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Photo by Caleb Caldwell


VOLUME 10, ISSUE 28 | JULY 12 - 18, 2018

Hudson Guild Has Smart Addition to Early Childhood Education Program BY DUSICA SUE MALESEVIC There is a new member of the Hudson Guild family. On Mon., July 2, Hudson Guild took over the operation of the Polly Dodge Center, at 538 W. 55th St. (btw. 10th & 11th Aves.) from the YWCA. “Recently, the YWCA decided to no longer operate the Polly Dodge Center and Hudson Guild was offered the opportunity to come in and take over the operation of the center,� Ken Jockers, the organization’s executive director, explained in a phone interview. For roughly six years, Hudson Guild’s board has had its eye on expansion, he noted. “Our board decided in order to strengthen our services, we would expand in our already existing program areas when opportunities presented themselves,� Jockers said. Hudson Guild, a “multi-service community agency� that serves Chelsea “with a focus on those in need,� accordPhotos by Caleb Caldwell

Polly Dodge serves children from the ages of two to four.





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July 12, 2018

Ken Jockers, Hudson Guild’s executive director (seen here), said the goal of the centers is that “each child starts kindergarten ready to learn.�

ing to its website, has an early childhood education program. The Polly Dodge Center expands that program, which currently serves children from the ages of two to four and provides “safe, highquality, free and low-cost child care for low- and moderate-income families in the surrounding community,� according to the July 3 press release announcing the addition of the center. Families in Hudson Guild’s Early Childhood Education Program qualify

for free or low-cost care based on their household income, Jockers explained. “In 2012, we had the opportunity to take over a child care center on 40th Street and to then to open a new Head Start center [at] the Amsterdam Houses on 64th Street,� Jockers explained. “Now the addition of Polly Dodge on 55th Street enables us to serve families up and down the West Side in addition HUDSON GUILD continued on p. 8 NYC Community Media

DOT Proposals Peddle More Protected Bike Lanes BY MION EDWARDS Cyclists and pedestrians in the Upper Westernmost territory of Community Board 4 (CB4) coverage could be looking at a safer travel route, in the form of two proposed protected bike lanes. Taking place at the Hotel Trades Council on W. 44th St., June 20’s monthly meeting of the CB4 Transportation Planning Committee (TPC) saw presentations from the Department of Transportation (DOT) on two proposed protected bike lanes: Eighth Ave. and W. 56th-58th Sts./Columbus Circle, and 10th & Amsterdam Aves., W. 52nd-72nd Sts. The TPC voted in favor for the DOT’s fi rst proposal, to have the protected bike lane extensions from Eighth Avenue (W. 56th-58th Sts.) and Columbus Circle. This is not, however, the last stop for implementation. “DOT will present the proposal to Community Boards 5 and 7 in the coming weeks. We will work to incorporate any feedback into our final plans and hope to implement the project later this year,” a DOT spokesperson said. Given the history of the proposed routes as dangerous spots for pedes-

Image courtesy of NYC DOT

The proposed protected bike lane design for Columbus Circle.

trians and cyclists, the DOT’s presentation was welcomed as an overdue course correction. “In 2014, DOT published its Pedestrian Safety action plans as part of the Vision Zero initiative. Eighth Avenue and 57th [St.] were listed amongst the most dangerous corridors/intersections,” said committee cochair Christine Berthet.

“Since then,” Berthet added, “Manhattan Community Board 4 and Assembly member Linda Rosenthal have been asking DOT to improve safety at 57th Street and Eighth Avenue for both pedestrians and cyclists.” TPC approved the proposed plan for the future bike lane, which has been a long time coming since 2014. “This project accomplishes this

goal by adding a split phase signal to turn west from Eighth Avenue to 57th Street, and addresses another board’s request: provide a safe way for cyclists to reach the park and the Upper West Side. We are delighted,” Berthet said. In his presentation, Patrick Kennedy, DOT Senior Project Manager, said the projected bike lane would be able to reduce injuries for cyclists, motorists, and pedestrians. According to the presentation, with the implementation of existing protected bike lanes, pedestrian injuries decreased by 21 percent and injuries to cyclists increased only 3 percent, despite a 61 percent bike volume increase. Members of the community also showed their appreciation for the first proposal with a round of applause. “I bike with my toddler,” said a 49th St. resident who often travels that route with his child, adding, “I’m so happy you’re fi xing it.” Community residents voiced their concerns and praise during the meeting. The only concern for the first proposal was a desire by residents for BIKE LANES continued on p. 17

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July 12, 2018


Hudson River Park Pulse Memorial Highlights ‘Inner Light’ BY GABE HERMAN On the day of the Pride March, June 24, a new memorial was unveiled in Hudson River Park to the 49 victims of the Orlando Pulse nightclub shooting two years ago. The work consists of nine boulders in a roughly circular arrangement on a patch of lawn in the park near W. 12th St. It was designed by Brooklyn artist Anthony Goicolea, 47, and is about a block away from an AIDS memorial in the park near Bank St. that was dedicated nearly 10 years ago. In the first week after the new memorial’s dedication, however, there seemed to be little in the way of visitors or awareness of its existence among nearby parkgoers. Though it admittedly was in the middle of a heat wave and there were park maintenance barriers that closed off access to parts of it. Several of the boulders have been split in the middle and filled with glass. Another is split apart and has an inscription by poet and activist Audre Lorde that reads on one side, “Without community there is no liberation… But community must not mean a shedding of our differences,” and on the other, “Difference is that raw and powerful connection from which our personal power is forged.” This writing inside one of the boulders, which the artist described at the unveiling as “the inner voice for the memorial,” is the piece’s only visible writing. Much of the memorial had been temporarily blocked off for new lawn seeding, according to a parks worker. A series of metal barricades closed off the nearby

Photo by Gabe Herman

Part of the memorial includes a path lined by fractured boulders, some with glass inserted into the fissures. One split-open boulder has a poem engraved on its inner edges.

lawns, which contain five of the boulders, and also made a narrow path leading to the central part of the memorial (the barricades were removed on July 10). Both weekday and weekend visits by this reporter

in the first week the memorial was open to the public found no other visitors, or even people wandering up MEMORIAL continued on p. 21

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July 12, 2018

NYC Community Media

Protected Bike Lane Pitched at Queensboro Approach BY SYDNEY PEREIRA A nine-block stretch of Second Ave. requires that cyclists heading downtown merge with vehicles speeding down the avenue to eventually turn left onto the Queensboro Bridge. The stretch — often dubbed the Second Avenue gap — lacks protected bike lanes between 59th and 68th Sts. But now, the city Department of Transportation hopes to fill in that gap and also reorganize the intersection at the Queensboro Bridge. The department presented the proposal, which it hopes to implement by late this year or in early 2019, to Community Board 8 Monday night. “Really, in one word, terrifying, to bike through that intersection,” said Ryan Smith, a graduate student in biology who has lived on the Upper East Side the past four years. “As [the intersection] stands right now it literally interrupts the only way to bike downtown safely on the East Side.” Bike volume along the avenue has more than doubled at Second Ave. and 86th St. and increased by 36 percent at Second Ave. and 50th St. since 2015. At the Queensboro Bridge intersection, the DOT estimates more than 5,400 cyclists use the existing bike lanes every day between April and October. “It’s more urgent probably than any other bike safety [issue] and I should say pedestrian safety in the city,” Smith added about the turning point onto the bridge. At the Queensboro Bridge, the east side of Second Ave. has no pedestrian crossing, forcing southbound pedestri-

Courtesy of NYC DOT

A city DOT graphic showing the benefits of its proposal for changes in traffic flow and control on Second Ave. near the Queensboro Bridge access.

ans to either cross seven lanes to the west side of Second Ave. or jaywalk across nearly a dozen lanes to get to 59th Street. Multiple people at Monday’s meeting noted that pedestrians cross despite the lack of a crosswalk. Cyclists, who are merged with the auto traffic turning left onto the bridge, must navigate through those motorists to continue traveling south. “There’s a lot of tricky things, obviously,” said Chuck Warren, co-chair of CB8’s Transportation Committee. “I think in the end, it may be hard to find another solution easily.” To mitigate the problem, the DOT

wants to add a crosswalk at the precarious intersection and install a bike lane protected during off-peak hours when the easternmost traffic lane would be devoted to parking and loading instead. A pedestrian and cyclist island known as a “porkchop” for its shape would be added to create a waiting space within the crosswalk between the bridge entry’s midway and the south side of E. 59th St. That island would also serve to separate left turn lanes onto the bridge from through traffic. Left turns from Second Ave. onto E. 59th St., beyond the turn onto the bridge, would be restricted under the proposal.

Despite some community pushback against bikes overall at Monday night’s meeting, protected bike lanes have been shown to decrease injuries by 15 percent overall, according to the DOT. Two-way paths around the city saw a 29 percent decrease in pedestrian injuries compared to 21 percent on one-way paths. Although cyclist injuries increased by three percent, that is compared to an overall biking volume increase of 61 percent. The committee won’t be drafting a resolution on the plan this month, but Warren expects the DOT plan will ultimately be accepted. “It’s always hard to predict these things, but people didn’t feel as strongly against [it] as they did on the crosstown lanes,” he said. (See story below.) Concerns raised regarding protected lanes in the corridor leading to the Queensboro Bridge largely hinged on people’s general concerns about bikes, particularly cyclists who don’t follow the law and sometimes injure pedestrians. Some asked whether more bollards could be added to the island to prevent vehicles from driving over it, and only one audience member complained that one lane of traffic would be set aside for parking during off-peak hours. “It’s sort of an interesting clash,” Warren added. “You have a biking community that certainly exists in our area, and then you have people who don’t bike but are concerned about bikes in general and the threat they believe that they pose from people who just don’t obey the laws.”

Crosstown Bike Lanes Remain CB8 Flashpoint BY SYDNEY PEREIRA In a flashback to Community Board 8 meetings from two years ago, the board’s divisions over crosstown bike lanes reemerged on Monday night. After the board couldn’t agree back in 2016 on what Upper East Side crosstown lanes were acceptable, the Department of Transportation returned this week to propose two new pairs of painted bike lanes at 65th/ 66th and 84th/ 85th Sts. “This is the second time around,” said Chuck Warren, co-chair of CB8’s Transportation Committee. “Some people were upset about [the crosstown bike lanes]. People always talk about bike issues generally — not just the particular streets — but the idea.” The two pairs at 65th/ 66th and NYC Community Media

84th/ 85th Sts. would connect Central Park to the East River Esplanade, providing crosstown bike lanes spanning the Upper East Side. They would not remove any parking lanes, but rather, add painted lines to delineate spaces for traffic, parking, and cyclists. Though cyclists voiced support for the plan, many in the crowd were against the proposal. They feared the bike lanes would put at risk children who go to nearby schools, including Saint Ignatius Loyola School, the Ramaz School, Marymount School of New York, and the Chapin School on E. 84th and 85th Sts. Others recounted instances when they were hit by cyclists, suffering cracked ribs and broken bones. “This is not right,” Betty Wallerstein, a

longtime community activist who started the East 79th Street Neighborhood Association and spearheaded the M31 bus line’s Sunday service, said at the meeting. “We cannot do this. It’s wrong. People are going to get hurt.” The crosstown bike lane saga, in part, began when the board asked the DOT for the bike lanes in a November 2015 resolution. The following year included about half a dozen meetings, after which the board couldn’t agree where to put the bike lanes. Since the board is only advisory, the DOT implemented painted lanes in two pairs on 70th/ 71st and 77th/ 78th Sts. Since they’ve been implemented, City Councilmember Ben Kallos noted, the only complaints he’s received are of people parking in the bike lanes, though

an 84th St. Citizens Alliance co-chair remarked that measuring opinion after implementation was no fair measure of community sentiment. “I understand you don’t have any repercussions where the lanes are already put in, but quite frankly it’s after the fact,” Wendy Abrams said. “You’re not going to hear opposition from something that is already put in place.” The painted lanes may be a minimal street treatment, but the DOT has found the lanes at 70th/ 71st and 77th/ 78th Sts. have increased public safety. There has been a 46 percent decrease in crashes, a 75 percent decrease in vehicle passenger injuries, a 54 percent FLASHPOINT continued on p. 18 July 12, 2018


Young Friends Offered Gay Rights Pioneer ‘Late-Life Renaissance’ BY ANDY HUMM Dick Leitsch, who as president of the Mattachine Society, a pre-Stonewall gay group, participated in the first act of gay civil disobedience in 1966, died June 22 in Manhattan after a year-long battle with cancer. It was at the West Village’s Julius’ — at the time a “raided premises” (due to the recent arrest of a gay man there) and fearful of losing its liquor license — that the men were denied service in view of the media, despite the establishment’s history of being a quasi-gay bar since the 1950s. While LGBTQ people had demonstrated and even rioted before this, the Sip-In was the first act of targeted gay civil disobedience and it was successful. The State Liquor Authority dropped its holding that serving gay people made an establishment a “disorderly premises” — and, in fact, denied such a regulation ever existed. For the past several years, Leitsch — who also worked to end entrapment of gay men by the police, and wrote the first eyewitness report on the 1969 Stonewall Rebellion — was befriended by a group of gay men in their 20s who socialized with him at his West 72nd Street home and at Julius’ in the West

Photo by Andy Humm

L to R: Paul Havern, Matt Allison, Derek McCormack, Alden Peters and Ricardo Guadarrama in the garden of St. Luke in the Fields, where Dick Leitsch was interred.

Village. They were with him as he died in hospice care at the Mary Manning Walsh Home on the East Side on June 22. They gave Leitsch “a late-life renaissance,” according to Tom Bernardin, the historian of Julius’. Paul Havern, 28, assistant director of admissions at Cooper Union, was

friends with Leitsch for three years and said, “For a lot of us, Dick was sort of a bridge into a world that was really lost to an entire generation. For many of us he really provided us insight not only into how far our community has come, but also to how similar we all were despite our differences.”

Havern added. “He really was very humble about all of his actions. He continued to work at St. Mary’s [the Midtown Episcopal Church to which he belonged] until he could not leave his apartment.” When asked why he kept up his volunteer work, Havern recalled, “Dick said, ‘Well if I don’t do it, who will?’” That seems to have been the spirit that drove Leitsch in his pre-Stonewall activism as well. Laurence Frommer, another friend of Leitsch’s, said, “Paul Haven, Ricardo Guadarrama, Matt Allison, and Alden Peters were all with him when he died.” And they were all there for his funeral on June 28 at “Smokey Mary’s” — St. Mary the Virgin, an Episcopal church on West 46th Street, where most of the heads were gray. Guadarrama, 27, Havern’s husband, said, “Dick always gave me hope,” even during his dying days. “It was inspiring for me, especially in this difficult time [in our country] to see someone who was positive and laughing” despite his illness. DICK LEITSCH continued on p. 20


Burner Law serves the elderly with compassion 9PC8LI8?8EI8?8E From her office on W. 34th St., Britt Burner is fighting to make a difference in the lives of New Yorkers. The Long Island native is spearheading the Manhattan branch of her family’s eldercare law firm, Burner Law Group. Founded by her mother, Nancy Burner, in 1995 in Long Island, the firm has grown to become a leader in eldercare and estate-planning cases. When Britt and her sister Robin later joined their mom, it transformed the firm into an unstoppable, family-run operation. On top of that, the firm is made up entirely of women. “I watched it grow from when I was a kid,” Burner said. “It just slowly grew, but it almost feels like we blinked our eyes and it became this all-female powerhouse.” Now, with a team of eight attorneys and more than 30 support-team members, the firm is spread across three offices — two in Long Island and the newest one in Manhattan,


July 12, 2018

which Britt Burner opened four years ago. “We have a great mix of people who work hard and support each other in a really wonderful way. It’s a pleasure to go work every day,” she said. For Burner, being able to work with her mother and sister has been extremely rewarding. “We get along very well anyway,” she said. “Plus, we have this common thing we’re working to build together. It’s great.” Britt Burner began her career in corporate litigation, but in 2008 her firm gave her the chance to work as an assistant district attorney for a year in the Sex Crimes Bureau of the Brooklyn District Attorney’s Office. “What I realized then is, I don’t want to be a corporate litigator and I don’t want to be in criminal law,” she reflected. “But I liked the human aspect of dealing with people and their problems and feeling like I was helping solve them.

I have a woman I saw yesterday who’s 94 years old and she wanted to redo her will.” With an overwhelming number of aging baby boomers, Burner said the firm has seen an increase in cases for elderly clients. The firm is striving is to get out in front of any potential problems that generation might be facing through preventative education. Between the company’s three offices, Burner said, they host roughly 150 to 200 9i`kk 9lie\i _\X[j 9lie\i CXnËj seminars every year. DXe_XkkXef]ÔZ\% “I say in a lot of my seminars, if I try to Google someSo that was when I decided to thing, I’ll have trouble finding switch into elder law.” the answer — even if I already She began working for an- know it — so I can’t even imagother law firm but after a few ine if you’re a senior,” Burner years decided to join the fam- said. “You’re out there and ily business and made the you’re on the Internet and switch to Burner Law. The you’re trying to find out how firm, Burner said, does estate you get Medicaid, how you get planning for every age. homecare, how you get nurs“I have clients who are in ing care, how do you take care their 30s who’ve just had a of yourself, how you take care baby and they need a will and of your spouse.” they want to name a guardian In general, Burner finds of their child if something hap- that most people are not aware pened to them,” she said. “And of the full range of services

— particularly homecare — available through Medicaid. Navigating these benefits has become a large part of what Burner Law does. “I think people often don’t often realize how small details can make huge a difference,” she said. “It’s really important that people make an informed decision on how they want to proceed with the rest of their life and really take control of the rest of their life.” Outside the firm, Burner is fighting for the rights of New York’s elderly population. She is a committee member on the elder law section of the Legislative Committee of the New York State Bar. “I’ve lobbied in Albany each year when the governor puts out the budget bill,” she noted, “both writing memos that will be sent up to Albany, but also going up to Albany to lobby with the staff of the Legislature and the Governor’s Office.” Burner Law, 45 W. 34th St.; Call 212-867-3520 or visit burnerlaw.com . NYC Community Media

Well-Suited: In Midtown, Mohan’s Dresses Chelsea Resident for Success BY SAM BLEIBERG The weather is heating up, and the summer season marks the busiest time at Mohan’s — a family-operated bespoke tailor on E. 42nd St. between Madison and Park Aves. Through the years, Mohan’s Custom Tailors has handcrafted suits for athletes, entertainers, dignitaries, and New York personalities. Their latest client is Alexis Ottenwarde, a young man born and raised in Chelsea and in need of a sharp look for his next step in life. NYC Community Media followed Alexis through the process of selecting fabric, getting fitted, and walking out with a custom suit — compliments of the Mohan’s team. Mike Mohan founded the business in 1972, and spent his early days working out of a hotel room. He received his first celebrity client, New York basketball legend Patrick Ewing, through a stroke of extraordinarily good luck. Mike’s son Victor described that pivotal event: “When I was born in the hospital, the nurse for my mother was friends with Patrick Ewing’s mother. Everyone knew the Knicks were going to pick him first in the NBA draft. His mother called my father and asked if he could make Patrick Ewing’s suit for the

NYC Community Media

Photo by Sam Bleiberg

L to R: Victor Mohan, founder Mike Mohan, Alexis Ottenwarde, and master tailor Ken Wong display the finished product — a fully custom suit and shirt.

NBA draft.” Mohan’s next worked with one of the NBA’s all-time style icons, all thanks to a playful rivalry. “Walt Frazier, in 1982,

he says, ‘You’re advertising with Ewing, but I’m the champion. I’m the style guy,’ ” Victor recalled. The tailor became Frazier’s suit sup-

plier of choice, and Victor said his father and Frazier became inseparable. MOHAN’S continued on p. 10

July 12, 2018


Photos by Caleb Caldwell

Activities for children at Hudson Guild facilities include art, music, dance, yoga, and, of course, unstructured play. HUDSON GUILD continued from p. 2

to our facilities in Chelsea. We consider this a welcome addition to our core programming.� The organization also operates a center within the Elliott-Chelsea Houses. “It ensures that families on the West Side continue to have access to care,� he said. “It allows Hudson Guild to expand the level of services.� The programming at the early childhood centers is aligned with New York

state pre-kindergarten (pre-K) learning standards and the Common Core curriculum. Certified teachers teach classes, which include art, music, dance and yoga activities, and “a nutritious breakfast, lunch, and snack are available for all participating children,� according to the release. “Every child has access to the same exact level of service,� Jockers said. “So each child starts kindergarten ready to learn.� It also has an extended day until 6 p.m.,

Earlier this month, the Polly Dodge Center became Hudson Guild’s fifth early childhood education center.

according to Hudson Guild’s website. “Low cost, high-quality childcare is essential for all working parents,� City Councilmember Helen Rosenthal said in the press release. “Expanding access to early childhood education is not only a boon to parents, but also to the children who will enter kindergarten with strong literacy and language, motor development, and social and emotional skills.� Jockers explained there are four different pieces to the funding: the city’s Administration for Children’s Services,

Head Start (which is a federal program), city funding for universal pre-K, and private funding. “We’re super excited to have Polly Dodge families and Polly Dodge employees join as part of Hudson Guild,� he said. “We’re thrilled at the chance to work together.� He added, “We are happily recruiting for the next school year.� For more information, visit hudson guild.org/programs/early-childhoodeducation.

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July 12, 2018

NYC Community Media


TOP DRIVER DISTRACTIONS Using mobile phones Leading the list of the top distractions behind the wheel are mobile phones. Phones now do more than just place calls, and drivers often cannot pull away from their phones, even when driving. According to the California Department of Motor Vehicles, studies have shown that driving performance is lowered and the level of distraction is higher for drivers who are heavily engaged in cell

NYC Community Media

phone conversations. The use of a hands-free device does not lower distraction levels. The percentage of vehicle crashes and nearcrashes attributed to dialing is nearly identical to the number associated with talking or listening.

Daydreaming Many people will admit to daydreaming behind the wheel or looking at a person or object outside of the car for too long. Per-

haps they’re checking out a house in a new neighborhood or thought they saw someone they knew on the street corner. It can be easy to veer into the direction your eyes are focused, causing an accident. In addition to trying to stay focused on the road, some drivers prefer the help of lane departure warning systems.

Eating Those who haven’t quite mastered walking and

chewing gum at the same time may want to avoid eating while driving. The majority of foods require a person’s hands to be taken off of the wheel and their eyes to be diverted from the road. Reaching in the back seat to share some French fries with the kids is also distracting. Try to eat meals before getting in the car. For those who must snack while en route, take a moment to pull over at

a rest area and spend 10 minutes snacking there before resuming the trip.

Reading Glancing at an advertisement, updating a Facebook status or reading a book are all activities that should be avoided when driving. Even pouring over a traffic map or consulting the digital display of a GPS system can be distracting.

July 12, 2018


MOHAN’S continued from p. 7

Following the publicity that came with dressing basketball legends, Mohan’s became a destination for athletes, earning a reputation for crafting suits for any body type. Other notable clients include Ricky Henderson, John Starks, Daryl Strawberry, Tommy Lasorda, and Bernard Hopkins, along with many more. The founder credits Mohan’s ongoing success with quality, consistency, and freedom of choice. “We make sure that we also educate the client, let them know exactly what they’re getting, while having a lot of fun with our limitless custom options,” Mike said. “Finishing up with a beautiful custom-made masterpiece and a huge smile on the client’s face — I call this the ‘Mohan’s Experience!’ ” Alexis is now the latest athlete to receive the “Mohan’s Experience.” When the tailor reached out to this publication to offer their services to a deserving neighborhood resident, we reached out to the community — and Lisa Jasienowski, co-founder of the nonprofit group Infirnity, referred Alexis as a hardworking alumnus of their program, which combines mentorship, basketball coaching, and academic support. “He has worked so hard to make his way to college,” Jasienowski said. “Receiving a suit as this is pretty amazing fuel to charge the independence and sense of self he is stepping into.” Alexis graduated from Chelsea’s Bayard Rustin Educational Complex last year and is currently working a food service job while pursuing a college education where he can study acting and play on the school’s basketball team. “Infirnity helped me push myself through high school,” Alexis said. “Just having somebody who’s there that supports you, motivates you, and tells you everything will be fine when you’re feeling sad — I appreciate everything they’ve done for me.” Mohan’s has produced complimentary suits for deserving members of the community before, and invited Alexis along with Chelsea Now for the full custom suiting and shirting process. Victor greeted Alexis in the tailor’s office and fitting room of Mohan’s, which is just across the street from Grand Central Terminal. Victor’s Superman cufflinks, rings, and business cards inform the customer that individual flair is welcome on the premises. “I love the creativity, the styles, the trends, opening up my eyes to so many different possibilities,” Victor said. “There are so many shades of even


July 12, 2018

Photos by Sam Bleiberg

Victor Mohan, son of founder Mike Mohan, guided Alexis Ottenwarde through fabric choices.

Mohan’s signature raw fitting involves shipping a fitted jacket to the fabricators to mold the suit to the client’s body.

Clients building their own custom suits choose between dozens of options for cuffs, collars, and more.

have my older clientele that is sticking with the classic look.” Alexis opted for a few personalized details, including monogrammed shirt cuffs (although without Victor’s preferred French cuffs). Victor noted that an important part of their philosophy is to make the client as comfortable as possible with the final result, including the price tag. “We always keep it real with the client. We don’t upsell,” he said. “A lot of the time we’ll start by asking what their budget is and give them the most reasonable price possible.” Alexis returned a few weeks after the fitting to receive the completed suit. The fit was perfect, earning Mohan’s another satisfied client. When asked what has kept the business successful after all these years, Victor explained the business builds a

strong connection with their customers. “Our clients are very loyal. This little secret of Mohan’s has been passed on from generation to generation,” he said, adding he was looking forward to attending the upcoming wedding of a client. “The customer walks in and recognizes, ‘This is really a family business.’ ” Mohan’s Custom Tailors is located at 60 E. 42nd St., #1432 (btw. Madison & Park Aves.). Custom suits generally start at $699, and custom shirts at $120. Mohan’s is currently running a “Millennial Special” — a custom suit and shirt for $595. For more information, visit mohancustomtailors.com, call 646-461-1951 or email mohansinc@aol.com. Follow @MohansTailors (Twitter), facebook. com/MohansCustomTailorsNYC, and instagram.com/mohan_tailors.

white, different shades of blue. I love helping people change their image.” Between a shirt and a suit, the customer chooses between dozens of details, from buttons to collars to cuffs. The suit starts with the fabric. Over the years Mohan’s has experimented with functional and decorative materials including crushed diamond, water repellent material, and warm weather fabric. Alexis decided on a classic navy wool with a two-button construction. He saved the flash for a shiny baby blue lining. Mohan’s sets itself apart with a raw fitting, which involves sending the actual mold from the in-house tailor directly to the fabricators along with the client measurements. Alexis chose a contemporary, tapered fit. “This is the millennial style, but basically everyone is wearing this now,” Victor said. “I do

NYC Community Media



NYC Community Media

July 12, 2018


Photo by Judy L. Richheimer

Lars Larsson (left) and Robert Chisholm work with their archivist and restoration expert, Fatan Kanaan. Chisholm Larsson Gallery has over 50,000 original vintage posters, not including duplicates.

Chisholm Larsson: Poster Boys for Vintage Posters Chelsea gallery praises the ‘people’s art’ BY JUDY L. RICHHEIMER Robert Chisholm, co-owner with husband, Lars Larsson, of the vintage poster gallery Chisholm Larsson (145 Eighth Ave., near W. 17th St.), shrugged off his own generosity. Two patrons wanted to buy postcards — Chisholm Larsson carries small and oversized cards, reproducing some of the gallery’s collection — but one had only a $100 bill, and the other no cash, just plastic. “Take the cards as our gift,” Chisholm said, “and pay it forward. Buy something for a stranger,” he instructed each. Then he noted to this reporter, “Sometimes it’s just more efficient to give away small things rather than take the time and trouble to ring up a sale.” Chisholm’s attempt to disguise altru-


July 12, 2018

ism as practicality is undermined by the numerous ways in which the gallery serves the public: It invites browsers to take postcards from a pile clearly marked “Free Stuff.” During street fairs, tables are set up out front, offering more ambitious “free stuff,” such as art books and auction catalogues; and Chisholm Larsson lends posters to libraries and small museums that cannot afford acquisition. Those openhanded gestures mesh well with the primary product sold at Chisholm Larsson. “We’ve always considered posters a people’s art form,” Chisholm declared. “You can imagine a turn of the century Paris, where these artworks — Toulouse-Lautrec, Mucha — would be on constant display, up on the

street. They really have been a public, free art form.” And, in fact, as we toured the gallery, it was evident that some early posters were seemingly created to entice the eye rather than to advertise — the visuals so inapposite from the product being sold. There was a poster from 1986 showcasing a lovely lady surrounded by tea roses and wearing a gossamer gown, which barely promoted its sponsor, the Revere Rubber Company. Elsewhere, a 1920s poster pictured two beautifully rendered North African children walking hand in hand, with the simple and discreet caption “LefèvreUtile” — a biscuit company. But the first poster that captured Chisholm’s imagination conveyed a straightforward message. It was a French

advertisement from World War I featuring a young soldier, his arm thrust forward, urging us to buy war bonds. Other WW I posters proved equally compelling. “They were dramatic and colorful and heroic and just very artistic,” noted Chisholm, who entered his profession by degrees. In the 1960s he studied English at the University of Virginia and hankered after an artistic life. Initially he wanted to be an artist, but realized, “I had a much better eye than the ability to create. I could see that what I did was not as good as I wanted or expected it to be.” After school, he worked in New York City for the Plaza Gallery, an auction house handling entire estates, “… porcelain, furniture, paintings, prints, rugs; everything,” he remembered. When it NYC Community Media

Photos by Judy L. Richheimer

Art Nouveau master Jules Chéret was known for depicting lovely, cavorting young women — but this dynamic battle scene reveals another side to his oeuvre.

In the windows during June’s Pride Month, prominent was the poster for the Italian release of “Boys in the Band,” with a title that translates into English as “Party for the Birthday of Dear Friend Harold.”

Chisholm Larsson Gallery came to Chelsea in 1989, an early harbinger of the dozens of galleries Chelsea would boast of in the decades to follow.

Business partners and married couple Robert Chisholm (left) and Lars Larsson proudly pose before one of their gallery’s masterworks, a 63-inch high original poster for art house classic, “Hiroshima Mon Amour.”

was time to strike out on his own, Chisholm might have specialized in any of those objets, but chose posters — for pragmatic as well as aesthetic reasons. “They are easy to transport,” he said. “You can go Europe and come back with 100 posters under your arm.” Larsson too had a strong early interest in art, but pursued a career in banking. Born and reared in Sweden, he relocated to New York City to establish the first American branch for a major Swedish bank. Larsson met Chisholm 39 years ago in the Village, where they lived just minutes apart. “He was the boy next door,” Chisholm recalled. The couple wed in June of 2016. Chisholm today is in his late 60s and Larsson his early 70s; they are trim and energetic and appear far younger than their respective years. Larsson became a partner in the gallery in 1993. “It was quite a shift. I was in my early 50s, and it was time to do that change,” he said. Larsson adapted easily, NYC Community Media

according to his husband, who noted, “Lars had good instincts.” Several years prior, the gallery had settled at its present location, a site that formerly housed La Isla Shoes (throughout the ’70s, the gallery moved from the Upper West Side to the Village and, later, to Soho). “At that time, as you will remember, they couldn’t give retail spaces away on Eighth Avenue.” Chisholm recalled of their 1989 arrival in Chelsea. “The place had been on the market for nine months at $850 with no takers,” he marveled. In part, the property was chosen for its unusual two-sided window construction. Today, the windows display an everchanging array of posters drawn from the gallery’s stock. When Chisholm began dealing in the ’70s, Art Nouveau was in vogue. That trend continued into the ’90s, after Larsson came on board. “About 30 years back,” he recalled, “it was very easy to sell French things, especially in New

York City. There was a big demand, whether it was for posters or furniture.” During that period, the couple went to Paris four or five times a year to acquire posters. Eventually Art Nouveau, with its riot of flowers and curlicues lost cachet, at least for many Chisholm Larsson clients. (But Fillmore West posters and other ’60s psychedelia, clearly inspired by that movement, remained hot sellers.) Collectors began to clamor for cleaner lines and for works of more recent vintage. In a statement guaranteed to depress any Gen X or Baby Boomer, Larsson observed: “Young people will come in and ask for something old. We think that means 1920s or 1930s. Oh, no, they mean 1980s or early 1990s.” But that potential buyer may have to wait: Works from the ’80s or ’90s are sometimes archived for 20 years. “Let them mature, let their time come,” Larsson asserted.

One prominent collector, Angelina Lippert, curator for Poster House — which will be the city’s first poster museum when it opens on W. 23 St. (btw. Sixth & Seventh Aves.) in 2019 — extolled the breadth of the Chisholm Larsson collection. “Robert’s and Lars’ gallery occupies a unique space in the field,” Lippert wrote in an email. “Unlike so many poster dealers who focus only on one particular area (Art Nouveau, Art Deco), they showcase a diverse and seldom-seen array of posters from around the globe, from Polish film posters to American turn-of-the-century circus, 1960s protest to contemporary marvels… as such, [they] have a more accessible, interesting, and vibrant collection than pretty much anyone else in town.” They also, she added, “understand that you shouldn’t have to be a millionaire to buy great art…” Prices for a rare poster CHISHOLM LARSSON continued on p. 19 July 12, 2018


Photos by Marco Hartmann, via mummenschanz.com

Vignettes address human relationships, but often seem to be just as much about the natural world.

Fans of their tried-and-true silent routines will not be disappointed, but “you & me” also experiments with sound, in the form of musical instruments.

You & Me and Mummenschanz Invigorated troupe’s vignettes, old and new, captivate and amaze BY TRAV S.D. If you’re like many people in my social media feeds, you periodically retreat from the sturm und drang of world affairs in these troubled times to seek solace in the refuge of GIFs and videos capturing cute baby animals and the like. Right on schedule, a certain beloved mime troupe has returned to New York City from their native Switzerland to remind us that the theatre can serve a similar purpose. Mummenschanz are performing their current show, “you & me,” at John Jay College’s Gerald W. Lynch Theater through July 22. Since 1972, Mummenschanz has been delighting audiences from 1 to 100 with their revues of silent vignettes mixing elements of mime, mask, puppetry, and dance. Their name, the German word for “mummery,” is essentially a statement by the company that they are latter-day “mummers” — traveling troupes of multi-skilled performers who crisscrossed Europe during the Medieval era. But this quality of traditionalism is balanced with a modern visual sensibility; the company has always favored props, puppets, and costumes of bold bright colored synthetics and plastics, often


July 12, 2018

molded in abstract shapes that anchor them in the space age. The company’s official nickname is “The Musicians of Silence.” The original troupe consisted of three performers who’d studied under famed mime instructor Jacques Lecoq: Bernie Schürch and Andres Bossard, both Swiss, and Floriana Frassetto, from Italy. Their success was rapid. Jim Henson was a fan, and featured the company both on “Sesame Street” and “The Muppet Show.” From 1977 through 1980 they enjoyed a successful run on Broadway. Since their founding 46 years ago, there have of course been some changes. Bossard died of AIDS-related complications in 1992. Schürch retired in 2012. Since 2016, Frassetto has led the company in its present incarnation. Their current production has toured throughout Europe and North America for over two years; this is its New York City premiere. The show is a mix of some of Mummenschanz’s popular numbers alongside new things they are trying out. Fans of their tried-and-true routines with giant hands and an enormous balloon will not be disappointed. But they

will also get to enjoy new experimentation with sound, in the form of musical instruments like the cymbal, viola, and violin. The company also experiments with a live video feed. But the bulk of “you & me” is populated with an imaginative realm of beings that suggest everything from clams to tubeworms to frogs to jellyfish to seahorses. Sometimes, personality is given to pure abstraction, simple movement by geometric shapes in space. The vignettes themselves often suggest traditional mimoplays about human relationships, but often seem to be just as much about the entire natural world, from microscopic single-celled organisms to the cosmic shifting of celestial bodies. Audiences are often vocally amused by the mischievous happenings onstage, yet the real pleasures of the show are aesthetic and contemplative just as much as they are comic. And there’s a universality to it: “you & me” would not be inaccessible to the “Teletubbies” crowd, but there’s a subtly profundity that ought to seduce any adult. Simple themes emerge — chaos vs. order, attraction vs. repulsion — that mimic the ebb and flow of the universe.

An egg is always more than an egg for those who can see beyond breakfast. It’s impressive to learn that at age 67, Frassetto is one of those tumbling, spinning, physical performers inside those crazy costumes. “When Bernie retired after 40 years with the company I was confronted with the question ‘What do I do?’ ” Frassetto said. “Do I close the door and burn the costumes? Or do I continue? I’m an artisan. I love to construct things. I love to travel. And my two friends and collaborators, choreographer Tina Kronis, and playwright Richard Alger helped me out, and we worked together. And our four new cast members have brought lots of energy and enthusiasm and their own dreams. It’s too early to say where we go next. But we enjoy being together. We enjoy laughing. And that’s important.” At the moment, it seems like the most important thing in the world. Through July 22 at Gerald W. Lynch Theater at John Jay College (524 W. 59th St., btw. 10th & 11th Aves). Tues.Sat. at 8pm, with Sat. & Sun. matinees at 3pm. For tickets ($29-$85), visit mummenschanz.com. NYC Community Media

Supreme Consequences Or: How I spent my summer sobbing uncontrollably BY MAX BURBANK Monday night, President Trump ended the suspense and gave Brett Kavanaugh the rose. It’s hard to say just what about the young circuit judge Trump dug the most, except that it’s really not. The president’s “short list” was written by the Federalist Society — a cabal of noted, elderly, white male conservatives, tin foil-fedora-wearing Libertarians, and Skull and Bones spanking enthusiasts. You know everyone on that list was an Illuminati spite golem constructed of cruelty and mayonnaise. Just one, however, had written an article for the Minnesota Law Review in 2009 laying the groundwork for Rudy Giuliani’s claim that a sitting president could murder someone in the oval office and not be charged with a crime. Kavanaugh is on record, a New York Times article of July 10 noted, advocating that Congress “consider a law exempting a president — while in office — from criminal prosecution and investigation, including from questioning by criminal prosecutors or defense counsel.” Italics added by ME because that’s WHY TRUMP NOMINATED KAVANAUGH! When I first started planning this column, I intended to write about throwing toddlers in dog cages and how the phrase “Tender Age Detention Facilities” can only be explained by all of us being trapped in a simulation designed by a malevolent and insane supercomputer. Then on Wed., June 27, Supreme Court Justice Anthony M. Kennedy announced his retirement. How many god-awful, soul-crushing “news items” can a person focus on? Well, all of them, really, if you don’t sleep — something I’ve mostly given up on, but my column is 1,000 words, give or take. I like to go with the most recent atrocity, always assuming Trump hasn’t Thanos-snapped his wee little fingers since I turned this article in, erasing half of all sentient life from existence, and yes, EVEN YOUNG PETER PARKER, THE AMAZING SPIDER-MAN! Should I have said spoiler alert? “Avengers: Infinity War” has been out for two-and-a-half months. I mean, who could have imagined this scenario (with the possible exception of anyone with a functioning brainstem and a junior high school knowledge of basic civics, which admittedly is about a third of registered voters)? I’m looking NYC Community Media

at you, Susan Sarandon! And it’s not just placing the president squarely above all law for the next 25 or so years that hangs in the balance. It’s Roe V. Wade, marriage equality, and a codified right to discriminate against people based on your totally undefi ned, yet deeply held, religious beliefs — not to mention asking three-year-

Illustration by Max Burbank

olds to serve as their own attorneys (and testify in a language they don’t speak) about being separated from their parents, maybe forever, and kept in DOG CAGES until the appropriate, Betsy DeVos-connected, “nonprofit” adoption agency gobbles them up and farms them out to deserving white, Evangelical Republicans who will presumably have them BLEACHED to avoid dangerously embarrassing situations when dining at the local WAFFLE HOUSE! Don’t fact check that last paragraph. Parts of it are not, strictly speaking, verifiable. You’d be surprised at how few parts. But hang on. Maybe things aren’t as dire as they first appear. Maybe it’s not time for full-on, brain-melting panic. Consider Senator Dianne Feinstein’s carefully argued tweet: “If the Senate needed to wait nine months when Justice Scalia died, then it surely needs to wait four months now. If the American people deserved to have their voices heard then, they deserve to have

their voices heard now.” Senator Cory Booker agreed that the Senate should abide by the rule set by majority leader McConnell, and furthermore, since the president was the subject of an ongoing investigation that could likely end up before the Supreme Court, any SCOTUS nomination should be “delayed until the Mueller investigation is concluded.” At very least, any Supreme Court Justice appointed by Trump would need to recuse themselves from cases involving the investigation, right? Any reasonable person would have to agree. Let’s take a brief pause and engage in a thought experiment: Suppose a work acquaintance discovered you loved chess, a passion he shares. He sends an email challenging you to a friendly game, but oddly attaches a PDF of the rules and asks that you read them thoroughly, as he is a real “stickler” about “proper play.” Your acquaintance arrives, sees no chess clock, and demands you produce one or forfeit. You have barely

begun to respond that chess clocks are only required for tournament play, when he produces a baseball bat wrapped in barbed wire “Lucille”-style and smashes your chess set to bits. While you’re saying, “You watch ‘Walking Dead?’ ” he uses Lucille to break your jaw and, as you spit bloody teeth, informs you common civility requires you thank him for not killing you, and also, “Checkmate.” Dianne Feinstein and Cory Booker and a whole lot of thoughtful, well-intentioned Democrats who got all bent out of shape when an Oscarwinning actor used the F-word, and think Sarah Huckabee Sanders being asked to leave the Red Hen without finishing her meal is why Trump is going to get re-elected, are all waiting for the Republicans to play chess by the rules, which is something that will never happen. Or it might — but your rules are on that PDF and theirs is a baseball bat named “Lucille.” Senate Majority Leader Mitch McConnell conceives of the Supreme Court, and all politics, as a chess game with two sets of rules, one of which is a contact sport. Quite likely he’s never watched “The Walking Dead.” But if he does find time in retirement, I think he’ll like it. I imagine he’ll find Negan a kindred spirit. And he’ll certainly understand how Lucille plays chess. Blues legend B.B. King had a guitar also named “Lucille’ — but he was, by all accounts, a lovely soul and never beat anyone to death with it. If I had to guess, I’d say it was unlikely an African American musician who lived through the civil rights era was a Republican, but he used to jam with Nixon’s master dirty trickster and Roger Stone mentor, Lee Atwater, so who knows what the hell anything means? Maybe King was laughing. ’Cause sometimes laughing in the face of power is all you can do. Maybe the devil plays a longer game than chess, a computer simulation, the rules of which can be rewritten on the fly. Cross your fingers and pray it’s open-source. July 12, 2018


In Kavanaugh, Progressives Fear Rightâ&#x20AC;&#x2122;s Agenda BY DUNCAN OSBORNE While Donald Trump nominated a conservative to fill the seat on the US Supreme Court left vacant by Justice Anthony Kennedyâ&#x20AC;&#x2122;s announcement just 12 days before that he would retire, he selected a federal appeals court judge who is less of a firebrand and more of a longtime functionary in official Washington. â&#x20AC;&#x153;Throughout legal circles, he is considered a judgeâ&#x20AC;&#x2122;s judge,â&#x20AC;? Trump said during the July 9 primetime broadcast announcing he was nominating Brett Kavanaugh to replace Kennedy. â&#x20AC;&#x153;There is no one in America more qualified for this position and more deserving.â&#x20AC;? The 53-year-old Kavanaugh has served on the US Circuit Court of Appeals for the District of Columbia since 2006 and previously served in the White House during George W. Bushâ&#x20AC;&#x2122;s presidency. Bush first nominated Kavanaugh for a federal judgeship in 2003, but Kavanaughâ&#x20AC;&#x2122;s service under Ken Starr, the independent counsel who aggressively advocated for President Bill Clintonâ&#x20AC;&#x2122;s impeachment for lying about an affair he had with a White House intern, stalled his nomination and it was eventually withdrawn.

He was nominated again in 2005 and approved in a 57 to 36 vote. Kavanaugh took a poke at his critics at his 2006 swearing-in that was held in the White House Rose Garden. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;ve benefited as a lawyer and as a person from my work for Judge Starr, who has always combined devotion to the rule of law with great personal decency,â&#x20AC;? the Washington Post quoted him saying during the ceremony. Starrâ&#x20AC;&#x2122;s status as an upright prosecutor was ended during his tenure as chancellor at Baylor University when it was revealed he had ignored rape allegations and convictions and assault charges brought against several university football players. Starr was forced to end his relationship with Baylor in 2016. In his 2010 book, â&#x20AC;&#x153;The Death of American Virtue: Clinton vs. Starr,â&#x20AC;? author Ken Gormley describes Kavanaugh as one of the prosecutors in Starrâ&#x20AC;&#x2122;s office who most wanted to publicly humiliate Clinton with sexually explicit questions about his relationship with Monica Lewinsky, the intern. Gormley wrote that Kavanaugh â&#x20AC;&#x153;pushed hardest to confront Clinton with some of the dirtiest facts linked to his sexual

indiscretions with Lewinsky.â&#x20AC;? A 1998 article in the Washingtonian magazine on up and coming DC lawyers has Kavanaugh, who earned his undergraduate and law degrees at Yale, first working for Starr when Starr was the US solicitor general under President George H.W. Bush. Kavanaugh then clerked for Kennedy and was going to follow Starr to Kirkland & Ellis, a law firm, but instead took the job in the independent counselâ&#x20AC;&#x2122;s office under Starr. Kavanaugh joined the Bush administration in its first year and served under Alberto Gonzalez, the White House counsel, where he was tasked with identifying suitable nominees for the US Supreme Court. â&#x20AC;&#x153;At the beginning of the Bush administration in 2001, I tasked Brett Kavanaugh, one of the Associate Counsels in the White House Counselâ&#x20AC;&#x2122;s Office, to coordinate the initial formal vetting of potential Supreme Court nominees,â&#x20AC;? Gonzales wrote in a 2014 article in the William & Mary Bill of Rights Journal. While working in the Bush White House, Kavanaugh was one of three staffers who met with some 200 gay

Republicans in 2003 in advance of the 2004 presidential election. â&#x20AC;&#x153;If we were completely satisfied that the Republican Party was as inclusive as we wished, we would cease to exist,â&#x20AC;? Patrick Guerriero, then the head of the Log Cabin Republicans, told the Associated Press in 2003. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s obvious that the issue of inclusiveness in the Republican Party is going to be a major issue.â&#x20AC;? Bush eventually endorsed an amendment to the US Constitution that would ban same-sex marriage and the Log Cabin Republicans declined to endorse him in 2004. The Washingtonian reported that Kavanaugh, who was born in the nationâ&#x20AC;&#x2122;s capital and raised in nearby Bethesda, Maryland, is the son of a Maryland state judge and a cosmetics industry lobbyist. Kavanaugh is a Roman Catholic and attended Catholic schools before college. He lives in Maryland with his wife, Ashley, and their two daughters. The couple met while working in the Bush White House. Progressive groups, including those advocating for womenâ&#x20AC;&#x2122;s and LGBTQ KAVANAUGH continued on p. 18

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Existing conditions on Amsterdam Ave.

The proposed protected bike lane design for Amsterdam Ave. BIKE LANES continued from p. 3

its vertical elements to more clearly signal drivers of a bike lane. “I live on West 61st and Amsterdam and I’ve been bicycle commuting for the last 30 years in Manhattan. I think it’s great that we are starting to see some more bike lanes coming in,” said James Miller. The TPC as well as members of the community had strong apprehension about the second proposed route, stretching from 10th & Amsterdam Aves. (W. 52nd-72nd Sts). The committee made the decision to delay approval until the DOT returns in July with corrections dealing concerns about safety issues, speed signals, and the split phase signals. “The board’s utmost priority is pedestrian and cyclist safety. In this case, the lack of pedestrian refuges built in concrete, and the lack of a full complement of signalized protection gave us pause,” said Berthet. In response, the DOT said they look forward to working with CB4 to address their questions and concerns about the proposal. At the meeting, there was a reoccurring theme of cyclist and pedestrian safety. “Cyclist safety is paramount for us. We have been the strongest proponents of 100 percent protected bike lanes since DOT installed the first one ever in our district on the lower part of Ninth Avenue,” Berthet noted, adding, “The bike lane will be installed in an area where three major schools and a hospital are located. Calming the traffic, shortening crossing time without compromising safety.” Open to the public, CB4’s next TPC meeting takes place on Wed., July 18, 6:30 p.m. at 500 W. 41st St., eighth floor (btw. 10th & 11th Aves). For more information, visit nyc.gov/html/mancb4.

MAX Photo by Mion Edwards

“I live on West 61st and Amsterdam,” said James Miller, “and I’ve been bicycle commuting for the last 30 years in Manhattan. I think it’s great that we are starting to see some more bike lanes coming in.” NYC Community Media

July 12, 2018


KAVANAUGH continued from p. 16

rights and for health care access, were already concerned about the four people who were on Trump’s short list to replace Kennedy, seeing Roe v. Wade, the 1973 US Supreme Court ruling that struck down laws banning abortion, and the 2015 ruling from that court that required states to issue marriage licenses to same-sex couples as at risk of being reversed. Kennedy was the swing vote on four important wins for the LGBTQ community at the US Supreme Court. Though a Republican, he was seen as a moderating influence on the far right judges on the court. With Kavanaugh, Trump may have shifted the balance on the court to empower a consistently conservative voting bloc. “Brett Kavanaugh may bring the requisite experience, but given Donald Trump’s promise to overturn Roe v. Wade, the decision that recognized the right to an abortion, and efforts to reverse progress on civil rights and civil liberties, that’s not enough,” David Cole, the legal director at the American Civil Liberties Union (ACLU), said in a written statement. “It’s incumbent on Congress to determine whether Kavanaugh’s legal views are compatible with the power-

ful role he will play for generations.” The ACLU does not endorse or support presidential nominees. The National LGBTQ Task Force called Kavanaugh’s nomination an “executive power grab” in a written statement. “There hasn’t been a nominee for the Supreme Court this extreme since Robert Bork,” Rea Carey, the executive director of the Task Force, said in the statement, referring to a Ronald Reagan nominee forced to withdraw and eventually replaced by Justice Kennedy. “Kavanaugh is a clear choice for Trump to expand his own power and escape the Mueller investigation.” The Human Rights Campaign, the nation’s largest LGBTQ lobby, is calling on the US Senate to reject Kavanaugh. “Donald Trump’s nomination of Brett Kavanaugh is irresponsible and dangerous. He will undermine LGBTQ equality, women’s reproductive rights, and affordable healthcare,” said Sarah Warbelow, the group’s legal director, in a written statement. “This is not the fair-minded constitutionalist worthy of replacing Justice Kennedy. The US Senate needs to exercise its constitutional responsibility and reject this nominee.”

FLASHPOINT continued from p. 5

decrease in pedestrian industries, and an eight percent decrease in cyclist injuries along those corridors since the the lanes were painted, according to preliminary DOT figures. “It improves safety for everyone because it encourages drivers to drive more slowly,” said Ryan Smith, an Upper East Sider and graduate biology student who lives at York Ave. and 66th St. There was skepticism about the statistics among committee members, notably Valerie Mason, president of the E. 72nd St. Neighborhood Association. Mason questioned why the data wasn’t broken down by each street, to which the DOT’s director of bicycle and greenway programs, Ted Wright, responded that statistical analysis of that specificity would require more data points to be accurate. For recently minted Transportation Committee co-chair Craig Lader, however, the safety data may be preliminary but appear positive so far. “It seems that there is compelling information within that data that should be followed, and whether it becomes a trend to be paid attention to very closely,” Lader said. Though the full board won’t vote

on a bike lane resolution this month, Lader added, it’s key that the board at least take some position. Previously, the board’s failure to agree on a proposal led the DOT to act unilaterally. “We are obviously looking to get as much community engagement as possible, and we like to believe that DOT is going to follow our lead and our recommendations,” he said. “But in reality, I think it’s important to keep in mind that DOT still has policy initiatives that they are working to implement and some of them are going to transcend community board preferences.” Kallos — aiming for unity — said that ultimately the problem is people don’t feel safe. “To a person — whether you drive, you ride a bike, or you’re a pedestrian — you’re scared on our streets,” Kallos said at the meeting. “Folks would just like everyone to obey the rules of the road. Cyclists would like cars not to hit them and kill them. That is the big thing folks would like from motorists. And pedestrians would like to see motorists not him them and kill them.” The councilmember added, “I would say the paint helps bring people there and it also helps create a respect between the motorists and cyclists and it gives folks a delineated space.”

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NYC Community Media

CHISHOLM LARSSON continued from p. 13

at Chisholm Larsson can be as high as $10,000 — but the majority of their 50,000 posters (more, counting duplicates) range from $100 to $1,000. Household names (that is, if the household happens to enjoy old posters) represented at various times by Chisholm Larsson include Jules Chéret, star of the Art Nouveau period; A.M. Cassandre, known for his monumental Deco stylings of ships and trains; Milton Glaser, an all-around design icon; and Shepard Fairey, whose HOPE poster arguably helped elect President Barack Obama. Often Chisholm Larsson carries works of well-known artists that diverge from our expectations. Currently on view, for example, a poster by Chéret — known for cavorting, lovely young women — depicts an eye-catching, stylized battle scene. Chisholm’s and Larsson’s wide-ranging taste has paid off by attracting customers from around the world, and the partners have noticed certain national tendencies. According to Larsson, Australians like clean lines and “a little bit of fun,” with Chisholm adding, “and nothing earlier than the 1950s.” Danes, too, crave humor; and, Larsson notes, the Japanese want posters that suggest the spare lines of an Audrey Hepburn silhouette. Sometime national tastes flip dramatically. “When the Soviet Union broke up in 1989, they were so tired of the propaganda posters that they grew up with, they just dumped them,” Chisholm recalled. The gallery bought hundreds. “People thought that we were crazy. Now we are selling them back to the Russians.” Serious collectors of posters tend to collect only in that medium. Larsson stated, “I think that you can compare them to people who collect stamps.” And they often collect according to category — aviation is popular — or a specific subject, such as a movie, buying advertisements of the same film as promoted in various countries. Larsson observes, “A lot of time the Italian posters are more sensual and fun. And the actors’ looks change.” Chisholm chimed in, saying, “We’ve seen Italian posters featuring Audrey Hepburn and all of a sudden she’s very zaftig.” Nearly every poster carried by Chisholm Larsson is original. However, when the real thing is impossible to acquire and the image irresistible, they might relax their standards. One example: a poster showing two wholesome-looking young women standing next to their Harleys, planning a road trip — in 1934. The original is impossible to find. They have equally dim hopes of ever acquiring an original for Fritz Lang’s “Metropolis.” Larsson observed, “A lot of people think that they have an original. You hardly can find that.” Chisholm added, “Not for love or money.” Artistry might soften a poster’s message, but at the end of the day, messaging defines the medium. So, do Chisholm and Larsson ever deal posters that they find offensive? “That happens sometimes. We have posters for George Wallace and of course we are not George Wallace fans, and never have been,” Chisholm noted. “But historically they are very interesting. And history should never be obliterated.” A recent controversial poster from Switzerland called for banning mosques in that country; again, the gallery bought the poster, but deplored the message. The expansive tolerance practiced by Chisholm and Larsson does have its limits. “We bristle when people ask us, ‘What’s a good investment?’ We don’t want anyNYC Community Media

one to buy anything they don’t like but think is a good investment,” Chisholm professed. And the partners are chagrined by collectors who don’t protect their posters from UV light. Outside, after the interview, we admire the windows, which generally are curated according to holidays or current affairs. (From time to time, images of British royalty dominate.) Chisholm remarked, “A lot of the things in the windows are unique. The only example we’ve ever seen. So, we want to show them off before they disappear into someone’s home.” Chisholm described the installation on view in the southern window at the time of our visit, during Pride Month. “Almost every June,” he noted, “we adorn our windows with remembrances of gay culture.” This year’s lead was an advertisement for the 1970 movie


“Ann and Eve,” with a lesbian character — a film critic who, unfortunately, is a murderer as well. Also prominent is the poster for the Italian release of “Boys in the Band,” with a title that translates into English as “Party for the Birthday of Dear Friend Harold.” Chisholm drew attention to a poster of Joe Dallesandro in “Flesh,” aka “Andy Warhol’s Flesh,” noting, “We couldn’t resist adding some eye candy.” Just prior to the gay-themed installation, the window focused on shoes. Why shoes? “Those posters are an homage to the former tenant, La Isla Shoes,” Chisholm explained. Chisholm Larsson Gallery is located at 145 Eighth Ave., near W. 17th St. Visit chisholm-poster.com or call 212-741-1703. Facebook: facebook.com/chisholmlars son. Twitter: @chisholmlarsson.


July 12, 2018


DICK LEITSCH continued from p. 6

“He was not afraid to be who he was,” Allison said after the service. Allison, 29, an activist and senior campaigner at Purpose, a social impact agency, wrote, “During his life, Dick took many risks and made many sacrifices in the service of LGBTQ people to secure and advance our rights amidst incredible oppression. From an early age, Dick knew he was gay and never sought validation from straight people and society; he always knew deep down that being gay is perfectly natural and not something to hide, change, or ever be ashamed of. It was this deep, inner understanding that rooted Dick and guided his activism.” Peters, a 28-year-old filmmaker, wrote in an email, “His charm was disarming, even at the end of his life. When I spoke with him on the phone after his terminal cancer diagnosis, he spoke about his life and perspective on dying. He said he’s older than dirt, nothing is new anymore, he feels ready, and that if he knew so many people would be calling and giving him attention, he would have died sooner. ‘If I knew dying was this fun, I would have done it years ago!’ Then he gave his unmistakable laugh you could recognize from across a crowded bar.” Leitsch was dispensing his wisdom to the last, according to Peters, who wrote, “I told him that was an inspiring perspective to have. I had been so nervous to call him but his positivity made me, and everyone around him, comfortable with his inevitable departure. He guid-

Courtesy of Paul Havern

L to R: Paul Havern with Dick Leitsch.

ed us through the end of his life with the same joy and care that he lived his life with. When I told him he was inspiring, he apologized. ‘I didn’t mean to be. I’m just talking.’

“In that same phone call, Dick told me the most important part of life is to keep friends close. Lovers come and go, but friends stick around through the years. ‘What’s the secret to keeping those friendships for so long?’ I asked. ‘Well, we all threatened to sleep with each other, but none of us ever did.’” “Dick Leitsch is the kind of person you don’t meet anymore,” Peters wrote. “He’s humble and witty. He makes you feel like you’re the only person in the room when you speak to him. But it goes deeper than that. Speaking with

him makes you feel like your relationship with Dick is unique. So many of us felt so close to him because all of us thought, ‘Dick and I have something special that others don’t have.’ That something special was Dick Leitsch himself.” Allison wrote, “I feel blessed to have been with him and surrounded by other members of his chosen family when he passed. As we held him in the final moment of his passing, it felt as if he had passed his life and legacy on to us to remember, gain strength and knowledge from, and carry forward.”

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MEMORIAL continued from p. 4

to see what it was. When its presence was pointed out to one parkgoer nearby, he said he had not been aware of it at all. Another man, Miguel Angel, was also just learning of the memorial. “It’s wonderful, I love it,” said Angel, who was visiting from Guadalajara, Mexico. “For the gay community, it’s good,” he added, saying he liked the “recognition from New York.” He also liked the memorial’s “natural” design, saying it blended in with the surrounding park and nature. The memorial has gotten some negative comments on Twitter, though, mostly related to the amount of money spent on it, with posts such as, “How much did this cost me?” and “More taxpayer money spent wisely.” According to an April 2017 report by our sister publication, Gay City News, Governor Andrew Cuomo had designated $1 million in his state budget for the memorial. But that funding was blocked by state Senate Republicans. State Senator Brad Hoylman, who represents the Village and most of Hudson River Park, tried to pass the funding as an amendment, but was denied. Governor Cuomo ultimately was able to add the money back into the budget. As the memorial was unveiled, Hoylman issued a statement thanking Cuomo for his efforts in helping make it happen, and added, “This memorial will serve to stand the test of time and forever memorialize the LGBT lives that have been lost to senseless violence and hate.” In a statement to our sister publication, The Villager (where this article first appeared), Hoylman called the blocking of the funds by Senate Republicans a “travesty,” and added, “The reason they did it is because of their ongoing refusal to consider LGBT issues.” Of the memorial and artist Goicolea, Hoylman said, “I think Anthony did a wonderful job. It’s serene, understated and blends in with the natural environment… And also powerful when you read the inscription.” Hoylman did not know if there were plans to add a plaque or description of the piece anywhere, and added, “I appreciate the way it is.” Aside from funding issues, some on Twitter expressed confusion about the memorial’s design. Several such posts were responded to with explanations by Eunic Ortiz, president of the Stonewall Democrats political club, who was selected as part of a commission to oversee the memorial’s creation. “WTF is this!?” wrote one person. NYC Community Media


PUBLISHER Jennifer Goodstein EDITOR Scott Stiffler ART DIRECTOR John Napoli CONTRIBUTORS Lincoln Anderson Sam Bleiberg Stephanie Buhmann Mion Edwards Dusica Sue Malesevic Winnie McCroy Christian Miles Mark Nimar Sydney Pereira Puma Perl Rania Richardson Tabia C. Robinson Paul Schindler Eileen Stukane

Photo by Gabe Herman

The prismatic glass filling the gaps in the split-open boulders represents an inner beauty.

“Boulders with a paint strip?” Ortiz replied, “The artist’s vision was that light shines through the boulders, casting rainbow prisms around it. Meaning, our community’s light can shine through anything. The Audre Lorde quote sits between the largest [boulder]. It also points toward the Christopher St. Pier and Statue of Liberty.” The questioner replied, “Thanks for the response.” Another commenter questioned whether it was a good use of Governor Cuomo’s time to spend it on “rocks with paint on them.” After Ortiz again explained the memorial’s concept, the person replied, “Thank you!” Ortiz is the communications director of the labor union SEIU Florida. “As someone who is originally from Orlando, Florida, and is of Latinx background, this memorial held a unique meaning for me,” Ortiz told The Villager. “The [unveiling] ceremony was extremely moving and I am very proud to have been a part of this project,”

Ortiz said. “The meaning behind the work, put simply, when you view it, that is out of such dark and hard times, light shines through.” The June 24 unveiling included Cuomo, Hoylman, Council Speaker Corey Johnson and other local officials. At the event, Goicolea spoke of growing up an outsider in Marietta, Georgia, as gay, Catholic and Cuban-American. He said he found a real sense of community in the West Village when he moved to New York in the early 1990s. “The LGBTQ memorial tried to create a new safe space, a new safe haven,” the artist explained. “It encourages people to look beyond the exterior of what they’re presented with to something inside that’s more beautiful.” The artist said the circle of boulders is meant to express a safe place where people can come and rest on them. “In this political climate,” Goicolea added, “it is important to have reminders that diversity is what makes America great.”

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July 12, 2018



July 12, 2018

NYC Community Media

POLICE BLOTTER ROUGH RIDE A man told police that around 4:20 a.m. on Wed., June 27, he got into the car of a woman he had just met and they headed toward a nightclub at Ninth Ave. and W. 16th St. When they stopped for gas at a station, the man, 21, gave the woman, 32, his debit card to use — but she did not return it. The man then plugged his cell phone into the woman’s car to play music. But she removed the phone and put it in the driver’s side-door pocket. She then stopped the car in front of 190 W. 10th St., near W. Fourth St., and pulled out a gravity knife, police said. She held the knife to the young man’s neck and said, “Get out of the car or I’ll kill you.” The guy got out of the car and the woman drove off eastbound on W. 10th St. The victim was able to call 911 thanks to two people walking by, and camera footage was available from several locations on W. 10th St. and from the Mobil gas station at 63 Eighth Ave., at W. 13th St. Police said that two days later, the female perp was arrested for felony robbery. The stolen iPhone 8, valued at $1,000, was not recovered.

NAIL-BITING ROBBERY A woman went into La Bella Nail Salon, at 22 W. 14th St., between Fifth and Sixth Aves., around 5 p.m. on Sun., July 1, and tried to take a wallet out

of the purse of a 46-year-old employee, police said. The two women then got into a struggle and the suspect bit the employee, injuring her right hand. The suspect fled on foot but was caught by Transit District 4 officers. The 31-year-old was charged with felony robbery.

‘SNEAKY’ SHOPLIFT Inside the DSW shoe store at 40 E. 14th St., around 2:30 p.m. on Sat., June 30, a man walked in and took one pair of New Balance sneakers, valued at $163, and cut the sensor off of them with clippers, according to police. He then hid the sneakers in his backpack and left the store. He was chased by DSW workers and the incident was called in to the cops. The man was caught by Transit officers when he ran into the Union Square subway station. The stolen sneaks were recovered and the 44-year-old perp was arrested for misdemeanor petit larceny. —By Gabe Herman

THE 10th PRECINCT Located at 230 W. 20th St. (btw. Seventh & Eighth Aves.). Commanding Officer: Captain Paul Lanot. Main number: 212-741-8211. Community Affairs: 212-741-8226. Crime Prevention: 212-741-8226. Domestic Violence: 212-741-8216. Youth Officer: 212-741-8211. Auxiliary Coordinator: 212-924-3377. Detective Squad: 212-7418245. The Community Council meets on the last Wed. of the month, 7 p.m., at the 10th Precinct or other locations to be announced. The Council is on break for the summer, and resumes regular monthly meetings as of Sept. 26.

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July 12, 2018



July 12, 2018

NYC Community Media

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Chelsea Now - July 12, 2018  

July 12, 2018

Chelsea Now - July 12, 2018  

July 12, 2018