HEAD OF SALE
Joseph Braka + 44 (0)20 7389 2051 jbraka@christies.com
POST-WAR TO PRESENT
AUCTION
Thursday 26 June, 1:00pm BST
8 King Street, St. James’s London SW1Y 6QT
VIEWING
Thursday 19 June
Friday 20 June
Saturday 21 June
Sunday 22 June
10.00am - 8.00pm
9.00am - 5.00pm
12.00pm - 5.00pm
12.00pm - 5.00pm
Monday 23 June 9.00am - 5.00pm
Tuesday 24 June 9.00am - 5.00pm
Selected highlights will be on view at Christie’s King Street on Wednesday 25 June, 9.00am-5.00pm
AUCTIONEERS
Hugh Creasy, Veronica Scarpati, Yü-Ge Wang
SPECIALISTS
Stanislas Helly d’Angelin Junior Specialist +44 (0)20 7752 3089 sdangelin@christies.com
Martha Meshoulam Junior Specialist +44 (0)20 7389 2017 mmeshoulam@christies.com
Nicole Ching Specialist Advisor +44 (0)20 7752 3090 nching@christies.com
CONDITIONS OF SALE
The sale for each lot is subject to the Conditions of Sale, Important Notices and Explanation of Cataloguing Practice,which are set out in this catalogue and on christies.com. Please note that the symbols and cataloguing for some lots may change before the auction. For the most up to date sale information for a lot, please see the full lot description,which can be accessed through the sale landing page on christies.com
AUCTION CODE AND NUMBER
In sending absentee bids or making enquiries, this sale should be referred to as: KATE-23332
Opposite: KAWS, GONE, 2020
With special thanks to Emma Cooney and Lulu Meissner for their assistance researching the sale
SALE COORDINATOR
Lisanne Sophie de Jooden + 44 (0)20 7389 2626 lsdejooden@christies.com
POST SALE SERVICES
Payment, Shipping and Collection
Tel: +44 (0)20 7752 3200
Fax: +44 (0)20 7752 3300
PostSaleUK@christies.com
In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty fee are also payable if the lot has a tax or λ symbol. Check Section D of the Conditions of Sale at the back of this catalogue.
*1
YU NISHIMURA (B. 1982)
A Man Fishing
signed, titled and dated '"a man fishing" 2017 Yu Nishimura' (on the reverse) oil on canvas
16¿ x 23√in. (41 x 60.6cm.)
Painted in 2017
£20,000-30,000
US$28,000-41,000
€24,000-35,000
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RAYMOND PETTIBON (B. 1957)
We Have Got To Go Up or Go Under signed and dated ‘Raymond Pettibon 97’ (on the reverse) ink and watercolour on paper
24√ x 19in. (63.2 x 48.1cm.) Executed in 1997
£10,000-15,000
US$14,000-20,000
€12,000-18,000
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λ3
WILLIAM MONK (B. 1977)
In Bloom
signed, titled and dated 'In Bloom 2018-19 William Monk' (on the reverse) oil on canvas
14¿ x 22in. (36 x 55.8cm.)
Painted in 2018-2019
£20,000-30,000
US$28,000-41,000
€24,000-36,000
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FLORA YUKHNOVICH (B. 1990)
Study (15)
signed and dated 'Flora Yukhnovich 2018' (on the reverse) oil on paper
5√ x 8ºin. (15 x 21cm.)
Executed in 2018
£15,000-20,000
US$21,000-27,000
€18,000-24,000
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NICOLE WITTENBERG (B. 1979)
Cotton Candy
signed, titled and dated 'Cotton Candy xo nicole 2020’ (on the reverse) oil on panel
14 x 11in. (35.6 x 28cm.)
Executed in 2020
£8,000-12,000
US$11,000-16,000
€9,500-14,000
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PAM EVELYN (B. 1996)
Keeping a weather eye open
signed, titled and dated '"Keeping a weather eye open" 2021 Pam Evelyn' (on the overlap) oil on linen
59¿ x 55ºin. (150.1 x 140.2cm.)
Painted in 2021
£20,000-30,000
US$28,000-41,000
€24,000-36,000
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λ7
ANDREW CRANSTON (B. 1969)
That Magic Feeling, Nowhere to Go signed and dated 'Andrew Cranston 2018-19' (on the reverse) oil and varnish on hardback book cover 13 x 9Ωin. (33 x 24cm.)
Executed in 2018-2019
£20,000-30,000
US$28,000-41,000
€24,000-36,000
CAROLINE WALKER (B. 1982)
Study for Second Opinion
signed, titled and dated ''Study for Second Opinion' Caroline Walker 2011' (on the reverse)
oil on canvas paper
12 x 16in. (30.5 x 40.5cm.)
Executed in 2011
£12,000-18,000
US$17,000-24,000
€15,000-21,000
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CHRIS OFILI (B. 1968)
Two Women - Blue
incised with the artist's signature, number and date ‘OFILI 2000 1/5' and stamped with the foundry stamp (on one of the figure's legs)
painted bronze on artist's leather covered wooden plinth
sculpture: 22Ω x 18Ω x 16√in. (57 x 47 x 43cm.)
plinth: 39¡ x 21¡ x 19æin. (100 x 54.2 x 50cm.)
overall: 61æ x 21¡ x 19æin. (157 x 54.2 x 50cm.)
Executed in 2000, this work is number one from an edition of five
£20,000-30,000
US$28,000-41,000
€24,000-35,000
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CHRIS OFILI (B. 1968)
Dancers in Blue Two
signed twice, titled and dated ‘Chris Ofili Chris Ofili 2006 “Dancers in Blue two”' (on the reverse)
oil, acrylic and charcoal on canvas, in artist's frame
25¿ x 19ºin. (63.9 x 48.8cm.)
Executed in 2006
£25,000-35,000
US$34,000-47,000
€30,000-41,000
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OSCAR MURILLO (B. 1986) (untitled) ética y estética
signed and dated 'Oscar Murillo 2020' (on the reverse) oil, oilstick, thread, graphite, spray paint and printed paper collage on canvas 65 x 73in. (165 x 185.5cm.)
Executed in 2020
£80,000-120,000
US$110,000-160,000
€95,000-140,000
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TRACEY EMIN (B. 1963) With My Heart
pink neon
13¿ x 45¡in. (33.3 x 115.3cm.)
Executed in 2006, this work is artist's proof number one from an edition of three plus two artist's proofs
£30,000-50,000
US$41,000-68,000
€36,000-59,000
*14
TRACEY EMIN (B. 1963)
The Wedding
each: stamped with the artist's initials and number 'TE 3/6' (on the underside) bronze, in two parts
(i) 8Ω x 8¬ x 5√in. (21.7 x 22 x 15cm.)
(ii) 8¿ x 4√ x 4√in. (20.7 x 12.3 x 12.5cm.)
Executed in 2016, this work is number three from an edition of six
£60,000-80,000
US$82,000-110,000
€71,000-95,000
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PROPERTY
VICTOR MAN (B. 1974)
The Chandler
inscribed and dated 'Roma '13' (on the reverse) oil on cardboard laid on panel
39¬ x 28ºin. (100.7 x 71.8cm.)
Executed in 2013
£300,000-500,000
US$410,000-680,000
€360,000-590,000
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*16
KAI ALTHOFF (B. 1966)
Untitled oil and spray enamel on fabric
24 x 25Ωin. (61 x 64.8cm.)
Executed in 2004
£70,000-100,000
US$95,000-140,000
€83,000-120,000
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PROPERTY FROM THE DEUTSCHE BANK COLLECTION
λ*17
LOUISE BOURGEOIS (1911-2010) Accumulations
signed with the artist's initials 'LB' (lower right) watercolour and graphite over etching on paper
60 x 17Ωin. (152.4 x 44.4cm.)
Executed in 2006
£120,000-180,000
US$170,000-240,000
€150,000-210,000
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FLORA YUKHNOVICH (B. 1990)
Study (13)
signed and dated 'Flora Yukhnovich 2018' (on the reverse) oil on paper
8º x 5√in. (21 x 15cm.)
Executed in 2018
£15,000-20,000
US$21,000-27,000
€18,000-24,000
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λ*19
LYNETTE YIADOM-BOAKYE (B. 1977)
8pm Zaragoza
signed with the artist's initials, titled and dated '8pm Zaragoza LYB 2011' (on the reverse) oil on canvas
78æ x 47ºin. (200 x 120cm.)
Painted in 2011
£500,000-700,000
US$680,000-950,000
€600,000-830,000
PROPERTY FROM AN IMPORTANT PRIVATE SWEDISH COLLECTION λ*20
RAGHAV BABBAR (B. 1997)
Shower in the Motel Room (Self-Portrait)
signed twice and dated twice 'Babbar 2023 Babbar 2023' (on the reverse) oil on canvas
29√ x 20¿in. (76 x 51cm.)
Painted in 2023
£25,000-35,000
US$34,000-47,000
€30,000-41,000
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WOLFGANG TILLMANS (B. 1968)
Kate McQueen
signed, titled and dated '"Kate McQueen" 1996 Wolfgang Tillmans' (on the reverse) inkjet print on paper and clips sheet: 79æ x 54¡in. (202.7 x 138cm.)
Photographed and printed in 1996, this work is from an edition of one plus one artist's proof
£25,000-35,000
US$34,000-47,000
€30,000-41,000
λ*21
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WOLFGANG TILLMANS (B. 1968)
Paper Drop Novo
signed, signed with the artist's initials, titled, numbered and dated 'Paper Drop Novo ph 04/2022 pr WT 05/2022 1/10 +1 Wolfgang Tillmans' (on a label affixed to the reverse)
inkjet print on paper, in artist's frame
13¡ x 17¡in. (34 x 44cm.)
Photographed and printed in 2022, this work is number one from an edition of ten plus one artist's proof
£10,000-15,000
US$14,000-20,000
€12,000-18,000
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WOLFGANG TILLMANS (B. 1968)
Freischwimmer 103
chromogenic print mounted on Dibond, in artist’s frame 89æ x 67¡in. (228 x 171cm.)
Executed in 2004
£120,000-180,000
US$170,000-240,000
€150,000-210,000
λ*23
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*24
CECILY BROWN (B. 1969)
Untitled
signed, inscribed and dated 'Cecily 2004' (on the reverse) oil on canvas
12Ω x 17in. (31.7 x 43.1cm.)
Painted in 2004
£300,000-500,000
US$410,000-680,000
€360,000-590,000
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MICHAELA YEARWOOD-DAN (B. 1994)
Breathe
signed, titled and dated '"Breathe" Michaela Yearwood-Dan 2019' (on the reverse) oil on canvas
63 x 47ºin. (160 x 120cm.)
Painted in 2019
£40,000-60,000
US$55,000-81,000
€48,000-71,000
λ*25
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DAVID HOCKNEY (B. 1937)
The Arrival of Spring in Woldgate, East Yorkshire in 2011 (twenty eleven) - 4 May
signed and dated 'David Hockney 11' (lower right); numbered '6/10' (lower centre)
iPad drawing printed on paper, in four parts, mounted on Dibond each: 46Ω x 35in. (118.1 x 88.9cm.)
overall: 93 x 70in. (236.2 x 177.8cm.)
Executed in 2011, this work is number six from an edition of ten
£180,000-250,000
US$250,000-340,000
€220,000-300,000
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DAMIEN HIRST (B. 1965)
Oranges and Lemons
each: signed, titled, inscribed and dated 'Damien Hirst 2008 "Oranges and Lemons"' (on the reverse) butterflies, cubic zirconia and household gloss on canvas, in two parts
each: 84 x 84in. (213.4 x 213.4cm.)
overall: 84 x 168in. (213.4 x 426.8cm.)
Executed in 2008
£500,000-700,000
US$680,000-950,000
€600,000-830,000
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ANDY WARHOL (1928-1987)
Peter
signed and titled 'Peter Andy Warhol' (lower right)
gold leaf, gold appliqué and ink on paper
23 x 12in. (58.4 x 30.5 cm.)
Executed in 1956
£70,000-100,000
US$95,000-140,000
€83,000-120,000
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PROPERTY OF A PRIVATE IMPORTANT COLLECTOR *29
JEAN-MICHEL BASQUIAT (1960-1988)
Untitled signed and dated '81 Jean Michel Basquiat' (on the reverse) oilstick on paper 24 x 17√in. (60.8 x 45.5cm.) Executed in 1981
£100,000-150,000
US$140,000-200,000
€120,000-180,000
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KEITH HARING (1958-1990)
Untitled
chalk on black paper on found poster laid on board
43Ω x 31æin. (110.5 x 80.7cm.)
Executed in 1981
£120,000-180,000
US$170,000-240,000
€150,000-210,000
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*31
KAWS (B. 1974) GONE
stamped with the artist's signature, number and date '1/1 KAWS.. 20' (on the underside) painted bronze
71 x 71Ω x 31¿in. (180.3 x 181.6 x 79.1cm.)
Executed in 2020, this work is number one from an edition of one, plus one artist's proof
£500,000-700,000
US$680,000-950,000
€600,000-830,000
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PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION *32
FUTURA 2000 (B. 1955)
Futura Meets Kano
signed and dated 'Futura 2000. DECEMBER 82' (lower left); signed, titled and dated 'Futura 2000 DECEMBER 82 "FUTURA MEETS KANO"' (on the reverse)
spray paint on canvas
51¬ x 94¬in. (131 x 240.3cm.)
Executed in 1982
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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*33
KARA WALKER (B. 1969)
The Policy of Admissions
cut paper collage on paper, in three parts
(i) 70 x 83in. (177.8 x 210.8cm.)
(ii)(iii) 70 x 65in. (177.8 x 165.1cm.)
Executed in 2003
£100,000-150,000
US$140,000-200,000
€120,000-180,000
KATHERINE BERNHARDT (B. 1975)
Untitled
signed and dated 'Katherine Bernhardt 2018' (on the reverse)
acrylic and spray paint on canvas
72¿ x 60¿cm. (183.2 x 152.6cm.)
Executed in 2018
£30,000-50,000
US$41,000-68,000
€36,000-59,000
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PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION
λ*35
LEARN MORE
GEORG BASELITZ (B. 1938)
Ein Hund kommt zu spät (A dog arrives too late)
signed, titled and dated '5. / 7. XI. 2 G. Baselitz ein Hund kommt zu spät' (on the reverse) oil on canvas, in artist's frame
122√ x 100¡in. (312 x 255cm.)
Executed in 2000
£300,000-500,000
US$410,000-680,000
€360,000-590,000
LUC TUYMANS (B. 1958)
Exhibit #5
oil on canvas
49 x 62Ωin. (124.5 x 158.8cm.)
Painted in 2002
£360,000-550,000
US$490,000-750,000
€430,000-650,000
LEARN MORE
PROPERTY OF AN IMPORTANT EUROPEAN COLLECTOR λ
ANSELM KIEFER (B. 1945)
Er trägts wie man Tote trägt auf den Händen. Er trägts wie der Himmel mein Haar trug im Jahr, da ich liebte (He wears it as one wears the dead on one’s hands. He wears it as heaven wore my hair in the year when I loved)
titled 'Er trägts wie man Tote trägt auf den Händen. Er trägts wie der Himmel mein Haar trug im Jahr, da ich liebte' (upper edge); inscribed 'Paul Celan' (lower right) oil, emulsion, acrylic, charcoal, branches, hair and plaster on canvas
74æ x 111in. (190 x 282cm.)
Executed in 2004
£350,000-550,000
US$480,000-750,000
€420,000-650,000
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*38
GERHARD RICHTER (B. 1932)
Elbe
each: signed with the artist's initial 'R.' (on a label affixed to the reverse) digital print on paper, in artist's frame, in thirty-one parts
each sheet: 11æ x 8ºin. (29.7 x 21cm.)
each frame: 18¿ x 13æin. (46 x 35cm.)
Executed in 2012, this work is number three from an edition of eight plus two artist's proofs
£70,000-100,000
US$95,000-140,000
€83,000-120,000
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ANTONY GORMLEY (B. 1950)
Small Ease II
incised with the artist's initials, the studio reference number and date 'AMDG 2018' (on the underside)
cast iron
6Ω x 31¬ x 16Ωin. (16.4 x 80.4 x 42cm.)
Executed in 2018
£150,000-250,000
US$210,000-340,000
€180,000-300,000
Photograph by Stephen White & Co. © the artist
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TRACEY EMIN (B. 1963)
More Time Just a-second x
signed and dated 'Tracey Emin 2016' (lower right); titled 'More time Just A - Second X' (lower left)
embroidery on calico
61º x 85¡in. (155.5 x 217cm.)
Executed in 2016
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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DAMIEN HIRST (B. 1965)
Full of Love
signed, titled and dated twice ‘Full of Love. 98. Damien Hirst 98.' (on the overlap); signed 'D Hirst' (on the stretcher)
butterflies and household gloss on canvas
36 x 60in. (91.4 x 152.4cm.)
Executed in 1998
£200,000-300,000
US$280,000-410,000
€240,000-360,000
*42
DAVID HOCKNEY (B. 1937)
House in Aswan
signed with the artist’s initials, titled and dated 'House in Aswan DH 78' (lower right) wax crayon, colour pencil and graphite on paper 14 x 16√in. (35.5 x 42.8cm.)
Executed in 1978
£70,000-90,000
US$95,000-120,000
€83,000-110,000
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IRVING PENN (1917-2009)
Three Poppies, Arab Chief, New York, 1969
signed, titled, date of image and of print in pencil with copyright reproduction, edition and print information stamps '3 POPPIES, ARAB CHIEF (NEW YORK, 1969) Irving Penn' (on the reverse) dye transfer print image: 21√ x 18¿in. (55 x 46cm.) sheet: 22º x 19Ωin. (57.9 x 49.4cm.)
Photographed in 1969 and printed in 1992, this work is from an edition of twenty-seven
£80,000-120,000
US$110,000-160,000
€95,000-140,000
ROBERT INDIANA (1928-2018) ART (Red/Blue)
stamped with the artist's signature, number, foundry mark and date '© 1972-2001 R INDIANA 5/6' (on the inside edge of the A)
polychrome aluminium
72 x 72 x 35¬in. (183 x 183 x 90.6cm.)
Conceived in 1972 and executed in 2001, this work is number five from an edition of six plus four artist's proofs
£300,000-500,000
US$410,000-680,000
€360,000-590,000
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PROPERTY OF A PRIVATE IMPORTANT COLLECTOR
λ*45
FRANZ WEST (1947-2012)
Untitled papier-mâché, gauze, acrylic, plaster, epoxy resin and polyester fabric
25æ x 14¿ x 10¡in. (65.5 x 36 x 26cm.)
Executed in 1998
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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GEORG BASELITZ (B. 1938)
Untitled
signed with the artist's initials and dated '21. II 016 GB.' (lower left)
India ink and watercolour on paper
25√ x 19¬in. (65.8 x 49.7cm.)
Executed in 2016
£20,000-30,000
US$28,000-41,000
€24,000-36,000
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*47
RICHARD SERRA (1938-2024)
Garden Arc
paintstick on paper
80¿ x 80¿in. (203.4 x 203.3cm.)
Executed in 1986
£350,000-550,000
US$480,000-740,000
€420,000-650,000
SAM GILLIAM (1933-2022)
Ribboned IV
signed, titled and dated 'Ribboned IV 1966 Sam Gilliam Jr' (on the reverse)
acrylic on canvas
24 x 19æin. (61 x 50.3cm.)
Painted in 1966
£60,000-80,000
US$82,000-110,000
€71,000-95,000
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ALICJA KWADE (B. 1979)
Ein Tisch ist ein Bild (A Table is a Painting)
found wooden table and mirror
42¿ x 57¿ x 57¿in. (107 x 145 x 145cm.)
Executed in 2019, this work is unique
£15,000-20,000
US$21,000-27,000
€18,000-24,000
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PROPERTY FROM A PROMINENT PRIVATE COLLECTION
λ*50
OLAFUR ELIASSON (B. 1967)
Colour experiment no. 36
signed, titled and dated 'Olafur Eliasson 2011 color [sic] experiment 36' (on the reverse) oil on canvas diameter: 78æin. (200cm.)
Painted in 2011
£100,000-150,000
US$140,000-200,000
€120,000-180,000
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GEORGE CONDO (B. 1957)
Rainbow Bridge
signed, titled and dated 'Condo 85 Rainbow Bridge' (on the reverse) oil on canvas
66√ x 51ºin. (170 x 130.2cm.)
Painted in 1985
£70,000-100,000
US$95,000-140,000
€83,000-120,000
*51
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NICOLAS PARTY (B. 1980)
Birds Fighting for Worms
marble
94¡ x 41¬in. (239.8 x 105.7cm.)
Executed in 2017
£100,000-150,000
US$140,000-200,000
€120,000-180,000
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EMMI WHITEHORSE (B. 1957)
Glacial State of Rincon Marquez
signed with the artist's monogram 'III' (lower right); inscribed '#565 "Glacial state of Rincon Marquez"' (on the reverse)
oil pastel, chalk and Conté pencil on arches paper
31Ω x 47¡in. (80 x 120.4cm.)
Executed in 1986
£15,000-20,000
US$21,000-27,000
€18,000-24,000
*53
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ISSY WOOD (B. 1993)
Idea for a dinner
signed and dated 'Issy Wood 17' (on the stretcher); titled and dated 'Idea for a dinner 2017' (on the reverse) oil on canvas
14√ x 18¿in. (37.9 x 46cm.)
Painted in 2017
£8,000-12,000
US$11,000-16,000
€9,500-14,000
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JULES DE BALINCOURT (B. 1972)
I Would Rather B in Tahiti signed, titled and dated 'Jules de Balincourt 2008 IWOULDRATHERBINTAHITI' (on the reverse) oil on board
9¬ x 12¡in. (24.5 x 31.5cm.)
Executed in 2008
£8,000-12,000
US$11,000-16,000
€9,500-14,000
λ*55
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EDDIE MARTINEZ (B. 1977)
Untitled
signed with the artist's initials and dated 'EM.20' (lower right) oil and spray paint on panel
30 x 39√in. (76.1 x 101.4cm.)
Executed in 2020
£20,000-30,000
US$28,000-41,000
€24,000-36,000
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ANASTASIA BAY (B. 1988)
Les Filles en Ruine en Deux (The Girls in Ruins in Two)
signed, titled and dated 'BAY ANASTASIA 2022' (on the reverse)
acrylic, pastel and oilstick on canvas
70√ x 86¬in. (180 x 220cm.)
Executed in 2022
£15,000-20,000
US$21,000-27,000
€18,000-24,000
*58
HANS-PETER FELDMANN (1941-2023)
Untitled oil on two found canvases with frames each: 25¿ x 21Ωin. (63.7 x 54.7cm.)
£30,000-50,000
US$41,000-68,000
€36,000-59,000
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PROPERTY OF A PRIVATE IMPORTANT COLLECTOR
λ*59
GEORG BASELITZ (B. 1938)
Untitled
(i) signed with the artist's initials 'G.B.' (lower right)
(ii) dated '5.XI 015' (lower left)
India ink and watercolour on paper, in two parts
(i) 29 x 19√in. (65.9 x 50.6cm.)
(ii) 26¿ x 19√in. (66.4 x 50.4cm.)
Executed in 2015
£40,000-60,000
US$55,000-81,000
€48,000-71,000
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*60
A. R. PENCK (1939-2017)
Free Jazz
dispersion on canvas
118º x 197Ωin. (300.2 x 501.5cm.)
Painted in 1985
£150,000-200,000
US$210,000-270,000
€180,000-240,000
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FRANCESCO CLEMENTE (B. 1952)
Lovers
oil on panel
35 x 45in. (89 x 114.3cm.)
Executed in 1983-1984
£10,000-15,000
US$14,000-20,000
€12,000-18,000
λ*61
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*62
WILHELM SASNAL (B. 1972)
Untitled
signed and dated 'WILHELM SASNAL 2012' (on the overlap) oil on canvas
15æ x 21¬in. (40.1 x 55cm.)
Painted in 2012
£12,000-18,000
US$17,000-24,000
€15,000-21,000
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λ*63
MICHAËL BORREMANS (B. 1963)
Black Mould (Juggling with Fiery Limbs II)
signed, titled, inscribed and dated 'MICHAËL M. C. G. BORREMANS. - BLACK MOULD - (JUGGLING WITH FIRY [sic] LIMBS) O.O.W. 2015' (on the reverse) oil on board
15º x 11in. (38.7 x 28cm.)
Executed in 2015
£100,000-120,000
US$140,000-160,000
€120,000-140,000
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JANSSON STEGNER (B. 1972)
Helena III
signed and dated 'J. Stegner 2021' (on the reverse) oil on canvas
33º x 27√in. (84.5 x 71.1cm.)
Painted in 2021
£20,000-30,000
US$28,000-41,000
€24,000-35,000
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TONY CRAGG (B. 1949)
Over the Earth
bronze
38√ x 49 x 16¿in. (98.8 x 124.4 x 41cm.)
Executed in 2017
£80,000-120,000
US$110,000-160,000
€95,000-140,000
λ*65
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*66
MAGDALENA
Standing Figure
ABAKANOWICZ
(1930-2017)
signed with the artist's monogram and dated '86' (on the reverse of the right leg)
bronze
63 x 19º x 10√in. (160 x 49 x 27.5cm.)
Executed in 1986
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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λ*67
WILLIAM KENTRIDGE (B. 1955)
Roman Centurion II
signed 'KENTRIDGE' (lower right)
India ink and coloured pencil on found ledger pages
50 x 56√in. (127 x 144.5cm.)
Executed in 2014
£80,000-120,000
US$110,000-160,000
€95,000-140,000
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*68
OTOBONG NKANGA (B. 1974)
In Pursuit of Bling: The Discovery
handwoven tapestry and plastic
71¬ x 71in. (183 x 180.5cm.)
Executed in 2014, this work is from an edition of four plus one artist's proof
£20,000-30,000
US$28,000-41,000
€24,000-35,000
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λ*69
WILLIAM KENTRIDGE (B. 1955)
Porter Series: Geographie des Hebreux ou Tableau de la dispersion des Enfants de Noe (Noah)
signed, titled, inscribed, numbered and dated 'Geographie des Hebreux ou Tableau de la Dispersion des Enfants de Noë 1/1 2015 W Kentridge' (on a fabric label sewn to the reverse); embroidered with the artist's signature 'KENTRIDGE' (on the reverse)
handwoven mohair tapestry
97¬ x 128æin. (249.3 x 327cm.)
Executed in 2005/2015, this work is the studio copy aside from an edition of three plus two artist's proofs
£70,000-100,000
US$95,000-140,000
€83,000-120,000
ESTHER MAHLANGU (B. 1935)
Untitled
signed and dated 'ESTHER MAHLANGU 2014' (lower left) oil on canvas
21Ω x 30√in. (54.7 x 78.5cm.)
Painted in 2014
£4,000-6,000
US$5,500-8,100
€4,800-7,100
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†72
NICHOLAS HLOBO (B. 1975)
Amaqabaza
signed, titled and dated 'Nicholas Hlobo, "Amaqabaza", 2012' (on the reverse)
watercolour, ribbon and tea stains on paper
96¡ x 58√in. (244.8 x 149.5cm.)
Executed in 2012
£20,000-30,000
US$28,000-41,000
€24,000-36,000
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PROPERTY OF A PRIVATE SWISS COLLECTION
WOLFGANG TILLMANS (B. 1968)
Amsterdam to Lima
signed, signed with the artist's initials, titled, numbered and dated 'Amsterdam to Lima ph 03/2013 pr WT 09/2017 6/10 + 1 Wolfgang Tillmans' (on the reverse)
chromogenic print
image: 10¬ x 16in. (27 x 40.5cm.)
sheet: 12¿ x 16in. (30.8 x 40.5cm.)
Photographed in 2013 and printed in 2017, this work is number six from an edition of ten plus one artist's proof
£6,000-8,000
US$8,200-11,000
€7,200-9,500
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ANSELM KIEFER (B. 1945)
Des Meeres und der Liebe Wellen (Waves of love and the sea)
titled 'Des Meeres und der Liebe Wellen' (lower edge)
acrylic, charcoal, Shellac, adhesive, staples and metal collage on printed paper, in artist's frame
42 x 128æin. (106.7 x 327.1cm.)
Executed in 2011
£100,000-150,000
US$140,000-200,000
€120,000-180,000
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PROPERTY OF A PRIVATE SWISS COLLECTION
λ*75
WOLFGANG TILLMANS (B. 1968)
Silver Beyeler, g
signed 'Wolfgang Tillmans' (on an artist's label affixed to the reverse)
chromogenic print
12 x 15√in. (30.4 x 40.4cm.)
Executed in 2017, this work is unique
£10,000-15,000
US$14,000-20,000
€12,000-18,000
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MARTIN KIPPENBERGER (1953-1997) Kippenblinky
wood, metal, resin, match boxes and light bulb
67Ω x 16Ω x 16Ωin. (171.6 x 42 x 42cm.)
Executed in 1991, this work is from a series of nine, each unique
£70,000-100,000
US$95,000-140,000
€83,000-120,000
λ*77
GÜNTHER FÖRG (1952-2013)
Untitled
each: numbered consecutively '1-3' (on the reverse) (iii) signed 'FÖRG' (upper right); signed and dated 'Förg 2000' (on the reverse)
acrylic on canvas, in three parts
each: 102Ω x 134ºin. (260.5 x 341cm.)
overall: 102Ω x 402æin. (260.5 x 1023cm.)
Painted in 2000
£150,000-200,000
US$210,000-270,000
€180,000-240,000
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FERNANDO BOTERO (1932-2023) Maternity
signed and numbered 'Botero 1/6' (on the reverse of the base)
bronze
24√ x 8Ω x 7ºin. (63.3 x 21.1 x 17.9cm.)
This work is number one from an edition of six
£120,000-180,000
US$170,000-240,000
€150,000-210,000
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FRANCE-LISE MCGURN (B. 1983)
La Perv
signed with the artist's initials, titled and dated 'FMCG 2021 'La Perv'' (on the overlap); signed and inscribed 'McGurn xx. THE BLOW OUT' (on the turnover edge) oil and spray paint on canvas
78æ x 78æin. (200 x 200cm.)
Executed in 2021
£18,000-25,000
US$25,000-34,000
€22,000-30,000
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ALEJANDRO CARDENAS (B. 1977)
Field Walk
signed with the artist's initials, inscribed and dated 'AC MMXX TROPICO CA' (on the reverse)
acrylic on canvas, in artist's frame
40æ x 32¬in. (103.5 x 83cm.)
Executed in 2020
£30,000-50,000
US$41,000-68,000
€36,000-59,000
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*81
JIM HODGES (B. 1957)
Untitled
signed, titled, inscribed and dated ‘Untitled Jim Hodges 1996’ (on the plastic map) silk, plastic, wire and pins, in 129 parts dimensions variable
Executed in 1996
£30,000-50,000
US$41,000-68,000
€36,000-59,000
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ANSELM REYLE (B. 1970)
Untitled
foil and acrylic on canvas in artist's acrylic glass box
56¿ x 48 x 8¿in. (142.7 x 122 x 20.5cm.)
Executed in 2008
£25,000-35,000
US$34,000-47,000
€30,000-41,000
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ALEX DA CORTE (B. 1980)
5 Standard Stoppages or: One Day of The Week, Two, or...
Flashe, sequin pins, foam, velvet and hardware on Plexiglas, in artist's frame
73¿ x 73¿in. (185.8 x 185.8cm.)
Executed in 2020
£10,000-15,000
US$14,000-20,000
€12,000-18,000
JORDAN WOLFSON (B. 1980)
Untitled inkjet on canvas
59Ω x 49Ωin. (151.2 x 125.6cm.)
Executed in 2014
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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MARTIN KIPPENBERGER (1953-1997)
Untitled
signed with the artist's initials and dated 'M. K. 86' (lower right) mixed media and acrylic on canvas, in artist's frame
16√ x 20Ωin. (43 x 52cm.)
Executed in 1986
£18,000-25,000
US$25,000-34,000
€22,000-30,000
λ*85
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PROPERTY FROM AN IMPORTANT PRIVATE EUROPEAN COLLECTION λ*86
ALBERT OEHLEN (B. 1954)
Aale im Saragossa-Meer (Eels in the Sargasso sea)
oil and spray paint on canvas
19æ x 23√in. (50.3 x 62.3cm.)
Executed in 1981
£30,000-50,000
US$41,000-68,000
€36,000-59,000
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λ*87
GIUSEPPE PENONE (B. 1947)
Pelle di grafite - riflesso di fluorite
signed, titled and dated 'Pelle di Grafite Riflesso di "FLUORITE" Giuseppe Penone 2003' (on the reverse)
graphite on paper laid on canvas
59Ω x 78æin. (151 x 200cm.)
Executed in 2003
£50,000-70,000
US$68,000-95,000
€60,000-83,000
100
THOMAS DEMAND (B. 1964)
Abgang (Exit)
signed, dated and numbered 'Thomas Demand 3/6 2000' (on the stretcher) chromogenic print mounted on Diasec
61¡ x 98¡in. (156 x 250cm.)
Executed in 2000, this work is number three from an edition of six
£15,000-20,000
US$21,000-27,000
€18,000-24,000
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JOSEPH KOSUTH (B. 1945)
‘Titled (Art as Idea as Idea)' [nothing] (Eng.-Ita.)
mounted photograph 48 x 48in. (122 x 122cm.)
Executed in 1967
£25,000-35,000
US$34,000-47,000
€30,000-41,000
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STERLING RUBY (B. 1972)
Vampire 77
signed, numbered and dated ‘Sterling Ruby V77/4038/2012’ (on an artist's label stitched to the reverse) fabric and fibre fill
85 x 37æ x 5√in. (216 x 96 x 15cm.)
Executed in 2012
£12,000-18,000
US$17,000-24,000
€15,000-21,000
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GILBERT & GEORGE (B. 1943 & B. 1942)
Local Person
signed 'Gilbert George' (lower right); titled and consecutively numbered 'LOCAL PERSON 1-16' (on the reverse)
gelatin silver print, in artist's frame, in sixteen parts each: 23√ x 20¿in. (60.5 x 51cm.)
overall: 95º x 80ºin. (242 x 204cm.)
Executed in 1980
£40,000-60,000
US$55,000-81,000
€48,000-71,000
λ*91
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PROPERTY OF A GERMAN COLLECTOR
λ*92
TONY CRAGG (B. 1949)
Early Forms
incised with the artist's initials, number and foundry mark 'T.C. 2/3' (on the underside) bronze
29 x 48 x 39¡in. (73.5 x 122 x 100cm.)
Executed in 1993, this work is number two from an edition of three
£40,000-60,000
US$55,000-81,000
€48,000-71,000
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•*93
ZHAN WANG (B. 1962)
Artificial Rock No. 39
incised with the artist's signature in English and Chinese, number and date 'Zhan Wang 2001 1/4' (lower edge)
stainless steel
70¿ x 108√ x 68√in. (178 x 275.5 x 175cm.)
Executed in 2001, this work is number one from an edition of four
£30,000-50,000
US$41,000-68,000
€36,000-59,000
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•*94
YUE MINJUN (B. 1962)
The Path of God
(i) incised with the artist’s signature and number 'yue minjun 1/2' (lower right)
(ii) incised with the artist's signature and number 'yue minjun 2/2' (lower right)
stainless steel, in two parts each: 82¬ x 49º x 50æin. (210 x 125 x 129cm.)
Executed in 2006
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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λ*95
JULIAN OPIE (B. 1958) Woman Undressing
continuous computer animation, LED monitor and media player
37¡ x 23√ x 7Ωin. (95 x 60.5 x 19cm.)
Executed in 2003, this work is from an edition of four plus one artist's proof
£15,000-20,000
US$21,000-27,000
€18,000-24,000
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STIK (B. 1979)
Cut Out
signed and dated 'STIK 2009' (on the lower edge)
household gloss on wood, painted on both sides
97 x 37¿in. (244.5 x 97cm.)
Executed in 2009
£25,000-35,000
US$34,000-47,000
€30,000-41,000
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DAMIEN HIRST (B. 1965)
Second Series Biopsy: M865/302, M865/303
(i) signed, titled, inscribed and dated 'Damien Hirst 2008 2nd Series Biopsy 'M865/302' (on the reverse); stamped with the artist's monogram (on the overlap)
(ii) signed, titled, inscribed and dated 'Damien Hirst 2008 2nd Series Biopsy 'M865/303' (on the reverse); stamped with the artist's monogram (on the overlap)
(i) inkjet print, glass, religious charms, flocking powder and household gloss on canvas
(ii) inkjet print, glass, religious charms, scalpel blades, flocking powder and household gloss on canvas each: 23æ x 32¿in. (60.8 x 81.4cm.)
Executed in 2008
£50,000-70,000
US$68,000-95,000
€60,000-83,000
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AI WEIWEI (B. 1957)
45√ x 22Ω x 17¿in. (116.5 x 57 x 43.6cm.)
Executed in 2008, this work is unique
£20,000-30,000
US$28,000-41,000
€24,000-36,000
Marble Chair
marble
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GARY HUME (B. 1962)
Like Father Like Son
household paint and plastic eyes on aluminium
78.7 x 64in. (200 x 162.5cm.)
Executed in 1998
£20,000-30,000
US$28,000-41,000
€24,000-35,000
λ99
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POST-WAR TO PRESENT: ONLINE
SELECTED HIGHLIGHTS
AUCTION
Tuesday 17 June, 11:00am BST - Tuesday 01 July, 11:00am BST
8 King Street, St. James’s London SW1Y 6QT
VIEWING
A selection of highlights will be on display at Christie’s King Street. To arrange an in-person or virtual viewing please contact Stanislas Helly d’Angelin.
Thursday 19 June
10.00am - 8.00pm
Friday 20 June 9.00am - 5.00pm
Saturday 21 June 12.00pm - 5.00pm
Sunday 22 June 12.00pm - 5.00pm
Monday 23 June 9.00am - 5.00pm
Tuesday 24 June 9.00am - 5.00pm
HEAD OF SALE
Stanislas Helly d’Angelin
Junior Specialist + 44 (0)20 7752 3089 sdangelin@christies.com
SPECIALISTS
Nicole Ching Specialist Advisor +44 (0)20 7752 3090 nching@christies.com Martha Meshoulam Junior Specialist +44 (0)20 7389 2017 mmeshoulam@christies.com
CONDITIONS OF SALE
The sale of each lot is subject to the Conditions of Sale, Important Notices and Explanation of Cataloguing Practice,which are set out on christies.com for the sale. Please note that the symbols and cataloguing for some lots may change before the auction. For the most up to date sale information for a lot, please see the full lot description,which can be accessed through the sale landing page on christies.com
AUCTION CODE AND NUMBER
In sending absentee bids or making enquiries, this sale should be referred to as: MANON-23757
With thanks to Valentine Kopf, Ines Fallaha and Alice McLachlan for their assistance with researching the sale. Opposite: George Condo, Mr Information, 1982 (detail)
SALE
COORDINATOR
Manon Butler +44 (0)20 7389 2563 mbutler@christies.com
POST SALE SERVICES
Payment, Shipping and Collection Tel: +44 (0)20 7752 3200 Fax: +44 (0)20 7752 3300 postsaleuk@christies.com
In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty fee are also payable if the lot has a tax or λ symbol. Please see Section D of the Conditions of Sale for this sale on chrsties.com.
LISA BRICE (B. 1968)
Untitled IV
signed and dated 'Lisa Brice 08.' (on the stretcher) ink and gesso on canvas
8 x 10¿in. (20.4 x 25.8cm.)
Executed in 2008
£8,000-12,000
US$11,000-16,000
€9,500-14,000
∍
SUZAN FRECON (B. 1941)
red and red study
signed and titled 'red and red study Suzan Frecon' (on the reverse) oil on board
9æ x 12¿in. (24.8 x 30.7cm.)
Executed in 2017
£8,000-12,000
US$11,000-16,000
€9,600-14,000
ANNA PARK (B. 1996)
You Are Here
signed 'ANNA PARK' (lower right)
charcoal on paper
26¿ x 39æ (66.5 x 101cm.)
Executed in 2019
£20,000-30,000
US$27,000-40,000
€24,000-36,000
RACHEL WHITEREAD (B. 1963)
Step
plaster, pigment, resin, and wood
5Ω x 15æ x 7√in. (14 x 40 x 20cm.)
Executed in 2007-2008
£20,000-30,000
US$27,000-40,000
€24,000-36,000
KATHERINE BERNHARDT (B.1975)
Untitled
signed and dated 'Katherine Bernhardt 2019' (on the reverse)
acrylic and watercolour on paper
18 x 24in. (45.7 x 61cm.)
Executed in 2019
£10,000-15,000
US$14,000-20,000
€12,000-18,000
SARAH SLAPPEY (B. 1984)
Green Ribbon Squeeze
signed and dated 'Sarah Slappey 2022' (on the reverse) oil on paper
15√ x 13√in. (40.3 x 35.2cm.)
Executed in 2022
£4,000-6,000
US$5,400-8,100
€4,800-7,100
LYDIA BLAKELEY (B. 1980)
Something Good
signed and dated 'LYDIA BLAKELEY 2019' (on the overlap) oil on linen
86Ω x 58√in. (219.7 x 149.6cm.)
Painted in 2019
£4,000-6,000
US$5,500-8,100
€4,800-7,100
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MARWAN (1934-2016)
Untitled
signed and dated '24-02-04 Marwan' (on the reverse) oil on canvas
13¿ x 8√in. (33.3 x 22.4cm.)
Painted in 2004
£10,000-15,000
US$14,000-20,000
€12,000-18,000
MARWAN (1934-2016)
Untitled
signed and dated ' 31-05-02 Marwan' (on the stretcher) oil on canvas
13º x 9Ωin. (33.5 x 24.2cm.)
Painted in 2002
£10,000-15,000
US$14,000-20,000
€12,000-18,000
WILLIAM KENTRIDGE (B. 1955)
Death of Pasolini
titled and dated 'Death of Pasolini May 2014' (lower right) charcoal and crayon on found ledger pages
18æ x 26¡in. (47.5 x 67cm.)
Executed in 2014
£30,000-50,000
US$41,000-67,000
€36,000-60,000
IDRIS KHAN (B. 1978)
A Grey Bucket
signed and dated 'Idris Khan 2015' (on a paper label affixed to the reverse)
chromogenic print mounted on aluminium
64¡ x 76¡in. (163.5 x 194cm.)
Executed in 2015, this work is number five from an edition of seven plus two artist's proofs
£20,000-30,000
US$27,000-40,000
€24,000-36,000
PROPERTY
YINKA SHONIBARE (B. 1962)
Toy Painting #20
signed and dated 'Yinka Shonibare 2005' (on the reverse)
Dutch wax printed cotton textile, acrylic emulsion, steel rods and toys on canvas
27Ω x 35Ω in. (69.8 x 90.2 cm.)
Executed in 2005
£5,000-7,000
US$6,800-9,400
€6,000-8,300
TUNJI ADENIYI-JONES (B. 1992)
Patterns & Rituals XVI
signed with the artist’s initials and dated ‘TAJ 19’ (on the reverse) marker and graphite on paper
8¡ x 4√in. (21.3 x 12.3cm.)
Executed in 2019
£2,000-3,000
US$2,800-4,100
€2,400-3,600 ∍
ALVARO BARRINGTON (B. 1983)
Untitled (Banana 4)
signed with the artist's initials and dated 'AB '20' (on the reverse) oil and yarn on banana paper, in artist's frame
25¿ x 33in. (63.7 x 83.9cm.)
Executed in 2020
£8,000-12,000
US$11,000-16,000
€9,600-14,000
ZANELE MUHOLI (B. 1972)
MaID III, Philadelphia
signed with artist's initials 'ZM' (on a label affixed to the reverse) silver gelatin print
35Ω x 23æin. (90.1 x 60.2cm.)
Executed in 2018, this work is number two from an edition of eight plus two artist's proofs
£6,000-8,000
US$8,100-11,000
€7,200-9,500
LEARN
LEARN
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LEARN
SAM FRANCIS (1923-1994)
Untitled
signed, inscribed, and dated 'Sam Francis C.A. 1971' (on the reverse) acrylic and watercolour on paper
13 x 16in. (33 x 40.8cm.)
Executed in 1971
£12,000-18,000
US$17,000-24,000
€15,000-21,000
ANDY WARHOL (1928-1987)
Man Ray
titled, signed and dated 'Man Ray ANDY WARHOL 74' (on the reverse) graphite on paper
26√ x 20¿in. (68.4 x 51cm.)
Executed in 1974
£15,000-20,000
US$21,000-27,000
€18,000-24,000
FRANCESCO CLEMENTE (B. 1952)
Meaning of the Stone oil on canvas
82º x 56in. (208.8 x 142.4cm.)
Painted in 1990
£20,000-30,000
US$27,000-40,000
€24,000-36,000
ROBERT RAUSCHENBERG (1925-2008)
Untitled
signed and dated 'RAUSCHENBERG 97' (lower left) inkjet dye transfer on polylaminate, in artist's frame
30æ x 21in. (78.1 x 53.4 cm.)
Executed in 1997
£25,000-35,000
US$34,000-47,000
€30,000-41,000
GEORGE CONDO (B. 1957)
Mr. Misinformation
signed and dated ''George Condo 6/82' (lower right); signed and dated 'George Condo 6/82' (on the reverse) oil on canvas
60 x 47√in. (152.3 x 121.7cm.)
Painted in 1982
£20,000-30,000
US$27,000-40,000
€24,000-36,000 λ
CHRISTOPHER HARTMANN (B. 1993)
Untitled oil on linen
23¬ x 17√in. (60.1 X 45.3cm.)
Painted in 2020
£6,000-8,000
US$8,200-11,000
€7,200-9,500
ANDREAS GURSKY (B. 1955)
Brasilia, Bank Sector North
signed 'A.Gursky' (on the reverse)
chromogenic print, in artist's frame
image: 56º x 72¬in. (143 x 184.5cm.)
overall: 73º x 88æin. (186 x 225.5cm.)
Executed in 1994, this work is number five from an edition of six
£50,000-70,000
US$68,000-95,000
€60,000-83,000
GILBERT & GEORGE (B. 1943 & B. 1942)
Brotherhood
signed, titled and dated 'BROTHERHOOD/Gilbert and George/x 2013 x' (lower right); consecutively numbered '1-18' (on the artist's label on the reverse)
hand-dyed gelatin silver prints, in artist's frame, in eighteen parts each: 25 x 29æin. (63.5 x 75.5cm.)
overall: 89 x 150in. (226.5 x 381cm.)
Executed in 2013
£40,000-60,000
US$55,000-81,000
€48,000-71,000
BRIAN WALL (B. 1931)
Steel Construction: Red, Yellow and Blue
painted steel
49º x 33 x 24 in. (125.1 x 83.8 x 61 cm.)
Constructed in 1956.
Price on request
MODERN BRITISH ART
A SELLING EXHIBITION
This exhibition will be online from 12-30 June, and on view at Christie’s London from 16-24 June
Christie’s is pleased to present a selling exhibition of Modern British Art, showcasing paintings and sculptures by the leading artists of the twentieth century. As Britain navigated a radically changing cultural landscape, artists formed avant-garde groups that responded and challenged the wave of new voices and ideas. Now considered the leading movements of their age, discover works by the St Ives Modernists, Constructivists, Scottish Colourists and School of London. Led by Henry Moore’s Draped Reclining Figure, further highlights include works by Dame Barbara Hepworth, Frank Auerbach, Leon Kossoff, L.S. Lowry and Sir Winston Churchill.
VIEWING
Monday 16 June 9.00am - 5.00pm
Tuesday 17 June 9.00am - 5.00pm
Wednesday 18 June 9.00am - 5.00pm
Thursday 19 June 10.00am - 8.00pm
Friday 20 June 9.00am - 5.00pm
Saturday 21 June 12.00pm - 5.00pm
Sunday 22 June 12.00pm - 5.00pm
Monday 23 June 9.00am - 5.00pm
Tuesday 24 June 9.00am - 5.00pm
Available to browse online from 12 to 30 June:
HEAD OF DEPARTMENT
Nick Orchard
+44 207 389 2548 norchard@christies.com
SENIOR DIRECTOR
Philip Harley
+44 207 389 2687 pharley@christies.com
SENIOR SPECIALIST
Angus Granlund
+44 207 752 3240 agranlund@christies.com
BEN NICHOLSON, O.M. (1894-1982) 1930 (ace of clubs)
signed and dated ‘Ben Nicholson 1930’ (on the reverse), signed again, inscribed and dated again ‘Ben Nicholson 1930/’’still life 1930”/property of Barbara Hepworth/Chy an Kerris/Carbis Bay/Cornwall’ (on the backboard) oil a and pencil on board laid on panel 20¿ x 21 in. (51.1 x 53.3 cm.)
Painted in 1930.
Price on request
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DAME BARBARA HEPWORTH (1903-1975)
Two Rotating Forms II
alabaster, on a wooden base, unique 9 in. (22.9 cm.) high, excluding base Carved in 1966.
This work is recorded as BH 415.
Price on request
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LAURENCE STEPHEN LOWRY, R.A. (1887-1976)
Iron Works
signed and dated 'L.S. LOWRY 1941' (lower centre) oil on board
17æ x 24 in. (45.1 x 61 cm.)
Painted in 1941.
Price on request
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HENRY MOORE, O.M., C.H. (1898-1986)
Draped Reclining Figure
bronze with a dark brown patina, on a stained oak base 27¬ in. (70.2 cm) wide, excluding base
Conceived in 1957 and cast in an edition of 11, plus an artist's cast. Cast in 1957 by Fiorini Foundry, London.
Price on request
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HENRY MOORE, O.M., C.H. (1898-1986)
Head of a Girl
signed 'Moore' (on the reverse of the neck)
bronze with a dark brown patina, on a stone base
6¬ in. (16.7 cm.) high, excluding base
Conceived in terracotta in 1923 and cast circa 1930 in an edition of 9.
Price on request
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WINSTON CHURCHILL, O.M., R.A. (1874-1965)
Oranges and Lemons
oil on canvas
20 x 24 in. (50.8 x 61 cm.)
Painted in 1958.
Price on request
SIR
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1 July, 5.00pm The Exceptional Sale
1 July, 6.30pm Old Masters Evening Sale
SELECTED HIGHLIGHTS
AUCTIONS
8 King Street, St. James’s London SW1Y 6QT
2 July, 11.00am Old Masters to Modern Day Sale: Paintings, Drawings, Sculpture
2 July, 3.00pm Antiquities
VIEWING
A selection of highlights will be on display at Christie’s King Street.
Thursday 19 June 10.00am - 8.00pm
Friday 20 June 9.00am - 5.00pm
Saturday 21 June 12.00pm - 5.00pm
Sunday 22 June 12.00pm - 5.00pm
Monday 23 June 9.00am - 5.00pm
Tuesday 24 June 9.00am - 5.00pm
CONDITIONS OF SALE
The sale of each lot is subject to the Conditions of Sale, Important Notices and Explanation of Cataloguing Practice, which are set out on christies.com for the sale. Please note that the symbols and cataloguing for some lots may change before the auction. For the most up to date sale information for a lot, please see the full lot description, which can be accessed through the sale landing page on christies.com
In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty fee are also payable if the lot has a tax or λ symbol. Please see Section D of the Conditions of Sale for this sale on christies.com.
Learn more about the complete Classic Week auction series:
2 July, 4.00pm Old Masters, 19th Century Paintings and Drawings from a Private Collection: Selling without Reserve
9 July, 10.30am Valuable Books and Manuscripts
JAN DAVIDSZ. DE HEEM (UTRECHT 1606-1684 ANTWERP)
A pie on a pewter plate, a partially peeled lemon and overturned silver spoon on a pewter plate, crayfish and shrimp in a Wanli bowl, fruit, a walnut and an oyster on a pewter plate, a basket of fruit, a fluted glass, a silver-gilt cup, a roemer, an overturned silver tazza on a strong box, a silver ewer and a bread roll all on a partially draped table with a curtain beyond signed and dated ‘J. De Heem f. A° 1649’ (lower left, on the table) oil on canvas
29¡ x 44¡ in. (75.3 x 112.7 cm.)
£3,000,000-5,000,000
US$4,100,000-6,800,000
€3,600,000-5,900,000
PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION
*31
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TIZIANO VECELLIO, CALLED TITIAN (PIEVE DI CADORE C. 1485/90-1576 VENICE)
Portrait of a nobleman, seated before a window signed 'TITIANI / OPVS' and 'TICIANVS F' (centre left, the latter now indistinct) oil on canvas
47¡ x 38º in. (120.3 x 97.2 cm.)
£3,000,000-5,000,000
US$4,100,000-6,800,000
€3,600,000-5,900,000
JAN VAN HUYSUM (AMSTERDAM 1682-1749)
Roses and other flowers in a terracotta vase with a bird’s nest on a marble ledge; and Fruit, roses and peonies in a basket with hazelnuts on a marble ledge
the first signed, inscribed and dated ‘Jan Van Huysum / fecit 1744’ (lower left, on the ledge); the second signed, inscribed and dated ‘Jan Van Huysum / fecit 1744 1745’ (lower left, on the ledge) oil on panel
the first, 20¬ x 16æ in. (52.5 x 42.6 cm.); the second, 20æ x 16æ in. (52.7 x 42.6 cm.) a pair (2)
£1,200,000-1,800,000
US$1,700,000-2,400,000
€1,500,000-2,100,000
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PROPERTY OF THE HEIRS OF DANIËL GEORGE VAN BEUNINGEN (1877-1955) *17
GERRIT DOU (LEIDEN 1613-1675)
A cottage interior with an old woman ('Rembrandt's Mother') delousing a boy's hair
signed 'GDOV' (lower left, on the barrel, 'DOV' indistinct) oil on panel
14¬ x 11√ in. (37.3 x 30.2 cm.)
£1,000,000-1,500,000
US$1,400,000-2,000,000
€1,200,000-1,800,000
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PROPERTY
AN AMLASH POTTERY FEMALE FIGURE
IRAN, CIRCA EARLY 1ST MILLENNIUM B.C.
18º in. (46.5 cm.) high
£80,000-120,000
US$110,000-160,000
€95,000-140,000
PROVENANCE: Madame Marion Schuster (1902–1982) Collection, Lausanne. The Property of a Lady, Formerly in the collection of the Late Madame Marion Schuster, Lausanne; Fine Antiquities, Christie's, London, 11 December 1996, lot 74.
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PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION *10
A LATE LOUIS XV ORMOLU-MOUNTED 'BLEU TURQUE' CHINESE
PORCELAIN VASE AND COVER OF EXCEPTIONALLY LARGE
SIZE
CIRCA 1765-1770
34 in. (86 cm.) high; 20Ω in. (52 cm.) diameter
£500,000-800,000
US$680,000-1,100,000
€600,000-950,000
PROVENANCE:
Nicolas Beaujon, (1718-1786), banker to the French Court.
Purchased by the marchande-mercier Madame Légère 1787 at the Beaujon sale on 25th April 1787, lot 307.
Acquired either by Francis Russell, 5th Duke of Bedford (1765-1802) or John Russell, 6th Duke of Bedford (17661839), and thence by descent until sold, Sotheby's London, 8 December 2009, lot 16 where acquired by the present owner (£713,250 including premium).
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PROPERTY FROM THE ZARICOR FLAG COLLECTION
A UNION JACK FLOWN FROM HMS SPARTIATE AT THE BATTLE OF TRAFALGAR, 21 OCTOBER 1805
A yard- or shipboard-hand-stitched wool-bunting flag, comprised of thirty-one bunting panels with canvas sleeve and lanyard, on an archival muslin backing 911/3in. (232cm.) x 1381/2in. (352cm.)
£500,000-800,000
US$680,000-1,100,000
€600,000-950,000
PROVENANCE: Captain James Clephan R.N. (1768-1851), Thence by descent until sold Charles Miller Ltd, London, 21 October 2009, lot 54 (£396,800). Acquired from the above by Benjamin Reed Zaricor (1947-2022) for the Zaricor Flag Collection.
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θ GALILEO GALILEI (1564-1642) AND GIROLAMO SPINELLI (C.1580-1647)
.
Cecco di Ronchitti da Bruzene. Dialogo in perpuosito de la stella nuova. Padua: Pietro Paulo Tozzi, 1605.
£500,000-700,000
US$680,000-940,000
€600,000-830,000
θ MAESTRO DEGLI STATUTI PADOVANI
The Missal of Pietro Marcello, use of Rome, in Latin, illuminated manuscript on vellum, Padua, 1420
£200,000-300,000
US$270,000-400,000
€240,000-350,000
HEAD OF SALE
Veronica Scarpati
+44 207 389 2365 vscarpati@christies.com
Tim Schmelcher +44 207 389 2268 tschmelcher@christies.com
CONDITIONS OF SALE
The sale of each lot is subject to the Conditions of Sale, Important Notices and Explanation of Cataloguing Practice,which are set out on christies.com for the sale. Please note that the symbols and cataloguing for some lots may change before the auction. For the most up to date sale information for a lot, please see the full lot description,which can be accessed through the sale landing page on christies.com
AUCTION
Thursday 16 October
8 King Street, St. James’s London SW1Y 6QT
VIEWING
A selection of highlights will be on display at Christie’s King Street.
Thursday 19 June 10.00am - 8.00pm Friday 20 June 9.00am - 5.00pm Saturday 21 June 12.00pm - 5.00pm Sunday 22 June 12.00pm - 5.00pm Monday 23 June 9.00am - 5.00pm Tuesday 24 June 9.00am - 5.00pm
CATALOGUER
Annabel Lawton +44 207 389 2528 alawton@christies.com
SALE COORDINATOR
Emily Wood +44 207 389 2971 emwood@christies.com
AUCTION CODE AND NUMBER
In sending absentee bids or making enquiries, this sale should be referred to as: KLAUS-23969
Opposite: Pablo Picasso, La coiffure (Femme se coiffant), 1906 (detail)
PostSaleUK@christies.com
In addition to the hammer price, a Buyer’s Premium (plus VAT) is payable. Other taxes and/or an Artist Resale Royalty fee are also payable if the lot has a tax or λ symbol. Please see Section D of the Conditions of Sale for this sale on chrsties.com.
PABLO PICASSO (1881-1973)
La coiffure (Femme se coiffant)
charcoal on paper
12º x 9 in. (31 x 22.7 cm.)
Executed in 1906
λ*
FERNAND LÉGER (1881-1955)
Le fumeur pencil on paper
12¬ x 9¬ in. (32 x 24.4 cm.)
Drawn circa 1921
PABLO PICASSO (1881-1973)
Le couple (Les misérables)
signed 'Picasso' (lower left)
charcoal on paper
13¬ x 10¿ in. (34.6 x 25.8 cm.)
Executed in 1904
PABLO PICASSO (1881-1973)
Le Repas Frugal
etching, 1904, on wove paper, unsigned, a fine, rich and black impression, one of a few impressions printed before the plate was steel-faced
Plate 460 x 378 mm.
Sheet 583 x 439 mm.
lithograph, 1895, on cream wove paper, signed, a
rich impression of the black stone only Image 605 x 442 mm. Sheet 630 x 460 mm.
ALBRECHT DÜRER (1471-1528)
The Dream of the Doctor engraving, circa 1498, on laid paper, watermark Gothic P, a fine Meder c impression Sheet 191 x 122 mm.
CONDITIONS OF SALE • BUYING AT CHRISTIE’S
CONDITIONS OF SALE
These Conditions of Sale and the Important Notices and Explanation of Cataloguing Practice set out the terms on which we offer the lots listed in this catalogue for sale. By registering to bid and/or by bidding at auction you agree to these terms, so you should read them carefully before doing so.You will find a glossary at the end explaining the meaning of the words and expressions coloured in bold. As well as these Conditions of Sale, lots in which we offer Non-Fungible Tokens for sale are governed by the Additional Conditions of Sale – Non-Fungible Tokens, which can be found at Appendix A to these Conditions of Sale. For the sale of Non-Fungible Tokens, to the extent there is a conflict between the “London Conditions of Sale Buying at Christie’s” and “Additional Conditions of Sale – Non-Fungible Tokens”, the latter controls.
Unless we own a lot ( symbol), Christie’s acts as agent for the seller. This means that we are providing services to the seller to help them sell their lot and that Christie’s is concluding the contract for the sale of the lot on behalf of the seller. When Christie’s is the agent of the seller, the contract of sale which is created by any successful bid by you for a lot will be directly between you and the seller, and not between you and Christie’s.
• BEFORE THE SALE
A
1
• DESCRIPTION OF LOTS
(a) Certain words used in the catalogue description have special meanings. You can find details of these on the page headed ‘Important Notices and Explanation of Cataloguing Practice’ which forms part of these terms. You can find a key to the Symbols found next to certain catalogue entries under the section of the catalogue called ‘Symbols Used in this Catalogue’.
(b) Our description of any lot in the catalogue, any condition report and any other statement made by us (whether orally or in writing) about any lot including about its nature or condition, artist, period, materials, approximate dimensions or provenance are our opinion and not to be relied upon as a statement of fact. We do not carry out in-depth research of the sort carried out by professional historians and scholars. All dimensions and weights are approximate only.
2
• OUR RESPONSIBILITY FOR OUR DESCRIPTION OF LOTS
We do not provide any guarantee in relation to the nature of a lot apart from our authenticity warranty contained in paragraph E2 and to the extent provided in paragraph I below.
• CONDITION
3
(a) The condition of lots sold in our auctions can vary widely due to factors such as age, previous damage, restoration, repair and wear and tear. Their nature means that they will rarely be in perfect condition Lots are sold ‘as is’, in the condition they are in at the time of the sale, without any representation or warranty or assumption of liability of any kind as to condition by Christie’s or by the seller.
(b) Any reference to condition in a catalogue entry or in a condition report will not amount to a full description of condition, and images may not show a lot clearly. Colours and shades may look different in print or on screen to how they look on physical inspection. Condition reports may be available to help you evaluate the condition of a lot Condition reports are provided free of charge as a convenience to our buyers and are for guidance only. They offer our opinion but they may not refer to all faults, inherent defects, restoration, alteration or adaptation because our staff are not professional restorers or conservators. For that reason they are not an alternative to examining a lot in person or taking your own professional advice. It is your responsibility to ensure that you have requested, received and considered any condition report.
• VIEWING LOTS PRE-AUCTION
4
(a) If you are planning to bid on a lot, you should inspect it personally or through a knowledgeable representative before you make a bid to make sure that you accept the description and its condition We recommend you get your own advice from a restorer or other professional adviser.
(b) Pre-auction viewings are open to the public free of charge. Our specialists may be available to answer questions at pre-auction viewings or by appointment.
5
• ESTIMATES
Estimates are based on the condition, rarity, quality and provenance of the lots and on prices recently paid at auction for similar property. Estimates can change. Neither you, nor anyone else, may rely on any estimates as a prediction or guarantee of the actual selling price of a lot or its value for any other purpose. Estimates do not include the buyer’s premium or any applicable taxes.
• WITHDRAWAL
6
Christie’s may, at its option, withdraw any lot at any time prior to or during the sale of the lot. Christie’s has no liability to you for any decision to withdraw.
7 • JEWELLERY
(a) Coloured gemstones (such as rubies, sapphires and emeralds) may have been treated to improve their look, through methods such as heating and oiling. These methods are accepted by the international jewellery trade but may make the gemstone less strong and/or require special care over time.
(b) It will not be apparent to us whether a diamond is naturally or synthetically formed unless it has been tested by a gemmological laboratory. Where the diamond has been tested, a gemmological report will be available.
(c) All types of gemstones may have been improved by some method. You may request a gemmological report for any item which does not have a report if the request is made to us at least three weeks before the date of the auction and you pay the fee for the report.
(d) Certain weights in the catalogue description are provided for guidance purposes only as they have been estimated through measurement and, as such, should not be relied upon as exact.
(e) We do not obtain a gemmological report for every gemstone
sold in our auctions. Where we do get gemmological reports from internationally accepted gemmological laboratories, such reports will be described in the catalogue. Reports from American gemmological laboratories will describe any improvement or treatment to the gemstone. Reports from European gemmological laboratories will describe any improvement or treatment only if we request that they do so, but will confirm when no improvement or treatment has been made. Because of differences in approach and technology, laboratories may not agree whether a particular gemstone has been treated, the amount of treatment or whether treatment is permanent. The gemmological laboratories will only report on the improvements or treatments known to the laboratories at the date of the report. We do not guarantee nor are we responsible for any report or certificate from a gemmological laboratory that may accompany a lot
(f) For jewellery sales, estimates are based on the information in any gemmological report or, if no report is available, assume that the gemstones may have been treated or enhanced.
8 • WATCHES & CLOCKS
(a) Almost all clocks and watches are repaired in their lifetime and may include parts which are not original. We do not give a warranty that any individual component part of any watch or clock is authentic. Watchbands described as ‘associated’ are not part of the original watch and may not be authentic. Clocks may be sold without pendulums, weights or keys.
(b) As collectors’ watches and clocks often have very fine and complex mechanisms, a general service, change of battery or further repair work may be necessary, for which you are responsible. We do not give a warranty that any watch or clock is in good working order. Certificates are not available unless described in the catalogue.
(c) Most watches have been opened to find out the type and quality of movement. For that reason, watches with water resistant cases may not be waterproof and we recommend you have them checked by a competent watchmaker before use. Important information about the sale, transport and shipping of watches and watchbands can be found in paragraph H2(g).
B • REGISTERING TO BID
1 • NEW BIDDERS
(a) If this is your first time bidding at Christie’s or you are a returning bidder who has not bought anything from any of our salerooms within the last two years you must register at least 48 hours before an auction to give us enough time to process and approve your registration. We may, at our option, decline to permit you to register as a bidder. You will be asked for the following:
(i) for individuals: Photo identification (driving licence, national identity card or passport) and, if not shown on the ID document, proof of your current address (for example, a current utility bill or bank statement).
(ii) forcorporate clients:YourCertificate ofIncorporation orequivalent document(s) showing your name and registered address together with documentary proof of directors and beneficial owners; and (iii) for trusts, partnerships, offshore companies and other business structures, please contact us in advance to discuss our requirements.
(b) We may also ask you to give us a financial reference and/or a deposit as a condition of allowing you to bid. For help, please contact our Credit Department on +44 (0)20 7839 9060.
2 • RETURNING BIDDERS
We may at our option ask you for current identification as described in paragraph B1(a) above, a financial reference or a deposit as a condition of allowing you to bid. If you have not bought anything from any of our salerooms in the last two years or if you want to spend more than on previous occasions, please contact our Credit Department on +44 (0)20 7839 9060.
• IF YOU FAIL TO PROVIDE THE RIGHT DOCUMENTS
3
If in our opinion you do not satisfy our bidder identification and registration procedures including, but not limited to completing any anti-money laundering and/or anti-terrorism financing checks we may require to our satisfaction, we may refuse to register you to bid, and if you make a successful bid, we may cancel the contract for sale between you and the seller.
• BIDDING ON BEHALF OF ANOTHER PERSON
4
(a) As authorised bidder. If you are bidding on behalf of another person who will pay Christie’s directly, that person will need to complete the registration requirements above before you can bid, and supply a signed letter authorising you to bid for them.
(b) As agent for a principal: If you register in your own name but are acting as agent for someone else (the “ultimate buyer(s)”) who will put you in funds before you pay us, you accept personal liability to pay the purchase price and all other sums due. We will require you to disclose the identity of the ultimate buyer(s) and may require you to provide documents to verify their identity in accordance with paragraph E3(b).
5
• BIDDING IN PERSON
If you wish to bid in the saleroom you must register for a numbered bidding paddle at least 30 minutes before the auction. You may register online at www.christies.com or in person. For help, please contact the Credit Department on +44 (0)20 7839 9060.
• BIDDING SERVICES
6
The bidding services described below are a free service offered as a convenience to our clients and Christie’s is not responsible for any error (human or otherwise), omission or breakdown in providing these services.
(a) Phone Bids
Your request for this service must be made no later than 24 hours prior to the auction. We will accept bids by telephone for lots only if our staff are available to take the bids. If you need to bid in a language other than in English, you must arrange this well before the auction. We may record telephone bids. By bidding on the telephone, you are agreeing to us recording your conversations. You also agree that your telephone bids are governed by these Conditions of Sale.
(b) Internet Bids on Christie’s LIVE™
For certain auctions we will accept bids over the Internet. For more information, please visit www.christies.com/register-and-bid As well as these Conditions of Sale, internet bids are governed by the Christie’s LIVE™ Terms of Use which are available at www. christies.com/christies-live-terms
c) Written Bids
You can find a Written Bid Form at any Christie’s office or by choosing the sale and viewing the lots online at www.christies. com. We must receive your completed Written Bid at least 24 hours before the auction. Bids must be placed in the currency of the saleroom. The auctioneer will take reasonable steps to carry out written bids at the lowest possible price, taking into account the reserve. If you make a written bid on a lot which does not have a reserve and there is no higher bid than yours, we will bid on your behalf at around 50% of the low estimate or, if lower, the amount of your bid. If we receive written bids on a lot for identical amounts, and at the auction these are the highest bids on the lot we will sell the lot to the bidder whose written bid we received first.
• CONDUCTING THE SALE
C
1
• WHO CAN ENTER THE AUCTION
We may, at our option, refuse admission to our premises or decline to permit participation in any auction or to reject any bid.
• RESERVES
2
Unless otherwise indicated, all lots are subject to a reserve. We identify lots that are offered without reserve with the symbol • next to the lot number. The reserve cannot be more than the lot’s low estimate, unless the lot is subject to a third party guarantee and the irrevocable bid exceeds the printed low estimate. In that case, the reserve will be set at the amount of the irrevocable bid. Lots which are subject to a third party guarantee arrangement are identified in the catalogue with the symbol º♦
• AUCTIONEER’S DISCRETION
3
The auctioneer can at their sole option:
(a) refuse any bid; (b) move the bidding backwards or forwards in any way they may decide, or change the order of the lots;
(c) withdraw any lot; (d) divide any lot or combine any two or more lots;
(e) reopen or continue the bidding even after the hammer has fallen; and
(f) in the case of error or dispute related to bidding and whether during or after the auction, to continue the bidding, determine the successful bidder, cancel the sale of the lot, or reoffer and resell any lot. If you believe that the auctioneer has accepted the successful bid in error, you must provide a written notice detailing your claim within 3 business days of the date of the auction. The auctioneer will consider such claim in good faith. If the auctioneer, in the exercise of their discretion under this paragraph, decides after the auction is complete, to cancel the sale of a lot, or reoffer and resell a lot, they will notify the successful bidder no later than by the end of the 7th calendar day following the date of the auction. The auctioneer’s decision in exercise of this discretion is final. This paragraph does not in any way prejudice Christie’s ability to cancel the sale of a lot under any other applicable provision of these Conditions of Sale, including the rights of cancellation set forth in section B(3), E(2)(i), F(4) and J(1).
4
• BIDDING
The auctioneer accepts bids from:
(a) bidders in the saleroom; (b) telephone bidders, and internet bidders through ‘Christie’s LIVE™ (as shown above in Section B6); and (c) written bids (also known as absentee bids or commission bids) left with us by a bidder before the auction.
5 • BIDDING ON BEHALF OF THE SELLER
The auctioneer may, at their sole option, bid on behalf of the seller up to but not including the amount of the reserve either by making consecutive bids or by making bids in response to other bidders. The auctioneer will not identify these as bids made on behalf of the seller and will not make any bid on behalf of the seller at or above the reserve. If lots are offered without reserve the auctioneer will generally decide to open the bidding at 50% of the low estimate for the lot. If no bid is made at that level, the auctioneer may decide to go backwards at their sole option until a bid is made, and then continue up from that amount. In the event that there are no bids on a lot, the auctioneer may deem such lot unsold.
6 • BID INCREMENTS
Bidding generally starts below the low estimate and increases in steps (bid increments). The auctioneer will decide at their sole option where the bidding should start and the bid increments.
• CURRENCY CONVERTER
7
The saleroom video screens (and Christies LIVE™) may show bids in some other major currencies as well as sterling. Any conversion is for guidance only and we cannot be bound by any rate of exchange used. Christie’s is not responsible for any error (human or otherwise), omission or breakdown in providing these services.
• SUCCESSFUL BIDS
8
Unless the auctioneer decides to use their discretion as set out in paragraph C3 above, when the auctioneer’s hammer strikes, we have accepted the last bid. This means a contract for sale has been formed between the seller and the successful bidder. We will issue an invoice only to the registered bidder who made the successful bid. While we send out invoices by post and/or email after the auction, we do not accept responsibility for telling you whether or not your bid was successful. If you have bid by written bid, you should contact us by telephone or in person as soon as possible after the auction to get details of the outcome of your bid to avoid having to pay unnecessary storage charges.
• LOCAL BIDDING LAWS
9
D
You agree that when bidding in any of our sales that you will strictly comply with all local laws and regulations in force at the time of the sale for the relevant sale site.
• THE BUYER’S PREMIUM, TAXES AND ARTIST’S RESALE ROYALTY
1 • THE BUYER’S PREMIUM
In addition to the hammer price the successful bidder agrees to pay us a buyer’s premium on the hammer price of each lot sold. On all lots we charge 26% of the hammer price up to and including £800,000, 21% on that part of the hammer price over £800,000 and up to and including £4,500,000, and 15.0% of that part of the hammer price above £4,500,000. VAT will be added to the buyer’s premium and is payable by you. For lots offered under the VAT Margin Scheme or Temporary Admission VAT rules, the VAT may not be shown separately on our invoice because of tax laws. You may be eligible to have a VAT refund in certain circumstances if the lot is exported. Please see the “VAT refunds: what can I reclaim?” section of ‘VAT Symbols and Explanation’ for further information.
2 • TAXES
The successful bidder is responsible for all applicable tax including any VAT, GST, sales or compensating use tax or equivalent tax wherever such taxes may arise on the hammer price and the buyer’s premium VAT charges and refunds depend on the particular circumstances of the buyer. It is the buyer’s responsibility to ascertain and pay all taxes due. VAT is payable on the buyer’s premium and, for some lots, VAT is payable on the hammer price. Following the departure of the UK from the EU (Brexit), UK VAT and Customs rules will apply only.
For lots Christie’s ships or delivers to the United States, sales or use tax may be due on the hammer price, buyer’s premium and/or any other charges related to the lot, regardless of the nationality or citizenship of the purchaser. Christie’s will collect sales tax where legally required. The applicable sales tax rate will be determined based upon the state, county, or locale to which the lot will be shipped or delivered. Successful bidders claiming an exemption from sales tax must provide appropriate documentation to Christie’s prior to the release of the lot. For shipments/deliveries to those states for which Christie’s is not required to collect sales tax, a successful bidder may be required to remit use tax to that state’s taxing authorities. Christie’s recommends you obtain your own independent tax advice with further questions.
For lots Christie’s ships or delivers to Jersey (Channel Islands), GST at a rate of 5% will be due on the hammer price, buyer’s premium, freight charges (as set out on your Shipping Quote Acceptance Form) and any applicable customs duty. Christie’s will collect GST from you, where legally required to do so.
For lots purchased by a successful bidder with a registered address in India and who has bid via Christie’s LIVE™, an Indian Equalisation Levy Tax at a rate of 2% will be due on the hammer price and buyer’s premium (exclusive of any applicable VAT) Christie’s will collect the Indian Equalisation Levy Tax from you, where required to do so.
3 • ARTIST’S RESALE ROYALTY
In certain countries, local laws entitle the artist or the artist’s estate to a royalty known as ‘artist’s resale right’ when any lot created by the artist is sold. We identify these lots with the λ symbol next to the lot number. If these laws apply to a lot, you must pay us an extra amount equal to the royalty. We will pay the royalty to the appropriate authority on the seller’s behalf.
The artist’s resale royalty applies if the hammer price of the lot is 1,000 GBP or more if located in the United Kingdom at the time of sale. The total royalty for any lot cannot be more than 12,500 GBP. We work out the amount owed as follows:
Royalty for the portion of the hammer price (in Pound Sterling)
4% up to 50,000
3% between 50,000.01 and 200,000
1% between 200,000.01 and 350,000
0.50% between 350,000.01 and 500,000 over 500,000, the lower of 0.25% and 12,500 GBP.
E • WARRANTIES
1 • SELLER’S WARRANTIES
For each lot, the seller gives a warranty that the seller:
(a) is the owner of the lot or a joint owner of the lot acting with the permission of the other co-owners or, if the seller is not the owner or a joint owner of the lot, has the permission of the owner to sell the lot, or the right to do so in law; and (b) has the right to transfer ownership of the lot to the buyer without any restrictions or claims by anyone else.
If one or more of the above warranties are incorrect, the seller shall not have to pay more than the purchase price (as defined in paragraph F1(a) below) paid by you to us. The seller will not be responsible to you for any reason for loss of profits or business, expected savings, loss of opportunity or interest, costs, damages, other damages or expenses. The seller gives no warranty in relation to any lot other than as set out above and, as far as the seller is allowed by law, all warranties from the seller to you, and all other obligations upon the seller which may be added to this agreement by law, are excluded.
2 • OUR AUTHENTICITY WARRANTY
We warrant, subject to the terms below, that the lots in our sales are authentic (our ‘authenticity warranty’). If, within five years of the date of the auction, you give notice to us that your lot is not authentic, subject to the terms below, we will refund the purchase price paid by you. The meaning of authentic can be found in the glossary at the end of these Conditions of Sale. The terms of the authenticity warranty are as follows:
(a) It will be honoured for claims notified within a period of five years from the date of the auction. After such time, we will not be obligated to honour the authenticity warranty
(b) It is given only for information shown in UPPERCASE type in the first line of the catalogue description (the Heading’). It does not apply to any information other than in the Heading even if shown in UPPERCASE type
(c) The authenticity warranty does not apply to any Heading or part of a Heading which is qualified Qualified means limited by a clarification in a lot’s catalogue description or by the use in a Heading of one of the terms listed in the section titled Qualified Headings on the page of the catalogue headed ‘Important Notices and Explanation of Cataloguing Practice’. For example, use of the
term ‘ATTRIBUTED TO…’ in a Heading means that the lot is in Christie’s opinion probably a work by the named artist but no warranty is provided that the lot is the work of the named artist. Please read the full list of Qualified Headings and a lot’s full catalogue description before bidding.
(d) The authenticity warranty applies to the Heading as amended by any Saleroom notice
(e) The authenticity warranty does not apply where scholarship has developed since the auction leading to a change in generally accepted opinion. Further, it does not apply if the Heading either matched the generally accepted opinion of experts at the date of the sale or drew attention to any conflict of opinion.
(f) The authenticity warranty does not apply if the lot can only be shown not to be authentic by a scientific process which, on the date we published the catalogue, was not available or generally accepted for use, or which was unreasonably expensive or impractical, or which was likely to have damaged the lot
(g) The benefit of the authenticity warranty is only available to the original buyer shown on the invoice for the lot issued at the time of the sale and only if, on the date of the notice of claim, the original buyer is the full owner of the lot and the lot is free from any claim, interest or restriction by anyone else. The benefit of this authenticity warranty may not be transferred to anyone else.
(h) In order to claim under the authenticity warranty, you must: (i) give us written notice of your claim within five years of the date of the auction. We may require full details and supporting evidence of any such claim;
(ii) at Christie’s option, we may require you to provide the written opinions of two recognised experts in the field of the lot mutually agreed by you and us in advance confirming that the lot is not authentic. If we have any doubts, we reserve the right to obtain additional opinions at our expense; and
(iii) return the lot at your expense to the saleroom from which you bought it in the condition it was in at the time of sale.
(i) Your only right under this authenticity warranty is to cancel the sale and receive a refund of the purchase price paid by you to us. We will not, in any circumstances, be required to pay you more than the purchase price nor will we be liable for any loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, other damages or expenses.
(j) Books. Where the lot is a book, we give an additional warranty for 14 days from the date of the sale that if on collation any lot is defective in text or illustration, we will refund your purchase price, subject to the following terms:
(i) This additional warranty does not apply to:
(a) the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of the text or illustration;
(b) drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals;
(c) books not identified by title;
(d) lots sold without a printed estimate;
(e) books which are described in the catalogue as sold not subject to return; or
(f) defects stated in any condition report or announced at the time of sale.
(ii) To make a claim under this paragraph you must give written details of the defect and return the lot to the sale room at which you bought it in the same condition as at the time of sale, within 14 days of the date of the sale.
(K) South East Asian Modern and Contemporary Art and Chinese Calligraphy and Painting.
In these categories, the authenticity warranty does not apply because current scholarship does not permit the making of definitive statements. Christie’s does, however, agree to cancel a sale in either of these two categories of art where it has been proven the lot is a forgery. Christie’s will refund to the original buyer the purchase price in accordance with the terms of Christie’s authenticity warranty, provided that the original buyer notifies us with full supporting evidence documenting the forgery claim within twelve (12) months of the date of the auction. Such evidence must be satisfactory to us that the lot is a forgery in accordance with paragraph E2(h)(ii) above and the lot must be returned to us in accordance with E2h(iii) above. Paragraphs E2(b), (c), (d), (e), (f) and (g) and (i) also apply to a claim under these categories.
(l) Chinese, Japanese and Korean artefacts (excluding Chinese, Japanese and Korean calligraphy, paintings, prints, drawings and jewellery).
In these categories, paragraph E2 (b) – (e) above shall be amended so that where no maker or artist is identified, the authenticity warranty is given not only for the Heading but also for information regarding date or period shown in UPPERCASE type in the second line of the catalogue description (the “SubHeading”). Accordingly, all references to the Heading in paragraph E2 (b) – (e) above shall be read as references to both the Heading and the SubHeading
• YOUR WARRANTIES
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(a) You warrant that the funds used for settlement are not connected with any criminal activity, including tax evasion, and you are neither under investigation, nor have you been charged with or convicted of money laundering, terrorist activities or other crimes.
(b) Where you are bidding as agent on behalf of any ultimate buyer(s) who will put you in funds before you pay Christie’s for the lot(s), you warrant that:
(i) you have conducted appropriate customer due diligence on the ultimate buyer(s) and have complied with all applicable anti-money laundering, counter terrorist financing and sanctions laws;
(ii) you will disclose to us the identity of the ultimate buyer(s) (including any officers and beneficial owner(s) of the ultimate buyer(s) and any persons acting on its behalf) and on our request, provide documents to verify their identity;
(iii) the arrangements between you and the ultimate buyer(s) in relation to the lot or otherwise do not, in whole or in part, facilitate tax crimes;
(iv) you do not know, and have no reason to suspect that the ultimate buyer(s) (or its officers, beneficial owners or any persons acting on its behalf) are on a sanctions list, are under investigation for, charged with or convicted of money laundering, terrorist activities or other crimes, or that the funds used for settlement are connected with the proceeds of any criminal activity, including tax evasion; and
(v) where you are a regulated person who is supervised for anti-money laundering purposes under the laws of the EEA or
another jurisdiction with requirements equivalent to the EU 4th Money Laundering Directive, and we do not request documents to verify the ultimate buyer’s identity at the time of registration, you consent to us relying on your due diligence on the ultimate buyer, and will retain their identification and verification documents for a period of not less than 5 years from the date of the transaction. You will make such documentation available for immediate inspection on our request.
• PAYMENT
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• HOW TO PAY
(a) Immediately following the auction, you must pay the purchase price being: (i) the hammer price; and (ii) the buyer’s premium; and (iii) any amounts due under section D3 above; and (iv) any duties, goods, sales, use, compensating or service tax or VAT.
Payment is due no later than by the end of the seventh calendar day following the date of the auction, or no later than 24 hours after we issue you with an invoice in the case of payment made in cryptocurrency, as the case may be (the ‘due date’).
(b) We will only accept payment from the registered bidder. Once issued, we cannot change the buyer’s name on an invoice or re-issue the invoice in a different name. You must pay immediately even if you want to export the lot and you need an export licence.
(c) You must pay for lots bought at Christie’s in the United Kingdom in the currency stated on the invoice in one of the following ways:
(i) Wire transfer
You must make payments to:
Lloyds Bank Plc, City Office, PO Box 217, 72 Lombard Street, London EC3P 3BT. Account number: 00172710, sort code: 30-00-02 Swift code: LOYDGB2LCTY. IBAN (international bank account number): GB81 LOYD 3000 0200 1727 10.
(ii) Credit Card
We accept most major credit cards subject to certain conditions. You may make payment via credit card in person. You may also make a ‘cardholder not present’ (CNP) payment by calling Christie’s Post-Sale Services Department on +44 (0)20 7752 3200 or for some sales, by logging into your MyChristie’s account by going to: www.christies.com/mychristies. Details of the conditions and restrictions applicable to credit card payments are available from our Post-Sale Services Department, whose details are set out in paragraph (e) below.
If you pay for your purchase using a credit card issued outside the region of the sale, depending on the type of credit card and account you hold, the payment may incur a cross-border transaction fee. If you think this may apply to, you, please check with your credit card issuer before making the payment. Please note that for sales that permit online payment, certain transactions will be ineligible for credit card payment.
(iii) Cash
We accept cash subject to a maximum of £5,000 per buyer per year at our Cashier’s Department only (subject to conditions).
(iv) Banker’s draft
You must make these payable to Christie’s and there may be conditions.
(v) Cheque
You must make cheques payable to Christie’s. Cheques must be from accounts in pounds sterling (GBP) from a United Kingdom bank.
(vi) Cryptocurrency
With the exception of clients resident in Mainland China, payment for a lot marked with the symbol may be made in a cryptocurrency or cryptocurrencies of our choosing. Such cryptocurrency payments must be made in accordance with the Terms for Payment by Buyers in Cryptocurrency set out at Appendix B in these Conditions of Sale.
(d) You must quote the sale number, lot number(s), your invoice number and Christie’s client account number when making a payment. All payments sent by post must be sent to: Christie’s, Cashiers Department, 8 King Street, St James’s, London, SW1Y 6QT.
(e) For more information please contact our Post-Sale Service Department by phone on +44 (0)20 7752 3200 or fax on +44 (0)20 752 3300.
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• TRANSFERRING OWNERSHIP TO YOU
You will not own the lot and ownership of the lot will not pass to you until we have received full and clear payment of the purchase price, even in circumstances where we have released the lot to the buyer.
• TRANSFERRING RISK TO YOU
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The risk in and responsibility for the lot will transfer to you from whichever is the earlier of the following:
(a) When you collect the lot; or
(b) At the end of the 30th day following the date of the auction or, if earlier, the date the lot is taken into care by a third-party warehouse as set out on the page headed ‘Storage and Collection’, unless we have agreed otherwise with you in writing.
• WHAT HAPPENS IF YOU DO NOT PAY
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(a) If you fail to pay us the purchase price in full by the due date we will be entitled to do one or more of the following (as well as enforce our rights under paragraph F5 and any other rights or remedies we have by law):
(i)to charge interest from the due date at a rate of 5% a year above the UK Lloyds Bank base rate from time to time on the unpaid amount due;
(ii) we can cancel the sale of the lot. If we do this, we may sell the lot again, publicly or privately on such terms we shall think necessary or appropriate, in which case you must pay us any shortfall between the purchase price and the proceeds from the resale. You must also pay all costs, expenses, losses, damages and legal fees we have to pay or may suffer and any shortfall in the seller’s commission on the resale;
(iii) we can pay the seller an amount up to the net proceeds payable in respect of the amount bid by your default in which case you acknowledge and understand that Christie’s will have all of the rights of the seller to pursue you for such amounts;
(iv) we can hold you legally responsible for the purchase price and may begin legal proceedings to recover it together with other losses, interest, legal fees and costs as far as we are allowed by law; (v) we can take what you owe us from any amounts which we or any company in the Christie’s Group may owe you (including any
deposit or other part-payment which you have paid to us);
(vi) we can, at our option, reveal your identity and contact details to the seller;
(vii) we can reject at any future auction any bids made by or on behalf of the buyer or to obtain a deposit from the buyer before accepting any bids;
(viii) to exercise all the rights and remedies of a person holding security over any property in our possession owned by you, whether by way of pledge, security interest or in any other way as permitted by the law of the place where such property is located. You will be deemed to have granted such security to us and we may retain such property as collateral security for your obligations to us; and (ix) we can take any other action we see necessary or appropriate.
(b) If you owe money to us or to another Christie’s Group company, we can use any amount you do pay, including any deposit or other part-payment you have made to us, or which we owe you, to pay off any amount you owe to us or another Christie’s Group company for any transaction.
(c) If you make payment in full after the due date, and we choose to accept such payment we may charge you storage and transport costs from the date that is ninety (90) calendar days following the auction in accordance with paragraphs Gc and Gd.
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• KEEPING YOUR PROPERTY
If you owe money to us or to another Christie’s Group company, as well as the rights set out in F4 above, we can use or deal with any of your property we hold or which is held by another Christie’s Group company in any way we are allowed to by law. We will only release your property to you after you pay us or the relevant Christie’s Group company in full for what you owe. However, if we choose, we can also sell your property in any way we think appropriate. We will use the proceeds of the sale against any amounts you owe us and we will pay any amount left from that sale to you. If there is a shortfall, you must pay us any difference between the amount we have received from the sale and the amount you owe us.
• COLLECTION AND STORAGE
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(a) You must collect purchased lots within thirty (30) days from the auction (but note that lots will not be released to you until you have made full and clear payment of all amounts due to us).
(b) If you do not collect any lot within ninety (90) days following the auction we can, at our option:
(i) charge you storage costs at the rates set out at www.christies. com/en/help/buying-guide/storage-fees.
(ii) move the lot to another Christie’s location or an affiliate or third party warehouse and charge you transport costs and administration fees for doing so and you will be subject to the third party storage warehouse’s standard terms and to pay for their standard fees and costs.use’s standard terms and to pay for their standard fees and costs.
(iii) sell the lot in any commercially reasonable way we think appropriate.
(c) The Storage Conditions which can be found at www.christies.com/ en/help/buying-guide/storage-conditions will apply.
(d) Nothing in this paragraph is intended to limit our rights under paragraph F4.
• TRANSPORT AND SHIPPING
H
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• TRANSPORT AND SHIPPING
We will enclose a transport and shipping form with each invoice sent to you. You must make all transport and shipping arrangements. However, we can arrange to pack, transport and ship your property if you ask us to and pay the costs of doing so. We recommend that you ask us for an estimate, especially for any large items or items of high value that need professional packing before you bid. We may also suggest other handlers, packers, transporters or experts if you ask us to do so. For more information, please contact Christie’s Art Transport on +44 (0)20 7839 9060. See the information set out at www.christies.com/shipping or contact us at arttransportlondon@ christies.com. We will take reasonable care when we are handling, packing, transporting and shipping a lot However, if we recommend another company for any of these purposes, we are not responsible for their acts, failure to act or neglect.
• EXPORT AND IMPORT
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Any lot sold at auction may be affected by laws on exports from the country in which it is sold and the import restrictions of other countries. Many countries require a declaration of export for property leaving the country and/or an import declaration on entry of property into the country. Local laws may prevent you from importing a lot or may prevent you selling a lot in the country you import it into. We will not be obliged to cancel your purchase and refund the purchase price if your lot may not be exported, imported or it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to the export or import of any lot you purchase.
(a) You alone are responsible for getting advice about and meeting the requirements of any laws or regulations which apply to exporting or importing any lot prior to bidding. If you are refused a licence or there is a delay in getting one, you must still pay us in full for the lot. We may be able to help you apply for the appropriate licences if you ask us to and pay our fee for doing so. However, we cannot guarantee that you will get one. For more information, please contact Christie’s Art Transport Department on +44 (0)20 7839 9060. See the information set out at www.christies.com/shipping or contact us at arttransport_ london@christies.com.
(b) You alone are responsible for any applicable taxes, tariffs or other government-imposed charges relating to the export or import of the lot. If Christie’s exports or imports the lot on your behalf, and if Christie’s pays these applicable taxes, tariffs or other government-imposed charges, you agree to refund that amount to Christie’s.
(c) Lots made of protected species Lots made of or including (regardless of the percentage) endangered and other protected species of wildlife are marked with the symbol ~ in the catalogue. This material includes, among other things, ivory, tortoiseshell, crocodile skin, rhinoceros horn, whalebone, certain species of coral, and Brazilian rosewood. You should check the relevant customs laws and regulations before bidding on any lot containing wildlife material if you plan to export the lot from the country in which the lot is sold and import it into another country as a licence may be required. In some cases, the lot can only be shipped with an independent scientific confirmation of species and/or age, and you will need to obtain these at your own cost. Several countries have imposed restrictions on dealing in elephant ivory, ranging from a total ban on importing African elephant ivory in the United States to importing, exporting and selling under strict measures in other countries. The UK and EU have both implemented regulations on
selling, exporting and importing elephant ivory. In our London sales, lots made of or including elephant ivory material are marked with the symbol and are offered with the benefit of being registered as ‘exempt’ in accordance with the UK Ivory Act. Handbags containing endangered or protected species material are marked with the symbol ≈ and further information can be found in paragraph H2(h) below. We will not be obliged to cancel your purchase and refund the purchase price if your lot may not be exported, imported or it is seized for any reason by a government authority. It is your responsibility to determine and satisfy the requirements of any applicable laws or regulations relating to the export or import of property containing such protected or regulated material.
(d) Lots of Iranian origin
As a convenience to buyers, Christie’s indicates under the title of a lot if the lot originates from Iran (Persia). Some countries prohibit or restrict the purchase and/or import of Iranian-origin property. It is your responsibility to ensure you do not bid on or import a lot in contravention of any sanctions, trade embargoes or other laws that apply to you. For example, the USA prohibits dealings in and import of Iranian-origin “works of conventional craftsmanship” (such as carpets, textiles, decorative objects, and scientific instruments) without an appropriate licence. Christie’s has a general OFAC licence which, subject to compliance with certain conditions, may enable a buyer to import this type of lot into the USA. If you use Christie’s general OFAC licence for this purpose, you agree to comply with the licence conditions and provide Christie’s with all relevant information. You also acknowledge that Christie’s will disclose your personal information and your use of the licence to OFAC.
(e) Gold
Gold of less than 18ct does not qualify in all countries as ‘gold’ and may be refused import into those countries as ‘gold’.
(f) Jewellery over 50 years old
Under current laws, jewellery over 50 years old which is worth £39,219 or more will require an export licence which we can apply for on your behalf. It may take up to eight weeks to obtain the export jewellery licence.
(g) Watches
Many of the watches offered for sale in this catalogue are pictured with straps made of endangered or protected animal materials such as alligator or crocodile. These lots are marked with the symbol ψ in the catalogue. These endangered species straps are shown for display purposes only and are not for sale. Christie’s will remove and retain the strap prior to shipment from the sale site. At some sale sites, Christie’s may, at its discretion, make the displayed endangered species strap available to the buyer of the lot free of charge if collected in person from the sale site within one year of the date of the sale. Please check with the department for details on a particular lot. For all symbols and other markings referred to in paragraph H2, please note that lots are marked as a convenience to you, but we do not accept liability for errors or for failing to mark lots
(h) Handbags
A lot marked with the symbol ≈ next to the lot number includes endangered or protected species material and is subject to CITES regulations. This lot may only be shipped to an address within the country of the sale site or personally picked up from our saleroom. The term “hardware” refers to the metallic parts of the handbag, such as the buckle hardware, base studs, lock and keys and/or strap, which are plated with a coloured finish (e.g. gold, silver, palladium). The terms “Gold Hardware”, “Silver Hardware”, “Palladium Hardware”, etc. refer to the tone or colour of the hardware and not the actual material used. If the handbag incorporates solid metal hardware, this will be referenced in the catalogue description.
I • OUR LIABILITY TO YOU
(a) We give no warranty in relation to any statement made, or information given, by us or our representatives or employees, about any lot other than as set out in the authenticity warranty and, as far as we are allowed by law, all warranties and other terms which may be added to this agreement by law are excluded. The seller’s warranties contained in paragraph E1 are their own and we do not have any liability to you in relation to those warranties
(b) (i) We are not responsible to you for any reason (whether for breaking this agreement or any other matter relating to your purchase of, or bid for, any lot) other than in the event of fraud or fraudulent misrepresentation by us or other than as expressly set out in these Conditions of Sale; or (ii) we do not give any representation, warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature, or historical relevance. Except as required by local law, any warranty of any kind is excluded by this paragraph.
(c) In particular, please be aware that our written and telephone bidding services, Christie’s LIVE™, condition reports, currency converter and saleroom video screens are free services and we are not responsible to you for any error (human or otherwise), omission or breakdown in these services.
(d) We have no responsibility to any person other than a buyer in connection with the purchase of any lot
(e) If, in spite of the terms in paragraphs (a) to (d) or E2(i) above, we are found to be liable to you for any reason, we shall not have to pay more than the purchase price paid by you to us. We will not be responsible to you for any reason for loss of profits or business, loss of opportunity or value, expected savings or interest, costs, damages, or expenses.
J
• OTHER TERMS
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• OUR ABILITY TO CANCEL
In addition to the other rights of cancellation contained in this agreement, we can cancel a sale of a lot if: (i) any of your warranties in paragraph E3 are not correct; (ii) we reasonably believe that completing the transaction is or may be unlawful; or (iii) we reasonably believe that the sale places us or the seller under any liability to anyone else or may damage our reputation.
• RECORDINGS
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We may videotape and record proceedings at any auction. We will keep any personal information confidential, except to the extent disclosure is required by law. However, we may, through this process, use or share these recordings with another Christie’s Group company and marketing partners to analyse our customers and to help us to tailor our services for buyers. If you do not want to be videotaped, you may make arrangements to make a telephone or written bid or bid on Christie’s LIVE™ instead. Unless we agree otherwise in writing, you may not videotape or record proceedings at any auction.
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catalogues unless otherwise noted in the catalogue). You cannot use them without our prior written permission. We do not offer any guarantee that you will gain any copyright or other reproduction rights to the lot
• ENFORCING THIS AGREEMENT
If a court finds that any part of this agreement is not valid or is illegal or impossible to enforce, that part of the agreement will be treated as being deleted and the rest of this agreement will not be affected.
• TRANSFERRING YOUR RIGHTS AND RESPONSIBILITIES
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You may not grant a security over or transfer your rights or responsibilities under these terms on the contract of sale with the buyer unless we have given our written permission. This agreement will be binding on your successors or estate and anyone who takes over your rights and responsibilities.
• TRANSLATIONS
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If we have provided a translation of this agreement, we will use this original version in deciding any issues or disputes which arise under this agreement.
• PERSONAL INFORMATION
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We will hold and process your personal information and may pass it to another Christie’s Group company for use as described in, and in line with, our privacy notice at www.christies.com/about-us/ contact/privacy and if you are a resident of California you can see a copy of our California Consumer Privacy Act statement at https:// www.christies.com/about-us/contact/ccpa
• WAIVER
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No failure or delay to exercise any right or remedy provided under these Conditions of Sale shall constitute a waiver of that or any other right or remedy, nor shall it prevent or restrict the further exercise of that or any other right or remedy. No single or partial exercise of such right or remedy shall prevent or restrict the further exercise of that or any other right or remedy.
• LAW AND DISPUTES
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This agreement, and any contractual or non-contractual dispute arising out of or in connection with this agreement, will be governed by English law. Before either you or we start any court proceedings and if you and we agree, you and we will try to settle the dispute by mediation in accordance with the CEDR Model Mediation Procedure. If the dispute is not settled by mediation, you agree for our benefit that the dispute will be referred to and dealt with exclusively in the English courts; however, we will have the right to bring proceedings against you in any other court.
10 •REPORTING ON WWW.CHRISTIES.COM
Details of all lots sold by us, including catalogue descriptions and prices, may be reported on www.christies.com. Sales totals are hammer price plus buyer’s premium and do not reflect costs, financing fees, or application of buyer’s or seller’s credits. We regret that we cannot agree to requests to remove these details from www. christies.com
• GLOSSARY
K
auctioneer: the individual auctioneer and/or Christie’s. authentic: a genuine example, rather than a copy or forgery of: (i) the work of a particular artist, author or manufacturer, if the lot is described in the Heading as the work of that artist, author or manufacturer;
(ii) a work created within a particular period or culture, if the lot is described in the Heading as a work created during that period or culture;
(iii) a work for a particular origin source if the lot is described in the Heading as being of that origin or source; or (iv) in the case of gems, a work which is made of a particular material, if the lot is described in the Heading as being made of that material. authenticity warranty: the guarantee we give in this agreement that a lot is authentic as set out in section E2 of this agreement.
buyer’s premium: the charge the buyer pays us along with the hammer price catalogue description: the description of a lot in the catalogue for the auction, as amended by any saleroom notice
Christie’s Group: Christie’s International Plc, its subsidiaries and other companies within its corporate group.
condition: the physical condition of a lot
due date: has the meaning given to it in paragraph F1(a).
estimate: the price range included in the catalogue or any saleroom notice within which we believe a lot may sell. Low estimate means the lower figure in the range and high estimate means the higher figure. The mid estimate is the midpoint between the two. hammer price: the amount of the highest bid the auctioneer accepts for the sale of a lot
Heading: has the meaning given to it in paragraph E2.
SubHeading: has the meaning given to it in paragraph E2. lot: an item to be offered at auction (or two or more items to be offered at auction as a group).
other damages: any special, consequential, incidental or indirect damages of any kind or any damages which fall within the meaning of ‘special’, ‘incidental’ or ‘consequential’ under local law.
purchase price: has the meaning given to it in paragraph F1(a).
provenance: the ownership history of a lot
qualified: has the meaning given to it in paragraph E2 and Qualified Headings means the section headed Qualified Headings on the page of the catalogue headed ‘Important Notices and Explanation of Cataloguing Practice’.
reserve: the confidential amount below which we will not sell a lot
saleroom notice: a written notice posted next to the lot in the saleroom and on www.christies.com which is also read to prospective telephone bidders and notified to clients who have left commission bids, or an announcement made by the auctioneer either at the beginning of the sale, or before a particular lot is auctioned.
UPPER CASE type: means having all capital letters.
warranty: a statement or representation in which the person making it guarantees that the facts set out in it are correct.
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• COPYRIGHT
We own the copyright in all images, illustrations and written material produced by or for us relating to a lot (including the contents of our
VAT SYMBOLS AND EXPLANATION (FOR ALL LOTS EXCLUDING NFTS)
IMPORTANT NOTICE:
The VAT liability in force on the date of the sale will be the rules under which we invoice you. You can find the meanings of words in bold on this page in the glossary section of the Conditions of Sale.
VAT PAYABLE
No Symbol
†
We will use the VAT Margin Scheme in accordance with Section 50A of the VAT Act 1994 & SI VAT (Special Provisions) Order 1995. No VAT will be charged on the hammer price VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
θ We will invoice under standard VAT rules and VAT will be charged at 20% on both the hammer price and buyer’s premium and shown separately on our invoice. For qualifying books only, no VAT is payable on the hammer price or the buyer’s premium
* These lots have been imported from outside the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
Ω These lots have been imported from outside the UK for sale and placed under the Temporary Admission regime. Customs Duty as applicable will be added to the hammer price and Import VAT at 20% will be charged on the Duty Inclusive hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.
α The VAT treatment will depend on whether you have registered to bid with a UK address or non-UK address:
• If you register to bid with an address within the UK you will be invoiced under the VAT Margin Scheme (see No Symbol above).
• If you register to bid with an address outside of the UK you will be invoiced under standard VAT rules (see † symbol above)
‡ For wine offered ‘in bond’ only. If you choose to buy the wine in bond no Excise Duty or Clearance VAT will be charged on the hammer
If you choose to buy the wine out of bond Excise Duty as applicable will be added to the hammer price and Clearance VAT at 20% will be charged on the Duty inclusive hammer price
Whether you buy the wine in bond or out of bond, 20% VAT will be added to the buyer’s premium and shown on the invoice.
VAT refunds: what can I reclaim?
Non-UK buyer If you meet ALL of the conditions in notes 1 to 3 below we will refund the following tax charges:
No symbol We will refund the VAT amount in the buyer’s premium
and α We will refund the VAT charged on the hammer price. VAT on the buyer’s premium can only be refunded if you are an overseas business. The VAT amount in the buyer’s premium cannot be refunded to non-trade clients.
‡ (wine only)
No Excise Duty or Clearance VAT will be charged on the hammer price providing you export the wine while ‘in bond’ directly outside the UK using an Excise authorised shipper. VAT on the buyer’s premium can only be refunded if you are an overseas business. The VAT amount in the buyer’s premium cannot be refunded to non-trade clients.
* and Ω We will refund the Import VAT charged on the hammer price and the VAT amount in the buyer’s premium
1. We CANNOT offer refunds of VAT amounts or Import VAT to buyers who do not meet all applicable conditions in full. If you are unsure whether you will be entitled to a refund, please contact Client Services at the address below before you bid.
2. No VAT amounts or Import VAT will be refunded where the total refund is under £100.
3. To receive a refund of VAT amounts/ Import VAT (as applicable) a non-UK buyer must:
a) have registered to bid with an address outside of the UK; and
b) provide immediate proof of correct export out of the UK within the required time frames of: 30 days of
collection via a ‘controlled export’, but no later than 90 days from the date of the sale for * and Ωlots. All other lots must be exported within 90 days of the sale.
4. Details of the documents which you must provide to us to show satisfactory proof of export/ shipping are available from our VAT team at the address below. We charge a processing fee of £35.00 per invoice to check shipping/ export documents. We will waive this processing fee if you appoint Christie’s Shipping Department to arrange your export/shipping.
5. Following the UK’s departure from the EU (Brexit), private buyers will only be able to secure VAT-free
COPYRIGHT NOTICE
No part of this catalogue may be reproduced, stored in a retrieval system or transmitted by any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of Christie’s.
© COPYRIGHT, CHRISTIE, MANSON & WOODS LTD. (2025)
invoicing and/or VAT refunds if they instruct Christie’s or a third party commercial shipper to export out of the UK on their behalf.
6. Private buyers who choose to export their purchased lots from the UK hand carry will now be charged VAT at the applicable rate and will not be able to claim a VAT refund.
7. If you appoint Christie’s Art Transport or one of our authorised shippers to arrange your export/shipping we will issue you with an export invoice with the applicable VAT or duties cancelled as outlined above. If you later cancel or change the shipment in a manner that infringes the rules outlined above we will issue a revised invoice charging you all applicable taxes/charges. If you
export via a third party commercial shipper, you must provide us with sufficient proof of export in order for us to cancel the applicable VAT or duties outlined above.
8. If you ask us to re-invoice you under normal UK VAT rules (as if the lot had been sold with a † symbol) instead of under the Margin Scheme the lot may become ineligible to be resold using the Margin Schemes. You should take professional advice if you are unsure how this may affect you.
9. All reinvoicing requests, corrections, or other VAT adjustments must be received within four years from the date of sale.
If you have any questions about VAT refunds please contact Christie’s Client Services on info@christies.com Tel: +44 (0)20 7389 2886. Fax: +44 (0)20 7839 1611.
SYMBOLS USED IN THIS CATALOGUE
The meaning of words coloured in bold in this section can be found in paragraph K, Glossary, of the section of the catalogue headed ‘Conditions of Sale’.
º Christie’s has a direct financial interest in the lot. See Important Notices and Explanation of Cataloguing Practice in the Conditions of Sale for further information.
º
♦
Christie’s has provided a minimum price guarantee and has a direct financial interest in this lot. Christie’s has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold. See the Important Notices in the Conditions of Sale for further information.
Christie’s has a financial interest in the lot. See Important Notices in the Conditions of Sale for further information.
Christie’s has a financial interest in this lot and has financed all or a part of such interest through a third party. Such third parties generally benefit financially if a guaranteed lot is sold. See the Important Notices in the Conditions of Sale for further information.
¤ A party with a direct or indirect interest in the lot who may have knowledge of the lot’s reserve or other material information may be bidding on the lot
λ
Artist’s Resale Right. See paragraph D3 of the Conditions of Sale for further information.
• Lot offered without reserve
Lot incorporates material from endangered species which could result in export restrictions. See paragraph H2(c) of the Conditions of Sale for further information.
≈
Handbag lot incorporates material from endangered species. International shipping restrictions apply. See paragraph H2 of the Conditions of Sale for further information.
Lot incorporates elephant ivory material. See paragraph H2 of the Conditions of Sale for further information.
ψ
Lot incorporates material from endangered species which is shown for display purposes only and is not for sale.
See paragraph H2(h) of the Conditions of Sale for further information.
Lot is a Non Fungible Token (NFT). Please see Appendix A – Additional Conditions of Sale – Non- Fungible Tokens in the Conditions of Sale for further information.
Lot contains both a Non Fungible Token (NFT) and a physical work of art. Please see Appendix A – Additional Conditions of Sale – Non-Fungible Tokens in the Conditions of Sale for further information.
With the exception of clients resident in Mainland China, you may elect to make payment of the purchase price for the lot via a digital wallet in the name of the registered bidder, which must be maintained with one of the following: Coinbase Custody Trust; Coinbase, Inc.; Fidelity Digital Assets Services, LLC; Gemini Trust Company, LLC; or Paxos Trust Company, LLC. Please see the lot notice and Appendix B – Terms for Payment by Buyers in Cryptocurrency in the Conditions of Sale for further requirements and information.
† , Ɵ, *, Ω, α, ‡ See VAT Symbols and Explanation in the Conditions of Sale for further information.
See Storage and Collection Page.
Please note that lots are marked as a convenience to you and we shall not be liable for any errors in, or failure to, mark a lot
IMPORTANT NOTICES
CHRISTIE’S INTEREST IN PROPERTY CONSIGNED FOR AUCTION
Δ Property in which Christie’s has an ownership or financial interest
From time to time, Christie’s may offer a lot in which Christie’s has an ownership interest or a financial interest. Such lot is identified in the catalogue with the symbol Δ next to its lot number. Where Christie’s has an ownership or financial interest in every lot in the catalogue, Christie’s will not designate each lot with a symbol, but will state its interest in the front of the catalogue.
º Minimum Price Guarantees
On occasion, Christie’s has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the lot. This is known as a minimum price guarantee. Where Christie’s holds such financial interest, we identify such lots with the symbol ° next to the lot number.
º♦ Third Party Guarantees/Irrevocable bids
Where Christie’s has provided a Minimum Price Guarantee, it is at risk of making a loss, which can be significant if the lot fails to sell. Christie’s therefore sometimes chooses to share that risk with a third party who agrees, prior to the auction, to place an irrevocable written bid on the lot. If there are no other higher bids, the third party commits to buy the lot at the level of their irrevocable written bid. In doing so, the third party takes on all or part of the risk of the lot not being sold. Lots which are subject to a third party guarantee arrangement are identified in the catalogue with the symbol º♦ In most cases, Christie’s compensates the third party in exchange for accepting this risk. Where the third party is the successful bidder, the third party’s remuneration is based on a fixed financing fee. If the third party is not the successful bidder, the remuneration may either be based on a fixed fee or an amount calculated against the final hammer price. The third party may also bid for the lot above the irrevocable written bid.
Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not they have a financial interest in relation to the lot
Property in which Christie’s has an interest and Third Party Guarantee/Irrevocable bid
Where Christie’s has a financial interest in a lot and the lot fails to sell, Christie’s is at risk of making a loss. As such, Christie’s may choose to share that risk with a third party whereby the third party contractually agrees, prior to the auction, to place an irrevocable written bid on the lot. Such lot is identified with the symbol next to the lot number. Where the third party is the successful bidder on the lot, they will not receive compensation in exchange for accepting this risk. If the third party is not the successful bidder, Christie’s may compensate the third party. The third party is required by us to disclose to anyone they are advising of their financial interest in any lot in which Christie’s has a financial interest. If you are advised by or bidding through an agent on a lot in which Christie’s has a financial interest that is subject to a contractual written bid, you should always ask your agent to confirm whether or not they have a financial interest in relation to the lot
Bidding by parties with an interest
When a party with a direct or indirect interest in the lot who may have knowledge of the lot’s reserve or other material information may be bidding on the lot, we will mark the lot with this symbol ¤. This interest can include beneficiaries of an estate that consigned the lot or a joint owner of a lot Any interested party that successfully bids on a lot must comply with Christie’s Conditions of Sale, including paying the lot’s full buyer’s premium plus applicable taxes.
Post-catalogue notifications
If Christie’s enters into an arrangement or becomes aware of bidding that would have required a catalogue symbol, we will notify you by updating christies.com with the relevant information (time permitting) or otherwise by a pre-sale or prelot announcement.
Other Arrangements
Christie’s may enter into other arrangements not involving bids. These include arrangements where Christie’s has advanced money to consignors or prospective purchasers or where Christie’s has shared the risk of a guarantee with a partner without the partner being required to place an irrevocable written bid or otherwise participating in the bidding on the lot. Because such arrangements are unrelated to the bidding process they are not marked with a symbol in the catalogue.
Please see: http://www.christies.com/ financial-interest/ for a more detailed explanation of minimum price guarantees and third party financing arrangements.
EXPLANATION OF CATALOGUING PRACTICE
Terms used in a catalogue or lot description have the meanings ascribed to them below. Please note that all statements in a catalogue or lot description as to authorship are made subject to the provisions of the Conditions of Sale, including the authenticity warranty. Our use of these expressions does not take account of the condition of the lot or of the extent of any restoration. Written condition reports are usually available on request.
A term and its definition listed under ‘Qualified Headings’ is a qualified statement as to authorship. While the use of this term is based upon careful study and represents the opinion of specialists, Christie’s and the consignor assume no risk, liability and responsibility for the authenticity of authorship of any lot in this catalogue described by this term, and the authenticity warranty shall not be available with respect to lots described using this term.
PICTURES, DRAWINGS, PRINTS, MINIATURES AND SCULPTURE
Name(s) or Recognised Designation of an artist without any qualification: in Christie’s opinion a work by the artist.
QUALIFIED HEADINGS
“Attributed to…”: in Christie’s qualified opinion probably a work by the artist in whole or in part.
“Studio of …”/“Workshop of …”: in Christie’s qualified opinion a work executed in the studio or workshop of the artist, possibly under their supervision.
“Circle of …”: in Christie’s qualified opinion a work of the period of the artist and showing their influence.
“Follower of …”: in Christie’s qualified opinion a work executed in the artist’s style but not necessarily by a pupil.
“Manner of …”: in Christie’s qualified opinion a work executed in the artist’s style but of a later date.
“After …”: in Christie’s qualified opinion a copy (of any date) of a work of the artist.
“Signed …”/“Dated …”/ “Inscribed …”: in Christie’s qualified opinion the work has been signed/dated/inscribed by the artist.
“With signature …”/“With date …”/ “With inscription …”: in Christie’s qualified opinion the signature/ date/inscription appears to be by a hand other than that of the artist.
The date given for Old Master, Modern and Contemporary Prints is the date (or approximate date when prefixed with ‘circa’) on which the matrix was worked and not necessarily the date when the impression was printed or published.
STORAGE AND COLLECTION
COLLECTION LOCATION AND TERMS
Please note that at our discretion some lots may be moved immediately after the sale to our storage facility at Momart Logistics Warehouse: Units 9-12, E10 Enterprise Park, Argall Way, Leyton, London E10 7DQ.
At King Street lots are available for collection on any weekday, 9.00am to 4.30pm.
We may charge fees for storage if your lot is not collected within thirty days from the sale. Please see paragraph G of the Conditions of Sale for further detail.
Collection from Momart is strictly by appointment only
We advise that you inform our Christie’s Client Service Collections Team cscollectionsuk@christies.com at least 48 hours in advance of collection so that they can arrange with Momart. However, if you need to contact Momart directly: Tel: +44 (0)20 7426 3000
Email: pcandauctionteam@momart.co.uk.
PAYMENT OF ANY CHARGES DUE
Lots may only be released from Momart on production of the ‘Collection Order’ from Christie’s, 8 King Street, London SW1Y 6QT.
The removal and/or storage by Momart of any lots will be subject to their standard Conditions of Business, copies of which are available from Christie’s, 8 King Street, London SW1Y 6QT. Lots will not be released until all outstanding charges due to Christie’s are settled.
SHIPPING AND DELIVERY
Christie’s Post-Sale Service can organise local deliveries or international freight. Please contact them on +44 (0)20 7752 3200 or PostSaleUK@christies.com.
To ensure that arrangements for the transport of your lot can be finalised before the expiry of any free storage period, please contact Christie’s Post-Sale Service for a quote as soon as possible after the sale.
As a leader in the
Christie’s is committed to building a sustainable business model that promotes and protects the environment. Our digital platform on christies.com offers a conscious approach, creating an immersive space where we bring art to life through high quality images, videos and in-depth essays by our specialists.
With this robust online support, Christie’s will print fewer catalogues to ensure that we achieve our goal of Net Zero by 2030. However, when we do print, we will uphold the highest sustainable standards.
Units 9-12, E10 Enterprise Park, Argall Way, Leyton, London E10 7DQ
Tel: +44 (0)20 7426 3000
Email: pcandauctionteam@momart.co.uk
Please scan for more information about our sustainability goals and projects.
art market,
The catalogue you are reading is:
printed on fully recycled paper;
printed with vegetable-based ink and biodegradable laminates;
printed in close proximity to our markets in an effort to reduce distribution emissions.
IDENTITY VERIFICATION
From January 2020, new anti-money laundering regulations require Christie’s and other art businesses to verify the identity of all clients. To register as a new client, you will need to provide the following documents, or if you are an existing client, you will be prompted to provide any outstanding documents the next time you transact.
Private individuals:
• A copy of your passport or other government-issued photo ID
• Proof of your residential address (such as a bank statement or utility bill) dated within the last three months
Please upload your documents through your christies.com account: click ‘My Account’ followed by ‘Complete Profle’. You can also email your documents to info@christies.com or provide them in person.
Organisations:
• Formal documents showing the company’s incorporation, its registered ofice and business address, and its oficers, members and ultimate benefcial owners
• A passport or other government-issued photo ID for each authorised user
Please email your documents to info@christies.com or provide them in person.
Sell with Christie’s
In advance of our 20th/21st Century season in London this October, we are currently accepting consignments. Please do not hesitate to contact us for more information.
CONTACT
Michelle McMullan mmcmullan@christies +44 20 7389 2137
Anna Touzin atouzin@christies.com +44 207 752 3064
MICHAEL ANDREWS (1928-1995)
School IV: Barracuda under Skipjack Tuna acrylic on canvas
69⅛ x 69⅛in. (175.5 x 175.5cm.)
Price realised: £6,060,000
20th/21st Century: London Evening Sale, March 2025 christies.com
© Estate of Michael Andrews / Tate.
London | 16 July – 22 August
VIEWING
8 King Street
London SW1Y 6QT
CONTACT
Ridha Moumni
rmoumni@christies.com
+44 (0) 20 7389 2861
MARWAN (1934, DAMASCUS - 2016, BERLIN)
Kopf (Head)
Painted in 1974
Oil on Canvas
195 x 156cm
Image courtesy of Kai-Annett Becker/Berlinische Galerie - Museum of Modern Art, Photography and Architecture © Estate Marwan
IMAGE CREDITS
FRONT COVER:
POST-WAR TO PRESENT
Lot 15, Victor Man, The Chandler, 2013.
© Victor Man, DACS
FRONTISPIECE 1: POST-WAR TO PRESENT
Lot 7, Andrew Cranston, That Magic Feeling, Nowhere to Go, 2018-2019.
FRONTISPIECE 2: POST-WAR TO PRESENT
Lot 19, Lynette Yiadom-Boakye, 8pm Zaragoza, 2011 (detail).
FRONTISPIECE 3: POST-WAR TO PRESENT
Lot 24, Cecily Brown, Untitled, 2004 (detail).
FRONTISPIECE 4: POST-WAR TO PRESENT
Lot 44, Robert Indiana, ART, 2001.
FRONTISPIECE 5:
POST-WAR TO PRESENT
Lot 41, Damien Hirst, Full of Love, 1998 (detail)
FRONTISPIECE 6:
POST-WAR TO PRESENT
Lot 36, Georg Baselitz, Ein Hund kommt zu spät (A dog arrives too late), 2000 (detail).
FRONTISPIECE 7:
POST-WAR TO PRESENT
Lot 23, Wolfgang Tillmans, Freischwimmer 103, 2004 (detail).
FRONTISPIECE 8: POST-WAR TO PRESENT
Lot 6, Pam Evelyn, Keeping a weather eye open, 2021 (detail).
FRONTISPIECE 9: POST-WAR TO PRESENT
Lot 30 Keith Haring, Untitled, 1981 (detail).
FRONTISPIECE 10: POST-WAR TO PRESENT
Lot 36, Luc Tuymans, Exhibit #5, 2002 (detail).
FRONTISPIECE 11: POST-WAR TO PRESENT
Lot 31, KAWS, Gone, 2020.
FRONTISPIECE 12: POST-WAR TO PRESENT
Lot 1, Yu Nishimura, A Man Fishing, 2017 (detail)
OPPOSITE:
POST-WAR TO PRESENT
Lot 3, William Monk, In Bloom, 2018-2019 (detail)
INDEX:
POST-WAR TO PRESENT
Lot 77, Günther Förg, Untitled, 2000.
BACK COVER:
POST-WAR TO PRESENT
Lot 27, Damien Hirst, Oranges and Lemons, 2008 (detail).
© Damien Hirst and Science Ltd. All rights reserved, DACS 2025
INDEX
A
Abakanowicz, M. 66
Ai, W. 98
Althoff, K. 16
B
Babbar, R. 20
Baselitz, G. 35, 46, 59
Basquiat, J. M. 29
Bay, A. 57
Bernhardt, K. 34
Borremans, M. 63
Botero, F. 78
Bourgeois, L. 17
Brown, C. 24
C
Cardenas, A. 80
Clemente, F. 61
Condo, G. 51
Cragg, T. 65, 92
Cranston, A. 7
D
Da Corte, A. 83
de Balincourt, J. 55
Demand, T. 88
E
Eliasson, O. 50
Emin, T. 13, 14, 40
Evelyn, P. 6
F Feldmann, H. P. 58
Fratino, L. 9
Futura 2000. 32
G
Gilbert & George. 91
Gilliam, S. 48
Gormley, A. 39
H
Haring, K. 30
Hirst, D. 27, 41, 97
Hlobo, N. 72
Hockney, D. 26, 42
Hodges, J. 81
Hume, G. 99
I
Ilori, Y. 71
Indiana, R. 44
K KAWS. 31
Kentridge, W. 67, 69
Kiefer, A. 37, 74
Kippenberger, M. 76, 85
Kosuth, J. 89
Kwade, A. 49 M Mahlangu, E. 70
Man, V. 15
Martinez, E. 56
McGurn, F-L. 79
Minjun, Y. 94
Monk, W. 3 Murillo, O. 12 N Nishimura, Y. 1
Nkanga, O. 68
O Oehlen, A. 86
Ofili, C. 10, 11
Opie, J. 95
P Party, N. 52, 77
Penck, A. R. 60
Penn, I. 43
Penone, G. 87
Pettibon, R. 2 R Reyle, A. 82
Richter, G. 38
Ruby, S. 90 S Sasnal, W. 62
Serra, R. 47
Stegner, J. 64 STIK. 96 T Tillmans, W. 21, 22, 23, 73, 75
Tuymans, L. 36
W Walker, C. 8
Walker, K. 33
Warhol, A. 28 West, F. 45
Whitehorse, E. 53
Wittenberg, N. 5
Wolfson, J. 84
Wood, I. 54 Y
Yearwood-Dan, M. 25
Yiadom-Boakye, L. 19
Yukhnovich, F. 4, 18
