Copy of Mozaik_Layout by Daniela Tan-Jun

ISSION

SHARING THE STORY OF FASHION: REINTERPRETED, REDEFINED, EVOLVED

Mozaik aims to celebrate creativity and individuality by providing a platform for vintage fashion enthusiasts to be inspired and create. Highlighting the role of everyday people and fashion enthusiasts in the evolution of fashion Mozaik showcases how fashion continues to evolve and celebrates the timeless charm and rich history of vintage fashion. Mozaik aims to discover the story and meaning behind each garment, showcasing the enduring relevance of vintage style in today's fashion.

TABLE OF CONT

Style & Culture + Designer Features

Nancy’s Nostalgia | Daniela Tan-Jun

Rebel Revival | Daniela Tan-Jun

Design Timeless | Ash Wang

Steps | Ash Wang

Making Your Own Vintage | Cal Colwell

Romantic Revival | Cal Colwell

Capturing Yuppie Spirit | Nancy Zhang

Office Siren Spotlight | Nancy Zhang

Fabric | Ash Wang

Color | Nancy Zhang

Silhouette | Daniela Tan-Jun

Print | Cal Colwell

................................................................................... Trend Report Trend Highlight .........................................................................................................................................

ENTS

EET THE MOZAIKTEAM

ASH WANG

Fashion Marketing & Management

NANCY ZHANG

Fashion Marketing & Management

DANIELA TAN-JUN

Fashion Marketing & Management

CAL COLWELL

Fashion Marketing & Management

STYLEANDCULTURE +DESIGNERFEATURES

BY DANIELA TAN-JUN

ANCY‘S

NOSTALGIA

ILLUSTRATIONS BY

NANCY HOLLIS PHOTOGRAPHY AND INTERVIEW BY DANIELA TAN-JUN

Nostalgia is making a big comeback among Gen-Z From classic film and digital cameras to retro shags, it seems like vintage vibes are all the rage What's fascinating is that young artists and creatives are reinterpreting styles and influences from decades ago, even though they may have never experienced them firsthand It's exciting to see how creativity can breathe new life into old trends One of these people is illustrator, Nancy Hollis took the time to share how vintage art, music, and fashion have influenced her artistic and personal style

Her parents being teenagers during the 70s had a significant impact on both her and her interests She was influenced by artists such as Elton John, the Rolling Stones, and Dolly Parton, as well as movies such as the original "Freaky Friday" and "Schoolhouse Rock," and shows like "The Pink Panther" and "Garfield" All of these influences have contributed to the development of her current style

In her work, she likes to incorporate nostalgia by using vintage elements and older illustration styles with a touch of irony. Her personal style also influences the characters and subjects she creates She gives them tattoos and funky/colorful clothing, such as retro micro-shorts Her work, clothing, and even home decor features a limited technicolor-inspired color palette and patterns

"Honestly, I've been playing around with my personal style for longer than I've been illustrating. But I think right around the same time when I began making artwork, or taking it seriously, at least, was also the same time that my personal style kind of like came together"

Through her style, the vibe or emotion she tries to evoke, like many, depends on the day "some days I want to be ( ) super feminine and ( )wear something like a skirt or a dress that like just kind of makes me feel confident And then other days, I want to get sh*t done And I want to like you know, and you know, I have like, jumpsuits " Nancy's closet is full of secondhand pieces she's accumulated over the years from all over the US She shared that a lot of the unique pieces she's found can not be bought new and that there are so many available She doesn't want to be wearing a shirt that when she goes out 20 others might be wearing as well.

During our conversation, we touched upon the trend cycle and how it has impacted people's shopping habits, leading more individuals towards purchasing secondhand and vintage items She shared her dislike for it, as it often produces cheap pieces that do not inspire creative or unique outfits her motives for seeking vintage and secondhand are the originality but also the sense of reward from finding a piece one can revitalize

Nancy, a modern illustrator, draws inspiration from the illustrators of the 70s such as Maurice Sendak, William Steig, and Richard Scarry, whose books she grew up reading She's inspired and creates an illusion in her work that makes it look old and printed, instead of something created on a modern device such as an iPad Her technique evokes feelings of nostalgia and humor

As someone who hasn't had a lot of luck finding great thrift store finds I was impressed by the contents of her closet I had to ask her if she had a method for creating a unique secondhand wardrobe

in terms of my art style, and like my personal style, they go hand in hand

It's like, it's like being on a dating app. It's like, you have to (...)get through the duds. You have to be persistent. Because you'll find something good."

While she's great at finding her way through a thrift store, Nancy loves a good estate sale "The difference between a thrift store and then state sale is that a thrift store is stuff that someone was like, Oh, I don't need this,( ) let me get rid of it An Estate sale is when someone dies So it's ( ) all the stuff that they kept their entire life until the end, which is crazy and kind of sad"

The nature of estate sales is intriguing to her because instead of being trashed she can give life to someone's beloved item For some of the pieces like T-shirts, she alters the sleeves to fit her preferred cut or the length of bottoms Besides this Nancy believes in respecting the nature of vintage items and keeping them intact One of these items is her prized 90's Bjork T-shirt that she dreams of making in a muscle tee but can't bring herself to alter it (completely understandable)

The analogy of a thrift store being like a dating app changed my thought process completely " There's gonna be a lot of just ( ) garbage T-shirts, and like a bunch of like pants that aren't what you're looking for( )" It takes time to sift through racks of clothing that don't match your size or style Nancy shared a tip on how to find vintage pieces - looking at the tags Tags tell you a lot about the garment you're looking at including the year, brand, or if there is none, it's homemade. Nancy takes her time when finding new additions to her closet To find pieces with intriguing textures, she goes through every aisle and runs her hands through the racks of clothing to feel for an interesting piece When she says she looks through every rack, that means EVERY rack including the one with people's "rather not"

"always look there because that's where the good stuff is. It's already curated"

" I would rather have a that's like one of a kind least, like, I found it by c Or it's just like, oh, like, else is gonna, like have

"The collection is based on how my music affects the way that I style and up-cycle clothes. It's very female rage in a sense, especially with the time that we're in, where it felt like for a minute we were going with women's rights.

Q: Would you say that's a common theme throughout like the work that you've done?

Yeah, for sure I started strong doing a lot of grunge stuff

A: (...) and really kept it in the 90s. But now I feel like it has definitely grown I feel like my fashion has been very consistent

Q: What initially drew you to draw inspiration from that music era?

A: I grew up with really dope parents ( ) my mom has always been in that scene My dad was very big on like Pearl Jam, and like the grunge scene So I had just really cool parents that shaped my tastes and fashion and music

Q: So like you mentioned your mom, is she the main inspiration when you're designing?

A: Definitely She's my main human inspiration, but I do have some icons that I look at I love Drew Barrymore, Courtney Love ( ) and Betsey Johnson Gwen Stefani was another one ( ) I really liked that sarcasm that she had and stuff

Q: What would you say you hope people would feel like when they wear your collection?

A: I want people to feel like they can go out into public and hold their head up high It's upcycled, and it might look messy, but I feel fashionable and I feel like I can express myself through these garments I've always wanted people to feel flattering

EBEL REVIVAL

Sierra Marshall, a Fashion Marketing and Design student, joins in a conversation where we talk about the influence behind her new collection of upcycled products and the influence we see on-trend revival today

Sierra's collection consists of 4 looks of vintage upcycled clothing While creating these pieces she was influenced by the gritty sound of grunge music and the Kinderwhore aesthetic

“...So I kind of went into a spiral of angry girl music."

DesignandPhotographybySierraMarshall Model:HallieRyan InterviewbyDanielaTan-Jun

I want this collection of up cycle vintage garments that are put together in such a female rage way, because I put my headphones on and listen to music when I'm sewing Whatever I'm listening to kinda does affect the fashion that comes out of that ( ) I just wanted people to feel like it's okay to be angry

"Because

what does that even mean too much? to much what? it's like you're too angry, like girls are always angry , girls are always emotional."

You have these people that are mixing and matching different decades together, which in itself is kind of the anti-fashion fashion movement that I feel grew It came from punk and stuff like that the anti-fashion fashion movement.

Q: Grunge, punk, and kinderwhore fashion all have elements of repurposing, like secondhand clothing, is that important to you?

A: I feel like secondhand clothing helps a lot when achieving that aesthetic You don't necessarily need it But for me in the way that I look at fashion, there's so much pollution, and it's just so heartbreaking about how much the fashion industry has caused pollution-wise

Q: One trend that I think is one of the latest iterations of grunge fashion was indie sleaze in 2014 Where do you think [grunge-inspired fashion] is going to be the next?

A: So what I think the next phase is going to be is we're entering where 2014 is gonna be circling back around It was Indie Sleaze But I call it like the Tumblr girl ( ) and I feel like, we're gonna see that recycle

They were posting pictures of Courtney Love on Tumblr That was definitely coming from grunge and kinderwhore

The Next Generation, Gen Alpha discovering music that we listened to in 2014 Definitely, the Lana[Del Rey] craze that's going on since Coachella, we're gonna see a resurgence of that kind of Americana grunge

"If you don't like me dressing in this fashion, the way that makes me feel well then back off"

The Intersection of Indie Sleaze Revival and Kinderwhore: Rebellious and Nostalgic

Indie Sleaze blends a handful of subcultures such as grunge, kinderwhore, punk, and even twee to create a new style to celebrate ironic and “F*ck it” attitude

In the 90s, alongside the Grunge trend, another trend emerged known as Kinderwhore. Both trends were closely associated with their respective music scenes The icons of Kinderwhore included Courtney Love, Kat Bjelland, Hole, and Babes in Toyland On the other hand, the Indie Sleaze trend was difficult to trace back to its origin It was nestled in the Techno/Pop music scene as people sought to escape reality and party The icons of Indie Sleaze were Katy Perry, Alexa Chung, and MGMT.

Both Kinderwhore and Indie Sleaze aesthetics were developed in response to socioeconomic changes happening around them

These aesthetics were characterized by low-quality photography, captured in gritty and sometimes dark-lit places Whether it was captured on film or low-grade digital cameras from the mid-2000s, the visuals of these aesthetics were distinct in highlighting the attitude behind the trend, signifying a rejection

Kinderwhore embraced grunge in rejecting traditional femininity, while Indie Sleaze embraced grunge in rejecting reality and seeking nostalgia as an escape from the economic slump

This revival makes it fashionable to embrace distressed and imperfect items in the return of this "Sleazy" style. This aesthetic challenges mainstream fashion, such as the "Clean Girl" look, and encourages rebellious selfexpression

BY ASH WANG

STYLEANDCULTURE +DESIGNERFEATURES

ESIGN TIMELESS

INTERVIEW WITH INDUSTRIAL DESIGN GRAD TIANCHENG FENG

ate student in iginally from Changsha, China

Q: I’m pleased to have you here today! To start the conversation I’d like to know you how you describe your own style

A: It’s a really difficult question to start today’s conversation (laugh) I’ll say my personal fashion is a blend of a little bit of everything Being an industrial designer my style is supposed to be more basic and functional I guess, but I’m generally interested in all kinds of things I’m into photography, outdoor activities, fashion, and all other kinds of things

Q: Interesting! So would you say your fashion is the intersection of all of them?

A: Yeah, you could say that I think being an industrial designer as well as an outdoor enthusiast, I do appreciate simple yet functional designs And durability also matters to me.

I think all those elements translate to my fashion sense I’d love to have clothes that are able to wear every day yet can last for years in my closet I think that reflects the philosophies of both vintage fashion and industrial design On both sides, there's an emphasis on timeless design and sustainability

When choosing clothing, I buy pieces not only for their design but also their quality and practicality I’m always trying to find aesthetically pleasing pieces that can also serve my daily needs And I’m also fond of classic styles Jeans and blazers for example I love vintage jeans and blazers, I do buy them for the design but they can also serve as everyday essentials in my closet

Q: Talking about how your industrial designs influence your fashion, is there influences fashion has on your industrial design?

A: I think a lot of us started buying vintage fashion not because it’s sustainable, but because we appreciate the design of it and it’s a relatively more affordable option compared to brand new things But I do think buying in vintage fashion influences my industrial design The principles of vintage fashion longevity, and emphasis on quality.

Q: Can you recall how you started to buy vintage fashion?

A: I can’t remember exactly when or how I started I think one of the very first experiences of buying vintage fashion was back in my high school or college times But one thing I can tell you is I started to buy vintage fashion for a very good reason: they are aesthetically pleasing while being much cheaper than new things For a period of time I was really fond of buying in vintage things just because of the price But as I got to know more about clothing and fashion, I started to spot the story behind the garments. Walking through the vintage garments is like a journey through different times and places

I found each garment represents a specific era and place The stories behind them are really fascinating

Q: Can you name an era that you love most?

A: It’s hard to name a favorite because I buy vintage clothes for their styles Being in the creative industry I’ve learned different design trends and everything at different times And to be honest I do enjoy all of them I would say my fashion style is mostly influenced by fashion from the 80s to the 00s, but as an industrial designer, I did research different aesthetics of the last century

Q: How do you perceive sustainability in fashion and industrial design?

I think at first I didn’t have so much awareness of sustainability when first started my education as an industrial designer and as a vintage fashion lover My focus was primarily on the aesthetic and how much I can wear them as my daily essentials But as I dive deeper into both fields, I mean industrial design and fashion, I get to know more about the concept of sustainability and I found I was already on the way of it Buying vintage fashion is like redefine the styles and expand the lifecycle of old garments And for my industrial designer part I would try to use good materials and try to design things that are able to last long. And in industrial design, products being recyclable is also important I would say that my love for vintage fashion does influence my decision on being sustainable and recyclable

Q: Before I let you go, can you predict is there vintage fashion that will be reinvented in upcoming runways?

A: I don’t think I’m able to name a specific trend or style that will be seen on today's fashion I think fashion is like a loop that repeats, or reinvents But I do believe the trends from the 80s to early 00s will always be involved in today’s fashion because they are timeless to me But I do think current fashion is deeply rooted in past fashion trends and you can spot elements from the past fashions in today's fashion, so does industrial design.

TEPS

In the ever-evolving world of fashion, footwear is not just any accessory it's often the aesthetics foundation as well as the defining touch of any outfit. Among all the materials utilized across the fashion industry, the one always favored material that has always been at the center of the art, is leather Its natural value, elegance and timelessness make it a favorite from casual sneakers on the streets to stilettos on high fashion runways. Leather has always been a favorite for designers to continually

push the boundaries of creativity and redefine styles In women’s fashion, leather footwear goes beyond the role of just an accessory; it is a powerful statement. From casual atmosphere to exacting workplaces, leather footwear has enabled women to step forward boldly with confidence The evolution of leather footwear through the decades mirrors the significant social changes, particularly in the context of women's evolving roles and expressions across the decades.

Our journey through the history of women's leather footwear begins in the early 20th century, an era marked by rapid social change that saw women stepping out of homes into public and workplaces. The shift from delicate, impractical shoes to robust leather boots and comfortable flats marked a significant cultural shift. This choice in footwear was not only a matter of fashion or practicality but also a significant symbol of change a symbol of women embracing new roles, new opportunities, and new challenges

As the decades advanced, the practical styles continued through the 20s and 30s, with little modification touches for fashion Leather was still preferred due to its practicality and durability And in the 40s World War II pushed further the demand for functionality and durability in footwear as women took on roles in factories, farms, and even the army. We saw women in robust leather shoes not only supported their contributions in the decade but also marked significant visibility in the traditionally mandominated areas

The narrative of the 60s and 70s was counterculture and feminist movements, and we saw leather footwear at the forefront of them. Boots, in particular, became synonymous with the era's rebellious spirit. These boots were not just practical; they were also fashionable declarations and self-expression Merging functionality with fashion, they enabled women to stand tall against social norms and champion their individuality and resistance through their style choices. This period marked a significant evolution as leather footwear began to

reflect not only practical needs but also aesthetic desires, empowering women through both visibility and style.

The narrative of leather footwear took a glamorous turn in the 1980s with the advent of power dressing During this decade, renowned designers like Yves Saint Laurent and Giorgio Armani crafted exquisite leather pieces that paired perfectly with sharply tailored suits and broad-shouldered blazers. Leather shoes in professional settings came to

symbolize women's empowerment, emphasizing their authority and ambition in the workplace. Concurrently, the pop culture sphere witnessed icons adopting flashy leather boots that resonated with the era’s vibrant music and fashion scenes, influencing young generations and securing leather’s role in the style lexicon of the time

When the 80s came, it was a decade of expression. With dramatic changes in the world of fashion, the decade marked a definitive era for women in the workforce The power dressing movement defined the trend in women's fashion, and at the forefront of it, was leather footwear Brands including Yves Saint Laurent and Giorgio Armani defined sharp, polished looks with heels, boots, and loafers paired with tailored suits and wide-shouldered blazers that became symbols of women's empowerment

The sharply tailored suits and robust leather footwear forged an armor, endorsing the wearer’s confidence and command as she navigated the challenges in the once man-dominated workplace Outside the office, while the growing pop culture, pop icons also brought leather footwear to the era’s fashion scene With flashy leather boots that matched their music and performance, generations of young people are adapting under the influence. With a spirit of rebellion and empowerment, the fashion of the era was a battleground Leather footwear in women’s wardrobes was not just a functional item but a crucial component of making a powerful statement

As the page turned to the 90s and early 2000s, fashion took a turn towards minimalism and grunge, and leather shoes shifted to these new aesthetics. Dr. Martens took the rise along with grunge music and created the iconic boots that

Minimalist designs by luxury brands like Prada and Gucci redefine the narrative with their leather loafers and sandals that became staples of the era. The grunge movement embraced the practicality and comfort of rugged leather boots, pairing them with shirts and denim, a significant contrast to the sharp looks of the previous decade This period saw possibilities in leather footwear, with the expansion that allowed greater creativity and expression through shoes, turning them into focal points of fashion rather than simply complements.

In the contemporary fashion landscape, leather footwear stands at the intersection of heritage and innovation to embody a new feminine a blend of empowerment, versatility, and style that reflects the evolving roles of women in society. Knee boots, kitten heels, and polished loafers, once mere accessories, are now potent symbols of confidence These pieces empower women to assert their presence with confidence across all different social settings, making them able to be their authentic selves.

From the cobblestone streets to the sleek fashion stages of today, leather footwear has walked a path rich with history and symbolism alongside the evolution of its functionality and design These enduring pieces have not just witnessed changes but have actively participated in the cultural and social evolutions It stands as a statement of women’s empowerment through fashion As we continue to navigate the complexities of modern life, leather footwear remains a staple, elegantly bridging the heritage with present and future innovations This editorial is a celebration of that journey, highlighting leather footwear’s hidden relevance to both style and substance in women's fashion.

Creative Direction, Styling,

Photography by Anqi Hu

Edited by Ash Wang

Modeling by Ruby Robinson, Lydia Heurteux

Makeup by Sophie Stanley

Footwear by Jim Zhao

STYLEANDCULTURE +DESIGNERFEATURES

BY CAL COLWELL

AKING YOUR

OWN VINTAGE WORK WEAR WITH SAM DIAMONDIDIS

For this interview, I spoke with one of my very good friends, Sam Diamondidis The first question I asked was about when his clothing choices truly became conscious decisions. Vividly, he recalled the moment."Probably, like six months into working full time, I was looking for stuff to wear. Trying to like, figure out what was best. Because in the beginning, I was working in the Summers I didn’t want to wear something super heavy that was going to heat me up When I got into the winter, that’s when it really started"

His journey into the realm of workwear began during his stint as a stonemason, where functionality and durability were paramount. He worked this job for two years which has proven to have a lasting effect on his style Since then, he was a carpenter and has now landed himself a job as a chef With all of these varying professions, there are still similarities throughout which led me to ask Sam how each job has an impact on his sartorial choices.

"I would say… stonemasonry, with it being the longest running position that I've had, where workwear is something that is like an actual tool to have; it was very much so like, if you're not wearing correct clothes, it's gonna make it harder for you to work efficiently."

Sam's reflections on his early experiences underscored the symbiotic relationship between workwear and productivity He spoke in great detail and understanding about the transformative power of clothing, not just as a means of protection but as a form of selfexpression. He recalled being active on TikTok when workwear was rapidly blowing up The realization that vintage thrashed, shredded, workwear was become trendy changed Sam’s perception of things

"And so I felt like I could create my own vintage wear to these clothes that I was buying new."

Deadstock Carhartt, dickies, double knees, jackets, hats, boots, etc. When the avid workwear fans shop vintage, they crave paint, distressing, knee blowouts, and fading. This has to be done by someone out there who’s actually working in the garments

This do-it-yourself ethos permeated Sam's approach to fashion, shaping his preference for vintage-inspired looks that exude character and authenticity. As he delved deeper into the topic, Sam offered insights into the broader appeal of workwear in contemporary fashion

One question that I was eager to ask was, why Sam believes workwear is resonating with the fashion community so well. Recently, we’ve had a plethora of trends come and go, dying off quickly. Despite this, workwear hasn’t seemed to budge in terms of its popularity. Sam stated "One, because of the functionality It's like really easy to wear the clothes because, like they fit well, they're meant to fit well But two, because I think if you have a 1520 year old pair of carhartt pants or jeans, a vest or whatever that has been broken in perfectly and is in the best worn in condition… it’s extremely comfortable to wear”

Another huge talking point was the rise of baggy. We discussed how part of workwear’s success in our eyes could be attributed to the recent rave for baggy, boxy, silhouettes. This baggy revival has been inspired primarily by y2k streetwear Y2k streetwear was skater clothes Skater clothes consist of some baggy Dickies, Carhartt’s and a pair Vans This trend cycle has been truly coming full circle in many ways.

Sam’s observations really highlighted that universal appeal of workwear's utilitarian aesthetic, which has transcended industries and cultural boundaries From the rugged attire of stonemasons to the laid-back vibe of skate culture, workwear has embodied this sense of authenticity and resilience that is resonating with people from all walks of life.

Sam's transition into the culinary industry marked a new chapter in his sartorial journey, yet his affinity for workwear remained steadfast

"80% of the time is influenced by skater style which goes very hand in hand with workwear. It's a lot of like, high ounce denim, duck canvas, heavy duty, it's going to last you a while it's gonna hold up It’s comfortable and something that you can wear for 12 hours at a time A little bit more laid back than workwear"

He spoke of chefs and cooks embracing workwear-inspired attire not only for its functionality but also for its cultural significance. From Mason Hereford to Matty Matheson, culinary icons have embraced workwear as a symbol of authenticity and craftsmanship

As the interview progressed, Sam shared insights into his favorite workwear brands, praising their commitment to quality and craftsmanship.

"I buy the Carhartt double knees over the Dickies. Carhartt’s would last me for a year, six months to a year. Yeah. They would break in beautifully. Dickies on the other hand only last about three months. Still great, but just not as long lasting."

His admiration for brands like Carhartt and Dickies underscored the enduring appeal of heritage workwear labels, whose garments withstand the test of time.

Sam's passion for customization and maintenance showcased a deep connection to his wardrobe, reflecting a desire for authenticity and individuality.

"I was breaking in the clothes myself from their new state. And making them appear like they had been around for 20 to 30 years."

His hands-on approach not only prolongs the lifespan of his clothing but also fosters a deeper appreciation for each piece.

In concluding the interview, Sam offered a glimpse into his ideal outfit a testament to his minimalist sensibilities and effortless style

Outfit: T-shirt, Jeans, Birkenstock Boston’s, and a good hat.

His preference for simplicity and efficiency mirrored his minimalist approach to life, reflecting a desire for functionality and comfort in all aspects of his daily routine

My desired goal with this interview was to explore the intersection between workwear, fashion, and personal identity. Through his own experiences and reflections, Sam offered insights into the world of workwear and its impact on the way we dress and express ourselves As trends come and go, workwear has remained a steadfast symbol of authenticity, resilience, and timeless style.

Creative Direction by Cal Colwell

Editing by Cal Colwell

Photography by Cal Colwell

Modeling by Sam Diamondidis

OMANTIC WITH FASHION DESIGNER OLIVIA LIVELY REVIVAL

Q: So where are you from and what do you do?

A: Hi, my name is Olivia lively I'm from Fayetteville, West Virginia, which is a really small town in the Appalachian Mountains I'm a fashion design major with a specialization in knitwear and a minor in fashion journalism

Q: What got you into vintage fashion?

A: I got into vintage fashion when I was a kid, honestly, because of where I come from There, there aren't really any stores, like retail chains We only kind of had Walmart's like dollar generals, stuff like that, I think the closest target was probably an hour away So all that I could really like, find or get my hands on were vintage garments From thrift stores, Goodwill, Salvation Army's like etc. I really wanted to get into fashion. So honestly, I took a lot of like previously owned pieces and upcycle them and kind of made them into my own, which I think there's something really special about a piece that can kind of tell a story

Q: Your designs seem to be very influenced by victorian/edwardian fashion Was this something you did consciously as a theme or did it just sort of happen?

A: Actually, I’m really a big fan of Victorian and Edwardian style clothing. I don't think I was necessarily conscious of the fact that I include a lot of details from that period in my clothing But I do draw inspiration from specific aspects of that era So I guess that just comes with the idea of making clothing that feels feminine and romantic, because that's what I love

Q: What particular films, music, and artists have served as inspiration for you when designing clothes?

A: I don't know if this will seem too stereotypical of a fashion designer, but I obviously love the movie, “The Devil Wears Prada” Growing up, I think that was probably my favorite film and was what made me want to become a fashion designer But honestly, my Gran and I used to watch the movie “Burlesque” a lot And it was very influential for me, because I love how the style of costumes kind of was And also the Moulin Rouge, I know, they kind of go hand in hand sometimes, because like I said, I love the feminine romantic, like, over eccentric kind of clothing And now it's fun, because I actually work doing costumes for a local burlesque group in Savannah. So that's really exciting to get to kind of explore my passion in and out of the classroom

Q:When designing, are you making these clothes for yourself? Are you making them for a muse?

A: So yeah, I feel like when I'm designing, I try to make sure that there's kind of a line between me shopping for myself and me creating something for someone else I always attempt to put myself in the consumers shoes, but sometimes I feel like that puts a lot of limits on my creative freedom So, I try to think about that towards the end of my process and how like, not to say to, like, bring my designs back to reality a little bit, but sometimes I have to do that Personally, I think that a muse for creating garments is kind of My muse is just human beings I like to wear clothes that people want to wear And I strive to make clothes that allow people to feel something, whether that be a sense of comfort, or they're emotional, or they're confident, because at the end of the day, like we're all just human beings that kind of want to wear our souls on our sleeves

Q: Out of all the pieces we used in the photoshoot, do you have a person favorite and why?

A: So out of all of the pieces that you utilized in the photoshoot, I think my favorite right now is actually the knit overalls It’s because they come from the people and places I was that truly inspired me Basically, my whole concept for that knit collection was about being raised in the Appalachian Mountains I wanted to explain what it's like to come from an area that is kind of in a deficit of clothing almost I was inspired primarily by my dad who used to come home every night in these coal and dirt covered overalls So I kind of wanted to put a little bit of a feminine twist on something that's inherently kind of masculine, yet nostalgic

Q: Who are your favorite designers and how have they impacted your work?

A: So I think my favorite designers growing up were probably Betsey Johnson and Oscar de la Renta, but it was because they made these very fun and beautiful garments But now, I think I definitely am looking up to designers like Mirror Palais and Margiela, Simone Rocha, Sandy Liang all of those kinds of women's ready to wear designers I really love that Yeah

Q: Finally, how has vintage fashion and its sustainability impacted you as a designer?

A: I think that vintage fashion and the concept of sustainability has definitely had an impact on my work Just because it taught me how to do things like quilting and patchworking and all of these various different fabric manipulations with things that already kind of exist So it's quite interesting being able to turn one thing into something completely different It's kind of like giving something a second or third life I love vintage

Creative Direction by Cal Colwell Styling by Cal Colwell Editing by Cal Colwell Photography by Louis Renault Modeling by Hannah Knerr & Caroline Baulig

STYLEANDCULTURE +DESIGNERFEATURES

BY NANCY ZHANG

CAPTURING

YUPPIE SPIRIT

APTURING

YUPPIE SPIRIT

AN INTERVIEW WITH A VINTAGE FASHION ENTHUSIAST

by Leo wu

Interview by Nancy Zhang

with Bochuan Qian

Q: Can you please introduce yourself?

A: My name is Bochuan Qian, I'm from China I am currently a sophomore studying Game Design as a major In my spare time, I like to develop different styles and outfit

Q: What era of fashion style do you prefer the most? Do you have a specific vintage style?

A: I prefer the fashion style of the 1980s the most because that era's designs were full of vitality and personality During that time, people dared to experiment with fresh styles and bold colors, and this brave and avantgarde spirit deeply appealed to me My favorite style is the "yuppie" style, as I believe it represents a mature, refined, yet somewhat independent dressing style, giving off an impression of both professionalism and taste

Q: Is your daily dress style in line with this style?

A: Yes, I incorporate some elements of the 1980s and yuppie style into my daily outfits, but not exclusively I like to mix different retrostyle pieces with modern trends to showcase my personal style

Photography

Q: How do you define the fashion style of the 1980s? What does it represent to you?

A: I believe that the fashion of the 1980s was iconic, diverse, bold, and avant-garde In my view, 80s fashion broke traditional norms and dress codes, representing a rebellious, daring, and freespirited attitude As people increasingly experimented with innovative styles, there was a greater emphasis on expressing individuality and self-expression

Q: How has the fashion style of the 1980s influenced your dressing or personal style?

A: I am drawn to the bold and avant-garde designs of the 1980s, which inspire me to explore various innovative styles and combinations. The fashion of this era is filled with exaggeration and individuality, sparking my interest in fashion exploration and innovation 80s fashion has also taught me to bravely express myself, breaking free from traditional norms and constraints, allowing me to confidently showcase my personality and charm

Q: How did your personal preference for dressing style form? Are there specific sources of inspiration?

A: The impact of the 1980s on me personally has been significant The fashion styles and culture of that era deeply captivated my attention I often seek inspiration by watching movies and music videos from that period, as well as browsing through fashion magazines However, most importantly, I also select clothing styles and colors that suit my personal preferences and body characteristics

Q: What do you particularly admire about the fashion culture of the 1980s?

A: I have a special fondness for loose-fitting cuts, exaggerated colors and patterns, and bold accessories. Especially items like oversized shoulder jackets, high-waisted straight-leg pants, colorful shirts, and daring prints I believe these styles and elements showcase the unique charm of 1980s fashion, allowing one to feel the vibrancy and boldness of that era

Q: Do you like to purchase vintage products?

A: Of course, I absolutely adore vintage clothing Purchasing vintage garments not only allows me to acquire unique designs and styles but also enables me to experience the fashion charm of past eras I particularly enjoy delving into history to discover distinctive classic styles and designs Additionally, opting for vintage clothing aligns with my environmental values as it promotes sustainability by reducing the consumption of new resources

Q: What is your favorite color when dressing in the style of the 1980s?

A: I tend to choose different colors based on the occasion, but my favorite hues are vibrant and bold, such as bright reds, blues, and yellows I believe these colors add vitality and personality to the overall look

Q: What do you think is the most representative item of the 1980s style?

A: I believe it's the broad-shouldered suit, which is also my favorite item. Broad shoulder designs were very popular in the 80s, not only in men's suits but also in power dressing for women This design accentuates the shoulder line, creating a strong silhouette It exudes an aura of authority and confidence

Q: Does the popular culture and music of the 1980s also influence you?

A: Absolutely, the pop culture and music of the 80s have had a significant positive influence on my fashion taste and personal style and also inspired my love for retro styles The music of that era was diverse, ranging from pop to rock to jazz I particularly enjoy classic tracks from artists like Bryan Adams and George Michael

Q: Are there specific designers or brands that influence you?

A: I enjoy studying the works of designers and brands from that era I delve into understanding the popular clothing styles, accessory combinations, overall aesthetics, and cultural atmosphere presented by the fashion industry I believe that brands and designers like Giorgio Armani, Calvin Klein, and Versace had a significant impact on that era Their designs were highly influential at the time and shaped the characteristics of 80s fashion They have also been a great source of inspiration for me

Q: Are there any celebrities from the 1980s whose styles you particularly admire or have been influenced by?

A: Michael Jackson is a prime example. His music and stage performances not only influenced the entire music industry but also his unique style which made him become a fashion icon Additionally, figures like David Bowie and Madonna also created many classic looks

Q: Are there any movies you think can showcase the yuppie style?

A: American Psycho is my favorite movie and this is a movie that captures the 80's style very well The costumes, music, and set design in the film are all full of 1980s characteristics, especially the typical yuppie style displayed by the protagonist

Q: In your opinion, what is the status and development of the yuppie style in today's fashion industry?

A: In my opinion, the yuppie style still holds a certain position in today's fashion world While it may not be the mainstream trend, but it has become a classic representation And there still are many brands and designers who continue to incorporate elements of yuppie style into their designs.

Q: For those who are interested in the fashion style of the 1980s but are unsure how to dress, do you have any suggestions or fashion tips?

A: The fashion styles of the 1980s are very diverse You can try different styles to find the way of dressing that suits you best At the same time, you should dare to try and be creative You don't have to stick to traditional matching methods You can perform personalized interpretations according to your own preferences And you can look for more sources of inspiration, such as studying the fashion of the 1980s or following fashion bloggers of this style on social media platforms This can make it easier to determine your preferences and get more outfit inspiration

FFICE SIREN

OTLIGHT

OFFICE SIREN

AN INTERVIEW WITH A FASHION DESIGNER WITH DANICA WANG

Design

by Danica Wang

Photography & Interview by Nancy Zhang

Q: Could you provide a brief introduction of yourself and what you do?

A: Hey everyone, I'm Danica! I'm currently studying fashion design, focusing on women's clothing I also minor in fibers, to really dive into the world of textiles and boost my creative abilities It's been such an exciting journey so far!

Q: So, what got you interested in fashion design?

A: For me, it all started when my mom used to sew clothes for us at home I'd watch her work her magic on the sewing machine, and I was hooked! But what really drew me to fashion design was my belief that clothing has the power to empower individuals and serve as a means of self-expression I hope that through my designs, I can reflect the wearer ’ s unique personality and style and enhance their confidence

Q: Where do you draw your design inspiration from?

A: I love exploring different forms of art including painting, sculpture and installation, I always find something interesting in them Photography, in particular, holds a special place in my heart Photography provides me with a visual language through which I can explore and interpret the world around me At the same time, nature is also a big inspiration for me I like different natural landscapes, whether they are forests or oceans, animals or plants, they all give me different ideas

OTLIGHT

Q: How do you stay updated on current and emerging fashion trends?

A: My professors often like to show the latest runway shows and fashion news in class In addition to learning in class, I primarily rely on social media platforms like Instagram and Xiaohongshu (Little Red Book), as well as Vogue Runway, and fashion websites such as WGSN, and BoF to gather the latest information and insights Following the social media accounts of various fashion brands allows me to promptly discover fresh content into emerging styles and inspirations

Q: How did your design style or preferences develop?

A: My design style and preferences are constantly evolving and growing I have a soft spot for retro fashion, especially 80s and 90s style The fashion at that time gave people a sense of boldness and confidence, especially the kind of power-filled clothing, which fascinated me By delving into these retro fashion elements, I am constantly inspired Incorporating vintage elements into my designs also allows my works to exude timeless charm and bold personality, injecting new vitality into fashion

Q: Are there any particular designers or brands that influence your designs?

A: My favorite designers and brands are Yves Saint Laurent, Phoebe Philo and Stella McCartney They have all had a profound influence on my design and shaped my design style and aesthetic Especially Yves Saint Laurent, I really like the feminine strength and confidence it displays through its classic and elegant designs Stella McCartney’s commitment to sustainable fashion and unique creativity also inspired me to pay attention to sustainable fashion

Q: How would you describe your design aesthetic?

A: My designs focus on expressing female power I hope to create clothing that makes women feel confident and powerful I like to combine femininity with strength, expressing femininity through smooth silhouettes and elegant details So my designs often feature streamlined silhouettes that accentuate the figure and enhance the wearer's confidence and sophistication But I also focus on comfort, and I carefully select soft, high-quality fabrics or yarns that feel good to the touch.

Q: Is your personal style similar to your design aesthetic?

A: Of course In my daily life, I gravitate towards clothing and accessories that exude sophistication and elegance, which express my personality and taste while also making me feel comfortable For me, dressing isn’t just about expressing my style, it’s a way of self-empowerment Whether in the workplace or at a social event, just like my designs, I hope to express my inner confidence and strength through my clothing

Q: What attracts you to incorporate vintage aesthetics into your designs?

A: Each era has its own unique style and cultural significance, from which a rich history and heritage can be mined and which I am continually inspired by Fashion is a cycle Although fashion trends are always changing, many retro items are timeless and have their own vitality and appeal in different eras For example, the little black dress is always a classic And I think that by giving vintage elements new life and meaning, I can create designs that have unique charm and style

Q: What are your favorite vintage styles or elements?

A: Some of my favorite vintage styles and elements span various eras, each carrying its own unique charm and appeal Among these, I'm particularly fond of the power dressing trends from the 1980s, it's renowned for its bold and assertive aesthetic. The suits of this era exude confidence and sophistication, making a bold statement that resonates with me

Q: How do you balance vintage style with modern trends?

A: In the design, I will focus on maintaining the core features of classic elements while adding some innovative elements to make it more modern Such as tailoring, fabrics and patterns from a specific era and then combining this with the trends of modern fashion

Q: Can you share some insights into your latest designs?

A: My latest design revolves around the trend of "Office Siren" The design of this collection is inspired by the understanding and respect for the strength and confidence of modern working women One of the most eye-catching pieces from this collection is the long black coat that I crafted during my tailoring class I paid special attention to design details and sophistication in tailoring

Q: How do you define the essence of Office Siren aesthetics?

A: The Office Siren aesthetic changes the boring way of dressing in the office, making work attire more casual and interesting while also reflecting women's confidence, professionalism and charm I think the Office Siren aesthetic is influenced by various periods, especially the 1980s and 1990s Known throughout the decades for its bold and confident fashion statements

Q: What was the motivation and vision behind your designs? Do you believe dressing in the Office Siren style reflects certain values or lifestyles?

A: The motivation and vision behind my designs for Office Siren are to empower women in the workplace by offering them clothing that enhances their confidence and allows them to express their personality while meeting the expectations of a professional environment My goal is to reflect contemporary attitudes toward fashion by advocating for inclusivity and diversity

ou share some key elements or at define the Office Siren style?

ce Siren style is characterized by ey elements that distinguish it as a yet feminine aesthetic Tailored play a pivotal role, accentuating while maintaining a professional Statement accessories, like necklaces or structured handbags, finishing touches, elevating the emble and adding a touch of

hink this trend will continue, or do ate changes in the near future?

e future of the Office Siren trend I

REND REPORT

ABRIC KEYTRENDS WITHASHWANG

SHUSHU/TONG Mugler Coperni Ralph Lauren Velvet Denim Leather Silk

LEATHER

Leather is at the center stage in Fall/Winter 2024 runways, embodying both luxury and versatility. Brands have reimagined leather with a focus on innovative approaches to textures and drapes.

VELVET

Velvet reclaims its appearance in the spotlight for Fall/Winter 2024 runways, bringing its richness to the runway in various forms with its luxurious texture and visual depth

DENIM

Denim continues to evolve as a versatile and innovative fabric in Fall/Winter 2024 runways. Now, denim’s adaptability to different washes, and textures and its ability to pair with other fabrics.

SILK

Silk is spotted everywhere on the Fall/Winter 2024 runway, exuding luxury and fluidity across various designs. It’s a timeless fabric and able to adapt to constantly changing fashion narratives.

EAT

Mugler Ann Demeulemeester

HER

Stella McCartney Miu Miu

EL

Mugler SHUSHU/TONG

VET

Schiaparelli Chen Peng

Christian Dior Acne Studios

IM

Coperni Schiaparelli

Catarina Mina Ralph Lauren

LK

Igor Dadona Ferrari

OLOR

KEY TRENDS WITH NANCY ZHANG

Fendi SkyBlue Miu Miu Bottega Veneta

PlayfulReds TranscendentPi

PLAYFUL REDS

Bright red is a color that evokes strong emotions and associations, symbolizing passion and energy. It is bold and dramatic, but also passionate and romantic. It breaks the tradition of winter's usual preference for neutrals and dark tones, bringing unlimited vitality and passion. Whether on the catwalk or in everyday street fashion, this playful red has become a striking landscape.

OLIVE GREEN

The hue of olive green is directly taken from plants in nature Its color reminds people of natural landscapes such as forests and meadows, bringing a sense of closeness to nature. Olive green symbolizes strength, harmony, and environmental protection. It is a versatile and sustainable neutral color. It echoes people's yearning to return to nature and pursue a simple life.

SKY BLUE

Sky blue is a bright and soft hue that conveys optimism and calmness. It reminds people of clear skies and fresh air, giving people a carefree feeling. Its cool and relaxing tone adds brightness and liveliness to clothing. It seems to be able to dispel dullness and depression in the cold winter.

TRANSCENDENT PINK

Transcendent Pink is a low-saturation gray-toned pink, a more neutral feminine color that presents a mature and sophisticated beauty. This pink is no longer limited to showing a girly feeling, giving it a balanced appeal.

AYFU

Balmain Ferragamo

L REDS

Hermes Jil Sander

IVE

Burberr Saint Laurent

GREEN

Gucci Ferragamo

Louis Vuitton Bally

BLUE

Gucci Prada

RANSCEN

Stella McCartney Chanel

DENT PINK

Alaïa Zimmerman

BoxyBlazers

houette

WITH DANIELA TAN-JUN

ping

Asymmetry

Minis Schiapparelli Balenciaga Saint Laurent Celine

BOXY BLAZERS

Redefining power dressing with a nod to vintage charm. This silhouette reminiscent of the 80s combines structure with a relaxed fit and exudes confidence and sophistication.

DRAPING

Reviving vintage shapes with a modern edge reshapes current fashion, blending classic with innovative styles. Pays homage to fashion's iconic periods but also drives it into the future.

ASYMMETRY

Infusing a current twist into vintage silhouettes with unconventional fabrics, uneven hems, and irregular cuts. Boldly blends classic and modern aesthetics through an edgy approach.

MINIS

Hyper-short hemlines draw inspiration from the iconic 60s mini skirt and give it a modern twist through fabric and color exploration.

OXY

Ralph Lauren Carven

BLAZERS

Issey Miyake Saint Laurent

Schiapparelli

A Kiko Kostadinov

PING

Alaia Louis Vuitton

Louis Vuitton Issey Miyake

METRY

Ruohan Fendi

Susan Fang Saint Laurent

Celine Windowsen

NIS

KEY TRENDS WITH CAL COLWELL

Plaid/Check

FallFloral

Stripes

Ganni Marni Versace Loewe

PLAID/ CHECK

Although many consider this to be a timeless print, it is currently being displayed all over the runway. From skirts, to jackets, to full suits, this elegant print directly reflects the 1950s/60s aesthetic and feel.

ANIMAL

Animal prints are making a roaring comeback in the fashion world by blending bold vintage styles with modern flair. Inspired by the 1970s and 1980s, leopard, zebra, and snake prints are dominating runways and streetwear alike.

FALL FLORAL

Although they’re most commonly seen in spring, soft, pastel florals have made their way into the fall/winter season in a big way Floral prints inspired by the hippie movement of the 70's are being pushed as the nostalgic uniform for fall by brand’s like Loewe and Carolina Herrera

STRIPES

Stripes are most often associated with the timeless elegance of the 1940s and 1950s This classic pattern, whether in nautical blues and whites or bold, colorful lines, is seen constantly. However, the versatile nature of stripes are being shown in many different ways as of late.

AID/

Versace Dior

CHECK

Missoni White Mountaineering

NI

Ganni Diesel

MAL

Iceberg Dolce and Gabanna

ALL F

Giambattista Valli Loewe

LORAL

Luisa Beccaria Carolina Herrera

RI

Missoni Marni

PES

Antonio Marras Tommy Hilfiger

KEY TRENDS WITH MOZAIK EDITORS

Hoods Sequins

ye dt L

TAIL

Coperni Balmain Gucci

FUR

Faux fur is a significant detail trend of Fall/Winter 2024 runways. Designers incorporated faux fur as accents on garments, accessories and handbags. First gained popularity along the "mob-wife" trend, faux fur returned under the spotlight for its characteristics and versatility with a modern twist

HOODS

Hoods have risen significantly in the Fall/Winter 2024 season, and this design not only adds drama and appeal to various looks, but also creates a sense of mystery. The hood design provides an extra sense of protection and anonymity, suitable for fashion lovers who want to keep a low profile or need extra privacy.

LAYERED TEXTURE

The layering of multiple textures on one garment is something that has been seen significantly more in the last few seasons. Combinations of sheer fabrics with denser materials, or mixing knits with silks, adds a sense of visual depth and complexity to the pieces.

SEQUINS

Sequins have been a big trend for FW 24/25. From full-bodied looks to more subtle approaches fashion is favoring the bold and bright detail, adding glamour and shine to this season's fashion.

U

Dries Van Noten Hermes

Coperni Sacai

Balmain Issey Miyake

DS

Courrèges Simone Rocha

AYERED

Helmut Lang

Undercover

TEXTURE

Simone Rocha Lou Dallas

Q

Louis Vuitton Versace

UINS

Balenciaga Gucci

REND HIGHLIGHT

TREND HIGHLIGHT

WITH MOZAIK EDITORS

OWER

SUIT

PASTANDPRESENT

POWER SUIT

Power suits are still sig fashion runways Characte strong shoulders and Rooting in the 80s, d exploring more possibilit with various fabrics Fro different energies are injec

With fashion houses such Saint Laurent and Tom Fo suits on runways, their brought unique touches t

With all the explorations adpated to different s enabling a wider range of

Schiaparelli FW24

Early to Mid-20th Ce

The evolution of suit and mid-20th centur

In 1966, Yves Saint L tuxedo-style suit spe

ISTORY

factor in merging ered the ve

Image from 1890s 1924 Chanel A model wears a YSL suit in 1967 Marlene Dietrich in the film Morocco, 1930

Late 1970s:

The term "power dressing" began to gain popularity Custom women's wear emerged that echoed men's business attire In 1977, John Molloy published "Woman's Dress for Success," outlining how professional attire could enhance a woman’s credibility and career prospects

1980s:

As the economy flourished and more women advanced in corporate settings, this trend truly took off TV shows like 'Dynasty' and 'Dallas' popularized power dressing, and women began to emulate the styles seen on screen

1990s:

As the workplace environment evolved, powe d i became more refined and less restrictive. Design

Giorgio Armani, Ralph Lauren, and Donna Ka significant roles, offering women a variety of pow choose from.

Now:

Power dressing continues to evolve with the dyna workplace. Today, women no longer need to m styles to convey authority and professionalism women are more about expressing their true selv y and uniq

80s power suit Giorgio ARMANI Fall/Winter 1992 Yves Saint Laurent 1970's collections 1980s’ show “Dynasty”

UNWAY

Power suits have made a notable comeback on recent fashion runways, combining classic elements with contemporary touches. With strong shoulder construction and a focus on details, power suits dominated recent runways with their versatility and style.

In Sarah Burton’s last runway at Alexander McQueen, sharply tailored suits with edgy details champion the classic style while reflecting Alexander McQueen’s bold and innovational aesthetics Similar to that, Ralph Lauren also reinvents the power suit in their recent runway, blending traditional cuts with brandy colors and fabrics, showcasing a luxurious take while maintaining power suit wearability

The comeback of power suits demonstrates a significant preference as well as a broad cultural shift towards empowerment in fashion, appealing to both mainstream and luxury brands.

Saint Laurent SaintLaurentFW24 RalphLaurenFW24 SchiaparelliFW24 StellaMcCartneyFW24 AlexanderMcQueenFW24 GivenchyFW24 BalmainFW24

Balmain FW24 Bottega Veneta FW24 Miu Miu FW24 Dolce & Gabbana FW24 Versace FW24 Schiaparelli FW24

ULTURE

As have always be c symbols in po rceptions of fe M

rated power su drobe and pe h and style

He Pual Gaultier su most iconic m na has also em rly at highpr Her bold and str pushed the bo ade her a tre wart's fashion ev earances in po nd el ele

Power suits symbolize aut empowerment, and sophistication. Wit icons wearing them as self-expression statements of strength, pop culture con to drive the popularity of power revolutionizing fashion trends and so perceptions of gender roles and shaping perceptions of femininity through its imp

EDIA

Power suits have also played a significant role in shaping characters and narratives in TV and films.

In the recent series "Succession," power suits are synonymous with the corporate environment, symbolizing authority and control among the Roy family members Shiv Roy (starred by Sarah Snook), her wardrobe is precisely crafted to convey authority, competence, and powerful femininity Diana Berrigan (starred by Marsha Thomason) in the TV series "White Collar," has also played a significant role in popularizing power suits As an FBI agent, her fashion choices reflect her personality: smart, dedicated, and professional And Miranda Priestly (starred by Meryl Streep) is always an iconic figure on the screens With her elegant and stylish wardrobe sets the tone for the character Her power suits characterized her unapproachable and dominant presence in the fashion industry, reflecting professional hierarchies and style.

Power suits serve as visual elements for authority, professionalism, while portrayed the character, they also influence social perceptions on powerful femininity.

ASHION RETAIL

e Yves artney. has a en and With the dience, s to be ressing vailable online

retailers like Pretty Little Thing, and Nasty Gal, are helping the trend reach the general public Outside of the runway, these suits are much softer than the exaggerated shapes we see on the runway

For the mainstream audience, the growing preferred method of purchasing seems to be secondhand or vintage stores. This revival is fueled by the growing popularity of secondhand and vintage purchases. Rummaging through different sections of the store has exposed people to garments that are not aligned with what their traditional style may be. In one store full of other people's clothing, it's rare to find every piece in one size or shape, allowing people, or better to say, pushing people to experiment with purchasing oversized clothing from these stores