LUCIFER. V o l . VIII.
LONDON,
MAY
1891.
15TH,
No. 45.
The Editors do not hold themselves responsible for any opinions, whether religious, philosophical or social, expressed in signed articles.
N O T IC E . [ / regret to have to announce that the second part o f the editorial, “ The Negators o f Science ” , cannot appear this month, owing to the alarming illness of H . P . Blavatsky, who is suffering from a severe attack o f the prevalent influenza. The following which was written by her as an extra article will take its place.— S u b - E d .]
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N an in terv iew w ith th e celeb ra ted H u n g a ria n vio lin ist, M .R e m e n y i, the P a ll M all Gazette reporter m akes the artist n arrate som e ve ry in terest in g
exp erie n ces in
the F a r E a s t.
“ I
w as
the
first
E u ro p ea n
artist
w h o e v e r p la y e d before th e M ik ad o o f J a p a n ” , he s a id ; and reve rtin g to th a t w hich has ev er been a m atter o f deep regret for e v e ry lover o f the a rtistic and th e p ictu resq u e, the violin ist added :— •• O n A u g u st 8th, 1886 ,
1 ap p eared b efo re H is M a je s ty — a d a y m em orab le, u n fo rtu n ately ,
fo r th e c h a n g e o f co stu m e com m an d ed b y th e E m p re ss.
S h e h e rse lf, a b a n d o n in g th e
e x q u is ite b e a u ty o f th e fem inine Ja p a n ese costu m e, ap p eared on th a t d a y fo r th e first tim e a n d a t m y co n ce rt in E u ro p ea n co stu m e, and it m ad e m y h e a rt a ch e to see h er.
I cou ld
h a v e gre e te d h e r h a d I d ared w ith a lon g w ail o f d esp air upon m y tra v e lle d v io lin .
S ix
la d ie s a cco m p a n ie d h er, th ey th em se lv e s b ein g c la d in th e ir n a tiv e costu m e, and w a lk in g w it h in fin ite g ra c e and c h a rm .”
A la s, a la s, but th is is not a l l !
The
M ik ad o— th is hith erto
sacred ,
m y ste rio u s, in v isib le and u n rea ch ab le p e rs o n a g e :— T h e M ik a d o h im se lf w as in th e u n ifo rm o f a E u ro p e a n g e n e r a l!
A t th a t tim e the
C o u r t e tiq u e tte w a s so strict, m y a cco m p a n ist w as not p erm itted jin to H is M a je s ty ’ s d ra w in g ro o m , and th is w a s told m e b eforeh an d .
I h ad a go od
rcmplaccmcnt, as m y am b assad or.
C o u n t Z a lu s k i, w h o h ad been a p u p il o f L isz t, w as a b le h im se lf to a cco m p a n y m e.
Y o u w ill
b e a sto n ish ed w h e n I tell y o u th a t, h av in g ch osen fo r th e first p iece in th e p ro gra m m e m y tra n s c rip tio n fo r th e violin , o f a C sh a rp m inor p o lo n aise b y C h o p in , a m u sical p ie ce o f the m o st in trin sic v a lu e and p o e tic d ep ths, th e E m p e ro r, w h en I h ad fin ish ed , in tim a ted to C o u n t Xto, h is first m in ister, th at I sh o u ld p la y it again .
T h e Jap an ese taste is good.
I