Interior Design Portfolio - Eda Özer

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Eda Ozer Portfolio

interior design

EDA ÖZER

INTERIOR DESIGNER

personal

contact

DE +49172 6810171 TR +905375942592 mail eda.oezer@gmx.de adress Rosenstraße 27/1 72793 Pfullingen Germany birthday 11/06/1998 Frankfurt

education

2017 - 2020 studies University of Applied Sciences Stuttgart subject: interior design degree: bachelor of arts 2018 semester abroad Mimar Sinan Fine Arts University Istanbul subject: interior design 2014 - 2018 high school Kerschensteiner School Reutlingen

focus: design and media technology 2008 - 2014 secondary school Wilhelm-Hauff-Realschule Pfullingen 2004 - 2008 primary school Burgweg School Pfullingen

internships

2020 february GAD Architecture Nisantasi/ Istanbul focus: architecture 2019 july Tekeli Sisa Architectural Partnership Nisantasi/ Istanbul focus: architecture

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CV skills and interests software skills

adobe indesign

sketchup

rhinoceros

adobe photoshop

enscape

cinema 4d

adobe Illustrator

vectorworks

archichad

ms office

hand skills

portrait drawing (since 2009) urban sketching watercolor modelling photography

languages

Turkish German English French

interests photography

competition

soft skills time management individual responsibility load-bearing capacity organization creativity motivation communication helpfulness thoroughness resistance patience

social media

travelling

reading

drawing

certificates

handicrafts and space, trabzon

project selected as best of:

design project 1. semester

design project 4. semester

design project 5. semester

links social media

edaoezer.wixsite.com/meinewebsite

https://issuu.com/edaoezer

/edaoezer /edaozerresmi

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„The only portfolio that matters is the one that I leave in people’s hearts.“ - Craig D. Lounsbrough

CONTENTS

06

Design Projects Living Space Restaurant

Office Night Club Community Center Rooftop Restaurant Boutique

26 Furniture

Bed Design Experimental Furniture

32

Model City Model 3d Print Model Styropor Model Architectural Model 3d Visualization

40

Additional Projects Watercolor Painting

Sketchbook Pencil Drawing

5

„If a project is intense, valid, and has a powerful idea, its imperfections will be in the background“ - Alberto Campo Baeza

DESIGN PROJECTS

Living Space Restaurant Office Night Club Community Center Rooftop Restaurant Boutique

7

LIVING SPACE

GROUND FLOOR PLAN

FACTS NAME USE ADRESS LOCATION

FIRST FLOOR PLAN

LIVING SPACE FOR STUDENTS LIVING SPACE STUTTGART GROUND FLOOR + 1.OG

A living room for students was designed in the smallest space. 3 containers were stacked on top of each other and set up quickly in vacant spaces in the city.

The containers, spread over two storeys, provide a pleasant and well-structured living in a few square meters. The interior runs along the wall and around the corner with a clear line. Highlight of the residence is the free-standing staircase in the middle, which offers several uses at the same time. The clearance above the dining table and working in a fully glazed area ensure an unrestrained, free feeling.

8

SOUTH VIEW

WEST VIEW

SUBJECT DESIGN PROJECT 1 PROF. DIANE ZIEGLER

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RESTAURANT

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SECTION PLAN

FACTS NAME USE ADRESS LOCATION

HEAVEN RESTAURANT + BAR STUTTGART CITY CENTER GROUND FLOOR + 1TH FLOOR

The newly designed floors offer residents a pleasant place to work with a cozy atmosphere on the top floor and the opportunity to eat and drink on the ground floor.

10

While on the ground floor the materiality and color is solid and quite dark, very light materials have been used on the top floor, which gives the feeling of being high in the sky. „Earth“ and „Heaven“ are optically connected by the pure white color of the staircase and the golden brass rods, which are also a signpost that leads upwards. The design around the stairs looks rather withdrawn, so that the stairs clearly look like a highlight.

SUBJECT DESIGN PROJECT 2 PROF. JENS BETHA, PROF. PETER KREBS

11

OFFICE

meeting room

A

A working box

working box

telephone box

telephone box printing area

wardrobe

kitchen

B

B telephone box

telephone box

FLOOR PLAN

SECTION PLAN

FACTS NAME USE ADRESS LOCATION

STRÄHLE RAUM-SYSTEME GMBH OFFICE WAIBLINGEN 4TH FLOOR

The topic of the project was developing an office, exhibition and showroom concept for the company „Strähle Raum-Systeme GmbH“ which stands for development, production and asembly of close partition and room-in room systems for acoustic systems.

The idea of the design was to bring the communication zone in the middle and to arrange the working areas by the windows. The sequence of rooms extends out onto the terrace, where you can take your lunch breaks. The color yellow gives the whole design a warm atmosphere, like working under the cozy sun.

12

SUBJECT DESIGN PROJECT 3 PROF. DIANE ZIEGLER

13

NIGHT CLUB A

B

+1.44

+1.44

C

±0.00

C

A

FLOOR PLAN

B

SECTION PLAN

FACTS NAME USE ADRESS LOCATION

DIAMOND PASSION CLUB NIGHT CLUB ULUS, BESIKTAS/ ISTANBUL 14TH FLOOR

The purpose of the design is to appeal to a target group who have reached a certain point in terms of power and prestige. The main weakness of this group is that they are aware of their own strength.

Materials that are true reflections of strength and perfection were used.

Elements such as diamond pieces make the atmosphere luxurious and ensure that the people who enter the club can perceive their own perfection.

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The connection between floor, ceiling and wall is also noticeable. The suspended diamond ceiling made of triangles, which serve for light and reflection and is also reflected on the floor as a strip of light.

SUBJECT DESIGN PROJECT 4 MIMAR SINAN FIN ARTS UNIVERITY | BAHAR KAYA

15

COMMUNITY CENTER

FACTS NAME USE ADRESS

THE CUBE CHURCH & COMMUNITY CENTER MITTELSCHEFFLENZ

The new „Cube“, added to the protected church, creates excellence in the environment with its unique design and modern facade.The new shape offers new space and is completely different from the existing topography. The protection building was extended by the annex to the north. Inside there are guest toilets, group rooms, a lift and a kitchen. At the same time the cube is the way from the church room to the gallery.

The interior of the church offers space for different events.

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The dark and uncomfortable interior of the old church was given a more cozy atmosphere by the redesign using lighter colors and homely wood. The design of the new building has clear lines, which are also reflected in the materials. The atmosphere of the church can also be felt here.

GROUND FLOOR PLAN

FIRST FLOOR PLAN

SUBJECT DESIGN PROJECT 5 PROF. PETER KREBS, DIPL.-ING FH JÃœRGEN ALDINGER

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ROOFTOP RESTAURANT

FLOOR PLAN

FACTS NAME USE ADRESS LOCATION

ROOF GRILL BAR RESTAURANT & BAR (TURKISH KITCHEN) STUTTGART CITY CENTER - NEAR MARKET SQUARE ROOFTOP

The restaurant offers to the visitors a rich selection from Ottoman and Turkish cuisine on the rooftop. The culture has been transformed into the modern and is reflected in the design with the ornaments and colors. The sun plays along with the cozy atmosphere. Even in winter you have the opportunity to experience the specialties around the campfire.

The adventure begins by watching the traditional savory pasta being prepared. These can be received at the Oriental Corner. You can also grill and enjoy delicious meat dishes at the Grill Bar. Then you will be spoiled with the turkish coffee at the Bar.

18

SUBJECT DESIGN PROJECT 6 PROF. DIANE ZIEGLER

19

BOUTIQUE & STYLING AREA C

D Rampe 6%

Lagerraum

Herren Umkleideräume

Herren Styling-Bereich

Herren WC

Personal

Damen WC

Damen Umkleideräume

Damen Styling-Bereich

B

B

Herren Warenpräsentation

Damen Warenpräsentation

A

A

FLOOR PLAN C

FACTS NAME USE ADRESS LOCATION

D

READY TO GO BOUTIQUE + STYLING AREA STUTTGART CITY CENTER - NEAR MARKET SQUARE GROUND FLOOR (DIRECTION TÖPFERPLACE)

The idea was to combine a Costume Boutique with a Styling Area for events. You enter the shop, look for the outfit you want and style your matching hair and make-up in the middle part. Other customers can admire this thanks to the transparency. The customer leaves the shop with a perfect style.

20

The themes of the store change depending on the season. Regardless of whether it‘s Mardi Gras, Carnival, Halloween or folk festival, the respective clothing and rotating elements create the desired atmosphere on the simple surfaces with restrained colors. Also, there is a clear contrast between man and woman, which can be clearly seen in the interior perspectives. Even before entering the shop, an interesting view emerges through the entrance door, like a framed picture.

SUBJECT BACHELOR THESIS PROF. DIANE ZIEGLER

21

BOUTIQUE & STYLING AREA

MEN

WOMEN

MEN

WOMEN

Schnitt A-A M 1:50

SECTION PLAN A-A

MEN

Schnitt A-A M 1:50

MEN

Schnitt A-A M 1:50 Schnitt B-B M 1:50

Schnitt A-A M 1:50 Schnitt B-B M 1:50

SECTION PLAN B-B

Schnitt B-B M 1:50

Schnitt B-B M 1:50

SECTION PLAN C-C

SECTION PLAN D-D

22

WOMEN

WOMEN

SUBJECT BACHELOR THESIS PROF. DIANE ZIEGLER

23

BOUTIQUE & STYLING AREA

VIEW FROM TÖPFERPLACE

FACTS NAME USE ADRESS LOCATION

READY TO GO BOUTIQUE + STYLING AREA STUTTGART CITY CENTER - NEAR MARKET SQUARE GROUND FLOOR (DIRECTION TÖPFERPLACE)

The building is located behind the town hall in Stuttgart. A new quarter was created with this project, the „Areal Eichstrasse“. In addition to the Gerber and Dorotheenquartier, this is one of the largest urban restructuring in the city center in recent years. The new boutique with the include styling area, the „Ready to Go“ is located on the ground floor and opens towards Töpferplace.

24

SUBJECT BACHELOR THESIS PROF. DIANE ZIEGLER

ARCHITECTURAL MODEL

SUBJECT DESIGN PROJECT 6 PROF. DIANE ZIEGLER

25

„A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away.“ - Antoine de Saint-Exupéry

FURNTIURE

Bed Design Experimental Furniture

27

BED DESIGN

MODEL 1:50

FACTS NAME USE COMPANY

COZY SLEIGH BED WINKLE BENNINGEN

The upholstered bed, designed for the company „Winkle“, was constructed like a padded sleigh. Further properties are; footless, filigree, continuous.

The headboard can be used flexibly depending on the time of day.

While you can lean comfortably on the ergonomic cushion during the day, you can use the shelf at the same time. At night, you can either fold up the pillow or stow it in the back of the bed.

The foot section mirrors the head section and serves as a seat. The mattress looks like it is stretched between two cozy pillows.

28

SUBJECT FURNITURE DESIGN PROF. KARSTEN WEIGEL

MODEL 1:50 KNOB DETAIL.

MATERIALS.

velvet

colvis

brass

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EXPERIMENTAL FURNITURE

NAME USE

30

SIGNATURE SHELF

NAME USE

INFINITY SEATING

SUBJECT EXPERIMENTAL FURNITURE MIMAR SINAN FINE ARTS UNIVERSITY|DR. PROF. IŞIL ÖZÇAM

NAME USE

WATERFALL TABLE

NAME USE

TWINS TABLE

NAME USE

PLANT CHAIR

31

„Ability is what you‘re capable of doing. Motivation determines what you do. Attitude determines how well you do it.“ -Lou Holtz

MODEL City Model 3d Print Styropor Model Architectural Model 3d Vizualization

33

CITY MODEL

SAN TOMÀ, VENICE The assigned place was examined from Camillo Sittes work „Urban planning according to its artistic principles“. Architectural data were examined and documented in sketches, photographs and drawings.

In the footsteps of the Viennese architect and city planner Camillo Sitte, we examined unique design qualities of European city squares in Venice.

PRESENTATION OF THE IMPORTANT FACADES

34

SUBJECT BASICS OF DESIGN 2 PROF. ANDREAS KRETZER

SOUTH-WEST VIEW

ARCHITECTURAL MODEL 1:200

NORTH-EAST VIEW

EAST-WEST VIEW

35

3D PRINT FACTS NAME USE

THE SPACE („RÄUMLING“) RESIDENTAL BUILDING

The task was editing a plot within a given construction field. The maximum buildable volume on this plot was 10 x 10 x 10 meters. A suitable use for the location of the plot should be selected and a body with several rooms („Räumling“) should be designed. Consideration has to be given to the possibilities of exposure, development(also with the neighbors), relief effect and shape of the interiors.

36

MODEL PRODUCED WITH 3D-PRINTER 1:200

SUBJECT BASICS OF DESIGN 1 PROF. ANDREAS KRETZER

STYROPOR MODELL FACTS NAME USE

SUBJECT BASICS OF DESIGN 1 PROF. ANDREAS KRETZER

THE ABSTRACT CARYATID COLUMN

Two-dimensional contours are cut out from a blank (styropor solid body with 20 x 20 cm base and 100 cm in height) with a computer controlled hot-wire cutting machine. The three-dimensional shape is generated by 4 contours. Different shapes are created using an own proportioning system. The basis for the division of the own system is the greek canon and the appearance of the shapes is based on an abstract form of caryatids.

blank

contours

subtraction 1

subtraction 2

solution

STYROPOR MODEL 1:1

37

3D VISUALIZATION

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The restaurant should offer its guests an unique comfort in an elegant and refined atmosphere. Only the finest and highest quality materials, colors and details were selected for the desired atmosphere.

SUBJECT LIGHT COLOUR MATERIAL

MORITZ KÖHLER

3D VIZUALIZATION

1ST STEP CONSTRUCTION

SUBJECT APPLIED GEOMETRY RHINOCEROS

2ND STEP RENDERING

39

„Learning to draw is really a matter of learning to see - to see correctly - and that means a good deal more than merely looking with the eye.“ -Kimon Nicolaides

ADDITIONAL PROJECTS Watercolor Painting Sketchbook Hobbies

41

WATERCOLOR PAINTING

ORIGINAL

42

PAINTING

SUBJECT EXPRESSION TECHNIQUES MIMAR SINAN FINA ARTS UNIVERSITY | PROF. EMEL BAŞARIK AYTEKİN

ORIGINAL

PAINTING

43

SKETCHBOOK

„Painting is just another way of keping a diary“ - Pablo Picasso

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CIRAGAN PALACE, ISTANBUL

SULTANAHMET MOSQUE, SULTANAHMET

KÜÇÜKSU PAVILION, BEYKOZ

BEYLERBEYI PALACE, ÜSKÜDAR

MAIDEN‘S TOWER, ÜSKÜDAR

HAGIA SOPHIA, SULTANAHMET

DOLMABAHCE PALACE, BESIKTAS

FOUNTAIN OF AHMED III, SULTANAHMET

GERMAN FOUNTAIN, SULTANAHMET

45

46

BEYLERBEYI PALACE, ISTANBUL

SULTANAHMET MOSQUE, ISTANBUL

SELIMIYE MOSQUE, ISTANBUL

GALATA, ISTANBUL

DOLMABAHCE PALACE, ISTANBUL

ORTAKÖY, ISTANBUL

47

GALATA TOWER, ISTANBUL

48

MAIDENS‘S TOWER, ISTANBUL

ANITKABIR, ANKARA

TAKSIM, ISTANBUL

BORUSAN CONTEMPORARY, ISTANBUL

49

50

SANTI GIOVANNI, VENICE

PONTE MINICH, VENICE

SAN GIORGIO MAGGIORE, VENICE

SANTA MARIA, VENICE

51

PENCIL DRAWING

52

STEP 1

STEP 2

STEP 3

STEP 4

STEP 5

STEP 1

STEP 2

STEP 3

STEP 4

STEP 5

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Eda Özer +49172 6810171 / +905375942592 eda.oezer@gmx.de