Dreams Are What Le Cinema Is For: The Poseidon Adventure - 1972

THE POSEIDON ADVENTURE 1972 lecinemadreams.blogspot.com/2017/11/the-poseidon-adventure-1972.html

Warning: Spoilers galore Looking back, I still find it hard to believe that I came to know of the existence of The Poseidon Adventure only after it had already opened in theaters. It was in December of 1972, I was 15years-old, and my folks were treating my sisters and me to our first visit to Disneyland over the Christmas holidays. Disneyland and Universal Studios were, of course, a blast for a film fan like me (this was back when Universal was ONLY a tour, not an amusement park, and the main attractions were Lucille Ball’s dressing room, the props from the Land of the Giants TV show, and that bridge Shirley MacLaine got pushed off of in Sweet Charity). But that was for the daytime.

My favorite part of our trip was in the evenings, when we were treated to a driving and walking tour of Los Angeles, Hollywood to be specific. Of all the places we visited, I especially loved seeing Hollywood Boulevard. Hollywood Blvd. was always kind of tacky, but not to my utterly overwhelmed and enthralled eyes. In in the early 1970s it was still a place to go to see first-run movies, where premieres were held, and where they had their annual Christmas parade populated with actual movie stars you've heard of. Hollywood Blvd...all decked out in Christmas decorations, stars on the sidewalks, overflowing with one lit-up movie palace after another‌to my eyes it looked every bit as magical as Main Street in Disneyland.

Who Will Survive--In One Of The Greatest Escape Adventures Ever!

Gene Hackman as Reverend Frank Scott 1/14

Ernest Borgnine as Mike Rogo

Stella Stevens as Linda Rogo

All of the 1972 holiday movie releases were playing in the local theaters: Grauman’s Chinese featured Streisand’s Up The Sandbox, Diana Ross was at The Pantages in Lady Sings the Blues, the Cinerama Dome had the Patty Duke thriller You’ll Like My Mother, the Pacific was showing The Getaway with Steve McQueen & Ali MacGraw, and Paul Newman was at the Hollywood (currently a Ripley’s Believe It or Not museum) in The Life & Times of Judge Roy Bean.

Back then, movie theaters still went all out in the way of marketing gimmicks and displays, so every theater was bathed in colorful neon, aglow with bright and flashing lights, and everywhere you looked were banners, streamers, oversized posters, and huge cardboard promotional cutouts for movies now playing or coming soon. My eyes were popping out of my head.

As we strolled along Hollywood Boulevard that night, what really stopped me in my tracks was when we came upon the opulent and enormous Egyptian Theater. There, towering at least two stories high above the theater’s massive, winding marquee was the poster art for a film I’d somehow not heard a single thing about: The Poseidon Adventure. The Egyptian, then every bit as glamorous as Grauman’s Chinese, was in the middle of an exclusive run of The Poseidon Adventure after having hosted the film’s premiere a week prior. Remaining evidence of the event were the massive cast portraits adorning the sprawling marquee, taller-then-me cutout posters, hanging banners, production stills, posters, and lobby cards filling every inch of available display space. Suddenly I was surrounded by images of what looked like the most exciting film I’d never heard of.

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Shelley Winters as Belle Rosen

Jack Albertson as Manny Rosen

Red Buttons as James Martin

Carol Lynley as Nonnie Parry

To understand how a dyed-in-the-wool film fan type like myself managed not to hear a single 3/14

advance word about a movie that went on to become not only one of my all-time favorites, but the second highest grossing film of the year, it helps to know what kind of year for film 1972 was. In both fan magazines and the legitimate press, the lion’s share of 1972 movie coverage/publicity centered around these high-profile titles: The Godfather (Brando’s comeback!), Cabaret (Judy’s daughter makes good!), Last Tango in Paris (Le Scandale!), Lady Sings the Blues (a Supreme film debut!), The Getaway (behind-the-scenes adultery!), and What’s Up Doc? (Streisand meets New Hollywood wunderkind!).

With no nudity, sex, drug use, violent bloodshed, or profanity, The Poseidon Adventure, an oldfashioned throwback to the Grand Hotel-style “all-star cast” melodrama, couldn't really compete with the more daring, youth-oriented releases of the season, so it pitched itself more to the market largely ignored by the New Hollywood: families and the older demographic. and families.

Roddy McDowall as Acres

Pamela Sue Anderson as Susan Shelby

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Eric Shea as Robin Shelby

Leslie Nielsen as Captain Harrison

Arthur O'Connell as John, the ship's Chaplain

The Poseidon Adventure opened on December 15th in Los Angeles and opened a week later back home in San Francisco where I saw it on Friday the 22nd at the Alexandria Theater. I sat through The Poseidon Adventure twice that weekend and went back to see it two more times over the Christmas holiday. I absolutely loved the film, and it left its mark. For weeks afterward, I couldn’t enter a classroom, library, store, or home of a friend without imagining what it would look like upside down.

WHAT I LOVE ABOUT THIS MOVIE It says a lot about the traditionalism of TV and studio-era films that by the time I was 15 I’d already grown pretty well-versed in recognizing movie clichés. While I’d not yet seen many of the films that established the familiar tropes from which so many ‘70s disaster movies would later draw (The High and the Mighty, Zero Hour!, The Last Voyage), I was familiar enough with 5/14

combat movies (dangerous situation + dissimilar people from all walks of life + hero = everyone discovers what they’re really made of); all-star ensemble flicks (the aforementioned Grand Hotel, Tales of Manhattan); and waterlogged mlodramas (Lifeboat, A Night to Remember), for the of The Poseidon Adventure’s high-concept upside-down ocean liner premise to seem both intensely original while at the same time sounding reassuringly familiar.

Reverend Scott, not looking exactly pleased to have someone besides himself talking.

Far left is actress Frieda Rentie, sister of 227 actress Marla Gibbs

On New Year’s Eve the ocean liner S.S. Poseidon (significantly, at least in terms of ironic poignancy, making her final voyage before the scrap heap) is capsized by a tidal wave. While several passengers survive the breathtakingly entertaining catastrophe; only nine of the ship’s most stock and photogenic passengers ultimately elect to follow the long-winded Reverend Scott (Hackman) on a perilous climb to safety via navigating their way up to the ship’s bottom.

All involved—save for the resourceful reverend, who oozes so much self-reliance and leadership qualities he can’t help but grow tiresome—are spectacularly ill-suited to the task, but any life-or-death struggle that begins with a ragtag group of “types” having to climb a big, tinsely Christmas tree to salvation is my kind of calamity. And so, armed with little more than pluck, guts, elderly body-shaming, and tight-fitting hot pants; our intrepid troupe begins their adventure.

Meet The Players / Character Shorthand

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He's a Rebel 'Cause He Never, Ever Does What He Should Rev. Scott--who's such a hip, throw-out-the-(Good)book type he wears a turtleneck instead of a clerical collar--helps move the plot along by telling us his character traits

The Bickersons Common-but-decent police detective Mike Rogo and his foul-mouthed, former-prostitute wife Linda are a kind of Bronx George and Martha. Always speaking what's on their mind, Mike thinks Rev. Scott is a loudmouth, Linda refers to Mrs. Rosen as "Ol' Fat ass, " so of course they are my favorite characters in the film

Oh, My Papa and Yiddishe Grandmama As though their borscht-belt accents weren't a dead giveaway, the film makes sure we know Belle & Manny are Jewish by introducing Manny with his nose in an Israel travel brochure, while Belle knits their grandson a sweater with prayer shawl stripes.

Coded and Fabulous James Martin--the real hero of film, as he is the one who comes up with the idea to climb to the hull--is gay. No one can tell me otherwise. And this 50-something bachelor haberdasher might have said as much had Belle, the Hasidic Heteronormative Buttinsky ("It comes from caring"), not pressed that "What you need is a pretty wife" business.

However, it's not likely anyone bought his "I'm too busy" line anyway. Mr. Martin's character was essentially out and proud in the 2006 Poseidon remake, but the movie itself was so lousy, no one cared.

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Damsel in Distress My real-life experience has been that in moments of crisis, most men & women act more like Nonnie than Rev. Scott, but that doesn't stop this fraidy-cat, easy-listening songbird from being a bit of a pill. She's genuinely sweet though, and as one of cinema's most high-profile fag hags (you don't honestly think she and middle-aged Mr. Martin became a post-rescue romance, did you?), I like to imagine Nonnie and Mr. Martin became friends: she tagging along on his visits to The Mine Shaft, or meeting up for Sunday brunches in the Village

Susan Being Polite To Mr. You're Not Reverend Scott (Ernie Orsatti) Although I don't ever recall a brother actually calling his sister "Sis" instead of her given name in real-life, I suppose it was important for the film to establish lovesick Susan and "all boy" Robin (so much the stereotype I expected him to say "Jeepers!") as siblings instead of some kind of Susan Anton/Dudley Moore couple.

Where Am I From?

Sure, his role is brief, but after three Planet of the Apes movies, I'm sure Roddy McDowall was simply glad to show his real face in a movie again. More a plot device than a character, what exactly is Acres' accent? I thought he was British (with a Liverpool lilt), but someone told me he's supposed to be Scots (maybe due to that bagpipes crack?)

In the 1972 shout-fest X, Y and Zee, Elizabeth Taylor has the line:“I may be the worst thing in the world, but I carry it in front where you can see it!� Well, if The Poseidon Adventure could 8/14

speak, that would be its mantra. It’s old-fashioned, schlocky, and loaded with what director Ronald Neame (The Prime of Miss Jean Brodie) labeled “carboardy” characters; but the film carries it all out in front where you can see.

The Poseidon Adventure wears its corniness proudly on its sleeve. And as a 20th Century Fox production, its asserted broad-market, family-friendly appeal feels like a purposeful shift in direction from Fox's rather desperate previous attempts to court the youth market: Myra Breckinridge -1970, The Panic in Needle Park -1971, Beyond the Valley of the Dolls.

Sure, The Poseidon Adventure is hokey, soapy, cliché ridden, and a terribly contrived, but (miracles of miracles) it works. And rather magnificently, at that! I loved the premise, enjoyed the archetypal characters, and I was thrilled as all getout by the upside-down sets and visual effects. Most surprising of all was that the filmmakers somehow not only got me to care about these characters, but to respond emotionally to their fates. Who knew a cheesy movie could be so moving?

The terrible remake (which Carol Lynley called “The biggest piece of shit I’ve ever seen”) cost 32 times more and had CGI wizardry up the ass, but I never gave a whit about what happened to anyone in it. The Poseidon Adventure was ripped apart by many critics in its day, but it has aged remarkably well. What seemed corny in 1972 looks rather sweet today. And creators of today's largely disposable and indistinguishable action films could a lesson on how The Poseidon Adventure takes the time to get us to know/care about the characters before the mayhem starts. The Poseidon Adventure is now 45 years old, and in spite of its well-earned reputation as a campy favorite, I can't help but think that in the realm of disaster movies, The Poseidon Adventure is some kind of a minor classic of the genre.

As both Beyond The Poseidon Adventure and The Swarm proved, when Irwin Allen chooses to direct, the result is a guaranteed disaster. The Poseidon Adventure is directed by Ronald Neame. Allen is on hand only to handle the action sequences

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PERFORMANCES One of the peculiarities of the disaster film genre is that things don’t actually improve when “good” actors are cast. Due to the unique demands of a film dominated by fast plotting and special effects, personality tends to win out over performance. Nothing bogs a disaster movie down more than a so-called serious actor trying too hard. For example--for all their innate talent, you’d have to look to an Ed Wood movie to find performances worse than Olivia de Havilland in The Swarm, or Rock Hudson in Avalanche.

Leslie Nielsen as Captain Harrison Younger viewers tend to be surprised to see the star of Airplane and Naked Gun star in a serious role. However, those of us of a certain age know that for decades, THIS Leslie Nielsen was the only Leslie Nielsen there was.

No, with the genre’s emphasis on action and expediency, it’s often a matter of finding actors with distinct, identifiable, almost over-emphatic screen personas, capable of projecting a level of conviction appropriate to the arch dialogue and bigger-than-life exploits.

Much in the manner that Vincent Price became the master of schlock horror sincerity, disaster film actors who take their roles too seriously come off as ridiculous, while the most effective performances are given by those who seem to operate on a level of magic reality that hovers somewhere between authentic and artificial.

The distinction I'm trying to make is that while the cast of The Poseidon Adventure may be quite accomplished actors in their own right, what they're called upon to do in the film doesn't require"good" acting so much as "effective" acting. To make material like this believable, it matters more to strike the right tone; in which case performances ranging from hammy to hoary can prove to be 100% on the money.

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My absolute favorite shot in the entire film, also my favorite moment.

No matter how many times I see The Poseidon Adventure, Linda Rogo's death remains for me the most shocking and heart-wrenching. Winters' Belle Rosen was set up from the beginning to be nobly tragic, but Mike and Linda Rogo were the couple I identified with. They weren't know-it-alls, they weren't noble, and they said the things I was thinking. They were funny, sweet, and a life-force in the film, and Linda's death reverberated like no other. Ernest Borgnine just breaks my heart in this scene and I always get waterworks from his reaction. To me he was always the film's most valuable player.

THE STUFF OF DREAMS By no means all, but just a few of my favorite things:

I don't care how dated the special effects are, the capsizing of the Poseidon is epic moviemaking (Gotta love Red Buttons during this part. That's not acting)

No one on the Poseidon faced a bigger challenge than these two trying to find the beat of the music

I love Mrs. Rosen

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Even in 1972, the Hot Pants Under The Gown Reveal drew gasps and laughs.

Loving Linda's reaction

That Dive!

The biggest shock of the film. It got laughs, applause, and cheers

I love Linda Rogo

The Poseidon Adventure is a favorite. You'll never hear me call it one of the best films ever made; I don't buy into revisionist assessments ranking it a genuine classic (it's great for what it is, but let's not forget what it is); nor do I harbor illusions about its depiction of women (save for Belle and her big moment, the men are all active while the women are reactive) and lack of people of color in the major cast (Akers & Belle occupy the stereotypical roles of ethnics in action films: "first to die" and "noble sacrifice").

Yet there's no denying The Poseidon Adventure is one of those imperfect films that achieves a kind of lightning-in-a-bottle kind of excellence. From script (dialogue, primarily) to 12/14

characterizations, to outlandish (albeit exciting) premise; it shouldn't really work as beautifully as it does. But you'd have to look hard and long to find a disaster film that does it better. I've come to regard it with such fondness, I've noticed that over the years my laughs of derision have turned into laughs of affection. Despite its flaws, I fully understand why it has endured and why so many people have taken it to their hearts.

BONUS MATERIAL In 1973 MAD magazine once again did a movie satire that hit the nail on the head. In "The Poopsidedown Adventure" the characters are named: Reverend Shout, Hammy & Bellow Roseman, Snoozin & Rotten, Mr. Martyr, Ninny, Mr. Rougho, Limber, and Apers.

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Shelly Winters won a Best Supporting Actress Academy Award nod for her performance in The Poseidon Adventure.

When it came time to read the list of nominees on the telecast, Shelley Winters had the misfortune of having her name come up right after Cloris Leachman reads says the title of co-nominee Susan Tyrell's film, Fat City. This causes Robert Duvall to lose it. When questioned about his laughter, Duvall claimed James Caan was making faces from the audience, but few believed him. Though it's nothing compared to U.S. norms today, Shelly Winters' weight gain was a major source of comedy and comment in 1972. See the Oscar sequence HERE.

Copyright Š Ken Anderson

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