David A. Beardsley - The Ideal in the West Episode 34, The Cave as Hero’s Quest

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Episode 34: The Cave as Hero’s Quest idealinthewest.com /episode-34-the-cave-as-heros-quest Stream Audio Socrates, as portrayed by Plato, had a rather ambivalent view of mythology, unless we can ascribe his attitudes to Socratic irony. While he was clearly familiar with his Hesiod and Homer and gods and heroes, he makes a point in The Republic of saying that the ideal state would bar the telling of most myths on the grounds that the stories of bad behavior among the gods would be a corrupting influence on the children. (Rather like parents feel about comic books.) He specifically mentions the story about the uncertain parentage of Theseus to which I alluded in the last episode:

And let us equally refuse to believe, or allow to be repeated, the tale of Theseus son of Poseidon, or of Peirithous son of Zeus, going forth as they did to perpetrate a horrid rape; or of any other hero or son of a god daring to do such impious and dreadful things as they falsely ascribe to them in our day: and let us further compel the poets to declare either that these acts were not done by them, or that they were not the sons of gods; –both in the same breath they shall not be permitted to affirm. We will not have them trying to persuade our youth that the gods are the authors of evil, and that heroes are no better than men–sentiments which, as we were saying, are neither pious nor true, for we have already proved that evil cannot come from the gods.¹

Socrates himself is evidence of the fact that hearing these stories need not inflict damage on young souls, and he also clearly recognizes the power and value of stories in communicating philosophical points. In this and the next episode I’d like to look at a couple of instances in the Republic where he uses the form of the “test and quest” myth to make some key points. To remember Joseph Campbell’s description of the “monomyth:”

A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.

The first of these is the allegory of the Cave in Book 7, which I’ve previously discussed in Episode 6, but it is so simple and so rich at the same time, that I think it’s worth another visit. As you may recall, Plato creates an image of prisoners in a cave since birth who can look only at shadows which are projected by a fire onto a wall in front of them². (Glaucon: You have shown me a strange image, and they are strange prisoners. Socrates: Like ourselves, I replied….) Since they have no other frame of reference, they take these shadows to be reality: “To them, I said, the truth would be literally nothing but the shadows of these images.” It is necessary to remember that in this analogy, the shadows are the things we see and the thoughts we think. Now although none of the prisoners “hears the call” or is inspired to break free of his chains by himself, Plato does speculate on what would happen if they “are released and disabused of their error.” In the first scenario, a prisoner is forced to turn around and look into the light of the fire and ultimately “forced into the presence of the sun himself.” Since he has not been prepared for this ascent from the cave, “his eyes will be dazzled, and he will not be able to see anything at all of what are now called realities.” This is a good description of what can happen when people try to expand consciousness through the continued use of drugs. In the other scenario however, the prisoner is led through the ascent presumably by guides who have made the 1/3


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