2 Monday, December 16, 2013 | www.dhakatribune.com
dHaKa TrIbUne
Victory Day 2013
Monday, december 16, 2013
Victory Day 2013 A beginning in red ink In conversation with Mohammad Abdul Malek, editor of independent Bangladesh’s first newspaper Dainik Azadi
n Syeda Samira Sadeque
D
Send us victorious
F
n Zeeshan Khan
or the generations born after December 16, 1971, Bangladesh was an existentially “normal” place to grow up in. Nothing in the atmosphere hinted at the violent upheavals our preceding generations had to contend with and there was no way of gauging what the yoke of imperialism felt like. We grew up as free people, in a free country; free to live according to our own values and free to advance ourselves as equal citizens of the world. We never experienced the humiliation of subjugation, or racism, and were never made to feel inadequate. In fact quite to the contrary, we were raised to be proud of who, and indeed what, we are – the first generation of an independent Bangladesh. It’s easy to forget what that really means until you think about what it took to get here. Nearly 200 years of British colonial rule had a devastating effect on our civilisation and we went from being the richest Mughal province to one of the poorest places in the
world. The economic exploitation was acute, resulting in death by the millions, but the strains on our social and psychological well-being were equally catastrophic. Added to that, a British policy of advancing some communities at the expense of others created sectarian tensions that wouldn’t go away when 1947 rolled around. But an independent Bengal was in the offing even as early as the 40s, and when we moved the Lahore Resolution to bring Pakistan into existence, we were actually signing onto the notion of “independent states,” i.e. an independence of our own. Machinations by “all-India” Hindus and Muslims denied us a united and independent Bengal, so we were cleaved in half and the bloody tale of that is of course Partition, which seems a lifetime away but really only happened to our grandparents. Now, with only half of Bengal and in the new notion of Pakistan, we were still hopeful of a chance to determine our own destinies, on our own terms and become economically and politically empowered. We were, after all, among “brothers.” Imagine
our surprise when our language, our culture, our ethnicity, our economy and then ultimately our votes were subordinated to a national pecking order that placed us at the bottom. A rude awakening followed, and then the guns came out. Truth is, the break from Pakistan, even from India earlier, was the
We exist because we believe in ourselves and believe that we know a better way political manifestation of a yearning that was alive before either of those republics ever existed. A memory of an independent country, with its own systems, structures, culture and values, resides somewhere in our collective consciousness, and informs our identity as completely as genes determine biology. Well before Pakistani, British and the Mughals ruled this place, a Bengali kingdom lived and breathed here, and it had its own way of doing things.
ecember 17, 1971. As the spirit of independence dawned upon Bangladesh, a publication house in a corner of Chittagong was immersed in celebrating the victory in a way no other Bangladeshis were doing yet: taking out independent Bangladesh’s very first – and the only one until later in the afternoon – newspaper. Dainik Azadi, a Chittagong-based newspaper, which began in 1960, had been operating for 11 years when it became an integral part of the very first moments of Bangladesh’s birth. The one-page publication went out in red ink instead of the conventional black ink. “We wanted it to be in red ink because we wanted to celebrate, because we wanted to emphasise on our accomplishment,” Mohammad Abdul Malek, editor of the newspaper, said in an interview with the Dhaka Tribune. The paper on that day sold 5060,000 copies. “We started printing in the morning, printed throughout the day and late into the night,” said Malek, who had been the editor of the paper at that time. They had later sent copies to other parts of the country, but initially December 17, 1971’s Dainik Azadi had been distributed mainly in and around Chittagong. Although Azadi is known to be the only paper that was published on December 17, there have been disagreements regarding this record. The Daily Ittefaq, for example, has claimed they published a paper on that day as well. “But they printed only in the afternoon, and we know this because their publication had information regarding a meeting that took place on that day,” Malek said, referring to a Mirikka magazine article, under the Press Information Department, which clarified this information. When asked how they executed such a massive mission, Malek said he had a group of extremely efficient and eager workers. “There were people who lived around, in the area, and they helped a lot. We didn’t even have to say anything. Everyone was so happy that
Illustration: Sabyasachi Mistry
When Babur, the Mughal, encountered this kingdom for the first time, in the 1500s he made this observation: “There is an amazing custom in Bengal: rule is seldom achieved by hereditary succession. Instead, there is a specific royal throne, and each of the amirs, viziers or office holders has an established place. It is the throne that is of importance for the people of Bengal … The people of Bengal say, “we are the legal property of the throne, and we obey anyone who is on it.” … Whoever becomes king, must accumulate a new treasury, which is a source of pride for the people. In addition, the salaries and stipends of all the institutions of the rulers, treasury, military and civilian are absolutely fixed from long ago and cannot be spent anywhere else.” It’s clear that he was describing a modern, responsible country, with institutions, offices and citizenship, something that was an anomaly in the medieval era of conquerors. A self-aware Bengali nation has existed since at least the time of the Buddhist
Charjapadas. It ran through the Pala and Sena kingdoms of Gaur-Bongo to the Vangaladesa of the Cholas and was reborn in the Sultanate of Bangala that Babur encountered. The emergence of Bangladesh was a historical inevitability. Repeatedly, the people of this land have resisted authority that was oppressive or unrepresentative of their beliefs and identity. The Kaibarta rebellion in the tenth century, the independent sultanate of the 1300s the Baro Bhuiyans in the 1600s, the fakir-sanyasin movement in the 1700s, the likes of Shurjo Sen and Subhas Chandra Bose in the 1900s and the movements of 1952 and 1971, were all the same struggle against domination. That’s why Victory Day matters as much as it does. We have walked a long road to get here. This country stands on a time-worn platform of pluralism and justice, and we exist as a nation because we didn’t, and still don’t stumble in the blind alleys of religious bigotry and cultural chauvinism. We exist because we believe in ourselves and believe that we know a better way. l
they were all working, excited to get the paper out.” Malek said the whole team readied the content for the one-page publication throughout night after independence was declared on December 16. The independence day special was printed with the use of a heidelberg machine, which was not the regular medium of printing at that time. “We used the machine for that day because it was faster, and allowed us to print a smaller paper – catering to that day’s demand.” Malek and his crew were unaware at that point that they had made history as the first newspaper that was published after Bangladesh gained
‘We wanted it to be in red ink because we wanted to celebrate, because we wanted to emphasise on our accomplishment’
independence. They learned only later of the significance that their one-page, red-inked publication has held for the history of Bangladesh. The Dainik Azadi, which was born in Chittagong, has remained in the port-city since, and today has a circulation of 50-60,000. Malek’s father, who founded the paper, had started with the aim to distribute the paper only to citizens of Chittagong and around, and Malek has kept up with the mission for the past five decades. “The demand for our paper is very high today, and it is the leading newspaper of Chittagong. We don’t want to become a national publication,” said Malek, reflecting both his father’s and his own ideals about the paper’s operation. In fact, so strong is his dedication towards Chittagong – especially in regard to the paper – that Malek joked at the end of our conversation: “We often say it was Chittagong that actually accepted the independence of Bangladesh – Dhaka didn’t even believe in our independence; they didn’t have a publication about it!” l
courtesy: Kohinoor Kamal
CONCERTS FOR BANGLADESH June 21 On June 21, 1971 (over a month before the famous New York concerts), “John Lennon and Yoko Ono, along with Led Zeppelin, Deep Purple, Jethro Tull, and T. Rex (among many others), [lent] their support to Edgar Broughton’s, Save A Life, an appeal in aid of the East Pakistani refugees in Bangladesh, which is launched by the Daily Mirror newspaper in London
August 1 The Concert for Bangladesh is considered a landmark event in rock music history. Famously, George Harrison was inspired to stage the concert after Ravi Shankar had approached him with a suggestion that he hoped could raise twenty thousand dollars for refugees fleeing the war in Bangladesh following the Pakistani military clampdown of March 1971. The two concerts on August 1, 1971 were highly successful - with a cheque for US$243,418.50 being immediately sent to UNICEF. However, both the UK and US governments held up much of the subsequent fifteen million dollars generated by the best selling Grammy award winning concert album and film for several years. Another Western artist who referenced the Bangladesh liberation struggle was Joan Baez with her song “The Story of Bangladesh”
September 18 Although less well remembered than the George Harrison concert, perhaps because it was not officially recorded for a film and LP, was the September 1971 concert attended by tens of thousands at the Oval cricket ground in South London, headlined by The Who and The Faces in their Rod Stewart and Ronnie Wood heyday
on december 17, 1971 the headline of the dawn read ‘War till victory’ even though the Pakistani army had surrendered the day before