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a special edition of the

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CARP creators Caravaggio Bonetto

The word: „Cyberspace“ is known now as an artword, its born from the word „Cyber“ (a shortform from the english word „Cybernetic“ that again comes from the greek word „Kybernetike“; „The art of navigate“ and the word „Space“.

On the worldfamous Macy-Conferences in the years 1946 till 1953 Cybernetik was something of high interest. Wellknown and famous scientists as Alan Turing, John von Neumann and Heinz von Foerster started here from scratch the modern computertechnics and the programm-architecture, today the basics for the Cyberspace. The real Cyberspace was opened by Secondlife. So you speak of web 3-D or so called Metaverses. The Metaverses are Internet-based virtual timespace-infrastructures. The miracle that we are experiencing today: the Cyberspace, the dematerialized virtual time-space, the worldwide webbed society. where we „surf around„ with lightspeed. An artist that is NOT using this virtual universe as a challenge and a goal doesnt deserve the name „Avantgarde“ This e-book dedicated to the pioneer of the Cybernetic Art

Nicolas Schöffer.

He was one of the most important artists of the second half of twentieth century. Father of Cybernetic Art, thus of so-called „interactivity“, he wanted to bring a prospective and nonbackward-looking vision of Art, which could help mankind to develop itself with a good hold on true creative and liberating possibilities of our times.

CARP creators Caravaggio Bonetto

content: 1. virtual architecture 2. cybernetic art 3. virtual theatre 4. semantic intuition

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name: Naomi Devil Place of birth: Budapest Year of birth: 1987 Lives and Studies in: A-Vienna, D-Stuttgart, H-Budapest E-mail: naomidevil@naomidevil.com Studies: 2002,2003,2006: Sommerakademie für Bildende Kunst Salzburg Caroline Broadhead (London)/Andrea Fogli (Rome)/Rivka Rinn (Rome, Berlin) 2004-2008: Akademie der bildenden Künste Wien, Kontextuelle Malerei: prof. Muntean/Rosenblum, Elke Krystufek, Hans Schreil 2006-: Technisches Universität Wien, Architektur Grants: 2006:Sommerakademie Salzburg Leistungsstipendium 2007:Second Life Architecture Award (SL-Award): Best 40 Teaching: 2009: Sommeracademy Villa Floreal, Cadegliano Works in Museums: Museum of Young Art Vienna Karton Gallery and Museum Budapest Art Faires: 1.Art.Fair Cologne 2006 Galerie Exner 2.Budapest Fair 2008 KARTON Gallery Solo exhibitions: 1.Gallery Tetõ: The Digital Oil, 2004,Budapest 2.Gallery Mucius, The PINKFERNO, 2005, Budapest 3.Gallery Nagyhàzy, Happy Birthday, 2005, Budapest 4.Galery Art Position, 2005, Wien 5.MOYA (Museum Of Young Art), 4 Einzelaustellungen: Na-

omi Devil,Adam Bota, Jaye, Stylianos schicho 2005-2006, Wien 6.Gallery Mucius, DOWNLOAD::MEDIA, 2006, Budapest 7.Hungaryan Cultural Center Prague,SACE WARP, 2007, Prague 8.Museum Postsparkasse, X-ist resists x-cite, during [changing_strategies] 2008, Wien 9.Gallery Artitude, 2008-2009, Budapest Group exhibitions: 1.The closing exhibition of prof. Caroline Broadhead‘s class, 2002, Salzburg 2.The closing exhibition of prof. Rivka Rinn‘s class, 2003, Salzburg 3.Gallery Vertigo: The Vertigo Chroniucle, 2003-2004, Canada 4.Gallery Vinopolis: Art In MIND Part 4, 2004,London 5.Gallery Zsidró: Zsuzsa Gesztelyi Nagy‘s, Márta Kucsora‘s, Naomi Devil‘s and Melitta Németh‘s paintings , 2004, Budapest 6.Mucius Gallery Coffee: 9 artists of Gallery Mucius, 2004, Budapest 7.Selfportait UK 14-19 2005 Touring exhibition: Sunderland Museum & Winter Gardens, Manchester Art Gallery, National Museum & Gallery Cardiff, Peterborough Digital Arts Museum & Gallery, The New Art Gallery Walsall, National Portrait Gallery London, London Underground 8.Gallery Mucius, Budapest, 2005 A könyv utóélete 9.Art Position 2005, Ottakringer Brauerei, Wien 10.II. Keruleti Alkotok Tarlata 2005, Budapest (Exhibition of the artists from the 2. district) 11.MOYA (Museum Of Young Art)- New Romantics- from 2005 August- Wien 12.IZD Tower Vienna- Devil, Garcia Pozo, 2005 13.With Adrien Kiss and Istvan Szanto, Akademie der Bildenden Künste Wien, Projektraum, 2005, Wien 14.Mucius & Diabolus Contemporary Fine Art Gallery (László Fehér, András Halász, András Koncz, Mucius, Naomi Devil, István Orosz), 2006, Budapest 15.Exhibition Room of Ernst Museum Budapest: Dorottya Galeria, Dorottya Open Show, 2006 JUne 6-10., Budapest 16.II. Keruleti Alkotok Tarlata 2006, Budapest (Exhibition of

CARP creators Caravaggio Bonetto the artists from the 2. district) 17.The closing exhibition of prof. Andrea Fogli‘s class, 2006, Salzburg 18.Galerie Exner: Junge Sommer 2006, Wien 19.Galerie Exner: POP 07, Wien 20.Exhibition of prof. Andrea Fogli‘s class, 2007, Rome 21. Embodyment, Klasse Kontextuelle Malerei, Akademie der Bildenden Künste-Aula,2008, Wien 22. Diplomaustellung, Akademie der Bildenden Künste, Semperdepot, 2008, Wien

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21. Uj Muveszet, Budapest Fair review ,December 2008, Budapest 22. Terezvarosi Ujsag,December 2008, Budapest 23. BUdapest Sun ,December 2008, Budapest 24. Domino TV,December 2008, Budapest 25. Klubradio Interview in Mececenas,December 2008, Budapest 26. Book illustration, Andras Gregorik: Basic Fault, 2009, Budapest Kontextuelle Malerei:

Publications: 1. Gent Sanat 114, Daha 17. , 2004, Istanbul 2. Nepszabadsag, 2004 Május 2. , Budapest 3. Újbuda: Digitális olaj és poszt-popart, 2004 Május 26. , Budapest 4. MTV1 (Hungaryan Television): Galéria, 2004, Budapest 5. www.sulinet.hu : Diák Art, 2004, Budapest 6. Gent Sanat 117, Tetõ Gallery‘ de „Dijital Yagliboyalar“,2004, Istanbul 7. Gent Sanat 119, Artshole‘ dan yaz sergisi, 2004, Istanbul 7. Rapscallion 16, She is 17 and paint like an angel..she is Naomi Devil, 2004, London 8. Pro Arts, Close Up Portait:Chronistin der Jugendkultur – Portraitmalerei einer jungen Frau 2005, Wien 9. ST/A/R Magazin- Buch 11, 2005 Vienna 10. Linguablanca Webmagazine issue #1 (http:// linguablanca.sevcom.com) 11. Szines Mailap, 2005.11.23, Budapest 12. Blikk, January 06, 2006, Budapest 13. Blikk, February 06, 2006, Budapest 14. Interview with MOYA, January 2006, Wien 15. First catalogue of Naomi Devil, 2006 16. Interview with Extreme-Art (http://www.extreme-art.hu/), June 2006, Budapest 17. Interview Foggygrizzly (http://foggygrizzly.blogspot.com /), November,2006 18. Pinky: Women Artists Calender-April (http://pinky.co.at/ kk07.html), 2007 19. The Great Fashion Illustration Book, by Martin Dawber, 2007 20. Second Life Architecture Award: Best 40, München

Die kontextuelle Malerei begreift sich als Teil der gesellschaftlichen Wirklichkeit, aus welcher Anregungen und Impulse bezogen werden. Zugleich wird mit der Malerei versucht, durch kritische Interventionen in den sozialen Kontext hineinzuwirken.

Ein großer Teil der Werke kreist um Themen, die den politischen Diskurs der Gegenwart maßgeblich prägen: Krieg und Frieden, Flucht und Vertreibung, Armut und Reichtum, Arbeitslosigkeit, Globalisierung, Unterschiede der Lebenswelten, urbane Kälte.

Die kontextuelle Malerei möchte mit den Mitteln der Kunst das Bewusstsein der Betrachterinnen und Betrachter für die spezifischen Probleme der behandelten Themen schärfen. In diesem Sinne hat Ästhetik immer zugleich auch eine politische Dimension.

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CARP 6 Living architecture cybernetic performance 2008. 08. 26.

Visual artist Caravaggio Bonetto Audio artist: Kevinblue Oh performance time-space contimuum studies for the hsv2 future opera

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art space diabolus

emoticon 1 the realtime collaborative audiovisual improvisation Caravaggio Bonetto Velazquez Bonetto

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2. cybernetic art

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CARP creators Caravaggio Bonetto THE ROOT cybernetic installation concept, & realisation: caravaggio bonetto scripting: Velazquez Bonetto

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CARP creators Caravaggio Bonetto THE CATERPILLAR LOVE YOU & THE MUYBRIDGE CLUSTER cybernetic installations concept, & realisation: caravaggio bonetto scripting: Velazquez Bonetto

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CARP creators Caravaggio Bonetto REACTING SCULPTI_LINE cybernetic innstallation concept, & realisation: caravaggio bonetto scripting: Velazquez Bonetto

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CARP creators Caravaggio Bonetto PLANET cinetic sculpture concept, & realisation: caravaggio bonetto

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CARP creators Caravaggio Bonetto ALGA cybernetic innstallation concept, & realisation: caravaggio bonetto

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CARP creators Caravaggio Bonetto The 2. VJAZZ session (diabolus Benvolio VJAZZ DOM) 2008 02. 10. Sunday 1 PM SLT - 2 PM SLT visual artists:

Caravaggio Bonetto, Josina Burgess

audio artist:

Kourosh Eusebio

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CARP creators Caravaggio Bonetto The 3. VJAZZ session (diabolus Benvolio VJAZZ DOM) 2008 02. 16. Sunday 1 PM SLT - 1:30 PM SLT visual artists:

Josina Burgess Caravaggio Bonetto, audio artist:

Kourosh Eusebio

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CARP creators Caravaggio Bonetto The 5 th. VJAZZ session (diabolus Benvolio VJAZZ DOM) 2008 02. 24. Sunday 1 PM SLT - 1:30 PM SLT visual artists:

Josina Burgess Caravaggio Bonetto, audio artist:

Kourosh Eusebio

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CARP creators Caravaggio Bonetto The 6 th. VJAZZ & MAJam performance (diabolus Benvolio VJAZZ DOM) 2008 03. 01. Saturday 1:00 PM SLT - 4:00 PM SLT visual artists:

Josina Burgess Calimera Lane Caravaggio Bonetto Velazquez Bonetto audioartist:

juniverse Stockholm

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CARP creators Caravaggio Bonetto CARP 4 3. VJAZZ session (Korova club) 2008 04. 26. Saturday 2 PM SLT - 4 PM SLT visual artists:

Caravaggio Bonetto, Velazquez Bonetto

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CARP creators Caravaggio Bonetto VISION of GLOBAL JUSTICE GALA Live audiovisual collaborative improvisation (VJAZZ) 2008 03. 19. 5 PM SLT -7 PM SLT visual artists:

Josina Burgess, Caravaggio Bonetto Velazquez Bonetto

audio artist:

Juniverse Stockholm

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CARP creators Caravaggio Bonetto CARP 5 Global Wood performance (diabolus Benvolio) 2008 05. 08. Friday 1 PM SLT visual artist: Caravaggio Bonetto (A) poem: Josina Burgess (NL) audio artists: Juniverse Stockholm (S) scripting: Velazquez Bonetto (D)

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diabolus art space

Caravaggio Bonetto

The global wood the exhibition.... .....Money, money, money

visual artist: Caravaggio Bonetto lyrics: josina Burgess sound design: Juniverse Stockholm scripting: Velazquez Bonetto

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CARP creators Caravaggio Bonetto „A human being is part of a whole,called by us the „Universe,“ a partlimited in time and space. He experiences himself, his thoughts and feelings, as something separated from the rest--a kind of optical delusion of his consciousness. This delusion is a kind of prison for us, restricting us to our personal desires and to affection for a few persons nearest us. Our task must be to free ourselves from this prison by widening our circles of compassion to embrace all living creatures and the whole of nature in its beauty.“ Albert Einstein

Global Wood.

Lyrics by Josina Burgess There is a wood…a Global wood, where money hangs on trees It generates a Global wealth for just a few to see Only a few.. a Happy few.. they closed an evil pact This small amount of Human Snakes.. that made this self-select Billions go to Afghanistan and millions to Atjeh The victims of old Pakistan, for the happy few a play A Game to get the money there, for nobody to find Just in Their pockets it will end ad suffering leaves behind It’s a global wood Global wood In - balance is the name The dance around the money tree For the happy few their game And Libra’s arms are not alike, the balance is not right The suffering of half the world causes hate and war and fight But the happy few , the Happy few, don’t care. Don’t feel. Don’t see They dance their dance of ignorance .. around the money tree It’s a global wood Global wood In – balance is the name The dance around the money tree For the happy few their game

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imagine the contemporary art gallery of Nora Koltai Istvรกn Orosz Josina Burgess Velazquez Bonetto Caravaggio Bonetto

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Break those WALLS lyrics by Josina Burgess They build Walls between countries They declare each other Bad They say: There is the enemy But the Walls are in their head…

There are Generals and there are Presidents And they all speak out to the crowd To convince just everybody That there´s a war that is allowed…

Look in your heart to see if there is a wall to break and let your mind be free just be real not another fake All these men, great and mighty Tell us “others” they are bad But what real is and what is certain Are the Walls right in their heads…

It is time to awaken It is time that it is said give us back what you have taken Break those Walls right in your head…

Break those Walls............

Break those Walls............

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Pink Floyd

The SL Wall Mother, should I trust the government?

On July 21 1990, nine months after the dismantlement of the Berlin Wall, Roger Waters and an all-star cast performed „The Wall“ at Potzdamer Platz in Berlin. The performance was watched by a live audience of 250,000 and half-billion people on TV. And now, the Cybernetic Art Research Project (CARP) bring „The Wall“ to SL...

Creativ director: Debbie Trilling Producer: Velazquez Bonetto Choreography and dancing: Caravaggio Bonetto, Debbie Trilling Elfod Nemeth, Klute Coppola Arena design and build: Velazquez Bonetto Wall design and build: Elfod Nemeth Puppets: Duggy Bing Special effects: Debbie Trilling and Velazquez Bonetto Costume design: Caravaggio Bonetto, Josina Burgess Scripting: Debbie Trilling Elfod Nemeth Velazquez Bonetto Song: Josina Burgess, Juniverse Stockholm

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CARP creators Caravaggio Bonetto The making of the WALL Kostume Design: Caravaggio Bonetto, Josina Burgess. Elfod Nemeth

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2008.04.27. the wall exhibition Creativ director: Debbie Trilling Producer: Velazquez Bonetto Choreography and dancing: Caravaggio Bonetto, Debbie Trilling Elfod Nemeth, Klute Coppola Arena design and build: Velazquez Bonetto Wall design and build: Elfod Nemeth Puppets: Duggy Bing Special effects: Debbie Trilling and Velazquez Bonetto Costume design: Caravaggio Bonetto, Josina Burgess, Scripting: Debbie Trilling Elfod Nemeth Velazquez Bonetto Song: Josina Burgess, Juniverse Stockholm

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Scene design The global Wood

The Global Wood. Lyrics by Josina Burgess There is a wood…a Global wood, where money hangs on treesIt generates a Global wealth for just a few to see Only a few.. a Happy few.. they closed an evil pact This small amount of Human Snakes.. that made this self-select Billions go to Afghanistan and millions to Atjeh The victims of old Pakistan, for the happy few a play A Game to get the money there, for nobody to find Just in Their pockets it will end ad suffering leaves behind It’s a global wood Global wood In - balance is the name The dance around the money tree For the happy few their game And Libra’s arms are not alike, the balance is not right The suffering of half the world causes hate and war and fight But the happy few , the Happy few, don’t care. Don’t feel. Don’t see They dance their dance of ignorance .. around the money tree It’s a global wood Global wood In – balance is the name The dance around the money tree For the happy few their game

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Scene design The Forest

Lyrics Medora Chevalier Music: Junivers Stockholm,

On the rock the child ‚s alone He looks at sand and sky and stone The heat burns deep through skin to bone No sound of life around him.

A far bird sings her gentle song The boy turns round and gazes long The forest stands there - dark and strong Its deep song calls out to him.

His bare feet feel the calling path His toes the dampness of the earth A place where small things move and birth The forest living draws him.

Deeper, darker, richer, cool A bubbling green life giving pool Deeper, darker, richer, cool He fills his body, floating, still Deeper, darker, richer, cool Soaks in the force around him.

Now he hears the life‘s forces soar Birds and insects, forest floor Invade his being, living loving He is not he but all.

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the making of METROPOLIS Producer/ creative director: Velazquez Bonetto (D) Soundtrack creator: nnoiz Papp (D) Costumes and character design: Josina Burgess (NL) Robot design & animation: Sca Shilowa (NL) Set design & build: Velazquez Bonetto (D), windyy Lane (USA), Caravaggio Bonetto (A), nnoiz Papp (D)

the making of Metropolis 1926

AV-animations: windyy Lane (USA) Muybridge animations: Josina Burgess (NL), Velazquez Bonetto (D) Video recording/editing: Debbie Trilling (UK) Venue camera: Velazquez Bonetto. (D) Additional song: Junivers Stockholm (S) Performers: Debbie Trilling (UK) Josina Burgess (NL) MillaMilla Noel (I) Efrantirise Morane (I) Velazquez Bonetto (D)

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4. semantic intuition

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CARP creators Caravaggio Bonetto Lamb-Scorpio SL sculpture based on semantic intuition concept, & realisation: caravaggio bonetto

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Semantic Intuition (inverse thinking) Method: The method overturns the : “Discover a invention” and “Give this invention an name” Accidental names are build by using the method of calling up intuitive meanings (=semantic intuition) and it is to find out how and how far they will be a useful innovation.

In most people use names and concepts already known and list them. These words now will be combined with a goal to create new imaginations for ideas.

The Semantic Intuition method is as old as abstract thinking is. Abstraction is an operated thinking, deviated from concrete objects in reality and build from that into a new concept.

So certain aspects of real objects have to be rejected to let the abstract mark be useful on more and other objects.

This thinking process with abstract concepts make it possible that in the material reality not existing combinations can be showed or created.

All historical Mythology are such free fantasy products based on semantic intuition (such as: Anubis (Egypt mythology) shown as a human with a dog or jackal head Some of these semantic intuition products could become new meaning. But this new meaning has at most nothing incoming with the earlier meaning or concern.

The fresco cycle of Ambrogio Lorenzetti about the good and the bad government (Sienna Palazzo Communale Sala della Pace 1337-39) shows a painting of Proditio (Verrat) (Lamb-Scorpio) Proditio is dressed as a good city resident and wears the normal textile coat and hat.

All is weaved out of the finest material. On his lap he holds a lamb – but don’t be mislead , because where normally is the back of the lamb curls the poisonous tail of a scorpio.

The virtual sculpture of Carvaggio Bonetto combines the same Semantic Intuition product in association with the mass-media of today.

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