

CYNTHIA WISEHART
Editor SVC
It’s been an interesting couple of months in signal distribution and control. I know, it’s always interesting, right? But lately just a little more so.
For example, as we went to press, Audinate announced that it has entered into an agreement to acquire Iris Studio Inc. (tryiris.ai), a US company specializing in AI-powered, cloud-based camera control technology. You’ve already heard of AI-driven camera auto tracking and color correction, often built into hardware. Iris is a brand-agnostic cloud platform that can drive those functions from the cloud. It reportedly is currently enabled on some 14 PTZ cameras on the market, including cameras from Lumens, PTZOptics, Marshall, BirdDog, and Telycam, among others. The Iris software platform is reportedly also applicable to a variety of AV products, including encoders, decoders, vision mixers (whatever those are), and more (whatever more is). For now, it’s a so-called white-label service, with Audinate promising a public launch sometime this year.
This is obviously part of Audinate’s expansion into video with the wider play being interoperable control and management across audio and video. With Dante being the de facto audio networking standard for most applications, and with the solid reputation of Dante Controller and Domain Manager (and now Dante Director for cloud), it’s understandable that Audinate would see room for their existing relationships to extend to video and beyond. Since cloud and AI are part of that frontier, why not do it all at once? So even though Dante AV is not yet widespread, the Audinate ecosystem is expanding in multiple directions. Don’t forget Dante Studio. Audinate is intersecting with interoperable, production-ready, cloud-based, AI-driven AV at an interesting time when it’s still not clear what all that will mean. It’s also not clear whether any ecosystem—proprietary or standards based—will dominate.
Speaking of dominating, the other news is a new standards competitor, maybe. For sure there’s a new acronym. GPMI is General Purpose Media Interface. It’s a wired communication standard that comes from the Shenzhen 8K UHD Video Industry Cooperation Alliance, which is made up of about 50 Chinese companies and the Chinese government. It supports 8K, and reportedly has a bananas max bandwidth of 192 Gbps while delivering 480W of power (via the GPMI-B cables). That’s twice as much bandwidth as DisplayPort 2.1 UHBR20 and HDMI 2.2. Looking at it another way, when Thunderbolt delivers 240W of power, it’s with a bandwidth of 40 Gbps. So the Alliance is chasing the one-wire dream with GPMI.
WWW.SVCONLINE.COM
FOLLOW US @SVC_Online
https://www.facebook.com/svconline CONTENT
Content Director Cynthia Wisehart, cynthia.wisehart@futurenet.com
Associate Content Director Derek Wiley, derek.wiley@futurenet.com
Contributors Bennett Liles
Art Editor Rob Crossland, Sam Richwood Production Managers
Nicole Schilling, Heather Tatrow
ADVERTISING SALES
Managing VP of Sales, B2B Tech
Adam Goldstein, adam.goldstein@futurenet.com, 212-378-0465
Sales
John Casey, john.casey@futurenet.com, 845-678-3839
Janis Crowley, janis.crowley@futurenet.com, 845-414-6791
Debbie Rosenthal, debbie.rosenthal@futurenet.com, 212-378-0465
Zahra Majma, zahra.majma@futurenet.com, 845-678-3752
SUBSCRIBER CUSTOMER SERVICE
To subscribe, change your address, or check on your current account status, go to www. mysvcmag.com and click on About Us, email futureplc@computerfulfillment.com, call 888266-5828, or write P.O. Box 1051, Lowell, MA 01853. LICENSING/REPRINTS/PERMISSIONS
Sound & Video Contractor is available for licensing. Contact the Licensing team to discuss partnership opportunities. Head of Print Licensing Rachel Shaw, licensing@futurenet.com
MANAGEMENT
SVP, MD, B2B Amanda Darman-Allen
VP, Global Head of Content, B2B Carmel King MD, Content, AV Anthony Savona
Global Head of Sales, Future B2B Tom Sikes Managing VP of Sales, B2B Tech Adam Goldstein
VP, Global Head of Strategy & Ops, B2B Allison Markert, VP, Product & Marketing, B2B Andrew Buchholz
Email cynthia.wisehart@ futurenet.com
Website https://www.svconline. com/circuit
Instagram https://www.instagram. com/svconline/ X (formerly Twitter)
@SVC_Online
https://x.com/ SVC_Online
https://www.linkedin. com/groups/2757484/
GPMI also has a USB-C cable which delivers half the bandwidth and power (so more like HDMI 2.2). There hasn’t been much in the way of explanation of why there are two different cables under the GPMI umbrella or how that plays into the competitive roadmap. There’s no product yet, and LG, Samsung, and Sony haven’t committed (though Hisense, Huawei, and TCL have). For now it’s just some tantalizing news for those of us who
Head of Production US & UK Mark Constance Head of Design, B2B Nicole Cobban FUTURE PLC
130 West 42nd St., 7th Floor, New York, NY 10036
26North has announced it will be acquiring a controlling stake in AVI-SPL from Marlin Equity Partners and other selling shareholders. Marlin and select shareholders will retain a minority interest in the company, while financial terms were not disclosed.
AVI-SPL, which serves over 86% of the Fortune 100, delivers missioncritical audio-visual, collaboration solutions and experiential technology that power the modern workplace, spanning installation, integration, and managed services across North America, South America, Europe, the Middle East and Africa (EMEA), and the Asia-Pacific regions.
“AVI-SPL exemplifies the kind of business we seek out at 26North—resilient, essential, and built for long-term growth,” said Mark Weinberg, Head of Private Equity at 26North. “It operates in an expanding market, holds a leadership position, and serves a diversified, blue-chip customer base.”
This marks 26North’s third investment by its Private Equity platform, following its 2024 acquisitions of ArchKey Solutions and Onelife Fitness. It is the strategy’s first transaction in the technology, media, and telecommunications sector.
https://tinyurl.com/3by54xvw
Writer
DEREK WILEY Associate Content Director
Anker recalls over 1 million power banks
Anker has issued a massive recall affecting over 1 million power banks sold in the US between June 1st, 2016, and December 31st, 2022. The company says that the affected model, Anker PowerCore 10000 (model A1263), “may pose a fire safety risk due to a potential issue with the lithium-ion battery.” It has been determined that the battery’s propensity to overhead can lead to melted plastic, smoke, and fire.
According to the US Product Safety Commission, (CPSC) Anker has been made aware of 19 reports of fire and explosions caused by the defective chargers, which included minor burn injuries and over $60,000 of property damage.
As a result, Anker urges the public to stop using the affected units immediately, and is offering a free replacement. Those with Anker PowerCore 10000 units with eligible serial numbers can visit Anker’s website for their free replacement. Anker and the CPSC recommend those with affected models look up local guidance on how to dispose of their chargers. https://tinyurl.com/yc5zdc8u
The Defense Advanced Research Projects Agency (DARPA) has announced that, via a series of recent tests in New Mexico, it has set multiple new records for wirelessly transmitting power over a distance. As part of DARPA’s Persistent Optical Wireless Energy Relay (POWER) program, a team was able to record a 30 second transmission of more than 800 Watts of power over a distance of 5.3 miles. The agency goes on to state that over the course of the test campaign, it was able to wirelessly transmit over a megajoule of energy.
For reference, DARPA states that “previously, the greatest reported distance records for an appreciable amount of optical power (>1 microwatt) were 230 watts of average power at 1.7 kilometers for 25 seconds and a lesser (but undisclosed) amount of power at 3.7 kilometers.” This means that the agency was able to achieve more than double the energy transfer over double the distance. These new tests were conducted in a manner that required the transmission to pass through the thickest part of the atmosphere, as the team wished to replicate less-than-ideal scenarios that may be encountered in the field. tinyurl.com/5be7b7px
Once heralded as the future of in-car AV, the auto industry has spent the latter half of the last decade slowly distancing itself from mobile platforms like Android Auto and Apple Carplay. In an era where in-car navigation was scarce and lackluster at best, the ability to pair a vehicle with the driver’s mobile device to control everything from entertainment to weather alerts caught on quickly. However, native support for these programs is starting to dwindle with each year, with notable manufacturers such as Tesla and General Motors opting for their own platforms.
The reason for this trend, it turns out, has less to do with the programs themselves and more to do with your data. When a driver opts to use Apple Carplay or Android Auto instead of a vehicle’s native infotainment system, the user’s data is harvested and stored by that platform and its associated company instead of the car manufacturer. As the lines continue to blur between cars and personal electronics, this data has become more valuable to auto companies. https://tinyurl.com/2s3zj36w
5The HDMI Forum announced the release of HDMI 2.2 during an online press conference, revealing new details about the updated standard. These include a higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology for a wide range of device applications. Higher resolutions and refresh rates are supported including up to 12K@120 and 16K@60. Additionally, more highquality options are supported including uncompressed full chroma formats such as 8K@60/4:4:4 and 4K@240/4:4:4 at 10-bit and 12-bit color.
“Ultra96” is a feature name that manufacturers are encouraged to use to indicate a product supports a maximum of 64Gbps, 80Gbps or 96Gbps bandwidth in compliance with the HDMI 2.2 Specification. Products that market or display the Ultra96 feature name require the Ultra96 HDMI Cable to ensure a product’s maximum bandwidth is properly supported. The new Ultra96 HDMI Cable supports up to 96Gbps and all HDMI 2.2 applications. The current Ultra High Speed HDMI Cable is applicable for system configurations supporting up to 48Gbps maximum bandwidth.
The Ultra96 HDMI Cable, just like the Ultra High Speed HDMI Cable, is part of the HDMI Cable Certification Program requiring each model length to be tested and certified and display a Certification Label. https://tinyurl.com/3428zduy
6“The whole idea is to replace the system. No more floppy disks or paper strips,” acting FAA Administrator Chris Rocheleau told the House Appropriations Committee earlier this week, outlining a plan to update the nation’s Air Traffic Control system. As reported by Tom’s Hardware, the FAA’s appeal to the House Appropriations Committee reflects the desire to replace infrastructure that is not only outdated, but unsustainable. Transportation Secretary Sean Duffy also commented,”This is the most important infrastructure project that we’ve had in this country for decades. Everyone agrees — this is non-partisan. Everyone knows we have to do it.” Duffy claims that the Transportation Department’s goal is to have this overhaul finished within four years, while industry experts doubt this timeline is possible. Part of the the project’s complexity is the 24/7, critical nature of the Air Traffic Control system, making it impossible to shut the whole system down at once to replace. Still, the FAA put the call out to companies who say they are up for the monumental task, including announcing several ‘Industry Days’ that would allow companies to showcase their technologies to the Transportation Department https://tinyurl.com/2p9vdefv
12th Knot, the rooftop cocktail bar at the riverside Sea Containers Hotel, is known for its stunning city views and upscale atmosphere in a prime location on the South Bank. When the time came to upgrade its audio system, the hotel turned to its trusted technology partner, Tateside, who already provides managed AV services across various areas in the hotel. The client envisaged a new audio solution that would complement, rather than compromise, the carefully curated ambience of its popular rooftop destination.
“We’ve worked on projects throughout the Sea Containers hotel for a long time, including the cinema, background audio systems and the event space,” says Jack Cornish, technical director at Tateside. “When it came time to upgrade the 12th Knot bar, they trusted us to deliver something special.”
The existing audio system at 12th Knot was no longer meeting the evolving needs of the space. Over time, its coverage had become inconsistent, with components frequently being moved to accommodate different events, ultimately detracting from the overall aesthetics of the venue. The client approached Tateside with a clear goal: to modernize the system, improve coverage across the entire bar and make the setup more discreet and better integrated with the surroundings.
“It was time for a proper upgrade, and 1 Sound stood out as an ideal
solution,” says Cornish.
Tateside designed a new sound system from the ground up based around 1 Sound loudspeakers to address both technical and aesthetic concerns. In the interior bar area, the team installed twelve 1 Sound C8i coaxial 8-inch and two C4i 4-inch loudspeakers, chosen for their small form factor and sound clarity. For the low-end, six 10-inch SUB310s, also from 1 Sound, are flown out of immediate sight lines, further preserving the all-important look and feel of the space. With triple 10-inch subwoofers, the SUB310s offer similar performance to larger models, but with a much smaller footprint. Tateside commissioned bespoke metalwork to secure this new loudspeaker system. Two additional 1 Sound C8i loudspeakers for monitoring are installed in the DJ booth, which plays host to DJ sessions every weekend.
A Netgear managed switch takes care of advanced signal management. Day-to-day system control is via a wall-mounted QSC touchscreen controller and simplified Pragma Someo PoE wall controllers, giving 12th Knot staff accessible control of source selection and music volume.
“We’ve been working with Sea Containers as a client for a while now, and this project represented the next evolution in our long-term relationship,” notes Cornish. “We’re really pleased with the result and the opportunity to showcase these high-end audio products along with our own expertise and skills.”
Founded in 1994 by Chef Nobu Matsuhisa, actor Robert De Niro, and movie producer Meir Teper, Nobu has long been a global icon of fine and adventurous dining. The first Canadian location of the brand in Toronto is part of the Nobu Hotel, Restaurant & Residences project, the latest addition to the city’s nightlife scene. The 10,000-square-foot, two-level, 278-seat restaurant includes separate bar and lounge spaces, two private dining rooms, a sushi bar, and an outdoor terrace. Nobu Toronto comes with high-end sonic ambiance as well, thanks to an L-Acoustics X Series professional sound system designed by local consultant Mulvey & Banani Audio Visual, integrated by The 192 Group.
“A venue like this is going to be more than a restaurant, so it has to have more than just a sound system,” explains Corry McGibbon, President of The 192 Group. “Throughout Nobu, everything is very, very high end,” he continues.
One of the primary challenges of this project was to integrate powerful sound into the venue’s architecture. “We landed on L-Acoustics – it is one of Nobu’s existing brand standards – because it blended in perfectly,” states Gregory Rushton, Vice President at Mulvey & Banani Audio Visual. “X Series are high-performance speakers in a very small package.” The venue required
even sound coverage throughout the cavernous space and it needed to be powerful enough to provide both dynamic background music and eventgrade reinforcement for visiting DJs.
The L-Acoustics installation at Nobu Toronto features a distributed system of 22 coaxial X8 enclosures, one larger X12, and 25 ultra-compact 5XT speakers, plus a dozen ceiling-mounted SB10i subs, spread over two levels. Everything is driven by LA7.16i and LA4X amplified controllers.
The bar and dining areas are separated into multiple zones, and McGibbon credits the LA7.16i with helping the venue manage the complexities. “It gives us a lot of flexibility to attain full coverage, managing the quantity of speakers and achieving quality audio in all of the zones within the space,” he says. “The subs, in particular, add to the nightclub feeling, without overpowering diners.”
Nobu’s new L-Acoustics professional sound system delivers on the venue’s high-end ambitions. Initial feedback from high-end events, such the recent Toronto International Film Festival and Fashion Toronto, have been positive. “Nobu Toronto represents the next level of sophistication, and it achieves that thanks, in part, to the same kind of sound you’d find at the best concerts, which comes from L-Acoustics,” McGibbon concludes.
As long as there have been signals, signal extenders have been needed. All the way back to those mysterious black cylindrical line amps on roadside telephone lines, we have used these distance helpers. Then digital video took the signal extension concept and market to a much higher level amid an explosion in the variety of video formats. Manufacturers have responded with a plethora of ingenious devices to take any AV format and go the distance.
Contributing Editor
KVM has proven to be a huge application for extension technology and the Adder Technology Adderlink XD150FX is a perfect example. Carrying high resolution video, USB 2.0 and audio signals up to 2.5 miles on single mode fiber, this product adds bidirectional CD quality analog audio and RS-232. Locking power connections assure reliability and there is a web interface for viewing temperature and status.
4K/UltraHD-SDI can ride single mode fiber for over 6 miles to the AJA FiDO-4R and its SDIfiber conversion. This also enables 4 simplex or 2 duplex input connections. Equipped with a universal power supply module, the device is small enough to be placed behind a monitor and it is powered through a locking power connector. An optional P-TAP power cable is available for running on battery.
For running HDMI over inexpensive CAT5e/CAT6 lines, the A-Neuvideo
HDMI input up to 230ft. by HDBaseT conversion. This transmitter/receiver pair also supports Transfer Bidirectional Infrared control. Once connected to an external 24V supply, either unit can power the other via POC (Power Over Cable) with consumption of less than 10W. Display resolutions up to 4K2K@30Hz are supported.
The Apantac Mt Hood HDBT-1-E-II-POE features a 328ft. throw for 1080p HDMI 1.4/HDCP 1.4 over HDBaseT with PoE. Also supported are 3D and CEC pass-through, all frequency IR control, and bi-directional RS-232. Sound capability includes LPCM, Dolby True HD and Dolby Digital audio. The transmitter runs on external 48VDC and powers the receiver on PoE. The receiver is the HDBT-1-R-II-POE.
In addition to analog audio embedding/de-embedding, the ATEN VE1843 takes uncompressed true 4K HDMI up to 328ft. on CAT 6a twisted pair along with full-range IR, bi-directional RS232, Gigabit Ethernet, independent stereo sound and USB 2.0. This small unit is also fitted with mounting flanges allowing it to be attached to walls behind cabinets or video displays.
The Black Box VX-HDMI-4KIP-TX is an IP video extension and distribution instrument with video wall capability.
Extension of multiple signals including 4K/UHD/60Hz video, control, multi-channel audio, Ethernet and power via HDBaseT is all part of the plan with the Atlona AT-HDR-EX-100CEATX transmitter. There is an HDBaseT link status test and indication on the front panel in addition to a USB port for firmware updates. Compatible receivers such as the AT-HDR-EX100CEA-RX can be powered from the transmitter.
PoE simplifies installation and minimizes wiring while control signals include USB 2.0, bi-directional IR, and serial. Also provided is analog audio embedding/de-embedding. The unit connects directly to an existing LAN. The MediaCento system transmits up to 328ft. point-to-point and beyond that through a network switch.
Video format down-conversion is one handy feature of the Bluestream HEX150CS-KIT that allows 1080p monitors to use the 4K output extended by the transmitter. HDMI re-clocking works to resolve any compatibility issues and it works with all known HDMI sound formats. This and a local HDMI loop out are added to all of its standard HDBaseT features.
Extender cables are a vital part of the mix and the C2G C2G54275 Plus Series Active High-Speed HDMI Cable handles resolutions up to 4995x2160 and data speeds up to 18Gbps. On sound, it supports up to 32-channels and a 1536kHz audio sampling rate. Each cable has a CL3-rated jacket for in-wall installations.
Another product with big performance in a small package is the CE Labs HX100M which, over CAT6a, can run 4K/30Hz video up to 328ft. It is powered from a wall transformer at 5VDC/2A. The
powder coated steel chassis makes this device rugged and dependable. Sound support includes LPCM7.1, Dolby TrueHD, and DTS-HD MA.
The Crestron HD-TXC-4KZ-1011G-B is designed to operate with a DM Essentials receiver or DMPS Essentials switcher. After installation into a single gang wall space, it conveys 4K60 4:4:4 video, RS-232 serial control signals, and IR over CAT5e or higher cable for a distance up to 130ft. For 1080p WUXGA, and 2K signals it can reach 230ft.
Another powerful HDBaseT extension contender is the Aurora HT-TX1-WP2-B with 4K60 4:4:4 18Gbps and HDR uncompressed video, 1Gbps Ethernet, 480Mbps USB 2.0 with directional control, an audio fiber output, audio DSP, and an audio return channel (ARC). There is also a 2-channel Dante/AES option and a ReAX IP control engine option. All this capability is contained in a 2-gang wall
For DisplayPort extension on fiber, the DVIGear DVI-7380 supports many formats including resolutions up to 8K@30Hz. Bidirectional IR, RS-232, and Ethernet on two ports can reach beyond 5 miles on a single mode line or over 1000ft. on multimode. This eliminates grounding and induced interference trouble. As many as 32 channels of uncompressed PCM audio are also carried.
box with a Decora wall plate in black or white. Extending computer and video resolutions up to 4K/60 @ 4:4:4 is demanding and the Extron DTP3 T 301 does this along with USB 2.0, bi-directional RS-232, and embedded HD lossless audio formats. On the front panel is a USB-C connector for firmware updates and configuration. It supports ultra-wide aspect ratios, including 21:9 and 5K and is HDCP 2.3 compliant.
KVM extension represents a very large market and the G&D VisionXS-CPU-C-Type C-UHR handles this as well as audio and USB along a dedicated CAT or fiber line for DisplayPort 1.2 at a resolution up to 4096x2160/60 or 5120x2160/50. A separate USB connection can be connected and if used, it has priority. Audio capabilities include 2-channel LCPM, AC3, and DTS.
For maximum functionality with minimum footprint and cost, the Gefen GF-HD48G-1MPO HDMI 2.1 optical fiber extender reaches 330ft. with 8K/4K UHD resolution on multimode fiber. Support includes CEC control, EDID, and HDCP 2.3. Each unit of the pair comes with a small 5V/2A DC power supply that consumes less than one watt. Sound formats such as 8-channel PCM, DTS Master, DTS:X, Dolby TrueHD, and Dolby Atmos can accompany video.
The Hall Technologies HT-DSCV3-WP is a single gang fitting wall plate for the USB 3.2 Gen 1x1 standard that allows a 5 Gbit/s data transfer rate when paired with the HT-DSCV3-RX or HTDSCV3-RX-WP receiver. Either unit can power the other across the HDBaseT link on Cat6a/7 to nearly 300ft. For USB-C charging, the PSE power module can apply 90W and there is RS-232 pass-through. For high resolution video via HDMI interface, signal reach up to 6 miles, and wide compatibility with all major operating systems, IHSE Draco Vario Ultra HDMI 4K30 extender is a single rack space solution. It supports a maximum 4K/30Hz and 2K/60Hz and carries the video 459ft. on Catx cable and 32,808ft on single mode 9μm fiber. Optional interfaces include USB 2.0, embedded analog audio
with RS232 or RS422, digital audio, PS/2, balanced audio.
4K video and LPCM sound on 8 channels are some of the features of the Just Add Power 767AES encoder in addition to RS-232, CEC, and IR along with a local HDMI loop out. These are all carried on CAT5e or higher twisted pair cable. The unit can be operated with any of the company’s Ultra or Omega extension devices.
The KanexPro EXT-USB3100M can take USB 3.0 to 328ft. on CAT6a cable as well as RS-232 control with a flow rate of 5Gbps.
Installation and cabling are simplified by its support for bi-directional 24V power over CAT (PoC). The front panel has a 4-pin Phoenix terminal for the serial control, USB-C connector for updates, link status indicator, and a power LED.
One of the most useful signal formats is USB and it is among the least capable of long reach on its own but the Kramer
cable using HDBaseT. The receiver can also serve as a USB hub. One end can power the other but when the receiver uses a direct power supply, fast USB charging is available on its three ports.
DVIGear’s 4K HDMI and DisplayPort Fiber Optic Extenders are highperformance, cost-effective Optical Extenders designed to meet and exceed the most demanding system requirements. They support uncompressed, high-resolution signal distribution over very long distances using only a single fiber optic cable. These models offer embedded audio, bi-directional IR, RS-232 and two 10/100 BaseT Ethernet ports.
The DVI-7365 4K HDMI Fiber Optic Extender supports HDMI 4K /60p, with signal extension over cable distances of up to 1.86 mi. (3,000 meters). For added versatility, these units provide Advanced EDID Management.
Contact us today to learn more or to request a free demonstration.
sales@dvigear.com (888) 463-9927 www.dvigear.com/optical-extenders.html
The DVI-7380 DisplayPort Fiber Optic Extender supports DisplayPort HBR3 signals with resolutions up to 8K /30p. It can extend these signals over cable distances of more than 5.0 miles (> 8,000 meters) using single-mode fiber (SMF).
SDVoE compatible HDMI 2.0 over fiber link is accomplished by the Lightware HDMIOPTX-TX100A transmitter, sending single source HDMI 2.0 compliant video, audio and control signals over six miles to the HDMI-OPTX-RX100A receiver. Other features include HDCP 2.3 and basic EDID management which make these units easy to integrate into systems with third party devices.
DisplayPort and USB 2.0 are two of the most often needed formats for extension and the PureLink DOF-T2.0 Tx/Rx specializes in running these with 4K60 video on fiber. On single mode, they can go up to 1.24 miles. There is also real-time auto-EDID management along with RS-232 and bi-directional IR control. Among the wide variety of sound formats supported are LPCM 7.1 audio, Dolby TrueHD, Dolby Atmos, DTS-HD Master Audio, and DTS:X.
Capable of providing KVM extension of 4K UHD or feeding quad DisplayPort monitor displays, the Matrox Extio N3408 can function in a point-topoint or networked configuration on CAT cable or fiber. Video, keyboard, mouse, USB 2.0, audio, and RS-232 signals are delivered over the direct Ethernet or fiber connectors for LAN, WAN, or internet. On a Gigabit network switch the mode of operation can be one-to-one, one-to-many, many-to-one or many-to-many. AES encryption assures signal security.
The Opticis HDX-1F20-TR extends video at
resolutions up to 4096x2160@60 as far as 984ft. on LC multi-mode fiber (OM3) in addition to nearly ten more feet on copper to the transmitter and receiver. Its advanced Diagnosis function provides remote monitoring and management for parameters including bandwidth, EDID/DPCD information, operating voltage, and temperature. It is also compatible with the BR-600 Power Rack for central management of up to eight Opticis diagnosis extenders.
The RGB Spectrum CAT-Linx 3 Signal Extender can send up to 4K Ultra HD at 60Hz on CAT 5e/6 cable enabling a distance of 328ft. for HD video and 230ft. for 4K Ultra HD. This model has wide compatibility with RGB Spectrum and other AV units. It adds IR and serial control while installation is facilitated through Power-over-CATx.
Uncluttered simplicity for sound extension shines with the RDL D-TPS2A active 2-pair sender that conveys two unbalanced -10dB RCA connected audio inputs through RJ45 jacks on twisted pair with power pass-through. There is a local 24VDC power input on the rear panel of this single gang wall device and a blue LED on the front indicates power.
A very reliable and well known extension solution, the RTI VEX100-18G-KIT takes Ultra HD video with HDCP 2.2 support all the way to 328ft.
using HDBaseT. Running with that is bi-directional IR, RS-232 and PoH (Power over HDBaseT) on a single CAT-5e or higher cable. The system also supports ARC (Audio Return Channel) from a connected display via HDMI or optical digital inputs.
An HDMI 2.0 KVM fiber extender, the SmartAVI HFX-KM handles video resolutions up to 4K/60 Ultra HD. The transmitter and receiver units operate on external 12VDC from their power adapters and support stereo sound in addition to RS-232 serial control on 3-pin Phoenix connectors. USB, keyboard and mouse extension/emulation are transmitted up to 1.2 miles.
a stand-alone version.
The tvONE Magenta Research MG-AOC-663-100
Thinklogical
12G-SDI
Extenders Snap One Binary B-660EXT-444-40
The Snap One Binary B-660-EXT-444-40 HDBaseT extender includes bi-directional PoC so that only the transmitter or receiver needs external power. Bi-directional IR, RS-232, and CEC passthrough are also featured in a very small footprint system. These signals are all carried on CAT cable. 4K60Hz can go to 115ft. on Cat 5e/6 while on Cat 6a/7 this resolution is supported up to 130ft.
Designed especially for long extension of single 12G-SDI, dual 6G-SDI, and quad 3G-SDI formats,
Low Smoke Zero Halogen active optical cable (LSZH) is made to protect workers from toxic fumes in the event of a fire and it runs 4K60 4:4:4 video to 328ft. using no external power. An optional armored core with watertight caps is available as well as a choice of UL rated Plenum (CMP). The cable has HDCP and EDID support with no signal loss.
As previously mentioned, one of the most useful signals is USB and version 3.2 is extended and distributed to three receiver USB connections with Vanco EVEXUSB32 transmitter/receiver pair. Either end can power the other via PoH and the pair allows 5Gbps data transfer up to 328ft. This runs on a single Cat6a cable using the HDBaseTUSB3 standard. Power is delivered from the receiver’s two 1.5A labeled ports and two 1A ports.
Upscale home theater has become another significant market for digital A/V signals and the Wyrestorm EX3100-EARC allows them to travel up to 328ft. on Cat6a. HDBaseT 3.0 carries 4K/60 HDR and Dolby Vision sources and it includes Dolby TrueHD/
sound. Pass-through options such as IR, RS-232 and LAN make it possible for control on many types of custom home AV systems.
The Zigen ZIG-POEPRO-100A system is a pair of small, tough metal units that use HDBaseT to extend 4K/60Hz 4:4:4 HDMI 2.0, bi-directional IR, RS-232, and ARC on a single UTP/STP cable. The ZIG-POEPRO-100A (Tx) detects and powers PoE IEEE 802.3af devices up to 25W and the link is monitored for any anomalies. Autonomous EDID management matches signal
For bars, nightclubs, and restaurants, sound is the vibe. A looming club tower may be part of the drama, or a discreet, nuanced system may invisibly control the room’s ambiance. New technology has increased the ways that a room can be shaped by sound both physically and electronically.
Austin’s new Jupiter Supper Club is a perfect example. It isn’t just another high-end dining and entertainment establishment—it’s an immersive, multi-sensory experience where no detail has been overlooked, from fine dining to distinctive sound. The venue showcases Meyer Sound systems throughout, with its crown jewel—the intimate Nova Lounge live music room—powered by a Constellation acoustic system for unrivaled sonic versatility.
Jupiter Supper Club is the vision of Bill and Lara Perkins, a hedge fund manager and entrepreneur who were aiming high for their first hospitality venture. “Our search was singularly for the best sound,” says Bill Perkins. “We flew to Meyer Sound’s headquarters in California to listen to their speakers, and these were very, very good speakers. But while we were there, they introduced us to Constellation. They had it on while they were talking to me, then turned it off. It blew me away—and I was like, ‘well, now I have to buy this Constellation sound system.’”
Housed in a historic downtown Austin building, Jupiter Supper Club blends Gilded Age opulence with cutting-edge technology, offering a meticulously curated experience for members and guests alike. Inside, four sumptuous spaces—the Nova Lounge, the Library Lounge, the Bar, and the Terrace restaurant—set the stage for fine
dining, socializing, and world-class live music performances.
While each room is outfitted with Meyer Sound loudspeakers—custom painted to match the venue’s luxury finishes—the Nova Lounge stands out. Designed as an intimate performance space with seating for just 30 guests, the Constellation system transforms the room’s acoustics at the push of a button.
“We wanted to create an environment that could be whatever we wanted it to be without having to think about the future,” says Perkins. “One of the things that the Constellation system allows us to do is to shape the room sonically any way we want. Right now, we have nine presets, but as we get going, those nine buttons might be 25. It’s a playground.”
Constellation allows the Nova Lounge to adapt to a range of performances, from jazz combos and singer-songwriters to DJ sets. “Artists and guests have been blown away by how good it sounds,” says Perkins. “It’s immersive without cranking the volume—more like a warm bath of sound than just blasting music at you.”
Sound systems and active acoustics were designed and integrated by technology solutions provider Ford AV in collaboration with the Meyer Sound design team. The Nova Lounge’s Constellation system features 12 Ashby-8C ceiling loudspeakers, 16 UP-4slim ultracompact installation loudspeakers, six MM-10 miniature subwoofers, and an array of concealed microphones, all managed by the new NADIA-CP integrated digital audio platform. Other speakers in the lounge include two Acheron screen channel loudspeakers,
two USW-210P compact narrow subwoofers, two ULTRA-X20 compact point source loudspeakers, and two MJF-208 high-power stage monitors.
“Jupiter’s Nova Lounge live room is a hybrid Constellation system unlike anything we’ve seen,” says Ford AV Audio Engineer Jon Atkinson. “The room is so intimate that performers can sing completely acoustically, and the system will still immerse the audience without excessive volume. The first time we ran a demo, musicians were stunned.”
Elsewhere in the venue, custom-painted UP4slim ultracompact installation loudspeakers and ULTRA-X22 compact point source loudspeakers, along with numerous Ashby ceiling loudspeakers, provide seamless sound in the Library Lounge, The Bar, and the Atrium Dining Room. Systems are managed by the Galileo GALAXY network platform with NADIA-CP used for the Constellation room.
“I’ve been into a lot of spaces, bars, clubs—you name it,” says Robert Burt, Project Manager at Ford AV. “And I’m going to venture to say that this is the best sound system in Austin.”
Eos & Nyx, a premier dining destination in the heart of San Jose, has elevated its ambiance with a meticulously designed d&b xS-Series sound system, meant to disappear visually while shaping the experience sonically. The virtually invisible installation was provided by Commercial Audio Video Solutions who worked closely with Basile Studios, the design firm responsible for the restaurant’s interior. The design process was highly collaborative, balancing acoustic performance with aesthetic considerations.
Developed by Mo Hospitality and opened in December 2024, Eos & Nyx is celebrated for its innovative menu that highlights the best of California’s seasonal ingredients, complemented by Mediterranean influences. Deriving its name from the Greek goddesses of day (Eos) and night (Nyx), Eos & Nyx offers a unique blend of culinary artistry and sophisticated design.
Their overall goal with the installation was to create an audio environment that matched the high standards of Eos & Nyx’s cuisine and décor. Co-owner Dan Phan was specific in the objectives they were trying to accomplish:
“First and foremost, we wanted to maintain the elevated audio standard found across all Mo Hospitality locations. We also needed to ensure the audio system was discreet, seamlessly blending with the restaurant’s sophisticated
aesthetic,” commented Phan. “Moreover, we needed to accommodate a diverse range of audio applications, from everyday ambient background music to foreground DJ settings during our Sunday brunch. In a similar vein, because we wanted to offer flexibility for special and corporate events, our system had to provide customized sound zoning, allowing for different audio levels and sources in various parts of the restaurant.”
Don Lynch from Commercial Audio Video Solutions describes his process. “I recommended d&b audiotechnik xS-Series loudspeakers because of their consistent coverage, high-quality sound, and capability to meet the restaurant’s specific needs without compromising the visual design,” said Lynch. “As with every installation, our design started in ArrayCalc software. Loudspeaker placement was carefully considered to ensure optimal coverage while minimizing visual intrusion. In some instances, this required creative problem-solving with the design team. ArrayCalc proved critical here as it allowed us to fine-tune speaker alignment for consistent audio coverage throughout the restaurant. I’m proud to say that every speaker was custom color-matched to its surroundings; you really need to know what you’re looking for in order to spot them.
“The main dining room features four d&b 24S point source loudspeakers, chosen for their extended low-frequency output, which, in conjunction with the CPL filter in the d&b amplifiers, negated the need for subwoofers in this area,” Lynch continues. “We mounted the loudspeakers high and aimed them down to the listening area which avoided unwanted reflections from the open ceiling and glass facade.” They’re
powered by a 30D amplifier.
“The two bar areas, located on the mezzanine and ground floor, utilize d&b 8S loudspeakers,” Lynch continues. “We cleverly nestled the 8S speakers within the I-beams and custom paintmatched them to blend with the steel structure. In addition, custom-colored 5S speakers were installed around the perimeter of the rooms to ensure even coverage. The client wanted more low frequency impact in the bar areas, so we hid ultra-compact Bi8-SUB subwoofers above an acoustically transparent ceiling.” The bar areas are powered by two 5D amplifiers.
“Our patrons enjoy a clear and full sound that enhances the ambiance without being intrusive,” co-owner Phan enthuses. “Personally, I find our d&b system provides excellent clarity in vocals and a balanced mix of mids and lows, creating an immersive and enjoyable audio environment. For the restaurant, it’s not just about the sound quality: the zoning capabilities and ease of use of our system have made it simple for our staff to manage audio levels and sources throughout the venue.”
The DisplayNet DN-300 Series delivers an unprecedented level of AVoIP performance, versatility and reliability— at a price point that defines the industry benchmark for value. Based on the latest SDVoE technology, the DN-300 Series provides 4K/60 (4:4:4) video distribution with limitless scalability, zero-frame latency and zero image artifacts.
These units offer unique features that provide system designers with exceptional versatility:
Switchable Transmitter / Receiver operation
Bi-directional Transceiver mode (DN-300T)
Dual (copper / fiber) 10G network interfaces
Long Range: 100 meters (copper), 30 km (optical)
Auxiliary H.264/5 video output streams
Powerful network security features
PoE+ support
Silent, fanless operation
Ultra-compact, rackmountable case
Versatile KVM Routing
DN-300H: USB HID device instant switching
DN-300T: full-bandwidth USB 2.0 routing
DisplayNet also provides software-defined MultiViewer and Advanced Video Wall engines that power a wide range of applications without the expense and complexity of ancillary products. A highly intuitive web-based UI and API greatly simplifies setup and installation, as well as integration into third-party control systems.
Contact us today to see how DisplayNet can move your next AV system into the future.
sales@dvigear.com
(888) 463-9927
www.displaynet.com
Sometimes I have to laugh when a client remarks on how many cables are in a system. In many cases there are only a handful and I think back to production facilities that use thousands of cables. But anyone who’s done residential AV knows how even one wire can be perceived!
Writer ERIC WENOCUR Lab Tech Systems
Nevertheless, cable counts have fallen dramatically over time, mainly due to the advent of digital signals, multiplexing, and networking. I believe it’s necessary to think about signal transport, because there are many ways to get audio and video between devices or locations independent of the signal or the medium.
Arguably, one of the positives about AV moving onto Ethernet networks is that signal transport becomes simpler. Follow the rules for networking and whatever payload you send will get there. But not everything should travel as network data, and some things likely never will.
So transport may mean coax, audio or CATegory cable; HDMI and similar; LAN, WAN or internet; USB or Thunderbolt;
or a fiber optic link. And those are just examples with physical connections. Through-the-air transport includes microwave and satellite, conventional TV and radio broadcasting, Wifi (wireless Ethernet), infrared, and other options across the RF spectrum.
Along with many of these transport methods come protocols that operate within equipment to format data for a particular medium and negotiate between sender and receiver. In some cases, the protocol is the transport mechanism, having no relationship to the carrying medium.
The sections below attempt to organize modern and “legacy” transport methods into common groups. The grouping is not perfect, some transport types may be missing, and there’s a lot of overlap and ambiguity, so terms like “format” and “connection” mostly serve to get the idea across. It’s not feasible to explain all the underlying technical details here, so that is left for the reader to research as needed.
One critical point is that similar or identical cables and connectors may carry entirely unrelated, incompatible signals!
Active / Passive
Active cables or adapters include powered circuits for signal conditioning. Passive means only wires and connectors.
Baseband A signal that directly represents the payload without being carried within another signal type (eg: analog, SDI, AES)
Handshaking Bi-directional metadata exchange between source and sink devices
Mechanism The thing that makes something happen
Medium Electrical pathway (physical or airborne) that carries the signal
Payload The audio or video content that is ultimately being transported
Protocol Set of rules for exchange of data between devices or systems
This category covers transport methods that are unidirectional--signals move only from source to destination. These methods are generally the oldest and usually carry baseband signals, except as noted.
Payload Common Terminology
Analog audio Microphone, line level, speaker, headphone Single twisted-pair, multi-pair, coax, misc.
Analog audio Audio balun
Desktop/local, facility
Balanced audio on CAT5/6 Facility
Analog video Composite, component, VGA, other Coax, multi-coax
Digital audio AES3, MADI, S/PDIF, ADAT, other Twisted pair, coax, fiber
Digital video/audio SDI (serial digital interface) Coax
Analog video/ audio CATV, MATV
Digital video/audio QAM
Digital video/audio ATSC 1.0/3.0 broadcasting (DTV)
Analog or digital audio AM, FM, shortwave, etc.
Audio, video, other Other RF (microwave, satellite, infrared, laser, etc.)
Desktop/local, facility (limited length)
Desktop/local, facility (moderate length)
Desktop/local, facility (moderate length)
Modulated RF on coax (not baseband) Facility, campus
Modulated RF on coax (not baseband) Facility, campus
Modulated RF over-the-air (not baseband) Any
Modulated RF over-the-air (not baseband) Any
Modulated RF over-the-air (not baseband) Any
Note that “conventional” OTA broadcasting has one important attribute not shared by most other transport methods: inherent one-to-many distribution. This makes it ideal for certain types of communication, such as emergency notifications, as well as efficiently reaching a large audience.
This category covers analog and digital transport that includes bi-directional communications between source and sink devices, usually to establish compatible parameters.
Analog video VGA (with DDC/EDID)
Analog & digital video DVI (single-link, dual-link, may have analog pins) *
Digital video/ audio DisplayPort/MiniDP *
Digital video/ audio HDMI *
Digital video/ audio HDBaseT (HDMI plus other signals)
Coax, multi-coax Desktop/local, facility (limited length)
Special cable Desktop/local
Special cable Desktop/local
Special cable Desktop/local, facility (limited length)
CAT5/6 Facility (moderate length)
* Note: VGA and DVI analog (DVI-I or DVI-A) are compatible with passive adapters. DVI-D and HDMI are compatible with passive adapters. HDMI and Displayport are partially compatible with passive adapters (cannot go HDMI to DP passively).
This category includes transport modes that have no “native” signal format or medium. That is, the hardware or software devices use protocols to establish the nature of the connection and what happens to the data.
A typical example is streaming, where the mechanism is Ethernet (wired, wireless or the internet) and the transport is handled by a protocol like RTMP. In this case protocols may be chosen for specific reasons, but the underlying transport mechanism is essentially the same.
Digital video/audio UVC, UAC (UCC conferencing)
Digital video/audio Audio and video hardware interfaces
Digital video/audio Computer monitors (HDMI/Displayport)
Digital audio Audio over Ethernet or IP (eg: AES50, AES67, Dante...)
Digital video/audio Video over IP (eg: SMPTE ST2110, NDI, IPMX...)
Digital video/audio RTMP, RTSP, SRT, RDP, RIST... (streaming protocols)
In the early days of HDMI I seem to recall that cable length was supposed to top at around 20 feet, but we all know that HDMI cables can work at much longer distances. In some cases, this can be achieved simply by how the cable is designed—using larger conductors, reducing capacitance, better internal shielding, and other techniques can improve signal recovery.
Beyond that are cables that include active signal amplification, handily powered by the HDMI interface itself. Even more distance can be achieved by cables that convert the copper HDMI to fiber optic and back. Extension technologies like HDBaseT are another option.
As is always the case, when data rates go up, distances on simple copper cables go down. So passively extending USB 1.0 beyond the “official” 15-foot limit may be workable, but not so with USB 2, 3 or Thunderbolt. Which is why active copper or fiber extenders are available for USB and Thunderbolt. Ironically, the very signal formats that have reduced the number of cables
Using USB physical connections to bring video and audio into a conferencing app like Zoom is kind of an odd case. This approach uses UAC (USB audio device class) and UVC (USB video device class) drivers included in computer operating systems to recognize and receive content from webcams and other devices. USB, which is a generic data path, is the underlying transport mechanism, and UAV/UAC are enabling conduits/protocols.
It’s important to make the distinction between USB in UAC/UVC applications, versus
USB
USB, Thunderbolt
USB-C, Thunderbolt
Ethernet networks (or some layers)
Ethernet networks
Ethernet networks
Desktop/local
Desktop/local
Desktop/local
Desktop/local, facility, campus
Desktop/local, facility, campus
Any
also make long runs less feasible!
In a different category, external distribution amplifiers and “boosters” have been around for as long as signals have run on wires. Amplification and cable equalization have always been important for analog video to pass beyond a few dozen feet without degradation. Likewise, amplification and reclocking is often used with SDI video and AES audio.
Amplifiers inherently add noise, but this is mostly a concern with analog audio, where the noise is in the audio band. Digital signals are relatively immune to the kinds of noise created by amplifiers, or picked up on cables, because it does not become “part of” the signal payload. However, digital signals suffer loss of level, rounding of waveform edges, and smearing (jitter) which can make the data unrecoverable— hence the need for reclocking amplifiers which produce a new, clean output signal on long runs.
Fiber optic connectivity is in many ways a unique case. Fiber can, theoretically, carry any
using USB (or Thunderbolt) for audio and video hardware interfaces to connect with production and editing software; for example, an AJA IOX3 interface talking to Adobe Premiere. In this case different OS components may come into play, or drivers may need to be installed for the hardware to be seen. These connections are not UAC/UVC, and particular software applications may or may not support UAC/UVC. Conversely, conferencing apps may support non-UVC devices, in whole or part, but often do not. This changes constantly.
To make things more interesting, because UAC/UVC is fairly universal, manufacturers may include those capabilities in hardware or software (such as the NDI Webcam Input Tool) so that non-conferencing devices can “look like” a webcam. Or, conversely, so that webcams can be used with professional production equipment.
Of course USB-C and Thunderbolt are also used for video directly from computer graphic outputs to displays. These implementations use alternate modes that repurpose some connector pins to carry HDMI or Displayport video instead of other data.
type of signal with the proper interfacing, and exhibits none of the degradation of copper. The light passing through does diminish with distance (optical loss), but that distance may be several kilometers for single-mode fiber.
Not only can fiber carry immense amounts of data, which means that many bitstreams can be multiplexed into a single light wavelength, it can also carry multiple wavelengths of light simultaneously. The science and practice of using fiber has its own rules and methods.
One small note about fiber: In Ethernet environments two strands are generally required for a complete, bi-directional circuit. Just as at least two pairs are used in an Ethernet cable (one pair in each direction between two devices) the same is generally true with fiber; Ethernet connections come in pairs. Because of this, connector polarity must be observed to maintain the correct direction of each fiber in the pair. For more see: https://blog.leviton.com/fiberoptic-polarity-101-b-polarity
Last month, Matrox released this graphics card to drive four 8K displays or up to eight 5K displays from a single slot. Designed to help OEMs, system integrators, AV installers, and developers do more with less, the compact LUMA Pro A380 Octal enables high-density display setups, freeing up PCIe slots, and making it easier to build systems using standard workstations. Combining Intel Arc GPU media engines and Matrox Mura software libraries, LUMA Pro A380 Octal delivers high-density IP stream decoding—supporting up to four 8K60, sixteen 4K60, forty 1080p60, or sixty-four 1080p30 H.265/H.264 streams from a single card. The card also supports advanced HEVC 4:4:4 decoding, enabling full-color fidelity at low bitrates. The high output density of LUMA Pro A380 Octal makes it especially well-suited for control rooms, digital signage networks, and large-scale display walls. The LUMA Pro Series product line is further enhanced by the Mura C4K capture card, which supports up to four 4Kp60 sources from a single-slot card. When paired with the LUMA Pro Series, Mura C4K enables integrators to capture and display HDCP-protected content across video walls and operator workstations.
This new two-input switcher brings USB-C and HDMI connectivity plus HDBaseT transmission into a compact, cost-effective option for flexible BYOD interfacing, single-cable connectivity, and integrated AV and USB extension. The product is a 2×1 switcher and HDBaseT transmitter with USB-C and HDMI inputs, and mirrored HDMI and HDBaseT outputs. With the ability to send 4K video, plus embedded audio, control, and USB 2.0 over distances up to 100 meters (330 feet), the OME-SW21-TX is a compact USB-C and HDMI source connection point. The OME-SW21-TX can be used with Omega Series receivers, switchers with HDBaseT inputs (such as the AT-OME-MS42-HDBT and AT-OME-CS31-SA-HDBT), or as a standalone AV system unit. The OME-SW21-TX includes an internal USB 3.2 Gen 1 hub up to 5 Gbps that includes host switching with USB type B and USB-C host interfaces, plus two USB type A interfaces for peripheral devices such as a speakerphone, microphone, or keyboard and mouse. The hub also supports USB 2.0 up to 480 Mbps for local devices, and up to 120 Mbps over HDBaseT. The USB-C and HDMI inputs, and HDMI output, support 4K HDR and 4K/60 4:4:4 at HDMI data rates up to 18 Gbps. Additionally, 4K downscaling to 1080p is available for the HDMI output when connected to an HD display or projector.
This IP KVM extender forms part of the ALIF matrix solution. It enables the relocation of critical computing hardware into a secure and temperature-controlled environment away from the user workstation; while maintaining a pixel-perfect desktop experience. The ALIF4001 can deliver two 5K video resolutions and ultra-wide video resolutions (5120x1440@60Hz or 5120x2880@30Hz) or higher refresh rates of up to 240Hz (HD@240Hz) over a single IP connection. Using a spatially lossless encoding system, with 1:1 pixel mapping, the ALIF4001 provides color accurate video with no artifacts. The digital video received is the same as the digital video leaving the remote computer. The ALIF4001 allows greater color depth of 10 bits per color (or 30 bits per pixel) and supports both SDR10 and HDR10. The ALIF4001 supports 1 and 10GbE over fiber via the SFP slots along with Multirate (1/2.5/5/10) GbE. This enables premium video performance over standard CAT6 cable up to 100m. Each ALIF4000 series unit can be configured as a simple extender or self-managed distributed KVM switch. Each receiver can see up to 16 sources and rapidly switch between them.
The new and enhanced qualification testing solution is designed to support technology integrators in the field as they install a single-mode or multimode fiber optic network infrastructure. The new Cleerline test kit enables installers to ascertain cable and termination integrity onsite, quickly determining signal dB loss over distance using an OLS (optical light source) OPM (optical power meter) testing platform.
Winners were selected on the show floor from among submitted products by a panel of AV integrators who evaluated the products across criteria including performance for category, ease of installation, value, innovation, and reliability features.
This top-scoring product takes inspiration from JBL’s flagship VTX line; the SRX900 Series’ custom transducers, coupled with JBL’s horn and waveguide designs, deliver performance and output usually only available in more expensive three-way systems. The range is based on JBL’s proprietary Differential Drive dual-voicecoil, dual-gap arrangement design, which claims better heat dissipation, lower power compression, and wider dynamic range than single-coil designs.
The SRX900 powered flyable subwoofer’s 2432H-3 compression driver features a neodymium magnet structure, 3-inch titanium diaphragm and a 1.5-inch exit, for crisp transients, dynamic range and sensitivity beyond 10 kHz. Included are 15inch and 18-inch single woofer models that can be flown and configured with existing SRX900 line arrays and rigging accessories. From the judges: “These speakers displace an impressive amount of air, reproducing music accurately despite the low overall footprint.” “This platform is a winner for integrators; the price point delivers for the bottom line while the new flyable subs deliver rich low frequency beats.” “JBL has integrators and rental shops in mind when they build accessories such as the transport carts and protective covers for rental and staging applications.”
This is a versatile indoor/outdoor workhorse for festival stages, theatrical performances, corporate events, and broadcast applications. The light engine delivers 27,000 lumens of output and a high-intensity beam through its 343 mm (13.5 in) front lens. An array of 234 RGBL LEDs, positioned behind the front lens, creates a pixelated Aura backlight for visual effect possibilities. It also includes a dark lens, offering a discreet look that blends into more décors. A belt-driven zoom system ensures fast and quiet operation.
From the judges: “The Martin MAC Aura Raven XIP is one of the most visually attractive wash fixtures on the market and the outdoor rated system is built to handle whatever mother nature can throw at it.” “It is impressive to see an outdoor fixture that can be used for beam, wash and visual effects without sacrificing brightness.”
The RVOC merges traditional intercom systems with scalable, cloudpowered technology. The platform consists of three core components: RVOC Elevate provides back-office management for enhanced control; RVOC Engine is a redundant cloud-based intercom powered by AWS; and RVOC Edge is a mobile app that functions as a virtual key panel, enabling real-time, remote communication regardless of physical location. This connects intercom core, back-office operations, and mobile users into a single platform. It’s compatible with RTS RVON VOIP technology and legacy systems, removing hardware limitations with cloud and global reach, and eliminating the cost of hardware overhauls. WebRTC technology supports advanced encryption for high-fidelity privacy. From the judges: “BYOD and connect to your corporate intercom!” “Enhances the ability to take communications wherever you go, wherever you are, without expensive equipment in the hands of staff that might lose the gear.”
Building on the success of the IntelliMix Room Kits for Microsoft Teams Rooms, the IntelliMix Foundation System is now available as a standalone component. Certified for Microsoft Teams, the Foundation System Compute + Touchpanel allows users to mix-and-match Shure’s Microflex Ecosystem portfolio of microphones and loudspeakers with complementary third-party camera and control products. Built-in IntelliMix Room DSP provides enhanced speech clarity and intelligibility–critical to effective communication and accurate transcriptions when using tools like Copilot in Microsoft Teams. The 11-inch touch panel provides meeting controls and there’s a USB-C ingest for content sharing and presentation.
From the judges: “The Intellimix is a unique platform that allows users to cutom-combine various products into integrated UC rooms.” “A key new feature is that you can bring your own mic–any Dante-enabled mic can be used with the system, not just Shure mics.”
This release of new Arcadia updates is the latest addition to Clear-Com’s flagship intercom platform. Arcadia’s latest firmware introduces support for the V-Series IrisX panels. This allows users to deploy up to 32 panels with features via I.V. ports, making keypanel workflows accessible without requiring a full matrix frame. For users requiring advanced configuration, Arcadia also now introduces a port allocation model, allowing HelixNet and I.V. ports to be adjusted depending on system needs. This shift gives users the ability to optimize their setup with up to 32 I.V. connections.
From the judges: “This really seems to have covered all the bases to integrate legacy plants with modern networked intercom in situations that may not be ideal. Multiple NICs, HTML interface, Dante, and AES67 are independently selectable, it supports buyout rather than subscription licenses to expand users and works with legacy 2-wire systems.” “The system seems to answer all the questions. The innovation is the integration of many existing technologies in one box, rather than inventing yet another technology.”
This tester combines Fluke’s cable and network testing solution with Wi-Fi 6E analysis in a single tool. Designed to replace multiple devices, the LinkIQ Duo simplifies installation and troubleshooting for both wired and wireless networks. It merges Fluke Network’s cable testing capabilities with network and Wi-Fi analysis. The tester helps technicians validate each critical element, including: qualifying the performance of the cabling between the network and the access point up to 10 Gb/s; validating the connectivity to the switch along with the maximum data rates of the switch port; determining whether sufficient PoE is available; and verifying connectivity to key assets such as a Wi-Fi controller. From the judges: “On the copper side, while many do something similar, the color graphical fault representation may mean more rapid identification and repair without confusion.” “Very nice amount of port and network configuration data provided in that mode. The Wi-Fi mode operates across all the major bands and provides more information than I have typically seen in one user-friendly device.”
Designed to enable multilingual communication, LEXI Voice provides ultralow-latency, accurate live translation with support for multiple users. Utilizing automatic speech recognition (ASR), neural machine translation (NMT), and synthetic voice output, LEXI Voice turns live spoken audio into translated speech in real time. The result is intelligible translated audio for live broadcasts, corporate meetings, international events, or multilingual presentations. Designed for live environments, LEXI Voice delivers near-instantaneous translation with sub-8-second latency. One of LEXI Voice’s standout capabilities is its ability to distinguish and handle multiple speakers in real time.
From the judges: “LEXI Voice bridges the language barrier into one universal communication tool. Global enterprise companies or any organization dealing with multi-lingual participants can utilize this technology to present in real time in everyone’s native language. Game changer!”
The Apantac SDM-ST-2110 is a compact IPMX/ST-2110 receiver that integrates with SDM-L slot displays, enabling native support for uncompressed 4K video over IP. It decodes IPMX/SMPTE ST 2110 standards — including video (-20), audio (-30), ancillary data (-40), timing (-21), compressed video (-22), and synchronization via ST 2059 (PTP) — positioning it for mission-critical broadcast, ProAV, and hybrid IP workflows. Key features include dual 25 Gbps redundant Ethernet interfaces, auto clock recovery in IPMX mode, RTP failsafe (ST-2022-7), and NMOS IS-04/IS-05 support for device discovery and management. From the judges: “ST-2110 is the buzzword for 2025. With the robust 25G backplans and dual network capability, this card is a perfect addition to an integrators ST-2110 toolbox.”
The feature set for this amplifier includes things that designers and installers need every day including DSP, four channels @ 120W (4 ohm), and bridging for two channels to deliver 240W (8 ohm). DANTE and AES 67 are standard. Innosonix MAXX REMOTE supports configuration, system review, and system diagnostics. Like all Innosonix amplifiers the MA04/POE is a sustainable power solution.
From the judges: “Mighty Mouse! A lot of power coming out of small form factor box without sacrificing on audio quality.”
This scalable and modular 12-slot UPS solution combines continuous power availability and efficiency for mission critical applications. M90S provides unity power factor output (kVA = kW) for maximum usable power and avoids any need to oversize the UPS. Integrated maintenance bypass enables manual transfer of critical loads from UPS power to utility power, enabling UPS repair without power interruption to the load. Capacity, redundancy, and battery runtime can be customized. Available in eight capacities: 6kW, 12kW, 18kW, 24kW, 30kW, 36kW, 42kW, 48kW; they can be used in any combination for capacity or redundancy and have hot swappable power and battery modules.
From the judges: “A flexible solution for continuous power back-up that can be scaled up or down based on back up time need. Solves the issue where single UPS boxes are limited by their back up time.”
The series includes five multichannel DSP networked models with power specifications of up to 6,000 watts across three 4-channel and two 8-channel configurations, supporting both Hi-Z and Lo-Z operation. It comes standard with 96 kHz DSP and mic/line inputs with Dante break-in capabilities. The integrated DSP includes a matrix mixer, FIR filters, and Dynacord’s effects.
The IX Series ensures integration with third-party platforms such as Crestron and Q-SYS via software plugins. The new ghostPOWER via PoE technology provides an advantage in mission-critical applications. Overall power consumption is reduced with ecoRAIL, while powerTANK provides power allocation by acting as a power reservoir.
From the judges: “So much more than an amplifier these are the heart of an audio soundscape. The IX Multichannel amplifiers pack a massive amount of wattage and zoning capability into two rack units.” “The ability to onboard sound with analog mic/line inputs as well as Dante is perfect for commercial spaces that need to adapt to different uses throughout the day/night.
The powerTANK method of load balancing across all channels maximizes efficiently more than ever.”
This compact high-output LED pixel-batten is designed for both lighting and creative video applications. Building on the Martin VDO Sceptron family, it includes mapping through Martin’s P3 System Controller, the ability to exchange diffusers and lenses, and a wide range of rigging accessories. The VDO Sceptron XB can be controlled as a lighting fixture via Art-Net and sACN, and as a video fixture (via P3), or both simultaneously. Compact and lightweight, VDO Sceptron XB delivers more than double the output of the popular VDO Sceptron 10. The use of RGBW LEDs results in a better spectrum (CRI, TM-30, TLCI), compared to traditional RGB pixel-battens. Additional features include built-in effects macros, a standalone mode for applications without a controller, and a full suite of optical and rigging accessories From the judges: factor batten with massive light output. I appreciate the accessories including various lenses and shrouds to adapt the fixture to each environment.”
“The power management of the Martin VDO line saves time and reduces costs for integrators.”
This software enables pre-defined and customizable workspaces for continuous instant visual control over critical information, including sound level readings with Leq output metering and live magnitude spectrum. Users can make localization decisions with the FLUX:: Nebula spatial spectrogram, which combines a spectrum analyzer and a vector scope. MiRA Live extends Nebula support to monitor the output of SPAT Revolution or another processor. MiRA Live’s suite of tools includes Transfer Function readings, Magnitude, Phase, and Coherence traces, and live impulse response, as well as real-time finder functions for delay computation. It allows the use of multiple microphones. A new microphone pairing mode increases the capture coherence between floor and ear level.
From the judges: “This room analyzer program does a better job with live sound than others, especially in that it offers the phase scope or X/Y graphics to show how sounds are interacting as an image where peak and cancel of sums may be observed.” “I noticed they were using the Merging Technologies Anubis as the I/O for two microphones, which indicates that the product is thoughtfully designed for critical monitoring.”
This switcher has a full-color display, offering live previews of up to four camera feeds at once, or full-screen monitoring of a single source. Super Fine Mode gives operators control over PTZ movements. An updated interface offers faster access to pairing, exposure, and protocol settings. The tactile switching dial lets operators scroll and select cameras quickly, with live tally indicators for easy visibility of on-air status. The redesigned joystick and zoom controls give feedback for long-form operation. Built-in NDI capability allows discovery and control any NDI-enabled PTZ camera on the same network with zero configuration. It also provides native RS232 and RS-422 support, for both new and legacy environments.
From the judges: “The BirdDog KBD is an exceptional camera switching product. Six hard button inputs help you do the most basic NDI camera switching for your day-to-day but also can expand to 200+.”
The RigWheels PT-Zero is a vibration isolator engineered to enhance image quality for PTZ cameras in environments affected by structural or mechanical vibration. Ideal for theaters, concert venues, houses of worship, classrooms, industrial sites, and other performance or presentation spaces, PT-Zero isolates cameras from disturbances caused by loudspeakers, machinery, HVAC systems, and foot traffic. It is able to mitigate low-frequency vibration in order to improve image stability.
From the judges: ”Very ingenious and a real problem solved. This product is unique and it solves the problem of image stabilization the old fashioned way.”
CP Stage is intended to eliminate dropouts caused by polarization mismatches in challenging RF environments. It features circular polarization, which offers a performance advantage over traditional paddle or “fin”-style antennas. Circular polarization helps maintain a stronger, more consistent signal—even when transmitters are in motion, antennas are misaligned, or performers or presenters move unpredictably on stage. Its enclosure is IP44-rated, and it features a low-profile design. The antenna is optimized for both wireless microphones and IEMs (in-ear monitors).
From the judges: ”An interesting niche product built from the need for a higher quality RF antenna. It’s nice to see an expert like RF Venue build a product that makes other products work better.”
These installation amplifiers offer onboard processing that includes FIR and limiter settings called Greyboxes. Greyboxes come preloaded and can be assigned to each output from a pull-down menu. User-adjustable EQ, limiter/compressor, and delay settings are accessible. Multiple input signal formats come standard. Dante, analog, and SPDIF signals are available in the UXA4807D’s input matrix mixer. There are no front panel controls; control is via web browser when connected to the amplifier’s integrated Wi-Fi access point or hardwired TCP/IP connection. For larger systems, multiple UXA amplifiers can be monitored and controlled with EAW’s Resolution 2 software. The power factor corrected (PFC) universal power supply is efficient and tolerant of mains disturbances. UXA amplifiers operate from mains voltages of 100-240 volts and 50 or 60 Hertz and are ErP and EnergySTAR compliant.
From the judges: “If you are already in the EAW ecosystem, this amp is a no brainer. The preformatted greyboxes make install and set up a breeze.”
Turtle AV DOWNTOWN is described as the first Dolby Atmos multi-channel to Dante Audio encoder. DOWNTOWN receives Dolby Digital, DD+, Dolby Atmos, DTS Digital Surround, DTS:X, and PCM 9.1/7.1.2/5.1.4/5.1/2.0 and encodes to multi-channel Dante audio. Multi-channel audio can be accepted by ARC, eARC, or optical audio. Each channel shows up in Dante Controller as a separate Dante channel allowing routing to anywhere users need to send the audio. AES67 is also supported. DOWNTOWN is power redundant via dual PoE ports, with a third power redundancy via the DC connector. Primary and secondary Dante networks offer redundancy on the Dante streams. To keep IT admins happy there is a third network port to allow for a separate network for control. Using the Turtle AV API, DOWNTOWN can be fully controlled by almost any programming language.
From the judges: ”Using ATMOS with Dante has caused many issues in past installs, I know firsthand. So, the ability to route and control an ATMOS multi-channel signal with DOLBY’s blessing? Sign me up.”
This platform is a multilingual AI-powered ecosystem to generate and serve automated realtime PA and digital signage announcements for venues of any scale in multiple languages. AIM’s technology sits at the front-end of messaging and announcing and can perform a variety of functions simultaneously. From there, traditional audiovisual file playback and routing systems can deliver the proper synthetic voices to the correct zones based on space utilization and languages spoken. Spoken word and/or text-based messages can be generated or initiated manually, automatically triggered, or pre-scheduled for delivery at specific times or intervals.
From the judges: “ENCO’s AIM is an innovative transcribing tool providing a critical communication link for ADA compliance. This is another AIpowered tool breaking the language and communication barriers.”
These modern keypads are available in wall-mount and tabletop form factors with a variety of button and rotary control. Rather than static, physical buttons, OMNI Dynamic Keypads employ LCD touch. Enabled by AVX Suite, the BSS OMNI Dynamic Keypads can be configured, managed, and deployed through the unified software platform. They use HARMAN’s HControl protocol to communicate natively with BSS OMNI Audio Processors and I/O Expanders or AMX MUSE Automation Controllers and are compatible with AMX NetLinx or 3rd party control platforms.
From the judges: “BSS OMNI Dynamic Keypads look incredible and the seven form factors enable integrators to equip system users with the proper style of graphical and tactile experience for their applications.” “The OMNI-KP-8BV is my favorite layout as it combines an oversized touch screen and rotary encoder optionality while still squeezing into a single gang backbox equipped with POE.” “The tabletop options provide an exceptionally clean user experience for applications where wall mounted models are not ergonomic.”
The Crestron DM NVX 384 encoder/decoder integrates communications across unified communications, digital signage, and presentation spaces. The compact encoder/decoder is designed to function as either a transmitter or receiver, capable of handling a network AV installation of any size. The DM NVX 384 encoder/decoder features USB-C connectivity, multi-input switching, and support for multiple resolutions, including the new Multiview feature. The Crestron DM NVX 384 encoder/decoder provides web-based control and management, a scaling HDMI output, video wall processing, and surround sound audio.
From the judges: “Looks to be a versatile robust Swiss army knife of AVoIP features. The multiview feature feels like a game changer to create dynamic video wall presentations.”
This hardware-free, no-code solution enables users to add fully licensed, brand-aligned music to any digital signage environment. Designed to work with leading CMS platforms, it helps partners create recurring revenue by offering music as a subscription-based service. Custom Channels Pro partners can provision and copy a unique music URL to include in their deployment in order to add value, consolidate platforms, and increase per-location revenue. This plug-and-play service requires no additional hardware. Content is delivered through a streaming URL that can be provisioned instantly for any installation. From the judges: “This is a unique product, finally adding some organization and streamlining to the chaotic world of CMS.” “This product represents the first enterprise level management of digital signage.”
This transceiver utilizes SDVoE ASIC technology to offer simultaneous bi-directional TX/RX operation. A single unit can simultaneously send and receive AVoIP data or operate in dedicated Transmitter or Receiver mode. PoE+ support, and dual (copper/fiber) network interfaces support signal extension distances of up to 100 meters (328 ft.) with CAT-6A twisted pair, and up to 30 KM (18.6 miles) with single-mode fiber. The unit includes auxiliary H.264/5 video output streams that provide support for viewing source thumbnails and for remote viewing /recording with resolutions up to 1080 /30p. The DN-300T provides silent, fanless operation. Its compact size means that 4x units can occupy a single 1U of rack space. From the judges: “One box that replaces two? Where do I sign up?!” “This will save time, money, and (sometimes) more importantly, space. Support of 4K/60 (4:4:4) with zero frames loss or latency really opens the playbook up for applications this would fit into.”
Featuring a 6.5” coaxial woofer and 1” silk dome tweeter, this Dante- and IP-enabled PoE celling speaker uses leverages SoundTube’s BroadBeam Ring technology for even coverage and intelligibility. A tuned ported baffle delivers off-axis response, midrange clarity, and bass extension down to 60 Hz (-10 dB). The speaker is IP-addressable and operates natively on Dante and AES67 networks, supporting power and control via a single CAT5/6 cable. Power is standard PoE (up to 40W with STNet Switch II). Installation is fast and secure thanks to SoundTube’s included SpeedWing constant-tension mounting system, with a color-coded tile bridge, UL-listed conduit clamp, and paint shield.
From the judges: “The key selling feature for this loudspeaker is ease of install. One cable, standard POE, and Dante enables. About as plug and play as it comes.”
This all-in-one AV meeting-production platform unites Ross Video’s automation, live switching, playout, and AI-driven camera tracking in a single NDI-native appliance with a web interface. It arrives pre-installed and ready for existing IP networks. Users connect cameras, microphones, and displays, power up, and an integrated control surface manages graphics, clip playback, automated shot recall, and AI camera tracking using Ross technologies, with no separate servers, custom PC builds, or programming required. Quorum One provides the full production chain in a single, integrated system, shrinking hardware count, rack space, power requirements, and points of failure for tighter budgets and lower carbon targets.
From the judges: “This is the next evolution of the Ross switching series. A digitized monitor based any configuration style you want. It is NDI focused so an infinite number of cameras can be added.” “This product is a good job of melding their broadcast legacy into a more AV focused customer base.” “One caveat: shipping in September with price point and subscription pricing TBD as far as I could tell.”
SiliconCore Enlighten .9/1.2/1.5
SiliconCore’s ENLIGHTEN Chip On Board (COB) dvLED Display Series is a high resolution, modular, scalable solution for large display B2B applications. SiliconCore Common Cathode-IQ technology is designed to more efficiently power each LED. As such, these displays claim 10-40% less power than comparable COB products and half the power of SMD. Its LISA encapsulation methodology of a black layer first, with clear optical coating provides the ability to further maximize the elevated contrast levels inherent in COB manufacturing.
From the judges: “Less power and very sustainable. Ease of use to install. The 09mm is half the power of a normal LED screen. No frame needed which is a clever innovation from a LED manufacturer. Less cost and fewer failure points.”
Designed with Chip-on-Board (COB) technology, Planar DirectLight Essential Series LED displays deliver high pixel density, lower energy consumption and durability, including water and moisture resistance. The series offers 27-inch cabinets in 0.7, 0.9, 1.2 and 1.5 millimeter pixel pitches with a 30,000:1 contrast ratio and refresh rate of 3,840Hz. With Planar WallDirector Cloud web-based monitoring application, customers can remotely manage all facets. The video wall is compatible with both the Planar WallDirector Video Controller and LED controllers from ColorLight.
From the judges: “Amazing 8K display at InfoComm. The tiles appear near seamless and at 1500 nits the image is bright and breathtaking. Chip on Board technology makes these displays scratch-proof with a nice matte finish.”
The BG-IPGEAR-ULTRA combines switching, multiviewing, video walls, and USB 2.0/KVM control in a single system. Core features include 4K@60Hz (4:4:4) support with HDMI 2.0b and HDCP 2.2 compliance and an integrated transceiver design that functions as both encoder and decoder. Both fiber and copper connections are supported. Decoders can process up to 16 signals for windowing, roaming, overlaying, and splicing. Audio options include HDMI loop-out, audio embedding, and de-embedding. The system features PoE support, centralized RS-232 control, and the free BZBGEAR control app. Additional capabilities include universal H.264/265 protocol compatibility, scene preview, environmental visualization, and KVM seat management. From the judges: “BZBGEAR’s BG-IPGEAR-ULTRA is robust versatile AVoIP solution, that not only encodes and decodes video signals either via copper or fiber, but also provides production, video wall, and various audio outputs. The price point is great for this feature-rich product.”
This wallplate decoder offers low latency 4K60 4:4:4 video transmission through an HDMI output. The DuetD-5-WP features two USB-C ports that deliver USB-over-IP support, enabling integration with USB devices such as cameras, touch panels and other HID peripherals, particularly in soft codec environments.
DuetD-5-WP supports AES67 and Dante audio networking and PoE. VLAN tagging allows for network segmentation and traffic management. The DuetD-5-WP includes a 45-degree Ethernet connector, designed to ease installation in tight spaces and reduce cable strain behind walls.
From the judges: “Low latency, support for a wide variety of audio standards, and POE are all great selling features, and the 45-degree RJ45 port shows they really thought about the installer–as simple as that sounds, it is often overlooked.”
Designed for mission-critical applications, the NHD-510-TX supports 4K60 4:4:4 video over standard 1Gb networks, with Dolby Vision, HDR10, and HLG support. This unit is built for secure hybrid spaces and BYOD environments. Alongside its HDMI input, the NHD-510-TX adds a USB-C input, HDMI loop-out, and USB 2.0 extension capability, allowing integration with modern laptops, peripherals, and collaboration tools. It includes Dante AV-A audio integration. This allows full audio-video synchronization across distributed systems without t analog cabling or third-party conversion. The NHD-510-TX also features sub-1-second switching and latency as low as 3ms in passthrough mode.
From the judges: “Solid. It has a great feature set with fast switching, low latency, embedded diagnostics.” “In a world of finicky newfangled boxes, this is the Ford F150.”
Rethink RAV-MS-4x2DLHU-Tx/Rx
This 4x2 USB-C & HDMI Matrix Switcher with HDBT 3.0 and USB 3.2 offers DP-Alt mode up to 4K60Hz 4:4:4 (DP 1.4a, HDCP 2.3), USB 3.2 Gen 1 (5Gbps), 1G Ethernet and 100 watts charging. It includes HDBaseT 3.0 extension over dual Cat6A cables up to 100m (328ft); 4K60 4:4:4 video support via DP 1.4a and HDCP 2.3; and USB 3.2 Gen 1 (5Gbps) data throughput for high-speed peripherals. Included is 1G Ethernet for device and control system integration, up to 100W USB-C power delivery for laptop charging, and fully integrated USB-C with DP Alt Mode. Ideal for hybrid meeting spaces, classrooms, and corporate AV systems. From the judges: “Very effective product, lots of USB-C charging will require a very big power wart. I would recommend added Rackspace to hold the power.” “I really like this product for higher education. It will take time for a product like this to get traction as it is a less known brand, but I love the feature sets and the point to point abilities of it through HDBT.”
This NDI PTZ features 30X zoom capability and wideangle view, as well as a dual-lens design, including a wide-angle lens and a 4K PTZ. There are four AI-driven tracking modes. Presenter Mode allows presenters to move freely; Zone Mode prioritizes static content; Hybrid Mode blends Presenter and Zone Modes; Segment Mode offers customizable tracking by designating specific points within a broader area, reducing the need for multiple cameras. From the judges: “This camera is a monster, and I don’t mean it in a bad way. The lens and camera body is gigantic, and the capability is awesome.”
This cost-effective digital paging and messaging station was developed as part of the Optimal Audio ecosystem. With the company’s WebApp platform, users can trigger, schedule, and manage announcements as live, pre-recorded, or automated to page individual or grouped audio zones. Via any modern browser, installers can configure Talk 8’s zone assignments, paging priorities, and playback behavior, and allowing venues to automate announcements at specific times, days, or intervals. Users can upload audio files via USB-C, with 4GB of internal memory available for pre-recorded content. These files are assigned via WebApp and activated instantly through the playback buttons.
From the judges: “This is not a standalone product. It works with a central unit and proprietary signaling over common network cable. I like that it is low profile, has mounting options, can work with any mic, the LEDs are few and matte, and the ability to record announcements works both at the unit and in the web configuration app. It has an excellent LED to dollar ratio.”
Magewell Pro Convert IP to USB
Magewell’s new Pro Convert IP to USB hardware lets users bring an NDI, NDI HX or streaming source into video conferencing and other software over a standard USB interface. Combining the decoding capabilities of the Pro Convert family with the video ingest of USB Capture devices, it converts the NDI source into a USB output that software sees as easily as a webcam. In addition to NDI High Bandwidth, NDI HX2, and NDI HX3, Pro Convert IP to USB also supports H.264 or H.265 source streams in protocols including SRT, RTMP, RTSP, RTP, UDP and HTTP. It decodes video sources up to 1920x1080 resolution and can bring them into software as uncompressed video at 60 frames or as MJPEG-compressed video at 30 frames. Two channels of 16-bit, 48Khz audio can also be captured. From the judges: “Anything that adds more options to an NDI system is a welcome product. A great little box!”
This interior designer-friendly system makes it easy to manage and distribute high-quality audio across multiple zones, enabling soundscapes for dining areas, lobbies, patios and workout rooms from one platform. The setup of DSP 2-zone mixamps offers built-in signal processing, tuning, and source routing. For larger commercial installations, EMBS offers separate high-power DSPs and amplifiers. With a selection of wall plate controllers and interfaces, staff can adjust volume levels, switch audio sources, or mute zones directly from the floor. From the judges: “The all-in-one Episode Business Music System (EMBS) is a very nice, aesthetic hardware solution for retail and hospitality environments where multi-zone audio coverage is required.” “Where other multi-zone commercial audio systems can be daunting, this is easy to deploy and even simpler to operate.”
This new series of video walls achieve a maximum brightness of 1,500 cd/m2 with a 2.50mm LED pitch size and coverage of over 98% of the DCI-P3 color gamut. The new models, ZRD-VS25FB and ZRD-VS25FM, are compatible with the Brompton controller and the Megapixel controller, respectively. The CAPRI series combines high refresh rates of up to 7,680Hz to reduce scanline artifacts. From the judges: “Sony takes display technology to a new level. Bright, brilliant images jump of the LED panels.” “The LED panel design and form factor are ingenious.”
This is a ready-to-deploy communication solution. Every unit includes an integrated controller, built-in power supply, audio system, and all essential display components; no additional hardware required. The X163 V2 4K Series can be wall-mounted, placed on a mobile stand, or paired with an electric height-adjustable bracket. This adaptability allows for integration to various spatial and ergonomic requirements. Its slim profile and industrial design is suitable for any environment while reducing the AV footprint
From the judges: “Truly ‘all in one’ with lots of available options and configurations to suit many applications.” “4K in a box, and at 600 nits, the image jumps off the screen.”
Marshall Electronics CV355-27X-IP Optical Zoom IP (HEVC/SRT) camera is a compact HD camera designed for IP-based workflows. Featuring a 8.5-megapixel sensor, the CV355-27X-IP captures video up to 1920x1080 at 60fps across all standard HD formats, with output up to 1080p60 and 720p60. Its 27X optical zoom (5.5~150mm) provides a 60° angle of view. The CV35527X-IP supports simultaneous IP (HEVC/SRT), 3GSDI and HDMI outputs, with Ethernet I/O providing video, control, audio and PoE over a single cable. It also features RS232 control and a 3.5mm audio input with passthrough.
From the judges: ”Marshall’s new camera has lots of feature sets, considering the size of it. I love that it also is connected through NDI protocol. The value on it is very good. Pricing is excellent.”
ActivPanel 10 Premium’s interface and customizable setup options allow IT teams and users to tailor the display to fit specific room needs or workflow preferences. It offers multi-OS flexibility, and with DisplayNote Launcher preloaded, users can walk into a room and start meetings instantly. Launcher provides direct access to room calendars and unified communications apps like Microsoft Teams, Zoom, Google Meet, and Webex—with no cables, no input switching, no delays.
From the judges: “A very impressive entry into the workplace and collaborative environment. Consider this a conference room AV system in a box, hung on the wall.”
The EDC Acoustics Volumetric Wave Field Synthesis directs every speaker on-axis to the listener, reducing wasted energy and improving spatial accuracy and intelligibility. Each seat is embedded with its own 6-speaker array: 3 forward-facing speakers (Left, Center, Right) aimed at the next row, 2 rear-facing surround speakers directed toward the seat occupant, 1 low-frequency subwoofer integrated into the seat base. Through real-time phase and delay algorithms, this seat-based array creates a “volumetric sound field,” where every point in the audience becomes part of the immersive environment.
From the judges: “This is not a COTS product or a HOLOPLOT app. This is a fully installed product that uses custom seats with enclosed drivers and a line of overheads for height in immersive applications. It is intended to be integrated into a design, or adapted to an existing facility, but it is not a roll-your-own product either. It is intended for near field applications in larger rooms and is an interesting option for experience designers.”
This device allows users to manage the screen, videobar, USB camera, and speakerphone from just one laptop. While using Microsoft Teams, Zoom, and Google Meet, the dock provides a BYOM experience that leverages the room’s AV equipment. TOGGLE DOCK 2x1 provides USB 3.0 connectivity and switching capabilities for two laptops and enables 4K60 switching between two laptop hosts. It allows users to switch three USB peripherals and one display between the two hosts, with no Room PC required and with USB-C 100W power delivery. Control options (push button, control pad, RS-232, or API) make it easy to integrate.
From the judges: “This dock/switcher is the easiest way for integrators to create shared room-based display, video, and audio devices for laptop-based users. The TOGGLE DOCK form factor is so easy to integrate under a table or behind a display.” “Two of the best features of the system are the 100watts of power delivered via the single USB-C cable and the 5k 21:9 support.”
The BOE MLED MPD P0.6 adopts MPD packaging technology to create a P0.6 micro-pitch display, achieving a 160° wide viewing angle. It features a brightness of 1000nits and a contrast ratio of 12,000:1. Screen flicker is reduced through the 7680Hz over-clocking drive technology. The doublesided screen modular design has a cabinet thickness of 24mm.
From the judges: “A new and interesting twist on developing a portable LED display. Great product for live audience events where flexibility is required.”
This controller is available in 3 sizes– 9, 15, and 20 RU. The 9RU has up to 18 input cards and 10 output cards. The 15RU has up to 30 input cards. The 20 RU has up to 40 input cards and 30 output cards. Infinity Ultra has peripheral display technologies that provides output support for LED and peripheral displays. It has a world clock on screen that can show time, and onscreen classification bars based on input types and respective security levels. With it’s web-based interface, Infinity Ultra supports dual 4K Ultra HD preview and monitoring in combination with dynamic system health monitoring with e-mail alert functionality.
From the judges: “This processor/controller represents the supercar of its kind. Lots and lots of horsepower driving video displays at very high resolutions. A workhorse for demanding distribution environments.”
Theory Professional SR Series Theory’s new SR Series of loudspeakers and subs are built-to-order in the US. They are designed to be compact for discreet installation in tight locations. The SR Series includes ergonomic handles, multiple fly points, mount points, and pole cups. The eight models are available in black and white, and passive or active versions depending on the installation need. Available upgrades include custom paint matching and weatherizing (passive versions only). An intelligent Caster Kit and Dolly Board are also available making the larger SR Series models portable when needed.
From the judges: “The best thing about these speakers may very well be the multitude of options. With the variety of sizes/outputs in these speakers/subs and the options, these fit nicely in installed, touring or pop up set ups.”
Haivision Command 360 is a complete video wall solution for situational awareness and real-time decision-making in mission-critical environments. Its user interface enables users to drag and drop sources, resize windows, and adjust layouts. Role-based access control can customize user permissions, enhance security, and improve operational efficiency by focusing on taskrelevant information.
From the judges: “Haivision has really focused on the command center environment with this product. It’s versatile and easily adapted to all the various connectivity required in the command-and-control environment.”
This 4K UHD+ large venue laser projector offers a full motorized lens-shift in a 16x10 ratio projector with native WQUXGA resolution (3840x2400) to provide a larger array area and 9.2 million pixel count with no pixel shifting. It features 13,500 lumens and utilizes Texas Instruments’ 0.8” HEP (High Efficiency Pixel) DMD. It’s easy to install with a wide tilt angle and offers 10 different lens options. From the judges:“Very nice solution. It’s not for a budget conscious user but it has a lot of features for the price. I am a fan of Optoma’s investment in consistent UI across the product lines.”
This is the first product of the Atlas + Fyne collaboration. The surfacemount loudspeakers claim a unique alignment between high-frequency (HF) and low-frequency (LF) sources that distinguishes the series from standard discrete and coaxial options. The FS features low insertion loss transformers for 70V or 100V distributed applications. The wattage tap selection and low impedance bypass can be adjusted via a rearmounted slide selector switch, which includes a weather-resistant security cover for added safety as part of an overall IP56 rating for the speakers.
A corrosion-resistant aluminum grille provides a clean aesthetic.
From the judges: “A good speaker is like a favorite pair of denim–when they fit/work, they cannot be beat. While these speakers enter a crowded field, their construction and styling make them attractive to a variety of installs.”
Available in three models, PXZ-0, PXZ-2 and PXZ-4, PIXERA zero provides up to four 4K video outputs, all within a 210mm × 265mm × 89.3 mm form factor. It is equipped with an Intel Xeon processor (six cores, 12 threads, up to 5.0GHz) and 32GB of RAM; its NVMe storage technology supports a constant read rate of up to 5GB/s. It offers video playback, with licensed video outputs supporting resolutions up to 4,096px × 2,160px at 60Hz. The unit weighs 3.72 kg, and features a power-efficient design – with peak power consumption of 300W –for sustainable deployments.
From the judges: ”This product takes digital signage distribution and adds lots
Delivering valuable and reliable content is the smartest way to engage and inform your audience
Future B2B merges decades of expertise with the nimbleness of a startup. Our established brands, like SmartBrief, ActualTech, and ITPro deliver expert-led niche newsletters, cuttingedge advertising solutions, pipeline-enhancing lead generation, and unforgettable live and virtual events.
Future B2B’s qualified audiences spans 16 industries, 200+ newsletter and nearly 10 million leaders.
Benefit from Future B2B’s proprietary email platform to reach a targeted audience in a brand safe, contextually relevant environment.
Optimize your campaign with direct access to your FutureB2B account management team.
Gain access to a secure portal to view campaign results, including company and persona-level engagement.