Page 1


MAP 


◊  A F R E E , S E L F - G U I D E D A R T E V E N T   ◊

WEST AUSTIN STUDIO TOUR ◊  M AY 1 1 -1 2 & 1 8 -1 9 , 201 9   ◊


West Austin Studio Tour May 11-12 & 18-19, 2019 west.bigmedium.org Eighth Edition  /  © 2019 West Austin Studio Tour A program of Big Medium Printed in Texas by 360 Press Solutions All text and images represented in this catalog are copyrighted by the individual artist and may not be reproduced without their consent.


CONTENTS INTRODUCTION About Big Medium . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . i About WEST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iii Participant Information. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v How to Take the Tour. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vii Partners . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ix Acknowledgments. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xi Due WEST. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xv WEST Group Exhibition . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvi Austin Public Library. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvii

PARTICIPANTS Libraries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 01 Happenings. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 05 Artist Studios. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Exhibitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84 Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 158


ABOUT BIG MEDIUM Big Medium Staff Shea Little  /  Executive Director Rachael Garbowski  /  Director of Development Jordan Gentry  /  Director of Programming Oliver Scales  /  Development Coordinator Coka Trevino  /  Program Coordinator Christina Moser / Designer Jackie Klusmeyer  /  Event Coordinator Paloma Mayorga  /  Grant Manager Advisory Team Inés Batlló  /  International Exchange Advisor Aidan Cho  /  Branding Advisor and Cultural Ambassador Anwuli Chukwurah  /  Financial Consultant Joseph Pagano  /  Digital Strategy Consultant Board of Directors Sewah Archer Robert Boland  /  Board Chair Jon Lawrence Shea Little  /  Ex Officio Joseph Phillips Jana Swec

i 

/ 

I N T R O D U C T I O N

W E S T

2 0 19


Who We Are

Join Us

Big Medium is a nonprofit organization dedicated to supporting artists in Austin and across Texas. We provide opportunities for artists to create, exhibit, and discuss their work and connect to a diverse audience each year. We strive to make art a part of everyday life.

Big Medium is an artist-run, grassroots, non-profit organization that relies on support from people like you to make our programs possible. One of the best ways to support your local arts community as an individual is through Big Medium’s membership program. Your support of Big Medium today, at any level, helps the Austin visual arts community thrive by underwriting the cost of producing WEST, providing fellowships to artists, and keeping the tour free and accessible to attendees. All members receive a copy of the WEST and EAST catalog in the mail and membership starts at just $4.17 a month or $50 a year.

What We Do Big Medium produces the West Austin Studio Tour, the East Austin Studio Tour, the Texas Biennial, and the Big Medium Gallery. We also provide studio space to artists at Canopy and umbrella artists through our Sponsored Projects program. Our newest program, Creative Standard, offers professional development workshops, presentations, and resources to support local artists at any stage of their career.

bigmedium.org/support.html

New In 2019 Big Medium has secured a 1,600 square foot space at Canopy to host Creative Standard events and provide more opportunities for artists to create, exhibit, and discuss their work in an open, supportive environment. Our ability to offer space is key to fulfilling our mission to serve artists. We are currently seeking partners to help us fully realize the potential of this opportunity to be able to support artists in a greater capacity.

20 1 9

W E S T

I N T R O D U C T I O N  

/  ii


ABOUT WEST Big Medium’s West Austin Studio Tour (WEST) is a free, annual, self‑guided art event spanning two weekends in May. WEST provides opportunities for the public to meet the local artists of Austin in their creative spaces. This year we celebrate the eighth edition of WEST! The 2019 tour includes 374 participants, with 108 Artist Studios, 58 Guest Artists, 71 Exhibitions, 114 Temporary Exhibitions, 15 Happenings, and 8 Libraries. Dates and Times

Collective Courtesy

Artist Studios and Exhibitions Free and open May 11-12 & 18-19 from 11am-6pm.

Many WEST locations are in residential areas, so please be mindful of our neighbors. They’ve been very welcoming to tour‑goers over the years, so we ask everyone to return that hospitality. Please don’t cause disturbances, and leave no trash behind. Drive and park your vehicles thoughtfully, and if possible, use bikes or public transportation to make your way around the tour. For Capital Metro bus schedules and routes visit capmetro.org.

Happenings and Libraries Occur May 10-19 with varying hours. Select Happenings may be ticketed. Calendar of Events Check the WEST app and west.bigmedium.org for special events surrounding the tour. Boundaries West of I-35 East of Mopac South of 183 North of William Cannon These boundaries are the main parameters for WEST but sometimes expand to accommodate artists nearby.

iii 

/ 

I N T R O D U C T I O N

W E S T

2 0 19


2019 Design Theme: Shape

Studio Tour Committee

Looking at our city—its geography, history, density, and where art and artist communities have previously and currently formed—we identified significant spaces within tour boundaries, and selected their outline to contribute to the design. Together, different districts, neighborhoods, and places of cultural importance were layered to form a pattern of shapes that speak to the way community is built.

Big Medium works with a review committee to help select WEST and EAST participants. In 2019, we’ve expanded the size and role of the committee to include a six person team that not only helps with artist selection, but also influences strategy, structure, and community engagement of the tours.

2019 Community Partner: Preservation Austin

Carre Adams Exhibit Coordinator and Associate Curator at the Carver Museum, Cultural & Genealogy Center

Our Community Partner is an important ally in helping us make an impact on the issue behind our annual theme. In 2019, we’re thrilled to join with Preservation Austin to highlight the importance of safeguarding what’s valuable in our community. Preservation Austin has been our city’s leading nonprofit voice for historic preservation since 1953. Preservation Austin advocates for improved preservation policies and outcomes to make sure that, as it grows, Austin remains the city that we know and love. Find partnership activations, including Making Space, Preserving Place, a conversation at the intersection of art, community, and preservation and The ART of Preservation, a historic walking and drawing tour on pages 7 and 8. preservationaustin.org

20 1 9

W E S T

Our 2019 committee includes:

Jieun Beth Visual artist and Exhibit Coordinator at the Central Library Miriam Conner Community Engagement Coordinator at Forklift Danceworks and member of the African American Resource Advisory Commission Oliver Franklin Museum Site Coordinator at the Elisabet Ney Museum Emmy Laursen Associate Director at Pump Project Vladimir Mejia Visual artist and Director of Social Media and #bitres Curator at Co‑Lab Projects

I N T R O D U C T I O N  

/  iv


PARTICIPANT INFORMATION WEST includes six participant categories: Artist Studios, Guest Artists, Exhibitions, Temporary Exhibitions, Happenings, and Libraries. Artist Studios These spaces represent the heart of the tour, and its often the one time of year that they are open to the public. Here you can experience an insider’s look into the inspiration, process, and techniques of the artist. In this category, you can see home studios, studio complexes, and stand-alone commercial studios. Guest Artists Artists who don’t work within the boundaries of WEST may participate as Guest Artists in a studio space. Exhibitions This category is for established art venues with regular programming. These spaces are committed to exhibiting art year‑round, supporting artists in a dedicated space. Temporary Exhibitions Temporary Exhibitions include pop-up shows, often created specifically for WEST. In this category, you can see exhibitions in warehouse spaces, homes, offices, and other unconventional venues. Happenings Happenings are time-based art events. This category may include performances, workshops, opening receptions, installations, competitions, educational programming, and other art events. Happenings are listed chronologically—be sure to check the date and time for each event. Libraries Big Medium partners with the Austin Public Library to feature exhibitions at library branches within tour boundaries.

v 

/  

I N T R O D U C T I O N

W E S T

2 0 19


Artist Name / Host  /  Exhibition Title  /  Event Name  Time

#

4

Venue Name 5 Medium 1

2

Artist statement Address phone number / email / website / @instagram Accessibility information 6 Title, year, medium, dimensions (h x w x d”)

7

Participant Content Legend 1

Image Artwork or documentation of the exhibition or event.

2

Participant Information Find complete information about the artist or arts space with a list of materials used, brief description, as well as location and contact details.

3

Tour Number WEST is numbered geographically—tour numbers follow a path from north to south through the Artist Studios category, then continue from north to south again for the Exhibitions category.

4

Time Only Happenings feature a date and time.

5

Venue Name Based on their category, some participants may not have venue name listed.

6

1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 / 7

20 1 9

W E S T

Accessibility Each WEST listing includes its location’s Americans with Disabilities Act (ADA) information. If the number is listed, the WEST participant has verified this feature is available at their space. Official parking for the disabled Entrance and Interior: Minimum 32” wide doorway clearance space Entrance: Entryway without stairs Entrance: Entryway with a ramp Entrance: No lip entryway Interior: Accessible path around the studio with minimum 36” width Restrooms: Entryway with minimum 36” wide clearance space Restrooms: Minimum 56 x 60” clearance space for toilet Restrooms: Grab bars Braille or raised letter signage

Caption For the first time, you can view information about artwork included in the catalog.

I N T R O D U C T I O N  

/  vi

3


HOW TO TAKE THE TOUR The catalog, map, and app help tour-goers choose their own unique WEST experiences. Each platform features different tools to help you get the most out of your tour. Catalog The West Austin Studio Tour catalog accompanies the tour as a complete resource to everything WEST. The catalog provides images, detailed information, and a map to guide the audience through the tour’s many facets, providing a year-round reference to Austin’s vibrant art community. This comprehensive print piece is mailed directly to Big Medium members for WEST and is available for free at: Due WEST and WEST Group Exhibition 6101 ACC Highland Campus Dr, Bldg 4000 Big Medium Gallery 916 Springdale Rd, Bldg 2 #101

Map The map is an on-the-go resource that functions as a companion to the catalog, app, and website. The map shows the scale of the tour and allows you to follow the numbering path from north to south, with each category identified by color and shape. The map is widely available for free at all 22 branches of the Austin Public Library as well as select hotels and local businesses.

vii 

/ 

I N T R O D U C T I O N

W E S T

2 0 19


App

About Third Rail Creative

We’re excited to introduce the first WEST mobile app!

Last year, Austin advertising agency Third Rail Creative helped us launch our first-ever East Austin Studio Tour app. It was a huge success that helped thousands of visitors make the most of their EAST experience, and we’re happy to offer even more features for this year’s WEST.

Features Filters • Filter the list of participants by medium, category, space type, and more. Track your favorites • Create a custom list of favorites to help plan your tour, and easily share it with friends. Interactive map • Use the interactive map to find participants and events near you. • Automatically map a route of your favorites to efficiently plan your tour. Calendar of Events • Browse for a list of special WEST events from participating artists. Follow along • View all Instagram posts tagged with #westaustinstudiotour. Download now in the Apple Store and Google Play t o begin mapping out your tour. Powered by:

Preview of the map your route feature.

20 1 9

W E S T

I N T R O D U C T I O N  

/  viii


PARTNERS WEST is made possible through the generosity of our supporters who join Big Medium in championing artists and the contemporary arts in Texas. Thank you to our Funders who sustain our programming through grants. We also thank our Sponsors—businesses who provide generous financial support for WEST; our Media Partners—who provide promotion and coverage for WEST; and our Community Partners—organizations who collaborate with us to achieve broader community impact. Big Medium is supported in part by the Cultural Arts Division of the City of Austin Economic Development Department, the National Endowment for the Arts, and the Texas Commission of the Arts.

ix 

/ 

I N T R O D U C T I O N

W E S T

2 0 19


Local Business Partners

These select local restaurants, bars, and retail spaces have committed to supporting art and artists in our community by donating a percentage of sales during both weekends of the West Austin Studio Tour. We encourage you to support these wonderful local businesses who give back by visiting them both during the tour and year‑round. P1

Lick Honest Ice Creams 6555 Burnet Rd, #200

P10 Josephine House 1601 Waterston Ave

P19 Loro 2115 S Lamar Blvd

P2

The Peached Tortilla 5520 Burnet Rd, #100

P11

P20 Patika 2159 S Lamar Blvd

P3

Forbidden Fruit 108 E North Loop Blvd

P12 Bar Peached 1315 W 6th St

P21 Thai Fresh 909 W Mary St

P4

Possum Park 701 E 53rd St

P13 Clark’s Austin 1200 W 6th St

P22 Sway 1417 S 1st St

P5

Casey’s New Orleans Snowballs 808 E 51st St

P14 La Condesa 400 W 2nd St, A

P23 Elizabeth Street Café 1501 S 1st St

P6

Mantis Salon 4526 Burnet Rd

P15 Le Politique 110 San Antonio St

P24 Joann’s Fine Foods 1224 S Congress Ave

P7

Uchiko 4200 N Lamar Blvd

P16 Lamberts Downtown Barbecue 401 W 2nd St

P25 Perla’s Oyster Bar 1400 S Congress Ave

P8

BFREE Yoga Austin 3110 Guadalupe St, #120

P17 Uchi 801 S Lamar Blvd

P9

Goodall’s Kitchen 1900 Rio Grande St

P18 Lick Honest Ice Creams 1100 S Lamar Blvd, #1135

20 1 9

W E S T

Jeffrey’s Restaurant and Bar 1204 West Lynn St

P26 June’s All Day 1722 S Congress Ave P27 Southside Flying Pizza 2206 S Congress Ave

I N T R O D U C T I O N  

/  x


ACKNOWLEDGMENTS Melissa Borrell

Lisa Diaz

Chrissie Bradley

Courtney DiSabato

Anonymous

Senders Receive: Tarot and Reiki

Alan Disparte

Cindy Work Abell

Beth Brode

Aaron Dixon and Leigh Gatlin

Michael Abelman

Sarah Burleson

Liz Dyer

Bern Abplanalp

Jim Butler and Lynn Whitten

Jory Edmunds

David Amdur

César Calderón

Rehab Elsadek

Adi Anand

Jason Callahan

Linda Esper and Mickey Finch

The Arboretum Shopping Center

Annette Carlozzi

Michael J. Esposito

Jason Archer

Carlos Carrillo

Luke Fernandez

Chunie Arnold

Sun Hi Casey

Lucinda Feshbach

Whitney Arostegui

Jean Barton Chairstory

Cheryl L. Finfrock

ArtProfiler

Valérie Chaussonnet

Finchform Co.

Arts and Recreation

Laurel Chesky and Eric Leversen

Ann Flemings

ArtWithAkirash Studio

Claudia Chidester

Paula Fontaine-Haake

Clint Atkinson

Derrick Chinn

Shaleiah Fox and Reid Drapp

Jennifer Balkan

Aidan Cho

G. Franco

Liz Barnett

Emory J. Clark

BJ and Stan Friedman

Greg Barton

Chris Cobb

Julia Garbowski

Ines Batllo

Matt Coldwell

Russ Garcia

Blair Baxter

Colin J. Corgan

Jeff Garrard

Tom Beach

Chris and Jim Cowden

Carolyn Gee

Lucy Begg

James and Kati Cowles

Estelle Goldblatt

Susan Bell

B Shawn Cox

Ann Stuart Graham

Janis Bergman-Carton

Brandon Cox

Ross Grant

Eliana Bernard

Jeff and Louise Cronk

Green Mango Real Estate

Jieun Beth

Amy Culbertson

Mark Greiner

Melinda Boe

Daniel Dalbout

Barra Gustafson

Robert Boland and Jade Walker

Tres Davis and Paul Rogers

Eli Halpin

Paige Booth

David Davison

Debbie Hamill

Cristina Bordin

Jeffrey Dell

Belinda Hare

Big Medium Members

xi 

/ 

I N T R O D U C T I O N

W E S T

2 0 19


Rebecca Harrell

Doc List

Sinead O’Carroll

Cindy Harris

Emily Little

Thomas O’Donnell and Andrea Lloyd

Jenn Hassin

Marissa Little

Nancy E. O’Neall

Makenna Hatter

Scott and Stephanie Little

Patty Olwell

HausBar Farms

Drew Liverman

Betty and Duncan Osborne

Margaret Henkels

Jane Dryden Louis

Michael and Alison Osborne

Corky Hilliard

Catherine Lucchesi and Harold Groendyke

Charles Packard

Shawna and Eric Hills

Jennifer and Travis Lucy

Mafer Paparone

Gia Marie Houck

John Mark Luke

Sandy Parham

Claire Howard

Bob Lum

Daniel and Sarah Parker

Ellen Hunt

Janet MacDonald

Connie and Samuel Pate

Audrey G. Huntsinger

Jeff Mace

Judy Paul

Dan Hurlbut and his cat Clara

Steve Maddox

Mary Kathryn Paynter

Madeline Irvine and Neil Kamil

Margaret Magness

PDR Corp

Gordon James

Susan and Ed Malcik

Annette Pearson

Rajiv Jauhari

Robert and Jessica Malina

David Penick

Drew Johnson

Stephen and Ashley Malina

Brittany Perk

Laura Lynn Johnson

Lucy MacQueen

Christine and Allen Peters

Melissa Johnson

Phillip McCarthy

Ellis Petersen

Philip Johnson

Kristen McConnell

Katherine Petree

Bonny Johnson

Jake Mcdonald

Alicia Philley

Rebecca Jordan

Eileen McKeon Butt

Marguerite Phillips

Ann Kasper

Mike McKetta

Ben and Dorie Pickle

The Kazzoun Family

Revi Meicler

Vince Picone

Mary Margaret Kennedy and

Nana Mensah

Jennifer Polnaszek

Jon Barkowsky

Jesilyn Meyeres

Gladys Poorte

Hannah Keun

Deanna Miesch and Tyler Gill

Jesse Porter

Oliver Kiel

Mint Salon

Promotional Products Austin

Kerry Kittrell

Janice Mitcham

Lloyd and Judy Provost

Philippe Klinefelter and Sunyong Chung

Lauren and Tommy Moorman

David Quin

Mishell Kneeland

Mary Morse

Stephen Redman

Vadim Konradi

Debbie Moser

Rosa and Johnny Richards

Keith and Evangelina Kreeger

Robert Moser

Keva Richardson

Daryl and Dana Kunik

Dan Muldoon

Tom Richardson

Craig Lakey

John Mulvany

Sara Robertson

Andrea and John Lehr

Dennis Nauert and Jay Will

Adri Robles-Grogan

Jim Lemos and Sarah Luna

Amanda and Brad Nelsen

Rock Candy Media

Melanie and Fred Levin

Desmond Ng and Donald Mason

Adde Russell

Jonathan Lieber

Nate Novosel

Mr. and Mrs. Steve Russell

20 1 9

W E S T

I N T R O D U C T I O N  

/   xi i


Debora Rustemeyer

Texas Realty Capital

Brennan Ryan

Terri Thomas and Randy Potts

Cynthia Salome

Terri Thompson

360 Press Solutions

Jayne Samuels

Carrie Tiemann

Carre Adams

Susan Scafati

Chris Tollinger

Stella Alesi

Nancy Scanlan

Matthew Tong

Illeana Alvarez

Kent and Donna Scarbrough

W. Tucker

Kirk Anders

Maren Scheie and Jacob Jung

Courtney Tulig

Shelby Autrey

Carol Schiraldi

Emily Turner

Taylor Bailey

Naomi Schlinke

Bunnie Twidwell

Cori Baker

Mo Scollan

Cristina Valdes

Lindsay Barras

Cindy Seaton

Ana Moreno VanDiver

Jieun Beth

L. Gene Sellers

Carlotta Vann

Tito and Lori Beveridge

George Shanks

Breanna Vasquez

Carlos Rodriquez-Brondo

Mike Shea and Toni Wilcox

Carey and Eric Venditti

Akki Brathwaite

Yvonne Shires

Mary E. Walker

Hayley Budden

Kristi Short and Matthew DeSantis

Kim Wanslow

April Burcham

Trish Siegel

Ellen Watkins

Jeremy Burks

Susannah Simone

Marc and Ranee Webb

Jim Butler

Jonathan Simpson

Warren Webster

June Castro

Skout Real Estate

Meghan Wells

Mars Chapman

Jen Smith

William Chris Vineyards

Reese Cisneros

Justine Smith

Valerie and Sean Williamson

Miriam Conner

Randy Smith

Thelma “Grandma Wisdom” Williams

Jessica Cox

Kim Smith-Ferguson

Andrew and Giannella Wilson

Christina Crean

Heather and Alan Stanley

Stacy Wiltshire

Holden Christiansen

Zoe Stephenson

Ernie Wood

Danny Dalbout

Jeff and Mafalda Straathof

Annalee Rieder Woods

Lindsey Derrington

Laura Sturtz

Dahlia Woods

Natalie Earhart

David Sullivan

Greg Wooldridge

Robert Faires

Elisa and Joel Sumner

Anne Elizabeth Wynn and Joaquin Avellan

Zack Flores

Gail and Rodney Susholtz

Sasha Wytrwal

Oliver Franklin

John Swanger

Selena Xie

Jacqueline Gilles

Barbara and Len Swec

Lynda Young Kaffie

Art Goldstein

Jana Swec and Shea Little

Mary Yznaga

Ann S. Graham

Time and Katie Swec

Amanda Zappler

Chase Hanna

Kevin Sweeney

Julie Ziegelman

Kristi Helm

Dianne Taylor

Evonne Atlas and Abe Zimmerman

Sharon Herfurth

Tara Taylor and Quinn McCarthy xiii 

/ 

I N T R O D U C T I O N

Special Thanks

TJ Hilton W E S T

2 0 19


Leslie Howell

Jeanne Claire van Ryzin

Atelier Dojo

Meredith Hubley

Cindy Salome

Austin Art Services

Julie Isaacson

Kristina Gonzalez Sander

Bird’s Barbershop

Sharrion Jenkins

Jame Sanitchat

Blanton Museum of Art

Michael and Laura Jurkash

Rachel Schoening

Blue Genie Art Bazaar

Tim Kaupas

Eric Silverstein

Blue Skies Frame Company

Shaleena Keefer

Jennifer Sinski

Bravo Living

Chris Kirkpatrick

Grace Sitzes

Christensen OKO Prototype

Mishell Kneeland

Brent Smith

The Commune

Nick Krupa

Justine Smith

Creative Arts Society

Daryl and Dana Kunik

Ryan Smith

Creative Standard

Emmy Laursen

Brian Smittle

D-Crain

Lana Lindsley

Anthony Sobotik

Davis Gallery

JJ Livesley

Liz Stewart

DEN Property Group

Chris Lowrey

Swng Productions

City of Austin Cultural Arts Division

Amy Lukken

Ingrid Taylor

Fisterra Studio

Arin Madera

Sara Vanderbeek

Hot Luck Festival

Wayne Maines

Ken Villalovos

The LINE Hotel

Dr. Molly Beth Malcolm

Evan Voyles

The MAW Gallery

Alex Masi

Jim Walker

METSI Care

Andrew Masi

Mary E. Walker

Michael Hsu Office of Architecture

Polly Monear

Parrish Walker

Moxie Realty Group

Larry McGuire

Rich Warner

Newcastle Homes

Vlad Mejia

Maddie Wehrmann

Party at the Moontower

Marisa Mirabel

Roberta Weston

Senders Receive

Lauren and Tommy Moorman

Andy Wigginton

Sightlines Magazine

Linda Morrison

Amanda Winograd

South Austin Homes

Kate Moser

Amanda Woodward

South Austin Museum of Popular Culture

Alexis Neal

Christie Zangrilli

Southside Flying Pizza

Meredith Oakley

Zach Zulch

Thai Fresh

Joseph Pagano

Roni Zulu

Thirsty Planet Brewing Company

Chad Palmatier

2019 WEST Volunteers!

Thornton Road Studios

Sam Porcello Miguel Rangel

Tito’s Handmade Vodka Advertisers

Lynn Raridon

Uncommon Objects Vasari Classic Artists’ Oil Colors

Dr. Richard Rhodes

Almost Real Things

Warden Art Agency

Juanalfredito Rios Rodriguez

Armadillo Christmas Bazaar

Waterloo Sparkling Water

Chola Rios Treviño

ArtProfiler

Frankie Ruiz

ACC Arts & Digital Media

20 1 9

W E S T

I N T R O D U C T I O N  

/   xi v


DUE WEST This is your chance to support Austin’s creative community. Due WEST is the official kick off party and fundraiser where you can get your WEST catalog and map before the tour begins. Experience nearly 300 artists in the 2019 West Austin Studio Group Exhibition. Enjoy music, art installations, light bites, and craft cocktails in celebration of local art and artists. Creative 90s themed attire encouraged. Friday, May 10  /  7-10pm ACC Highland Mall Campus 6101 ACC Highland Campus Dr, Bldg 4000 west.bigmedium.org/duewest.html

x v 

/ 

I N T R O D U C T I O N

W E S T

2 0 19


WEST GROUP EXHIBITION

X

The Group Exhibition is the starting point of WEST and will remain on view throughout the tour. The Group Exhibition is organized by tour number, allowing you to move through the show geographically and by category, discovering your favorite WEST artists along the way. With nearly 300 artworks by WEST artists featured, along with catalogs and maps on site, you can plan your entire tour experience in one stop. Look for x on the map ACC Highland Mall Campus 6101 ACC Highland Campus Dr, Bldg 4000 Open hours WEST Weekends, 11am-6pm  /  May 14-17, 12-6pm

20 1 9

W E S T

I N T R O D U C T I O N  

/   xv i


AUSTIN PUBLIC LIBRARY Since 2010 the Austin Public Library has partnered with Big Medium to distribute materials to all 22 local branches. Through this collaboration, we hope to make WEST more accessible, while encouraging the community to visit their neighborhood library branch and register for a library card. Austin Public Library provides knowledge, technology, and inspiration to the Austin community. The Library system includes the Central Library, 21 library branches, Recycled Reads bookstore, and the Austin History Center. This City of Austin Department is a hub of books and education, a meeting place for minds, and an incubator of ideas.

ACL Austin Central Library  /  710 Cesar Chavez St Sunday, 12-6pm  /  Monday - Thursday, 10am-9pm Friday - Saturday, 10am-6pm  /  (512) 974-7400 AHC Austin History Center  /  810 Guadalupe St Sunday, 12-6 pm  /  Monday, Closed Tuesday - Saturday, 10am-6pm  /  (512) 974-7480 ACB Carver Branch  /  1161 Angelina St Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-7480 ACP Cepeda Branch  /  651 N Pleasant Valley Rd Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-7372 AHO Howson Branch  /  2500 Exposition Blvd Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-8800 ALW Little Walnut Creek Branch  /  835 W Rundberg Ln Sunday, 2-6pm  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-9860

x vi i  

/  

I N T R O D U C T I O N

AMR Manchaca Road Branch  /  5500 Manchaca Rd Sunday, 2-6pm  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-8700 AMI Milwood Branch  /  12500 Amherst Dr Sunday Closed  /  Monday - Thursday 10am-9pm Friday 10am-6pm  /  Saturday 10am-5pm (512) 974-9880 ANV North Village Branch  /  2505 Steck Ave Sunday Closed  /  Monday - Thursday, 10am - 9pm Friday 10am-6pm  /  Saturday 10am - 5pm (512) 974-9960 AOQ Old Quarry Branch  /  7051 Village Center Dr Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10pm-6pm  /  Saturday, 10am-5pm (512) 974-8860 APH Pleasant Hill Branch  /  211 E William Cannon Dr Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-3940 ARZ Ruiz Branch  /  1600 Grove Blvd Sunday, 2-6pm  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-7500

W E S T

2 0 19


ASJ St. John Branch  /  7500 Blessing Ave Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-4pm (512) 974-7570 ASE Southeast Branch  /  5803 Nuckols Crossing Rd Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-8840 ASR Spicewood Springs Branch 8637 Spicewood Springs Rd Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-3800

A SR

A MI

ATB Terrazas Branch  /  1105 E César Chávez St Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-3625 ATO Twin Oak Branch  /  1800 S 5th St Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-9980 AUH University Hills Branch / 4721 Loyola Ln Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday 10am-6pm  /  Saturday 10am-5pm (512) 974-9940 AWK Willie Mae Kirk Branch  /  3101 Oak Springs Dr Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-9920

A LW

A NV A OQ

A SJ

A RR A WP

A YB A HO A HC

A CB A WK

A CL A MR

A UH

A TO

A CP A TB

AWP Windsor Park Branch  /  5833 Westminster Dr Sunday, Closed  /  Monday - Thursday, 10am-9pm Friday, 10am-6pm  /  Saturday, 10am-5pm (512) 974-9840 AYB Yarborough Branch  /  2200 Hancock Dr Temporarily closed

A RZ

A PH

A SE

ARR Recycled Reads  /  5335 Burnet Rd Sunday, 12-6pm  /  Monday - Wednesday, Closed Thursday, 11-8pm  /  Friday - Saturday, 12-6pm (512) 974-7460 20 19

W E S T

I N T R O D U C T I O N  

/   xv i i i


LIBRARIES


A CL

Rosemary Wells Central Library Watercolor, gouache

Central Library exhibits beloved author, Rosemary Wells’ illustrations from her book, “Yoko's: Show and Tell”. This exhibition is curated for Pre-K audiences, while taking young-in-heart audiences back to their childhood nostalgia of growing up with Wells’ comforting stories. The exhibition is located on the third floor in the Children’s area. 710 W Cesar Chavez St rosemarywells.com / @rose_mary_wells_ Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Untitled (Yoko’s Show and Tell), 2011, print, 8.5 x 9”

A CL

Calder Kamin Central Library Mixed media, recycled materials, animation

Kamin’s solo exhibition, “What a Mess” at the Austin Central Library Gallery showcases trash transformed into sculptures, animations, and installations, commenting on the mess humans have made for our natural neighbors throughout our existence. Dedicated to the student strikes #FridaysforFuture. Artist Talk on Thursday, May 16, 6-8pm. 710 W Cesar Chavez St calderk@gmail.com / calderkamin.com / @calderful Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Enough is Enough (Cobalt Canine), 2019, trash and recycled materials, 17 x 12 x 12”

A CL

Susan Scafati Central Library

Pigment and silver gelatin photography, mixed media installation, sculpture Scafati’s exhibition in the 4th floor windows features a 60-foot, siteresponsive installation that reimagines our constructed landscape as a suspended spectrum of everyday urban forms in flux. On view in the 6th floor living room are archival pigment and silver gelatin prints and sculptures inviting us to think about how representation of one’s self and one’s world is expressed in our visual, virtual culture. 710 W Cesar Chavez St info@susanscafati.net  / susanscafati.net / @susanscafati Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 , 2018, archival pigment print, 26.5 x 40” 20 1 9

W E S T

L I B R A R I E S  

/ 0 1


A LW

Alex Giffen Little Walnut Branch Oil based printmaking ink, paper, gouache dye

I like to create work based on the possibility of expansion. The tree you see every day, the flowers you have outside—what would they possibly look like in another universe? What else could be hiding here? I like to explore textures found on the planet that seem other worldly and how they could possibly interact with known things. 835 W Rundberg Ln a.p.giffen@gmail.com / @alexalexalexg Accessibility: 1, 2, 4, 6, 7, 9

Backpack Bones, 2018, etching with chine collé, 2 x 2”

A MR

Mental Health Matters Manchaca Branch Various

One in five Americans struggle with mental health, yet it’s still not discussed as openly as physical health. Artworks on display for WEST, belonging to Texans of all ages, explore why mental health matters to them. Together we can help demystify this often-taboo topic by using creative avenues to personalize every experience and battle the stigma of mental health through art. 5500 Manchaca Rd (956) 231-3539 / jennifer.perez2@hhsc.state.tx.us / gallery.txsystemofcare.org Accessibility: 1, 2, 3, 5, 6, 7, 8, 9, 10 Fractured Paradigm, 2018, acrylic on canvas, 11 x 14”

A NV

Francine Funke North Village Branch Acrylic, watercolor, ink

My “Floral Phenomena” series explores a wide variety of floral and botanical forms and the myriad ways I express them artistically. This includes large paintings on canvas and works on paper, as well as whimsical three-dimensional, hand-cut paper pop-ups. I will also be showing recent work which combines traditional media, such as watercolor and acrylic paint with photography and digital manipulation. 2505 Steck Ave (203) 561-8099 / francinefunke@comcast.net behance.net/franfunke / @francine.funke Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Blue Lotus, 2016, acrylic, mixed media, hand cut paper, 20 x 28” 0 2 

/ 

L I B R A R I E S

W E S T

2 0 19


A PH

Kevin Muñoz Pleasant Hill Branch Acrylic, ink, latex, graphite, screenprint

Bold and graphic layouts, loose brush-work, and warm colors are all elements Kevin Muñoz uses to create his visual world. Rhythmic patterns and serene landscapes surround the weathered characters in his work as he explores concepts of identity, longing, and happiness. Inspiration includes his native lands of Guatemala and South California, midcentury design, recent photos of ancient art, and plants. 211 E William Cannon Dr (714) 797-3954 / munoz.kevin@gmail.com / kevinmunoz.us / @kevinmunoz Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 In Search of Happiness, 2016, acrylic, ink, 5 x 7”

A TO

Arcilia Gonzalez Twin Oaks Branch Charcoal, acrylic, india ink

I create pieces using mediums that limit my color palette to black and white so that I may strip my work to basic elements of light and dark, texture, and above all, detail. I see powerful detail in landscapes and my goal is to capture a scene that feels so simple, yet contains so much. 1800 S 5th St (817) 808-1075 / gonzalezarcilia@gmail.com / arciliagonzalez.com / @angeles_art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Some Pond, Some Trees, 2017, charcoal on illustration board, 16 x 20”

20 1 9

W E S T

L I B R A R I E S  

/ 03


HAPPENINGS


Austin Book Arts Center  /  New Space Happening

A

Paper, ink, thread, cloth, wood, metal  May 10, 6-10pm / May 11 and 18, 10am-5pm Austin Book Arts Center welcomes everyone for hands-on activities at our new location. ABAC offers studio rentals and 90+ workshops annually. Teachers earn CPE continuing education credit. Renowned for awesome instructors dedicated to fostering literacy through book arts, ABAC advances the book as Art, preserves traditional crafts, promotes contemporary book arts, inspires diverse learners, begins conversations, and engages the community. 5501 N Lamar Blvd, C-125 (512) 417-5845 / info@atxbookarts.org / atxbookarts.org / @atxbookarts.org Accessibility: 1, 2, 6, 7, 8, 9 Paper marbling workshop

Mexic-Arte Museum Family Day: Printmaking Workshop and Artist Talk with Jonathan Rebolloso

B

Serigraph, linocut, monoprint, graphite, mixed media  May 11 / 10am-6pm Mexic-Arte Museum will have exhibitions of prints and drawings from their permanent art collection. Guests will learn about the printmaking process from local Master Printer Jonathan Rebolloso, and the Education Department will lead a workshop where visitors get to make their own monoprint. 419 Congress Ave (512) 480-9373 / info@mexic-artemuseum.org mexic-artemuseum.org / @mexic_arte Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Sam Coronado, Dos Mundos, 1994, serigraph, 14 x 20”

C

Landmarks  /  Public Art and Plein Air Installation, sculpture, drawing  May 11 / 11am-12pm

Experience Landmarks through plein air drawing! The public art at UT is chosen specifically to interact with its environment. Sharpen your spatial skills by considering sculpture, architecture, landscape, and shadow. Meet at Nancy Rubins’ “Monochrome for Austin” for two 30-minute sessions. Dress for outdoors and bring drawing supplies, Landmarks will provide a selection of tools to expand your practice. 100 E 24th St (512) 495-4315 / landmarks@austin.utexas.edu landmarks.utexas.edu / @landmarksut Accessibility: 1, 3, 4, 6, 7, 8, 9 Nancy Rubins, Monochrome for Austin, 2015, stainless steel, aluminum, 600 × 642 × 492” 20 1 9

W E S T

H A P P E N I N G S  

/ 0 5


D

Creative Side Jewelry Academy Workshops, copper, brass, silver, gold  May 11 / 11am-6pm

Inspiration meets creation at Creative Side Jewelry Academy, a premier jewelry and metalsmithing school. Founded by Courtney Gray, her intention is to provide an inspiring, professional and fun studio space where anyone can come learn the craft of jewelry making. We invite you to join our ongoing metalsmithing mini-workshops during the day and exhibit jewelry from multiple Austin jewelers. 321 W Ben White Blvd, #204 (512) 799-0731 / info@creativeside.org creativeside.org / @creativesidejewelry Accessibility: 1, 2, 3, 4, 7, 8, 9 Studio view

E

Visionary Texas School for the Blind and Visually Impaired Clay, yarn, acrylic, tempera, cardboard, fabric, paper-mâché, video  May 11 / 11am-6pm

We, the Fine Arts students of Texas School for the Blind and Visually Impaired, intend to inform and entertain the public with our many diverse abilities and unique perspectives through artwork and video. Our multimedia artwork reflects our experiences in the world as curious, expressive human beings who desire open communication with those around us. 1100 W 45th St, Bldg 602 (512) 206-9142 / bettesg@tsbvi.edu / tsbvi.edu Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 The Glasses of “The Boy Who Lived”, 2018, ceramic, 4 x 7.5 x 2.5”

F

LamARTarama Lamar Middle School and Fine Arts Academy Paper, oil, acrylic, ceramics, wood, varnish, charcoal, pencil, watercolor, wire  May 11 / 1-3pm

Lamar Middle School and Fine Arts Academy invites you to LamARTarama, its annual Spring Arts Festival. LamARTarama will feature art created by middle school students in a variety of mediums. 6201 Wynona Ave (512) 417-9448 / christi.hay@gmail.com / lamarmiddleschool.org/visual-arts Accessibility: 1, 2, 3, 6, 7

Gillian Hay, Ivory, 2019, paper-mâché, found objects, 12 x 14 x 5” 0 6 

/ 

H A P P E N I N G S

W E S T

2 0 19


G

Lacey Richter  /  SacRED Offerings ~ Illuminated Ellsworth Kelly’s “Austin” at the Blanton Museum of Art Exploration of movement and dance in response to space and spirit  May 11 / 2pm

Join multi-disciplinary artist Lacey Richter as she performs “SacRED Offerings”, engaging public space and inner-illumination alongside Ellsworth Kelly’s “Austin” on the grounds of The Blanton Museum of Art. Richter’s intriguing performances explore movement, identity, spirituality, sensuality, and divine surrender within raw and sacred spaces… of herself and her environment. 200 E Martin Luther King Jr Blvd laceyrichter@gmail.com bit.ly/2G1UclQ /  @laceyraerichter Accessibility: 1, 2, 7 SacRED Offerings, 2018, performance

H

The South Welcomes You Home JCB Gallery at the Dougherty Arts Center Ink, acrylic, oil, wood, canvas, graphite, charcoal, paper, pastel  May 12 / 4-6pm

From the devolution of the Austin sky, to Texas caves reimagined as intergalactic landscapes, to the peculiar yet familiar renderings of southern life, artists Mae, Renee Victor, and Heidi Pitre celebrate the beauty and quirks of the land we call home. Join these storytellers for the Artist Reception and fall in love with Texas all over again. 1110 Barton Springs Rd (512) 974-4000 / jcbgallery@austintexas.gov / austintexas.gov/jcbgallery / @doughertyartscenter Accessibility: 1, 2, 3, 5, 7, 8, 9 Mae, Camp Mabry, 2018, spray paint, acrylic, 12 x 12”

I

Making Space, Preserving Place Elisabet Ney Museum Panel discussion  May 15 / 6-8pm

The Elisabet Ney Museum, Big Medium, Preservation Austin, and Sightlines Magazine present a mid WEST panel discussion on community, space, and historic preservation. Miriam Conner, Oliver Franklin, Kim McKnight, and Sara Vanderbeek join in conversation, moderated by Jeanne Claire Van Ryzin. Together, they will discuss the role historic buildings play in providing spaces for making and exhibiting art, the power of space to bring people together or keep them apart, and how an arts community is successfully built and nurtured in a changing city. 304 E 44th St sightlinesmag.org Accessibility: 2, 3, 4, 5, 6 20 1 9

W E S T

H A P P E N I N G S  

/ 07


J

Third Thursday Blanton Museum of Art Installation, painting, printing  May 16 / 10am-9pm

Join us for a happening and our monthly Third Thursday, when admission is free. Catch the exhibition “Words/Matter: Latin American Art and Language”, a performance by Güateque Son, a pop-up print show, a Slow Looking conversation about one work of art, and more. 200 E Martin Luther King Jr Blvd (512) 471-7324 / info@blantonmuseum.org / blantonmuseum.org / @blantonmuseum Accessibility: 1, 2, 3, 5, 6, 7, 8, 9

Teresita Fernández, Stacked Waters, 2009, cast acrylic, 240 x 795 x 561”

K

The ART of Preservation: Experiencing Historic Austin Through Drawing and Photography Drawing, photography  May 18 / 1-3pm

Join Preservation Austin, the official community partner for WEST, for this guided walking tour of downtown. Participants will visit three historic WEST locations, and landmarks in between, sketching and photographing each one along the way. We’ll learn a little about their histories and spend time appreciating the beauty and detail of Austin’s historic architecture. RSVP to programs@preservationaustin.org. 800 Congress Ave programs@preservationaustin.org / preservationaustin.org / @preservationaustin Accessibility: 0

Old Bakery & Emporium

L

The MAW Gallery Oil, acrylic, graphite, mixed media  May 11 and 18  /  11am-5pm

The MAW Gallery hosts Austin’s finest collection of artwork from the 19th century to the present. Displaying local and international artists at various career levels, The MAW Gallery’s eclectic collection of artwork is a must-see. 1214 W 6th St, #113 (512) 774-6895 / info@themawgallery.com themawgallery.com / @themawgallery Accessibility: 1, 2, 3, 5, 6, 7, 8, 9

Gallery view 0 8 

/  

H A P P E N I N G S

W E S T

2 0 19


James Surls  /  With Out, With In

M

 UMLAUF Sculpture Garden + Museum Wood, steel, bronze WEST Weekends / 11am-4pm Please join us for James Surls’ (born 1943) first ever exhibition of sculpture in Austin, including works from the 1980s through today, featuring his signature wooden, steel, and bronze sculptures. Surls’ work will transform the gallery and garden. More than 50 permanent sculptures by Charles Umlauf (1910 - 1994) will also be on view in the garden. 605 Azie Morton Rd (512) 445-5582 / umlaufsculpture.org / @umlaufsculpture Accessibility: 1, 2, 3, 5, 6, 7, 8, 9, 10 All Diamonds, 2006, stainless steel and bronze, 120 x 138 x 90”

N

Austin Textual Media Capitol Creative Collective LED lights and video panels, raw material, mixed media  WEST Weekends / 12-2pm

Austin Textual Media brings together diverse visual artists, programmers, and developers to produce creative content and communications in the following areas: digital and print media, audio/visual, lighting, projections and mapping, and art installations. 6910 Shirley Ave, C (512) 567-3792 / info@austintextual.com / austintextual.com Accessibility: 2, 6, 7, 8

Icosahedron, 2018, LED lights

O

American Cheese Fondue Neill-Cochran House Museum Oil on canvas  WEST Weekends / 12-5pm

Thomas Cook, Jeffrey Primeaux, and Saul Jerome San Juan come together as American Cheese Fondue—a blend of delicious talent melting into a performance you can consume and a product you can own. Choose an image and watch as each artist collaborates on a painting of it in front of your eyes in one hour. Reserve now as space is limited! 2310 San Gabriel St americancheesefondue@gmail.com / americancheesefondue.com / @americancheesefondue Accessibility: 1, 2, 3, 7, 8, 9 #clawdthedawg, 2019, oil on canvas, 12 x 12” 20 1 9

W E S T

H A P P E N I N G S  

/ 0 9


nikkay, just might

for locations and stylist schedules, visit www.birdsbarbershop.com


Art and language have always been inextricably linked; the artistic fascination with the written word spans continents and cultures. Words/Matter offers an innovative perspective on how Latin American artists have explored the connections between visual art and written language since the early decades of the twentieth century. Drawn primarily from the Blanton’s extensive Latin American art collection, the exhibition highlights key moments in the synthesis of words and art and examines its use to communicate personal, poetic, or political messages. Words/Matter features artists from Mexico to Uruguay working in a broad range of media, celebrating the subversive aesthetics of artists’ books, painted poems, political posters, and conceptual art. Make your plans to see it soon.

CLOSING MAY 26, 2019

The University of Texas at Austin / blantonmuseum.org / @blantonmuseum / #WordsMatterATX Image: Carlos Amorales, Typographical Patterns for Mass Reproduction (sample book), 2012 Silkscreen, 11 11/16 x 15 5/8 x 13/16 in., Blanton Museum of Art, The University of Texas at Austin, Gift of the Artist, 2017


ARTIST STUDIOS


1

Megan Lawlor Alcohol ink, acrylic, wood, canvas, ceramic tile, Yupo paper

I incorporate a technique that allows me to pour my emotions into my work while using alcohol ink or acrylic paint. The fluidity of the paint and the uncertainty of how it will react when it touches the canvas allows me to create unique pieces that are vibrant in color. 4015 Greenhill Pl (512) 568-6474 / megannlawlor@gmail.com / theflowartist.com / @the.flow.artist Accessibility: 2, 3, 6

Nebula, 2018, alcohol ink on ceramic, 17.5 x 17.5”

2

ecotopes Steel, hardwood

In the process of developing eco-modern landscapes for Austin since 2003, the artisan team at ecotopes helps craft the art of designer, Steve Shelton, M.L.A. Through this exhibit, ecotopes will proudly share our exclusive design space, filled with dozens of outdoor steel constructs, prototypes, and production models. We fabricate a variety of steel planters, outdoor furnishings, experimental garden objects and hibachis. 6110 Mesa Dr (512) 587-2401 / steve@ecotopes.com / ecotopes.com / @ecotopes Accessibility: 1, 2, 6

Hibachito, 2018, steel, 12 x 10 x 12”

Baron Wilson

3

Charcoal, graphite, ink, watercolor, gouache, acrylic, water mixable oil As a native of West Texas, I have an inherent relationship with the horizon defining both earth and sky in a constantly changing light which is coupled with a desire to explore an emotional attachment to beauty and context. 4802 Balcones Dr (512) 484-6065 / baron@baronwilson.com / baron.faso.com / @baronarts Accessibility: 2, 3

Northbound Hwy 360, 2017, acrylic on canvas, 24 x 36” 1 4 

/ 

S T U D I O S

W E S T

2 0 19


4

Nora McMillen Burke Watercolor, acrylic, graphite, masking fluid, paper, canvas

My paintings explore the value of symbolism in textiles and folk art. I am inspired by finding common themes throughout different cultures’ use of symbols such as protection from evil, power, fertility, and the tree of life. I work primarily with watercolors, often combined with acrylic marbling techniques, and use resist processes on paper and canvas that evoke Batik. 4704 Balcones Dr (512) 917-0761 / noramcmillen@yahoo.com noramcmillenburke.com / @noramcmillenburke_art Accessibility: 2, 3

Eight Auspicious Symbols, 2019, watercolor on paper, 30 x 41”

5

Faustinus Deraet Silver gelatin, archival ink prints

There is a pleasure I can’t describe while taking a photograph and a unique feeling is engraved into every image. With a variety of styles and subjects I reveal some of the reasons why I photograph. Please join me for a chat and/or a drink while looking at this particular selection, and share thoughts about the art of photography. 2906 Stoneway Dr faustinusderaet@yahoo.com / faustinus.com / @faustinus Accessibility: 2, 6

Waiting in Hong Kong, 2018, archival ink print, 24 x 24”

David Sweeney

6

Oil, acrylic, graphite, ink, cut and torn paper Drawing, painting, and mixed media work, on paper, panel, and canvas, frequently incorporating things I find on the street or that friends give me because they think I’ll like it. 6008 Cary Dr (415) 425-0285 / davidsweeney@gmail.com davidsweeneyart.com / @davidsweeneyart Accessibility: 0

Untitled Diptych, 2018, mixed media on panel, 16 x 24” 20 1 9

W E S T

S T U D I O S  

/ 15


7

Mark Johnson  /  Guest of David Sweeney Mixed media ... 6008 Cary Dr (917) 657-5885 / mark.adam.johnson@gmail.com / iammarkjohnson.com / @mjohnson1411 Accessibility: 0

Studio view

8

Mai Gutierrez  /  Guest of David Sweeney Black marble, Huasteca rock, rosewood, walnut, oak, resin, bronze, paint

The stone-carving process is utterly slow and demanding of patience. Being the least forgiving of materials, carvings can take months or years to create. They’re natural substances slowly created with the passing of years, as a combination of minerals. All species come and go, but rocks are the oldest souls with lots of history in their veins. 6008 Cary Dr (512) 743-8645 / mai.gtz@gmail.com  / maigutierrez.com / @mai.ster Accessibility: 0

HRRS2, 2018, Huasteca mountain rock, steel, 23 x 12 x 8”

Monte Rhodes

9

Sterling silver, copper, brass, semi-precious stones, miscellaneous found objects I enjoy doing things that take intense focus, concentration, and good hand-eye coordination. Making jewelry for the enjoyment of others certainly fits that criteria. When my work is appreciated it adds to my enjoyment. 5803 Shoalwood Ave (512) 751-8241 / rhodesm1@swbell.net / monterhodes.com Accessibility: 2, 3, 5, 6

Necklace, 2018, turquoise, sterling silver, 2 x 1.5” 1 6 

/ 

S T U D I O S

W E S T

2 0 19


Winston Hicks  /  Guest of Monte Rhodes

10

Archival cotton fiber matte paper, metal panel, canvas My photographs vary in category, style, and technique, as can be seen on my website. I print most images on archival cotton fiber matte paper but a few are printed on canvas or metal panels. 5803 Shoalwood Ave (512) 845-6139 / winstonhicks@gmail.com / winstonhicks.com Accessibility: 2, 3, 5, 6

Yellow Handrail, 2011, photograph, 18 x 12”

11

Efrain Arvelo  /  Guest of Monte Rhodes Metal, rocks, glass, found objects

My work is a combination of blacksmithing, welding, and jewelry techniques applied to hot or cold metal to make unique items for the person, home, or garden. 5803 Shoalwood Ave (512) 657-5502 / earvelo@austin.rr.com Accessibility: 2, 3, 5, 6

Studio view

Sunset Canyon Pottery

12

Stoneware, clay, glaze Sunset Canyon Pottery is a production pottery studio that manufactures dinnerware and homewares. We are a small group of talented artists dedicated to manufacturing high quality, unique, handmade pottery. 5809 Burnet Rd (737) 209-8888 / sunsetcanyonpottery@gmail.com sunsetcanyonpottery.com / @sunsetcanyonpottery Accessibility: 0

Teapots in Luna Verde and Nebula, 2018, stoneware, 8 x 6 x 6” each 20 1 9

W E S T

S T U D I O S  

/  17


13

J. Pattison 14k gold fill, sterling silver, 14k rose gold fill

Jewelry is insight. What we wear on our bodies alludes to who we are. J. Pattison’s jewelry is delicate, elegant, and unapologetically imperfect. Made from 14k gold fill, 14k rose gold fill, and sterling silver, the pieces are for those with extreme jewelry sensitivities, an attribute that often accompanies a love for fine things. Each piece is hand-crafted, expressing a beautifully human character. 6204 Laird Dr (503) 707-2060 / jennapdavis@gmail.com / jpattison.org Accessibility: 0

Gold Octagons, 2019, 14k gold fill, 1.75 x 1.75” each

14

Kristine Shafer Glass, wood, metal, stone

Glass fusing is the collision of artist inspiration and ancient material controlled by the physics of gravity. I present my experiences, thoughts, and feelings of the natural world captured and filtered by the vibrancy and transparency of glass. Be it new or reclaimed, glass reveals strength yet remains fragile. 6204 Laird Dr (512) 680-1645 / littlebluearthouse@gmail.com bluearthouse.org / @bluearthouseatx Accessibility: 0

Smokey Mountains Valley, 2018, glass, 24 x 27”

Lizzie Turk  /  Guest of Kristine Shafer

15

Acrylic My artwork is where I escape reality and add beauty to the world. I manipulate various colors across a canvas to showcase thoughts, feelings, and dreams. In each painting, I see snapshots of time and find it a joy to share with others. 6204 Laird Dr lizzieturkart@gmail.com / etsy.com/shop/lizzieturkart / @lizzieturkart Accessibility: 0

Oceans, 2019, acrylic, 12 x 12” 1 8 

/ 

S T U D I O S

W E S T

2 0 19


16

Ruth Heffron Oil, pastel, colored pencils, felt

For as long as I can remember landscape has offered an invitation of kinship. I want to let the subject speak for itself while also communicating the way I see and feel it. Art, like poetry, is finding the “phrase” to describe so much. It fuses emotion, observation, instinct, and learning into a creation of form, light, color and space. 1503 Romeria Dr (512) 751-9614 / ruthheffron@gmail.com / ruthheffron.com / @ruthheffronartist Accessibility: 0

Idaho Idyll, 2016, oil on linen panel, 8 x 8”

17

Brent and Sydney Buford Photography, paper, metal

This exhibit is focused on transportation, from the polished pride of a lowrider to the deteriorated husk of abandoned beaters, from the dirt roads of Patagonia to the sleek trains of Tokyo. In between is a constellation of infrastructure: the ghostly visage of gas pumps at dusk, the reflected symmetry of bridges, the bare utility of pushcarts, buses, and boats. 1212 Romeria Dr brentbuford@gmail.com / brentbuford.com Accessibility: 0

Gas Station, 2018, archival inkjet, 24 x 42”

Laura Maclay

18

Acrylic, canvas, paper, fabric, stuffing, batting Whimsical, colorful artwork featuring nature motifs. Paintings, art dolls, wall hangings, handbags, and quilted prints to delight. I build up each image with many layers of acrylic paint and the occasional collaged bit of paper ephemera to achieve a rich, nostalgic look. Each work is its own little world, full of fascinating characters and details. 1505 Cullen Ave (512) 407-9048 / laura@pursesnatcher.com / pursesnatcher.com Accessibility: 0

Elvis Mushroom, 2019, acrylic on paper, 32 x 22” 20 1 9

W E S T

S T U D I O S  

/ 19


19

Cliona Gunter Acrylic, prismacolor, graphite, charcoal, spray paint on rag or wood

Daily practice of painting, construction and design that happens on living room floor, driveway or back yard. My favorite materials are acrylic, prismacolor, graphite, compressed charcoal, and spray paint on cotton rag or wood panels. The most important things are to take risks and make daily and the hardest things are self curation and knowing when to stop. 1305 Piedmont Ave (512) 586-9867 / trixar4kids@gmail.com / clionagunter.com / @clionagunter Accessibility: 0

I put a line through you—you put a line through me, 2018, acrylic, compressed charcoal, prismacolor on cotton rag, 22 x 30”

20

TK Tunchez  /  Guest of Cliona Gunter Flowers, photography

PodeROSAS portrait series and headdress exhibition by tk tunchez. This photographic series combines testimonio, montage, and portraits (taken in collaboration with photographer, Lucero Archuleta) of self-identified womxn. The series explores the question, “what makes you powerful?” and centers on iconography that relates to my Latinx queer identity. A headdress exhibition will accompany the images. 1305 Piedmont Ave (413) 695-0203 / lasofrendas@gmail.com / @lasofrendas Accessibility: 0

Mahealani, 2018, photography, headdress materials

Kirsten Lofgren

21

Oil, paint, pencil, watercolor, acrylic, canvas, panel, board, pen, ink I make drawings and oil paintings inspired by strange landscapes, patterns, and abstraction. I am fascinated by the way humans and their environments change each other. I use my artwork to explore geologic time, environmental change, and human insignificance. My art incorporates altered colors and invented patterns to create an imagined world based on realistic natural landscapes. 1200 Taulbee Ln (423) 863-1690 / kirstenlofgren@gmail.com / kirstenlofgren.com / @kirstenlofgren Accessibility: 2

Desiccated 8, 2017, oil on canvas, 24 x 24” 2 0 

/  

S T U D I O S

W E S T

2 0 19


22

Lauren Hill Acrylic, watercolor, charcoal, plaster, fabric, mixed media

Emotional and physical spaces are points of connection. By using the subject matter of landscapes, domestic settings, and self portraiture, I narrate the psychological effects of longing and isolation. The main goal of my creative practice is to achieve a sense of connection based on shared sentiments such as fear and desire. 603 W Croslin St (352) 274-4824 / lauren.hill.art@gmail.com / laurenhillart.com / @laurenchills9 Accessibility: 2, 7

Long Night, 2017, acrylic on paper, 20 x 28”

23

Amanda Jones Oil, charcoal, graphite, pastel, silverpoint

I’m a realist oil painter who enjoys creating highly rendered figurative works as much as I do painterly plein air studies. My current work explores themes of mortality, vulnerability, fear, disappointment, loss, loneliness, and hope. In addition to painting, I teach realist art to children ages 8-18 in my studio and some of their work will also be on display. 607 W St Johns Ave, #10 (512) 826-1802 / amanda@amandaleejones.com / amandaleejones.com / @amandaleejonesartstudio Accessibility: 2, 6

Cat’s Cradle, 2017, oil, 24 x 18”

Big Fun Workshop

24

Ink, cotton, paint, wood, canvas, textile Big Fun Workshop is an artist driven design and print studio that excels in creativity. We do our best to not buckle down as just a print studio but a creative space to do what we love best, have fun and create. 6910 Shirley Ave, C (512) 750-9308 / bigfunworkshop@gmail.com / bigfunworkshop.com / @bigfunworkshop Accessibility: 2, 6

Studio View 20 1 9

W E S T

S T U D I O S  

/  2 1


25

Capitol Crew Productions Cotton, canvas, ink, wood, poster

I operate and own a full scale shirt printing and graphic design company as well as a local skilled hands and tech event production company that provides hands as well as engineers to distribute sound, lighting, and video to assist local venues to create small to big productions. Offering corporate and festival settings. 6910 Shirley Ave, C (512) 632-9219 / capitolcrew@live.com / @capitolcrewproductions Accessibility: 0

Joe Cambell, Institutionalized II, 2015, mixed media, charcoal, pencil on canvas, 5 x 8”

26

Industry Print Shop Ink, acrylic on paper, wood

Industry is proud to be Austin’s screenprinting gold standard. We work hard daily to provide the highest caliber services to artisans, designers, and anyone who has an appreciation for quality work. A keen eye for detail, years of branding experience, and dedication to the craft of printing, Industry provides the local community with value beyond the finished product. 705 Wallingford Bend (512) 524-0181 / info@industryprintshop.com / industryprintshop.com / @industryprintshop Accessibility: 1, 2, 3, 5, 6, 7, 8, 9

Morning Breath, 2017, 21 layer serigraph, 30 x 22”

Patricia Strong

27

Oil and acrylic on canvas Still painting—exploring form and color through figural and abstract composition. 1107 Justin Ln, B (512) 537-4025 / strongv@me.com / strongdecorativepaint.blogspot.com Accessibility: 2, 4

New Years Eve, 2019, oil on board, 20 x 20” 2 4 

/  

S T U D I O S

W E S T

2 0 19


28

Rachel Immaraj  /  Guest of Patricia Strong 35mm film

My 35mm street photography includes subject matter from around the world including Ireland, Greece, India, England, and France. Through my photography, I aim to reveal the subtle beauties that are involved in everyday, normal life across all types of cultures. Additionally, I will be providing henna tattoos. 1107 Justin Ln, B rachelimmaraj@gmail.com Accessibility: 2, 4

Pollution, 2016, 35mm photograph, 4 x 6”

29

Katie Booth  /  Guest of Patricia Strong Ink and pencil on paper, digital art

I started drawing five years ago as a meditation practice and it has evolved since then. There’s no sketching or planning beforehand, I just kind of dive in. When mistakes are made I incorporate them into the design. I constantly listen to music as I draw and each piece is titled after whatever song is playing when I finish. 1107 Justin Ln, B katie@nfgdesign.com / ngfdesign.com / @carter747 Accessibility: 2, 4

Lemon, 2018, digital, 12 x 8.5”

Cameron Miller  /  Guest of Patricia Strong

30

Oil, watercolor, found objects This year is an exploration of space and color defying the image plane and playing with surface texture, pushing the limits of my materials. 1107 Justin Ln, B cammillerpaints@shotablecreations.com / shotablecreations.com / @cammillerpaints Accessibility: 2, 4

Untitled, 2019, oil on canvas, 12 x 12” 20 1 9

W E S T

S T U D I O S  

/ 2 5


31

Jessica Lepore  /  Guest of Patricia Strong Watercolor, ink, acrylic gouache on paper and wood

My work is a madness. My art is catered to the amusement park that lives inside my brain. Each ride is a different disorder and when I’m ready to create, I relinquish my ticket and jump on board. I’ve made it a ritual to create daily and I try to put a twist on traditional forms. 1107 Justin Ln, B weaseldoesart@gmail.com / weaseldoesart.bigcartel.com / @weaseldoesart Accessibility: 2, 4

Vampire Mandrake, 2017, watercolor, ink, 24 x 18”

32

Sara Appleton  /  Guest of Patricia Strong Ceramics, acrylic My main themes are space and silliness. 1107 Justin Ln, B (512) 766-7123 / sgapottery@gmail.com / sgapottery.com Accessibility: 2, 4

Tea Vessels with Lids, 2017, cone 04 white earthenware

Bob Trevorrow

33

High fired porcelain, stoneware clay, hand mixed glazes Handcrafted functional ceramics with a modern aesthetic. Wheel thrown pottery made with high fired stoneware, porcelain clays, and hand mixed glazes. 935 E 52nd St (512) 401-7188 / bob.trevorrow@gmail.com grainceramics.com / @bobtrevorrow Accessibility: 2, 3

Stoneware Sake Set, 2018, graphite black satin glaze, clay 2 6 

/ 

S T U D I O S

W E S T

2 0 19


34

Sadie Pass  /  Guest of Bob Trevorrow Porcelain

My pottery explores joyful, yet temporary, moments in the life of plants. I am interested in the how the plants and forms I choose relate to each other. Right now I enjoy working with Texas wildflowers and aspen trees. I use porcelain clay fired to a mid-range temperature. My forms are thrown on the wheel or thrown and altered. 935 E 52nd St sadiepassceramics@gmail.com / sadiepass.com / @sadiepassceramics Accessibility: 2, 3

Cornflower Lidded Bowl, 2018, porcelain, 11 x 11 x 5”

35

Jodi Cutler Stoneware, porcelain

I make functional pieces of pottery that carry an anthropomorphic and organic note. Different clay bodies suggest different attitudes and personalities. Most everything I make gives me a giggle. 5305 Ave G (401) 533-4068 / jodi.large@gmail.com / @jmcpots Accessibility: 2, 3, 6, 7, 8

Pour Pot, 2018, stoneware

Jung Kwak  /  Guest of Jodi Cutler

36

Porcelain, clay Jung Kwak is the creative source behind Logan Ceramics. By way of NYC with a BFA from Parsons School of Design—form, shapes, and space have been a lifelong passion. Her pieces are handmade, nature-inspired ceramics for the home. 5305 Ave G loganceramicsshop@gmail.com / loganceramics.com / @logan_ceramics Accessibility: 2, 3, 6, 7, 8

Pedestal Vase, 2018, stoneware, 8 x 6” 20 1 9

W E S T

S T U D I O S  

/ 2 7


37

Kerry Kittrell The Commune Fabric, buttons, beads, seaglass, driftwood, crystals, acrylic, metal, ephemera, blessings

Inspired by ancient symbols, mystery, myth, meditations, magick, the elements, AND imbued with blessings and love, my artworks celebrate our connection with Divine Mother / Source / and blessed Mother Earth. Sacred vessels are the container to hold our sacred gratitudes, blessings, and ritual offerings of celebration, manifestation, or release and healing. 101 E North Loop Blvd, C (512) 632-7858 / kerry@kerrykittrellart.com / kerrykittrellart.com / @kerrykittrellart Accessibility: 1, 2, 4, 5, 6, 7, 8, 9 Cauldron of Early Spring, stiffened vintage cotton fabric, rusty wire, metallic acrylic, Swarovski crystals, 3.5 x 8 x 7.5”

38

Christopher Hynes Pigmented plaster, gold leaf, acrylic, paper, collage, found objects

There is a little bit of something in everything and I like to explore that. 5206 Guadalupe St (512) 293-4858 christopher@christopherhynes.com / christopherhynes.com Accessibility: 2

After Findhorn, 2018, collage on rag board, 20 x 24”

Malka Dubrawsky

39

Fabric, thread Rooted in tradition, but with a clean, modern aesthetic, I craft contemporary textiles that feature both collected and hand dyed cottons and linens. My work reflects my love of simple shapes and color. I’m featuring an array of works displayed in my dye studio as well as demonstrations of the sewing techniques I use to create my pieces. 5305 Guadalupe St, A (512) 761-0655 / malka@stitchindye.com / stitchindye.com / @stitchindye Accessibility: 2, 3, 5

Four Triangle, 2017, fiber, 60 x 60” 2 8 

/  

S T U D I O S

W E S T

2 0 19


40

Kana Allcock Stoneware, porcelain, glaze I try to make pieces unique, simple, and beautiful. 4801 Ave G kanaallcock.com Accessibility: 0

Spodumine Box, 2018, clay, 2 x 4 x 4”

41

Glenn Gurgiolo Wood, inlay, epoxy, stone

The most useful knowledge I learned in high school was in the wood shop. Now in retirement, I am free to roam the dimensions of wood craftsmanship applying such knowledge. Drop by to see my creative rolling pins, bowls, canoe paddles, Cajon, billy clubs and an entire wall transforming into an abstract image using inlayed wood. 4506 Ave B (817) 545-1144 / ggurgiolo@gmail.com Accessibility: 0

Ball in Water, 2010, wood

Kelley Janes

42

Acrylic and charcoal on canvas “May your soul be at home where there are no houses,” says Ursula K LeGuin. Mine’s at home on tiny roads in wild places. This series is based on blurry photos I take behind the wheel while road tripping. My kids are unruly if I pull over. The road trip is my love language, though not yet theirs. 4204 Ave D kelleycollier@mac.com / @kelleyjanes Accessibility: 2, 3

(com)Promised Land, 2018, acrylic and charcoal on canvas, 30 x 48” 20 1 9

W E S T

S T U D I O S  

/  2 9


43

Jay Long Oil, charcoal, graphite, linen, book parts, wood, hardware

Um, okay, four-hundred characters or less, here goes. Okay, well, um, let’s see, how should I put this. I mean, so you know how, wait I mean, have you ever wondered about, never mind. I guess what I’m trying to say is, alright, so if we were both having a conversation, like just the two of us, I would probably, or at least I think I might, you know what, let’s just talk about it when you get here. 1211 W 49th St (512) 453-0369 / jaylong@jaylong.com / jaylong.com / @jaylongstudio Accessibility: 0

Pitchfork, 2018, mixed media, 14 x 18 x 3”

44

Nicole Long Wood boxes, glitter, rhinestones, artificial flowers, found objects, glass, acrylic

“How?”, you ask in a profound sense of amazement. More flowers, glitter, rhinestones, glass, stones, twigs, and little friends until there’s not another speck of space left. Compulsively created for your enjoyment! 1211 W 49th St (512) 453-0369 / snailbird@yahoo.com / @nicolelongstudio Accessibility: 0

Cat’s Garden, 2018, mixed media, 5.5 x 7.5 x 2.5”

Austin Escape Artists

45

Oil, acrylic, found objects, ink Austin Escape Artists Studio has six Austin artists who have painted, studied, and traveled together for over twelve years. Participating in 2019 WEST are Nelleen McCormick, Ann Jones, Anne Ames, and Michael Buls. Our art mediums include oil and acrylic paintings, and mixed media. Each artist explores their own style, from abstract to impressionistic. Original works and prints available. 1409 W 51st St, #2 (512) 422-9036 / info@austinescapeartists.com / austinescapeartists.com / @austinescapeartists Accessibility: 0

New Shoes, 2019, oil on board, 16 x 12” 3 0 

/  

S T U D I O S

W E S T

2 0 19


46

Jim Williams Drawing, ink on paper, shaped canvas, airbrushed acrylic

Jim Williams creates gestural ink drawings and airbrushed shaped-canvas paintings. His work draws from diverse influences, including 1950s car design, Stanley Mouse, Franz Kline, Roberto Matta, Tom Wesselmann, and Chinese calligraphy. Jim’s approach to 3-D space and form are informed by his longtime practice of Tai Chi Chuan and Chi Gung, which he teaches. 5206 Joe Sayers (512) 971-3229 / fourseasonstaichi@gmail.com jameswilliamsart.com / @jamesswilliamsart Accessibility: 2, 3

#63, 2016, ink on paper, 10 x 22”

47

Lionel Rumancik Glass, copper, patina copper

Flowers by Lionel are crafted using vintage glass and copper designed to bring excitement to any landscape or potted plant all year long. Each glass flower is affixed on a copper mount and post with custom copper leaves. All copper is either a standard metallic or patina surface. Great for gardeners and even better for those without a green thumb. 5205 Woodview Ave (512) 657-3013 / lionelrumancik@gmail.com / flowersbylionel.com Accessibility: 0

Bouquet, 2018, glass, copper

Feats of Clay Pottery Studio and Gallery

48

Stoneware, earthenware, porcelain Austin’s oldest pottery studio and gallery, owned by Judy Conroy, is home to four other artists, Rebeccah Polk, Marc Jeannin, Shirley Fox, and Jeanine Mankins, with sculptural works by Barry George and many other artists also on display. Functional pots and sculpture are our specialty, inspired by love, life, and movement. 4630 Burnet Rd (512) 453-2111 / featsofclaypottery.com Accessibility: 2, 3, 6, 7

Teapot, 2018, earthenware, 14 x 10 x 7” 20 1 9

W E S T

S T U D I O S  

/  31


49

Laura Lynn Johnson Watercolor, gouache, graphite

I explore personal images in watercolor and graphite on wood panels and paper. This year I have been exploring and experimenting with new techniques in my bird and botanical paintings. My interest in color and forms in nature and in the world around me continues to inspire me in the studio. 1004 W 31st St (800) 245-2421 / laurajohnsonlpc@gmail.com lauralynnjohnson.com / @lauralynnjohnson Accessibility: 1, 2, 3, 5, 7

Kestrel, 2019, watercolor and gouache on panel, 18 x 18”

50

Victoria Corbett Cut out paper, ink, paint, pencil, gold leaf

Industry, the new, and the old intermingle, yet the weeds still manage to infiltrate what we perceive to be solid ground. As a living breathing human on this wondrous planet, do you consider yourself part of or separate from it? 1004 W 31st St info@victoriacorbettart.com / victoriacorbettart.com / @victoriacorbettart Accessibility: 1, 2, 3, 5, 7

Transformation, 2018, pen and ink on paper, birch panel, gold leaf, 22 x 27”

Anna Mallam

51

Photography, deep matte paper, canvas Anna Mallam is a fine art photographer and owner of the Austin-based studio Slow Fuse Photography. She specializes in capturing moments of unique color and character in rural and urban landscapes. Constantly seeking the most visual drama at golden hour, Anna explores the scenery of Austin and West Texas in a different light. 1004 W 31st St slowfusephotography@gmail.com / slowfuse.org / @slowfuse Accessibility: 1, 2, 3, 5, 7

Overlook, 2018, photography, 12 x 24” 3 2 

/  

S T U D I O S

W E S T

2 0 19


52

B Shawn Cox Oil on canvas and fabric, mixed media collage

I create painted and mixed media compositions inspired by the stories and internal dialogues that I imagine about visually iconic figures, portraits, or personal accessories and traits that I source or collect from found vintage photographs, advertisements, movie stills, books, magazines, and ephemera. 1411 Gaston Ave (281) 802-3882 / bshawncox@gmail.com / bshawncox.com / @shawnathon01 Accessibility: 0

9 Edison Portraits, 2018, oil on canvas, 10 x 8”

53

Randall Soileau Glass, lead came, copper foil, solder, zinc

Randall Soileau first started cutting glass at age 17. Following a career in classical ballet and dance, he returned to his love for glass arts in 2016 and opened Randall’s Glass Studio in Austin. His subjects range from dancers, floral gardens and landscapes, to modern geometrics. “Centurion Sunset” has been accepted for the 2019 Peoples Gallery at Austin City Hall. 506 Bellevue Pl (512) 674-5863 / randallsoileau@gmail.com / randallsoileau.com Accessibility: 2

Mystic Vista, 2019, glass, 36 x 30”

Kelly Daniela Norris

54

Acrylic, audio, glass, paper, video, wood iKitsch: this refers to the chaotic morphing of ideas and formats, most notably the “adorable” and “nostalgic” with critiques on technology’s impact on our psyche. 3013 Harris Park Ave (760) 420-5223 / kdn2003@gmail.com / @beatchik Accessibility: 2

Good morning, Patrisharky!, 2018, collage, 10 x 6” 20 1 9

W E S T

S T U D I O S  

/  33


Aaron Franklin · Matty Matheson · Alon Shaya · Gabriel Rucker · Jeremiah Stone Sara Kramer & Sarah Hymanson · Chris Bianco · Chris Shepherd · Mason Hereford Katie Button · Jason Vincent & Ben Lustbader · Doug Adams · Greg & Gabi Denton abE conlon · Alex Manley · Andre Natera · Andrew WisehEart · Austin Rocconi Bryan Butler & Ben Runkle · Callie Speer · Chad Dolezal · David Norman · Elias Cairo Fermin NuÑez & Sam Hellman-Mass · Fiore Tedesco · Gabe Erales · Ivana & Yamila Maldonado · Jason Stude · JB Gross · Jen Tucker · Jesse Griffiths · Justin Yu Kevin Fink · Laura Sawicki · Max Snyder · Michael Fojtasek · Miguel Vidal · Philip Speer Rebecca Masson · Rico Torres & Diego Galicia · Sarah Heard & Nathan Lemley Sarah McIntosh · Steve McHugh · Tatsu Aikawa · Tavel Bristol-Joseph Todd Duplechan & Jessica Maher · Tyson Cole · Yoshi Okai · Zach Hunter & more!

Music From

L U C E R O · L E F TOV E R S A L M O N · A R C H E R S O F LO A F · T H E S U F F E R S · PJ M O R TO N S U N F LOW E R B E A N · R O B E R T E L L I S · E R I K A W E N N E R S T R O M · R E V E R E N D P E Y TO N ’ S B I G D A M N B A N D NAUGHTY PROFESSOR · NEW BREED BRASS BAND · HARLEM · SOUR BRIDGES · EL TULE & MORE

HOTLUCKFEST.COM


Would you like the EAST catalog mailed to you? Become a Big Medium member for just $4.17a month or $50 annually and join a community of supporters who are passionate about cultivating and preserving the vibrant, and accessible art scene in Austin. bigmedium.org/support.html

Jay Long

Laura Sturtz

Mark Puente

FOR SUPPORTING THE LOCAL ART SCENE! ARMADILLOBAZAAR.COM


55

Phillip Wade Oil, acrylic on canvas or board

Lately I’ve returned to my roots, painting the books I read as a child: Paddington, The Owl and the Pussycat, besides my portrait paintings. When young, I moved back and forth from North Jersey to family in Cornwall, England and loved painting there. And I loved the blinding light of Texas when I came here after studying at the Pennsylvania Academy. 1202 Lorrain St (512) 658-0465 / phillipwade2@gmail.com Accessibility: 2

The Owl and the Pussycat, 2019, oil on canvas, 36 x 48”

56

Eve Larson  /  Guest of Phillip Wade Oil on canvas

I come to visual art from the world of ballet. I was a ballet dancer for many years. I imbue my paintings with the romance and movement of the dance. I always look for the beauty, expressiveness and theatricality in life and art. My paintings have an implied story behind them, which I leave to the viewer’s imagination. 1202 Lorrain St (512) 477-5031 / evelarson@mac.com / evelarson.com Accessibility: 0

Soaring, 2018, oil on canvas, 10 x 8”

Theresa Bayer  /  Guest of Phillip Wade

57

Acrylic, ink, colored pencil, graphite, canvas, paper, wood, varnish My paintings feature imaginary, dream-like scenes of whimsical people, animals, and landscapes, and have a storybook quality to them. Symbols inspire me because they compress complex ideas and philosophies into immediately accessible images. I love portraying the figure and seeing how many ways it can fit into a fantastic scene. 1202 Lorrain St tbartsgallery.com / @tbartsgallery Accessibility: 0

Drink Deep, 2017, acrylic on canvas, 12 x 16” 3 6 

/ 

S T U D I O S

W E S T

2 0 19


58

Carol Hayman Arches BFK Rives paper, Charbonnel inks, American French Tool Press

See photo intaglio prints from a series of images made in desert country. In the rocky stream beds and dry tributaries around the Devil’s River, Val Verde county in West Texas, water is precious and hard to find. During rainy spells, tough grasses and thorny shrubs spring to life, during dry spells they pause, waiting to come to life again. 1001 Eason St (512) 477-3099 / carol.hayman@g.austincc.edu / carolhayman.weebly.com Accessibility: 0

Cedar Springs, 2018, photo intaglio, 11 x 15”

Barbara Timko  /  Guest of Carol Hayman

59

Paper, cloth, markers, colored pencils, washes In swirling night dreams, I discover powerful visions of adventures with my dog companions. The images are brought to life by colored pencils, washes, and markers. The muted colors portray the reality of my inner world. The negative space I create serves as a gateway to a meditative space for the enjoyment of my viewers. 1001 Eason St (512) 296-8685 / btimko915@gmail.com Accessibility: 0

Dog in the Net, 2017, colored pencil, ink, wash, 18 x 24”

Austin Creative Art Center

60

Oil, acrylic, watercolor, charcoal, pastel, graphite, paper-mâché, air brush Austin Creative Art Center and Gallery is run by an Austin family trio (Zoey Upshaw, Carlyn Filtsch and Taylor Filtsch). ACAC displays an array of contemporary paintings, realistic drawings, modern digital imagery alongside folk art sculptures. The gallery will feature artist Rejina Thomas and her glass work and paintings which move from cubistic surrealism to abstract expressionism. Visitors during WEST may see studio classes in session, artists working independently and explore the gallery. 1605 W 6th St (512) 695-6478 / info@austincreativeartcenter.org austincreativeartcenter.org / @acacart Accessibility: 0 Warm Welcome, 2019, acrylic on canvas, 30 x 40” 20 1 9

W E S T

S T U D I O S  

/ 37


61

Frieda Pangestu Sterling silver

With background in architecture and design, my work emphasizes forms and explores ambiguity and duality to evoke one’s senses. They are simple yet complex, modern yet timeless, striking yet subtle, evocative yet open ended. Ideas are explored on paper and with paper, then each piece is created using old school hand fabrication techniques, folding, and forging. 704 Pressler St friedapangestu@gmail.com / @frieda.pangestu Accessibility: 0

FOLD + FORGE = FORM, 2019, sterling silver, 5.5 x 5.5”

62

Debra Flanagan Paper, acrylic, glitter, found objects

Inspired by nature and the effects achieved when colors, shapes and lines overlap, I have created a broad range of art pieces from my own hand-painted product, PAINTED PAPERS. A rice paper quality base results in a magnificent surface for any application. My goal is to play with the inherent asymmetrical madras like patterns to create intrigue and whimsy through découpage, collage, and wall pieces. These random overlaps of color with delicate golden wispy lines create a remarkable surface suitable for framing, or a start for your own artistic inspirations! 911 Shelley Ave painted.papers@yahoo.com / amazon.com/handmade/painted-papers Accessibility: 0

Formation of a Geode, 2018, paper, acrylic, crystals, 24 x 24”

Hattie Lindsley

63

Oil, screenprinting Native Texan, Hattie Lindsley creates artwork that radiates an elated sense of presence and indulgence, influenced by food, travel, strong women, and the American West. Hattie creates art to live with and enjoys curating at the Austin Bouldering Project. For WEST, she will be opening up her home studio and presenting paintings, prints, and notecards. 704 Baylor St (214) 415-8088 / moonfattie@gmail.com / moonfattie.com / @magentadisco Accessibility: 0

Magenta Disco Disco, 2018, oil, 70 x 70” 3 8 

/ 

S T U D I O S

W E S T

2 0 19


64

Dwain Kelley Watercolor, gouache, graphite, wood, metal, glass Sculptural assemblages, gouache (opaque watercolor), pencil and ink drawings. 20 Awards in 36 Juried Exhibitions, state, national, and international. Interesting studio with an extensive book collection in a historic old house. 1107 Rose St (512) 476-2588 / dwainkelley@aol.com / dwainkelley.com Accessibility: 0

Discovery at Whizzerville, 2018, mixed media sculpture, 14 x 36”

65

Mary Barminski Johnson  /  Guest of Dwain Kelley Acrylic, wood, metal, fabric

Mariposa de Guadalupe—a force of nurture. Images exploring contradictions and collaborations, the shifting of cultural traditions through time and space. Multiple works and wearable art, please stop by and visit. 1107 Rose St (512) 423-1559 / rosestreet@aol.com / barminskijohnson.com / @barminskijohnson Accessibility: 0

Migration Series 1: Natural Phenomena, 2019, mixed media, 12 x 12”

Marie Tobola  /  Guest of Dwain Kelley

66

Pencil, charcoal, oil on paper mounted on wood Exploring the fringes of figure painting. Stuck between the line composition of abstracted conversations and the color of subjects centuries past. Pushing forward but never losing grip of the tactile paint made flesh. 1107 Rose St tobolapaintings@gmail.com / tobolapaintings.com / @tobolapaintings Accessibility: 0

Shroud, 2018, oil on paper, 30 x 22” 20 1 9

W E S T

S T U D I O S  

/ 39


67

Hallie Rae Ward Acrylic, pipe cleaners, yarn, LEDs, mirror, found object, wood

You and Me, that means We… Jubilate the Journey + Opt for Optimism + Circulate in Creativity + Play with Positivity + Examine with Energy + Go and Glow. Hallie Rae Ward | Fine Art and HRW Designs. 1600A Virginia Ave (512) 585-7075 / hallieraeward@gmail.com hallieraeward.com / @hallieraeward Accessibility: 0

Circling Around the Sun (detail), 2018, mixed media, 67 x 42”

68

David Parsons Photography

Photography is a combination of the technical understanding of the camera and an artistic vision of life from a given viewpoint. Being creative artistically is very important to me, driving my efforts in this regard. I love capturing a moment of life as I see it or would like to see it. Bit by bit. One shot at a time. 1821 Dexter St (512) 326-4999 / parsonsdavid60@gmail.com davidparsonsimages.com / @davidparsonsimages Accessibility: 2

Palm Tree Abstract, 2018, photograph, 19 x 23”

Kali Parsons

69

Acrylic, ink, collage, watercolor I’m endlessly inspired by nature and creating art is my way of celebrating all that is beautiful in this world. I use acrylic, collage, ink, watercolor, and anything else I get my hands on and much of my work is created using things that otherwise would have been discarded. Art is my bliss and I love sharing it. 1821 Dexter St kalilparsons@gmail.com / kaliparsons.com / @kaliparsonsart Accessibility: 2, 3, 5, 7

Together We Stand, 2018, acrylic, 24 x 24” 4 0 

/  

S T U D I O S

W E S T

2 0 19


70

Kendall Ozmun Stoneware, glass, found object, oil

My work with clay is like a comedy of speed and stillness, a strange duality that has informed my approach to my whole artistic practice. Currently my work exists as three bodies: ceramics that mimic and interact with painting, sculpture that acts as functional object, and work that exists somewhere in between. 1108 Folts Ave kendall.ozmun@gmail.com / kendall-ozmun.net/ / @_an_onion_ Accessibility: 0

in short, was shining, 2017, stoneware, nylon, oil on panel, dimensions variable

71

Larry Akers Aluminum, steel, wood, glass, oil, latex, acrylic, polystyrene, found objects

I create sculptures and furnishings based on layered patterns and light and also do water photography. Amore moire! Immerse yourself. Savor the ties between eyesight and perception. Videmus igitur cogitamus. Cogitamus igitur videmus. 2311 Ridgeview Dr (512) 443-1036 / larryakers@austin.rr.com eyeplaystudio.net / @larryakersart Accessibility: 2, 6

Eye Play on You, 2019, glass, steel, corrugated paper, oil, latex, wood, 8 x 14 x 5”

Andrea Loomis  /  Guest of Larry Akers

72

Kiln-formed glass, wood, metal I use art to process the world around me, travel, memories, personal joy and struggles, and politics. Why glass? It is physical. There is a technical and scientific process that appeals to me. I am a light fanatic. People react emotionally to light in a strong yet often subconscious way. Light is primal. It has the power to make us see. 2311 Ridgeview Dr (512) 775-4889 / andrea@loomisnet.com / andrealoomis.com / @nashorn65 Accessibility: 2, 3, 5, 6

The Big Blue—A Creature of Delicate Diversity, 2018, kiln-formed glass, 25 x 25 x 25” 20 1 9

W E S T

S T U D I O S  

/ 41


73

Malina Cipleu  /  Guest of Larry Akers Fused glass, polymer clay, sterling silver

Time and again I feel drawn to nature, and in my work I try to capture my impressions of it. They develop in layers of glass, and sheets of clay, progressing in an open conversation between the piece and myself. I hope that viewers will slow down, explore and use their imagination to join the conversation. 2311 Ridgeview Dr (512) 964-4408 / malinacip@gmail.com / malinacipleu.com Accessibility: 2, 3, 5, 6

Untitled, 2019, fused glass, 12 x 12”

74

Meena Matai  /  Guest of Larry Akers Ink, acrylic, pins, Yupo paper, soldering iron

I create vibrant, colorful, playful abstract art that stands for the connections we share together as a community. My art recognizes that we are more alike than we are different and our common human connection ties us together. When we celebrate our similarities and honor our differences we can create a unique, uplifting shared experience for us. Together. 2311 Ridgeview Dr (520) 977-2605 / info@meenamatai.com meenamatai.com / @meenamataiart Accessibility: 2, 3, 5, 6

Community, 2018, alcohol inks, Yupo paper, and pins on canvas, 36 x 48”

Eileen McKeon Butt  /  Guest of Larry Akers

75

Acrylic and mixed media on canvas I am fascinated by abstractions inspired by the forces of nature. Through the use of color and form I hope to convey the energies and vibrations of the universe. 2311 Ridgeview Dr (512) 571-3762 / eileen@eileenmckeonbutt.com eileenmckeonbutt.com / @eileensmb Accessibility: 2, 3, 5, 6

WOKE, 2018, acrylic on fine art paper, 5 x 7” 4 2 

/  

S T U D I O S

W E S T

2 0 19


76

Morghan Gray  /  Guest of Larry Akers Porcelain, screenprinted decals

My work is inspired by my mother and grandmother’s creativity. They sewed most our clothes, crocheted our blankets, and made quilts. My mother led the way for the embossing crazes of 1996. My grandma painted colorful images on wood working projects my grandfather made. Their love of pattern inspired me to capture images they made on my work. 2311 Ridgeview Dr (512) 840-9661 / mgray132010@hotmail.com / pelicanstudioaustin.com / @mookie_gray Accessibility: 2, 3, 5, 6

Teapot with cups, 2018, porcelain

Rosemarie Good  /  Guest of Larry Akers

77

Watercolor, acrylic ink, acrylic, gouache, oil pastel, pencil As an abstract mixed media artist, I am always challenging myself to create a new line more interesting than the last one—constantly asking, “How can I balance color and space differently?” Each painting is a venture down a road where I find that sweet spot of abandonment and dive in. In these spaces I lose myself and find myself. 2311 Ridgeview Dr hello@rosemariegood.com / rosemariegood.com / @rosemariegoodart Accessibility: 2, 3, 5, 6

Indigo River, 2018, mixed media, 16 x 24”

Garima Sharma Heath

78

Oil, acrylic, charcoal, watercolor, pencil, ink, paper, canvas I love creating beautiful, soulful art: delicate watercolors, romantic realistic paintings with vibrant colors and meticulous architectural precision. My paintings and drawings emanate emotions and feelings. I speak three languages, am the product of three cultures—French, Indian, American. I have two degrees in architecture, worked as an architect and I am still getting back to my art. 2143 Barton Hills Dr (512) 576-2161 / gheath123@gmail.com facebook.com/garimaheathartist / @garima_heath_art Accessibility: 2, 6, 7, 8

The Three Coolies, 2017, acrylic on canvas, 18 x 24” 20 1 9

W E S T

S T U D I O S  

/  43


79

Valérie Chaussonnet Steel, watercolor, oil, graphite, yarn

I weld and forge poetic and profound heavy steel sculptures and landscapes. I also weld whimsical love letters, writers sets, and other surprises. I paint exuberant, colorful watercolors and oil paintings. I crochet French pastries and indulge in other artistic experiments. Many of my artworks are inspired by prehistory and my professional museum experience in non-western art. Each piece has a story. 2008 Arthur Ln lapetiteprovence@gmail.com valeriechaussonnet.com / @valeriechaussonnet Accessibility: 1 Meeting the Parents, 2017, steel, 14 x 22 x 5”

80

Ryan Runcie  /  Guest of Valérie Chaussonnet Acrylic, paper, plastic wrap, cellophane

Runcie creates acrylic paintings that incorporate psychology and intrigue. Although he is a firstgeneration American, Runcie’s Jamaican heritage shows through in his use of vivid and saturated colors in his dynamic figurative work. He uses color to breathe humanity into his subjects that are dignified, vulnerable, and alluring. His work explores the grounds for social reconciliation and a healthy coexistence. 2008 Arthur Ln (713) 204-5667 / ryan.runcie@gmail.com / ryanruncie.com / @ryan_runcie Accessibility: 1

Surf’s Up, 2019, acrylic, 12 x 12”

Jason Webb  /  Guest of Valérie Chaussonnet

81

Acrylic I make paintings of trash piles set out for Austin’s residential bulk collection. Each pile evokes imponderable stories. Traces of former owners’ lives emanate from the possessions they’ve chosen to discard. 2008 Arthur Ln (512) 619-3926 / jason@jasonwebbart.com / jasonwebbart.com / @jasonwebbart Accessibility: 1

Discard Pile 64, 2018, acrylic on aquabord, 16 x 20” 4 4 

/ 

S T U D I O S

W E S T

2 0 19


82

Meena Matocha  /  Guest of Valérie Chaussonnet Acrylic, charcoal, ashes, wax

I’m a figurative painter specializing in oil, charcoal, acrylic and wax to create work that combines abstraction with figuration, exploring metaphysical ideas of how the temporal and eternal overlap and influence everyday life. 2008 Arthur Ln (512) 888-5685 / meena.matocha@gmail.com meenamatocha.com / @meenamatochaart Accessibility: 1

A Living Protest Against Death, 2018, charcoal, ashes, acrylic, wax, 18 x 36”

83

Lily Snodgrass Colored pencil, graphite, paint, clay, wood, found objects

Lily focuses on photorealistic colored pencil drawings, but she continually pushes her knowledge of materials and artistic process. As a motorcyclist, her subject matter largely involves her love of motorcycles but also samples the range of her diverse fascinations. Her body of work includes photorealistic drawings, collages, multimedia pieces with found objects, embroidered clothing, and unique handmade jewelry. 2120 Rabb Rd (512) 413-2560 / lily.snodgrass@gmail.com lilysnodgrass.com / @lilysnodgrass Accessibility: 1, 3, 6

Moto Guzzi in Progress, 2016, colored pencil, graphite, 8 x 10”

Keith Snodgrass  /  Guest of Lily Snodgrass

84

Acrylic, oil, graphite, clay, wood Keith works in many mediums including painting, sculpture, and woodworking. Loving both the fine arts and rational science and mathematics, he uniquely combines these opposing forces by juxtaposing subject matter and assigned importance. With irony and satire featured strongly throughout his paintings, his work evokes humor and joy, furthering the caricature or mockery by not even taking themselves seriously. 2120 Rabb Rd ksnodgrass1@austin.rr.com / @keith_snodgrass Accessibility: 1, 3, 6

The Deliverance of the First Painting, 1984, acrylic, 48 x 60” 20 1 9

W E S T

S T U D I O S  

/ 45


85

Genny Duncan  /  Guest of Lily Snodgrass Earthenware, stoneware, graphite, oil, pastels

Genny is a born and bred Texan, with a love for all things western. She catalogs aspects of ranch life through drawings of cowboys and paintings of horses in her iconic style, all with a cohesive palette of Texas countryside. She largely works in clay, creating a colorful and emotive range of household objects, and decorations in earthenware and stoneware. 2120 Rabb Rd genevieveduncan@att.net / @genevievedun Accessibility: 1, 3, 6

Horse Platter, 2018, stoneware, 12 x 12 x 3”

86

W. Tucker Oil, ink, resin stick, watercolor, wood, cement, book covers, paper

I work intuitively with my non-dominant hand to create the work. This allows me to draw/paint in an unpracticed manner, with less fixed intention and control. This is the most honest voice for me and the one that I’ve nurtured. This year my work for the tour will be curated by Jill Schroeder, owner and director of grayDUCK Gallery. 2108 Arpdale St tucker@wtucker-art.com / wtucker-art.com Accessibility: 0

I almost finished the boat, 2017, resin stick, ink on book cover, 4.7 x 6.9”

Stefanie Fix

87

Sterling silver, metal alloy, turquoise, onyx, lapis I have been designing jewelry for men since 2013. I specialize in men’s jewelry because I began to notice that so much of the jewelry that is available to men is focused more on status rather than style and self-expression. My hope is that when a man wears something I’ve made, he is reminded of just how special he is. 2021 Bluebonnet Ln, #111 stefanie@stefaniefix.com / stefaniefix.com / @stefaniefixcollection Accessibility: 3

Men’s Bracelet: Mother of Pearl, 2018, African brass, Greek leather, base metal 4 8 

/ 

S T U D I O S

W E S T

2 0 19


88

Jean Synodinos  /  Guest of Stefanie Fix Acrylic, resin, rice and tissue papers, texturing pastes, copper foil, concrete

My work is an abstract exploration of the perfect imperfection of curves implied by nature as well as the lines imposed upon nature by people. Contrasts are key—through color, textured surfaces, resin, and the addition of other media to the canvas. In addition to paintings, my hand-cast concrete bowls seek to be both gracefully utilitarian and ruggedly decorative. 2021 Bluebonnet Ln, #111 (512) 740-0013 / jean@jeansynodinos.com / jeansynodinos.com/art / @jeansynodinos Accessibility: 3

The Sky & the Sea, 2019, acrylic, resin, 20 x 30”

89

Mary Yznaga Steel, aluminum

I create agaves, kalanchoes, flower bouquets and other plants out of steel. Sizes run from mini to large and come with or without steel planter boxes. My aluminum Heart Milagros are 12 x 12”. All can go indoors or out. My 2019 guest is artist and physicist Cas Milner showing his energetic action, word, and color field paintings. 1912 Goodrich Ave (512) 415-0090 / myznaga@austin.rr.com / krop.com/myznaga Accessibility: 0

Bora Bora, 2019, cold-rolled steel, 36 x 18 x 18”

Cas Milner  /  Guest of Mary Yznaga

90

Acrylic on wood I work with the interplay of paint density, flow, and color, primarily making color-field and energetic action paintings, and inviting an emotional and intellectual resonance with paint, void, and chance. 1912 Goodrich Ave (214) 215-2949 / casmilner@gmail.com / casmilner.wordpress.com Accessibility: 0

Yellow Yellow, 2018, acrylic on wood, 24 x 48” 20 1 9

W E S T

S T U D I O S  

/ 49


91

Jill Robinson Gourds, alcohol inks, natural stones, cactus fiber, pine needles, seagrass

Texture, shape, color, and design, whether contemporary or traditional, inspire my creativity. Gourds with their vast variety of shapes, large and small, have become the canvas for my impassioned mixed-media expression of natural beauty working harmoniously with contemporary elements. 1910 Goodrich Ave (512) 203-1190 / jillbasket@gmail.com / artmyway.biz Accessibility: 0

Chasing Dreams, 2018, gourd, alcohol inks, stone, 13 x 9 x 9”

92

Jake Bryer Austin Art Garage Canvas, clear acrylic coating, select pine stretchers, painted frames

In 2007, my goal was to create a local art gallery that accommodates to people of all socio-economic walks of life. Austin Art Garage emerged and somewhere along the way I became an artist. My work represents composite photography and digital mixed media. By digitally layering 10-20 photographs I create surreal landscapes and epic depictions of urban environments and nature. 2200 S Lamar Blvd (512) 351-5934 / jake@artgarage.com austinartgarage.com/collections/jake-bryer / @jacob_m_bryer Accessibility: 1, 2, 3, 4, 5, 6 Austin Graffiti Bridge, 2018, composite photograph on canvas, 30 x 40”

Mark Nylund

93

Paint, ink, wood, stone, metal, found objects I have thrived on being creative from a very early age. I find joy in many forms of artistic expression, abstract being my favorite, as the creative process, and end result tend to be full of satisfying surprises. 1805 Frazier Ave (832) 797-9124 / markscreations73@gmail.com / @marknylundcreations Accessibility: 0

Dreams, 2018, acrylic paint, collage, 24 x 24” 5 0 

/  

S T U D I O S

W E S T

2 0 19


94

Letterpress PLAY Paper, letterpress, washable paper

Letterpress PLAY is a letterpress studio that fosters community, play and wonder by sharing our zero waste paper toys, cards and posters. All of our paper objects are made with our beautiful old presses, an odd assortment of lead or wooden movable type and the magic of polymer plates. 2300 S Lamar Blvd, #108 social@letterpressplay.com / letterpressplay.com / @letterpressplay Accessibility: 1, 2, 3, 4, 6, 7, 8

Paper Toys, 2017, paper, ink

95

Carol Hargus Flowers, barks, leaves, plant extracts, minerals, food waste, silk fabric

Carol Hargus is a fiber artist creating under the name Art and Soul Design. The natural world is her source of inspiration, specifically the cycles of life, death and rebirth. She dyes with flowers and plant extracts using primarily Silk Fabric. Botanical Dyes are a marriage of art and science and produce abstract and often kaleidoscopic results. 2708 S Lamar Blvd, #100B 512-431-2568 / hello@artandsouldesignaustin.com artandsouldesignaustin.com / @artandsouldesignaustin Accessibility: 1, 2, 3, 6, 7 River Path, 2018, botanically dyed silk

Mindy Graber

96

Thornton Road Studios Glass, smalti, resin, paper, found objects I integrate glass, stone, resin, paper, and other assorted materials to create texture, layers, and dimension. I immerse in the intrigue of the elements working together, resembling and recreating the mosaic of life we live each day. The movement, thoughts, and interactions all bring life to the merging of the inner and outer experience... and the personal interpretation. 2309 Thornton Rd, J (512) 626-5534 / mindiandesigns@gmail.com / mindiandesigns.com / @mindiandesigns Accessibility: 2, 3, 4, 6, 7

Inside Out, 2018, layered paper, resin, 12 x 12” 20 1 9

W E S T

S T U D I O S  

/  51


97

Impossible Winterbourne Thornton Road Studios Casting, plaster, hydrostone, clay, bronze powder

Gain an exclusive look into the super secret Winterbourne Workshop! Witness wondrous works in progress, and be astounded by robots and creatures from other realms! Find out where The AlphaBots come from, learn about sculptural street art processes, and see what’s new from The Impossible Winterbourne! 2309 Thornton Rd, J theimpossiblewinterbourne@rocketmail.com impossiblewinterbourne.com / @theimpossiblewinterbourne Accessibility: 2, 3, 4, 6, 7 The AquaBot, 2019, clay, 84 x 24 x 12”

98

Sono Osato Thornton Road Studios Oil, encaustic, tinted rabbitskin glue ground, reclaimed objects, bones

My work is a synthesis of two different strains: painting (topography) and found objects constructions (writing). It has evolved from thinking deeply about the relationship between terrain and language and the separate modern traditions of Picasso (invention) and Duchamp (selection). 2309 Thornton Rd, K (917) 749-7498 / sono@sonoosato.com / sonoosato.com / @sonoosato Accessibility: 0

Silent Language #6 (detail), 2016, oil, encaustic, reclaimed objects, bones on panel, 48 x 120”

Sandy Ball Muckleroy

99

Thornton Road Studios Bronze, mineral specimens I marry minerals, metal, and fire to create my work. My love of nature, and trees in particular, provide an unceasing flow of inspiration. With the pop of my torch I begin my meditation, not knowing the final destination. 2309 Thornton Rd, L (512) 565-3695 / sandymuck@yahoo.com / @sandyballmuckleroy Accessibility: 2, 3, 4, 5, 6

Yose-Ue Forest Style Ezo Spruce, 2018, bronze on Septarian nodule, 38 x 30 x 19” 5 2 

/  

S T U D I O S

W E S T

2 0 19


100

Rita Marie Ross Thornton Road Studios Argentium silver, copper, bronze, aluminum

Rita Marie Ross is a metalsmith working primarily in non-ferrous metals weaving, fusing, and fabricating her ideas into sculpture and jewelry. Nature’s patterns and beauty have always been a source of inspiration. 2309 Thornton Rd, L (512) 577-3794 / ritamarieross@gmail.com / ritamarieross.com / @ritamarieross Accessibility: 2, 3, 4, 5, 6

Leap of Faith, 2017, copper, acid patina, metallic paint, 66 x 43 x 3”

101

Jacob G Colburn  /  Guest of Rita Marie Ross Thornton Road Studios Copper, ink, acid

I am a second generation artist who grew up to have a love and fascination for copper. The colors that can be pulled from it are quiet amazing. I am very interested in working math and geometric shapes into my work. With acid, inks, and fire I change the chemical makeup of copper to make works of art. 2309 Thornton Rd, L (512) 586-6548 / contact@jacobgcolburn.com / jacobgcolburn.com / @jacobgcolburn Accessibility: 2, 3, 4, 5, 6

Infinite Beginings, 2017, copper, ink, acid patina, 36 x 36”

Greg Davis

102

Thornton Road Studios Archival museum rag, pigment inks, UV coated limited editions Greg Davis is a National Geographic Image Collection Photographer and an Ambassador for the Austin non-profit Well Aware. The purpose of his work is to serve as a reminder to us that we are all part of something greater than ourselves. 2309 Thornton Rd, M (512) 228-0995 / greg@gregdavisphotography.com gregdavisphotography.com / @gregdavisphotography Accessibility: 2, 3, 6, 7, 8 The Man From Mathura, India, 2018, photograph, 30 x 40” 20 1 9

W E S T

S T U D I O S  

/ 5 3


Sarah Annie Navarrete  /  Guest of Greg Davis

103

Thornton Road Studios Digital photography, museum rag Sarah’s work explores the arresting capacity of the moving body. As a dance artist and photographer, she’s most interested in deconstructing the fabric of our inner world by exploring identity and expressing universal vulnerability. 2309 Thornton Rd, M (915) 217-7410 / hi@sarahannie.com / sarahannie.com / @bysarahannie Accessibility: 2, 3, 6, 7, 8

Inhale, 2018, digital photograph, 18 x 24”

104

Dave McClinton  /  Guest of Greg Davis Thornton Road Studios Archival prints on 100% cotton paper

I’m illustrating the inner life of a black person. How the weight of American history can either crush or harden you. The anger of the African-American community is portrayed as a threat. The anger of ‘traditional’ communities is depicted as righteous. This dichotomy feeds stress and despair back into black lives, stoking fires we try to simultaneously hide and harness. 2309 Thornton Rd, M (512) 750-9956 / dave@dmdesigninc.com / davemcclinton.com / @mcclinton Accessibility: 2, 3, 6, 7, 8 Combustion, 2018, digital collage, 24 x 36”

Fireseed Clay Art Studios

105

Thornton Road Studios Clay Fireseed Clay Art Studios, owned by Rick Van Dyke, rents space to over 25 artists, making everything from sculpture to dinnerware. This working community is a hub of creativity and collaboration. Owned by Rick Van Dyke. 2309 Thornton Rd, O (512) 440-8485 fireseedclaystudios@gmail.com / fireseedclaystudios.com Accessibility: 2, 3, 7 Assorted ceramics 5 4 

/ 

S T U D I O S

W E S T

2 0 19


106

Rick Van Dyke Thornton Road Studios Clay, colored glass, gold, copper, brass

My work is colorful, highly textured, sculptural, and organic. I want my pieces to look like they grew. My sculptures are mythological/creaturist/ UFOian figures. I make a lot of pottery for succulents, cactus, orchids, and bonsai. Half of my pots are planted. I have been firing real gold onto my newest work. 2309 Thornton Rd, O (512) 440-8485 / rickvandykestudio@gmail.com rickvandykestudio.com / @scarypotter_rick Accessibility: 2, 3, 7 Assorted ceramics

107

Transmountain Thornton Road Studios Wood, plywood, concrete

Transmountain is Lindsey Culpepper and Gil Moreno, we make things for all kinds of people. Transmountain is a design-build focusing on small-scale projects including furniture and housewares, installation, and construction projects for both residential and commercial clients. Our work sprouts from improvisation, traditional and experimental craft techniques, clean forms, and textural materials. 2311 Thornton Rd, C lindsey@studiotransmtn.com / studiotransmtn.com / @transmountaindesign Accessibility: 2, 3, 6 Blocks, 2018, cast concrete, dimensions variable

Jon Chamberlain

108

Thornton Road Studios Canvas, wood, oil, acrylic My work focuses mostly on vibrant still life and juxtaposition. My goal is to capture the vulnerability and absurdity of the subject. Being able to simply recreate the images that exist in my head gives me great joy. This year I will be exhibiting a series of portraits about fear as well as vibrant still life photography. 2311 Thornton Rd, D (708) 309-9169 / jonfchamberlain@gmail.com / jonfchamberlain.com / @jon_chamberlain Accessibility: 2, 3, 5, 7

Fear Part 5, 2019, print on canvas, 24 x 18” 20 1 9

W E S T

S T U D I O S  

/ 5 5


109

Jessica Burnett  /  Guest of Jon Chamberlain Thornton Road Studios Acrylic, watercolor, pen and ink, colored pencil

Having a background in psychology and art, I am incredibly drawn to the human figure—being especially fascinated by faces. I love the challenge of trying to generate a new form and discover a way for my brushstrokes to represent the true emotion of my subjects. 2311 Thornton Rd, D jessicaedberg@yahoo.com / jessburnett.com / @jessburnettartist Accessibility: 2, 3, 5, 7

Henry Booker, 2018, acrylic on fine art paper, 10 x 8”

110

Erica Wildman Thornton Road Studios Acrylic, ink, plaster, glass beads, resin

I’m a mixed media artist who can’t stay loyal to one medium. Using a variety of mediums allows me to express my creative ideas through depth, layering, and texture. 2311 Thornton Rd, J (512) 588-2787 / art@ericawildman.com ericawildman.com / @ewildmangallery Accessibility: 2, 3, 4, 6, 7

Breaking Thru’, 2018, ink, acrylic, resin, 36 x 72”

Brett Ponds  /  Guest of Erica Wildman

111

Thornton Road Studios Wood, epoxy resin, metal I make furniture and other fun stuff. I primarily work with locally sourced wood and love highlighting its natural beauty. It is important to me that furniture be engaging yet practical. 2311 Thornton Rd, J brettponds@gmail.com / stuffbybrett.etsy.com / @stuff_by_brett Accessibility: 2, 3, 4, 6, 7

Entry table, live edge mesquite, metal, 23 x 11.5 x 29.5” 5 6 

/  

S T U D I O S

W E S T

2 0 19


112

Cynthia Pierce Grolleg porcelain, glazes, acrylic

My deepest desire is to make things. The studios became a playground where each piece stands complete within itself. I play with grolleg porcelain in search of the perfect bowl. My Texas roots have pulled me back to scenes of “Texanna” were cattle, horses, and dirt dominate my canvases. Color is the major focus in both clay and canvas. 1012 W Johanna St (512) 751-2234   /  cynthiabeimer@gmail.com artofcynthiapierce.com / @cynthiapierce Accessibility: 0

The Green Bowl, 2007, grolleg porcelain, 7 x 7 x 7”

113

Terri St.Arnauld and Frank Yezer Platinum Portraits & Fine Art Photography Negatives, chemistry, platinum, cotton rag, photo paper

During WEST, stop in to see a large vintage view camera. We specialize in hand-printed platinum and gelatin silver photographs, sometimes weaving two platinum images together for our fine art work. We manage our own darkroom, which includes processing our black and white film and prints, mixing chemistry, coating papers for our platinum prints, and processing our own digital work. 1104 W Annie St (512) 658-5153 / terrifrank95@gmail.com / platinumportraitsphoto.com Accessibility: 2 Flight, 2017, digital print on metallic paper with K3 inks, 13 x 20”

Ellen Gibbs

114

Concrete, glass, rusty metal, stone, plaster, dyes, hypertufa Concrete yard art, often incorporating found objects. Giant planters, big scary heads, birdbaths, and fanciful critters inhabit a lost world surrounded by modern Austin, celebrating both the beauty of nature and the beauty of that which is not natural at all. 1701 S 6th St egibbs@utexas.edu Accessibility: 0

Surprising Birdbath, 2019, hypertufa, dirt, plants, ball moss, 20 x 40 x 48” 20 1 9

W E S T

S T U D I O S  

/  5 7


An online, non-profit magazine of arts, culture, news & ideas. Austin based, wide open. HANDMADE BY ARTISTS FOR ARTISTS

SIGHTLINESMAG.ORG @sightlinesmag

www.vasaricolors.com


115

Penny Van Horn  /  Guest of Ellen Gibbs Acrylic, scratchboard, silkscreen, ink, pencil, collage, archival matboard, metal, canvas

Cartoonist, illustrator, graphic novelist, painter, printer, writer, poet, animator. Many years working in black and white blossomed into large color pieces. Conversant in the evanescent, profound nature of life, and perception in its many guises. I continue to document the shapes and forms it takes to express the spirit that speaks through me in a 2D format. Next stop: sculpture. 1701 S 6th St pennyvanh@yahoo.com / @pennyvanh Accessibility: 0

Mugshot #3, 2009, acrylic, ink, and silkscreen on archival matboard, 40 x 32”

116

P.J. Cramer  /  Guest of Ellen Gibbs Wood, paint, t-shirts, found objects, glass

I am a professional carpenter who builds furniture, toys, shrines, and myriad things from new and re-purposed wood and other materials. I also create ‘glass painting collages’, hand painted t-shirts featuring monsters and dead celebrities, and other assorted artworks. My work runs the gamut of descriptions from the practical to the whimsical to the absurd to the mildly disturbing. So there. 1701 S 6th St (512) 466-0954 / pjcramer1@gmail.com Accessibility: 0

Revealing, 2019, collage, glass, paint, 14 x 14”

Stella Alesi

117

Oil, cold wax, and bookbinding tape on oil paper Large minimalist oil paintings will be on display in a home studio-gallery setting. Small studies on paper will also be available for viewing and purchase. “I find that while living with my work it quietly supports, brings joy. The paintings listen as well as speak. They whisper to me, answers to my questions.” 1017 W Milton St, A stellaalesi@gmail.com / alesiart.com / @stellaalesi Accessibility: 0

#270 from the journeying series, 2019, oil, wax, and tape on paper, 48 x 48” 6 0 

/ 

S T U D I O S

W E S T

2 0 19


118

Bill Jeffers Limestone, marble, basalt

I’ve been exploring a place where geometry and sensuality meet. The stone with its purity, density, flaws, hardness, strength, fragility, brittleness. Me with my tools, my strength, aches and pains, impatience and persistence, and an idea, somewhere behind my eyes, coming in and out of focus as we go, until at the end, something new. 1010 S 5th St (512) 296-3850 / bill.jeffers@sbcglobal.net / billjeffersart.com Accessibility: 0

Untitled, 2018, basalt, 15 x 8 x 4”

119

Valerie Fowler Oil on canvas, mixed media on paper, clayboard

My artwork explores the natural world, our fragile earth, and the mark we humans make on it. Artworks vary from large oil paintings, to mixed media works on paper, to small works on claybord. All employ intense detail and a uniquely personal perspective. 1211 Ravine Dr (512) 922-1737 / valerie@valeriefowler.com / valeriefowler.com / @valeriefowlerart Accessibility: 0

Olive Branch, 2018, mixed media on paper, 28 x 28”

Lee Barber  /  Guest of Valerie Fowler

120

Oil, charcoal I’m creating figures in landscapes using a language similar to dreams. Beginning with clouds of charcoal dust on panel, I look for hints of images and stories that I can pull out. In this way, I’m running interference with the logical mind, entering through a side door. It’s not that I don’t trust the logical mind, only that it feels incomplete. 1211 Ravine Dr barberzoo@sbcglobal.net / leebarbermusic.com / @barberzooo Accessibility: 0

Pearl of India, 2018, oil on canvas, 12 x 14” 20 1 9

W E S T

S T U D I O S  

/ 61


121

Greta Olivas Acrylic, paper, collage, ink

Greta’s work is full of color, which is usually the first thing people are drawn to. She describes her work as energy or emotions that come through to the canvas. They may resemble celestial bodies, but to her, they are a bigger understanding of the universe and our place within it. 1114 Fairmount Ave (512) 573-0821 / gretaolivas@gmail.com / gretaolivas.com / @gretaolivas Accessibility: 3

When Things Become Clear, 2018, mixed media on canvas, 12 x 12”

122

Cole Godvin Acrylic, gold leaf, paper, ink

Cole Godvin is a multimedia artist and print maker who is process-oriented and believes creativity is at the core of the human experience and is the birthright of all people. She is finishing an MA in Art Education at UT-Austin and teaches a choice-based studio class at Huntington-Surrey. 612 W Johanna St, A (310) 425-2439 / colegodvin@gmail.com / colegodvin.com Accessibility: 2, 7

Serotina, 2019, acrylic, 6 x 9”

Cheyenne Weaver

123

Clay, watercolor, graphite, wood, epoxy Cheyenne’s work applies form and material to create narratives. Often referencing historical or contemporary events, the chemistry and history of her sculptural materials suggest a re-framing of the object that points to the struggle between power and empathy. 615 W Johanna St, A (512) 751-1723 / cheyenneweaver@gmail.com cheyenneweaver.com / @cheyenneweaver Accessibility: 2, 8

Village Rat, 2016, acrylic on canvas, 16 x 20” 6 2 

/ 

S T U D I O S

W E S T

2 0 19


124

Natalie Davis  /  Guest of Cheyenne Weaver Leather, clay, fiber, acrylic

Canoe is the art practice of Natalie Davis. She explores pattern as meditation in the mediums of leather, ceramics, and fiber with a focus on sharing tactile experiences that bring you to the present moment. 615 W Johanna St, A info@canoegoods.com / canoegoods.com / @canoegoods Accessibility: 0

Shield, 2018, clay, leather, acrylic

125

Julie Williams Silk, paper, natural vegetation

I am drawn to the subject matter found in nature and the feminine form. Once one pauses to observe forms in nature, it is my feeling, that it becomes a shared experience with the artist—part of our collective unconscious. Eco Printing is the current focus of my artwork on paper and silk fiber. 701 W Mary St (512) 585-6666 / juliewill.austin@gmail.com / southaustinstudio.com / @juliewillaustin Accessibility: 0

Spring Foliage I, 2019, eco print on paper, 4 x 4”

Cynthia Bloom  /  Guest of Julie Williams

126

Crystal, gemstone, pearl, vintage components, gold, silver I focus on creating high-quality, unique pieces which capture the historical period from which the materials are sourced—the result of my early decision to center my designs on rare antique and vintage items. Wire-work weaving with unique gemstones, vintage Swarovski crystals, rare glass buttons and antique hand-blown, hand-cut glass beads, my collectible jewelry is hand-crafted with attention to detail. 701 W Mary St (512) 779-7737 / cindy@cynthiabloom.com / cynthiabloom.com / @cynthia.bloom Accessibility: 0

Agave Blooms, 2019, 14k gold fill, emerald cut vintage Swarovski crystals 20 1 9

W E S T

S T U D I O S  

/ 63


127

Zeina Cook  /  Guest of Julie Williams Sterling silver, alabaster, digital art, photography

Zeina works in diverse media: sculpture, jewelry, and digital art photography. Her sterling silver tea infuser was accepted for a national exhibition by the SNAG. In photography, “Heart of the Canyon” won a national contest sponsored by Grumbacher. 701 W Mary St zeinacook@gmail.com / aproposgallery.com Accessibility: 0

Fleeting Moment, 2019

128

Julie Ahmad Acrylic, canvas, charcoal, oil pastel, mixed media, texture paste, metallic foiling

This series was born out of a deep-seeded anger, disgust, and sadness that arose as a response to the Kavanaugh hearings. Many layers of loud angry cathartic strokes and tearful markings were painted. After giving my feelings their right to existence, a new expression came forth in a palette of colorful rainbow hues. Over the course of creating came hope, thus birthing its namesake. 804 W Mary St (702) 468-4280 / art@julieahmad.com / julieahmad.com / @julieahmad_art Accessibility: 2, 3, 7

Better Days, 2018, mixed media on canvas, 40 x 40”

Kristin Moore  /  Guest of Julie Ahmad

129

Oil on wood panel My oil paintings explore architecture, nostalgia, and atmosphere. A native Texan inspired by my time living in California, my painting inspiration oscillates through the ever-changing landscapes of Los Angeles, Austin, and the highways in between. 804 W Mary St kristinmooreart@gmail.com / kristinmooreart.com / @kdrawstheline_ Accessibility: 2, 3, 7

Congress Bridge at Night, 2018, oil on panel, 12 x 12” 6 4 

/  

S T U D I O S

W E S T

2 0 19


130

Lys Santamaria  /  Guest of Julie Ahmad Fabric, beads, thread, paint

Contemporary beadwork artist Lys Santamaria continues to evolve and push the boundaries of beadwork. This year, she will be using traditional techniques to create a 3D sculptural series. Using beads, crystals, fabric, and recycled materials, Lys’ new work will include whimsical objects, puppets and colorful works that inspire curiosity and wonder. 804 W Mary St (512) 584-3224 / santamarialys@gmail.com / lyssantamaria.com / @lys.artist Accessibility: 2, 3, 7

Texture Study #1, 2018, beads, thread, 5 x 4”

131

Yasmin Youssef  /  Guest of Julie Ahmad Acrylic, collage, cyanotype, ink, gold leaf, graphite

Yasmin is a mixed media artist known for her unique style of layering vintage ephemera, ink, acrylic, markmaking, graphite and gold leaf. She draws inspiration from nature, dreams, imagination, textiles, travel and her heritage. She also creates contemporary cyanotypes on fabric using local plants, flowers and paper silhouettes. 804 W Mary St hello@yasmin.ws / yasmin.ws / @thegoldcurrent Accessibility: 2, 3, 7

Vintage Italy, 2018, ephemera, acrylic, gold leaf, 14 x 11”

Avery Orendorf

132

Latex, acrylic, pen and ink Through detailed wall murals and illustration, I utilize basic line work and repeating patterns to create intricate but simple pieces with deep story potential. I layer characters and scenery throughout my work, but the plot is up to each observer. I don’t know the story I’m telling. Our versions will be different and may change as we continue to look. 707 W Live Oak St (512) 944-5140 / averyodesign@gmail.com / averyodesign.com / @averyodesign Accessibility: 0

Waves, 2018, latex, ink, 12 x 12” 20 1 9

W E S T

S T U D I O S  

/  65


133

Miranda Cohen  /  Guest of Avery Orendorf Paper-mâché, acrylic

I use paper-mâché to sculpt whimsical animals and small scenes that I paint with bright colors and vivid patterns. Each of my sculptures has a distinct personality and character that speaks to the child inside all of us. 707 W Live Oak St mirandajcohen@gmail.com / mcohendesign.com  / @thecardboardlady Accessibility: 0

Lounging Panda, 2019, paper-mache, acrylic, 7.5 x 4.5 x 4”

134

Erin D’Alessandro Guest of Avery Orendorf Metal, stone, fiber

Erin D’Alessandro is a Virginia native and commercial interior designer in Austin. Her love of accessories and using her hands to create inspired her to begin making jewelry. She strives to make pieces that express personality, boost confidence, and accentuate a favorite outfit. 707 W Live Oak St @rare_breed_jewelry Accessibility: 0

Natural stones, metal

Haley Lebeuf  /  Guest of Avery Orendorf

135

Sterling silver, 14k gold fill, semi-precious stones The atmosphere of change and female empowerment of recent years has played a roll in the latest collection from Haley Lebeuf. It is a nod to powerful women spanning history to the present. Beginning with the 1963 film, Cleopatra, Lebeuf explores glamour, adornment, and symbols that speak both to Taylor’s cinematic charisma and the history of the polyglot queen. 707 W Live Oak St (832) 524-6460 / haleylebeufjewelry@gmail.com haleylebeuf.com / @haleylebeuf Accessibility: 0

Cleopatra Collection, 2018, layered gold fill, druzy necklaces 6 6 

/  

S T U D I O S

W E S T

2 0 19


Soledad Fernandez-Whitechurch  /  Guest of Avery Orendorf

136

Acrylic, resin, wood, mediums Soledad Fernandez-Whitechurch grew up in Paraguay, Argentina and the United States. The variety of languages and landscapes gave her a sense of introspection early on, and a need to express herself in a way that transcends language. These works are a reflection on memory, Latin-American identity, and possibility. 707 W Live Oak St (203) 524-0569 / soledadfernandezw@gmail.com / @solepaintstheblues Accessibility: 0

Midgard Serpent, 2018, collage, 11 x 8”

Abby Ruston  /  Guest of Avery Orendorf

137

Wood, glass, metal My art began by following my curiosity and listening to my heart. My deep desire with my art is to inspire others to follow their own curiosity and never be limited by fear or negativists. 707 W Live Oak St (979) 492-5524 / aaruston@gmail.com rustoncreations.com / @abby_ruston Accessibility: 0

Penta, 2018, wood, 14 x 18 x 12”

Roxanne Rathge Guest of Avery Orendorf

138

Photography My series “Apotheosis of the Ordinary” shows women engaged in everyday tasks of modern life. Here, they are re-imagined as saints and deities. These photographs use the visual language of religious iconography to elevate ordinary life to the level of the divine. 707 W Live Oak St roxannejo.com / @_roxanne_jo_ Accessibility: 0 The Last Supper 2018, photographic print on archival paper, metallic ink, 27 x 48” 20 1 9

W E S T

S T U D I O S  

/ 67


139

Valentina Dorsa  /  Guest of Avery Orendorf Ink and gold leaf on paper

In my recent work, I strip everything down to the bare essentials, embracing the simplicity of line and form within the organic and fractal shapes of nature. With my love of iconic Southwest imagery as the springboard, I add just a hint of glamour and decadence in the timeless form of gold leaf. 707 W Live Oak St (512) 568-7586 / valentina.dorsa@yahoo.com / valentinadorsa.com / @valentinadorsa Accessibility: 0

Koi, 2019, ink on paper, 10 x 8”

140

Julie Pelaez  /  Guest of Avery Orendorf Alcohol ink, rubbing alcohol

Julie loves teetering on the fine line between control and total surrender that comes with spilling ink. Her vivid and lively creations elevate, connect, and serve as a means to ground both herself and the interiors they grace. Along with originals and prints, Julie offers a line of artful throw pillows, acrylic trays, and personal accessories. 707 W Live Oak St hello@juliepelaezstudios.com juliepelaezstudios.com / @juliepelaezstudios Accessibility: 0

Happy Place, 2018, alcohol ink, rubbing alcohol, 24 x 36”

Donna Starnes

141

Alcohol ink, acrylic, photography Curiosity and a passion for exploring the unknown are my main inspiration’s regardless of the medium. I like a strong use of color and light. Inspired by everyday life I enjoy bringing beauty into the world. 2613 Wilson St (512) 917-2135 / donna@donnastarnes.com / donnastarnes.com / @dstarnes_creative Accessibility: 2, 3, 7

Citrine Dreams, 2018, ink on Yupo paper, 20 x 16” 6 8 

/ 

S T U D I O S

W E S T

2 0 19


Kathy and Gary Arnold  /  Guest of Donna Starnes

142

Sterling silver, 14k yellow, white, pink, peach, and green gold We hand fabricate one of a kind and limited series jewelry in sterling silver and multicolored gold. Favorite techniques include: forging, roller texturing and printing, chasing, fold forming, and telling stories with the metal. 2613 Wilson St studio@moondancearts.com / moondancearts.com Accessibility: 2, 3, 7

Teardrop Earring, 2018, sterling silver, 14k gold, 2 x .75”

143

Kay Hughes  /  Guest of Donna Starnes Canvas, oil, acrylic, pen, watercolor

Why paint the world around you? The world is not perfect but there is beauty in so many ways and in so many things. In my art, I seek sparks of light, moments of joy or calm harbors for respite. “A picture is a poem without words” –Horace 2613 Wilson St (512) 573-8177 / kayhughes.knottgarden@gmail.com / knottgarden.com Accessibility: 2, 3, 7

Glorious Morning, 2018, oil, 8 x 10”

Evie Carr

144

Clay, watercolor, birch panels Through clay, paint, and wood, my art expresses my interpretation of Dia de los Muertos. Whether it be bright glazes on stoneware or watercolors on wood, I connect each medium through a vibrant color palette that embodies the spirit of the November festival. It reminds me of the importance of celebrating life and remembering those who came before us. 907 Cumberland Rd evie@vivaevie.com / vivaevie.com / @vivaevie Accessibility: 0

Lagartija, 2017, stoneware, underglaze, grout, wire hangar, 6.75 x 3.25 x 6.5” 20 1 9

W E S T

S T U D I O S  

/ 69


Promoting the development of the “Artist in Everyone” Exhibit Opportunities | Networking | Community Enrichment

CELEBRATING

20 YEARS

SERVING AUSTIN ARTISTS Membership is open to everyone and we welcome art lovers and enthusiasts, hobbyists and professionals.

C A S

CREATIVE ARTS SOCIETY

CREATIVEARTSSOCIETY.ORG


DESIGN-FORWARD EVENT FURNITURE RENTALS From chic to casual, our distinctive Austin-modern style will help infuse soul into any event.

Nicole Ryan Photography

MO O NTOWE RRE NTAL S.COM | 5 1 2 . 5 2 2 . 4 9 8 2 | @ M O O N T O W E R R E N TALS


145

Amy Hoagland Glass, metal, digital prints, found objects

My work lies within the intersection of humanity and the surrounding landscape. Through literature, data, and interactions with the environment, I research the way we perceive our relationship with nature. I appropriate natural forms such as icebergs, either in their actual state or as 3D scans of the form. Materials such as glass and iron are vehicles for my concept. 1600 Valleyridge Dr, B (502) 296 6896  /  amyhoaglandmaker@gmail.com amyhoagland.com / @amyhoaglandstudio Accessibility: 0 Synthetic Geode III, 2018, layered glass, found modified tripod, 46 x 30 x 30”

146

David Amdur Wood, glass, metal, stone, leather

I dreamed of building a house on a hill and a studio in the forest with a waterfall. You are welcome to see the results. I carve, sculpt, design, fabricate, and try to dream up new ideas daily. See a spoon carving demo in studio at 11am and guitar music at 5pm on each day of the tour! 4000 Clawson Rd (512) 443-6056 / david@davidamdur.com / davidamdur.com / @amdurdavid Accessibility: 0

Woman, 2017, limestone, 5 x 8 x 9”

George Wert

147

Portland cement, sand, glass fibers, iron-oxide pigments I make paintings using glass fiber reinforced concrete and synthetic iron-oxide pigments. Sometimes the pieces have three dimensional elements. Studio/workshop is located in back behind the house. Have a drink at Radio then come check me out! 2108 Fortview Rd (512) 507-5266 / gw@trewcustoms.com Accessibility: 0

Burning Logs, 2014, paint, 18 x 36” 7 2 

/ 

S T U D I O S

W E S T

2 0 19


148

Cameron McNeil Acrylic, canvas, marker, paper

Due to extreme colorblindness, the world has always looked different to me. My paintings are a way to unleash the uncontainable feeling of miraculousness. 3208 Nancy Gale Dr (609) 738-7011 / artistcamg@gmail.com / artistcamg.com / @cameronary Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Never Leaves #9, 2018, acrylic, 48 x 36”

149

George Huffman Oil on canvas and wood panel

The figures in my paintings represent the concept of emotional awakenings and the struggles revealed by that process. The inevitable loss of naiveté is usually thought of as an experience in a child’s life that ultimately creates awareness of pain, suffering and evil in this world. I try to capture the essence of this transition from naiveté to awareness. 4513 Frontier Trl (512) 659-1841 / george@georgehuffman.com georgehuffman.com / @georgehuffman_art Accessibility: 0

Target Practice Little Girl #81, 2019, oil on canvas, 30 x 40”

Suzanne Koett

150

Film, chemicals, ilford multigrade paper, archival watercolor paper, ink, wood After building a darkroom (come take a tour!), Suzanne has reverted back to analog photography while continuing to work in digital collage, alternative process, and printmaking. She’s found that mixing traditional and contemporary practices gives her the best of both worlds. Themes are based around the complexity of the human condition, mindfulness, and what it means to be alive. 1808 Forest Hill Dr (512) 779-5747 / suzanne.koett@gmail.com / suzannekoett.com / @suzannekoett Accessibility: 0

Track 14: Saturation, 2019, cyanotype on archival watercolor paper, 8 x 8” 20 1 9

W E S T

S T U D I O S  

/ 73


151

Camille Woods Acrylic

Camille is an artist and graphic designer based in Austin. She is currently working on a series exploring gender and sexual fluidity in small town patriarchal Texas. She uses acrylic paint in a monochromatic illustrative style to create large figurative paintings of LGBTQ cowboys and cowgirls. 1808 Forest Hill Dr (512) 751-8381 / cvwoods@gmail.com / @oneincamillion Accessibility: 0

May They Find Sanctuary in the Sorgum Fields, 2018, acrylic, 72 x 60”

152

Justin Smith Oil and pastel on canvas

Growing up surrounded by industrial pollution, I became fascinated by the possibilities of genetic mutation—how the waste products of human progress can rewrite our DNA. So, too, does social pollution trigger us to adapt voluntarily and involuntarily to our surroundings. These monsters are symbols of how we navigate our inner natures and outside forces in search of identity. 912 Philco Dr, A (631) 655-8174 / justin@justinsmithart.com / justinsmithart.com / @justinsmithart Accessibility: 0

Whutchu Gunna Do, Hold It For Me?, 2019, oil on canvas, 36 x 36”

Evan Voyles

153

Sheet metal, neon and argon tubing, paint, found objects, detritus Art that is informed by my work as a signmaker, and by the unintended poetry and artistic collision of American signs decaying in a changing landscape and context. 500 W St Elmo Rd (512) 680-0809 / theneonjungle@gmail.com / theneonjungle.com / @theneonjungle Accessibility: 2, 3, 6

white noise #1, 2015, sheet metal, vintage argon tubes, 96 x 96 x 6” 7 4 

/  

S T U D I O S

W E S T

2 0 19


154

John Christensen Bronze, steel, stainless steel, resin, wood resin composite, mixed media

Come view all kinds of sculptures, architectural screens, furniture, lamps, etc. in steel, bronze, resin, and other media. We will host an outdoor dance and music event in an oak grove as well! 500 W St Elmo Rd (512) 462-3342 / christensenoko@sbcglobal.net / christensen-oko.com Accessibility: 2, 3, 6

Gogo, 2009, RMG-composite, 12 x 23 x 12”

155

Katy McCarthy Digital projectors, flatscreen televisions, fiber

Katy McCarthy is an artist-in-residence at UT Austin presenting a multimedia video installation in her studio in south Austin. 412 W St Elmo Rd (707) 363-7473 / her@katymccarthy.com katymccarthy.com / @miiccarthy Accessibility: 0

The KT Boundary, 2017, digital projection, drywall, hardware, 120 x 72 x 48”

Ricardo Valenzuela

156

Graphite, ink, digital I am a native Texan currently working as a designer for the digital ad agency Project C. In my work, I find myself building a nightmare fantasy world constructed on my beliefs about God, the devil, greed, love, ecstasy, revenge, mental health, and violence. 605 Old Stone Rd (512) 217-3627 / vagabond.ricky@gmail.com / ricardovalenzuela.org / @ricardo.esteban.art Accessibility: 2, 3, 7

Snake Cop, 2018, digital, 14 x 11” 20 1 9

W E S T

S T U D I O S  

/  75


157

Sydney Cathryn Kirk Metal, glass Metal wares and wearables spun on a lathe and enameled in a kiln. 5003 Hedgewood Dr (512) 987-0923 / ryn.and.company@gmail.com rynandco.com / @ryn.and.co Accessibility: 6

wind and water, 2018, copper, glass

158

Leah Maren Daniel Sterling silver, gold, precious stones

I design and hand fabricate my jewelry using precious metals and stones. Each piece of adornment is meant to be a form of self expression, for both myself and the wearer. 5003 Hedgewood Dr (512) 484-8539 / lmadornment@gmail.com / lmadornment.com / @lm_adornment Accessibility: 3

Bitty Bolo, 2018, 18k sterling silver, black spinel, 18 x .5”

Katie Dunkle

159

Gouache, ink, pastel, watercolor As a painter and illustrator, inspiration for her “Wildflower” series came from a seventeen month adventure traveling all across America in a mobile, solar-powered tiny house. During this time she completed “The State Flower Coloring Book”. A second body of work on display is “Girls”, which visually probes the indulgence of desire through erotic blind-contour line drawings of female figures. 6009 Idlewood Cv kdunkle89@gmail.com / kdunkle.com / @kdunkle Accessibility: 2, 3, 6, 7, 8

Chloe, 2019, watercolor, ink, 8 x 10” 7 6 

/  

S T U D I O S

W E S T

2 0 19


Lola Saba  /  Guest of Katie Dunkle

160

Inkjet prints I am a photographer specializing in street and conceptual photo. I love to roam and create interesting compositions and color contrast. Come see my work from many series, including “Welcome, sorry”, “Feeling Fem”, “Echo”, and a new series I’m currently working on. 6009 Idlewood Cv (408) 826-1065 / lola.noel.saba@gmail.com lolasaba.com / @lolasaba Accessibility: 2, 3, 6, 7, 8

Shadow Pilar, 2016, inkjet print, 11 x 14”

161

Brian Phillips Acrylic, latex, wood, metal, salvaged items

My studio is a converted shipping container and will be open to the public. I hope you can swing by and see my space. I also hope you see the fun I have in creating my work out of salvaged items. Nice dogs welcome. 6203 Glen Meadow Dr (512) 571-1703 / brianphillipsemail@gmail.com / artbybrianphillips.com / @artbybrianphillips Accessibility: 0

Mind The Mind, 2019, acrylic on salvaged wood, 24 x 20”

Clint Roth  /  Guest of Brian Phillips

162

Acrylic, paper, ink, graphite, wood Artist and musician Clint Roth creates mixed media pieces in tandem with songwriting. Creating primarily mixed media pieces using found images, his own photography, acrylic paint, and whatever else is on hand, he creates his art as a meditation while working on songs for his band, Big Jaw. 6203 Glen Meadow Dr big jaw@big jawband.com / clintroth.com / @big jawband Accessibility: 0

Pink Snake + Rays, 2017, found image and acrylic on wood, 12 x 12” 20 1 9

W E S T

S T U D I O S  

/  7 7


163

Brock Caron  /  Guest of Brian Phillips Ink, acrylic, canvas, wood, digital print

My illustrations are influenced by cultures of the past—beer labels of the ’70s, country music of the ’50s, bad influences of the ’80s—and bad habits of current times. I try to find humor in the day-to-day and the forgotten. 6203 Glen Meadow Dr (512) 554-6458 / bcaronart@gmail.com / brockcaronart.com / @brockcaronart Accessibility: 0

What’s He Building in There, 2018, ink on paper, 8 x 10”

164

Alicia Philley Acrylic, wood, canvas, ribbon, yarn

Color is pure energy. It has the power to affect our mood, transform our experiences and emotionally connect us. Come see the colors and nature that often inspire my art-making... all the green space surrounding my studio. I would love to show you how I make my paintings—with masking tape and wood panels—and I’ll set up a new outdoor installation! 1915 Miles Ave aliciaphilley@mac.com / aliciaphilley.com / @alicia_philley Accessibility: 0

Metallic Dusk, 2018, acrylic on cradled wood panel, 18 x 18”

Robert Hurst

165

Acrylic on canvas My paintings combine figurative elements and abstraction to explore our culture and inhabitants. This has led to several notable “official artist” affiliations, including the Texas Sports Hall of Fame, National College Baseball Hall of Fame, Texas Heritage Songwriters’ Hall of Fame, and Rodeo Austin. Plus there’s the critter series. Come by to take a look. I’ll be painting live in my home-studio. 2507 Campden Dr (512) 444-7661 / hurst@adamnfineartist.com / adamnfineartist.com / @adamnfineartist Accessibility: 2, 3

XV for Texas, 2018, acrylic on canvas, 33 x 36” 7 8 

/  

S T U D I O S

W E S T

2 0 19


166

Herb Ingram Texas hardwoods

Creating works of art from self-harvested and cured Texas hardwoods including but not limited to Pecan, Mesquite, Hackberry, Bois D’arc, Elm, Chinaberry, Walnut, and Maple. 2920 Bushnell Dr (512) 417-5238 / herbingram@hotmail.com / herbswoodcrafts.webs.com Accessibility: 2

Untitled, 2018, mesquite burl, turquoise inlay, 5 x 7 x 7”

20 1 9

W E S T

S T U D I O S  

/  79


EXHIBITIONS


167

Weavers and Spinners Society of Austin Wool, silk, beads

Weaver and Spinners Society of Austin (WSSA) will feature handwoven, handspun, dyed, felted and related creations from members of our guild. Several members will sell their work. We will also demo weaving, spinning and dyeing as well as present work created in our two study groups: Spun Art Yarns and Master Weavers: Our Inspiration. 2802 Benbrook info@wssaustin.org / wssaustin.org / @wssaustin Accessibility: 0

Purple Passion, 2018, tencel on loom

168

Carl McQueary Putnam Drive Oil, acrylic, collage, found objects, ephemerata

Experience the work of a group of dedicated Austin artists brought together under the shelter of a magnificent pecan tree. Visit a permanent bohemian space known as Jerusalem while reveling in the stillness of the setting. 8504 Putnam Dr (512) 796-5903 / carlrmcq@gmail.com / @walter_the_car Accessibility: 3, 7

Jerusalem, 2017-ongoing, acrylic, oil, collage, found objects, ephemera

Thekla

169

Joy, Peace & Love Rain, tyvek, gold leaf, acrylic, oil, charcoal, conte, ink My intention is to express prayers, thoughts and expressions of goodwill. Intuition and spiritual inclination are used as guides. The materials, methods and styles are an eclectic fusion. Colorful nonrepresentational and abstract work. Dominant materials are acrylic, oil, and ink. My interest in art therapy and my background in architecture along with travel experiences are significant influences. 7801 N Lamar Blvd, Bldg D, #98 (512) 656-1593 / contact@joypeaceandloveart.com / joypeaceandloveart.com Accessibility: 2, 3

Childhood Memories, 2015, india ink on watercolor paper, 9 x 6” 8 4 

/ 

E X H I B I T I O N S

W E S T

2 0 19


170

Art Realm Tattoo & Gallery Tattoo ink, oil, acrylic, watercolor, charcoal, graphite

Art Realm has made a name for itself as a premier tattoo studio and fine art gallery since 2014, with all of our artists working to create impressive custom art for our clients. All of our artists work in fine art mediums outside of tattooing, and will have these works on display in the studio’s gallery space. 1806 W Anderson Ln (512) 373-3694 / artrealmtattoo@gmail.com / artrealmtattoo.com / @artrealmtattoo Accessibility: 1, 2, 3, 6, 7, 8, 9

Andrew Matela, Blood Ritual, 2018, oil on panel, 36 x 48”

171

Austin Art Space Gallery and Studios Oil, acrylic, graphite, bronze, wood, metal, pastel, charcoal, watercolor

Join us on the tour for the WEST Exhibit with live music and innovative art at Austin Art Space—a creative hub where established and emerging artists come together to create, collaborate, and present their work. With 10 resident artists, impressive guest artists, and rotating exhibits, Austin Art Space is an eclectic gallery co-op with artwork at affordable prices. 7739 Northcross Dr, Q (512) 763-0646 / austinartspacegallery@gmail.com austinartspace.com / @austinartspace Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Susanne Slay-Westbrook, Fluid Floral, 2019, acrylic, 16 x 20”

Jan Knox

172

Austin Art Space Acrylic, watercolor, ink Nature is her inspiration. Working in various media, Jan creates contemporary landscapes and abstracts. This year she added some small critters just for fun. 7739 Northcross Dr, Q (512) 453-4070 / artist.jknox@gmail.com / artbyjanknox.com / @artbyjanknox Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Synchronized Swimmers, 2018, acrylic, 12 x 12” 20 1 9

W E S T

E X H I B I T I O N S  

/ 85


173

Marilyn Rea Nasky Austin Art Space Watercolor, watercolor grounds, acrylic, oil, printed material, collage paper, prints

My artistic goal is to create visual images that communicate the mystery and transient beauty of our planet. I rely on visual memory, dreams, and feelings for my images based on ‘reality’. I seek to capture and convey this feeling to my viewer in a style I call ‘feelism’. 7739 Northcross Dr, Q (512) 565-8883 / reanasky@gmail.com / mreanasky.art / @mreanaskyart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Solstice Moon, 2019, oil, 24 x 24”

174

Melanie Lewis Austin Art Space Acrylic paint, ink, pastel, mixed media, oil

Colorful, dream-like, and enchanting. That’s how others have described my art. Using mainly acrylic paint, pastel, and ink, I paint people, landscapes, imaginary places, and Judaica. This year my art focuses on prints of paintings I created of the biblical matriarchs, Sarah, Rebekah, and Leah, based on their stories. Come by and see it. 7739 Northcross Dr, Q (832) 768-1561 / mellewis64@gmail.com / melanielewisart.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Rachel: The Face of the Beloved, 2018, acrylic, pastel, 18 x 24”

Robin Cheers

175

Austin Art Space Oil, ink, graphite I call myself a contemporary impressionist—using the color palette and open brushwork of the early impressionists—I find inspiration in the often overlooked but familiar aspects of everyday life. 7739 Northcross Dr, Q cheers_art@sbcglobal.net / robincheers.com / @robincheers Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Morning on the East Side, 2018, oil, 24 x 36” 8 6 

/ 

E X H I B I T I O N S

W E S T

2 0 19


176

Susanne Slay-Westbrook Austin Art Space Acrylic

I started painting when I was a teenager, taking my first lessons at the YWCA and have painted throughout my life. At 67, I am a member of AVAA and am a resident artist at the Austin Art Space. I am primarily interested in color and how it interacts with form. I paint brightly—abstract, floral, and landscape. 7739 Northcross Dr, Q (512) 470-0104 / sslay227@gmail.com / aworldofrespect.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Breakthrough, 2019, acrylic, 12 x 12”

177

Beverly Deutsch Austin Art Space Oil on canvas, watercolor, and pastel on paper

Texan—born on Galveston Island—in Austin since 1978. The Yippee Yahoo! moments seem to be so often outnumbered by the WTF? moments in life, up till now, and these works are my process of refocusing, observation, and prayer. The act of making art distracts me from fears and moves me forward. 7739 Northcross Dr, Q (512) 825-1760 / badeutsch844@gmail.com / badeutsch.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Buddha in the Garden, 2018, oil on canvas, 16 x 20”

Diane Sandlin

178

Austin Art Space Acrylic, oil, inks, graphite, paper, charcoal My art is informed by sights, sounds, nature, conversations, poetry, music, wise people, travel and culture in general—indirectly, all influences in some form, creep into my non-representational paintings. I attempt to capture the sensation of what’s unseen. Ultimately, my goal is to create visual poems for the viewer to explore. 7739 Northcross Dr, Q (512) 627-0751 / diane@dianesandlinstudios.com dianesandlinstudios.com / @dianesandlinstudios Accessibility: 1, 2, 3, 4, 5, 6, 7, 8 Dancing on the Edge, 2019, mixed media, 12 x 12” 20 1 9

W E S T

E X H I B I T I O N S  

/  87


179

Christopher Van Loan Sr. Austin Art Space Acrylic, spray paint, and ink on canvas

My art is a meditation expressed on canvas. It is abstract and often includes circles since they can represent everything from the smallest cell to the largest planet. As a military veteran and resident artist of the Austin Art Space Gallery, I enjoy curating shows featuring art created by military veterans. 7739 Northcross Dr, Q (512) 653-0073 / chrisvanloan@yahoo.com cvl-art.com / @cvlart1 Accessibility: 1, 2, 3, 4, 5, 6, 7, 8 The Remix, 2018, acrylic and spray paint on canvas, 24 x 36”

180

Rachel Sellars Austin Art Space Oil

Rachel Sellars is an Austin artist and art teacher who specializes in drawing and painting mediums. Her oil paintings in WEST seek to capture the beauty that she sees in life and has translated into art, whether it be of a twist of cloth, a plate of fruit, landscapes or buildings. 7739 Northcross Dr, Q sellarsr@sualumni.net / artworkbyrachelsellars.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Bridge of Sighs, 2018, oil, 24 x 18”

Richard Cole

181

Austin Art Space Oil on canvas or panel I believe that all of reality is a thought burning in the mind of God. The physical can’t be separated from the divine, objects burn from within, and divinity is everywhere. In both my painting and writing, I try to intertwine the themes of work, prayer, spirituality and art to reflect a sacramental view of the world. 7739 Northcross Dr, Q (512) 300-0842 / richard@richard-cole.net / richardcolefineart.com / @richardcolefineart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Big Love, 2019, oil on canvas, 30 x 30” 8 8 

/ 

E X H I B I T I O N S

W E S T

2 0 19


182

Cristina White-Jones Austin Art Space Acrylic, spray paint, pastels, charcoal, paper, cloth, mesh

Experimental, intuitive, and emotional. I’m influenced and inspired by everything around me. In particular, nature, color, textures and the physical pain that I endure on a day-to-day basis all play a significant role in my work. I work with several different types of media, and love to experiment with different methods of layering various types of paint and textures. 7739 Northcross Dr, Q (512) 914-3453 / ctwhitejones@gmail.com cristinawhitejones.com / @ctwhiteartist Accessibility: 1, 2, 3, 4, 5, 6, 7, 8 Los colores de mi vida, 2019, mixed media, 36 x 48”

183

Will Guerrant Austin Art Space Acrylic, oil, fluorescents, ink, mixed media

My work is what I call Imaginationalism. Stream of consciousness I suppose. I really don’t know. 7739 Northcross Dr, Q (512) 763-0646 / tongazz376@gmail.com / willguerrant.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

The Girl in a Peppermint Dress, 2019, acrylic, oil, and fluorescents on Epson glossy paper, 18 x 18”

Betty Jameson

184

Austin Art Space Watercolor, acrylic, ink, collage, Yupo paper Betty Jameson, featured artist-painter, in Austin Art Space Gallery and Studios. 7739 Northcross Dr, Q (512) 345-4546 / jamesonad@aol.com / jamesonad.wix.com/betty-jameson Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Pages, 2017, mixed media, 36 x 28” 20 1 9

W E S T

E X H I B I T I O N S  

/  89


185

Scout Stormcloud Austin Art Space Oil, paper, graphite, acrylic, found objects

This year I have focused mainly on animals. I have made some original oils and some giclée prints at reduced prices to sell. Come by and take a look! 7739 Northcross Dr, Q (512) 496-9372 / stormcloud@cloudhook.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Manfred, 2019, oil on canvas, 12 x 12”

186

Elizabeth Yarie Austin Art Space Fabric, polymer clay, acrylic

My work has always been a channel of communication, first as a professional dancer, and now as a painter. My characters are very close to my own experiences and performances and captures those fleeting moments on stage through my paintings and sculpture. The intent of my art is open up the possibilities of all realities. 7739 Northcross Dr, Q (512) 468-5400 / art@elizabethyarie.com / elizabethyarie.com / @eyarieart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8

Elysuim 3, 2018, fabric, polymer clay, acrylic, 23 x 10 x 7”

Maria Martin

187

Bravo Interior Design Watercolors on a clay finished wood panel, mica, glass Large scale watercolor on a fine layer of clay panel. Abstracted images inspired by nature are designed to work with high-end interior designer color palettes. The pieces create focal points and help define spaces while having superficial finish items like iridescent glass beads and mica flakes. 3708 Spicewood Springs Rd, #120 (512) 627-6552 / m@mariamartinart.com / mariamartinart.com / @mariamartinart Accessibility: 1, 4

Shift, 2019, watercolor, mica, 48 x 36” 9 0 

/ 

E X H I B I T I O N S

W E S T

2 0 19


188

Austin Pottery Studio & Gallery Stoneware, porcelain, glazes

Austin Pottery opened in May 2017 in the Allandale neighborhood of central Austin. The AP gallery offers a variety of handmade pottery by local and regional artists. The pottery studio within is set up to accommodate group classes, shared workspace, and private studios for resident potters. Visitors during WEST may see classes in session, artists working independently, or demonstrations. 5442 Burnet Rd (512) 436-8971 / info@atxpottery.com atxpottery.com / @atxpottery Accessibility: 2, 3, 6, 7, 8, 9 Gallery view

Texas Folklife and Women of Color Quilters Network Visioning Human Rights in the New Millennium: Quilting the World’s Conscience

189

Fabric, paint, found objects Through the art of quilting, artists from the Women of Color Quilters interpret the articles of the United Nations Universal Declaration of Human Rights with a variety of styles and techniques. Visioning Human Rights in the New Millennium: Quilting the World’s Conscience addresses modern-day issues such as capital punishment, police brutality, women’s workplace inequality and human trafficking. 1708 Houston St (512) 441-9255 / info@texasfolklife.org / texasfolklife.org / @traditionaltexas Accessibility: 2, 7

Plant a Seed, 2016, fabric, 50 x 50”

Blue Genie Big Top

190

Various The Blue Genie Big Top, home to the annual Blue Genie Art Bazaar, is pleased to host a group exhibition featuring over 50 artists. 6100 Airport Blvd, C (512) 222-7303 / info@bluegeniebigtop.com bluegeniebigtop.com / @bluegenieartbazaar Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Gallery view 20 1 9

W E S T

E X H I B I T I O N S  

/ 91


191

Dana Younger Blue Genie Big Top Plaster, metal, wood, wax Mixed media sculptor exploring figuration, representation, and narrative. 6100 Airport Blvd, C (512) 496-9911 / dana@bluegenieart.com / danayounger.com / @danayounger_sculptor Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Woman Looking Ahead, 2018, clay, 16 x 20”

192

Felice House Blue Genie Big Top Oil

My large scale painting series, RE•WESTERN, views ‘The West’ through a postmodern lens that both challenges and honors this American genre. In this series, I project contemporary women into heroic roles formerly played by western movie icons like John Wayne and James Dean. Through this use of the gender flip, I question the male hero stereotype in culture at large. 6100 Airport Blvd, C (979) 218-0151 / felicehouse@tamu.edu / felicehouse.com / @felicehouse_art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Liakesha Cooper in “High Noon”, 2013, oil on canvas, 36 x 48”

Casey Diebold

193

Blue Genie Big Top Acrylic, canvas, wood, charcoal, graphite, photoshop Casey Diebold is an Austin-based painter and designer whose love of classic cars and motorcycles has led him to create cinematic, pulp-inspired paintings of a fictitious past full of danger, crime, and reckless abandon. He’s storyboarded TV commercials nationally and internationally, and is currently studying full-time to become a concept artist for film and games. 6100 Airport Blvd, C (917) 833-4210 / casey.diebold@gmail.com caseydiebold.com / @caseydiebold Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Untitled, 2015, acrylic on canvas, 36 x 60” 9 2 

/ 

E X H I B I T I O N S

W E S T

2 0 19


194

Elizabeth Jenkins Blue Genie Big Top Acrylic paint, resin, mica powder, ink

I was raised on the art scene in Chicago, where my stepfather was famous and teaching at the Art Institute. He was also nominated as one of the artists to most beautify the city. He let me paint side by side with him and along with my mother. Painting is like riding a wave beautiful and dangerous to me. I learned techniques and tools at an early age, and these gifts have stayed with me all my life. 6100 Airport Blvd, C (512) 417-0909 / elizjenkins77@gmail.com / tinyurl.com/lightdreams Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Dawn of Creation Series 1, 2019, acrylic, resin, powdered pigment, 12 x 12”

195

Mark Puente Blue Genie Big Top Wood, milk-paint, lasers, apparel, acrylic, ink, paper

Thank you. Thank you for supporting the arts in Austin. Thank you for reading this catalog, going to our studios, talking to us about our passions, experiencing our dreams. Without your eyes and ears to witness our imagination, we would not have this vibrant art community to celebrate. Thank you. 6100 Airport Blvd, C (978) 430-5515 / nailivicstudios@gmail.com / nailivic.com / @nailivic Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

El Pulpo, 2019, milk paint, wood, laser, 15 x 12”

Dan Grissom

196

Blue Genie Big Top Acrylic ink, paper I am a designer, illustrator, painter, and print-maker primarily focusing on screenprinted posters. My subject matter is heavily influenced by nature and storytelling with elements of magical realism. My work is colorful but muted with minimal compositions despite often having lots of fine detail. 6100 Airport Blvd, C (512) 632-4722 / dangrissom@gmail.com / biscuitpressatx.com / @dangrissom Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

The Survivors, 2018, five color screenprint, 16 x 20” 20 1 9

W E S T

E X H I B I T I O N S  

/ 93


info@themawgallery.com themawgallery.com

hS

tree

tha

nco

t

n

Go ian

tree

Bla

W. 5t

hS

t

h

(512) 774-6895

W. 6t

Wa ls

Austin, TX 78703

The MAW Gallery

P

Har

1214 W. 6th St., Suite 113

<Mopac

I-35>

rks

ld

flo

and by appointment

wo

Jul

er

Art

W in

Monday â&#x20AC;&#x201C; Saturday 10 a.m. â&#x20AC;&#x201C; 5 p.m.

ssl

The MAW Gallery hosts the work of established international and national artists and emerging new talents. The gallery also specializes in the placement of select works from celebrated 19th and 20th century artists.

Stephen St. Francis Decky, Eternal Springs, acrylic on canvas, 50 x 72 inches

Pre

The MAW Gallery


197

Art From The Streets Blue Genie Big Top Acrylic on paper, canvas, or board, glass-copper assemblies, impasto

Art From The Streets is a local non-profit organization that assists the underserved homeless community in Austin. We are managed by an engaged Board of Directors and staffed by a dedicated executive director and well coordinated group of volunteers. 95% of the profits from the sale of art is distributed to the participating artists. 6100 Airport Blvd, C (512) 925-6450 / sampate@austin.rr.com / artfromthestreets.org / @artfromthestreetsaustin Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Tall Flight, 2018, acrylic on paper, 30 x 20”

198

Amy Rosalyn Blue Genie Big Top Paper, resin

I am a cut paper artist dabbling in manipulating resin and exploring the unconscious mind. I’d like to remind you that there are no rules and that you don’t have to wait for permission to be whatever you want. 6100 Airport Blvd, C amyrosalyn@gmail.com / amyrosalyn.com / @amyrocket Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Clast, 2018, hand cut paper in resin, 18 x 24”

Molly Mansfield

199

Blue Genie Big Top Oil, watercolor, gouache My paintings are abstractions of a memory seeking to speak to the benefits of interacting with nature. My process is measured and intentional. Each brush stroke is carefully placed to describe the feeling that I am trying to create. My hope is that when you view my artwork you are compelled to slow down, and engage with the present moment. 6100 Airport Blvd, C mollymansfieldartist@gmail.com mollymansfield.com / @mollymansfieldartist Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Gambol, 2019, oil on panel, 9 x 12” 9 6 

/  

E X H I B I T I O N S

W E S T

2 0 19


200

Eli Halpin Blue Genie Big Top Oil, mixed media

Eli’s paintings tell stories of living together, working together, eating together, the sacredness of food, friendship, family, sharing and the cycle of life and death. The painted scenes are infused with humor and romance while emphasizing the instinct, intuition, and wisdom of nature. 6100 Airport Blvd, C eli@elihalpin.com / elihalpin.com / @elihalpin Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Fiddlehead Ferns, 2019, oil, mixed media, 60 x 60”

201

Nevena Bentz Blue Genie Big Top Acrylic, paper, charcoal, oil

My artworks are chapters of a visual diary that show who I am at a certain time and place, offering myself—and perhaps others—a fragmented peek into my inner world. The bright colors and unrestrained style typical of my work celebrate the renewal I experience from expressing myself creatively and living my truth. 6100 Airport Blvd, C (339) 203-7739 / nevenabentz@gmail.com / nevenabentz.com/art / @nevenabentzart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Last Chance, 2019, mixed media, 12 x 9”

Michelle Rahbar

202

Blue Genie Big Top Oil, acrylic, watercolor, wax, charcoal, mixed media According to scientists, our first two decades seem to pass as slowly as the whole of the rest of our lives, so that our early experiences carry vastly more psychic weight than those of adulthood. If this is true then all the landscapes, whispers, meteor showers, and memories I’ve witnessed have left their indelible mark on my work. 6100 Airport Blvd, C (512) 905-2789 / artmuscle@gmail.com / michellerahbar.com / @michellerahbarart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

In Over Her Head, 2018, oil on canvas and balsa, 30 x 24” 20 1 9

W E S T

E X H I B I T I O N S  

/  97


203

Monica Ceniceros Blue Genie Big Top Acrylic, wood stain, color pencil, gold leaf, fabric

Monica is a mixed media artist known for her unique technique of rich color combinations along natural wood grains. By highlighting and working with the natural imperfections of each panel, she reminds us that there is beauty even in the simplest of things. “We should embrace and show off what make us individually beautiful”. 6100 Airport Blvd, C (512) 296-3891 / monica@monicaceniceros.com / monicaceniceros.com / @moni.ceniceros Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

We Are More Than a Pair of Breasts, 2018, acrylic, wood stain, gold leaf on panel, 52 x 34”

204

Whitney Avra Blue Genie Big Top Acrylic, embroidery thread, chalk pastel, gold leaf, ephemera

Whitney is a contemporary mixed-media artist working with vintage portraiture photography to explore ideas about female identity. She considers herself a visual storyteller sharing a point-of-view. Working with vibrant colors to turn photos of women into glowing goddesses, she weaves a story of feminine grandeur—using bold acrylic paint, embroidery thread, gold leaf, vintage collaged ephemera, and other vintage findings. 6100 Airport Blvd, C (801) 691-2779 / hello@whitneyavra.com / whitneyavra.com / @whitneyavra Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

IDGAF, 2018, acrylic, embroidery thread, chalk pastel, vintage findings, 30 x 20”

Christopher Smith

205

Blue Genie Big Top Pen, ink, and acrylic on engraved board Hand-drawn maps created by using pen and ink with acrylic paints on engraved board. 6100 Airport Blvd, C (512) 825-1511 / chris@smithmapstudio.com / smithmapstudio.com / @smithmapstudio Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

New Orleans Neighborhoods Map, 2018, pen on board, 20 x 16” 9 8 

/ 

E X H I B I T I O N S

W E S T

2 0 19


206

Carol Aaron Blue Genie Big Top Encaustic with pigment on wood

I tell stories in wax and pigment that begin in chaos. Building deep layers of color and texture, I tell how our nature is linked to surroundings. Encaustic painting is the way I gather the world around me, draw on my own history and use the language of the materials to concoct fictions that I hope will resonate with others. 6100 Airport Blvd, C (512) 634-7918 / carolaaronart@gmail.com carolaaronart.com / @carolaaronart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Irises, 2019, encaustic, pigment, and oil on wood, 20 x 30”

207

Chad Rea Blue Genie Big Top Acrylic, pastel, graphite, ink on paper, canvas, recycled materials

Ever fascinated by advertising, self-help, and social impact, I seek to influence and inspire positive change through entertainment and the art of persuasion. 6100 Airport Blvd, C thechad@chadrea.com / chadrea.com / @chadrea Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Venn’s Just A Friend, 2018, acrylic, 30 x 40”

Tom Beach and Amanda Walker

208

Blue Genie Big Top Wood, etched glass, cast glass We are a married artist team making one-of-a-kind boxes from unique woods and etched and kiln-cast glass. Every piece we make is distinctive, from jewelry boxes to sculptural work to chess sets. We etch and cast all our glass by hand in our studio. We take our inspiration from biology, mythology, and the beauty of our raw materials. 6100 Airport Blvd, C (512) 434-9171 / beachwalkerboxes@gmail.com / @beachwalkerboxes Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Seascape Chess Box, 2018, wood, cast glass, suede, 16 x 16 x 4” 20 1 9

W E S T

E X H I B I T I O N S  

/ 99


209

Amanda Walker Blue Genie Big Top Silk thread, paint, paper, wood

My hand embroidered collage paintings are the result of lifelong obsessions with anatomy, mythology, natural history, and the experience of the female body. I use antique medical illustrations and text combined with painting and traditional silk hand embroidery to achieve depth and tension as I tell the stories that haunt me. 6100 Airport Blvd, C (512) 434-9171 / teratologycollage@gmail.com / @teratologystudio Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Ex Morte Vita, 2019, silk thread, wire, paper, paint on canvas, wood frame, 17 x 20”

210

Andrea Yakerson Blue Genie Big Top Resin, crushed glass, mini beads, plated precious metals

Her message of inspiration is to find the beauty in your own uniqueness. It’s ok to be different expressing yourself and being true to yourself will empower you. 6100 Airport Blvd, C (818) 521-5845 / andrea@beemary.com beemary.com / @beemaryjewelry Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Galaxy Collection, 2018, mixed media

Liz Potter

211

Blue Genie Big Top Medium format, black and white film printed digitally I shoot black and white film with a Pentax 67 medium format camera. Traveling central Texas and far West Texas, I focus on history, small town quirks, Texas culture, and the land, architecture, and people that define it. Currently, I process the film at home and make digital prints from the negatives. 6100 Airport Blvd, C (512) 458-1286 / liz@thewonderfuladventure.com thewonderfuladventure.com / @the.wonderful.adventure Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Old Marfa, 2019, photograph, 11 x 14” 1 0 0 

/ 

E X H I B I T I O N S

W E S T

2 0 19


212

Tyler Skaggs Blue Genie Big Top Ink on paper

At Hokum Press, we take our southwestern pop art aesthetic and blend it with both high and low brow iconography. Borrowing from the symbology of tattoo culture, alchemy, and loteria, we make screenprints that speak to our life growing up in the Mesilla Valley. 6100 Airport Blvd, C (575) 635-6192 / tylerwintersskaggs@gmail.com / hokumpress.com / @hokumpress Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

O! Bury Me Not, 2018, print, 14 x 11”

213

Becca Gordon Blue Genie Big Top Acrylic, oil, chalk pastels

My work is inspired by the desire to share thoughts, feelings and emotions. I communicate my personal interpretations through a frenzy of thick and thin layers of paint to create stories of movement and ideas. I combine fast layers of expressive brush strokes with careful graphic and patternistic lines and forms that overlap, interact and play with organic abstractions. 6100 Airport Blvd, C (817) 300-2001 / becca.b.gordon@gmail.com beccagordonart.com / @lilbeccante Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Rhythm & Rush, 2018, acrylic on canvas, 42 x 60”

Troy Daniel

214

Blue Genie Big Top Wood, metal, acrylic paint, copper wire, chipboard, cardstock, iron pipes The new face of my work has sparked my imagination and tapped into new aspects of my creativity. I love working with wood, metal and paint to create fun scenes and art pieces. I am so happy to be back at Blue Genie Big Top. 6100 Airport Blvd, C thecogglersshoppe@gmail.com / @the_coggler Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Big Bad Wolf, 2019, mixed media, 12 x 17” 20 1 9

W E S T

E X H I B I T I O N S  

/ 10 1


215

Chloé Gray Blue Genie Big Top Watercolor, graphite

I create botanical watercolor paintings that use elements of nature influenced by stories, symbolism, and myths. I also find joy painting an object from nature with no conceptual intent, simply to enjoy and celebrate its existence. Nature is never-ending, it is wild and full of beautiful textures pairing wonderfully with the unpredictability of the watercolor medium. 6100 Airport Blvd, C hello@chloejanemade.com / chloejanemade.com / @chloejanemade Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Nature, 2017, watercolor, graphite, 10 x 14”

216

Debbie Carroll Blue Genie Big Top Acrylic, watercolor and oil on canvas, boards and panels

Known primarily for her use of color and graphic style, Debbie works in both acrylic and watercolor to create paintings with a fresh perspective, using line to create movement and sense of space. Like a good book, her pieces invite the viewer in, transporting them to another time and place. 6100 Airport Blvd, C (512) 656-2285 / debbiec@austin.rr.com / debbiecarrollfineart.com / @debbiecarroll Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Indian Lodge Series #1, Beckoning, 2019, acrylic, 40 x 30”

Francine Funke

217

Blue Genie Big Top Acrylic, graphite, watercolor, archival ink My latest series builds upon my interest in the persistence and rejuvenation of nature. I will be showing original acrylic paintings on canvas, along with mixed media archival pigment mono-prints on paper. Each piece is unique because the artist’s hand plays a vital role in the finished work of art, which combines traditional media, such as acrylic paint, watercolor, and graphite, with original photography and digital scans. 6100 Airport Blvd, C francinefunke@gmail.com / francinefunke.com / @francine.funke Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Secret Garden 8, 2019, acrylic, graphite, watercolor, archival ink, 40 x 60” 1 0 2 

/  

E X H I B I T I O N S

W E S T

2 0 19


218

April Davis Blue Genie Big Top Canon T6s, fine art prints, canvas, metal, tile

Digital photography showcasing the spirit, mystery and beauty of urban decay and the interplay of nature. 6100 Airport Blvd, C (512) 826-8150 / april@deadlycreative.com deadlycreative.com / @deadlycreative Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Forgotten Fairytale, 2016, photo on aluminum, 16 x 20”

219

Neena Buxani Blue Genie Big Top Acrylic, alcohol ink

My work currently portrays gemstones, flowers, and goddesses in a contemporary light. I utilize patterns, bold color and textures to create a cheerful yet powerful take away, with the hopes of transferring positive energy onto the viewer. 6100 Airport Blvd, C (512) 587-1151 / neenasart@gmail.com / neenabuxani.com / @neenasart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Lakeshore Roses, 2018, acrylic on canvas, 36 x 36”

Flip Solomon

220

Blue Genie Big Top Micron pens and sumi ink on watercolor paper Flip Solomon is a large scale pen and ink artist. She works from the natural world, urban landscapes and her very vivid dreams. 6100 Airport Blvd, C flipsolomon@yahoo.com / flipsolomon.com / @flipsolomon Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

The Wolves, 2015, ink on paper, 48 x 72” 20 1 9

W E S T

E X H I B I T I O N S  

/ 103


221

Amanda Love Blue Genie Big Top Porcelain, stoneware, underglaze, glaze, gold luster I make utilitarian ceramics intended for everyday use and enjoyment. My work features bold, vibrant colors and subtle textures, making each piece a tactile joy to use. I often use elements of vintage designs to serve as nostalgic reminders of years gone by. Visual language comprised of colors, patterns, textures, and shapes can awaken memories and their connected emotional responses. 6100 Airport Blvd, C lovestudioceramics@gmail.com / lovestudioceramics.com / @lovestudioceramics Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Geometric Mod Mugs, 2018, porcelain, underglaze

222

Cara Jackson Blue Genie Big Top Acrylic paint, graphite, digital prints, pottery Vibrant acrylic paintings inspired by Texas state parks and wildlife. 6100 Airport Blvd, C hello@carajackson.com / carajackson.com / @carajacksonart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Caprock Canyon Prickly Pear, 2018, acrylic on panel, 30 x 40”

Emily Mercedes

223

Blue Genie Big Top Watercolor, gouache, ink, acrylic Emily Mercedes is an artist living in Austin. Mercedes grew up in Indiana and lived all over the US after graduating from Indiana University. She enjoys mixed media and works primarily with watercolor paint, gouache and ink. Her colorful paintings often evoke nostalgia. She takes custom order requests and loves a good painting challenge. 6100 Airport Blvd, C (773) 451-6748 / emilymerce@gmail.com emilymercedes.com / @emilymercedesart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Daft Punk DJing on Fisher Price Record Players, 2018, watercolor, gouache, acrylic, ink, 16 x 20” 1 0 4 

/ 

E X H I B I T I O N S

W E S T

2 0 19


224

Danika Ostrowski Blue Genie Big Top Acrylic

Exploring the terrain of the American Southwest, I have grown fascinated with the landscapes of the mostly untouched, desert environment. I am enchanted by the vivid colors of the desert and seek to exaggerate, emphasize and abstract them in the landscapes I paint. I strive to share the significance of these beautiful public spaces with others through my work. 6100 Airport Blvd, C danika.ostrowski@gmail.com / danikaostrowski.com / @danika_ostrowski_art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Lost Mine Trail II, 2018, acrylic on canvas, 30 x 40”

225

Amy Justice Blue Genie Big Top Clay, cone 05/06 and cone 5/6 glazes

I create detailed and whimsical, functional and decorative pottery. My pieces consists of layers of textural components achieved through the use of fabrics, texture mats, silicone molds, stencils, and natural materials (leaves, tree bark, coral, etc.) I try to give a sense of optimism and comfort with ever piece I make. 6100 Airport Blvd, C (214) 784-1714 / mudmonsterstudio@gmail.com / @mudmonsterstudio Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Eyeball Succulent Planter, 2017, terracotta with cone 05/06 glaze, 14 x 5 x 14”

Ann Woodall

226

Blue Genie Big Top Photography, fiber I really enjoy photographing the world around me—from the minutiae to landscapes and everything in between. For me, beauty and fascination can be found in the most mundane aspects of life, as well as in the glorious. I’ll have framed photography on hand with an emphasis on nature and landscapes, particularly new images from a recent trip to New Mexico. 6100 Airport Blvd, C ann@annwoodallstudios.com annwoodallstudios.com / @annwoodallstudios Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Tranquility, 2018, digital print, 11 x 14” 20 1 9

W E S T

E X H I B I T I O N S  

/  10 5


THIRSTY PLANET PROUDLY SUPPORTS AUSTIN ARTISTS Thirsty Planet launched an arts-focused initiative called Brite Tank, raising a glass to up-and-coming artists, musicians, comedians, and craftsmen of Austin. We started with Broad Studios, asking them to re-imagine our Thirsty Goat Amber 6-Pack.

In 2019, Thirsty Planet will partner with an Austin-based artist to inspire a collaborative beer and design custom packaging available during East Austin Studio Tour. We look forward to sharing our creative partner!

Find them at BroadStudiosATX.com

Learn more at ThirstyPlanet.Beer

OFFICIAL BREWERY OF EAST & WEST


227

Chaos Woods Blue Genie Big Top Carved, painted, turned, and burned wood

Chaos Woods is husband and wife artist team, Terry Snow and Sarah Snow. Inspired by a love of art, toys, music, nature and comic books, we collaborate together to make one-of-a-kind wooden sculptures, turned vessels, carvings, spoons, toys and small home decor that is out of this world. 6100 Airport Blvd, C (512) 945-9925 / chaoswoodsatx@gmail.com / chaoswoods.com / @chaos_woods Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

A Devil’s Tale, 2018, mahogany pyrography, 12 x 4 x 2”

228

Shelby Elizabeth Blue Genie Big Top Pen and ink on ampersand claybord

Shelby’s artwork is completed using traditional mediums, concentrating on pen and ink. The need for patience, attention to detail, and spontaneity highlights her artwork. Currently, exploring nature and wildlife has been her primary focus. 6100 Airport Blvd, C shelbyelizabethart@gmail.com / shelbyelizabethart.com / @shelby.elizabeth.art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Hoot Owl, 2019, pen, 16 x 20”

Rob Ozborne

229

Blue Genie Big Top Ink on paper and metallics In my work, I combine Americana and Pop Culture with unpretentious comic book grandiosity and whimsy. I draw traditionally, with a pencil, and ink the drawing. Then, I color the work digitally. Loading it up with CMYK and halftone dots. I produce art prints in my studio. 6100 Airport Blvd, C rob@robozborne.com / robozborne.com / @robozborne Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Jackalope-Zilla and The Great Wave, 2018, print, 19 x 13” 1 0 8 

/  

E X H I B I T I O N S

W E S T

2 0 19


230

MB Mitchell Blue Genie Big Top Reclaimed wood MB Mitchell is an Austin native creating reclaimed wood mosaics in Austin, Texas. His work is inspired by sacred geometry, 3D geometric patterns, and southwestern design. 6100 Airport Blvd, C artbymbmitchell@gmail.com / @mb.mitchell Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Manifest, 2018, wood, 72 x 36”

231

Nancy Hallmark Blue Genie Big Top Clay, majolica glaze

I make wheel thrown earthenware pottery in traditional vessel forms. Each piece is glazed with Majolica glaze creating a “canvas” that is hand painted. The designs are inspired by nature, my pets, my humor and interpretation of traditional patterns and stories. Each piece is a one of a kind, signed, functional art piece and can be used and enjoyed everyday. 6100 Airport Blvd, C (512) 297-6379 / nhallmark@hotmail.com / hallmarkpottery.com / @hallmarkpottery Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Covered Jars, 2018, ceramics, 5 x 4 x 4” each

Jean Mason

232

Blue Genie Big Top Oil, acrylic Passionate musicians, high energy, and vivid colors mark my style. Each painting has layers of meaning with references to time, creative passion and a deeper human connection. Just like a great song, moments in life are fleeting but the melody remains with us. My paintings celebrate that essence and spread ripples of positive energy. 6100 Airport Blvd, C (737) 228-5337 / jeanmasonart@gmail.com jeanmason.com / @jeanmasonart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Awaken, 2018, oil on canvas, 36 x 48” 20 1 9

W E S T

E X H I B I T I O N S  

/ 10 9


233

Lisa Zinna Blue Genie Big Top Photography, paper collage, resin

Elevating photographs of unsung nature and organic shapes to new heights and depths, and twisting hues until it completely delights me. 6100 Airport Blvd, C (512) 517-4510 / lisazin@gmail.com / thepurplelime.com / @thepurplelime Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Single + Happy, 2019, composite photography, 16 x 20”

234

Leslie Kell Blue Genie Big Top Archival prints on canvas, paper, and metal

Leslie Kell creates her surreal artworks using an original technique that synthesizes her artistry in design and photography. As the photos are layered and manipulated into the drawings, the imagery interacts to create the highlights, shadows, contours, and textures of the artwork and a surreal environment begins to emerge. The more you look, the more you see. 6100 Airport Blvd, C leslie@lesliekell.com / lesliekell.com / @lesliekell Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Where We’re Going, 2018, digital photo collage

Sara Trumet

235

Blue Genie Big Top Acrylic, pouring medium, resin, canvas, wood panel, mica powder I like to use vibrant colors in my art to expose my emotions and experiences through abstraction. I use various mediums and tools to create a visual balance of color, shape, and motion within my pieces. Fluid art is a newer medium for me, and I love the way the colors dance together. I’m excited to show my new work! 6100 Airport Blvd, C (512) 944-9911 / sara.ronga@gmail.com / saratrumetart.com  / @saratrumet Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

My Heart Has Holes, 2018, acrylic pour on canvas, 14 x 11” 1 1 0 

/  

E X H I B I T I O N S

W E S T

2 0 19


236

Greg Barton Blue Genie Big Top Oil sticks, oil pastels

Greg is an award winning graphic designer and an emerging artist who paints with his hands and fingers. He refers to his technique as “Advanced Finger Painting” and uses oil sticks and pastels to bring his vision to life. From Texas barbecue joints to Cape Cod marshes, he tries to keep his work fresh, interesting and unexpected. 6100 Airport Blvd, C (512) 627-9103 / greg@dandyidea.com / gbarton.com / @gregbartonartist Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Mountain Time, 2018, oil on canvas, 36 x 48”

237

Rhea Pettit Blue Genie Big Top Oil

Stop by and see my adorable animals photobombing iconic artworks in history, a sure way to brighten your day if you love art and animals. I’ll have original oil paintings, fine art prints, tote bags, and coasters: perfect gifts for all art lovers! 6100 Airport Blvd, C (512) 924-7283 / rgroepper@me.com / rgpettit.com / @rheapettit Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Photobombing Vermeer, 2018, oil, 12 x 12”

Martin Lewis

238

Blue Genie Big Top Various Marty Lewis (b. 1974) is first and foremost a husband and father of two amazing girls, a Nurse and lover of much. Intrigued by the Pre-Raphaelite Brotherhood, his mixed media techniques are not new but the stories he has to tell are indeed new. He touches on subjects such as mythology, religion, relationships and politics. 6100 Airport Blvd, C (805) 708-6235 / mjustuslewis@gmail.com / mjlewisart.com / @mjlewisart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

the otherside of tomorrow, 2019, mixed media, 6 x 6” 20 1 9

W E S T

E X H I B I T I O N S  

/ 111


239

Aaron deGruyter Blue Genie Big Top Ink, paper

Illustrator and printmaker who utilizes ink and paper to construct visual explorations of the complexities of the birth, life, and death cycle. 6100 Airport Blvd, C (575) 496-3653 / aarondegruyter@gmail.com / aarondegruyter.com / @aarondegruyter Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Bifurcation V: The Beginning is the End, 2018, serigraph, 16 x 12”

240

Carla J Clay Blue Genie Big Top Wood, acrylic, watercolor

I create bright and colorful illustrations of flora and fauna to preserve their fleeting beauty. 6100 Airport Blvd, C (915) 449-4405 / carla.clay@gmail.com / carlajclayart.com / @carlajclayart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

WILD POPPIES, 2017, acrylic, 30 x 36”

Denise Elliott Jones

241

Blue Genie Big Top Acrylic, canvas, gel medium, panel, paper, printmaking ink, photo chemicals Painting, printmaking, and mixed media are my primary creative processes. I work with a visual vocabulary of shapes to tell a universal story. With this vocabulary I approach each new art piece intuitively. I try not to have any predetermined outcomes but see where the work will take me. 6100 Airport Blvd, C (512) 470-5669 / dej1@austin.rr.com deniseelliottjones.com / @deniseelliottjones Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Other Side of the Curtain, 2018, woodcut, 24 x 30” 1 1 2 

/ 

E X H I B I T I O N S

W E S T

2 0 19


242

Stephanie Estrin Blue Genie Big Top Acrylic, graphite, pastel, charcoal

My work explores human nature and emotion. Through additive and subtractive processes, I create many layers of colors and marks to create a visual story. I use layers and transparencies in my compositions to provide depth and to entice the viewer to look closer. My art is characterized by vibrant colors, contrasting shapes, and bold compositions. 6100 Airport Blvd, C (512) 762-9423 / stephanie@stephanieestrin.com / stephanieestrin.com / @stephanie_estrin Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Sweet Dreams, 2018, acrylic, 36 x 36”

243

Michael Corney Blue Genie Big Top Porcelain, glaze, digital prints, cards, metal pins

Michael Corney was raised in the greater Los Angeles Metropolitan area where he was influenced by the bright colors of nature and the vibrant cultures that surrounded him. He is currently a studio artist living and working in Austin Texas with his wife Erin and two sons Max and Kit. 6100 Airport Blvd, C (505) 980-6635 / mcorney@mac.com michaelcorney.com / @michaelcorneyware Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Cups, 2018, porcelain, glaze

Amanda Zappler

244

Blue Genie Big Top Pencil, ink, gouache, pastel Art is my key to the secret garden, my way down the rabbit hole, my looking glass. I paint to identify with hidden qualities of my character, to understand my reality, express my interpretation of the world around me. I love bright colors and rich textures that occur when mediums are combined. I hope my art conveys hopefulness and joy. 6100 Airport Blvd, C (512) 626-3043 / austinears@aol.com / arteparalavida.info / @arte_para_la_vida Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Fairy Giraffe, 2019, gouache on archival paper, 20 x 16” 20 1 9

W E S T

E X H I B I T I O N S  

/ 113


245

Nick Ramos Blue Genie Big Top Digital, pen and ink, acrylic

My drawings, paintings and prints are a whimsical social commentary on everyday life, as well as a fun illustrated world full of interesting characters. 6100 Airport Blvd, C (512) 705-7557 / nick@graphismo.com / nickramos.com / @graphismo Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Lone Ranger Girl, 2018, digital, 8 x 8”

246

Travis Ballantyne Blue Genie Big Top Acrylic on canvas

As an artist, my work is primarily abstract with an emphasis on contrasting colors. I usually begin by applying paint directly onto the canvas from the tube, using different tools to manipulate the paint. As the colors blend and dry, new colors are layered to create either high or low contrast. 6100 Airport Blvd, C (404) 275-3015 / travis@travisballantyne.com / travisballantyne.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Tie Dye, 2018, acrylic on canvas, 48 x 48”

Ellen Hunt

247

Blue Genie Big Top Sterling silver, gold, bronze, precious and semi-precious stones Ellen Hunt’s professional background in architecture and family history of metalsmithing help inform simple, elegant, timeless jewelry. She is inspired by the world around her and the people she meets. Each piece is handformed with an acute attention to detail. She uses primarily recycled stones and metals, and lab-grown crystals. Ellen is available for custom work, too. 6100 Airport Blvd, C (512) 527-4239 / ephainc@gmail.com huntdesignjewelry.com / @huntdesign Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Lake Travis earrings, 2018, sterling silver 1 1 4 

/ 

E X H I B I T I O N S

W E S T

2 0 19


248

Jennifer Perkins Blue Genie Big Top Acrylic, cardboard, plastic, fabric, markers, pompom fringe

A combination of crafts and kitsch—Jennifer Perkins brings together colorful painting, elements of assemblage and the occasional hair curler. Art for your walls and body. 6100 Airport Blvd, C (512) 775-8254 / jen@jenniferperkins.com / jenniferperkins.com / @jenniferperkinsart Accessibility: 1, 2, 3, 4, 6, 7, 8, 9

Chiclet Teeth Wall Ornaments, 2018, wood slice, paint, googley eyes

249

Carianne Schulte Blue Genie Big Top Silver, gold, precious and semi-precious stones

Inspired by nature, ancient civilizations and by life experiences, Carianne creates jewelry pieces that look and feel as if they have a bit of ancient history cast into them, and steeped within the metal, a hidden meaning or story that awaits for the wearer to discover. Custom work accepted. 6100 Airport Blvd, C (512) 554-1351 / carianne@bycarianne.com / bycarianne.com / @bycarianne Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Insect Inspiration Ring, 2018, silver

ACC Arts and Digital Media

250

Austin Community College Clay, cardboard, wood, metal, intaglio, lithograph, digital print, oil, acrylic Austin Community College will host several exhibitions featuring faculty and student artwork. Art studios will be open to the public with demonstrations and numerous ACC artists will be selling work during the event. 6101 Highland Campus Dr, Bldg 4000 austincc.edu/art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Sophia Rumbarger, In der Strauss, 2018, gouache, watercolor, ink, 9 x 11” 20 1 9

W E S T

E X H I B I T I O N S  

/ 115


251

The Department of Professional Photography Austin Community College Negatives, chemistry, platinum, cotton rag, photo papers The Department of Professional Photography at Austin Community College is showcasing nearly 60 photographs in our bi-annual curated student exhibition. 6101 Highland Campus Dr, Bldg 1000, HLC Atrium (512) 223-4707 / the.dpp@austincc.edu / austincc.edu/thedpp / @the.dpp Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Hunter Edgerly, Halsey, 2018, photograph, 30 x 24”

252

Laura Sturtz Austin Community College Recycled metals and wood, mixed media, semi-precious stones

Laura Sturtz is a versatile artist exploring both geometric and organic forms in her artwork. Laura’s artwork is comprised of fragments of various materials: metals, wood, she has made, altered, and/or found. These elements unify in varied works such as her wall reliefs, ‘quilt series’, collages, mobiles, and art chess sets. Laura’s artwork also includes jewelry and two-dimensional art. 6101 Highland Campus Dr, Bldg 4000 (512) 627-6151 / artist@artist123.com / artist123.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Not a Mirror Image, 2018, Recycled copper, brass, steel, patinas colorants, 37 x 31”

Warden Art Agency

253

Acrylic, oil, graphite, pastel, spray paint Art can embolden, elevate and enliven a space. The right piece can transform a room from simple to inspired. At Warden Art Agency, we work with Austinbased artists, designers and individual collectors to connect design vision with a finely curated collection of local artwork. We leverage our network to unearth unique pieces that accentuate client designs. Come check out our private gallery during WEST, featuring abstract work by Warden Art Agency, Kiah Denson, Tyler Guinn, and Vy Ngo. 508 E 53rd St, #102 info@wardenartagency.com / wardenartagency.com / @wardenartagency Accessibility: 1, 2, 3, 4, 6 Gallery view 1 1 6 

/ 

E X H I B I T I O N S

W E S T

2 0 19


254

Kiah Denson Warden Art Agency Acrylic, ink, spray paint

Kiah Denson is an abstract artist born and raised in Austin, Texas. Her process is a balance between calculation and instinct, employing essential principles of art while mining her inner world, and exploring the unpredictable nature and fluidity of water-based media. 508 E 53rd St, #102 kiah@artbykiah.com / kiahdenson.com / @kiahdensonart Accessibility: 1, 2, 3, 4, 6

Fragments & Figments, 2018, acrylic, ink, spray paint on canvas, 40 x 30”

255

Tyler Guinn Warden Art Agency Acrylic, pencil, graphite, oil stick, organic material, pastel, spray paint

Abstract expression has the power to capture your attention, and the humility to take on you own interpretation—cultivating that experience is the responsibility I feel as an artist. What you see on the canvas is my interpretation of our creator’s love for us, as the creation. Collectively the work is intended to feel living and active, dripping with purpose. 508 E 53rd St, #102 (830) 660-6763 / tyler@tylerguinn.com / tylerguinn.com / @tylerbuckguinn Accessibility: 1, 2, 3, 4, 6 To the choirmaster: Psalms 5, 2019, mixed media on linen, 36 x 48”

Vy Ngo

256

Warden Art Agency Oil, acrylic, graphite “Using her many unique life experiences as inspiration for her work. Ngo crafts emotional, multi-dimensional pieces that deeply resonate with viewers.” –KLRU, Arts in Context 508 E 53rd St, #102 vyngoartworks@gmail.com / vyngostudio.com / @vjngo_art Accessibility: 1, 2, 3, 4, 6

Synaptic, 2019, acrylic, oil, 48 x 48” 20 1 9

W E S T

E X H I B I T I O N S  

/  117


ART SWAP trade for art 6 22 Saturday, June 22, 10am-1pm

COMMUNITY

BREAKFAST Free tacos, coffee and more from 10-11am

Bring artwork, yours or others, to trade with other community artists, collectors, and appreciators. Part yard sale, part performance: bring your ideas, visions, negotiation skills, and objects to share. Elisabet Ney Museum

304 East 44th Street

a Big Medium and Elisabet Ney Museum collaboration

for more information visit bigmedium.org and austintexas.gov/elisabetney


257

Michael A. Bullock The Commune Giclée prints on archival paper

My work explores urbanism and architecture in American cities. My photos play with space and light to create moments of stillness and reflection in an otherwise hectic environment. 101 E North Loop Blvd, D (323) 493-2416 / michaelabullock@gmail.com michaelabullock.com / @mistahmb Accessibility: 2, 7

Verticals, 2019, photography, 20 x 25”

258

Calhan Hale The Commune Oil, acrylic, glitter

My paintings navigate the intersection and juxtaposition of place, culture and identity. I utilize differing techniques to reflect the various ways I encounter and apply information in my life, showcasing contrasting iconography sourced from both my upbringing and the world around me in conversation with each other to create declarations, and eventually artifacts, of the present self. 101 E North Loop Blvd, D calhanhale@gmail.com / calhanhale.com / @calpaca Accessibility: 1, 2, 4, 5, 6, 7, 8, 9 Texas Chop, 2018, oil on canvas, 36 x 60”

Kristi Standley

259

The Commune Oil, wood I use oil paint on birch wood panels to create large scale portraits of women. I take photographs of my subjects and use them as reference later. The paintings themselves are evocative, powerful statement pieces. 101 E North Loop Blvd, D (512) 775-5697 / artfullbeing@aol.com / @artfullbeing Accessibility: 1, 2, 4, 5, 6, 7, 8, 9

As I Say, 2018, oil on wood, 30 x 30” 1 2 0 

/  

E X H I B I T I O N S

W E S T

2 0 19


260

Zanny Cox The Commune Wool, hemp, silk, cotton, bamboo, wood, bronze

My work is an exploration in the media of fiber and metal. A tangible expression in the boundaries of art, adornment, and fashion. I draw from techniques which date back thousands of years ago. Made with intention to preserve the cultural history of handwoven textiles. Every element tells a story. The process is just as important as the final design. 101 E North Loop Blvd, D zannyadornments@gmail.com / zannyadornments.com / @zannyadornments Accessibility: 1, 2, 4, 5, 6, 7, 8, 9

Sunrise Over High Desert, 2018, Navajo churro wool, cholla cactus wood, 13 x 32”

261

Steve Willgren The Commune Acrylic, pastel

I have always had a fascination with Native American culture and iconology, which is reflected in my work. My paintings utilize intense vibrant colors, applied in bold strokes to give dimension and character to the canvas in order to capture the unique imagery and essence of Native American culture. 101 E North Loop Blvd, D (512) 773-7234 / swillgren@rioswillgren.com / stevewillgren.com / @swillgren_art Accessibility: 1, 2, 4, 5, 6, 7, 8, 9

Alpha Wolf, 2017, acrylic and pastel on paper, 30 x 22”

Isabel Glatthorn

262

The Commune Clay, glaze My pottery features shapes, colors and textures that are simple and organic. I feel connected to the earth’s beauty, and I aim to evoke those same quiet, grounded feelings in objects. My wish is to make things that are used heavily and heartily, that remind the you to enjoy this beautiful, complicated life, and to seek out what is meaningful. 101 E North Loop Blvd, D (203) 644-3490 / soulmatterstudio@gmail.com soulmatterstudio.com / @soul.matter.studio Accessibility: 1, 2, 4, 5, 6, 7, 8, 9 Ice Cream Bowls, 2018, ceramic 20 1 9

W E S T

E X H I B I T I O N S  

/  12 1


263

Shine City Collective Wood, steel, textile, cement, ink, leather

Shine City Collective is a group of makers who share a passion for enriching space. We each contribute unique talent and perspective, and celebrate this reality: when one of us shines, we all shine. Our work includes custom furniture, art, and housewares, our mediums range from soft to solid, our tools are our hands, lenses, needles, molds, welders, and more. 4304 Caswell Ave (713) 550-0970 shinecitymakerscollective@gmail.com / @shinecitycollective Accessibility: 2, 3, 5, 6

Installation view

264

Rafael Cortes Leddy Block print, ink, paper

The art for me is connected to the human being through infinite strands. On this journey, I seek to connect them and create. 4304 Caswell Ave (512) 777-9023 / rafaelcortesleddy@gmail.com / @rafacortesleddy Accessibility: 2, 3, 5, 6

Chrysanthemum, 2018, block print, 18 x 12”

Jonnie Rettele

265

Cotton, linen, wool, indigo, cutch, madder root, logwood Rettele Fibers creates quilted heirloom pieces that are both elegant and functional. The balance between traditional quilting styles and modern compositions are exhibited across each piece. Quilts made in the Rettele Fiber’s studio are thoughtfully designed and built using natural dyeing, salvaged textiles and hand quilting. 4304 Caswell Ave rettelefibers.com / @rettelefibers Accessibility: 2, 3, 5, 6

Salina Quilt, 2018, salvaged cotton, 90 x 90” 1 2 2 

/ 

E X H I B I T I O N S

W E S T

2 0 19


266

Heidi Pitre  /  A Permanent Record Elisabet Ney Museum Paper, ink, colored pencil, graphite, ephemera, watercolor

Heidi Pitre’s ink drawings on vintage library cards uniquely merge art and literature, nostalgia and history, recycling and reusing. These ephemerata were created to perform a simple function, never expecting to survive their first career and start a new life as a work of art. Evoking storytelling and memory, they complement Elisabet Ney and her museum, Austin fixtures since 1892. 304 E 44th St (512) 974-1625 / heidi@heidipitre.com / heidipitre.com / @heidipitreart Accessibility: 2, 3, 4, 5, 6

Uncle Tom’s Cabin, 2017, ink and watercolor on vintage library card, 5 x 3”

267

Sarah Nemec Acrylic, paper

Sarah uses vibrant colors and loose gestural brushwork to express movement and dynamism in her paintings. Apparent in her work is the struggle between meticulous control and free expression. Through the practice of painting she attempts to shed the constraints of rigid daily life and experience creative liberation. Sarah works primarily in acrylic while employing some water color and collage. 4101 Guadalupe St, #600 (512) 914-8280 / sarahnemec@gmail.com / @sarah.nemec Accessibility: 1, 2, 3, 7, 8, 9

The Heart of It, 2018, acrylic, 18 x 24”

Jamie Rix McCaul

268

Acrylic, molding pastes, sand Spontaneous creations. Color is used as an emotional instrument in building harmony. Working mainly with acrylics, I incorporate different mediums to build layers and texture to each piece. Inspiration for my work is taken from observing unique patterns of color in simple everyday scenes as they pass by and become abstracted and mentally catalogued. 4101 Guadalupe St, #600 (512) 750-0749 / jamierixaustin@gmail.com jamierixstudio.com / @jamierix04 Accessibility: 1, 2, 3, 7, 8, 9 Rising, 2018, acrylic, 24 x 48” 20 1 9

W E S T

E X H I B I T I O N S  

/  12 3


269

Austin Visual Arts Association  /  Figurative Show Charcoal, pastel, graphite, oil, acrylic, watercolor

Join us at Austin Visual Art Association (AVAA) for the Austin Figurative Show featuring multiple works by 20 impressive figurative and portrait artists who attend our life drawing program. The works are spectacular! On Sunday afternoons from 2-5pm, we’ll host special life drawing sessions with a live model in costume. Visit our upstairs studios for additional inspirational artwork. 3707 Home Ln kelli@avaaonline.org / avaaonline.org Accessibility: 2, 5

Liliane Huddleston, Summertime Blues, 2019, oil on board, 20 x 20”

270

Neill-Cochran House Museum Oil, acrylic, watercolor, ceramics, mixed media, steel

This exhibition combines 14 artists’ work with the 9th and 10th oldest structures standing in Austin. Juxtaposed with period decorative arts and architecture, works on view exist in an implied dialog with the origins of our city. New to our show this year is a live painting assembly line, challenging what defines a process as legitimately creative. 2310 San Gabriel St (512) 478-2335 / info@nchmuseum.org / nchmuseum.org / @neillcochran Accessibility: 1, 2, 3, 7, 8, 9

Exterior view

Jennifer Hill

271

Neill-Cochran House Museum Porcelain, gritty stoneware The evolving architecture of land flora and marine life combine and emerge as new constructions in my ceramic sculptures. When forming my work, a natural flow is created by stacking textural bits, similar to plant life growing in repeating layers. I use either porcelain or a gritty stoneware, built by hand as well as thrown on the wheel. 2310 San Gabriel St (214) 399-6684 / jenniferamhill@yahoo.com / jenniferhillceramics.com / @jenniferhillceramics Accessibility: 1, 2, 3, 7, 8, 9

Emerge #23, 2019, porcelain, 12 x 5 x 5” 1 2 4 

/  

E X H I B I T I O N S

W E S T

2 0 19


272

Shakti Sarkin Neill-Cochran House Museum Oil, acrylic, wood, wire

I want to capture forever the beauty of trees. Fires are devastating our land. I am memorializing discarded and/or damaged wood by attaching it to or wrapping it in wire. The enshrining of these cast-off parts of trees is a metaphor for the preciousness of life. 2310 San Gabriel St (512) 577-1577 / shaktisarkin@gmail.com shaktisarkin.com / @shaktisarkin Accessibility: 1, 2, 3, 7, 8, 9 Oceans Touch the Sky and the Sea Floor, 2019, wood bark, wire, acrylic, 24 x 60 x 7”

273

Cheryl Finfrock Neill-Cochran House Museum Acrylic and graphite on claybord, scratchbord

My current body of work invites the viewer into a work of both intimate and public responses that my characters experience. In turn, both the painted figure and viewer bear witness to a particular yet open-ended story. 2310 San Gabriel St (512) 426-9217 / cherylfinfrock@gmail.com cherylfinfrock.com / @cherylfinfrock Accessibility: 1, 2, 3, 7, 8, 9

Silent Handoff, 2018, acrylic on claybord, 12 x 16”

Linda Wandt

274

Neill-Cochran House Museum Oil on canvas or wood panel My current body of work focuses on examining our internal cogs and mechanisms, as well as how we fit ourselves into the world around us. Using symbolism, magic realism or surrealism, my portrait and nature paintings create a narrative aimed at empowering the viewer, revealing repeating patterns in and around us. 2310 San Gabriel St linda@lindawandt.com / lindawandt.com / @linda.wandt.art Accessibility: 1, 2, 3, 7, 8, 9

My Sister Subconscious (detail), 2019, oil on canvas, 24 x 36’’ 20 1 9

W E S T

E X H I B I T I O N S  

/ 12 5


275

Travis Seeger Neill-Cochran House Museum Steel, paint, stainless steel

I produce fine art sculpture and custom architectural elements in steel. This show will focus on the evolution of the Spheres collection, contemporary metal sculptures formed and fashioned into large spheres. 2310 San Gabriel St (512) 535-8009 / travis@travisseegerart.com / travisseegerart.com / @travseeger Accessibility: 1, 2, 3, 7, 8, 9

Red, 2018, steel, paint, 36” dia

276

David Mills Neill-Cochran House Museum Mixed media, industrial metal parts, wood, dye

My current work examines the possible correlation between universal frequencies, the circadian rhythm and naturally occurring mathematical principles to construct ways that express this concept in two and three dimensions. Through the use of a variety of audio and visual media including recycled objects, I assemble work that if done well, will express a multi-sensory experience. 2310 San Gabriel St (202) 276-6645 / heydave@davidmillsart.com / davidmillsart.com / @davidmillsstudio Accessibility: 1, 2, 3, 7, 8, 9

Time in a Major, 2018, mixed media, 49.5 x 37”

David Lamplugh

277

Neill-Cochran House Museum Acrylic, watercolor, gouache on paper or canvas The Defensive postures series stems from my older series on Ukiyoe. Both series are primarily concerned with animals defending themselves from the environmental ravages of humanity. The work is built on the foundation of digital collage and is created using experimental acrylic. Recent additions to Defensive Postures feature watercolor accents. 2310 San Gabriel St (512) 662-4486 / fugnar@gmail.com davidlamplugh.com / @davidlamplugh75 Accessibility: 1, 2, 3, 7, 8, 9 Collision panel 1, 2018, acrylic on canvas, 24 x 36” 1 2 6 

/ 

E X H I B I T I O N S

W E S T

2 0 19


278

Regina Allen Neill-Cochran House Museum

Oil, watercolor, acrylic, colored pencil, pencil, ink, charcoal, spray paint My paintings focus on landscape viewed from above, examining conflicts between people and their environment. The expressiveness of color and mark extol the sublime beauty of Earth and the tenacity of nature. I have apprehensions about a changing environment. My art becomes a repository for these fears, buoyed by a little wisp of hope, like a prayer or a wish. 2310 San Gabriel St (323) 691-1976 / gruvkitty9@gmail.com reginaallen.com / @gruvkitty Accessibility: 1, 2, 3, 7, 8, 9 Mighty Mississippi, 2018, oil and spray paint on canvas, 30 x 48”

279

Jeffrey Primeaux Neill-Cochran House Museum Acrylic, pencil, charcoal

My abstract work arose, in part, from a fascination with the lines of Ukiyo-e prints and manga illustration. Rather than lines reproduced from drawings to create multiple images, however, the lines of my abstract drawings and paintings are made compositely to create single works. 2310 San Gabriel St (512) 963-6479 / jeffreyprimeaux@gmail.com / jeffreyprimeaux.com / @jeffreyprimeaux Accessibility: 1, 2, 3, 7, 8, 9

Summer Day, 2018, acrylic on canvas, 36 x 36”

Lawrence Jolly

280

Neill-Cochran House Museum Oil, found objects, wood, computer components I am a Contemporary Narrative Realist, a visual story-teller. Think Dali meets Rockwell. My art seeks to capture the emotional and spiritual transcendency of the human experience by using images from the observable, natural world to describe and celebrate the part of us that is not observable—the supernatural realm of soul and spirit. 2310 San Gabriel St (512) 517-8733 / larry@jollydesign.com lawrencejolly.com / @lawrencejolly Accessibility: 1, 2, 3, 7, 8, 9 The Least Of These, 2015, oil on canvas, 30 x 40” 20 1 9

W E S T

E X H I B I T I O N S  

/ 12 7


281

Roni Zulu Neill-Cochran House Museum Oil on canvas

My oil paintings capture a real or fictional person’s seen and obscured world. I enjoy the juxtaposition of bodies, alchemic symbols, numerology, equations, glyphs and specified sacred objects layered into a lush romantic storytelling setting. My work is a mirror of who we are, to celebrate and be fascinated with ourselves and the world we live in. 2310 San Gabriel St (512) 766-5827 / zulu@ronizulu.com / ronizulu.com / @zulutheartist Accessibility: 1, 2, 3, 7, 8, 9

Forbidden Fruit, 2018, oil on canvas, 38 x 25”

282

Rosa Nussbaum / Horizonland Women & Their Work Video, found objects

Rosa Nussbaum is a British/German visual artist based in Austin, Texas. Rosa works at the intersection of performance and sculpture, of object and objectification. Her work explores the place where the body touches the institution, submitting to its projected desires. 1710 Lavaca St (512) 477-1064 / info@womenandtheirwork.org womenandtheirwork.org / @womenandtheirwork Accessibility: 2, 3, 7, 8 Boatolin (maiden voyage), 2018, marine ply, ash wood, nylon gut strings, performer, 20 x 30 x 55”

Adamson Brothers

283

Wood, metal, resin Dane, Spencer, and Luke Adamson are the three brothers behind Adamson Brothers Design. Using many locally sourced materials, the Adamson Brothers create furniture that enhances and transforms spaces. Every piece is meticulously crafted and built to last a lifetime. 1002 Winsted Ln (214) 435-8899 / dane@adamsonbrosdesign.com adamsonbrosdesign.com / @adamsonbrosdesign Accessibility: 0

Milk, 2018, wood, resin, 35 x 66” 1 2 8 

/  

E X H I B I T I O N S

W E S T

2 0 19


284

Patricia Duncan Brown Museum of Collectibles & Curiosities Acrylic, copper enamel, porcelain, terra cotta, wood, wax, tin, cloth

Our Museum of Collectibles and Curiosities exhibits a delightful array of objects from the extensive collections of native Austinite artist Patricia Duncan Brown, alongside her original paintings, drawings and other works of fine art. Our museum is eclectic and educational. Families with children are especially welcome! This year we will spotlight fine Hispanic folk art objects from the Isart-Sachs collection. 1501 W 9th St info@museumofcollectibles.org / museumofcollectibles.org Accessibility: 2, 6 Mexican Folk Art, plaster, wax, terra cotta, tin retablos

285

Juliet Whitsett Gouache, acrylic, graphite

Juliet Whitsett is an artist whose background and interests focus on the integration of arts and creativity at the community level. In this series, Whitsett explores ideas of “Social Fabric”- the fashion worn during connections between friends and strangers in the Texas Honky-Tonk and Dance Hall culture. 1310 W 9 1/2 St (512) 387-6834 / juliet@giddyupartstudio.com giddyupartstudio.com / @giddyupartstudio Accessibility: 2

Pearl-Snap #17 and #16, 2018, Gouache on hot press watercolor paper, 8 x 10” each

Umbreen Ahmad

286

Oil, acrylic, ink, oil pastels Umbreen finds inspiration in nature, her travels, and the grand adventure we call life. She leans on colors and texture to honor the highs and lows of diverse emotions that are sometimes hers and others she stands witness to. Art is a form of mediation that enables her to cherish moments and memories that are several shades of life. 904 West Ave, #150 (512) 431-5688 / art@umbreenahmad.com umbreenahmad.com / @umbreenahmad_abstractart Accessibility: 1, 4, 7, 9

Love Full Circle, 2018, oil, oil pastels, and acrylic on canvas, 40 x 40” 20 1 9

W E S T

E X H I B I T I O N S  

/ 12 9


Thornton Road Studios

Mosaic Pottery Jewelry Fantasy Art Painting Fiber Art Ceramics Sculpture Photography Furniture

2309 & 2311 ThornTon road 78704

MAY 11-12 & 18-19, 2019 FROM 11AM-6PM


THE LINE AUSTIN IS A NEW HOTEL IN THE HEART OF DOWNTOWN AUSTIN OVERLOOKING TOWN LAKE. THE REDESIGNED 1965 BUILDING IS A COLLABORATION OF DIVERSE LOCAL AND VISITING CREATIVE TALENT IN ITS DESIGN, CULTURE AND CULINARY PROGRAMS. The guest rooms and public spaces showcase over 500 original pieces of art by 8 local artists throughout the property, including Michael Wilson, Xochi Solis, Alyson Fox, Manik Raj Nakra, Alexandra Valenti, Elizabeth Chiles, Jules Buck Jones and Jeffrey Dell. The LINE Austin looks forward to partnering with Big Medium for a year‑ round, on‑property artist residency program to create an ongoing legacy of support and a platform for showcasing the work of local artists.

111 E. CESAR CHAVEZ ST AUSTIN, TX 78701 T (512) 473‑1534 thelinehotel.com


287

Artworks Gallery Artworks Gallery Oil, acrylic, pastel, graphite, ink, steel, plaster, glass, stone

Featuring new work from our top artists, Julie Fritz, Enid Wood, Lucy MacQueen, Travis Seeger and guest artists, Ann Flemings and Paul Meyer. 1214 W 6th St, #105 (512) 472-1550 / artworkswestend@gmail.com artworksaustin.com / @artworksatx Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Gallery view

288

Paul Meyer Artworks Gallery Cement, mortar, resin, stain, wood, paint

The son of a home-builder, Meyer grew up around construction. Struck by the raw beauty he saw in every day building materials, Meyer began incorporating cement, mortar, resin, stain and wood in his paintings. Stark, open terrain and the hardworking nature and humble character embedded in the human experience, inspire Meyer’s highly textured landscapes, portraits, abstracts and nonobjective paintings. 1214 W 6th St, #105 (281) 744-9496 / hello@paulmeyerstudios.com / paulmeyerstudios.com / @paulmeyerstudios Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Untitled, 2019, cement, canvas, wood, and paint on wood panel, 48 x 48”

Travis Seeger

289

Artworks Gallery Steel, paint, stainless steel This show will feature the Shark series from contemporary sculptor Travis Seeger accompanied by “Web”, the latest piece from his collection of spheres. Travis makes fine art sculpture and architectural elements in steel. 1214 W 6th St, #105 (512) 535-8009 / travis@travisseegerart.com travisseegerart.com / @travseeger Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Shark #4 (detail), 2013, steel, paint, 66 x 11 x 2” 1 3 2 

/ 

E X H I B I T I O N S

W E S T

2 0 19


290

Ann Flemings Artworks Gallery Acrylic, crayon, charcoal, graphite, oil and water media sticks, chalk

Through my work, I investigate how the layering of color, shape, and line create depth and beauty. Sometimes described as a colorist, my work is also about light. Drawing from memories, moods and paint colors on my palette, I start by layering marks and shapes, which are covered, excavated and layered again to reveal compelling vistas reminiscent of things familiar. 1214 W 6th St, #105 (512) 963-0198 / ann.flemings@gmail.com / flemingsart.com / @ann_flemings_art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Bold as Brass, 2018, acrylic, 48 x 48”

291

Lucy MacQueen Artworks Gallery Acrylic, plexiglass, metal leaf, silicone

With a fascination for the ocean and a passion for painting, Lucy MacQueen creates large-scale studies of splashing ocean waves. Using acrylic paint, she creates depictions of waves that are paradoxically both realistic and deeply abstract. 1214 W 6th St, #105 (512) 784-4081 / lucymacqueen999@gmail.com / lucymacqueen.com / @lucymacqueen_art Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Water’s Edge, 2019, acylic, 36 x 36”

Julie Fritz

292

Artworks Gallery Oil, cold wax, wood Julie Fritz will be displaying her unique large, abstract Texas landscapes rendered in oil and cold wax on board, plus many of her small, reasonably priced landscapes. 1214 W 6th St, #105 (804) 317-8849 / juliefritz8@gmail.com / juliefritz.com / @juliefritzart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Lake Travis Smooth, 2019, oil and wax on cradled board, 36 x 48” 20 1 9

W E S T

E X H I B I T I O N S  

/ 133


293

Enid Wood Artworks Gallery Pastels

Pastel is my medium, nature is my subject, and travel is my passion. Trained in oils as a portrait and still life painter, now I mainly paint colorful, Texas landscapes, skyscapes, and waterscapes. Recently I have been exploring abstraction. I teach pastel painting workshops throughout Texas. Painting is my second career after many years of violin teaching, mainly in England. 1214 W 6th St, #105 (512) 472-1550 / enidwood@mac.com / enidwood.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Cosmos, 2018, pastel, 10 x 8”

294

Diana Greenberg Wally Workman Gallery Oil, acrylic, watercolor, mixed media

Established in 1980 and located in a 100 year-old historic house, the Wally Workman Gallery specializes in emerging and collected talent. We will be exhibiting a solo show with local painter Diana Greenberg in our front two rooms and work from our other 50+ artists currently represented throughout the rest of the gallery. 1202 W 6th St (512) 472-7428 / rachel@wallyworkman.com wallyworkmangallery.com / @wallyworkmangallery Accessibility: 1, 3 September, 2019, mixed media on canvas, 36 x 48”

Russell Collection Fine Art  /  Permanent Collection

295

Painting, prints, sculpture Russell Collection is a world-class gallery filled with contemporary and masters art. We set out to offer something different to the serious art collector in central Texas. Russell Collection Fine Art has assembled a permanent collection that includes original works spanning the history of art from 1900’s to the present, making it the premier visual arts gallery in central Texas. 1009 W 6th St (512) 478-4440 / sales@russell-collection.com russell-collection.com / @russellfineart Accessibility: 1, 4 Mark Yale Harris, No Secrets, 2019, bronze, 22 x 11 x 14” 1 3 4 

/ 

E X H I B I T I O N S

W E S T

2 0 19


Temporary Exhibition at Google Austin

296

Google Offices Watercolor, oil, photography, ceramics, ink This exhibition is comprised of Googlers showcasing an eclectic portfolio from oil landscaping paintings to cultural ceramics to watercolor creatures of Star Trek and everything in between. 500 W 2nd St Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Interior view

297

June Castro Google Offices Oil, marker, pen and ink, canvas

I will be presenting American Romanticism landscape paintings of the West Coast and several portraits of hip hop figures. 500 W 2nd St (630)-464-0476 / junecastro@google.com designbyjune.com / @junedraws Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Sedona, 2018, oil on canvas, 24 x 36”

Rachel Schoening

298

Google Offices Fibrous paper, hemp, digital photographic prints, mixed media Rachel’s work explores how seemingly static entities can evolve over time, right before our eyes. We imbue places, objects, and words with meaning—sometimes through social conditioning, but also as a means of preserving our own unspoken emotions. In certain instances, these transmutations shed new light, while in others, they cast shadows. 500 W 2nd St scenicroutehaiku@gmail.com / scenicroutehaiku Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Dirty Little Secret, 2019, vintage mirror compact, matchbook, 3 x 2.5 x .5” 20 1 9

W E S T

E X H I B I T I O N S  

/ 135


299

Caroline Yeh Google Offices Acrylic, wood

“Arternus” is a concept inspired by faith and humankind. “Drink” alludes to our basic need for water, and depicts elements of femininity, vegetation, and nourishment. 500 W 2nd St arternusart@gmail.com / @art.ernus Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Drink, 2018, acrylic on wood, 24 x 30”

300

Aemon Cannon Google Offices Watercolor, gouache, printed words on paper

Most of the animals in Star Trek are referenced only in pithy one-liners: “How would you like to spend eternity as a Gorokian midwife toad?” or “He’ll slink away like a scalded Targ!”. Join heroes, Briswald and Fitzmurdle, as they conduct a survey of Star Trek’s fauna, with gouache illustrations by Aemon Cannon and whimsical journal entries by Katherine Arathoon. 500 W 2nd St (619) 672-5176 / aemoncannon@gmail.com / spaceotters.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Encounter with Fargan, 2017, gouache, 12 x 20”

Ashley Kressin

301

Google Offices Watercolor, gouache, ink pen I primarily work in watercolor and pen, and I’m all about exploring the beauty of impermanence through depictions of bones and plants. 500 W 2nd St (304) 283-0687 / akressin@google.com / @cinnamonlitost Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Born Tomorrow, 2019, watercolor, pen, 9 x 12” 1 3 6 

/ 

E X H I B I T I O N S

W E S T

2 0 19


302

Bailey Boswell Google Offices Film, digital

I’m a digital and film photographer who loves capturing authentic and pure moments, typically in landscape or portrait photography. Much of my work is centered around the things in life that are wild, whether that be love or nature or both. 500 W 2nd St (281) 851-1580 / baileybboswell@gmail.com baileyboswell.com / @baileyboswellphoto Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Sunsets at Zion, 2017, digital photographer

303

Sophia Chow Google Offices Acrylic, gouache, ink, watercolor

“Many people take great comfort in the bathroom towels being the same color as the soap. It means there is a connection between them, and an environment of order. Home is a place not only of comfort, but of control. This sense of order acts as a shield against the unpredictability and lurking chaos of the outside world.” –Andy Yoder 500 W 2nd St (832) 640-7632 / sophia.t.chow@gmail.com / @s0fa Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Leaking My Blues Away, 2016, acrylic on canvas, 8 x 8”

Andrew Fuchs

304

Google Offices Charcoal, graphite, conté, color positive film, digital photography Andrew is a local artist that focuses on figure drawing and film photography. His gestural drawings reflect organic motion as the model holds a pose, whereas his photography is meant to capture “slice of life” moments from daily experience and travel. 500 W 2nd St (781) 568-9692 / afuchsy@gmail.com afuchsy.wixsite.com/visual / @afuchsy Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Three in Black, 2019, charcoal on newsprint, 24 x 36” 20 1 9

W E S T

E X H I B I T I O N S  

/ 137


305

Ellen Guerra Google Offices Screenprinting, watercolor, ink

I’m a full-time business woman but I spend my free time doodling, painting, throwing clay, and screenprinting. 500 W 2nd St ellenguerra52@gmail.com / @art_by_eg Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Les Piaules, 2017, screenprint, 12 x 12”

306

Gabrielle Aguilar Google Offices Sony A7iii, Lightroom, Photoshop

This ongoing series of images is devoted to an experimentation of color and shape. The collection’s surrealist style is intended to embrace being a “woman of color.” 500 W 2nd St (210) 818-8600 / gabkaphoto@gmail.com / gabka.co / @gabkaphoto Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Untitled, 2019, photography, 17 x 11”

Brandon Mike

307

Art at the DEN Concrete The DEN introduces artist Brandon Mike. Mike is a multidisciplinary artist and designer based in Austin, Texas. His work primarily focuses on clean aesthetics with a specialization in concrete sculpture, lighting , furniture, and unique home goods. Mike’s minimalist aesthetic captures the essence of the natural world, influencing a deeper connection with the environment and the beings we share it with. 317 W 3rd St (512) 222-3364 / art@denpg.com / artattheden.com / @artattheden Accessibility: 0

Out of The Darkness, 2019, concrete 1 3 8 

/  

E X H I B I T I O N S

W E S T

2 0 19


308

Antonio Medina Watercolor, graphite, conté crayon, pastel

The presentation is an exploration of the nuances of the human physiognomy and figure with emphasis in the medium of watercolor. The advantages and limitations inherent to watercolor, both technically and aesthetically, are used to give a very familiar subject-matter life and interest. The goal is to capture the subtleties and individuality of each subject, accentuating characteristics, color and form. 618 Lavaca St, #7 (956) 472-5521 / aamvnala@utexas.edu / @aamvnala Accessibility: 2, 3, 4, 6, 7

Moi-Même, 2019, watercolor, 18 x 24”

309

John Vesel and Jessica Bollig jpear Design High-fire clay, glaze, paper, watercolor, graphite, wool, wood, copper, leather

As a creative duo, John Vesel and Jessica Bollig explore a broad range of media—ceramic pottery, watercolor, fiber, sculpture, etc. Each work is an exploration of the media through the architectural lens, accentuating the inherent beauty in functional operation and the inspiration of close aesthetic observation. 618 Lavaca St, #7 jpeardesign@gmail.com / @jessbollig Accessibility: 2, 3, 4, 6, 7 Syncopations, 2015, copper, walnut, 11 x 5 x 12” each

Old Bakery & Emporium Art Gallery The Beauty of Now

310

Fused glass, jewelry, oil on canvas and panel The art gallery encourages and promotes local artists by providing free gallery space for them to exhibit their art. Several jury selected artists at a time are invited each month to exhibit throughout the year. Local artists may have items on the retail floor as well. May’s exhibit ‘The Beauty of Now’ highlights Cynthia Simpson, Pamela Sanchez, and Michael Skiffington. 1006 Congress Ave (512) 974-1300 kay.hughes@austintexas.gov / austintexas.gov/page/exhibits-old-bakery-emporium Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 Exterior view 20 1 9

W E S T

E X H I B I T I O N S  

/ 139


311

Cynthia Simpson  /  The Beauty of Now Old Bakery & Emporium Kiln formed glass

Fused glass has gifted me with excitement and new artistic process. I learn and apply technical knowledge with prior creative style. Conscious thought to design principles with a colorist focus is evident in my work. References to both the natural world and spiritual beliefs are part of my process. Please enjoy viewing my work and the unique beauty of glass. 1006 Congress Ave (512) 413-2997 / cyncsimpson@gmail.com / csglassfusions.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 River at Sunset, 2018, glass, 12 x 8”

312

Martha Hughes / SCENES OLA GALLERY Acrylic on panel, acrylic on canvas

OLA is proud to introduce artwork by Martha Hughes. Deriving from Marfa, these paintings depict everyday, prosaic interiors and landscapes, with ambiguous spaces that reflect Hughes’ sense of never feeling at home in the world. “I often find inspiration from glossy interior design and architecture magazines, with their strange, carefully staged photographs of impossibly pristine, beautiful houses, gardens, and pools.” 201 E 5th St, #104 (214) 415-8088 / info@olagallery.com / olagallery.com / @olagalleryaustin Accessibility: 9 Scene 287, 2018, acrylic on panel, 12 x 12”

OESTE 4: Exhibición Colectiva

313

La Peña Gallery Mixed media, printed matter, sculpture For the 4th year, La Peña proudly presents a collective exhibition featuring the works of established and emerging artists with an emphasis in Latin-American culture. The exhibition highlights different mediums such as paintings, drawings, photography, sculpture, collage, and more. During WEST we will have music and poetry. 227 Congress Ave (512) 477-6007 / lapenagallery@gmail.com lapena-austin.org / @lapena_austin Accessibility: 2, 3, 6, 7, 8, 9 Naxieli Gomez, Rábano, 2018, oil on canvas, 24 x 24” 1 4 0 

/ 

E X H I B I T I O N S

W E S T

2 0 19


Mae Crocker  /  Psycho-geography of Austin: Devolution of a Sky

314

JCB Gallery at the Dougherty Arts Center Spray paint, watercolor, nu-pastel, oil pastel, prismacolor, acrylic Devolution has never looked so good. Mae’s Psycho-geographic exhibition explores Austin and the ideas of our post-modern rubicon. The images were captured and re-represented as a visual ethnography in acrylic, pastel, and spray paint. Reflexively, these things happened. 1110 Barton Springs Rd (512) 974-4000 / jcbgallery@austintexas.gov / sovereignfrequencies.com / @autumn_in_mae Accessibility: 1, 2, 3, 5, 7, 8, 9

East Cesar Chavez, 2019, spray paint, acrylic, 20 x 16”

Renee Victor  /  The Galaxy Wanderer

315

JCB Gallery at the Dougherty Arts Center Digital print on paper, wood frame Renee Victor has created a series based on photographs taken in Texas caves. Without light the caves are pitch black, but when lit, millennia-old stalactites, stalagmites and crystals can be seen. The caves are reimagined as an alien intergalactic landscape and the viewer becomes an interplanetary traveler. 1110 Barton Springs Rd (512) 974-4000 / jcbgallery@austintexas.gov artistreneevictor.com / @artistreneevictor Accessibility: 1, 2, 3, 5, 7, 8, 9 Heard Me, 2017, digital print on paper, 42 x 54”

Heidi Pitre / Southern Peculiar

316

JCB Gallery at the Dougherty Arts Center Oil, charcoal, graphite, wood, canvas, paper Heidi Pitre demonstrates an understanding of the Southern Peculiar. If you know the South well, you love it and you hate it, but you can’t shake it. You can leave it, but it doesn’t leave you. The artist’s colorful oils illustrate the lighthearted South, while her charcoals show a darker side, both giving you a snapshot into our peculiar South. 1110 Barton Springs Rd (512) 974-4000 / jcbgallery@austintexas.gov heidipitre.com / @heidipitreart Accessibility: 1, 2, 3, 5, 7, 8, 9 Direct Hotline, 2018, oil on panel, 24 x 36” 20 1 9

W E S T

E X H I B I T I O N S  

/ 141


317

Digital Den Interactive video, virtual reality, projection mapping, photogrammetry, clay, dome, metal

Art and technology collective convert their studios into a digital template to navigate the human condition through the work of an interactive video artist, projection mapping sculptor, optical designer, experimental architect, robotics teacher and biomimicry sculptor. Artists include @Do_da_visuals, @freeverbs, @EnderMartos, @Ani.works, @AmyHoaglandstudio, and Sandy Miller. 1118 Azie Morton Rd, C (631) 678-7380 / create@freeverbs.com / freeverbs.com / @freeverbs Accessibility: 0

FreeVerbs, Clay and Light, 2018, projection mapping installation

318

Austin Fine Art Gallery Oil, acrylic, pastel, mixed media

Our passion is to promote established and emerging artists. We envision an art community where creativity thrives for artists, buyers, and galleries in Austin. This exhibit includes a diversity of art by local artists who utilize a range of media including oil, acrylic, and mixed-media. 2805 Bee Cave Rd, #430 (512) 306-1064 / dan@austinartframe.com / austinfineart.gallery / @austinartframe Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Scott Leopold, DNA, 2018, mixed media, 48 x 36”

Ao5 Gallery  /  2019 Contemporary Texas Group Exhibition

319

Acrylic, oil, graphite, watercolor, sculpture, mixed media Ao5 Gallery is committed to bringing an eclectic variety of accessible fine art to Austin. This year for WEST, we are showcasing a group exhibition of contemporary artwork selected from over 700 entries submitted by artists across the state. Join us for an opening reception Saturday, May 11th from 7-9pm. This exhibit will remain on display through June 9th. 3005 S Lamar Blvd, C110-B (512) 481-1111 / johnna@ao5gallery.com / ao5gallery.com / @ao5gallery Accessibility: 1, 2, 3, 4, 5, 6

William Hall, Artifact #5, 2018, mixed media, 27 x 24” 1 4 4 

/ 

E X H I B I T I O N S

W E S T

2 0 19


320

Austin Art Garage Acrylic, oil, mixed media, photography, woodcuts, illustration, prints

Austin Art Garage is a gallery showcasing 100% local art works and providing attainable art to new and seasoned collectors alike. A special selection will be displayed during WEST including works from, Graham Franciose, Jason Eatherly, Dawn Winter, Phoebe Joynt, Flip Solomon, Judy Paul, Sophia Sanz De Pascuale, Rachel McCleary, Joel Ganucheau, Jeremy Aubrey and Jake Bryer. 2200 S Lamar Blvd (512) 351-5934 / art@artgarage.com / artgarage.com / @austinartgarage Accessibility: 1, 2, 3, 4, 5, 6

Gallery view

321

Joel Ganucheau Austin Art Garage Acrylic, oil, latex, oil pastel, spray paint, canvas, wood

I’m a father... an artist... a night owl... a daydreamer... an introvert. My paintings are inspired by recent events in my life—love, loss, and the little things. I am always experimenting with new techniques and processes to keep things exciting. Making art is very therapeutic and necessary for me. I’m not sure where I would be without it. 2200 S Lamar Blvd (512) 351-5934 / joel@artgarage.com / joelganucheau.com / @joelganucheau Accessibility: 1, 2, 3, 4, 5, 6

Find Yourself, 2018, acrylic, oil paste, and spray paint on wood, 30 x 30”

Sophia Sanz De Pascuale

322

Austin Art Garage Cotton thread, wood Finding warmth and color through repeated practice. 2200 S Lamar Blvd (740) 263-0202 / depas.sophia@gmail.com / sophiasanzdepas.com Accessibility: 1, 2, 3, 4, 5, 6

Study I, 2018, cotton thread, wood, 16 x 12” 20 1 9

W E S T

E X H I B I T I O N S  

/ 145


323

Judy Paul Austin Art Garage Acrylic, collage on panel, digital collage printed on canvas

Beginning with themes including nature and energy my work is a search for positivity. Throughout the process of mixing, remixing and layering I transition from being the guide of the work to having the work guide me. This process is full of mystery and excitement for me. My hope is that this energy and joy is transmitted to the viewer. 2200 S Lamar Blvd (512) 507-8199 / judy@judypaul.com judypaul.com / @judypaulstudios Accessibility: 1, 2, 3, 4, 5, 6 Austin Colors, 2018, mixed media collage, 24 x 36”

324

Jason Eatherly Austin Art Garage Oil, acrylic, aerosol, found objects, wood, canvas, metal

Jason Eatherly’s work is heavily influenced by urban decay, abandoned structures, and weathered environments. His new body of work focuses on depicting diverse isolated scenes and textures by using found objects, cool tones, simple landscapes, and urban imagery. 2200 S Lamar Blvd eatherly.jason@gmail.com / jasoneatherly.com / @jasoneatherly Accessibility: 1, 2, 3, 4, 5, 6

Abandoned Station, 2018, acrylic on wood panel, 12 x 12”

Dawn Winter

325

Austin Art Garage Acrylic, palette knives I’m drawn towards layers of contrasting colors and this passion is reflected in my multi-layered paintings. I use palette knives to create paintings with a sense of color, texture and balance in mind. A random trip to Santa Fe, NM prompted me to explore painting and ignited a creative side that was long forgotten. 2200 S Lamar Blvd (512) 923-1527 / dawnwinterart@gmail.com / dawnwinter.net / @dawnwinterart Accessibility: 1, 2, 3, 4, 5, 6

Glimpses of Gold, 2017, acrylic on gallery wrapped canvas, 36 x 36” 1 4 6 

/ 

E X H I B I T I O N S

W E S T

2 0 19


326

Rachel Lavin Sterling silver, gold, stones

I make jewelry that is both fun and meaningful for the wearer. Jewelry that’s quirky and unique, but also well-made. As often as possible I use recycled materials. Lost-wax and fabrication, occasionally CAD designs, but lately more doodles. Pee Wee Herman and Leonora Carrington are some of my heroes, so that should give you an idea. 3001 Kinney Ave (917) 213-6385 / rachel.lavin@gmail.com / pioplayground.com / @piojewels Accessibility: 0

Whisper Ring, 2017, sterling silver, white gold, garnet, .5 x .5”

327

Kairos Creative Arts Center Thornton Road Studios Acrylic, pastel, graphite, found objects, fiber

Kairos Creative Arts Center will feature artists Jan Pomeroy-mixed media and functional ware artist and founder of Kairos, Eva Glock-contemporary painter, Sarah Gaertner—mixed media, fabric, and jewelry artist, Kim Suvia—mixed media, monoprints and jewelry artist and our special guest artist Cristina White-Jones—mixed media painter. Each artist has a diverse collection of art works that you don’t want to miss. 2311 Thornton Rd, Q (505) 920-4780 / kairoscreativearts@gmail.com / kairoscreativearts.org / @jpomeroyart Accessibility: 2, 3, 6, 7, 9

Flamingo Dance, 2018, mixed media on canvas, acrylic, tissue paper, house paint, 36 x 24”

Gert Johan Manschot

328

Forge Craft Architecture + Design Acrylic paint, wood, canvas Through a masterful blend of simple materials and his own meditative practices, Gert Johan Manschot channels his aura into his dynamic works. A unique form of “action painting” but fueled by Zen rather than angst, GJM pushes the boundaries of minimalism, inviting the viewer to interpret if they wish, or simply let the images wash over them in fluid strokes. 608 W Monroe St, C (512) 660-9096 / g.j.manschot@me.com / manschotart.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Matrix of the Universe, 2013, acrylic, wood, canvas, paper, 30 x 22” 20 1 9

W E S T

E X H I B I T I O N S  

/  1 47


329

Art for the People  /  Zeal of Ten Oil, acrylic, graphite, clay, photography, scratchboard, wood, encaustic, mixed media

The Zeal of Ten is a fusion of ten vastly different and extremely talented artists who utilize a variety of mediums. Ten artists who will visually woo you with their artwork! Alicia Wells, Bryan Macilko, Chanel Kreuzer, Connor Teseny, Janis Fowler, Kerry Joyce, Penny Westberry, Rebecca Klier, Sarah Beth Elkins, and Valerie Bentley 1711 S 1st St (512) 761-4708 / lynnie@artforthepeoplegallery.com artforthepeoplegallery.com / @aftpgallery Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Gallery view

330

Penny Westberry  /  Zeal of Ten Art for the People Paper-mâché, acrylic, pen, ink, wood, metal, fiber, resin

I like for my work to tell a story. I am inspired by people I meet, places I have been, funny situations, or even a thrift store gem. My pieces seldom come out as I envisioned, partly because they begin to take on a personality of their own and end up dictating to me exactly what they want to be. 1711 S 1st St penny@luckypennyemporium.com / luckypennyemporium.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Austin, 2019, mixed media, 13.5 x 22 x 11.25”

Connor Teseny  /  Zeal of Ten

331

Art for the People Scratchboard, copper plate, linoleum block, ink, colored pencil My inspiration for my work comes from the beautiful wildlife that accompanies us on our little planet. I love creating simple compositions to give an intimate relationship between my subject and the viewer. I mostly work on copper plate etchings, relief cuts and scratchboard. All my frames are custom and handmade using recycled wood. 1711 S 1st St (512) 401-7720 / cteseny@yahoo.com / @cjtproducts Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Bullshark Jaws, 2018, scratchboard, 16 x 20” 1 4 8 

/ 

E X H I B I T I O N S

W E S T

2 0 19


332

Sarah Beth Elkins  /  Zeal of Ten Art for the People Stoneware, mid-range glazes, fiber, plated and nichrome wire

I am a ceramic and fiber artist making bold and bright pieces, both functional and decorative. My work is constantly evolving and I love to experiment! I allow each piece to dictate its own path, choosing patterns, textures, and colors that naturally flow onto the surface. I hope people can see and feel love from my work. 1711 S 1st St sbelkins42287@gmail.com / sarahbethpottery.com / @sarahbethpottery Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Citrus Fruit, 2019, stoneware, fiber, 14 x 14”

333

Bryan Macilko Art for the People Encaustic wax, shellac, oil

The title of one of my submissions is "Incite". This is a goal in my work. To incite, ignite, and kindle emotion in the viewer. I strive to leave a lasting impression. 1711 S 1st St (512) 627-0353 / blk1120208@aol.com Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Incite, 2019, encaustic, 12 x 12”

Kerry Joyce  /  Zeal of Ten

334

Art for the People Paper, ink, wire, adhesive Using fine papers, inks, wires, and glue, I handcraft flowers petal by petal into an illusion of nature. The meditative acts of cutting and shaping the paper have allowed me to explore a relationship with imperfection, as nothing in nature is perfect. Yet, I am still often striving to perfect my version of each blossom, or vine, or succulent. 1711 S 1st St kerryaj@gmail.com / @paperplantlady Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Bunch of Papers, 2018, paper, 20 x 16” 20 1 9

W E S T

E X H I B I T I O N S  

/ 149


335

Rebecca Klier  /  Zeal of Ten Art for the People Acrylic, graphite, watercolor

I paint to express the joy I feel when I observe impelling colors, shapes, lines, and patterns. I draw inspiration from what has been, what is, and all things that are possible and impossible. I embed songs, words, marks and emotion into every layer of a painting to create an image that is a reflection of a part of myself. 1711 S 1st St rebecca@deutschemexicana.com deutschemexicana.weebly.com / @deutschemexicana Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Confetti, 2018, acrylic on canvas, 26 x 30”

336

Janis Fowler  /  Zeal of Ten Art for the People Oil, gouache, alcohol inks, aluminum panel, resin

Join me in a celebration of color, form, and reflection! The “Zeal of Ten” showcase at Art for the People will be premiering my newest works for the Studio Tour. Painted mostly on aluminum panels, the pieces pop with glossy color from mixed media application. Feminine forms and themes come up again and again, with warped, dissolving elements throughout. 1711 S 1st St janisfowler@gmail.com / janis-fowler-art.squarespace.com / @fowlmouthed Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Color Queen, 2019, oil and alcohol ink on aluminum panel, 16 x 12”

Valerie Bentley  /  Zeal of Ten

337

Art for the People Acrylic, ink, metal leaf, acrylic spray paint Much of my work is inspired by nature. I’m interested in our spiritual connection with nature, and how I can use it metaphorically. I often use metal leafing. I love how it captures light and changes when looking at it from different angles. I paint realistic flowers, animals and figures that I transform and merge through pattern, color and texture. 1711 S 1st St valeriebentleyart@gmail.com / valeriebentley.com / @valeriebentleyart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9

Rising, 2019, acrylic, ink, and metal leaf on canvas, 12 x 12” 1 5 0 

/ 

E X H I B I T I O N S

W E S T

2 0 19


338

Alicia Wells  /  Zeal of Ten Art for the People Digital and analog photography

A photography collection of The Little People of Austin as they move basically unseen among us. Using a macro lens I have documented them going about their lives in their natural environments. Printed small format on fine art paper and framed. 1711 S 1st St (817) 726-2204 / karenaliciawells@gmail.com alitexas.com / @alitexas Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Chopsticks, 2018, digital photography, fine art paper, 11 x 14”

339

Chanel Kreuzer  /  Zeal of Ten Art for the People Oil on canvas

My art reveals finding beauty on the desolate roads to nowhere while traveling west. My focus is to bring awareness to the beauty around us that is so easily overseen. I paint landscapes in a oil impasto style of open expressionism. I simply paint because it’s a expression of emotions without words. 1711 S 1st St (512) 915-0901 / chanelsweets83@gmail.com / chanelsart.com @chanelkreuzer_officialart Accessibility: 1, 2, 3, 4, 5, 6, 7, 8, 9 Lucid Canyon, 2019, oil, 9 x 12”

Justin LeBlanc  /  Oil and Floodwater

340

Stereotomie Gallery Archival inkjet printing This series is composed of photographs that combine Hurricane Harvey flood water with images of flare stacks, black and white negatives that were destroyed in Hurricane Ike, and photographs of burning oil and gas whose negatives were soaked and damaged in flood water. These are near abstractions that are made up of parts of a cause and effect. 4361 S Congress Ave, #103 (409) 767-1089 / justin@justinleblanc.com / justinleblanc.com / @justin.leblanc Accessibility: 1, 2, 3, 4, 5, 6, 7

Oil 01, 2018, archival inkjet print, 50 x 40” 20 1 9

W E S T

E X H I B I T I O N S  

/ 151


341

Meghan Shogan Stereotomie Gallery Limestone

Meghan Shogan is a classically trained architectural stone cutter and carver. She formed Vault Stone Shop to create experimental, contemporary works in stone. 4361 S Congress Ave, #103 (512) 831-9342 / meghanshogan@hotmail.com vaultstoneshop.com / @vaultstoneshop Accessibility: 1, 2, 3, 4, 5, 6, 7

Memorial to a Photographer, 2019, limestone, 6 x 8 x 4”

342

Lisa Chronister Mixed media, glass, ceramics, jewelry, metal, shells, coins, fiber, wood

Glass is the foundation of my work, chosen for its beauty, treated like color in a painting. Its ethereal quality created by textures and undertones exposed in the changing nature of light. Surreal and whimsical imagery draw on literature, movies and spiritual themes. Ceramics, jewelry, figurines, shells, coins, beadwork and other found objects are incorporated to give a 3D aspect. 312 Heartwood Dr (512) 789-3191 / kaliseyestainedglass@gmail.com / kaliseye.com / @kalis_eye_stained_glass Accessibility: 3, 6

Captain Jack, 2018, mixed media, 26 x 22”

Christina J. Terry

343

Acrylic, ink, colored pencil, gels Often I call myself the serving artist, because I love to bring joy, beauty and purpose with my art. Tapping into the frequency that connects us all, is where I find the inspiration for each piece for each client. Unity is diversity. What inspires me today is a different song tomorrow but sung in oneness. 312 Heartwood Dr (512) 694-6226 / chrisjenterry@gmail.com / christinaterry.com Accessibility: 3

Wind, Earth, Water, 2018, acrylic, 48 x 36” 1 5 2 

/ 

E X H I B I T I O N S

W E S T

2 0 19


344

Rachel Hurst Mixed media originals and giclée prints on board and canvas

I have a love of animals. I love their humor and beauty. I paint them the way they make me feel, which typically doesn’t manifest as an image of them in their standard environment. They give me enormous joy—I hope to communicate that in my paintings. Please come and meet me! 312 Heartwood Dr (512) 422-2176 / rachel@rachelhurstfineart.com rachelhurstfineart.com / @rachelhurstfineart Accessibility: 3, 6

Neon Fox, 2018, mixed media on board, 24 x 24”

345

Hurd Collective / Burning Chapel Oil, acrylic, aerosol, wood, graphite, mixed-metals, coffee, organic matter, enamel

“Burning Chapel” is a collection of current work from Santiago Escobedo and Daniel Baugh, studio mates since 2012. This exhibition is in conjunction with several other artists in the fields of ceramics, painting, metals, drawing, and installation. “Burning Chapel” offers viewers an interactive experience into art as a spiritual path. Come share the experience! 4424 Jinx Ave santiagoescobedogarcia@gmail.com / santiagoescobedo.com / @danieldbaugh Accessibility: 2

Santiago Escobedo, Untitled, 2018, acrylic on Yupo paper, 13.75 x 11”

Emily Hurt  /  Lost and Found

346

Encaustic, acrylic, found objects, organic materials, fibers, metal wire Emily Hurt’s art is rooted in the unexpected. Using a process of combining and layering differing mediums, she creates organic, textural works that explore the tension between form and function. 1812 Forest Hill Dr eehurt@gmail.com / eehurt.com / @mister__e Accessibility: 0

Hive, 2018, encaustic, mixed media, 11 x 11’’ 20 1 9

W E S T

E X H I B I T I O N S  

/ 15 3


Titoâ&#x20AC;&#x2122;s Handmade Vodka proudly supports

TR-1163_Standard_Full_Big Medium.indd 1

4/9/18 9:54 AM


347

Bella Kirchner Photography

Bella Kirchner’s photographs are intimate looks into the wondrous and mysterious lives of children. Her black and white body of work calls up a sense of nostalgia, but her shooting style and perspective offer a unique examination of childhood and lead the viewer to see these moments in a different light. 1812 Forest Hill Dr (512) 851-6983 / bella.kirchner@gmail.com bellakirchner.com/ / @bellakirchner.photo Accessibility: 0

the space you take, 2018, archival print, 11 x 14”

348

ArtProfiler  / Mélange Oil, acrylic, encaustic, wood, ceramics, leather, metal, crystals, resin, paper

ArtProfiler is Austin’s premiere online cultural magazine. Our WEST 2019 exhibit includes artists Nicole Jeffords, Fallon Bartos, Nailivic Studios, Joshua Kight, Inés Batlló, H. Jichi, Judith Witlin, Jade Moon, Dapper Heathen Leather Co., Raquel Frankenberg, Potok Jewelry and Truthseeker Coasters and Canvas, plus ArtProfiler’s collaborative works. You’ll find oil and acrylic paintings, leatherworks, woodworks, jewelry, assemblage art, prints and more. 5205 Saint Georges Green (512) 680-4771 / randi@artprofiler.com / artprofiler.com / @artprofileratx Accessibility: 2, 6

Nicole Jeffords, Aralyn, Austin’s Queen of Weird, 2018, oil on canvas, 20 x 16”

Inés Batlló

349

Beeswax, resin, pigments, graphite, oil This body of work talks about the importance of preserving wisdom. Books as a symbol of culture, education, knowledge, and language are present in my paintings. Different perspectives point of views and shadows are playing a role to seduce the viewer. Tiny people are in my work suggesting a message. After all, a homage to the people and to the language. 5205 Saint Georges Green (512) 699-0875 / ibatllo@gmail.com / inespaintings.com / @ibatllo Accessibility: 1, 6

Multicultural, 2018, encaustic, 16 x 16” 1 5 6 

/  

E X H I B I T I O N S

W E S T

2 0 19


350

DORF  / Self-Portraits Painting, performance, textiles, sculpture, animation

Self-Portraits is an exhibition that takes as its starting point the idea that an artist’s work is a reflection of their identity and experience. Self-Portraits explores the power and vulnerability in portraying oneself while confronting socio-political and socio-economic notions of culture, race, sexuality, gender, and religion. Artists included: Alan Beckstead, Margarita Cabrera, Bug Davidson, Jennifer Ling Datchuk, Michael Anthony Garcia, Christine Garvey, Katy Horan, Michael Menchaca, and Sara Vanderbeek. 5701 Lewood Dr (718) 964-8180 / sara.vanderbeek@gmail.com dorfworld.com / @dorf_world Accessibility: 2, 3, 4, 5, 6, 7 Gallery view

351

Musicians Creating Art Paper, cardboard, wood, ink, oil, acrylic, watercolor

A lot of Austin’s best musicians live double artistic lives with desire to create in both the visual and sonic spaces. This is a show of artists who do both—including, Ethan Azarian, Emily Cross, Dana Falconberry, Thor Harris, Will Johnson, Landry McMeans, Howard Rains, and Lindsey Verrill. 1909 Miles Ave (512) 696-4120 / lindseyverrill@gmail.com littlemazarn.net / @littlemazarn Accessibility: 2

Dana Falconberry, Double Coyote with Star Strings, 2018, linocut, ink on paper, 8 x 9.5”

20 1 9

W E S T

E X H I B I T I O N S  

/ 15 7


INDEX A p99 / Aaron, Carol. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p115 / ACC Arts and Digital Media. . . . . . . . . . . . . . . . . . . . . . p116 / ACC Department of Professional Photography. . p128 / Adamson Brothers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p138 / Aguilar, Gabrielle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p64 / Ahmad, Julie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p129 / Ahmad, Umbreen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p41 / Akers, Larry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p60 / Alesi, Stella. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p29 / Allcock, Kana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p127 / Allen, Regina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p72 / Amdur, David. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p9 / American Cheese Fondue . . . . . . . . . . . . . . . . . . . . . . . p144 / Ao5 Gallery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p26 / Appleton, Sara. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p69 / Arnold, Kathy and Gary . . . . . . . . . . . . . . . . . . . . . . . . . p138 / Art at the DEN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p148 / Art for the People . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p96 / Art From The Streets. . . . . . . . . . . . . . . . . . . . . . . . . . . . p85 / Art Realm Tattoo & Gallery. . . . . . . . . . . . . . . . . . . . . . p156 / ArtProfiler. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p132 / Artworks Gallery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p17 / Arvelo, Efrain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p145 / Austin Art Garage. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p85 / Austin Art Space Gallery and Studio . . . . . . . . . . . . p5 / Austin Book Arts Center . . . . . . . . . . . . . . . . . . . . . . . . p37 / Austin Creative Art Center . . . . . . . . . . . . . . . . . . . . . . p30 / Austin Escape Artists . . . . . . . . . . . . . . . . . . . . . . . . . . . p144 / Austin Fine Art Gallery. . . . . . . . . . . . . . . . . . . . . . . . . . p91 / Austin Pottery Studio & Gallery . . . . . . . . . . . . . . . . . p9 / Austin Textual Media. . . . . . . . . . . . . . . . . . . . . . . . . . . . p124 / Austin Visual Arts Association. . . . . . . . . . . . . . . . . . p98 / Avra, Whitney . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

206 250 251 283 306 128 286 71 117 40 278 146 O 319 32 142 307 329 197 170 348 287 11 320 171 A 60 45 318 188 N 269 204

B p114 p61 p39 p111

/ / / /

Ballantyne, Travis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barber, Lee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Barminski Johnson, Mary . . . . . . . . . . . . . . . . . . . . . . . Barton, Greg. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

246 120 65 236

p156 p36 p99 p150 p97 p21 p8 p63 p91 p139 p25 p137 p50 p19 p120 p56 p103

/ / / / / / / / / / / / / / / / /

Batlló, Inés. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bayer, Theresa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Beach, Tom. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bentley, Valerie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bentz, Nevena. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Big Fun Workshop. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Blanton Museum of Art. . . . . . . . . . . . . . . . . . . . . . . . . . Bloom, Cynthia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Blue Genie Big Top . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bollig, Jessica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Booth, Katie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Boswell, Bailey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bryer, Jake . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Buford, Brent and Sydney . . . . . . . . . . . . . . . . . . . . . . . Bullock, Michael A. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Burnett, Jessica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Buxani, Neena. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

349 57 208 337 201 24 J 126 190 309 29 302 92 17 257 109 219

/ / / / / / / / / / / / / / / / / / / / /

Cannon, Aemon . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Capitol Crew Productions . . . . . . . . . . . . . . . . . . . . . . . Caron, Brock. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carr, Evie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Carroll, Debbie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Castro, June. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ceniceros, Monica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chamberlain, Jon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chaos Woods. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chaussonnet, Valérie. . . . . . . . . . . . . . . . . . . . . . . . . . . . Cheers, Robin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chow, Sophia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Christensen, John. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Chronister, Lisa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cipleu, Malina . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Clay, Carla J . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cohen, Miranda. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Colburn, Jacob G . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cole, Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cook, Zeina. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Corbett, Victoria. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

300 25 163 144 216 297 203 108 227 79 175 303 154 342 73 240 133 101 181 127 50

C p136 p24 p78 p69 p102 p135 p98 p55 p108 p44 p86 p137 p75 p152 p42 p112 p66 p53 p88 p64 p32


p113 p122 p33 p121 p60 p6 p141 p27

Corney, Michael . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cortes Leddy, Rafael. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cox, B Shawn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cox, Zanny . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cramer, P.J.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Creative Side Jewelry Academy. . . . . . . . . . . . . . . . . Crocker, Mae. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cutler, Jodi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

243 264 52 260 116 D 314 35

p66 / D'A lessandro, Erin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p76 / Daniel, Leah Maren. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p101 / Daniel, Troy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p53 / Davis, Greg . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p63 / Davis, Natalie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p103 / Davis, April. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p112 / deGruyter, Aaron. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p117 / Denson, Kiah . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p15 / Deraet, Faustinus. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p87 / Deutsch, Beverly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p92 / Diebold, Casey. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p144 / Digital Den . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p157 / DORF. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p68 / Dorsa, Valentina. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p7 / Dougherty Arts Center. . . . . . . . . . . . . . . . . . . . . . . . . . p28 / Dubrawsky, Malka. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p48 / Duncan, Genny . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p129 / Duncan Brown, Patricia . . . . . . . . . . . . . . . . . . . . . . . . . p76 / Dunkle, Katie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

134 158 214 102 124 218 239 254 5 177 193 317 350 139 H 39 85 284 159

/ / / / / / / /

D

E p146 p14 p7 p123 p108 p149 p112 p113

/ Eatherly, Jason. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / ecotopes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Elisabet Ney Museum . . . . . . . . . . . . . . . . . . . . . . . . . . . / Elisabet Ney Museum . . . . . . . . . . . . . . . . . . . . . . . . . . . / Elizabeth, Shelby . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Elkins, Sarah Beth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Elliott Jones, Denise. . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Estrin, Stephanie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

324 2 I 266 228 332 241 242

/ / / / / / / / / /

48 136 273 105 87 62 290 119 336 292

F p31 p67 p125 p54 p48 p38 p133 p61 p150 p133

Feats of Clay Pottery Studio and Gallery. . . . . . . . . . . . . Fernandez-Whitechurch, Soledad . . . . . . . . . . . . . . . Finfrock, Cheryl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fireseed Clay Art Studios . . . . . . . . . . . . . . . . . . . . . . . Fix, Stefanie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Flanagan, Debra. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Flemings, Ann. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fowler, Valerie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fowler, Janis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Fritz, Julie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

p137 / Fuchs, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304 p2 / Funke, Francine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ANV p102 / Funke, Francine . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 217

G p145 / Ganucheau, Joel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p57 / Gibbs, Ellen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p2 / Giffen, Alex. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p121 / Glatthorn, Isabel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p62 / Godvin, Cole. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p3 / Gonzalez, Arcilia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p43 / Good, Rosemarie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p135 / Google. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p101 / Gordon, Becca. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p51 / Graber, Mindy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p43 / Gray, Morghan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p102 / Gray, ChloĂŠ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p134 / Greenberg, Diana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p93 / Grissom, Dan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p138 / Guerra, Ellen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p89 / Guerrant, Will. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p117 / Guinn, Tyler . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p20 / Gunter, Cliona . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p29 / Gurgiolo, Glenn. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p16 / Gutierrez, Mai . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

321 114 ALW 262 122 ATO 77 296 213 96 76 215 294 196 305 183 255 19 41 8

H p120 p109 p97 p51 p37 p43 p19 p17 p21 p124 p72 p92 p73 p140 p69 p114 p153 p78 p153 p153 p28

/ / / / / / / / / / / / / / / / / / / / /

Hale, Calhan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hallmark, Nancy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Halpin, Eli. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hargus, Carol. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hayman, Carol. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Heath, Garima Sharma . . . . . . . . . . . . . . . . . . . . . . . . . . Heffron, Ruth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hicks, Winston. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hill, Lauren. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hill, Jennifer. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hoagland, Amy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . House, Felice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Huffman, George . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hughes, Martha . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hughes, Kay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hunt, Ellen. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hurd Collective. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hurst, Robert. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hurst, Rachel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hurt, Emily . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Hynes, Christopher. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

258 231 200 95 58 78 16 10 22 271 145 192 149 312 143 247 345 165 344 346 38

I p25 / Immaraj, Rachel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28


p52 / Impossible Winterbourne . . . . . . . . . . . . . . . . . . . . . . . 97 p24 / Industry Print Shop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 p79 / Ingram, Herb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166

J p104 p89 p29 p61 p93 p32 p16 p127 p21 p149 p105

/ / / / / / / / / / /

Jackson, Cara. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jameson, Betty. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Janes, Kelley . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jeffers, Bill . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jenkins, Elizabeth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Johnson, Laura Lynn. . . . . . . . . . . . . . . . . . . . . . . . . . . . Johnson, Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jolly, Lawrence. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Jones, Amanda. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Joyce, Kerry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Justice, Amy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

222 184 42 118 194 49 7 280 23 334 225

/ / / / / / / / / / / / /

Kairos Creative Arts Cente . . . . . . . . . . . . . . . . . . . . . . Kamin, Calder . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kell, Leslie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kelley, Dwain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kirchner, Bella. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kirk, Sydney Cathryn. . . . . . . . . . . . . . . . . . . . . . . . . . . . Kittrell, Kerry. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Klier, Rebecca . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Knox, Jan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Koett, Suzanne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kressin, Ashley. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kreuzer, Chanel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Kwak, Jung. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

327 ACL 234 64 347 157 37 335 172 150 301 339 36

/ La PeĂąa Gallery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lamar Middle School. . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lamplugh, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Landmarks. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Larson, Eve. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lavin, Rachel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lawlor, Megan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lebeuf, Haley. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / LeBlanc, Justin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lepore, Jessica. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Letterpress PLAY. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lewis, Melanie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lewis, Martin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lindsley, Hattie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Lofgren, Kirsten. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Long, Jay. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Long, Nicole. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Loomis, Andrea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . / Love, Amanda. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

313 F 277 C 56 326 1 135 340 31 94 174 238 63 21 43 44 72 221

K p147 p1 p110 p39 p156 p76 p28 p150 p85 p73 p136 p151 p27

L p140 p6 p126 p5 p36 p147 p14 p66 p151 p26 p51 p86 p111 p38 p20 p30 p30 p41 p104

M p149 p19 p133 p7 p32 p147 p96 p90 p109 p42 p45 p8 p75 p54 p42 p15 p73 p84 p139 p2 p104 p5 p132 p138 p25 p126 p49 p109 p64 p52 p3 p157

/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / /

Macilko, Bryan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Maclay, Laura. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MacQueen, Lucy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Making Space, Preserving Place. . . . . . . . . . . . . . . . . Mallam, Anna. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Manschot, Gert Johan. . . . . . . . . . . . . . . . . . . . . . . . . . . Mansfield, Molly. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Martin, Maria. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mason, Jean . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matai, Meena . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Matocha, Meena . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MAW Gallery, The. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . McCarthy, Katy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . McClinton, Dave . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . McKeon Butt, Eileen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . McMillen Burke, Nora. . . . . . . . . . . . . . . . . . . . . . . . . . . . McNeil, Cameron . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . McQueary, Carl. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Medina, Antonio. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mental Health Matters. . . . . . . . . . . . . . . . . . . . . . . . . . . Mercedes, Emily. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mexic-Arte Museum. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Meyer, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mike, Brandon. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Miller, Cameron. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mills, David . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Milner, Cas. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mitchell, MB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Moore, Kristin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Muckleroy, Sandy Ball . . . . . . . . . . . . . . . . . . . . . . . . . . . MuĂąoz, Kevin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Musicians Creating Art. . . . . . . . . . . . . . . . . . . . . . . . . .

333 18 291 I 51 328 199 187 232 74 82 L 155 104 75 4 148 168 308 AMR 223 B 288 307 30 276 90 230 129 99 APH 351

/ / / / / / / /

Nasky, Marilyn Rea . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Navarrete, Sarah Annie. . . . . . . . . . . . . . . . . . . . . . . . . . Neill-Cochran House Museum. . . . . . . . . . . . . . . . . . . Nemec, Sarah. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ngo, Vy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Norris, Kelly Daniela. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nussbaum, Rosa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Nylund, Mark. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

173 103 270 267 256 54 282 93

/ / / / / /

OLA Gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Old Bakery & Emporium Art Gallery . . . . . . . . . . . . Olivas, Greta. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Orendorf, Avery. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Osato, Sono . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ostrowski, Danika. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

312 310 121 132 98 224

N p86 p54 p124 p123 p117 p33 p128 p50

O p140 p139 p62 p65 p52 p105


p108 / Ozborne, Rob. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229 p41 / Ozmun, Kendall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70

P p38 p18 p40 p40 p27 p146 p68 p115 p111 p78 p77 p57 p123 p141 p57 p56 p100 p7 p8 p127 p93

/ / / / / / / / / / / / / / / / / / / / /

Pangestu, Frieda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pattison, J.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Parsons, David. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Parsons, Kali. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pass, Sadie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Paul, Judy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pelaez, Julie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Perkins, Jennifer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pettit, Rhea. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Philley, Alicia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Phillips, Brian. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pierce, Cynthia . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pitre, Heidi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Pitre, Heidi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Platinum Portraits & Fine Art Photography. . . . . . . . . Ponds, Brett . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Potter, Liz. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Preservation Austin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Preservation Austin. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Primeaux, Jeffrey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Puente, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

61 13 68 69 34 323 140 248 237 164 161 112 266 316 113 111 211 I K 279 195

/ / / / / / / / / / / / / / / /

Rahbar, Michelle. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ramos, Nick . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rathge, Roxanne. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rea, Chad. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rettele, Jonnie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rhodes, Monte. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Richter, Lacey . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rix McCaul, Jamie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Robinson, Jill. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rosalyn, Amy. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ross, Rita Marie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Roth, Clint . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rumancik, Lionel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Runcie, Ryan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Russell Collection Fine Art . . . . . . . . . . . . . . . . . . . . . . Ruston, Abby. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

202 245 138 207 265 9 G 268 91 198 100 162 47 80 295 137

/ / / / / /

Saba, Lola . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sandlin, Diane . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Santamaria, Lys . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sanz De Pascuale, Sophia. . . . . . . . . . . . . . . . . . . . . . . . Sarkin, Shakti. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Scafati, Susan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

160 178 130 322 272 ACL

R p97 p114 p67 p99 p122 p16 p7 p123 p50 p96 p53 p77 p31 p44 p134 p67

S p77 p87 p65 p145 p125 p1

Schoening, Rachel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Schulte, Carianne. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Seeger, Travis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Seeger, Travis . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sellars, Rachel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shafer, Kristine. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shine City Collective. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Shogan, Meghan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Simpson, Cynthia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Skaggs, Tyler. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Slay-Westbrook, Susanne. . . . . . . . . . . . . . . . . . . . . . . . Smith, Justin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Smith, Christopher . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Snodgrass, Lily. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Snodgrass, Keith . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Soileau, Randall. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Solomon, Flip. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . St.Arnauld, Terri. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Standley, Kristi . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Starnes, Donna. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stormcloud, Scout. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Strong, Patricia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sturtz, Laura . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sunset Canyon Pottery. . . . . . . . . . . . . . . . . . . . . . . . . . Surls, James. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Sweeney, David. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Synodinos, Jean. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

298 249 275 289 180 14 263 341 311 212 176 152 205 83 84 53 220 113 259 141 185 27 252 12 M 6 88

p152 / Terry, Christina J. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p148 / Teseny, Connor. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p91 / Texas Folklife. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p6 / Texas School for the Blind and Visually Impaired . . . . . . . . . . . . . . . . . . . . . . . . . . . p8 / The ART of Preservation. . . . . . . . . . . . . . . . . . . . . . . . p84 / Thekla. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p37 / Timko, Barbara. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p20 / TK Tunchez . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p39 / Tobola, Marie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p55 / Transmountain. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p26 / Trevorrow, Bob. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p110 / Trumet, Sara . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p48 / Tucker, W.. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . p18 / Turk, Lizzie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

343 331 189

p135 p115 p126 p132 p88 p18 p122 p152 p140 p101 p87 p74 p98 p45 p45 p33 p103 p57 p120 p68 p90 p24 p116 p17 p9 p15 p49

/ / / / / / / / / / / / / / / / / / / / / / / / / / /

T

E K 169 59 20 66 107 33 235 86 15

U p9

/ Umlauf Sculpture Garden & Museum. . . . . . . . . . . . M

V p75 / Valenzuela, Ricardo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156 p55 / Van Dyke, Rick. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106


p60 p88 p139 p141 p74

/ / / / /

Van Horn, Penny. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Van Loan Sr., Christopher . . . . . . . . . . . . . . . . . . . . . . . Vesel, John . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Victor, Renee . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Voyles, Evan. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

115 179 309 315 153

/ / / / / / / / / / / / / / / / / / / / / / / / / /

Wade, Phillip. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Walker, Amanda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Walker, Amanda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wandt, Linda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Ward, Hallie Rae . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Warden Art Agency. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Weaver, Cheyenne . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Weavers and Spinners Society of Austin. . . . . . . . . . . . . Webb, Jason. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wells, Alicia. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wells, Rosemary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wert, George . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Westberry, Penny. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . White-Jones, Cristina. . . . . . . . . . . . . . . . . . . . . . . . . . . . Whitsett, Juliet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wildman, Erica . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Willgren, Steve. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Williams, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Williams, Julie. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Wilson, Baron. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Winter, Dawn . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Women & Their Work. . . . . . . . . . . . . . . . . . . . . . . . . . . . Women of Color Quilters Network. . . . . . . . . . . . . . . Wood, Enid . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Woodall, Ann . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Woods, Camille . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

55 208 209 274 67 253 123 167 81 338 ACL 147 330 182 285 110 261 46 125 3 325 282 189 293 226 151

/ / / / / / /

Yakerson, Andre. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Yarie, Elizabeth. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Yeh, Caroline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Yezer, Frank . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Younger, Dana. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Youssef, Yasmin . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Yznaga, Mary. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

210 186 299 113 191 131 89

W p36 p99 p100 p125 p40 p116 p62 p84 p44 p151 p1 p72 p148 p89 p129 p56 p121 p31 p63 p14 p146 p128 p91 p134 p105 p74

Y p100 p90 p136 p57 p92 p65 p49

Z p113 / Zappler, Amanda . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244 p110 / Zinna, Lisa. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233 p128 / Zulu, Roni. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 281

ADVERTISERS p95 / Almost Real Things p35 / Armadillo Christmas Bazaar p118 / ArtProfiler p118 / Art Swap p81 / Atelier Dojo p163 / Austin Art Services p154 / Austin Community College p10 / Bird's Barbershop p11 / Blanton Museum of Art p23 / Blue Genie Art Bazaar p130 / Blue Skies Frame Co. p70 / Bravo Living p81 / Christensen OKO Prototype p142 / City of Austin Cultural Arts Division p46 / The Commune p70 / Creative Arts Society p164 / Creative Standard p22 / Davis Gallery p22 / D-Crain p47 / DEN Property Group p46 / Fisterra Studio p34 / Hot Luck Fest p131 / The LINE Austin p94 / The MAW Gallery p143 / METSI Care p10 / Michael Hsu Office of Architecture p106 / Moxie Realty Group LLC p35 / Newcastle Homes p71 / Party at the Moontower p46 / Senders Receive p58 / Sighlines Magazine p59 / South Austin Homes p130 / South Austin Museum of Popular Culture p118 / Southside Flying Pizza p70 / Thai Fresh p130 / Thornton Road Studios p107 / Thirsty Planet p155 / Tito's Handmade Vodka p58 / Uncommon Objects p58 / Vasari Classic Artists' Oil Colors p80 / Warden Art Agency p119 / Waterloo Sparkling Water


bigmedium.org/creativestandard.html

  

Professional development classes, workshops, and panels Monthly Coffee Chats led by artists and arts organizers Standards for the creative community to create and uphold

Access to year-round resources and artist opportunities  1,600 sq ft community space for artists to exhibit and convene at Canopy  Second Annual Creative Standard Summit to take place September 2019 


Ann Seago 1952 â&#x20AC;&#x201C; 2019


Profile for Big Medium

West Austin Studio Tour 2019  

West Austin Studio Tour 2019