Welcome to the 11th edition of FOCUS and what a treat we have for you as we bring an amazing 2025 to a close.
A huge thank you to all our members, partners and friends for your support throughout this year, it is our pleasure and honour to have showcased your creativity.
In this issue we are excited to feature artist and film maker and long-standing friend of DG Unlimited, Mark Lyken. And we introduce new colleagues Ellie Jay Stevens and Derek Crichton. The wonderful team at the International Street Food Festival have shared their joy at winning a Thistle Award and treated us all to an awesome selection of recipes from around the world, something truly delicious for us to cook and share during the coming festivities. We are proud to introduce you to our two new projects, Creative Compass and UNFOLDING Scotland, the Dr Gavin Wallace Fellowship we are hosting in 2026, and introducing a new feature in our FOCUS magazine. We thought it would be nice to hear some cultural choices from the other members of the team, so in addition to Tabi’s Reads, we bring you, Ellie’s Stage and Film and David’s Listening recommendations. Thank you to Ellie and David who have shared some brilliant choices for us. Enjoy taking the time to read, listen and watch along with us!
It has been a year – we have said sad farewells to dear friends and warm hellos to new colleagues. We have enjoyed so many events and gatherings, and lost count of all the hugs, smiles and laughter as we have made our way around the region connecting with you all as we showcase the best of creativity and culture in our region. And we celebrated at three awards ceremonies – The Thistle Awards, the DG Life Awards, and the Crichton Foundation Awards - with our friends and partners! Enjoy our look back at a wonderful year for DG Unlimited and with it, we extend from the whole DG Unlimited team our best wishes for a happy festive season full of music, food, warmth and love. Here’s to a creative and successful new year for all of us in 2026.
Tabi Mudaliar is the Editor of FOCUS Magazine and Creative Director of DG Unlimited.
FOCUS is Dumfries and Galloway’s quarterly creative digital magazine brought to you by DG Unlimited, Dumfries and Galloway Chamber of the Arts SCIO. FOCUS is free to access and download from dgunlimited.org. It is published to shine a light on the creative people and projects who live and work in Dumfries and Galloway or who have strong links with our region.
FOCUS magazine is brought to you thanks to the generous support of Dumfries and Galloway Council and our members, friends, and supporters.
Cover image: Featuring the artist and work – Mark Lyken, by Colin Tennant Tabi xx
Mark Lyken
Mark Lyken is an award-winning filmmaker, painter and musician based in rural Dumfriesshire, whose work shifts gracefully between disciplines while remaining rooted in close observation of place. His latest solo exhibition, New Works on Paper, was recently showing at Kind Studios in Dumfries, offering a striking series of new paintings shaped by the landscape surrounding his studio.
Mark’s creative journey began in Dundee in the mid-1980s, when he first started writing graffiti. Over time, this early experimentation grew into large-scale abstract murals and a distinctive studio practice that continues to evolve. Today, Mark’s work is characterised by an instinctive sense of rhythm, movement and composition, informed by decades of looking, listening and responding to the environments he inhabits.
For this new exhibition, Mark has created fourteen paintings and a screen print inspired by wind-thrown spruce trees and the exposed root plates found throughout the forestry plantations near his home. These fractured, sculptural forms reveal the hidden structures that lie beneath the familiar landscape. In Mark’s hands, they become points of departure for abstraction, prompting viewers to consider both the fragility and resilience of the natural world. The resulting works are contemplative, energetic and deeply connected to place.
Above: New Works on Paper, Mark Lyken, photo by Colin Tennant
Opposite: Mark Lyken, photo by Colin Tennant
New Works on Paper is presented at Kind Studios, an artist-run space located in Kindar House at The Crichton. Founded and led by Amy Marletta and Kevin Alexander Reid, Kind Studios provides a supportive environment for artists to develop and share new work. Their commitment to experimentation and community makes it an ideal setting for Mark’s latest exhibition.
Across film, sound and painting, Mark’s practice has long been defined by collaboration, curiosity and an ability to reveal new perspectives on familiar landscapes. This exhibition continues that trajectory, offering an intimate glimpse into the ways natural forces shape both land and imagination.
To explore more of Mark’s work, visit www.marklyken.com
Kind Studios can be found on Instagram at: @kindstudios_dumfries
Left: New Works on Paper, Mark Lyken, photo by Colin Tennant
A Glittering Awards
It has been a truly sparkling awards season, full of shining stars and dazzling achievements. DG Unlimited was delighted to attend three major events this year, including two award categories we proudly sponsor. Each occasion offered a chance to recognise the people and projects who bring creativity, curiosity and cultural vibrancy to our region.
South of Scotland Thistle Awards
The awards season began in style with the SSDA South of Scotland Thistle Awards, a vibrant celebration of tourism, culture and outstanding local initiative. This was DG Unlimited’s first year as sponsors of the Outstanding Cultural Event or Festival category and we were thrilled to see the Dumfries International Street Food Festival take home the award. The event brought together tourism providers, businesses and cultural organisations from across the South of Scotland, highlighting everything that makes our region such a popular and characterful destination. The room was full of energy, and it was inspiring to see creative practitioners and local enterprises celebrated side by side, reflecting the deep connection between creativity, place and community wellbeing.
Awards Season
DG Life Awards
Our second stop was the DG Life Awards at the Crichton, where DG Unlimited has proudly sponsored the Culture Champion Award for many years. This year’s winner was Tina Fiske, Director of CAMPLE LINE, whose leadership and commitment to bringing exceptional contemporary art to rural audiences continues to strengthen Dumfries and Galloway’s cultural landscape. The DG Life Awards are always a dazzling celebration of the very best of our region’s people, communities, businesses and talents. It was a privilege to share the evening with so many individuals whose work supports and enriches life here in the South West.
The Crichton Trust 25th Anniversary Awards
We closed awards season at the Crichton Trust 25th Anniversary Awards, a celebration of innovation, learning and community impact. One of the winners was Mr Derek Goldman of the Open University in Scotland, with whom we collaborated during the European Lunar Symposium and on the Pull of the Moon publication. It was a pleasure to see Derek’s commitment to accessible learning and public engagement recognised on such an important occasion.
Across all three events, one theme stood out. Our region’s cultural life is made possible by collaboration: artists, volunteers, organisers, funders, audiences and partners who give their time, skill and imagination to help culture thrive.
DG Unlimited is proud to play a part in celebrating and supporting the creative people who make Dumfries and Galloway such an inspiring place to live and work. Our warm thanks go to all three hosts for their hospitality throughout awards season and for their ongoing partnership and support of DG Unlimited and the work we do.
Welcome to new
We are thrilled to welcome the two newest members of the DG Unlimited team. Ellie Jay Stevens joins us as our Creative Producer. She will be collaborating with the team to bring our communications, projects, and events to fruition. Derek Crichton joins the DG Unlimited Board of Trustees and brings with him a wealth of experience, knowledge, and a passion for community.
Ellie Jay Stevens Creative Producer, DG Unlimited
Ellie Jay Stevens is a theatre director, dramaturg, and creative producer from Dumfries and Galloway. She joined DG Unlimited in 2025, bringing her experience as an artist and producer to help champion and connect the region’s creative community. Originally from Castle Douglas, Ellie holds an MA in Drama Directing from Bristol Old Vic Theatre School and a BA in Drama and Performance from Queen Margaret University. Her work focuses on new writing, feminist theatre, and striking visual storytelling. Ellie is the founder of Dark Skies Ensemble, a company of early-career artists creating bold, thought-provoking theatre, and Associate Director of Fox and Hound Theatre Company. With a background spanning directing, producing, and arts education, Ellie brings a collaborative and inclusive approach to all her work. She is enthusiastic about making creativity accessible to everyone and continues to advocate for
new colleagues
Derek Crichton Trustee, DG Unlimited
Through his various roles with Dumfries Galloway Council, Derek has been championing arts, culture, and community work for thirty plus years. Derek is a well kent and highly respected individual in communities throughout Dumfries and Galloway. He brings to the Board a wealth of experience in supporting and advising community groups and charities and recognises the vital role of the people who live and work here and who make Dumfries & Galloway such a unique place to live and work. A strong advocate and voice amplifying the important role the third sector and community groups plays in all our lives, Derek places equal value on community galas, festivals and events and nationally recognised projects and initiatives and is looking forward to working with the DG Unlimited Board and team to support, showcase and advocate for the Region’s creative sector to policy and decision makers to secure a thriving and sustainable future.
The Strongest Girl in the World, Dark Skies Ensemble – photo Mikiodo
Ellie JAY Stevens
My name is Ellie Jay Stevens. I am a theatre director, dramaturg, and creative producer from Castle Douglas. My work explores bold storytelling, feminist perspectives, visually striking design, and the many ways theatre can connect people.
I trained in Drama and Performance at Queen Margaret University before completing my Master’s in Theatre Directing at the Bristol Old Vic Theatre School. After several years directing, teaching, and working within Bristol’s theatre ecosystem, I moved home to Dumfries and Galloway to focus on making work rooted in the landscape and culture that shaped me.
I’m drawn to stories about resilience, belonging, and connection, often centring voices rarely heard on stage. I believe theatre can be a catalyst for change, and that change can emerge through gentle human storytelling just as much as overtly political work.
I run my own theatre company, Dark Skies Ensemble, where I create work with early-career artists and platform new stories that might not otherwise have the opportunity to be made. I’m particularly interested in design-led, collaborative processes that invite artists to build worlds together and challenge traditional forms of performance.
Above: Ellie Jay Stevens
Inclusivity and kindness sit at the core of my practice. I believe a rehearsal room should be a generous, supportive environment where everyone can do their best work. I aim for clarity in direction while leaving space for genuine discovery and collective ownership.
Image: A Trio of Tennessee Williams, Fox and Hound Theatre Company, photo Craig Fuller
My directing credits include Girl in the Machine, A Trio of Tennessee Williams (UK Tour), How You Died (winner of Best Play at Camden Fringe), Hindsight (performed at the Scottish Parliament), and The Strongest Girl in the World, which recently sold out its run at OffBroadway theatre 59E59 in New York.
Since returning to Dumfries and Galloway, I’ve become closely involved in the region’s cultural ecosystem. I am Administrator for the Dumfries and Galloway Cultural Partnership and Editor of the Castle Douglas Journal. These roles allow me to support artists, champion regional creativity, and help grow a cultural landscape that values collaboration, accessibility, and ambition. I am also fortunate to now be working as Creative Producer with DG Unlimited, and I am delighted to contribute to the organisation’s vital work strengthening and celebrating creativity across the region.
I’m currently developing new work, including an adaptation of Tam O’Shanter. This project brings together shadow work, live music, and a feminist reframing of Scotland’s most iconic supernatural tale.
At the heart of everything I make is a simple belief: regional creativity is powerful. The stories we tell here, shaped by landscape, community, humour, and generosity, are worthy of national and international stages. My work is driven by curiosity, care, and the conviction that theatre can build understanding and offer people a place to gather, reflect, and imagine something better together.
Above: Girl in the machine, Bristol Old Vic Theatre School – Craig Fuller Opposite: A Trio of Tennessee Williams, Fox and Hound Theatre Company – Craig Fuller
Celebrating Cultural Joy: International Street Food Festival Wins Big
Congratulations to the whole team and all the volunteers at the International Street Food Festival who were winners at the South of Scotland Thistle Awards, where they were named Outstanding Cultural Event or Festival. As sponsors of this award category, we could not have wished for a more deserving recipient. The festival’s heart, purpose, and community spirit resonate deeply with our own values and with everything we work hard to champion for Dumfries and Galloway and for Scotland.
Since its earliest beginnings, the International Street Food Festival has embraced a simple but powerful idea: Food can bring people together, dissolve barriers, and help communities see themselves in one another.
Every year, the festival creates a vibrant gathering that reflects the rich diversity of our region - a region shaped by its New Scots and by people who have chosen to make Dumfries and Galloway their home. The images and reports from the 2024 and 2025 festivals show just how transformative this approach has been. This year, despite heavy downpours, large numbers of people gathered in Dock Park to share meals, music, stories, and friendship, all in the face of challenging weather.
The festival is as nourishing to the spirit as it is to the palate. Across both years, cuisines from Afghanistan, China, Ecuador, Iran, Malaysia, Punjab, Syria, Sudan, Ukraine, the United States, and Scotland, amongst many others, have filled the air with colour and aroma. Families have danced to music from the Samba Sisters, Fraser Clark, Bogle Mufty, and we have been entertained by wonderful international storytellers.
Children have taken part in treasure hunts, learning, exploring and making new friends. The images from the festival, of crowds gathered around global street food stalls, children fascinated by performers, volunteers smiling through the rain, all paint a picture of a Dumfries and Galloway that is welcoming, generous, outward-looking, and proud of its diversity.
Perhaps the deepest impact lies in the opportunities the festival creates. The “Community Village” approach to the festival has given asylum seekers, Ukrainian refugees, and other New Scots a genuine platform to share their heritage and to explore the possibility of starting their own food businesses. Through free foodhygiene training, subsidised ingredients, equipment hire, and a voucher system that makes participation barrier-free, ISFF has helped launch or nurture several fledgling enterprises, from Ecuadorian cuisine to Malaysian street flavours, demonstrating how food can open doors to confidence, creativity, and livelihood.
The festival’s commitment to inclusion runs deep. From free child meal vouchers distributed across the
region, to significant behind-the-scenes support from volunteers including local residents and asylum seekers every detail reflects a care for community wellbeing and dignity. And with a strong focus on sustainability, recycling, and minimising environmental impact, the festival is modelling the kind of thoughtful event leadership that strengthens our region’s future.
At DG Unlimited we are proud to work with the ISFF team who are Constellation members of our organisation. We are looking forward to working closely with them in 2026 to creatively showcase their extraordinary festival. Their work embodies so much of what matters to us: creativity rooted in community; celebration of diversity; and the belief that culture is made richer when everyone is invited to the table.
The International Street Food Festival is not just an event, it is a joyful, generous demonstration of who we are and who we can become - together.
Follow the International Street Food Festival.
CELEBRATE: Festive Recipes from around the world
We have five Festive Recipes from around the world we would love to share with you. Food is often the heart of celebration, bringing families and communities together with memories, stories and shared traditions. These festive recipes offer a glimpse into how different cultures mark the season.
Gulab Jamun
A popular Indian Dessert and a favourite with Tabi’s family at Christmas and she shares her recipe with us here...
This is my childhood favourite and is universally popular. It’s a really easy gulab jamun recipe using milk powder, which provides an authentic taste with minimal ingredients. This recipe yields soft, spongy, syrup-soaked balls perfect for any celebration. Imagine small pillowey clouds of teeny tiny donuty goodness swimming in aromatic syrup!
Ingredients
For the Jamun (Dough Balls):
¾ cup (100g) unsweetened full-fat milk powder
½ cup (60g) all-purpose flour (maida)
½ tsp baking powder
2 tbsp ghee (clarified butter), melted Milk, as needed for kneading (approx. ¼ cup) Ghee or oil, for deep frying
For the Sugar Syrup:
2 cups sugar
2 cups water
2-4 green cardamom pods, slightly crushed
¼ tsp saffron strands (optional)
1 tsp lemon juice (to prevent crystallization)
1 tsp rose water (optional)
Instructions
Prepare the Sugar Syrup
In a large, wide pan, combine the sugar, water, crushed cardamom, and saffron strands (if using).
Bring the mixture to a boil over medium heat, stirring until the sugar completely dissolves.
Once boiling, simmer for about 5 minutes until a light, slightly sticky syrup forms (do not aim for a string consistency).
Remove the pan from the heat and stir in the lemon juice and rose water. Cover and set the syrup aside to keep it warm.
Prepare the Dough
In a large bowl, whisk together the milk powder, allpurpose flour, and baking powder.
Add the melted ghee and use your fingertips to mix it into the dry ingredients until the mixture resembles coarse crumbs.
Gradually add milk, a little at a time, and bring the mixture together to form a soft, smooth, and slightly sticky dough. Do not knead the dough excessively, as overworking can result in hard gulab jamuns.
Cover the dough with a damp cloth or plastic wrap and let it rest for 10-15 minutes.
Fry and Soak the Jamuns
Lightly grease your palms with a little ghee or oil.
Divide the rested dough into small, equal portions (about 18-20 balls). Roll each portion between your palms to form smooth, crack-free balls. Cracks will cause the balls to break during frying.
Heat enough ghee or oil for deep frying in a deep wok or heavy-bottomed pan over medium-low heat.
The oil temperature is crucial; it should be warm (around 300°F or 150°C), not extremely hot. Test the temperature by dropping a small piece of dough; it should sizzle gently and rise slowly to the surface after about 45 seconds.
Carefully add the dough balls in small batches to the warm oil, ensuring you don’t overcrowd the pan.
Fry the balls on a low to medium-low flame, stirring them gently and continuously for 5-8 minutes until they are evenly golden brown all over. This ensures they cook through completely without burning the outside.
Using a slotted spoon, remove the fried jamuns and drain them briefly on a paper towel.
Immediately transfer the warm gulab jamuns into the prepared warm sugar syrup.
Cover the pan and let the jamuns soak in the syrup for at least 2 hours (preferably overnight). They will double in size as they absorb the syrup. (Add a few drops of rose water and some crushed Cardamom pods to the warm syrup for a truly authentic taste).
Serve the gulab jamuns warm, garnished with chopped pistachios or almonds.
Greedy Scottish-Indian Sassanachs have them with cream or ice-cream! You can store them in an airtight container in the fridge for up to 5 days - but I guarantee they won’t last that long!
Lebkuchen
A German Christmas classic and one of the most fragrant festive treats you can make at home. These soft, spiced biscuits are rich with honey, almonds and warming ginger, finished with a simple glaze that cracks beautifully as you bite into them.
They make wonderful gifts, look gorgeous on a biscuit plate and fill the kitchen with a cosy festive scent while they bake.
Ingredients
For the dough
200ml runny honey
85g butter
225g plain flour, plus extra for dusting
75g ground almonds
2 tsp ground ginger
1 tsp ground cinnamon
A pinch of mixed spice
½ tsp bicarbonate of soda
For the glaze
125g icing sugar
Instructions
Put the honey and butter into a small pan and heat gently until the butter has melted and the mixture is smooth. Take it off the heat and set aside.
In a mixing bowl, combine the flour, ground almonds, ginger, cinnamon, mixed spice and bicarbonate of soda. Pour the warm honey-butter mixture into the dry ingredients and stir until everything comes together into a soft, sticky dough.
Shape the dough into a rough disc, wrap it in baking paper and chill for 1 hour to firm up.
Heat the oven to 180°C (160°C fan) or gas 4.
Dust your work surface lightly with flour and roll the chilled dough to about 1 cm thickness.
Use 5 cm cutters (ideally stars, hearts or circles ) to stamp out the biscuits.
Arrange them on baking trays lined with baking paper, leaving a little space between each one.
Bake for 12 to 15 minutes until lightly golden and slightly risen.
Transfer to a wire rack and leave to cool completely.
Mix the icing sugar with 5 teaspoons of water to form a smooth, pourable icing.
Spoon a little over each cooled biscuit, letting it run gently to the edges.
Leave the icing to set for about 1 hour.
These keep well in an airtight container for up to four days, or you can package them in recyclable gift bags for a lovely homemade present.
Middle Eastern Buttermilk Loaf Cake Recipe with Ras
El Hanout and Rose Icing
This gently spiced loaf cake takes its inspiration from Middle Eastern flavours, pairing warm ras el hanout with the delicate floral sweetness of rose. The buttermilk keeps the crumb tender and soft, while the rose icing adds a beautiful aromatic finish. Topped with dried rose petals, it’s an elegant bake that looks as lovely as it tastes.
Ingredients
For the cake
150g unsalted butter, melted, plus extra for greasing the tin
3 eggs
175g caster sugar
1 tsp vanilla extract
175g plain flour
1 tsp baking powder
1 heaped tbsp ras el hanout
150ml buttermilk
For the topping
75g icing sugar, sifted
2–3 tsp rosewater
Dried edible rose petals (optional)
Instructions
Heat the oven to 180°C (160°C fan) or gas 4.
Butter a 900g loaf tin and line with baking paper.
Put the eggs and caster sugar in a large mixing bowl and whisk with an electric mixer until smooth.
Add the vanilla, melted butter, flour, baking powder and ras el hanout, and mix until combined.
Pour in the buttermilk and beat until the mixture is silky and even.
Pour the batter into the prepared tin.
Bake for 50 to 55 minutes, or until a skewer inserted into the centre comes out clean.
Allow the cake to cool fully in the tin.
Put the icing sugar in a small bowl and add the rosewater gradually until you have a smooth, drizzlefriendly icing.
Once the cake is cool, spread the icing over the top and finish with rose petals if you like.
This cake brings a gentle Middle Eastern warmth to the table and makes a beautiful homemade gift.
Somali Doughnuts
(Ukunyadi / Bur Salid)
Soft, lightly sweet fried dough treats that are popular across Somalia. They’re simple to make, fry beautifully golden and are perfect with tea or coffee. This recipe makes about 24 small doughnuts.
Ingredients
280 g plain flour
100 g granulated sugar
1 tsp baking powder
2 large eggs
125 g unsalted butter, melted and very warm
2 tbsp warm milk
For frying
Vegetable oil, canola oil or any neutral-flavoured oil
Instructions
Put the flour, sugar and baking powder into a mixing bowl. Stir well so everything is evenly combined. Add the eggs, melted butter and warm milk to the dry mixture. Stir until a dough begins to form.
Knead the dough for about 3 minutes until smooth and soft.
Cover the dough and let it rest for 10 minutes to relax and become easier to roll out.
Roll the dough out to about ½ cm thickness.
Cut into 24 small pieces.
Lightly score the top of each piece with a knife (press gently rather than cutting through) to create the traditional pattern.
Heat the oil to 190°C .
Fry the doughnuts in batches for 3 to 4 minutes, turning occasionally, until evenly golden.
Use medium heat so they cook through without burning.
Drain on kitchen paper and serve warm.
Trubochki (Ukrainian Wafer Rolls)
Crisp, delicate wafer tubes filled with a rich, creamy vanilla filling. These Ukrainian treats are light, elegant and wonderfully Moorish. They’re traditionally made in a wafer iron, rolled while warm and piped full of a cream-cheese mixture that sets beautifully in the fridge.
Ingredients
For the batter
4 large eggs, at room temperature
30 g granulated sugar (1 oz)
¼ tsp fine salt
2 tbsp melted, cooled butter
½ tsp vanilla extract
115 g plain flour, sifted (4 oz)
For the filling
225 g cream cheese, chilled (8 oz)
75 g condensed milk or dulce de leche, chilled (2²/³ oz)
225 g whipped cream (8 oz)
¼ tsp vanilla extract
1 tbsp icing sugar
Instructions
Make the wafer batter
Preheat your wafer maker while preparing the batter. In a mixing bowl, beat the eggs, sugar and salt on high speed for about 2 minutes, until the mixture becomes pale and the sugar has dissolved.
Add the melted butter, vanilla extract and sifted flour.
Whisk for about 1 minute, or until the flour is fully incorporated and the batter is smooth.
Spoon a small amount of batter onto each section of the wafer maker, close the lid and bake for 18 to 20 seconds, or until the wafers are dark golden.
Lift each wafer out carefully with a spatula. While still hot, quickly wrap each one around a wooden cone or stick (usually supplied with a wafer iron).
They must be shaped immediately — if they cool, they crack instead of rolling.
Set each formed tube on a tray to dry and cool, leaving a little space between them so they stay crisp.
Repeat with the remaining batter.
Make the filling
Beat the cream cheese on high speed for about 1 minute until smooth.
Add the condensed milk and vanilla extract. Whisk for another minute.
Add the whipped cream and continue beating for 2 to 3 minutes, until the filling becomes thick and silky.
Transfer the mixture to a piping bag and pipe into both ends of each wafer tube until completely filled.
Dust lightly with icing sugar.
Refrigerate until ready to serve. They crisp beautifully on the outside and stay creamy inside.
If you make any of these delicious recipes, please feel free to send them to us or tag us on instagram @dg_unlimited1 HAPPY EATING!
Creative Compass: Charting a Bold New Direction for Creativity in Dumfries and Galloway
We are absolutely delighted to share some brilliant news. DG Unlimited has secured support from the National Lottery and Creative Scotland to deliver Creative Compass: Powered by DG Unlimited—our most ambitious and wide-reaching programme to date. Running from October 2025 to March 2027, Creative Compass will strengthen our region’s creative sector through practical support, artist-centred opportunities, creative professional development and a renewed focus on leadership, resilience, and inclusion. This is an exciting moment for our charity, for our 650+ members, and for Dumfries and Galloway’s creative community.
Creative Compass has been shaped directly by our members. Over the past 18 months, through consultation, conversation, and collective dreaming, we listened carefully to what you told us you needed: more visible opportunities, stronger support for professional development, fairer access to high quality mentoring, and more chances to collaborate across the South of Scotland. This programme is our response. Creative Compass is a clear, energetic, and member-driven plan to help creativity flourish across our region.
At the heart of Creative Compass are three interconnected strands of work.
Members Unlimited is our largest and most wideranging programme, offering a mix of workshops, training, webinars, creative micro-commissions, events, and targeted funds all co-created with our members. Whether creatives are looking to grow their skills, explore new ideas, collaborate across borders, or raise their profile, Members Unlimited puts them centre stage. From development groups in EDI and environmental sustainability to handson training and new showcasing opportunities, this strand is all about empowering our members to thrive.
Leaders Unlimited: The Third Wave marks the next chapter in our acclaimed leadership programme. After the huge success and impact of the first two cohorts, this new edition evolves into a five-day residential experience at the wonderful CAMPLE LINE in Mid Nithsdale. It will bring together emerging creative leaders from across the South of Scotland, offering dedicated space to learn, reflect, collaborate, and grow. Many previous participants have gone on to lead major creative initiatives, shape cultural strategy, and inspire others. This new cohort will continue that legacy, strengthening leadership across our region.
And finally, Creative North Star, a region-wide research and feasibility study exploring how best to support creative mentoring in Dumfries and Galloway. Mentoring can be transformative, yet access remains unequal, particularly for those working outside visual arts or for creatives facing socio-economic, geographical, or structural barriers. By mapping the landscape, listening to underrepresented voices, and learning from national exemplars, Creative North Star will guide us toward a mentoring framework that is inclusive, sustainable, and sector wide.
Together, these three strands form a powerful framework for creative growth. Creative Compass is practical and ambitious, rooted in our shared values, and designed to leave a legacy of stronger creative careers, deeper connections, and a more resilient creative sector for Dumfries and Galloway.
We’re incredibly proud of what’s ahead and even more excited to take this journey with all of you. Creative Compass belongs to all of us. It’s our collective opportunity to shape the creative future of the South of Scotland and we can’t wait to see where it takes us.
DG Unlimited Proud to Host the Dr
DG Unlimited is delighted to host the Dr Gavin Wallace Fellowship for 2026 and to announce that we are accepting applications for this prestigious, year-long writing residency celebrating Scotland’s vibrant literary landscape. We are immensely proud to have been selected by Creative Scotland as the host organisation for this national Fellowship, marking the first time it will be delivered in the South of Scotland. It is a real honour, and a testament to Creative Scotland’s continued commitment to literature and to widening opportunities for writers across the country.
Each year, the Fellowship supports a mid-career, Scotland-based writer to dedicate twelve months to developing new work. For 2026, DG Unlimited has chosen the theme UNFOLDING Scotland, inviting an established writer to explore the richness, complexity, and multiplicity of Scottish identity today. Scotland has always been a place of movement, exchange, and re-imagining, shaped by diverse cultures, voices, and lived experiences. This Fellowship offers space to ask important, timely questions: Who do we mean when we say Scottish? And how do our shared and individual histories influence the stories we tell about ourselves?
We are welcoming applications from writers of fiction, creative nonfiction, hybrid writing, spoken word, experimental or graphic fiction. The selected Fellow will receive a £24,000 stipend to support them throughout their residency, beginning in March 2026. Over the year, they will work closely with the DG Unlimited team to shape a tailored programme of creative support, reflection, and professional development.
As an organisation committed to championing diverse creative voices, we are particularly keen to hear from writers based anywhere in Scotland who identify
Dr Gavin Wallace Fellowship 2026
as belonging to any ethnic minority group, those who identify as LGBTQIA+, writers with protected characteristics, or those who have recently made Scotland their home.
Reflecting on the significance of hosting the Fellowship, DG Unlimited’s Creative Director, Tabitha Mudaliar, said: “We are so proud to host the 2026 Dr Gavin Wallace Fellow. Our aim is to create a welcoming environment and respect the Fellow’s autonomy while surrounding them with encouragement, connection, and professional opportunity… ensuring their voice
contributes to the evolving story of who we are as a nation.”
Writers interested in applying can find full details and the application process on the DG Unlimited website. We encourage all eligible writers to explore this exciting opportunity and help shape the unfolding story of Scotland today.
To find out more go to Opportunities on the DG Unlimited website.
A Grand Lady Returns!
After months of hope, generosity and shared commitment, the restored piano of Gatehouse Musical Society returned home on the morning of Monday 1 December. The piano’s return marks more than the completion of a restoration project. It celebrates the strength of community, creativity and the value placed on shared cultural life in Gatehouse and across the region.
The piano’s story in Gatehouse began three years ago when Pollok House Arts Society passed on their Steinway Model D to the local music community. Although the instrument had a remarkable history, decades of use meant it needed attention. The Society launched a fundraising effort to replace worn parts and give the piano the specialist care it deserved.
The restoration was made possible through a heartfelt fundraising campaign that brought the whole community together. People sponsored individual piano keys, local concerts and bake sales created opportunities for neighbours to gather, and support arrived from across Dumfries and Galloway. Private donations came from long-standing supporters as well as from people who simply wanted to help something beautiful survive. Together, this collective generosity ensured the piano could be fully restored.
Maria Taylor, Chair of Gatehouse Musical Society, said, “It was a truly collaborative, community effort and the kindness, generosity and creativity from so many in Gatehouse and from across the entire region has been amazing. We are very, very grateful for all the support we received.” Maria would also like to thank Griffen Transporters employed by Steinway who did a fantastic job with the move.
To mark its return, the Society hosted a concert on Saturday 6 December at Gatehouse Parish Church with performances from Sir Willard White and pianist Eugene Asti. Their visit highlighted the significance of the moment and the pride felt by everyone who had contributed to the project.
By bringing the piano home, Gatehouse Musical Society and all who supported the restoration have achieved something meaningful. The piano now sits in its rightful place, ready for rehearsals, concerts and future generations of musicians. Its return is a reminder of what can happen when a community believes in the power of music and works together to protect it.
Gatehouse Music Society are currently in the midst of their 76th season that brings musicians, composers and audiences together to celebrate the enjoyment of music, its importance and its transformative, inspirational value for all.
They have 5 concerts lined up in 2026:
17th January 3:00pm
Catriona Hewitson, Soprano
10th March 2026 7:30pm Brodsky Quartet
29th March 2026 7:30pm Hyde Clarinet Quartet
18th April 2026 3:00pm
Samrat Majumder- Scottish Indian Guitarist.
7th May 2026 7:30pm
Laura van der Heijden, cellist BBC Young Musician of the Year 2012, RPS winner 2025. with Jâms Coleman – piano.
Join musicians and composers from our region, international artists and rising stars for a wide-ranging and exciting programme of music that combines much loved classics with new works.
Tickets are available on their website www.gatehousemusicsociety.org.uk
Geez a Choon: Opening Doors for Young Musicians in D&G
For many young musicians in Dumfries and Galloway, the path to a career in the music industry can feel out of reach. With fewer resources locally and much of the professional infrastructure concentrated in Scotland’s cities, it is not unusual to feel that the only way forward is to move away. Geez a Choon is changing that.
The residential development programme, run by Up Yer Airts, is designed to give young people aged 15 to 25 the tools, support, and networks they need to progress as musicians without having to leave the region behind. Solo artists, bands, DJs, and producers are all welcome to apply.
Over three nights at Telford Manor in Beattock, participants work intensively with industry professionals to write and record new music, learn about production and career development, and connect with other young artists from across Dumfries and Galloway.
I caught up with organisers Aisling Anderson and Liam Russell, who both spoke about why the project is so important.
“There is definitely a gap for an organisation to take young musicians from the point of completely starting out to full performance level,” Liam said. “That means gigging, being a working musician, and finding their place in the industry.”
Aisling agreed. “Liam and I both grew up in Dumfries and Galloway, where music provision is lessening. Resources are depleting and access is harder to come by. Geez a Choon helps fill that gap.”
The initiative is not just about the residential itself, but about what happens afterwards. “The way it is delivered and facilitated means we are always there for support after the weekend,” Liam explained. “Artists can come back to us for advice on recording, for connections to promoters and festivals, or just to check in. We are building a community that continues well beyond those three days.”
Both Liam and Aisling hope to show young musicians that they can still be successful and stay in the region. “You do not have to choose between Dumfries and Galloway and Glasgow. You can still live here and perform in the central belt. There is so much around here in terms of inspiration, why would you trade all of that just to be closer to shows?” Aisling added, “We pair artists with professionals who are still linked into the region, which is proof you can stay here and be a successful musician. There is a thriving scene.”
Since it began, Geez a Choon has already supported several groups of young artists. Some participants have gone on to release music they started during the residential. Others built up strong local fan bases, gained festival slots, or used their new work to audition at a national level. “One band used the song they wrote with us for an audition and are now going to be playing the Royal Albert Hall,” Aisling said. “Some of them came in never having written a song before, just doing covers... and now they are songwriting machines.”
For Liam, the most exciting part has been watching connections grow. “We have seen a real community build from it. Artists collaborating with each other, playing shows together, and supporting one another. That is a huge success.”
What makes Geez a Choon stand out, they say, is the level of support and trust it offers. “It is about building a human relationship with the artists that can be sustained throughout their career,” Liam said. Aisling described the residential as a rare chance to switch off from day to day life. “For three or four days, accommodation and meals are covered, everything is taken care of. All they need to focus on is music. They can leave real life at the door and commit to being creative.”
The next two residencies will take place 24 to 27 November 2025 and 26 February to 1 March 2026, with six slots available each weekend.
Looking ahead, Liam is optimistic. “Watch this space, there are bigger plans afoot. It is only just getting started, and we are looking at really exciting partnerships across the country.”
Aisling encouraged young musicians to reach out. “Please get in touch if you are interested. We would love to hear from you.”
Applications and further information are available at www.upyerairts.com/opportunities/geez-a-choon Enquiries can also be made by emailing: hello@yupyerairts.com
Inspiring Young Designers DG Unlimited Talent Pool Member Leads Esports Branding Workshops
South of Scotland Enterprise (SOSE) recently commissioned designer Steve Kirkpatrick of Artibrand Design, a member of DG Unlimited’s Creative Talent Pool, to deliver a series of interactive workshops for secondary school pupils from across Dumfries and Galloway. The workshops were part of a wider Esports development event held at Dumfries and Galloway College, designed to introduce young people to opportunities in one of the UK’s fastest growing creative sectors.
SOSE’s Mark Geddes, Strategy Manager for Creative and Cultural Capital, said, “It was fantastic to see the enthusiasm and engagement from the pupils participating in our Esports event. Esports and computer games are an under-developed area of the Creative Economy in the South of Scotland and our intention was to provide opportunities to learn more about one of the fastest growing creative sectors.”
Steve devised a programme that explored the foundations of design thinking. Pupils were guided through understanding their subject, identifying their audience, and using research to shape an original and meaningful concept. The workshops also covered colour theory, lettering, symbolism, shapes and branding before pupils put pen to paper to begin developing their own ideas.
Steve said, “The difficult part for most people designing is making those first marks onto a blank piece of paper. Once I reassured the pupils that there were no rules or restrictions on their name or approach, the pupils were much more responsive in jotting down some ideas. I also concluded there were no mistakes in design, one person’s doodle can be interpreted and developed by another person.”
Across the three workshops, fifty four pupils worked in small teams exploring their personal interests and influences to develop their own concept. The outcomes were varied and imaginative. As Steve described, “Some starting with a catchy name. Others had formed icons such as a trophy cup, a 4 leafed clover, and a stinging jellyfish. One team had the name ‘PEACE’ with a strapline ‘Never Back Down, Never What’.”
Reflecting on the experience, Steve shared, “The day event was very enjoyable and not part of my usual daily design tasks. It felt satisfying to think in some way I might have inspired the pupils and they had learned something slightly different. It’s difficult to quantify how far reaching small influences can steer a young person in a certain direction. Perhaps a future budding creative champion will flourish.”
The Esports development event was delivered in partnership with regional colleges, local authorities, Developing the Young Workforce teams, and creative organisations including DG Unlimited. We are proud to see members of our Talent Pool contributing to regional projects that inspire young people and build confidence in creativity.
If you are a creative practitioner in Dumfries and Galloway and would like to be considered for future opportunities like this, you can join the DG Unlimited Talent Pool by emailing comms.dgu@gmail.com
David’s Recommended Listens
David, our colleague and Finance Officer, is a lifelong enthusiast and brings us this new feature recommending his three listening choices for us to enjoy. There is something for everyone here and not the usual suspects either.
If you’re desperate, sorry deluded, sorry keen to listen to my listening picks, do hunt down the physical formats in these excellent shops: Hopper Records in Dumfries, Monorail Music or Mixed Up Records both in Glasgow, or use a decent streamer like Soundcloud or Qobuz.
Arab Strap Philophobia Undressed
This is the ‘unplugged ‘ version of the best Arab Strap album, originally from 1998 and toured in 2023 as a 25th Anniversary ‘ acoustic’ set. Except it’s not very acoustic - you’ve got drum machines, synths and tape loops as well as lovely, hushed versions of Packs of 3 and Soaps.
Philophobia Undressed | Arab Strap
Husker Du
The Miracle Year
More live music and I’m not even a fan of live albumsask my pals about my decades long dislike of the format - this is Husker Du live in 1985 in their home town of Minneapolis as they were morphing from hardcore punkers to something nearly power pop. I was lucky enough to see them live in 1985 and I have to say this restoration by the Numero Group label is impressive. Standouts include Celebrated Summer, The Girl who Lives on Heaven Hill.
1985: The Miracle Year | Hüsker Dü
Neil Young Tonight’s The Night (50th Anniversary edition)
As I’m a wayward old sod ( a bit like Neil Young I hope) I thoroughly do not recommend this ‘50th Anniversary Edition’ of a classic Neil Young. From the garish pastel cover to the upbeat versions of downer favourites like ‘Lookout Joe’, all the appeal of the original record has been blemished. Did Shakey actually approve the reissue?? Top tip: hunt down an original on Reprise records and reward yourself with the massive, mournful bummer ‘Tonight’s the Night’ actually is.
Tonights The Night (50th Anniversary Deluxe Edition) – Neil Young | Monorail Music
tabi’s Recommended reads
Utterly Lazy and Inattentive: Martin Parr in Words and Pictures (Hardback)
Martin Parr (author), Wendy Jones (author)
Photography is one of my favourite art forms and I have always loved social documentary. Martin Parr, and I share this opinion with countless other photography and art enthusiasts, is one of the best British photographers. He was born in 1952 in Epsom, Surrey and is one of the best-known documentary photographers of his generation. He published over 100 books of his own and edited another 30 in his lifetime. This is his long-awaited memoir, and it is without doubt my must have to enjoy this festive season.
The iconic photographer delivers a candid and entertaining account of a boy who struggled at school but became one of the leading lights in his field.
‘By the age of 14, I decided I would be a photographer. ‘It’s what I will do for the rest of my life, until I drop dead.’ I knew when I was very young. It was a definite decision. Don’t ask me why. I just knew it was the right thing.’
When Martin Parr was fourteen, his teacher wrote that he was ‘utterly lazy and inattentive’ in a school report. He went on to become one of the most successful and sought-after photographers in the world. Martin has published over one hundred photobooks on many different subjects, from seaside resorts to smoking, over his career. Now, for the first and only time, Martin has produced a book about himself, telling his own story, in his own words.
This is the definitive account of a great photographer’s career, with over 150 images and reflections on his curation of the work which defined his life. By looking at the world through his eyes and his lens, we come away seeing Martin Parr – and ourselves – a little differently.
Publisher: Penguin Books Ltd
ISBN: 9780241740828
“With photography, I like to create fiction out of reality. I try and do this by taking society’s natural prejudice and giving this a twist.” Martin Parr
Martin Parr photograph
I was in London recently and had the pleasure of visiting the Royal Academy to view the current exhibition of works by Kerry James Washington, one of the greatest living black artists. Marshall’s works depict every aspect of the Black experience, from conception to death, of black exclusion and placing black lives at the centre as the subjects of art history itself. Marshall deliberately and skilfully inserting himself and black history into the lineage of Western art. And his work forced me to think about the invisibility of blackness in art and in art circles. As is so often the case, I turn to books. These are my two recommendations if the History of Black Art is of interest to you.
Reframing Blackness: What’s
Black about “History of Art”? (Hardback)
Alayo Akinkugbe (author)
Art historian and founder of @ABlackHistoryOfArt Instagram page, Alayo Akinkugbe provides an urgent and necessary corrective to a mainstream art history which has neglected Blackness in this empowering and revelatory volume. Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, as well as Blackness in museums, in feminist art movements and in the curriculum, Alayo unveils an overlooked but integral part of our collective art history. Refreshing and accessible, this promises to start a much-needed conversation in culture and education.
Publisher: Cornerstone
ISBN: 9781529186406
The Histories Exhibition Catalogue
Kerry James Marshall
Kerry James Marshall: The Histories is the most extensive publication on the artist to date, celebrating half a century of his work. It reveals the complex ways in which Marshall has transformed histories of Western painting, centring Black bodies in ambitious compositions set in barber’s shops, public-housing projects, parks and beauty salons. It charts his use of portraiture to memorialise individuals such as Nat Turner, Harriet Tubman and Olaudah Equiano. A new series, illustrated here for the first time, looks at under-acknowledged aspects of the history of Africa. With lavish illustrations of all the works in the accompanying exhibition, it also includes chapters on Marshall’s Rythm Mastr project and his various public commissions, including his stained-glass windows for the Washington National Cathedral. A survey by Mark Godfrey is accompanied by shorter essays by Aria Dean, Darby English, Madeleine Grynsztejn, Cathérine Hug, Nikita Sena Quarshie and Rebecca Zorach, with an interview between Kerry James Marshall and Benjamin H. D. Buchloh.
Publisher : Royal Academy of Arts
ISBN-10: 1915815126
ISBN-13: 978-1915815125
ELLIE’s Recommended VIEWING
NT Live: The Fifth Step
My recommendations span theatre, film and storytelling, and each one reminds me why we watch things together in the first place. Some are big productions, some are small, some are treasured favourites revisited, but all capture something essential about creativity, imagination and community. I hope you enjoy diving in.
For those who love high quality theatre on the big screen, National Theatre Live continues to be a gift. The Fifth Step is my pick this season. It has sharp writing, compelling performances and offers a chance to experience world class theatre without travelling far.
It is showing at the CatStrand on 18 January at 4:30pm, or you can catch it in selected Glasgow cinemas if you fancy making the trip.
Olivier Award winner Jack Lowden (Slow Horses, Dunkirk) stars alongside Emmy and BAFTA winner Martin Freeman (The Hobbit, The Responder) in David Ireland’s critically acclaimed and subversively funny new play. After years in the 12 step programme of Alcoholics Anonymous, James becomes a sponsor to newcomer Luka. The pair bond over black coffee, shared stories and a fragile sense of trust. As Luka approaches step five, the moment of confession, dangerous truths begin to surface and threaten both men’s hard won stability. Directed by Finn den Hertog, this provocative and entertaining production was filmed live at Soho Place in London’s West End. Set in the round (or more accurately in a square!), it is funny, fast and razor sharp and definitely one for your January viewing list.
A Family Film: Soul (Disney+)
If you are after something warm, beautifully animated and suitable for all ages, Soul remains one of my favourite family films. It celebrates music, creativity and the quiet ways we influence one another’s lives without realising it. Its message is simple and heartfelt. Your purpose is not always a grand calling. Often it is found in the small moments that bring joy without us noticing.
A few cool facts about it. It was Pixar’s first film with a Black lead character and it won the Academy Award for Best Animated Feature and Best Original Score. The music team, Jon Batiste, Trent Reznor and Atticus Ross, created a blend of jazz and atmospheric sound unlike anything Pixar had done before. Pixar even filmed Jon Batiste’s hands as he played, using the footage to animate the piano scenes with complete accuracy.
Five years on, Soul still feels fresh. Its themes about creativity, burnout and the value of everyday life resonate even more strongly now. It is a film you can return to at different ages and find something new each time, and it is perfect for a cosy evening in.
NT at Home: Peter Pan
Sally Cookson’s wondrously inventive production of Peter Pan is available on NT at Home, and it’s an absolute treat. A co-production between the National Theatre and Bristol Old Vic, it bursts with music, movement, magic and a huge sense of play. Suitable for ages seven and up, though truthfully it’s enchanting no matter how old you are.
I was fortunate enough to work with Sally Cookson when I trained at Bristol Old Vic Theatre School, and she is an extraordinary ensemble director. I saw this production years ago and it has stayed with me ever since. I still rewatch it at least once a year. Peter Pan was my favourite story growing up – I had Peter Pan themed birthday parties for about five years in a row – and this version captures everything I loved about it: imagination, adventure and the belief that flight is always possible.
Your Local Pantomime!
It’s Panto season (oh yes it is!) And although it’s not everyone’s cup of tea, it’s worth remembering just how vital pantomime is for the creative sector. Some may not enjoy it, or dismiss it as not “proper art”, but it is often a young person’s first introduction to theatre and for many it becomes the moment they fall in love with storytelling forever. Being an audience member helps your local theatre continue to thrive and nurture the next generation of artists.
Behind the glitter and the silliness is a huge amount of work. Local artists, technicians, musicians, volunteers and young performers pour months of commitment into creating something joyful for their community. Pantomime has a long, proud history across the UK. It brings people together across generations, gives venues a crucial boost at a vital point in the year, and provides dependable employment for freelance artists in the region.
So if you can, go along and support yours. Cheer the hero, boo the villain, and enjoy the magic that only happens when a roomful of people choose to believe in a story together.
UNLIMITED-Our
Kaz Robertson Jewellery, Spring Fling
David at the Royal Academy to see Kerry James Marshall - with his trusted CAMPLE LINE Tote!
Zoë Bestel, Summer Solstice at The Crawick Multiverse
Cafe Cùil cookery demonstration at Thomas Tosh
Summer Solstice at The Crawick Multiverse
year in images
Silvy Weatherall, The Last Supper
Cample Line, Amilia Pica
DG Arts Festival becomes Arts DG
Andy Goldsworthy, Fifty Years
Andy Goldsworthy, Fifty Years
Alex Rigg, Oceanallover
The Strongest Girl in the World, Edinburgh Fringe Festival
Partners of Dumfries and Galloway Cultural Partnership
The High Priestess at Culture Calling
Kirkcudbright Galleries, Mary Queen of Scots Casket
Dumfries and Galloway Life Awards 2025
With our Maggie Broadley at Kirkcubright Galleries
Dame Barbara Kelly and Silvy Weatherall
Wigtown Book Festival
Team DG Unlimited at the DG Life Awards
Kirkcudbright galleries
Inspiration on a visit to England
A strategic leadership moment!
Wigtown Book Festival
Wigtown Book Festival
ART SOCIETY EXHIBITION CELEBRATES WINTER IN ESKDALEMUIR
The Dumfries and Galloway Fine Arts Society has launched its 2025 Winter Exhibition at The Eskdalemuir Old School Hub and Café, the first time the venerable 100 year old plus organisation has exhibited in the area.
Chair of the Society, Paul O’Keeffe, says:
“You could say that Dumfries is our organisational home, the Society had its first exhibition there back in 1922. And Kirkcudbright is our spiritual home, given the Society’s founder members included famous artist residents such as Jessie M. King, her husband E. A. Taylor.
But the Society made a commitment last year to really get out and about with its exhibitions and events as part of its mission to promote the arts and region’s artists.
This year we’ve run a series of exhibitions in the CatStrand in the Glenkens. And now we’re delighted to be collaborating with Eskdalemuir Hub with our debut exhibition here.
It’s a lovely setting, and there’s a buzz to the venue. We’re also planning a Spring exhibition at the Hub too.”
Twenty six artists are on show, with 66 works across a range of media from watercolours, oils, to prints and sculpture in the Hub’s Exhibition Hall. Current and past presidents Bella Green, and Alexander R Robb are showing pieces. As our former Chairs Kathleen Woods and Sheena McCurrach.
All the works are for sale. “The pieces make ideal gifts for this time of year,” says Paul. “There’s a wide range of subject matter from landscapes to flora and fauna, to abstract too. Many of our artists have marked the season, with wintry themes and images including in works from Liz Dagg, Helen Chadfield, Angela Lawrence, Anne Hart, Sarah Hannah, Evelyn Mackintosh, Sue Thomas, Klara Moody and Paul Thomas.”
Ice Flows Sculpture by Gaynor Ranshaw
An artist at Kelvingrove by Gary Craig
Dumfries and Galloway Fine Arts Society is a voluntary member organization and is entirely self-funded. It is welcoming new members for 2026 with exhibitions planned at Gracefield in Dumfries, the Harbour Gallery in Kirkcudbright, as well as the spring exhibition at Eskdalemuir. For more details visit the Society’s website www.dagfas.org.uk
The exhibition runs until January 25th. Eskdalemuir Hub is running winter hours. To check opening times of the Exhibition Hall and the Café please visit the Hub’s website at https://www.eskdalemuir.com/
For further information: Contact Paul O’Keeffe, DAGFAS. exhibitions@dagfas.org.uk
Trudi King-Gunn, Eskdalemuir Community Hub and Old School Café trudiKG@eskdalemuir.com
Midwinter beauty by Angela Lawrence
Winter is Coming by Liz Dagg
Fishing in Luce bay by Martin Sutton
DG Unlimited’s vision is to shine a light on the excellence which is continually demonstrated within the creative and cultural sector in Dumfries and Galloway. Our readership goes far beyond this region, we’re proud to have readers all around the UK and beyond. DG Unlimited is the operational arm of the Dumfries and Galloway Chamber of the Arts and we are a registered Scottish charity and a membership organisation. We are proud to be one of four founding members of the Dumfries and Galloway Cultural Partnership and to strategically represent the creative sector of Dumfries and Galloway as we work with our partners in the region, in Scotland and the UK for the benefit of our members and the creative and cultural professionals and activities here in our region.
Visit dgunlimited.org to find out about how to become a member, to join our Talent Pool, and to see all the latest news and opportunities.
To contribute to FOCUS magazine, please email our FOCUS editor, Creative Director, Tabi Mudaliar, comms.dgu@gmail.com
Acknowledgements
DG Unlimited would like to thank all the contributors and everyone who has contributed to the making of this magazine. And, to extend our gratitude to Dumfries and Galloway’s creative community for helping to make our region such a vibrant, culturally active, and creative force in Scotland.
