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PANUFNIK Since We Parted for mixed voices (SSATBB), 2 trumpets, harp, piano and ‘cello
Full score
EP 72612
ROXANNA PANUFNIK
Since We Parted for mixed voices (SSATBB), 2 trumpets, harp, piano and ‘cello
Score
EIGENTUM DES VERLEGERS
·
ALLE RECHTE VORBEHALTEN
ALL RIGHTS RESERVED
PETERS EDITION LTD A member of the Edition Peters Group LEIPZIG · LONDON · NEW YORK
Instrumentation SSATBB voices 2 Trumpets in B flat Harp Piano Violoncello
Duration: 10 mins approx.
Note When Jeffrey Skidmore of Ex Cathedra approached me to write this piece, he specified that it should be remembering the first World War and, if at all possible, the words should be by or about a woman. A friend steered me towards Vera Brittain’s Testament of Youth and, spookily, the book fell open on page 163 where appeared Kathleen Coates’ s poem “A Year and a Day”. This was written between 1910 and 1913 but is, I think, prophetic of the impending war in its depiction of a woman and man in love, reluctantly separated and missing each other. Around the same time, my mother sent me the poem ‘Since we parted, yestereve’ by Victorian statesman and poet Robert Bulwer-Lytton (1831-1891) – it seemed to fit beautifully as a refrain to ‘A Year and a Day’. We start with the refrain in which I try to create a sense of yearning – with harmonies that lean into each other and suspensions that only partly resolve. I have given the ladies the first verse of ‘A Year and a Day’ – I have used mellow flat keys as this is marked “languorously” as I picture a calm but pining Edwardian lady, reclining in a warm, English Summer’s garden. When the men take over in the second verse this comes from a darker place – maybe a noisy, fetid trench where dreams of love and happiness are sometimes hard to conjure. The music shifts in harmonic uncertainty – the harp oscillates and rumbles, creating instability. This part is written in sharp keys which, I think, have a more stringent feel about them. The whole piece is made up of my typical major-minor harmonic language which sets a bittersweet atmosphere and the trumpets remind us, from time to time, of the backdrop of war. The piece ends meditatively, with ‘Eleven Armistice Chimes’ and lasts approximately 10 minutes. It’s dedicated to Jeffrey Skidmore and Ex Cathedra and my deepest thanks go to them for commissioning the work and Jane Arthur for sponsoring the commission. RP 3 July 2014
Since we parted Since we parted, yestereve I do love thee, love believe, Twelve times dearer, twelve hours longer, One dream deeper, one night stronger, One sun surer – this much more Thank I loved thee, love, before. Robert Bulwer-Lytton
A Year and a Day I shall remember miraculous things you said My whole life through – Things to go unforgotten till I am dead; But the hundredfold, adorable ways of you, The tilt of your chin for laughter, the turn of your head That I loved, that I knew – Oh! While I fed on the dreams of them, these have fled! Words which no time can touch are my life’s refrain, But each picture flies. All that was left to hold till I meet you again, Your mouth’s deep curve, your brows where the shadow lies, These are the things I strive to capture in vain, And I have forgotten your eyes, And the way that your hair spun curls in the beating of rain. Kathleen Coates, 1910-13
This score reflects the state of editorial work and correction as at September 2014
for Jeffrey Skidmore & Ex Cathedra
Since We Parted Anon, and Kathleen Coates
Roxanna Panufnik
q = 72
Sopranos 1 & 2
4 4
Altos 1 & 2
4 4
Tenors 1& 2
4 4
Basses 1& 2
4 4
Trumpet in Bb 1
4 4
Trumpet in Bb 2
4 4 4 4
Harp
mp
4 4 4 4
Piano
4 4
mp
molto pedale
q = 72
Violoncello
Edition Peters 72612
4 4
Š Copyright 2014 by Peters Edition Ltd, London
2 6
p
S.1&2
6 4
Since we part - ed,
p A.1&2
T.1&2
4 4
yes- ter- eve
(no breath!)
4 4
yes- ter- eve
4 4
Since we part - ed,
p B.1&2
6 4
mp
3
6 4
mp
3
6 4
er,
4 4
5 4
Twelve times dear - er,
5 4
Twelve times dear - er,
(no breath!)
4 4 yes- ter- eve
6 4
mp
4 4
I do love thee, love be - lieve,
6 4
Twelve times dear
5 4
4 4
I do love thee, love be - lieve,
Since we part - ed,
Tpt. 1
4 4
I do love thee, love be - lieve,
(no breath!)
6 4
6 4
mp
I do love thee, love be - lieve,
6 4
Since we part - ed,
p
(no breath!)
4 4
3
6 4
5 4
Twelve times dear - er,
4 4
5 4
pp
Tpt. 2
Hp.
Pno.
Vc.
6 4
4 4
6 4
4 4
5 4
6 4
4 4
6 4
4 4
5 4
6 4
4 4
6 4
4 4
5 4
6 4
4 4
6 4
4 4
5 4
6 4
4 4
6 4
4 4
5 4
6 4
4 4
6 4
4 4
5 4
pp
3
3 11
S.1&2
5 4
mf
4 4
twelve hours lon
A.1&2
5 4
5 4
5 4
-
ger,
deep - er,
one
night
strong - er,
3
sub.p
One dream deep - er,
one night
strong...,
sub.p one dream
hours,
one
4 4 hours,
deep - er,
one...
strong - er,
One sun sur - er _
mp
5 4
One sun sur - er _
5 4
One sun sur - er _
mp
sub.p
One
5 4
mp
4 4
mf
Twelve
One dream
4 4
mf
twelve
B.1&2
ger,
mf
twelve hours lon
T.1&2
-
mp
sub.p
deep - per,
one...
strong - er,
One
5 4 sur - er _
Tpt. 1
5 4
4 4
5 4
Tpt. 2
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
5 4
4 4
5 4
Hp.
Pno.
Vc.
mp
rall.
4 15
S.1&2
a tempo q = 72
(no breath!) mf
5 4
4 4
this much more
Than
I
do love thee, love,
be - fore.
mf (no breath!) A.1&2
5 4
4 4 this much more
Than
I
do love thee
love,
...fore.
mf (no breath!) T.1&2
5 4
4 4 this much more
Than
I
do love thee, love,
...fore.
do love thee, love,
...fore.
mf (no breath!) B.1&2
5 4
4 4 this much more
Tpt. 1
Than
5 4
I
4 4 p
Tpt. 2
Hp.
Pno.
5 4
4 4
5 4
4 4
5 4
4 4
5 4
4 4
5 4
mf
p
4 4
a tempo
Vc.
5 4
rall.
q = 72
4 4 mf
5 19
S.1&2
A.1&2
T.1&2
B.1&2 love,
Tpt. 1 mp
Tpt. 2 mp
Hp.
Pno.
Vc.
be -
fore,
6
A Year and a Day a little slower 22
q = 72
rall.
S.1&2 I
do love thee,
love,
I
do love thee,
love,
I
do love thee,
love,
I
do love thee,
be... (-fore!)
A.1&2
T.1&2
B.1&2 love,
Tpt. 1 mp
Tpt. 2 mp
3
mp
Hp.
mp
Pno.
rall. Vc.
3
A Year and a Day a littleqslower = 72
3
7
Langourously a little slower 27
rit.
S.1&2
6 4
4 4
A.1&2
6 4
4 4
Tpt. 1
6 4
4 4
6 4
4 4
Tpt. 2
6 4 Hp.
Pno.
q = 66
3
p
4 4
3
6 4
4 4
6 4
4 4
6 4
4 4 mp
30
S.1&2 I
mp A.1&2 I
Tpt. 1
Tpt. 2 pp
Hp.
Pno.
shall
re - mem- ber
shall
re - mem- ber
8 33
mf
3
3
S.1&2 mi - ra
-
cu
-
lous
things
you
mf
3
said
3
A.1&2 mi - ra
-
cu
-
lous
Hp.
mf
Vc. mp
mp
35
S.1&2 My mp
whole
life
My
whole
life
through
A.1&2
Tpt. 1 p
3
Tpt. 2 p
Hp.
Pno.
Vc.
mp
p
3
9 37
S.1&2 mp A.1&2 Things
to
go
un
for -
-
Tpt. 1 3
Tpt. 2
Hp.
p
Pno.
pizz. Vc. mp mf
mp
39
mf
S.1&2 till
I
am
dead;
But
the
But
the
mp A.1&2 got - ten
Hp.
un
for - got ten
-
mf
Pno.
arco Vc.
3
10 41
f
3
S.1&2 hun - dred - fold, a - do
-
f
ra
-
ble
ways
of
3
A.1&2 hun - dred - fold, a - do
-
ra
-
ble
ways
of
6
3
Tpt. 1 mp
Tpt. 2 mp
Hp.
Pno.
(Cยง
f
mf
Vc. mf
b)
11 43
S.1&2 you,
A.1&2 you,
Tpt. 1 mf
3
Tpt. 2 mf
Hp.
p
(Bยง)
3 3
Pno.
Vc.
f
3
3 3
12 45
S.1&2
Tpt. 1
Tpt. 2
Hp.
mp
Pno.
p
Vc. mf 47
mp
a.2.
mp
3
S.1&2 The
tilt of your
chin
for laugh -ter,
a.2.
mp
A.1&2 the
Tpt. 1 p Tpt. 2
Hp.
Pno.
Vc.
3
13 49
mf
3
S.1&2 that I
3
loved,
that I
mf
3
A.1&2 turn
of your head
that I
loved,
Tpt. 1 mp
Tpt. 2 mp
Hp.
mf
Pno.
mf
Vc. mf
3
14 51
3
3
S.1&2 _
knew
3
3
3
(don’t breath!)
A.1&2 _
knew,
Tpt. 1
Tpt. 2
(Bb)
Hp.
Pno.
Vc.
3
53
f Anguished!
15 3
3
3
3
S.1&2 Oh!
While
sub.f
3
I
fed
on
3
the...fed on
the... fed
on
the
3
3
A.1&2 Oh!
While
I
fed
on
the...fed on
the... fed
on
the
Tpt. 1 mp
3
Tpt. 2 mp
Hp.
mf
Pno.
mf
Vc. mf
3
(Bb)
16
rall.
55
mp
S.1&2 dreams
of
them,
mp A.1&2 dreams
of
them,
Tpt. 1
Tpt. 2
3
Hp.
3
mp 3
p
Pno.
rall. Vc. 3
mp
3
Slower and more subdued 57
q = 72
mp
S.1 have fled!
p S.2 have fled!
mf
Anguished!
pp
A.1 these
have
fled!
mf Anguished!
have fled!
pp
A.2 these
have
fled!
have
fled!
Tpt. 1
Tpt. 2
3
(Fยง, Eยง)
Hp.
p
3
Pno.
p
Slower and more subdued q = 72 Vc.
17
18 62
p
S.1
6 4
Since we part - ed,
p S.2
A.1
A.2
p T.1&2 “Oo”
p B.1&2
I
do love thee,
4 4
yes - ter - eve
6 4 I
do love thee,
(no breath!)
6 4
4 4
yes - ter - eve
6 4 I
do love thee,
(no breath!)
6 4
Since we part - ed,
6 4
(no breath!)
6 4
Since we part - ed,
p
4 4
yes - ter - eve
Since we part - ed,
p
(no breath!)
4 4
yes - ter - eve
6 4 I
6 4
do love thee,
4 4
6 4
4 4
6 4
“Oo” 3
6 4
“Oo”
“Oo”
Tpt. 1
6 4
4 4
6 4
Tpt. 2
6 4
4 4
6 4
6 4
4 4
6 4
6 4
4 4
6 4
6 4
4 4
6 4
6 4
4 4
6 4
6 4
4 4
6 4
Hp.
Pno.
Vc.
pp
3
19
sub.p 67
S.1
6 4
mp
4 4
love be- lieve,
S.2
6 4
mp
6 4
mp
3
love be- lieve,
A.2
6 4
Twelve times dear - er,
4 4
love be- lieve,
A.1
5 4
mp
3
love be- lieve,
twelve hours lon - ger,
5 4
Twelve times dear - er,
4 4 4 4
6 4
4 4
mf
5 4
4 4
sub.p
“Oo”
4 4
sub.p
“Oo”
4 4
sub.mp
“ah”
One dream
mp
6 4
4 4
5 4
sub.mp
4 4
“ah”
3
6 4
One dream deep - er,
4 4
5 4
4 4
6 4
4 4
5 4
4 4
6 4
4 4
5 4
4 4
pp
Tpt. 2
mp
Hp.
Pno.
Vc.
deep - er,
mf
“Oo”
Tpt. 1
“Oo”
mf
“Oo”
B.1&2
4 4
twelve hours lon - ger,
mp T.1&2
mf
p
“Oo” sub.p p
twelve hours lon - ger,
5 4
Twelve times dear - er,
mf
4 4
twelve hours lon - ger,
5 4
Twelve times dear - er,
mf
6 4
4 4
5 4
4 4
6 4
4 4
5 4
4 4
6 4
4 4
5 4
4 4
6 4
4 4
5 4
4 4
mp
mp
rall.
20 mp
71
5 4
S.1&2
mf
4 4
“ah”
mp
mf
5 4
A.1&2
4 4
“ah”
(no breath!)
mp T.1&2 one
night
strong - er,
3
One sun
sur - er _
mp
Tpt. 1
Hp.
Pno.
Vc.
mf
strong...,
One sun
4 4 this much more
Than
sur - er _
I
love thee,
do
love thee,
4 4 this much more
Than
I
5 4
4 4
5 4
4 4 (Bb)
(not spread)
5 4
4 4
5 4
4 4
5 4
4 4
5 4
do
mf
5 4
B.1&2 one night
mf
5 4
rall.
3
4 4 mf
(Ab)
original tempo, as if reassured...
21
q = 78
75
S.1&2 love,
...fore.
love,
...fore.
A.1&2
T.1&2 love,
be - fore.
B.1&2 love,
be fore. -
Tpt. 1 p
mp
Tpt. 2
mf Hp.
(Aยง)
mp Pno.
original tempo, as if reassured... q = 78 Vc. mf
mf
22
rall.
78
S.1&2 I
do
love thee,
love,
be...
(-fore!)
A.1&2 I
do
love thee,
love,
I
do
love thee,
love,
I
do
love thee,
T.1&2
B.1&2 love,
be -
fore,
Tpt. 1
Tpt. 2 mp
Hp.
Pno.
rall. Vc.
love,
Darker... a tempo 82
23
q = 72
S.1&2
A.1&2
T.1&2
B.1&2
Tpt. 1
Tpt. 2 mp
Hp.
f
(smack metal strings don’t damp!)
Pno.
mp
a tempo q = 72 Darker... Vc.
mf (waggle F§/# pedal)
24 85
T.1&2
mp B.1&2 Words
which no
Tpt. 1 mp 3
Tpt. 2 mp
3
sim.
Hp.
mp
(waggle Ab/§ pedal)
(smack metal strings don’t damp!)
Pno.
*) Vc. mf *) bend pitch down and back up, a little
25 87
3
T.1&2 no
time
can
B.1&2 time
can touch
Tpt. 1
Tpt. 2
sim.
Hp.
Pno.
Vc. p
touch
26 mf
3
89
3
T.1&2 are
my
life’s
re
mf
3
-
frain,
-
3
B.1&2
3
3
Tpt. 1 mp
Tpt. 2
Hp.
Pno.
mf
mf
Vc. mf
3
27 91
3
T.1&2 but
each picture
flies.
each picture
flies.
3
B.1&2 but
3
Tpt. 1
p
Tpt. 2 mp
p
Hp. (C#)
Pno.
Vc.
(Fยง)
3
28 93
T.1&2
mp bitterly B.1&2 All
that was
left
Tpt. 1
Tpt. 2
mp
Hp. (Bb) f
Pno.
mp
Vc. mp
to
hold
29 95
mf
mp
3
6 4
3
T.1&2 till
I meet you
a -
gain,
mp
6 4
B.1&2 left
to
hold,
Tpt. 1
6 4
Tpt. 2
6 4
6 4 Hp.
(keep Bb!)
6 4
(F#) 3
6 4 Pno.
mf
6 4
6 4
Vc. mf
3
30 97
T.1&2
6 4
mf
f
Your mouth’s deep curve,
B.1&2
6 4
mf
your brows where
f
Your mouth’s deep curve,
Tpt. 1
3
4 4 the
3
your brows where
6 4
sha
the
sha
4 4
6 4
dow
4 4 -
dow
3
6
mp
Tpt. 2
-
4 4 mp
6 4
4 4 f
Hp.
(B§)
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
Pno.
Vc.
f
31 99
T.1&2 lies,
B.1&2 lies,
Tpt. 1 mf
3
Tpt. 2 mp
mf
Hp.
3
3
Pno.
f 3
mp
(Dยง, Cยง, Bยง, Eb, Fยง)
3
5
mp
3
(mf)
Vc. mp
32 102
p
mp
3
T.1&2 These are
the things
I
p B.1&2
Tpt. 1 p
Tpt. 2
Hp.
Pno.
Vc. mf
3
33 104
T.1&2 strive
to
cap -
ture
B.1&2 I
Tpt. 1
Tpt. 2
Hp.
Pno.
Vc. mf
34 105
mf
3
3
T.1&2 in
vain,
mf
3
B.1&2 strive
to
cap - ture
in
vain,
Tpt. 1 mp 3
Tpt. 2 mp
Hp.
mf
Pno.
mf
Vc. mp
mf
and
I
have
for -
35 107
3
3
T.1&2 - got -
ten
your
eyes,
And
3
the
3
B.1&2 for
got
-
Tpt. 1
Tpt. 2
Hp.
Pno.
Vc.
3
3
-
ten
your
eyes,
And
the
36 109
f Anguished!
3
3
mf 3
3
T.1&2 way
that
your
hair
curls
mf
3
f
spun
3
3
in
the
3
B.1&2 way
that
your
hair
spun
curls
Tpt. 1 mf
3
Tpt. 2 3
mf
Hp.
Pno.
f
mf
mf
mp
3
Vc. f
mf
in
the
rall. 111
37
mp
T.1 beat
-
ing
of
rain.
mp T.2 beat
-
ing
of
rain.
mp B.1 beat
-
ing
rain.
of
mp
mf
Anguished!
B.2 beat
-
ing
of
rain.
beat ing
3
3
mf
Hp.
3
port.
(slide B pedal to b)
3
Pno.
mp tolling...
3
rall. Vc. mp
3
3
of
Reassuringly
38
q = 72
114
p
S.1&2
6 4
Since we part - ed,
p A.1&2
p
T.1 of
rain.
p
T.2 of
rain. *) no accent
p
B.1 of rain.
B.2 rain.
pp
Pno.
4 4
yes - ter - eve
(no breath!)
6 4
4 4
yes - ter - eve
3
6 4
(no breath!)
4 4 yes - ter - eve
3
6 4
Since we part - ed,
Hp.
(no breath!)
6 4
Since we part - ed,
p
4 4
yes - ter - eve
Since we part - ed,
mf
(no breath!)
6 4
Since we part - ed,
mp *)
4 4
yes - ter - eve
Since we part - ed,
p
(no breath!)
(no breath!)
4 4 yes - ter - eve
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
6 4
4 4
p
Reassuringly q = 72 Vc.
pp
3
39 120
S.1&2
4 4
6 4 I
A.1&2
4 4
4 4
do love thee,
Twelve times dear
5 4 er,
4 4 Twelve times dear - er,
4 4
mp
Twelve times dear - er,
4 4
mp
love be - lieve,
6 4 I
Tpt. 1
do love thee,
4 4
mp
love be - lieve,
6 4 I
B.2
do love thee,
4 4
3
love be - lieve,
6 4 I
B.1
do love thee,
4 4
mp
love be - lieve,
6 4 I
T.2
do love thee,
4 4
4 4
love be - lieve,
6 4 I
T.1
do love thee,
mp
mp
love be - lieve,
6 4
3
Twelve times dear - er,
mf
4 4
twelve hours lon -
5 4
ger,
mf
4 4
twelve hours lon - ger,
5 4
mf
twelve
5 4
4 4 hours,
mf
twelve
4 4 hours,
mf
4 4
5 4
Twelve times dear - er,
Twelve hours,
mf
4 4
4 4
5 4
4 4
Twelve times dear - er,
Twelve hours,
4 4
5 4
4 4
pp
Hp.
Pno.
Vc.
4 4
6 4
4 4
5 4
4 4
4 4
6 4
4 4
5 4
4 4
4 4
6 4
4 4
5 4
4 4
4 4
6 4
4 4
5 4
4 4
4 4
6 4
4 4
5 4
4 4
rall.
40 124
S.1&2
4 4
A.1&2
4 4
mp
sub.p
One dream
deep - er,
one
night
sub.p
strong - er,
3
One dream deep - er,
one night
strong...,
sub.p one dream
T.1&2
B.1&2
4 4
Tpt. 1
Hp.
Pno.
Vc.
deep - er,
one...
strong - er,
One sun sur - er _
mp
deep - per,
one...
strong - er,
this much more
One sun sur - er _
Than
4 4 this much more
Than
5 4
One sun sur - er _
One
4 4
5 4
mp
sub.p
One
5 4
mp
4 4
one
(no breath!)
4 4 this much more
Than
5 4 sur - er _
4 4 this much more
Than
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
5 4
4 4
4 4
rall.
5 4 p
mp
4 4
a tempo
S.1&2
41
q = 72
128 mf
4 4
I do love thee, love,
be - fore.
mf
A.1&2
4 4
I do love thee, love,
...fore.
mf
T.1&2
4 4
I do love thee, love,
B.1&2
4 4
mf
I do love thee, love,
Tpt. 1
...fore.
...fore
4 4 p
Tpt. 2
mp
4 4
4 4 Hp.
mf arco
4 4
not harmonic
4 4 Pno.
mp
4 4
a tempo
Vc.
q = 72
4 4 mf
mf
42
molto rall.
132
S.1&2 I
do
love
thee,
I
do
love
thee,
I
do
love
thee,
I
do
love
thee,
A.1&2
T.1&2
B.1&2 love
be -
fore
Tpt. 1
Tpt. 2 mp
Hp.
Pno.
molto rall. Vc.
Eleven Armistice Chimes a little slower q = 66
135
43
rall.
S.1&2 love,
be... (-fore!)
A.1&2 love,
T.1&2 love,
B.1&2 love,
Tpt. 1
Tpt. 2
Hp.
mp
(Don’t damp)
Pno.
Eleven Armistice Chimes a little slower q = 66
Vc.
rall.
Edition Peters Rental Library For more than 200 years, Edition Peters has been synonymous with excellence in classical music publishing. Established in 1800 with the keyboard works of J. S. Bach, Edition Peters had by 1802 acquired Beethoven’s First Symphony as well as several solo piano and chamber works. In the second half of the nineteenth century, an active publishing policy enabled the company to develop the catalogue through the promotion of contemporary composers such as Grieg, Mahler, Richard Strauss and Schoenberg. This policy continues today: as the publishers of composers such as John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Erkki-Sven Tüür and Christian Wolff, Peters continues its historical role as a champion of new music. This is accomplished in conjunction with the continuing development of the traditional catalogue.
The offices of Edition Peters in Talstraße, Leipzig Geschäftssitz der Edition Peters in der Leipziger Talstraße
Seit über 200 Jahren steht die Edition Peters für höchste Qualität im Bereich klassischer Notenausgaben. Gegründet im Jahr 1800, begann der Verlag seine Tätigkeit mit der Herausgabe von Bachs Klavierwerken. Schon zwei Jahre später waren die Rechte an Beethovens erster Sinfonie sowie an diversen Klavier- und Kammermusikwerken hinzugekommen. Durch enge Zusammenarbeit mit zeitgenössischen Komponisten wie Grieg, Mahler, Strauss und Schönberg gelang es in der zweiten Hälfte des 19. Jahrhunderts, den Katalog beständig zu erweitern. Dieser Tradition ist das Unternehmen bis heute verpflichtet: Als Verleger von Komponisten wie John Cage, James Dillon, Jonathan Dove, Brian Ferneyhough, Bernd Franke, Anders Hillborg, Mauricio Kagel, Rebecca Saunders, Erkki-Sven Tüür und Christian Wolff ist die Edition Peters weiterhin Anwalt neuer Musik, während zugleich das angestammte Verlagsprogramm kontinuierlich ausgebaut wird.
THIS IS RENTAL MATERIAL AND MUST BE RETURNED AFTER USE PETERS EDITION LIMITED Rental Library Tel: +44 (0)20 7553 4020 · Fax: 020 7490 4921 e-mail: rentals.uk@editionpeters.com · newmusic@editionpeters.com · www.editionpeters.com
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