

    

sul pont, flautando

 sul pont,

fp flautando

sul pont, 

to see the stars be - fore I sleep

 

     

 

   

   



  

    

 

 

flautando

fp

 

   

    

fp





cri - ckets, Where I can'twalk in-to the field

     

    

f

mp

 





 f    

         

  



  

 

 



f

   

   f    

 



ning

  



This is my

   

   



hear the cock crow,



mf f, molto espress.

don't

 

    

   

 

BASS DRUM

               I'm notgo -ingwhere I

  

SUSPENDED CYMBAL f WITH BRUSHES

p

hear



   

 

 I



  

f



p

44

f

  

f

           

      

           

   

  

  

           

 

      

mf



           

mp

f

Violoncello I

      

p

 



f

                 

3

Ruth

      

p

 



                  

Trumpet in B flat

Trombone



sul pont, flautando

fp




   

48

Flute

Bassoon

Horn in F

  

  

 

Trumpet in B flat

Trombone

Percussion I

 

    

 

    

   

SUSPENDED CYMBALS WITH STICKS



   







fp

 

 f

 f

fp

  



   f



    



 

f

Violoncello III

Bass Guitar

   

 





 

f

  



fp

 

mf

f

mf

f



   

 

 



 

 



 f

 

 

   

f



norm.

 

norm.

         

  

    

land,



     

   

 

 

 





 

   

  

norm.

   f

  





norm.

f

  

  

 

 



with distortion and slight tremolo

f

            

                    



         





a

farm,



    







have



 

      



We



               





 



     



    



 

        

      





We have a pur - pose



   

    



f

   

 



mf

               

f

Violoncello II



 

f

3

   





And feel the sun, and feel the sun on my face be - fore I wake.

Violoncello I

 



l.v.



mf

f

BASS DRUM: HARD STICKS       

                     

 

 

 

 

     

mp

Violin

   

mf

mf

Ruth

 

 

  

 f

mf



Harp

 

   

f



   

   

mf

   

mf

p

Percussion II





 

7

Più mosso q = c.76



   
















8

   53

Flute

Bassoon

Horn in F

   

  

 



  



 



ff

 

ff

     

    

    



    

     



    

p

 



    





     

     

     

     

     

     

mf

f

f

f

 

Trumpet in B flat

Trombone

Percussion II

  



    

B.D.         

Ruth

Violin

Violoncello I

Violoncello II

Violoncello III

Bass Guitar





  Harp

fp

 

  

   

   



  

 



     

 

p

 

 p

           

  



 

some - thing

  



   

 

  

 

  We

 



ff

are

 

no

   

f

mf

f

 

 

   

  

   

   

  

 long

  er,

 are

 

no

 

  

 











  

 



 

   

 

   

  

 

  

 

 



 



ff

ff

   we

ff

 

  

p

  

ff

f

  

ff

 

 

mf

f

p

 

f

ff

We own

  

    

  

                    

f


 59   

Flute

Bassoon

Horn in F

  

 



 



     

sempre f

Trumpet in B flat

Percussion I

Percussion II

     



      



 

 

fp

 

stopped



    

   p

  

 

   

   

   





fp

fp

    



 fp

     





       

sempre f



     

sempre f

Trombone

9

 

sfp

 sfp

  sfp

TAM - TAM

l.v. mf





f

     

  

  

 

 



Harp

Ruth

are

Marcus

Violin

 

Violoncello II

Bass Guitar

no

 long

 -

  

slaves

er



mf



I'm

 

Violoncello I

Violoncello III



 

 

 









  

 

  

 

 



      go - ing to

find my son,

  

bring him back

    

  

 

 

   



    

  

 

 



   

 

    

  

 

 



    



    

  

 

 

   

  

 

 

   



gradually release effects

p

p

p

p

norm.

    

p


10

  64

Horn in F

      sfp

Trombone

Percussion I

 

 

mf

     

  

sfp

 

 

Trumpet in B flat



p

 

   

sfp

TRIANGLE



pp

Percussion II







 



 

 

   

 

 

 

 

 

      

mf

  

 

 

 

 

   

 

 

 

      

 

 

 

           

 

 

 

 

 

 

Violin

f



   

 

 

 

   

 

 

 

 

 



pp



as

coal,

dense



p,full of wonder

       

  sfp

 

 



 as

Find the wordstobring him back

  

Violoncello I

Violoncello II

 

 

 

Everything black. We see the constellations

Black

Marcus

 

Let him go. Let him go. He'll come back.Staywith me.Work with me



 

p   

Star Woman

pp

Harp

Ruth

VIBRAPHONE

   

 



 

sul pont, flautando

  



 

sul pont, flautando pp

pp

     

sul pont, flautando

pp



 







 









 







 








11

   71

Percussion II

Star Woman

Violin

 

 



   ir

-

 



 

Harp

  

 

 

 

 

 

 

  

 

 









on.

Black

   

coal,





l.v.

 

dense

pp



as

 



 



 



 

 

 







  

as

ir

  

on

 

 





 

  

Black

as

sul pont, flautando

 



pp Violoncello I

   







  







 







Violoncello II

   







  







 







Violoncello III

sul pont, flautando

 



pp

    77

Flute

Percussion I

Percussion II

  

Star Woman

pp CROTALES (sounds 2 octaves higher)

 

 

  

   

   

   

   

   

dense

  

   



coal,

Violin

 

sempre pp

 

 

 

as

ir

   

-

  

 

   

  

 

 

 

 

 

on.

Where

are

  

 

norm.

  

 

you

   

 -

 new







  







  



Violoncello II

  







 







 



 

norm.

 



 

 

pla - net

sul pont, flautando

 

 

   

 

Violoncello I

Violoncello III

p

 

Harp

 

 3  



 


12

   82

Flute

Percussion I

Percussion II

  

Star Woman

  

  

  



   

 

 

the

      

 

        

in

     

    

 

  

 



  mp

  

heav ens?

Nep

 

sempre pp

MARIMBA

Harp

   

  

 

   

 

 

 

 

 

  



tune

re

-

    

   



     

 

 

 

 

   

   

   

veal

Nep

 

 

  

  

 

 

 

tune

 

re

-

 

  

  

 

  

l.v.

 

 

 

veal.

  

 

 

 

-

 

 

 

 

 

Throw back your

 

 







 







 







 







Violoncello II

 









 







 







Violoncello III

  

 

Violin

Violoncello I

   

sul pont, flautando harmonic

   

 

 

harmonic

     6

 

   

harmonic norm.

Flute

Percussion II

 

Harp

Star Woman

   



  

 

 

  

 

 

  

 

 

 

 



  re

 

 

-



    

cloak and

Violin

 

 

 

 

      

       

 

   

 

   

 

 

veal

   

  

Nep



   

  

   

 

 

tune

re

 

-

 

 

    

     

 

 

 

 

 

 

 

 

 

 

 



 

 

  

         

veal

Nep

tune





   

Violoncello II

  







      

 

 

sul pont, flautando

  



sul pont, flautando





  

 

re

CROTALES

     

  

 

 

 

 

 

  



  

p

 

 

  

 

 

  mf

 

-



veal.



Re veal.

harmonic            

 

 

p



Re

7

  

Violoncello III

 

  

9

      

Violoncello I

 

   



Percussion I

89   

 

norm.

    

pp

            





 

 

     

  

 

        


13

 

 

97

Flute

Horn in F

 pp

    



7



   







ppp

Trombone

Percussion I

Percussion II

Harp

Star Woman

  

 

    

  

 

      

  

   

  

Violoncello II

  mf



    



 

  

CROTALE

 





       

3

3

  gliss. 

loco

 

       





 

 

gliss.

 

  gliss. 



     p

  



       

 

 

 

 





gliss.

 

 

     5









 



pp

ppp, flautando

gliss.

                  

re - veal.

ppp, flautando

   

      



p

mp

Throwbackyourcloak3andre -veal,

 

l.v.

  

sul pont

p

       



Reveal.

  

Violoncello I



p

  

harmonic

Violoncello III

    

(MARIMBA)

    

 





ppp

veal.

Violin



ppp, sempre flautando



gliss.

ppp, flautando

gliss.




14

     

              

flz.

103

Flute



ff

Bassoon

Horn in F

     



ff

  

 

 





fp

fp

       



 



    





fp



fp







   





 

f





fp

Trumpet in B flat

      

f



ff

Trombone

Percussion I

      ff

   

     

 

running in

ff, agitato

Gelma

 

       3   

Violin

  

Oh, Mar - cus!

3

    

ff



Did - n't youall hear?



     

mf

 

 

5      



     Fire! fire!

     

    

Violoncello III

   



         



 



 



slap pizz.



  

slap pizz.

   



    



slap

Bass Guitar

ff

slap pizz.

       ff

l.v.

f





 

 





     



      

Did - n't you hear? Ruth

sfp

 

arco       

 

arco      

 

sfp



ff

  

sfp

sfp

 

        

f

     

ff

Violoncello II



fp



fire!

arco

Violoncello I

 

fp

Ruth! Ruth!

Star Woman

    

SNARE DRUM (SNARES ON)

CYMBAL SLIDE

 

ff

    

   



BASS DRUM

Percussion II

  

ff

ff

ff

Oh, Mar


























               

     107

Flute

Horn in F

Trombone

Percussion I

Percussion II

Gelma

  

fp

fp

mf

      

MARIMBA

  

3

ff

 

BASS DRUM

 

5         

5             

 

flz.

f

p

 

3

  

  

 

  

  

 

There's

 

   

 

ff

 

  3

   5

fire star - ted by,

   

 

 



fire

 

 

15



























 



3       

    

   

 

3

   

 

  

 



    

      

 3  3                Se - ven hou - ses

CYMBAL SLIDE

mf

3       

by Sol - o - mon's Creek.

norm.

are still bur - ning



are still bur - ning





         

     





           ffp

 3     





 3     











ffp

ff

Violoncello II

   a

norm.

fp

ff

flz.

3

norm.

fp

f

p

norm.

ffp

      

  

    

Violoncello I

3

f

f

cus!

Violin

3

  

   

3

                

ff

Harp

 

  

flz.

5

f

   

Trumpet in B flat

  

flz.

ffp

3



ff

Violoncello III

Bass Guitar

 

   

 

ffp

               mf

f

ff

3

  

   


16



     111

Flute

Bassoon

Horn in F

mf

  

fff

                

Slower q = c. 60

 







         

fff

   

     fff  

fff

f, pesante

   

    

Trumpet in B flat

  



ff

                            



f, pesante





 



mf

Trombone

Percussion I

Percussion II

Harp

Gelma

   

     

Violin

 

fff

   

  



 

it all

3

   



   



        

  

  



f, pesante

 

            















  

  

ff

                    "Be fruit - ful and

    

  

  

mul - ti - ply and re - plen - ish the earth

Be fruit - ful and

























   







fff

sfp

sfp



  

3  

      

 

Violoncello II

fff



thewaydown to Red Walk

   

Violoncello I

    f

sfp       

     

  

sfp

Violoncello III

   

You can smell

Preacher

WHIP

     fff

  fff

 

fff

fff

Bass Guitar

     

            ff, pesante  fff

       

                          sfz 


17

  116

Flute

Bassoon

Horn in F

    

 

 

Trumpet in B flat

 

          

s. glis

 

   

   

  

mf

 

 

 

          sfz



 

 



  

 

















       

        









 



mf

f

Trombone

Percussion II

Preacher

Violin

 

 

 

      

      mul - ti-ply

  and re

 

Violoncello I

          

       

-

plenish the earth,

 

 



       andsub - due it;

 

and have dom - in - ion

        

 

f



 



             ov

er



the fish

of the

sea



  

and

ov

                                   

f ,legato

Violoncello II

Violoncello III

Bass Guitar

      

 



 

          

            f





pizz.               f





pizz.

                                               sfz

legato


18

                121

Flute

Bassoon

Horn in F

Percussion II

Harp

Preacher

Violin

 Bassoon





   

 

 

    

mf

           

   

    

 

Violin

Violoncello I

   

3

  



 

 

f

   

air,

andov - er

ery

     

 

Gone up North.

 

   

      

 

Look - ing for

      



      

 

  



   

 

  



 

 



-

  

the earth"

  

      

a new life.

 arco    

    

 

   

mf

      

       

    

Left

         

 

home.

 

Left

    

  

   



   

  

f

 

 

 

 

 

 



  



  

   



 

sub. p

 

  

 

 

 

  



  



  

Lord.



  

 



 

  



sub. p



  





 f





When?

   

   







  

  



f

     mf    



 



f

 

mf

   





 

 





ff

  



mf, affretandoo

 

 

                  

our land.

   

ff

  



on

ff



 

f



                  

 

 



up

arco

 

ff

 

eth



  

f

Violoncello III

  



mov

mf

      ff     





f

 

    

li - ving thing that

arco

126

 

ev

  



  

 

f

                          



    





                   

has left.

   

 

  

 

mf

  

                                

  f 

  

the fowl of the

   

f

Violoncello II



          

   

  



f

When?

Preacher

    

                                              

    

mp

Buck

Gelma

 

f

Ruth

p

      er

 

mf

Violoncello II

Bass Guitar

 

Violoncello I

Violoncello III

ff



 



A tempo

             

 

Trumpet in B flat

Trombone

poco allargando



f



 f


    131

Flute

Bassoon

Horn in F

 

  fp

f

  



  

Trumpet in B flat

 

 

  

 

fp

   



fp

  

Percussion I

Percussion II

Ruth



    

Violin

  

Violoncello II

  

 

 

f



 



 

  



  





f

    

f

     



  



 



     



 



f

ff

  

 

 

ff

 





 



 

 



 



 



f

ff

ff

    ff

f

f

(SNARE DRUM)

 

mf

f

3

   

fp

 

f

f

  f

 fp

myman. What did 5youdo this time?

mp mf           

          Whatdidyoudo tohimthis

 



Sayshe'snev -er com -ing back

  fp

ff

My Buck,myman,



3

 

          

              

fp

Violoncello III

 

  

Yes - ter - day

  

Violoncello I

 

19

yes- ter - day

  

   





Yes - ter -day ?

Marcus

       

 3   

  

Gelma

 

 

f

TOM-TOMS

Yes - terday,

 

f

 

 

fp

  



f

   

3      

 



fp

Trombone

 



   

f



 



 



 





 



 



 





 



 



 





 



 



 




20

Faster q = c.69

  

 

136

Flute

Bassoon

Horn in F

  

 

 

Trumpet in B flat

Trombone

Percussion I

Percussion II

Harp

Ruth

   

  

 

 

 

 

 

 

   

     











 

 



 

  

 

     

 

  

 

 

  

 

  

 

 

 

    

 



f

ff       





took him,

 

he

beat



    



and flung him in asalt



bath

Chorus Alto

Chorus Tenor

Chorus Bass

Violin

    

  



  

 

 

 



  

 

 

 



  

  

  

  



WHIP

mp,beseechingg

           f         





 



 



 



                       He took him, he beat him, hewhippedhim andflung him in a    f              f

He

He

   

 

 

   

 



    

 

   

 

 

    

 





  

 

   

 

 

  

 

   

 

  

 

 

  

 

   

ff





ff

 





 

       

    

 

    

 

    





  

  

  

  



  

 

 

 



  

 

 

 



ff



took him, he beat him, hewhippedhim andflung him in a

 



took him, he beat him, hewhippedhim andflung him in a

            

f

   





  ff    

        

bath



 

took him, he beat him, hewhippedhim andflung him in a





 



Like he al -waysdid

  



 

   



ff

Bass Guitar

  



  

 

 

  

 



  



ff

Violoncello III

 

  



 

 

 

  

 

Violoncello II

and flung him in a salt



f

  

Violoncello I

beat him

  

I

 







took him,

                                I

 

  

 

He f



 

 

  

ff

him

  

 

ff

time?

Marcus

 

ff

fp



ff

    

ff

fp

   ff

      fp

                             

He

Gelma

 

f

 



ff


21

       

     

   

  

   



 

  

  

  





  

    

  

 



  



      

     

   

  

    



   

  

 



    

  

 

 

   

   

   

     

   

142

Flute

Bassoon

Horn in F

  

Trumpet in B flat

Trombone

Percussion I

Percussion II

Harp

Ruth

 

  

 

  

   



  

  

 

  



   f

My

Gelma

Violin

   



 

   



  









  





     







     











     





   





    











fff

fff



fff

   

   

   

 

son

3

3

fff

    

fff

 ff



f                        

   

Your own son

              

Now he's gone. Look - ing

for anewlife.You tried to kill your

  f                     

   











salt

              

 

             

  





















    



  





     





     





     





     





     

salt

  salt

 

took him, he beat him,hewould- n't stop

bath. He

bath. He

  

    

   

   

    

  

 

Now he's gone. Look - ing

for anewlife.You tried to kill your

    



  



 





  

 

  

    

  

  



    

  

  



 



 

   



fff



   



   

 

 

took him, he beat him,hewould- n't stop

      

   





took him, he beat him,hewould- n't stop

              

   

  

took him, he beat him,hewould- n't stop

bath. He

        

Violoncello II

Bass Guitar











     

Violoncello I

Violoncello III

  



bath.He

Chorus Tenor

Chorus Bass

 

 

   

salt

Chorus Alto

fff

 

fff

fff

fff


22

    148

Flute

Ruth

   



son.

Gelma

son.

Marcus

Violoncello I

tried

      

You tried to kill

        

tomake him weak, makehim ti -midalltheseyears.

 

Buck sayshe'snev-er com -ing back.Nev - er com

-

f    And

  

ing home

You tried to kill

 

f                

   

     

  

f

 

your

 

  





son.

    your



mf, espress.

  

son.

    

have dom - in - ion

       

 

My son is

    

 

tomake him weak, makehim ti -midalltheseyears.

     

You

  

Preacher

tried

 

      

     

You

   



         ov

er

the

fish

of the



as goodas dead

                          

   

 

153

Flute

Bassoon

Horn in F

 

  

  

  

        

      

f

   



 





   

f Trombone

Ruth

 

  

 

Gelma

f

   

      

f

son.

      



f

     sea

Marcus

Violin

Violoncello II

Bass Guitar

     

 

My

son

  

Violoncello I

  

and

ov - er

  is as

3



the

  good

 

   



fowl of the

air,

 

as



 

    

     

 

 

son.

    

                                       

   

  

       

 

mf



  

li - ving thing

   

 

f

  

     that



 



my

     

li - ving, ev - ery

 



Buck

ev - ery

   

                        

dead.

  

    

andov - er

 



Youtried to kill yourown

Youtried to kill yourown

Preacher

 

 

   



                          f                       


23

Flute

Bassoon

Horn in F

157   

  

Percussion II

Ruth

           

     

  



 

Trumpet in B flat

Trombone

  



  

  

   

 Buck,

   man.

 

Star Woman

    mov

Preacher

Marcus

Violin

 

         





   

 

  

   

Violoncello II

Violoncello III

Bass Guitar

 

               



 



 

     



 

   

 



 

 



 

 



 

 



 

 



 

    



 

 

mf

 

    



BASS DRUM

mf

f

 

  

  

 

  

my son.

 



 mov

   



eth, mov

-

 

 

eth

up - on

the earth

 p   

      

Some - one didset that



 

                  

pp

       

   

 

                    

       

pp

 

       

   

 

        

 

 f

        

fire.

 

 

    



mf

Violoncello I

mf



 

eth,

  

        Slower q = c. 58   

  

   

     

 

 

   

Gelma

     

                                     

pp

                

pp



 


 

24

   

  

162

Flute

Bassoon

Horn in F

   

Trumpet in B flat

Trombone

Percussion I



  pp



  

Faster q = c.66

 

   





fff

  





   

fff

  



  

  



  

  

  



  

  

  

   

 

fff

  fff

fff

 





Percussion II

US Government official

Marcus

    

 

ff

loud knock on the door







     



     



ff

      

 

 

      

 

Violoncello I

           

     

  

  

Violoncello II

  

Violoncello III

   

Bass Guitar

    

    

       

  



  stopped    





 

up!

Op - en

 

 



         

       

Op - en up!

     

mf

  

 x x

rim shot

p

           

Op -en up!

  xxxx

 



   



  

Some - one didset that fire

Violin

     

  

 





ff

           

  

      

ff

  

  

 

fff

METAL MALLET ON LARGE PLANK OF SUSPENDED WOOD

   

    

Op - en up!

Is an - y-bod - y



Who is it?



   

   



       



  





    



     



    



fff

     fff





  

  

 

fff



 

 

fff



  

  





  

 

      

  

  






    168

Flute

Bassoon

Horn in F

Percussion I

Percussion II

US Government official

Violin

Violoncello I

Violoncello II

Violoncello III

Bass Guitar

     

   

  

Trumpet in B flat

Trombone

    







 



 



 

 

 

      

    

     x x

   

      there?

  

 



 

 

x



 



     

     

 

   

  

   

 

   

  



   

 

       

            



          

 

U. S. Gov - ern - ment Coun - ty Land Of - fi - cial. Op - en up!

   

  



 

  

  







  







 





  

   

 





  

            

norm.

  

   

  



          

Yes.

 

 



     

      U.

 

 

  

BASS DRUM

         

S. Gov - ern - ment Coun - ty Land Of - fi - cial.

  

             

   

    

  

     

  

   

  

25

 


Faster q = c. 120

26

 

172

Flute

Bassoon

Horn in F

  

 

Trumpet in B flat

Trombone

Percussion I

 



 



  





 

   





  

 

 



 

 

                       

 



pp

7

  

mf





   



 

mf

mf

ffff

 

ffff

 

ffff



Percussion II

Ruth



3  mf       

sub. p

Violin

 



 



Violoncello II

Violoncello III

SNARE

mp

  

 

 

 ffff



              



              



             

              

pp

 

 

   

     



   

 

CRASH CYMBALS

3





  



l.v.

3

ff

  

Official walks in, a brute



pp



pp

pp











          



 



3

ffff

 ffff

  ffff

  

 





  



3

3

3



3

3

3  3  3                 

3

 

ffff



               

                  



ffff

Bass Guitar



    

BASS DRUM



    

3

      



Mar - cus op - en the door.

  

Violoncello I

mf

   

3

     

Mar - cus op - en the door.

  



3

ffff

3

ff



 



pp



     

          

          

3

  





  

  

 

  

    

   


27

Flute

Bassoon

Horn in F



 



 

  

   

 



   

   

 

  

 

   

     

Trumpet in B flat

Trombone

Percussion II

 

          

  US Government official    

Violin

 

177      



Mar - cus

     





 







 







 





 



 





 



 





mf       

 



Faster, free q = c.69

Yel - low?

 

looks first at Gelma



Mis - sus

  Yel -

      low?

I



  be

            

- lieve there's been an an - om - a - ly

 

senza vib.

mp

Violoncello I

Violoncello II

Violoncello III

Bass Guitar

     

  

 



 

    

   

 



 

 



 

      



        



 

senza vib. mp

senza vib.

mp

senza vib.



mp

 



 

 

in pro - ceed - ings for your land.



   

I





be -



 





 



 








28

   183

Flute

 



 

  

Slower q = c.60

 

p

Bassoon

 

 



  

 

  

 

 

Trumpet in B flat



 

 



 



 

  



 



 



 



 

  



 

  mp

 

p

mp

Horn in F

   

mp

Trombone

Percussion I

 

   

   

 

l.v.

mp

mp



 

 



 

 

    



 



 

 

    



 

harmonic

   

  

pp

Harp

 

US Government official

Violin

                                              3               lievethere's been a sub stan - - tial an - om - a - ly in non -pay - ment of your tax - es Now I be - lieve there's been agreat tran - gre -ssion in the set - tling ofyour Deeds.Now   



 



 



 



 



 



 



 



 











 

con vib.

p, dolce



mf

   

Violoncello II

Bass Guitar

  

   

con vib.

p, dolce

 

 



 



 

con vib.

p, dolce

con vib.

p, dolce

mf



 



 

mf

Violoncello III

 

mf

   

Violoncello I



 



p


29

 

 

 

 

rit.

188

Bassoon

Horn in F

A tempo

mp

mp

 

Trumpet in B flat



mp

Trombone

Percussion II

Harp

 

p

 

 

  

SNARE DRUM

p

   

 



 

mp

 

  

 

3                     US Government official    I be - lieve there's been a great an - o - ma - ly in the tak - ing of this land

Violin

mp

 

 

p

I be - lieve

 

    

  

Violoncello II

Violoncello III

Bass Guitar

pizz.

 

 

 

pizz.

 

pizz.

 

mp

 



lightly

















 

 

mp

      

you're in thewrong, Mis - ter Yel - low,

p

Violoncello I

p



p

pizz.



Mis - sus Yel - low

 







p


30

  



192 Suddenly quicker q = c.88

Flute

Bassoon

Horn in F

Percussion II

Marcus

Violin

 

fp

 



con sordino

 fp

 

p

    

p

 

3

We'vepaid

           3

  













f

 

con sordino fp

f





 





  mf

   

 

 

   

you're in thewrong,Mis - ter Yel - low,

   f   

Mis -sus Yel - low



Your land

 

pizz.

 



           

ain'treg - is - tered pro -per - ly,









our tax - es youknowit



 

I be - lieve

 

 

 

   



f

p

  

 

con sordino

p

  



                  

 

Faster, urgent q = c.96

f

p

 

 

f

US Government official



p



Harp

poco rit.

p

A tempo q = c.60

 

mf

 

Trumpet in B flat

Trombone

 

p

Violoncello I

Violoncello II

Violoncello III

Bass Guitar

 



pizz.

pizz.

p



p

pizz.



p

 p



snap pizz.

                f

    

   



snap pizz.

                f

    

   



snap pizz.

                f

    

   








    197

Flute

Bassoon

Horn in F

  



 

 

       

    

      

 

fp

  

Violoncello II

 

31





     

    

 

   

          sfp

  

 





f

                                     

Your land ain't reg -is - tered pro - per - ty.

     

    

  

     

    

  

     

    

sfp

 

I'm here



  

sfp

f

     war



   

sfp

to give you



 

  

sfp

sfp

              

  

f

 

sfp



 

 



f

 

f





                                    f sfp sfp

f

         Your land,

Violoncello I

Violoncello III

fp

Violin

f

 

       

Trumpet in B flat

US Government official

 

                    

fp

Trombone

  



   



ning

arco   

 

f

 

 

     

          

                



 

     

        

                



 

     

          

                




32

   203

Flute

Bassoon

    

  

mf

f



  

 

Trumpet in B flat

Trombone

Percussion I

  

 

fp

   

 

fp

  

  

f

fp

  

  



MARIMBA

    

    

f

Percussion II

US Government official

Violin

  

         war   

Violoncello I

fp

arco                  

  

  

mp

Violoncello III

Bass Guitar

mf

 

Violoncello II



f

arco

           mp

fp

      

                  f

f

f



     

      

    

f





mf

            

  

        

       

Un -less youpay the tax - es



     

p

 

          



SNARE

ning.



                           

  



f

fp

mf

   

   

 

           



f

fp

  f

                                        

f

Horn in F



p

Un -less youpaythe tax - es

 

   











      mf

              

due



due







                          f





                         



                         



arco





mf p

  

                                 



   








   209

Flute

Bassoon

Horn in F

Trombone

Percussion II

US Government official

Violin

   

 

 

   





     

f

              the gov - ern - ment

      ffp

       

Violoncello I





 

     

        

Bass Guitar

        ffp

       

      

 







 



sfp

sfp

  

sfp

             

 

      

   

 

 

              sfp

    

fp

     

       

ff. belligerent

 

 

    fore - close

                   sfp

sfp

                sfp

sfp

sfp

sfp

sfp

 

    

  

ffp

    

ffp

sfp

                

ffp

                  sfp

fp

                  sfp

      

sfp

sfp

sfp

              sfp

 

sfp

              sfp

33

will

     

sfp

            sfp

the gov - ern - ment

sfp

sfp

sfp

f

               

sfp

           

  

                     



          

                





              

sfp

      

f

           

sfp

ffp

Violoncello III



will

ffp

Violoncello II

 



              

  







    



ffp


34

  215

Flute

 



 

  

  

 

mf

Bassoon

Horn in F

Percussion I

Percussion II

Ruth



Trumpet in B flat

Trombone

                

senza sord.

 

           f

          

senza sord.



       

p

        

  

 

    



 



  

 

       

  

MARIMBA

fp

fp

 

f

   

mf

senza sord.

 

f

       

 

         

mf

       

f

We've reg - is - tered pro - per - ly

Gelma

       

f

They reg - is - tered pro - per - ly

 

US Government official

Marcus

Violin

 











will fore close

f       

We've reg - is - tered pro - per - ly

 

Violoncello I

                        

             

   

  

  

  

 

sfz mf

                                                

 

sfz mf

Violoncello II

                                                

 

                                                

 

sfz mf

Violoncello III

Bass Guitar

 

sfz mf

                                  ff. belligerent

   





 

       


35

Flute

221                                                        

fff

Bassoon

Horn in F

 

  

fff

  

     

   

 

ff

Trumpet in B flat

Trombone

Percussion I



  

 

 

       

    

 

 

 

  

 

  

  

  

 

 

      

 

     

     

           

 

   

      

  

    

  

  

 

 

 

 

 

 

 

 

 

 

      

   

 

  

  





sffz

sffz

 

 

 

 



   

 

            

ff

sffz

        

 

 

 

sffz

 

  

 

 



  

fff



    

  

TOM TOMS

Violin

    

     

  

fff

Percussion II

  

            

ff

 

  

  

 

  

 

          

 

fff

Violoncello I

Violoncello II

Violoncello III

Bass Guitar

 

 

 

  

 

fff

 

 



  



  

  

     

  

  

  

    

  

fff

fff

fff

  

  

   

   

 



 

  

 

  

    

  

  

  

    

  

  

  



       



 

      

     

  

  

  

  



 

sffz

sffz



 

sffz

sffz


36

    225

Flute

Bassoon

Horn in F

Percussion I

Percussion II

Violin

  

    





   

 





  

       

 



 

 

stopped



 

 



  

       

 

 

   

 

 

 

 

  

 

 



     

 



   

 



 

 

           

  

   



10

             

  

  

    

                

 

   

                





  

 

Trumpet in B flat

Trombone

 





 

 

  



 

 

 

  

 

 

 3

  

 

 

 

 

 

 

 



3

   

Violoncello I

                       

               

   

Violoncello II

                       

  

               



 

 



 

 

Violoncello III

Bass Guitar

 

  

   

       

 

 

  

  

   

       

 

 


  229

Flute

Bassoon

Horn in F

Percussion I



   ff

    



fp

f



f

fp



 

 

f



fp



fp

f

f

 fp

f







  

 

 



  

               

-

 

ty

a

-



 



cres

and

a

mule.

That

is

our

 3   right

                                          

Violoncello II



ff

  

Violoncello I

Bass Guitar



                                    

ful



                                         ff

                                         ff

                                         ff

    ff

 

 

 



due

 

ff

Violoncello III



               

For

Violin



               

ff. with great passionn

Marcus

fp

BASS DRUM.

Harp

  

37

 

ff

Percussion II

 

 

Trumpet in B flat

Trombone

 

          

                  

                  

 



       

  






38



    233

Flute

Bassoon

Horn in F

Percussion I

Percussion II

Ruth

Violin





   

 

 

 

 

   sfp

  

 

         

 

 

     

  

Trumpet in B flat

Trombone

 















 



p

p

mf

mf

mf

p

 

 

 

 

  

 

 

 

ff



For

 

     

       



  

 

 





ty

a

cres.

So

li

-

ttle

 to



give

                                   

           

  

                                   

            

  

 

            

  

                                 

           

  

sfp

Violoncello I

sfp

                                   

Violoncello II

sfp

Violoncello III

Bass Guitar

 

     

sfp

 


39

  236

Flute

Bassoon

Horn in F

Trombone

Percussion I

 





 

Trumpet in B flat

 

   

    

        

 



 

Harp



 



 



              

Violin

for

                 

  the

  life

  

 

 

 

   

 



 

we

gave

you,





 

 

Violoncello II

 

                

 





Bass Guitar

 

 

 

 

 

for

              

              

and

 

 

                         

 

 

Violoncello I

Violoncello III

 

        

Percussion II

Ruth

our




40

  238

Flute

Bassoon

Horn in F

 mp

Trombone

Percussion I

Percussion II

Harp

 

 

 mp

 

 

 

mp

    

 



f

mf

  



f

p

 f

p

        

  

  

p

     

  



 

  

Trumpet in B flat

mf

  



 

mf

    

         

 

  

     

 

                                        

    

   

-

   

 

 

 

 

 

 

 

 

 

  

 

 

 

Violoncello I

  

 

 

 

 

 

 

 

 

 

 

 

 

 

Violoncello II

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

 

 

Ruth

an

Violin

Violoncello III

Bass Guitar

  

3

ces

-

tors

 

 



who

made

you



 

rich

 

by


  240

Flute

Bassoon

Horn in F

Trombone

Percussion I

Percussion II

Harp

Ruth

 

 

  

 

Trumpet in B flat

 

 

 

 

 



    

    

      

   

     

  

    

  

 

own



 



blood

for

for

 

 





   

 

   

-

-

-



- ty

a

 

 

 

 

 

 

 

 

 

 

 

  

Violoncello I

  

 

 

 



 

 

 



 

 

 

 

Violoncello II

  

 

 

 

 

 

 

 



 

 

 

  

 

 

 

 



 

 

 

 

 

 

 

  

Bass Guitar

 



 

   

Violoncello III

 

                                                                

their

Violin



     

 

  

41

   

 

 

 

cres

 

 

 

 

 

 

 

 


42

  242

Flute

Bassoon

Horn in F

 

Trumpet in B flat

Trombone

Percussion I

Percussion II

Harp

Ruth

 

Violoncello I

Violoncello II



 

 

   

   

     

 



ff

 



  





  









  

  

 

    

 

        

                                              

    

    

 





 

 

ffff

ffff

 ffff

                   

ffff

 

 

 

                           ffff

  

     

fff

 

        

 

 

 



and

Violin

 

 

a,

           

           



and

a



 

fff

mule.

        

         

                      

  

  





    



              

ffff



              

ffff



              

ffff

Violoncello III

Bass Guitar

    

                      

  

 

 

 

    







              

ffff



 

 


  245

Flute

Bassoon

Horn in F

 

 

 



   



  

 

 

ff

ff

  



  

       

            

             

       

f

Trumpet in B flat

Trombone

Percussion I

Percussion II

Harp

Ruth

Marcus

Chorus soprano (Gelma)

  

  

                                

  

 



              

  

 



ff



For ff

 

I

 

Chorus Alto

ff

   

 

ff

Violin

Violoncello I

 

  

Violoncello II

Violoncello III



Bass Guitar

ff

For

                             



ff

ty

a

 -

For

ty

ty

a

a

ty

a

ty

a



   

had

a

cres

                

cres

-

cres

 -

cres

-

        

ff

        



ff

 

 

-

ff





               

ff

               

 





 

                                  

  

ff

 





               

 



cres

For

Chorus Tenor

 

                           

For

Chorus Bass

       

43

f

 



       

            

 

     

          

                    

       



   


44

  248

Flute

Bassoon

Horn in F

     

Percussion I

Percussion II

Harp

Ruth

 





 

Trumpet in B flat

Trombone

 

   



 

Chorus soprano (Gelma)



Violin

ff

 

  



For

ty

a

ty

a

ty

a

 -

cres

 -

cres

 -

cres,

 

               

Violoncello II

Violoncello III



 



              



 

 



-

-

 

-ty

-

a

ty

a

 -

 

                   

 -

of

il

-

le

 

          -

ty

a

-

 

 

 

               

           

 



-

ty

 a

-

cres

ty

-

cres

-

cres

-

cres

a

ty

a

ty

a







 

 



   

              

 

   



For

 

         

cres

 

gal

Our

cres.

-

For

 

For





For

 

For

cres

               

 

 

         

   

                                  

               

 

 

              

For

  





 

 



cres

dream.

Violoncello I

Bass Guitar

-

  

For

Chorus Bass

a

For

 

Chorus Tenor

ty

For

Chorus Alto



 

   

 



                            

 

  



    

           

 

 

  

                   

For

Marcus

 

  

US Government official





 

  

 

   


  251

Flute

Bassoon

Horn in F

 

Trumpet in B flat

Trombone

Percussion I

Percussion II

Harp

Ruth





45

      

            



     

    

     

     

 

         

        

  

 

         



 

 

 



        

Marcus

Chorus soprano (Gelma)

ly

owned

 

 

 









Bass Guitar

  

 

 

 

 

ty

a

 -

 



I

cres.

 

land.

   



ty

a

cres

 



For



 



ty

a

ty

a

ty

a

 -

-

-

cres

cres

 -

-



cres,

For

 

-

ty

a

 -

cres

  

           

         

  

           

         

                

           

           

      

           

Violoncello II



  

Violoncello I

Violoncello III



For

  



For

  

                            

For

land.

own



   

Chorus Tenor

Violin

  

Chorus Alto

Chorus Bass



                          

For

 

       

   

       

 

         

US Government official

9

  

              



 

 

ty a          

For

cres

     

  

   




46

   254

Flute

Bassoon

Horn in F

    

Percussion I

 





   

   

Trumpet in B flat

Trombone

 

    

 



     

 



   

 







  



loco

 

   

 

 

   

sfp

           

   

sfp

      

sfp

      

  sfp

      

  sfp

                                  

TOM TOMS

Harp

Ruth

   

 

 

 

 

                            

  



 

have

a





  f

mp

fp

Percussion II

        SNARE

     fp

dream. looking straight at US Gvt.Official

Marcus

Chorus soprano (Gelma)

p

      For - ty

For - ty

Chorus Bass

Violin

    For - ty

  

Violoncello I

 

Violoncello II

 

Violoncello III

Bass Guitar

     

a - cres

      For - ty a

Chorus Tenor

a - cres

    

Chorus Alto

 - cres

a - cres

 

 

 

and

a

mule.

and

a

mule.









 

loco  

sfp

          

      

          

          

            

 

a - bout the fam - i - lies who'vebeen

mule.



and

      

a

mule.

     

a

     

We know a - bout the lynch -ings

 

and

and

                                 sfp                                 

sfp

           

                                

sfp

   

  

f




   258

Flute

Bassoon

Horn in F

Trombone

Percussion I

f



  

  

Trumpet in B flat

 

      

   





47

    

Much slower q = c.63

 

 

 

fff

 

  

     

 

 

 

 

 

  

 

 

 

 

    

 

fff

fff

fff

             fff

Percussion II

Preacher

    

  

ff

  

Chorus/Congregation gather round Preacher

lunga

 

    

warning, sneering

Marcus

  

Violin

   run

off

their

   

   

Violoncello II

p, gently (poco rubato)

     

ff

 

lunga

 

 

 

seed - time and har - vest, and cold and heat,

 





ff

 

lunga

 

land

  

  





      

  



 

   

 

      

  

fff





fff

fff

p

fff

fff

p

Violoncello III

Bass Guitar

3

    

Boy.

  

Violoncello I

"While the earth re - main - eth,

looking straight at Marcus

US Government official

   

    





  

  







     

 

      

  



fff



fff

fff

fff





p

p

   

3

 

and sum - mer and


48

  262

Flute

Preacher

Chorus soprano (Gelma)

5 3                 win - ter,anddayandnight shall not cease."

 

p

              

5                   

"So - journ in this land, and

p

 

p

 

 

I will be with thee;

for un - to thee and un - to thy seed,



I will give all p

A - men

Chorus Alto

Chorus Tenor

Chorus Bass

Violin

Bass Guitar

Ruth

Chorus soprano (Gelma)

A - men

Violoncello III

Bass Guitar



 p

 

 





 

3

          mp

these coun - tries; and I





 



 

mf

mf

  



 

A





p  5   5                 p

 5   5                  

 



p 5  5                



 

 

 

p





 

p               A

  



 

 

 

 

 

 

 

 

 

5

5

 -

men

  f

 

pp

men

f

pp

men pp

f

men

mf

mf

mf

pp

men f

mf

pp

A

men



   

men

f

A

  

A mf

A

mf

pp

    

will per - form the oath which I swareunto A - bra - ham thy fa - ther..."



Ruth walks to join congregation mf

3                     

mf

 3

 

 

  

 

poco rit.

 



 

A p

 

Violoncello II

     men

Violoncello I

 

A

men

Violin



 

A p

A - men

men

Chorus Bass

   

Chorus Tenor

    

Chorus Alto

 



267

 

US Government official

p

A - men

     

Preacher

Marcus

p

A

Violoncello II

 

Violoncello I

Violoncello III

 

p

 


 

A tempo

272

Flute

Bassoon



 

  p





 

 



  

 

 

p

Trombone

Percussion II

Trumpet in B flat

p

 



 

 



 



  f

 









49

f

f

Horn in F







  f



 

BASS DRUM

mf

Preacher

Violin

p                                                "...And I willmakethyseed to mul ti plyasthe stars of the heav ens and will give and will giveun- to thy seed

 

Violoncello I

 p

Bass Guitar









 





 

p

 

  p

 

mf

          5

allthesecoun - tries;andinthyseedshallall

the



 



   

 

 



 

 

 

 

 

 f

 









 

     

 

 

 

 

f

mf

mf

 

3     

f







 

 

 

 

 

p

 

Violoncello II

Violoncello III



ff, fiery

 



f

 

f


50

  277

Flute

Bassoon

Horn in F



 

ff

Trombone

Percussion I

Percussion II







 

 

  

 

 

  

 







 

 

 

 

  

 

ff

 

ff

  

 

 

SUSPENDED CYMBALS

mf

f

  

 ff

Harp

Ruth



 

  

Chorus soprano (Gelma)

 

Violin

   

na - tions5of the earth,all the na - tions of the earth

 

 

Violoncello I

Violoncello II

Bass Guitar

 

 



   

gliss.

A ff







 

 

 

A

  

ff

ff



  

  



ff

  ff

glis  

gliss.

A ff

 

gliss.

A ff





men



   

 

ff

 

 

 

  p

A

men

 

p

         

 

And God sawthat the wick - ed - ness of man

ff Violoncello III

 

ff



 

.

 

be blessed

 

men, A



Chorus Tenor

Chorus Bass

 

 3             

 

Chorus Alto

s glis

        A

Preacher

 

  

ff, rapturous and free

 

 

ff

Faster q = c.63

ff

 

Trumpet in B flat

molto rit.   

Suddenly much slower q = c.54

gliss.

s.



gliss.

gliss.

 

p

gliss.

men

gliss.



gliss.

 

p gliss.

men

 

gliss.

 

men

 

 





    





  

 



 

 

   

  

 p

gliss.

men gliss.

p

gliss.



 

pp

  pp

 

pp

 

pp

 

pp

 

 

 

 


Flute

281   

Horn in F

 



Largo maestoso q = c.56

 

 

 

p

Bassoon



51

ff

 

 

ff

ff

 

 

 

 



 

Trumpet in B flat

Trombone

Percussion I

Percussion II



  ff





ff

   f

3      3                                       was great in the earth and that ev - ery i - mag - i - na tionof the thoughts of his heart was on - ly wick - ed con - tin - u - al - ly

f

Preacher

Violin

  



 



Violoncello I

 

Violoncello II



   

f

Bass Guitar

Re - pent,

 

  

     f

  

    

  

f

Violoncello III

  

ff        

 

 



  

  



  



 

  

  

 

strum



ff

  f

 

ff



 

ff

re - pent,



ff

ff

 




 

  

 

52

  285

Flute

Primo tempo q = c. 76

      

 





  

 

 

f

Bassoon

Horn in F

 

 

 



f

f

Trumpet in B flat

Trombone

 



 

 

 

 



mf

   

  

   

  



 

 

 

f

CRASH CYMBALS

Percussion I

Percussion II

Ruth

Preacher

Violin



Violoncello II

Bass Guitar

 

      



 f

   

Ah

3

   





   

  

 

  

   

  

mf

        

my face

shall

 

 

 

there

fore

sin - ners

 

 I



 

let

6

  

con sord.

me

6

 

con sord.

bap

I

re -



tise

you

 

3

   

3

                6

  

 

 

 

3

7

 

 

6

ppp

-

7

ppp

con sord.

 

                

ppp

  

7



till

                     

ppp

eat bread,

con sord.

     

"In the sweat of

                Re - pent, re - pent

 

f

  

Violoncello I

Violoncello III

 



Harp

 7

  


 

    

  

 

 

 





 

 

  288

Flute

Bassoon

Horn in F

Trumpet in B flat

Trombone

Percussion II

Ruth

   

Chorus soprano (Gelma)

 





 

 

  un - to

the

  

in

 

the blood

of

the

  

f



Violin

Violoncello I

 

f

Violoncello III

  



f

    

 

       

  3









 











  

f



  

      

       

6

5

    

      3

 

     3

  

 

   

 

 

  5

    

 

3

6

 

3

   

       6

 

 

 

 

  

it

it

  5

we

 

 

 

it

  

 

5

-

 



ken;



ken;

 

ta



ken;

 

      -



ken;

        3   5

  

 

   

                     3     6

-

ta

we



 

ta

we

   

       

-

   

were

 

ta

we

were

it

 

   

were

3

   

were

 

of

 

of

for out

3

Violoncello II



 

of

for out





 

of

  





Lamb

for out

Chorus Bass

 

ground;

for out

Chorus Tenor

Congregation process to be baptised

 

Chorus Alto





 

 

    

  



turn

Preacher

53

3

 



   




54

   291

Flute

Bassoon

Horn in F

Trombone

Percussion II

Marcus

Chorus soprano (Gelma)

Violoncello I

Violoncello II

Violoncello III

f





 



    

   









 

 

 

 

     

   

for



dust

we





  for



dust

we





    

 







for

dust

we

   

 



for

dust

we

  

 

   



f

   



I hear the train

    

Chorus Tenor

Violin

   

Chorus Alto

Chorus Bass

    

 

 

are

are

 

and un



are

-

-

  and un



and un

-

  and un

-

to



dust

   

shall

 



   

we

dust

we

shall

 



 

 

to

dust

we shall

re turn



 

to

dust

  

we



3

3       



   

 

re turn

shall

re turn

           



5

6

    

re turn

to

              



5

    

  

 

are

 

5

       

   

6

  

 

 





     

  

3

   









f

  

mp, lyrical and expressive

f

    

f


55

 

295

Flute

Bassoon

Horn in F

Trumpet in B flat

Ruth

Marcus

Violin



stopped



 

  

I hear

com - ing

 

 

 

 the

               

  

mp

sky





sing - ing.

    



 



  

 



  

  

 



  

    

I have noth - ing to re - pent

             

 

f

         do youwantto leave this land,



to

God.

 

mp

mp

why

 



  

mp



 



Why,

 

with harmon mute

   

mp

Violoncello II

Bass Guitar

Violoncello I

Violoncello III

  

Marcus,

    

I have noth - ing to re - pent

      

 

when

 to





mf













mf

God.

             

 

 

mf

 rumble and random noise


56

   300

Flute

Bassoon

Horn in F







 



 

          

p

Trumpet in B flat

Trombone

Ruth

Violin

Violoncello II

Violoncello III

Bass Guitar

              

        

              

    



your hands

there is a

   who

 

Violoncello I

                       

p

  

         p

in

Marcus

          

new

made

                

 fu -

  

   

us slaves

to the earth

    

ture?

 

      3



to

the





 earth,

this



 earth,

this

f

 





















































       


57

  

 

305

Flute

Bassoon

Horn in F



Trombone

Percussion II

Marcus

 

 

 

 



                                        

p

  

Trumpet in B flat

p

 

Violoncello III

  

     





SHAKERS: mixture of metallic (to sound like chains) and sandy sounds

 

 



                             



Some -

  

 

p

  

     

  

Violoncello II

mp

  

Violoncello I

earth.

Violin

          

 



    

one

did set those

fi

-

             

res

andwillne - ver come to

3

      

jus - tice.

Ne

er.

  Some one

                                                        p



























             





















 

p

           p

 

sounding pitch

 (Nev)

 - er.



Some one

Bass Guitar

 

Solo (behind voice) with blues cries . F minor


58

 



 

310

Flute

Bassoon

Horn in F





mf





ff

 





      

 

ff

   

 

ff

Trumpet in B flat

      

ff

Trombone

Percussion I

Percussion II

Marcus

  

 







    

   



 

TOM TOMS

p

     

 

bro - ther

       

3

    

andwillne - ver come to jus - tice.

              

          

           

No,



 

ne - ver.

          

           



No,

 

 

3

 

 

  

      

ff



 

watched

my

fa - ther

no

  I

          

           

 

        ff

 

ff

 

Violoncello II

Violoncello III



          

 

 

  

didlynch my Bass Guitar

 

bro - ther

          





 

 

          



 



  

andwillne - ver come to jus -3 tice.

 No,

          





ne - ver.

 

No,





ne - ver,

f

  

ne - ver,

 

ff

                   

             

Violoncello I





didlynch my

Violin





 

ff

 

 

 

ff



no

ff

 



I

watched

my

fa - ther




59

  315

Flute

Bassoon

Horn in F

Percussion I

Percussion II

Marcus

Violin

 

 



                 

 

    

 

 

 



     

 

 die



 bro -

     



   

  

   

ken

  I

                

3



                       

Violoncello I

 

 

      



 



watched

my

fa - ther

die

 

 

3





a



bro - ken

  

  

man.

                     

 

  

      



God

       

     

          

 

      

      

                         



 

 



won't

       

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 



Violoncello II

Violoncello III

 

Trumpet in B flat

Trombone

              

die Bass Guitar

 

bro -

 ken







I

watched

my

fa - ther

 

die



a

bro - ken



 man.

  

God

 won't


60

Flute

Bassoon

Horn in F

319                 

Percussion I

Percussion II

Marcus

 



 

  



   





   

Violoncello I

us

                 





 

          

 God

 



  



 

   

 



 

won't

help

  



us

        

3

  

      

 

      

 

                        

         

3

  

           

help

Violin

              

 

           

   

 



 

 

          



               

Trumpet in B flat

Trombone

      

 



I

hear

the

 

 train

       

mournful

Violoncello II

Violoncello III

  

 

 

 

 

 

 

 

  

 

 

 

 

 

 

 

 

 





help

Bass Guitar



us



God

 

 

won't

help

us

 



I

hear

the



train


61

Flute

323                 

      

              

 

  

flz.

Bassoon

Horn in F

 

Percussion I

Percussion II

Marcus

Violin







              

 

 



 





com



Violoncello II

 

  

The

        

              

      







      

  

 

 

 

 

 

North

 



 

3

Bass Guitar

   

 

 



   

ing

                 

 



  

           

  

Violoncello I

Violoncello III

 



Trumpet in B flat

Trombone

 calls



 

   

me

  I

       

      



 

hear

a



       

 

 

 

 

 

 

 

 

 

 

3

  

                     

     

          

      

 

 

 

 



I

hear

a


62

  327

Flute

Bassoon

Horn in F

Percussion I

Percussion II

Marcus





com

 



      

ing

 



 



 

I

hear

  the

 



 











3





    



 



 

sky

sing - ing

 I

      

  

 

 

 

 

  

 

 

 

 

 

 

train

com

liss3. ing g

 

 



I

hear

the











p

 



my son run ning

   

 



      

sub.p, free

hear

 

  

 





  



  

  



 

ff





 

                  sfp

p

 

         



ff

sfp

  

p

3

  

rit.

      

 

            

  

 ss3.   gli



Violoncello II

Violoncello III



            

Violoncello I







    

ff

 

        

   

sfp

 

  

            

               

train

Violin

 

    

Trumpet in B flat

Trombone

             

 

sky





sing - ing

 I



p

p

sub.p, free

hear

  

 



my son run ning

Bass Guitar

p




 









                    

            

 

 

 





                   

          











           

            

 

 

 





                    

                   

 

 

   



Trumpet in B flat

Trombone

 

       

 

BASS DRUM

Percussion II



  

  

fff

Horn in F

63





A tempo

f



   

 

 

 



            

            



   



Bassoon





                      331

Flute

 



 











Harp

Ruth

  



fff





f     

  



pp



Stay with me.

Preacher

   







to Marcus

 

      

f

For he gavehison -ly son

for

you.

to Marcus

         fff

Chorus soprano (Gelma)

    

Step in - to the wa - ter

Chorus Alto

fff          

Step in - to the wa - ter fff

Chorus Tenor

         Step in - to the wa - ter

          fff

Chorus Bass

Step in - to the wa - ter

Violin

Violoncello I

Violoncello II

Violoncello III

sin - ner.

                Step in - to God'sHo - ly Wa - ter,

sin ner

    

Re - pent and be



              

    

   

             

   

saved.

Re - pent andbe

saved.

sin - ner.



  

sin - ner.

                                                                                               

Step in - to God's Ho - ly Wa - ter,

Step in - to God's Ho - ly Wa - ter,

sin ner

sin ner

Re - pent andbe

                 Step in - to God's Ho - ly Wa - ter,

sin ner

   

Re - pent andbe

saved.

     sin - ner.

  

 

saved.

 

 

 

 

                       

 

               











  

  

  

 

 

 

 









                                          

 

 

 


64

  340

Bassoon

Percussion I

Percussion II



 



VIBRAPHONE

    

pp

 

 

TRIANGLE

 

 

pp

TRIANGLE

MARIMBA

  

pp

pp

 

   

 

 

 

 

 

 

 

 

      

 

 

 

 

 

 

 

 

   

 

 

 

pp

 

l.v.

 

 

 

 

 

 

 

 

Harp

Star Woman

 



p



 

Marcus

Chorus Tenor

Chorus Bass

Violin

 

p, full of wonder



























   







 as











as

coal,

dense

 as

   

 

ir - on.

Black

as

coal,

dense

ir

Black

on



 as

Hum pp

Hum pp

m

Hum pp

m

Hum pp

m

 



m

Violoncello II



p

Violoncello I

Violoncello III



   



Everything black. We see the constellations

Black

Preacher



    

sul pont, flautando

sul pont, flautando

pp

  

  

pp

sul pont, flautando pp









sul pont, flautando pp

  

sul pont, flautando


   350

Flute

   

 3 

65

    

       

    

pp



sempre pp

Horn in F

Percussion I

 



pp

 

   

  

      

 

  

ppp

   

      

   

     

   

  

   

 

CROTALES Percussion II

 

VIBRAPHONE

p

 

 

 

   

 

 

sempre pp

 

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

 

Harp

 

Star Woman





   coal

Preacher

Marcus

Chorus Tenor

Chorus Bass

Violin





dense

  



 



as















      

ir - on.

Where



are



 





in - to

 Wade

  

sul pont,  flautando     

in - to

norm.



    

the





 





mp

    Nep

 

wa



heav ens?



tune

ter

wa

mp

ter

I

hear

 

 



wa

ter

wa

ter

      

   

pp

Violoncello I

  







 







 







 







Violoncello II

  







 







 







 







Violoncello III

 



 





the train



the

  

re

  the

 





the

 



  the

in - to

Wade



you new pla - net in

 





in - to

Wade





 

Wade

    



  

norm.

p

-


66

  358

Flute

Percussion I

Percussion II

    

  

    

   

 

  





   





 

  

 

  





  

   

  





l.v.







 

   



 













   

          



    















Harp

  

Star Woman

 

 

  

veal

Marcus

 

 

 

   

   

 

Nep

tune

 

Preacher

 

re

-

-

 

 

veal.

Chorus Bass

Violin

 

 

 

 

 









cloak and

re

-

 



pp

  

I



3

hear

 

the

sky

pp

Wade

pp

Wade

  

sul pont, flautando harmonic

6

   



   

 

 

norm.



 

 

 

 



   



      

   

veal

Wade

    

 

Throw back your

co ming

Chorus Tenor

 

in - to

the

wa

ter

     sing

ing,

      

in - to

the

   

wa

ter

      

in - to



the



   

wa

   

ter



Violoncello I

   







 







  







     

Violoncello II

   







 







  







     

Violoncello III

 

 

   



 

sul pont, flautando








67

Horn in F

     

9

      

Percussion II

     

       

 

Harp

   

Ruth

  

  

 



  

Preacher

Marcus

Chorus soprano (Gelma)

tune

  

  

  

 



 

  









 

         

 

 









I

hear,



  

 

CROTALES

  

 

      p

 



     





re



 

     



          Nep



 



     

-

-

veal

Nep

tune

re

-

-

 

  









 

  

ing.

sing

  

pp



I



 

pp





p

Chorus Bass

Violin

  

Re - veal.









 

hear

him



  

  

norm.

    

Re veal.

p



Re -



in -



run - ning





































sul pont, flautando

      

  

   

Wade

Wade

Wade





  

 

      

   

    

harmonic

harmonic

pp

     

in -



7

 

Wade







m

 

Violoncello II



 

m

  

Violoncello I

Violoncello III

  



mf

m

Chorus Tenor



 

 

m

Chorus Alto

 

Wade

Re veal.



    

 

m

  

mf

veal.

   

pp

m

Star Woman

    

 

   

pp

Percussion I



     365

Flute

  

Wade

p



 

 



 

 

              

in -

in -

in -

in -

       


68

  372

Horn in F

Percussion I

Percussion II

Ruth

 

      

  

   



    

  

   

   to

 



  

  

to

Violin







f



 







him

wa

ter

   

 

  

   

p

 

 

   



     

  

   

TRIANGLE

 

 

 

 

 

 

 

  



the

 



p

VIBRAPHONE

   

 

f

ppp

 



TAM TAM

 

in - to

Wade

in - to

 

 

 

   

   

   

   

 

 

 

   

   

   

   

   

ter

wa

the

p

 



wa

I,

ter

I

  

 hear





him

run ning

 

the

in - to

 

the

in - to

 

Wade



wa

 

Wade

ter

 

Wade

ter

wa

 

run - ning

ter

  



 

the

Re - veal

ter

      

Wade

in - to

the

the

in - to

wa

ter

wa

ter

wa

ter

  ter

wa

harmonic



p





 





 





 





     

    

 

 

norm.

  p





Wade

hear

the

to

Violoncello II

Violoncello III

 

Violoncello I

  

CROTALES

 



wa

   



I

the

   to

 

Re - veal.

wa

the

 

 



Re veal.

the

 

ter

 



to

Chorus Bass

      

     



wa

 

     

  

   

the

veal.

Chorus Tenor

      

    

  

Chorus Alto

f

f

Chorus soprano (Gelma)



f

to

Marcus

mf

  

Preacher

   

 

Star Woman

pp

Harp

stopped

  

p

 

Trumpet in B flat

Trombone



Flute



sul pont, flautando



   



norm.

  



norm.

  



norm.

 f

 

 

f 

  f


69

 

382

Flute

Bassoon

  

  f

Horn in F

  





   

      

  

 

 

 

ffff





ffff

  

stopped





ffff

mf

Trombone

Percussion I

Trumpet in B flat



   

   

  



mf

mp

   

 



 

 

   

 

ff

BASS DRUM

   







  

 

 

 

 

 

  

                                         

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Marcus

Violin



  

     

Violoncello II

Bass Guitar



pp 



I

hear









 















him





 

 

 

 





f





 

   





 

ff



 

 



 



 



 



 



 



 



 ffff

run ning

          

Violoncello I

Violoncello III



ffff

ff

Harp

 

ffff

                               f

ffff

ff

p

Percussion II

 

ffff

   

   

  



  

  

  



  

   

   



  

  

  

                              ff

f

   

 

  

 

ffff

  

 

 

 

 

 

  

 

 

 

 

 

 

   





 



 

  



  

 

  

 

 

 

 

 

  

  

       

  

    

 

  

 

 

  

f

ff

ff

ff

ffff

ffff

ffff

ffff Greenwich, 2003




Errollyn Wallen ( *1958) war Composer in Residence beim Dartington International Music Festival, beim Huddersfield Festival und am Londoner Trinity College of Music sowie „Visiting Composer in Residence“ am Birmingham Conservatoire. 2007 wurde Wallen für ihre Verdienste um die Musik der britische Orden eines MBE verliehen. Zu ihren Werken zählen: English Folk Songs: From Eleanor to Sweet William (Text von Wesley Stace) für die Birmingham Contemporary Music Group, Cellokonzert und Concerto Grosso als Auftragswerke für das Orchestra of the Swan sowie die Spirit Symphony für die BBC (Sieger beim Hörerpreis von BBC Radio 3/British Composer Award 2005). Das Errollyn Wallen Songbook enthält zwölf Lieder für Gesang und Klavier.

Edition Peters 7717

w w w.e d i t i o n p e t e r s .c o m

Another America: Earth

Errollyn Wallen (b. 1958) has been composer in residence at Dartington International Music Festival, Huddersfield Festival and Trinity College of Music, and Visiting Composer in Residence at Birmingham Conservatoire. Wallen received an MBE in 2007 for services to music. Works include: English Folk Songs: From Eleanor to Sweet William (text by Wesley Stace) for BCMG; the Cello Concerto and Concerto Grosso commissioned by Orchestra of the Swan; and the Spirit Symphony commissioned by the BBC (winner of the BBC Radio 3 Listeners/British Composer Award, 2005). The Errollyn Wallen Songbook comprises twelve songs for voice and piano.

Wallen

Photo © Gillian Edelstein

Errollyn Wallen


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