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On view through Sept. 26, 2021, All at Once: The Gift of Navajo Weaving showcases 46 exquisite textiles from contemporary Navajo weavers. All at Once has been made possible by the generous donation of longtime Heard Museum members and supporters Mark and Julie Dalrymple (see page 22 to read an article from Julie). These textiles, plus dozens more, now reside in the Heard Museum’s permanent collection. Also featured throughout this exhibition are artist statements from leading Navajo weavers including Marlowe Katoney, Marilou Schultz and sisters Barbara Teller Ornelas and Lynda Teller Pete. All at Once was curated by Dr. Ann Marshall, Director of Research, in collaboration with Velma Kee Craig, Assistant Curator, and the Andrew W. Mellon Fellows: César Bernal (Chicanx), Roshii Montano (Diné) and Ninabah Winton (Diné). Continue reading for personal reflections from Kee Craig and the Mellon Fellows about their time creating and curating this exhibition.
VELMA KEE CRAIG | ASSISTANT CURATOR At the end of 2019, the Heard Museum received a large donation of textiles from Mark and Julie Dalrymple, collectors and longtime Heard supporters. At that time, I was midway through my third season as an Andrew W. Mellon Fellow. I remember the excitement as the 2019-2020 Fellows and I first encountered the nearly 90 textiles as they lay stacked in neat piles on tables in the museum basement. We dove immediately into surveying each individual textile, in complete awe of the diversity of styles represented in this batch of weavings. As we laid out each textile for the team to discuss, one of us would read aloud the accompanying information, beginning with the assigned ID number, weaver’s name, the title of the weaving (if the weaver had given it one) and the type of design. Having this information to accompany the textiles was such a treat for us.
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Two of us, Ninabah Winton and I, had just wrapped up working on the exhibition Color Riot! How Color Changed Navajo Weaving, in which all but the handful of textiles included in the “Still Rioting” or contemporary section of that exhibition were woven by people whom we labeled as Unidentified Artists. Time and again, we heard ourselves express out loud how we wished we could reach out to the makers of these masterfully woven Transitional-era textiles to get insight into their process, their design inspiration(s), and the story or meanings behind the design or included elements—or even just to know who the weavers were and what region they called home. With this new batch of donated textiles—the Dalrymple Collection—we recognized immediately the opportunity we had to center the weaver’s voice in the upcoming exhibition, and we began reaching out.
