1.27.19 SB_Q

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Dementia

Friendship

Intuition

Autism Spectrum

Best of HUMANITY’S NEW FRONTIER

JANUARY 2019 • brainworldmagazine.com

WIRED FOR STORIES

(AND READY)

H

umans don’t only respond to stories, we can’t stay away from them. Because of a unique emotional property, the brain tends to connect us deeply to stories and narratives. Why are we so primed for a good book or movie to carry us away? To understand how, look no further than Clark Kent’s glasses. Stories connect with our emotions directly and make believers out of us. When you think about it, a superhero known the world over putting on a pair of glasses and a tie and going to work at The Daily Planet, where nobody recognizes him, is kind of ridiculous.

Except it isn’t. It’s actually a testament to what can be thought of as story-readiness potential. Our emotional response sees us swept up in stories and narratives instinctively, even without meaning to. If a film, book, comic or even a friendly anecdote builds a world and characters and puts them in a coherent sense of their own logic, we believe it fully — often suspending belief in our own world to do so. When Superman puts on glasses and the dialogue and performances make it obvious nobody around him knows who he really is, it poses no barrier to us believing it — no matter how silly. From jaw-dropping tales of the hunt around the tribal campfire to the incredible reach of the modern media, our emotional response to accounts of danger, romance, drama, thrills and terror have been a critical part of our social evolution as a species. But while enjoying a good yarn on a screen or in the pages of a book (or around the primeval campfire) is great for relaxation and amusement, such a strong disposition must have a deep-seated anthropological point.

Research has shown books, videos and other products provide the same levels of happiness as life experiences, suggesting that the emotions portrayed in stories are as real to us as our own.

TALKING TO OURSELVES

The first step to understand why humans are such effective storytelling and story-readiness animals is to realize that we ourselves are “stories” — your unbroken stream of consciousness is the “story” of your life, told in the language of emotion about your memories and experiences. As the late neurologist Oliver Sacks wrote, “each of us constructs and lives a ‘narrative.’ This narrative is us.” Philosopher Daniel Dennett wrote, “we are all virtuoso novelists, who find ourselves engaged in all sorts of behavior … and we always put the best ‘faces’ on it we can. We try to make all of our material cohere into a single good story. And that story is our autobiography. The chief fictional character at the center of that autobiography is one’s self.”

Everything that goes on around us is likewise a story, from war and peace to a garden beetle we watch climbing up a flower. We even attribute story where none might exist — holding back from impeding the beetle’s progress because of the disappointment or frustration it might feel, even though we know both emotions are probably too advanced for a beetle to ever experience. It partly explains our tendency to anthropomorphize, subconsciously applying human characteristics and emotions to nonhuman — sometimes inanimate — objects. In 2000’s “Cast Away,” Tom Hanks paints a face

onto a volleyball, and it becomes a stand-in for human contact to the extent it keeps him sane. Think of the way a child will apply human emotion and interactional frameworks onto any toy or object. (A practice that The Walt Disney Company has made a fortune out of over the years.) We’re even hardwired to react emotionally to stories so much that we sometimes make them up to make sense of the world when they don’t fit all the facts, in a phenomenon called “confabulation.” (Note “fabula” is the Latin word for “story.”) If two equally qualified candidates — male and female — apply for a job, the bias toward believing males are more capable in the workplace kicks in, and recruiters will tell you afterward they picked the male candidate because he seemed more qualified. CONTINUED ON PAGE 2

BY DREW TURNEY

THE FIRST STEP TO UNDERSTAND WHY HUMANS ARE SUCH EFFECTIVE STORYTELLING AND STORYREADINESS ANIMALS IS TO REALIZE THAT WE OURSELVES ARE “STORIES” — YOUR UNBROKEN STREAM OF CONSCIOUSNESS IS THE “STORY” OF YOUR LIFE, TOLD IN THE LANGUAGE OF EMOTION ABOUT YOUR MEMORIES AND EXPERIENCES.

Mapping the universe’s most complex entity PAGE 19


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