Like an hourglass, natural elements are filtered through architecture. These elements transcend their physical meaning, participate in people's lives in the building, and evolve in this interaction. My architecture hopes to record such stories and observe the evolution of natural elements.
In the initial phase of our studio project, we are employing a combination of textual and visual data to facilitate machine learning model training. Leveraging the insights derived from this model, my objective is to elucidate patterns within specific inquiries.
In the first segment, our focus revolves around examining the diverse interpretations of 'freedom' across various philosophical perspectives. To refine this inquiry, a corpus of texts authored by different philosophers serves as the primary dataset for model training. Augmented by linguistic models such as Google and Wiki, we discerned thematic axes to structure the data, resulting in the generation of word clouds. These visual representations reveal nuanced distinctions in how 'freedom' is conceptualized, delineating divergent strands of thought ranging from individualism and conservatism to rationalism, juxtaposed against more liberal and romantic ideals, and governmental frameworks.
In the subsequent phase, we utilized categorical imagery as pivotal axes for model training. Following the training regimen, our methodology involved synthesizing hybridized shapes intermediate to these categorical extremes, which were subsequently employed as inputs for machine-based sorting processes. This exploration unveiled inherent biases within machine learning algorithms, particularly discernible in the recognition and sorting tasks. Notably, the orientation of training images profoundly influenced the model's recognition patterns, exemplified by variations in outcomes even for identical intermediary shapes, contingent upon angular disparities.
The dual modalities of text and image-based training exhibit distinctive attributes, each offering valuable insights with implications for design considerations.
agrarian0.56164
kroll 0.549927
religion0.537695
sprat0.535935
romanticism0.534091
compassion0.532455
rights0.527983
contract0.524044
diverse0.508851
wood0.507368
apostolical0.501945 largenesse0.501165
skelton0.489786 polities0.488944
biddle0.487255
dnb 0.483578
propagating0.476591 falkner0.474527
capitalism0.474484
commonsense0.473916
Similiar Words of Selected Words
development0.602497 typical0.594909 theology0.58839 reardon0.587602 toleration0.586618 muted0.585994 gruyter0.579904 utopian0.577833 messianism0.577452 renaissance0.577305 berlin0.574939 virtuoso0.561523 practices0.558644 participating0.557846 constitutional0.555705 reform0.554732 government0.553048 spectable0.548069 sovereign0.547294 respectability0.546043
ative 0.476779
battle 0.473431
reformation0.466505
reason 0.455876
global 0.455768
capitalism0.451395
bouchard0.443104
governmentality0.436224
rights 0.436101
solitude0.435816
confession0.432996
donald 0.424385
univocal0.423746
carceral0.421505
maneuvering0.420409
pragmatic0.41295
maddest0.412448
government0.411778
resisted0.410814 originated0.406011
token0.562506
liberalism0.536929
fealty0.535503
correcdy0.530693
rights0.516367
shackles0.515375
forcible0.513038
conjecture0.511351
leak 0.507005
taste0.502489
heteroge0.494242
disobedient0.493649
goto0.493393
rises0.493207
flanking0.491228
lieut0.486271
childbirth0.485475
relinquished0.483032
pros0.482488
papal0.481892
Utilizing image-based machine learning techniques, our objective is to craft an immersive gallery environment devoid of harsh shadows. Light and shadow, perennial focal points within architectural discourse, are undergoing nuanced exploration through the lens of machine learning.
To begin, we employ sharp and ambient shadow images as axes to train our model. We curate a diverse dataset comprising 3D printed models, cinematic portraits, and expansive landscapes to discern the most impactful visual dynamics. Notably, portraits and landscapes emerge as particularly efficacious models for our purposes.
Building upon these insights, we scrutinize factors such as site selection, building orientation, and spatial organization. Through meticulous analysis, we identify a half-land, half-water site in Las Vegas as the optimal location for our gallery. Furthermore, we leverage the variability of lighting conditions across the four seasons to inform our final site selection.
In the realm of architectural spatial design, our model informs the creation of various elements including walls, ceilings, sculptures, and furnishings. By analyzing the distribution of study images, the machine model delineates the proportions of each component. Guided by these findings, we seamlessly integrate diverse elements to orchestrate a cohesive journey for visitors, transitioning from areas characterized by sharp shadows to those suffused with ambient light. At the heart of this progression lies a shadowless exhibition space, fostering an uninterrupted engagement with the showcased artworks.
Test
Light and shadow play pivotal roles in defining the atmosphere within the space. The lighting effects vary, ranging from ambient shadows at one end of the gallery to sharp contrasts at the other. In the central area, a
Sharp Landscape
LANDSCAPE
Test Images (200): Landscape
We've examined the cities with the highest sunshine exposure globally and utilized this information as input for machine sorting. Across all four seasons, Las Vegas stands out for its consistently abundant sunshine compared to other cities.
ORGANIZATION STUDY
Ambient Landscape
STAIRS & RAMPS STUDY
Music used to be a part of the community. How can sound elements reconnect the community ?
Let the sound elements re-participate in the community life of Gulangyu like the previous "piano island".
"8+1+1" Joint Graduation Project of Ten Universities, 2019 Spring 5th Grade Curriculum Design Requirements: Chapter 01- Urban renovation design Site: Kulangsu, Xiamen, Fujian
Land Type: A Historic International Settlement renovation Collaborator: Zhao Yan, Zian Shen
How is Sound Making a Comeback in Gulangyu, the "Piano Island"?
"Gulangyu: A Historical International Community" was successfully inscribed on the World Heritage List on July 8, 2017. Meeting the selection criteria of (II) - (IV), this heritage site is nestled at the estuary of the Jiulong River in Xiamen, China. Spanning a mere 1.88 square kilometers, Gulangyu is renowned as an international community boasting remarkable cultural diversity and a contemporary quality of life. It stands as a testament to intercultural exchange, epitomizing the convergence, collision, and integration of various values during the early stages of Asian globalization. The island's organic urban fabric bears witness to its developmental journey, showcasing the process of multicultural integration melding with its original culture over decades.
However, despite its rich heritage, Gulangyu has seen a steady erosion of its cultural identity. The island has become overrun with rampant commercialization and a tourism sector focused on short-term, low-end consumption.
Chapter 01-Urban design participation work:
Preliminary function planning
Urban Strategy Proposal
Site Selection
Model making
Several urban node design
General Aerial View Drawing
Chapter 02-Architecture design: Independent work
Drawing from the insights of Philipp Oswalt, author of "Shrinking Cities," the phenomenon of shrinking cities doesn't necessarily entail the wholesale decline of urban centers. Even cities experiencing growth may witness population loss and economic downturns in certain areas, reflecting distinct population and economic dynamics. This contraction often occurs unnoticed amidst broader expansion efforts. The gradual decline of Gulangyu's original community is a natural response to broader urban expansion. Hence, there's a pressing need to leverage Xiamen's growth momentum to inject new vitality into Gulangyu.
Once renowned for boasting the highest per capita piano ownership rate, Gulangyu earned its moniker as the "Piano Island." Our urban renewal proposal seeks to capitalize on Gulangyu's musical heritage and strategic location. By nurturing the music cultural and creative industries, we aim to attract musicians to breathe new life into Gulangyu. This approach not only facilitates industrial upgrades but also fosters a positive transition for residents, ushering in a new era of musical vibrancy on the island, aptly termed the "music daily."
The first dimension considered in the distribution of prototype and site architectural transformation is the distribution of architectural functions. Buildings along the line are mainly residential. As Gulangyu Island has the highest piano ownership rate per capita, residential buildings have natural space and conditions for performance.
Distribution of Protected Buildings
The second dimension to consider is the distribution of historic preservation buildings. Combined with historical buildings related to music, urban nodes are arranged around to set off, and the accessibility of the surrounding areas is also sorted out.
The third dimension considered is streamline and urban open space system. The combination of music-related venues increases the urban public space, activates the negative space, and at the same time creates a connection with the urban transportation system, improving the previously confined street space.
The road of music experience is combined with the current zigzag walking system of Gulangyu. With the progress of the tour, musicians will get places to play in the nodes after the transformation of the historic buildings. Meanwhile, in the newly supplemented urban function nodes, musicians will be provided with music studios, music schools, and music exchange platforms.
The setting of the building nodes also takes into account the characteristic activities of the current route. For example, the Jongde Palace and traditional social opera set up the performance of traditional music. In the present situation of abandoned music schools, regular concerts and teaching activities are introduced to activate the space.
Based on the sorting of various urban systems, plug-ins are involved to form various nodes and supplement missing functions, so that music can participate in community life again.
Optimize mountain traffic system and add music exchange nodes
Conbine abandoned Industrial Oil Silo to Hillside Activity Square
Connect Shengyue Community to form a music exchange space
Open Folk Music Museum interface to form a music garden for citizens
Remove illegal houses to form a pocket park to provid open space for the entrance of cave
Open the community square interface and insert improvisation space
Transform the negative space of the square in front of the campus
Integrate traditional folk houses to form a Music Market
Connect with the music crowd community to form an aggregation space
the highest
ownership rate per
How can the piano room, once the center of community in the "Piano Island", recreate a musical daily routine using music sound element ?
Kulangsu, which has the highest piano ownership rate per capita, has produced more spare space for piano rooms with the loss of a large number of aborigines. The remaining piano rooms are also the main focus of the transformation and renewal of the music industry.
The transformation of the piano room will create an open music interface, let the music of the piano room flow back to the site and the interior of the building, creating a space in which people and music flow with each other, and let music, once a dynamic element of the community, participating in people's daily life again. At the same time, it is also to respond to the renewal of the huge stock of piano rooms on Gulangyu.
Ten traditional musical instruments with southern Fujian characteristics are selected to study the sound generation and sound guiding logic of their voice boxes. On the basis of this research, the architectural transformation prototype is extracted and involved in the process of architectural design.
Function carrier: combined with the original piano room and living function, the old residential room will be transformed into a hotel for future musicians to rest, exchange ideas and share music. The piano room in front will become the hotel lounge and a space for musicians to communicate.
The combination of horizontal and vertical sound guiding system makes the building produce different places to accommodate the communication, rehearsal and solitude of musicians; Facing outside the building, music overflows from the building, participates in the daily life of the block and activates the surrounding places.
The combination of horizontal and vertical sound guiding system makes the building produce different places to accommodate the communication, rehearsal and solitude of musicians;
Nagoya University 2018 Spring Three Schools Joint International Workshop Requirements: Post-industrial Site Activation
Site: Nagoya, Japan
Building Area: 1000 m Independent work
How do terrain and road elements respond to history, memory, and community from multiple perspectives?
The characteristic landform of terraced fields and retaining walls has undergone remodeling and abandonment from the pre-industrial agricultural era to the post-industrial era.
The renovation of such sites necessitates designers to meticulously determine the type and method of transformation through thorough research and discussion. It entails more than mere retrofit design; it demands foresight for future usability, ensuring the site will serve the community effectively, as exemplified by Inuyama Castle. In Japan, where earthquakes are frequent, various demands arise post-disaster, such as the need for waste disposal and the congregation of people seeking solace. Additionally, structures like Furuno Elementary School, situated at the junction of diverse andscape zones, hold collective memories of childhood schooling across generations. These multifaceted constraints present challenges to the design process.
In response, the KINTSUGI recycling and production workshop has been selected as a strategic transformation approach.
Integrating Kintsugi into the physical space involves extracting elements from characteristic terraced terrain and roads to establish a design language that seamlessly blends with the site and architecture. This integration harmonizes the terraced retaining wall landforms, bridging the divide between pre- and post-industrialization. Simultaneously, as an architectural workshop, it facilitates various process activities inherent in Kintsugi.
Kintsugi integration in the industry serves to bridge old and new urban areas by incorporating traditional products from the former as raw materials for the latter. This sustainable approach ensures a continuous supply chain while also repurposing earthquake-generated construction waste into new products, serving as a tangible reminder of each seismic event.
Finally, as a repository of community memories, the workshop offers KINTSUGI teaching and souvenir making and sales, fostering opportunities for residents to reconnect with their shared past and engage in traditional handicrafts. This experience allows them to reminisce about their school days and bond over collaborative learning and crafting.
The retaining walls and winding road elements of the site further serve as conduits for connecting the community, preserving memories, and perpetuating handicraft culture. They facilitate ongoing dialogue between locals across time and space.
The characteristic landform of terraced fields and retaining walls has experienced the remodeling and abandonment from the pre-industrial agricultural era to the postindustrial era, as well as the re-reflux and development of handicraft industry and agriculture. Repositioning the site and renovation need to consider the use of terrain and repositioning of buildings in post-industrial era.
The handicraft industry with local characteristics - KINTSUGI has left many marks around the site. The domestic wastes generated by Nagoya city and the debris generated by previous earthquakes are widely distributed around the site, including ceramics, textiles, traditional handicraft production parts and industrial parts. At the same time, near the site there are handicraft debris disposal site and local shrine. The design needed to respond to the site's school history by providing a spiritual place with memories of local learning and life as well as major holiday gatherings; Other factors such as earthquake shelter and post-quake management should also be taken into account.
By combining the local culture of Nagoya -- kintsugi, the reconstruction introduces the process of Kintsugi process recycling, restoration and sale display into the design, which can connects site activities, community history and people's memories of school.
The traditional products of the old urban areas can be used as raw materials before and after use to become the supply source of the product chain demand of the emerging urban areas, and the new and old urban areas can be connected in the industry. What's more, as the carrying place of the residents' memories of the campus, the workshop provides an opportunity for people in the community to reunite with the campus to experience the shared time with their classmates in the process of joint learning and production.
The landscape of each historical period is stacked together disorderly, forming a fragmented impression of the site. Kintsugi Workshop, through the use of original elements and activities, connects these separated parts, just like the Kintsugi process. The original terraced landscape and road experience are used as the adhesive of space, while the kintsugi experience activity is used as the adhesive of people's school, earthquake and life memory.
and
For the details of the building, local materials are used. The new landscape of the road, combined with the retaining wall to maintain the original landscape style. The road texture that extends into the building uses local masonry materials. The supporting structure of the building uses the wood of the local forest, and combines the dotted random distribution of columns to continue the experience of the forest. The ceiling of the building, splicing the fragments of Kintsugi handicraft industry, matches the roof which changes with the relief of the terrain.
EXPERIENCES AND MEMORIES
At the same time, the workshop can also handle a considerable portion of the construction waste generated by the earthquake as a raw material for new products, providing a physical record for each event. Finally, as a host of campus memories for residents in the neighborhood, the workshop also provides some KINTSUGI teaching and production sales, providing a possibility for the people in the neighborhood to reunite the campus, allowing them to learn and produce together. Former classmates study together in the workshop, arousing the memory of the campus.
In the realm of the Game of Life, the rules are refreshingly straightforward: the life or death of a cell is determined by the sum of its neighbors, a principle also prevalent in cellular automata. In this final project for the Coding for Design course, we aim to simulate the Game of Life using C# code and explore modifications to its mechanics.
In the initial phase, we employ neighbor-sum calculations to dictate the rules for subsequent generations. However, a challenge arises as patterns tend to stabilize within 5-10 generations, limiting system diversity. To address this, we seek solutions to enhance variability.
Transitioning to the second phase, we introduce decimal numbers to delineate the status of cells, thereby introducing intermediary states. Illustrated in the accompanying image, gray blocks materialize between the black and white ones, signifying the presence of half-life cells. Additionally, we generate 2D patterns and 3D growing cells based on these revised rules.
The outcomes of this research exhibit significant divergence based on the rules and code implementations employed. Notably, the culmination of this endeavor manifests in tower-like structures and sculptures, showcasing the creative potential of the simulation.
This is a system for generating patterns basedon a grid and the states of neighboring cells.Users can create their own set of rules. The rules and initial configuration are the keyvariables in this system.
Sum of the Neighbor < 2 or Sum of the Neighbor > 3 Cell = ‘Dead’
In this case, we set the rules like above. Here are some graphic examples for these rules.
Iteration_1
“Alive” = 1; ”Dead” = 0;
By calculating the sum of neighbors, we can apply these calculations to the rules for the nextgeneration. The issue, however, is that the patternreaches a stable state after 5-10 generations. Toincrease the system’s diversity, we are looking forsolutions to this problem.
Iteration_2 “Alive” >0.5; ”Dead” <= 0.5; Originally “Alive”
In the first phase of Game of Life, the simulation results reveal a clear distinction between live and dead cells represented by black and white blocks. Currently, there exists no intermediary state between the two. Thus, I aim to introduce and explore such intermediate states to enhance the simulation’s complexity.
Sum of the Neighbor = 2 or 3 Cell = ‘Alive’
Sum of the Neighbor = 3 Cell = ‘Back to Live’ Originally “Dead”
After setting a starting value, we have a anotheraccumulating rule.
In the second phase, we incorporate decimal numbers to calculate the status of cells, thereby introducing additional states. As depicted in the image, gray blocks emerge between the white and black ones, indicating the presence of half-life cells.
25P3H1V0.1 25P3H1V0.2 70P5H2V0 Achim’s p144 67P5H1V1 7x9 Eater
‘AttPt’
Different 2D Pattern Base
We tried to set one or multiple attractor points to change thevector of each point. So that wecan kind of leading the growingpath of this system.
foreach (Point3d point in AttractorPt){ double Distance = origiPt.DistanceTo(point); if ( Distance < ClosestDistance )
ClosestDistance = Distance; ClosestPt = point;
attrVect = ClosestPt - origiPt; }
attrVect.Unitize(); attrVect = AttractForce * attrVect;
‘Breps’
We created different Breps, and tried to keep thegrowth oit of those geomatries.
Programming ldea_By using “lsPointinside” and keep those pointsout of the loop, we can also use Breps to guide thegrowth of the pattern.
private bool IsPointInsideAnyBrep(Point3d point, List<Brep> breps)
foreach (Brep brep in breps)
if (brep.IsPointInside(point, 0.001, false)) { return true; } return false;
Different Breps
UA Creative Award 2018 Spring 4th Grade International Competition Requirements: Waterfront residential building Site: Kaner Well, Xinjiang Land Type: Residential Land
Water, as a precious resource, holds significant importance in arid regions, intertwining with people's lives, religious practices, regional cultures, and sense of belonging. This article explores the transformative power of water in the context of the Kaner Well project, a vital water supply initiative in northwestern China, and its impact on local communities.
Originally a crucial water source, the Kaner Well has faced deterioration due to evolving urban water usage patterns. Nestled deep underground, it relies on the meltwater from snow-capped mountains to sustain its flow. Its naturally conducive environment of mild winters and cool summers offers a potential habitat. Efforts to harness this resource effectively have led to the development of the Kanjing underground project, which not only preserves the cultural heritage of Kanjing but also introduces innovative living arrangements while retaining traditional water delivery methods. Moreover, reviving the Kaner Well holds promise for mitigating urban water scarcity, combating regional desertification, and providing essential irrigation and grazing water to the local populace.
Drawing from this premise, a study of the living habits of Xinjiang residents informs the creation of spatial prototypes aligned with Muslim customs such as bathing, worship, and grazing, as well as their inherent connection to waterfront living spaces. Designs incorporate features like desert planting areas to harmonize with the environment. Structural adaptations of the Kaner Well are also contemplated to ensure functionality while mitigating external sand intrusion. Utilizing an inverted cone structure maximizes living space while preserving natural elements like light and ventilation. Central spaces cater to communal activities, fostering a sense of community among residents and visitors alike.
Furthermore, as urban infrastructure expands, the underground potential of the Kaner Well offers opportunities for sustainable development. Beyond providing energy-efficient solutions, it holds promise for empowering local nomadic communities and bolstering agricultural practices through innovative underground engineering initiatives. The aspiration is for these endeavors to reimagine the relationship between people, water, and living spaces, offering new avenues for growth and resilience in the face of contemporary challenges.
As an ancient middle-aged water supply project in the northwestern region, Kanerjing solves the problem of water use for people in the arid regions. Nowadays, with the change of urban water use patterns, it is becoming increasingly deserted.
The Kaner well is buried deep underground, and the melting water of the snow-capped mountains passes by. The inner environment of warm winter and cool summer provides the possibility of living. It also provides new possibilities for local water use.
Xinjiang has a dry climate and strong sunshine. Under the effect of highintensity evaporation, liquid water is almost impossible to exist on the ground surface.
The well wall loess is compacted and made into a relatively regular geometry, which can strengthen the Kaner well to meet the basic requirements of the residential building. At the same time, the well wall rises high above the ground to prevent the Kaner well from being covered by the flowing yellow sand.
The construction of the living space can also be more efficient and practical for the Kanjing underground project. While continuing the Kanjing culture, the new living mode is realized and the traditional Kanjing water delivery method is symbiotic.
The well-buried Kaner well can effectively prevent heat from being introduced and reduce the temperature difference between day and night due to the thermal insulation effect of the sand covered above.
In order to enlarge the interior space lighting and increase the lighting, the lower end of the well wall is tilted, so that there is enough space for human behavior, which further makes it possible to transform the Kaner well into a residential building.
In addition to providing energy-saving convenience, the underground space can also provide new possibilities for local nomadic residents and agriculture in combination with the expansion of underground engineering.
A small living unit is hung around the wall of the well. The public space is spaced from the living space to meet the basic needs of the local Muslims in Xinjiang for their living, rest and religious activities.
The 2017 UA Creation Awards and Concept Design International Competition required the selection of waterfront space as a base for architecture to explore the long-neglected relationship between people, residential buildings and water.
We focus on the Kanerjing in the arid regions of northwestern China. As a major water supply project in the northwestern part of China, the Kaner well is becoming increasingly ruined with the change of urban water use patterns. The Kaner well is buried deep underground, and the melting snow of the snowcapped mountains passes by. Its inner environment of warm winter and cool summer provides the possibility of living. The construction of living space also makes the underground engineering of Kanjing more efficient and practical. While continuing the culture of Kanjing, it realizes the new living mode and traditional Kanjing. At the same time, the reuse of Kaner Well can further alleviate urban water shortage, improve regional desertification, and provide irrigation and grazing water for the local area.
We studied the living habits of residents in Xinjiang, summed up a series of spatial prototypes based on the summary of Muslim living customs, and bathed, worshipped, grazing, and deserted space for their inner needs for waterfront living space. The form is involved in the design. In addition, in order to realize these spaces, we also carry out the discussion on the structural transformation of the Kaner well. In the case of ensuring less external sand input, it is combined with the basic building requirements such as lighting and ventilation, and adopts the space of the inverted cone to occupy the living space. Surrounded by surrounds, the middle leaves natural elements such as light and wind, and provides a space for public activities for hotel occupants. Everything is hoped that in today's context, people, natural water and living space can gain new possibilities.
Working in ECADI Serving as an engineering designer there, my insights to architectural design and theory are broadened. The job not only satisfied my desire to participate in the design and implementation of international metropolis landmarks, but also infused me with a strong sensitivity to details and practical issues caused by multiple stakeholders and complex physical environments factors.
I was engaged in the Headquarters of New Development Bank design project, where higher designing standards were required as its five-star principles. Just about passive ventilation curtain wall nodes and its relationship with heat island effect, we have studied no less than 10 versions of schemes and made models for comparison. Through this process learned that in the operational sense, to achieve well integrated architecture and environment requires not only an eye for such elements as proportion, order, and harmony, which are critical in the concept design process, but also a good understanding of the engineering part in the construction process, socio-spatial practices, users' requirements, desires and imagination, which are also incorporated in the design process.
In addition, in my spare time, I am passionate about interdisciplinary learning, and sometimes these results inadvertently inspire me. For example, by studying Foucault's theory of power space, Lefebvre's theory of space production, rationalism, conservatism, and their influence on public decision making, came up with different ideas in the bidding for the SIPG headquarters in Lujiazui. The scheme of opening and extending the building to the park is proposed to meet the iconic needs of the headquarters on highdensity urban land, while taking into account the urban space needs of citizens. This made me realize that multidisciplinary research is not only interesting, but also has unexpected architectural effects
Finally, would like to thank my colleagues, Li Zhi, Zhao Lin, Qi Zhiyi, Zhou Yana, Xu Yinhang, Yao Yuan and Jiang Sijian, for their encouragement and help. Finally, I would like to thank Huang Qiuping and Huang Wei for their advice on my work. They are the enlightening stars for me to become a professional architect.
Work Involved(ECADI):
Preliminary Building Volume Design Plan and Core Tube Design(Early Stage) Passive Ventilation Curtain Wall OTHER WORKS —— ARCHITECTURE.IN.PRACTICE (ECADI)
New Development Bank Headquarters Pudong new area Shanghai
Work Involved(ECADI):
Location: Chengdu, China
Tutor: Huang Qiuping, Huang Wei, Xu Weiping
Collaborator: Wang Tianlin, Li Suliuyi
Work Involved(ECADI):
The sections on display are all personal work Site-Plan
Urban Node(As shown)
Urbam Simulation of NYC Delivery System
Urbam Simulation of Bus System of Ithaca, NY
JaveScripts to Generate interactive Interfaces In P5.JS
OTHER WORKS —— Surveying and Mapping of Yangxin Hall in the Forbidden City (Tianjin University)
OTHER WORKS —— Surveying and Mapping of Yangxin Hall in the Forbidden City (Tianjin University)
2016.07-08, Forbidden City ,Beijing Surveying and Mapping of Forbidden City Yang
Tutor: Pr.Wang Qiheng, Pr.Wu Cong, Pr.He Beijie Beijing, P.R.China 2016 Independent Part Responsible for: Northeast Value Room+Shadow
I would like to express my gratitude to all those who helped me during these five years of study in the School of Architecture, Tianjin University.
My deep gratitude goes first to my supervisors during my academic studios in the institution: Prof. Jing Ziyang, Prof. Kong Yuhang, Prof. Zheng Ying, Prof. Zhao Jinsong, Prof. Sheng Haitao, Prof. Wang Wei, Prof. Yang Wei, Prof. Wu Cong, Lecturer Xin Shanchao, Lecturer Sun Delong, and Lecturer Yang Jing from School of Architecture, Tianjin University, for their constant encouragement and guidance which had helped me to establish the understanding in the architecture discipline and attain the fundamental techniques in design conductions.
would like to express my sincere gratitude to my friends and my fellow classmates Wang Zhixuan, Yan Zhao, Xian Nan, Zhang Mengwei and Bei Yining for their inspiring partnership in some of the group assignments. It is your help that makes me a better self.
My thanks also go to my beloved family for their loving considerations and great confidence in me all though these years.
Thanks to my dear parents for everyting and everyting that is to come.
What is the future of natural elements in architectural space? The answer lies in architecture as well as philosophy, anthropology, economics, political science, culture and science. I hope to continue exploring the future of stories about architecture and natural elements from a multidisciplinary perspective.
This portfolio contains the design work of Deng
