In order to get back to a playful, artistic, creative existence, the human had to give up the idea of value outside of their playful momentary existence.
Buddhism and Postmodernism: Nietzsche [Part 1 of 4] Douglas Powers
To a large degree, postmodernism goes back to Nietzsche. A lot of the postmodernist themes that we’ve talked about were developed by Nietzsche much earlier. Modernism picked up some of them but not all of them.
No Universal Moral Principles The first key point is postindustrialist culture. We’re talking about Europe in the late 1800s, and Nietzsche is responding to the rise of the industrial revolution. He sees that the culture around him breeds a particular type of character. This goes back to the theme that we are created by the culture we live in. This, of course, will be profoundly important, because the idea of the important role of culture leads to the question of the individual and whether there is anything like an individual. Also, it means that there is a historical evolution in a Hegelian sense – there was a bit of Hegel in Nietzsche. Any truth that lies outside the historical context of culture was to be questioned.
Dharma Realm Buddhist University
Basically, truth was a creation of culture, and any reference to essence or anything outside of culture was highly suspicious. And as we’ll talk about, Nietzsche was the one who said that referring to anything like truth was ultimately ideological and came down to power relations between people. So in postindustrialist society, it seemed that what we called essence or human nature was basically just a bunch of ideas that culture had created in which the relationships between people were set up in a particular way. He would look right now with great amusement as lassiez faire capitalism because macroeconomics is essentially a bourgeois ideology, with all its trappings.
Edited transcript from Lecture 3 of the Spring 2008 course: “Buddhism and Postmodernism,” a collaboration between Dharma Realm Buddhist University and the Graduate Theological Union, with Dr. Snjezana Akpinar and Douglas Powers as instructors. 1