deVeres Irish Art Auction

ART AUCTIONEERS & VALUERS

IRISH ART AUCTION Tuesday 10th June At Thomas Prior Hall, Ballsbridge, Dublin 4

Front Cover: Lot 19 Jack Butler Yeats RHA 1871-1957 THE RETURN FROM THE PICNIC (1925) Back Cover: Lot 20 Sean Keating PPRHA HRA HRSA PRHA, 1889-1977 UNLOADING THE CATCH Inside Front Cover: Lot 32 Barrie Cooke HRHA, 1931-2014 PALOMETTA Inside Back Cover: Lot 30 Norah McGuinness 1901-1980 THE SHORE LINE

ART AUCTIONEERS & VALUERS

Auction:

Tuesday, 10th June at 6pm

Venue: Thomas Prior Hall, Bewleys Ballsbridge Hotel, Dublin 4 On View:

Sunday, 8th June: 1pm – 6pm

Monday, 9th: 9.30am – 8pm

Tuesday, 10th: 9.30am – 3pm Contact:

087 2934439 / 086 8098648

COLLECTION: After 1pm Wednesday, 11th June from deVeres, 35 Kildare Street, Dublin 2 FEES:

19½% plus vat (23.985%)

de Veres 35 Kildare Street, Dublin 2 01 676 8300 www.deveres.ie Live Bidding available at:

the-saleroom.com

www.facebook.com/deveresArtAuctions

ART AUCTIONEERS & VALUERS

Auction Venue

Thomas Prior Hall

Auctioneers: John de Vere White

Rory Guthrie

John de Vere White Managing Director john@deveres.ie

Rory Guthrie Director roryguthrie@deveres.ie

2

Aisling T贸th Associate Director info@deveres.ie

1 Barbara Warren RHA b.1925 COMPASS HILL, KINSALE Oil on board, 10” x 15” (25.5 x 38cm), signed.

€400 - 600

2 Peter Collis RHA 1929-2012

STILL LIFE WITH FRUIT Oil on canvas, 9½” x 9½” (24 x 24cm), signed.

€800 - 1200 3

3 Charles Lamb RHA RUA 1893-1964

BRIGHT DAY, CARRAROE Oil on board, 6½” x 8¼” (16.5 x 21cm); signed.

€400 - 600

4

Patrick Collins HRHA 1910-1984 SUNSET OVER THE HARBOUR Pen and wash, 10½” x 12¾” (27 x 32.5cm), signed.

€600 - 1000 4

5 James le Jeune RHA 1910-1983

MARKET DAY Oil on board, 9½” x 12½” (24 x 32cm), signed.

€1500 - 2000

6 Terence P Flanagan RHA PPRUA b.1929

SPRING FROST ON AN OLD TOW PATH (1983) Watercolour, 22” x 30” (56 x 76cm), signed.

Provenance: Hendriks Gallery, Dublin, 1984 (label verso).

€1400 - 1800 5

7 Kenneth Webb RWA FRSA RUA b.1927 THE REHEARSAL - DANCING AT LUGHNASA Oil on canvas, 18” x 12” (46 x 30.5cm), signed, inscribed verso.

€2000 - 3000

8 Ciaran Clear 1920-2000

GUIDING LIGHTS Oil on board, 20” x 28” (51 x 71cm), signed; signed and inscribed verso.

€800 - 1200 6

9 Kenneth Webb RWA FRSA RUA b.1927

FLOWER SELLER, GALWAY Oil on board, 18” x 10” (46 x 25.5cm), signed, inscribed verso.

€2000 - 3000

10 Gladys Maccabe HRUA ROI FRSA b.1918

MAKING A SALE Oil on board, 20” x 24” (51 x 61cm), signed, inscribed verso.

€2000 - 3000 7

11 H. Franz Schonhauser, Austrian, b.1838 CHILDREN PLAYING WITH DUCKLINGS Oil on canvas, 21” x 16” (53 x 40.5cm), signed, dated 1905.

€2000 - 4000

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12 Frances Baker 1873-1944

PORTRAIT OF MRS GEORGE RUSSELL (Wife of the artist A.E.) Oil on canvas, 30” x 24” (76 x 61cm), signed and dated 1911.

Frances Baker established in 1919 in Dublin a hand-weaving industry, The Crock of Gold.

During the 1930s, she taught arts and craft. She was a close friend of Sarah Purser, the Yeats Family (WB’s father taught her), and Evelyn Glasson.

She exhibited with well-known painters of the time; Constance Gore-Booth, WJ Leech, Dermod O’Brien and the Markievicz family. She had a close association with AE and exhibited at the Leinster Hall Exhibition, Molesworth Street from 1906 to 1915.

€3000 - 5000

9

13 Mildred Anne Butler RWS 1858-1941

BEACH AT TRAMORE Watercolour, 7” x 9¾” (18 x 25cm), signed, dated May 1919 and inscribed.

€3000 - 5000

10

14 Niccolo d’ardia Caracciolo RHA 1941-1989

BRIDGE OVER THE LIFFEY Oil on board, 12” x 16” (30.5 x 40.5cm), signed, inscribed verso.

15 Niccolo d’ardia Caracciolo RHA 1941-1989

A STREET IN FLORENCE Oil on board, 12” x 8¼” (30.5 x 21cm), signed, inscribed verso.

Provenance: King Street Galleries, London, 15th June 1979 (label verso).

Provenance: King Street Galleries, London, 10th June 1983 (label verso).

€3000 - 5000

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€1000 - 1500

16 Walter Frederick Osborne RHA 1859-1903

LOW TIDE Oil on panel, 5¼” x 8¾” (13.4 x 22.3cm), signed and dated 1889; inscribed label verso.

As well as his larger subject pictures and landscapes with figures on canvas Walter Osborne also excelled at painting small, low-toned pictures on wood panel. The present painting, showing an estuary scene at low tide, lit by an early morning or evening light, with a couple of fishermen attending to their boats, is characteristic of such small works by Osborne. Although employing subdued tones, the artist uses glowing pinks, pale turquoises, blues, siennas, mauves and off-whites, applied in long, horizontal brushstrokes in the landscape and sky, and in more expressive or vertical strokes in the clouds, to evoke an atmospheric mood.

The identity of the location is not certain. In c.1889-90 Osborne was painting at Rye in Sussex, on the south coast of England, and painted many small studies of the fishing fleet and tidal harbour there, and his masterly large canvas, “The Ferry” (sold deVeres 27th November 2013, lot 39.) He exhibited several of his small paintings, for example “Low Tide: A Sketch” (Royal Birmingham Society, 1890 No. 26); “Estuary”; and “Low Tide (1890 No. 109). However, it has also been suggested that the subject may be set at Malahide, Co. Dublin, at low tide.

Julian Campbell

May 2014

€10000 - 15000

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17 Mildred Anne Butler RWS 1858-1941

A GARDEN PATH Watercolour, 7” x 10” (18 x 25.5cm), signed.

€2000 - 3000

18 Rowland Hill ARUA 1915-1979 COTTAGES IN CONNEMARA Oil on canvas, 20” x 27½” (51 x 70cm), signed.

€800 - 1200 13

19 Jack Butler Yeats RHA 1871-1957 THE RETURN FROM THE PICNIC (1925) Oil on board, 9” x 14” (23 x 35.5cm), signed, inscribed verso.

Literature: No. 287 in Hilary Pyle’s Catalogue Raisonne

Provenance: Waddington Galleries, London (label verso).

This richly painted river scene is one of many paintings that Yeats did of towns and cities in Ireland in 1925, a prolific year for his work. At this period he was moving from his early realist style to his later expressionist approach. The forms are constructed out of thickly applied colour, prophetic of the future direction of his work.

Yeats painted another version of the subject in 1947, when he created a group of paintings that centred on boats and waterways.

A summer’s day is evoked through the title, ‘The Return from the Picnic’ but also from the warm pink tones of colour on the water in the left foreground that suggest the rays of evening sunlight. Touches of rose are also used to delineate the rowing boat with its picnickers that moves towards the tall industrial buildings on the quayside. The taller roofs beyond suggest a sizeable town, probably Sligo where the Garavogue flows by such edifices. This was a town and river that Yeats knew well, having been brought up there by his grandparents whose family regularly conducted its shipping and mercantile business in such surroundings.

The facade of the structures is divided into vibrant blues on the left where the sunlight is more intense and dark tones on the right where the structures are in shadow. This division extends into the water where the right side is depicted in darker greens and blues. The solid construction of the quayside is subtly contrasted by the vibrant form of the tree on the extreme left. Its tall swaying branches add life and movement to the scene, evoking the pleasures of nature and the leisurely pursuits of the picnic goers as they return to the town. Deceptively simple, the painting uses a complex blend of colour and contrasting forms to convey the physical sensation of warm sunlight, lapping water and stone buildings, subtly bringing the eye into this strangely tranquil world where nature and city meet.

Dr. Róisin Kennedy, May 2014

€40000 - 60000

14

15

20 Sean Keating PPRHA HRA HRSA PRHA, 1889-1977 UNLOADING THE CATCH Oil on board, 28” x 35” (71 x 89cm), signed.

I t was the stained glass artist, Harry Clarke, who first introduced Seán Keating to the Aran Islands in c. 1912-13.

Thereafter Keating returned as often as his busy timetable would allow. It was a place in which he found artistic inspiration, and peace and quiet away from the busy hustle of life as an artist in Dublin. His paintings of the Aran Islands, its people, and their traditional working methods, along with his self-portraits in which he appears dressed in Aran clothing, proved extraordinarily popular; several were shown to critical acclaim in major exhibitions in Ireland, England and North America, and he received many private commissions for scenes such as that illustrated in Unloading the Catch.

Keating painted Unloading the Catch sometime between c. 1955-70. The scene features three hand-made currachs, or small fishing boats, each of which had room for two men and their fishing gear, and space for the night’s catch of fish. The men are dressed in typical fisherman’s clothing; heavy jackets or knitted pullovers, long home-spun shirts, ochre-coloured pants and the woven críos or belt. Their pampooties, or soft leather glove-like shoes, which were worn wet to help to negotiate the rough terrain, are hidden from view. Having spent the night fishing in calm seas, the men are unloading their little pile of fish in the early hours of the morning. Some attempt has been made to sort the fish in the foreground, which seems to consist of mackerel, possibly plaice, and one dark interloper on top of the pile that may be a small shark. The catch will be divided between the men, and brought away from the beach in woven baskets, known as creels, one of which can be seen under the oars to the left foreground. Keating loved to be outside, and he was as interested in painting the weather conditions on the Aran Islands as he was in recording the routines of the people. As a result, the clouds in Unloading the Catch show evidence of the early rising sun, and the sea, although ostensibly calm, is bubbling from its murky depths, while a small but powerful surge meanders its way to the sandy beach. Keating loved to travel, and he spent some time at sea on board the Irish Shipping vessel, The Hazel, between 1947 and 1948, during which time he got as far as Algeria. His experiences at sea were vital to his artistic vision. He began to use more colour and texture in his rendition of the sky and water, which is evident to excellent effect in this example of his work.

Keating was always interested in visually recording contemporary life on the islands. He spent a week there every year from early in his career until 1965. From the 1930s onwards he utilized photographs, and cine camera footage, along with sketches, and previous paintings, to construct his much sought-after images. As a consequence of his curiosity, and his keen eye, paintings such as Unloading the Catch offer the twenty-first century viewer a glimpse of bygone tradition, the memory of which might be otherwise lost owing to the contradictory constraints of modernity.

Dr Éimear O’Connor HRHA, May 1914

€40000 - 60000

16

17

21 Robert Taylor Carson HRUA, 1919-2008

FISHERMAN WITH GULLS Oil on canvas, 30” x 25” (76 x 63.5cm), signed; signed, inscribed and dated July 1962 verso.

€2000 - 4000

18

21A Robert Taylor Carson HRUA 1919-2008 OUTSIDE CHURCH Oil on board, 24” x 20” (61 x 51cm) signed; signed, inscribed verso.

€1500 - 2000

21B Kenneth Webb RWA FRSA RUA, b.1927 THE EARLY BIRD Oil on board, 20” x 24” (51 x 61cm), signed.

€3000 - 5000 19

22 Sean McSweeney HRHA b.1935

SUMMER SHORELINE Oil on board, 16” x 20” (40.5 x 51 cm), signed, inscribed and dated 2005 verso.

Provenance: Vangard Gallery, Cork (label verso.)

€1500 - 2000

23 Markey Robinson 1918-1999

HOOKERS RETURNING

Gouache on board, 12½” x 17” (32cm x 43cm), signed.

24 Hector McDonnell RUA b.1947

STREET AT KHORZAN 2003 Oil on board, 12” x 8” (60.5cm x 20cm), signed with initials.

€1000 - 1500

25 James English ARHA b.1946

DRESSER AND LEMONGRASS Oil on canvas, 15¾” x 11½” (40 x 29cm), signed.

€1000 - 1500

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€600 - 900

26 Markey Robinson 1918-1919

HARBOUR VIEW

Gouache, 7½” x 19½” (19 x 49.5cm), signed.

€1000 - 1500

27 Peter Curling b.1955

KILUSTY SHOW, FETHARD, CO TIPPERARY Watercolour, 15” x 12” (38 x 30.5cm), signed.

28 Gladys Maccabe HRUA ROI FRSA b.1918

STILL LIFE Oil on board, 21” x 15” (53 x 38cm), signed.

€1000 - 1500

21

€1000 - 1500

29 Nevill Johnson 1911-1999 ARCTIC Oil on canvas, 18” x 24” (46 x 61cm), signed.

€3000 - 5000

22

30 Norah McGuinness HRHA 1901-1980 THE SHORE LINE Oil on canvas, 28” x 40” (71 X 102cm), signed and dated 1968, inscribed label verso.

€8000 - 12000

23

31 John Shinnors b.1950 UMBRELLA, BEACH AND KITE Oil on canvas, 30” x 40” (76 x 102cm), signed.

€12000 - 16000

24

32 Barrie Cooke HRHA, 1931-2014 PALOMETTA Oil on canvas, 73” x 73” (185 x 185cm), signed, inscribed and dated 2002 verso.

Provenance: Fenton Gallery, Cork (label verso).

€20000 - 30000

25

32A Barrie Cooke HRHA 1931-2014 NUDE Wash, 46” x 66” (117 x 168cm), signed and dated 1987. €4000 - 6000

32B Willie Evesson, Contemporary HOMELAND IV Oil on board, 36” x 28” (91.5 x 71cm), signed; signed and inscribed verso.

32C Ger Sweeney, Contemporary TERRAIN SERIES Oil on canvas, 18" x 18" (46 x 46cm), signed and inscribed verso.

€600 - 900

€400 - 600 26

32D Derek Rowan (Guggi) b.1959 VESSEL Bronze, (52 x 78cm), signed and dated 2007, ed. 6/9.

Provenance: Acquired directly from the artist by the current owner.

Guggi is best known for his depiction on canvas and bronze of urns, bowls, vases and various vessels.

He has had sell-out shows at the Tony Shafrazi Gallery in New York, the gallery famed for exhibiting artists such as Andy Warhol and Jean-Michael Basquiat, Osborne Samuel in London and Solomon Gallery, Dublin. €5000 - 7000

32E James Humbert Craig RHA RUA 1877-1944 PORTNABLAGH Oil on board, 15” x 20” (38 x 51cm), signed. €4000 - 6000

33 Anita Shelbourne RHA b.1938

LOS BALADINS Oil on canvas, 10½” x 18” (26.5 x 46cm), signed, inscribed verso.

€400 - 600

34 Arthur K. Maderson b.1942

ROSS’S POINT, SLIGO, TOWARDS EVENING. Oil on board, 31” x 31” (79 x 79cm), signed; signed and inscribed verso.

€1500 - 2000 28

35 Patrick Pye b.1929 TOLEDO – VIEW OF THE LOWER SUBURB AND THE BEND OF THE RIVER

Gouache on board, 15½” x 27” (39.5 x 68.5cm), signed and dated ‘58.

€800 - 1200

36 Charles Brady HRHA 1926-1997

GOLDEN VALE, LISMORE, 1957 Oil on canvas, 19” x 22” (48 x 56cm), signed, inscribed and dated 1957 verso.

€1500 - 2000

29

37 Mark O’Neill, Contemporary

LITTLE ENAMEL COLLECTION Oil on board, 16” x 20” (41 x 51cm), signed and dated 2001.

Provenance: The Frederick Gallery, Dublin (label verso).

€1500 - 2500

38 Patrick Leonard HRHA 1918-2005 THE MEDICAL SECRETARY Oil on board, 18½” x 17” (47 x 43cm); inscribed verso.

39 Gladys Maccabe HRUA ROI FRSA b.1918 WHITE ROSES AND FRUIT Oil on board, 16” x 24” (41 x 61cm), signed, label verso.

€2000 - 3000

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€800 - 1200

40 William Carron ARHA b.1930 FISHING BOAT ON BURRIANA BEACH, NERJA Acrylic on canvas, 19” x 27” (48 x 69cm), signed and dated 1989, inscribed verso.

€700 - 1000

41 Yvonne Moore, Contemporary DRESSER Oil on canvas, 30” x 20” (76 x 51cm), signed with initials

€1500 - 2500 42 Gladys Maccabe HRUA ROI FRSA b.1918

GREENGROCERS STALL, MARKET DAY Oil on board, 16” x 20½” (40.5 x 51cm), signed.

31

€2000 - 3000

43 Geraldine O’Brien b.1922

STILL LIFE – FLOWERS Oil on canvas, 36” x 30” (91.5 x 76cm), signed.

€2500 - 3500

44 George Campbell RHA, 1917-1979

FLOWERS BY A WINDOW Watercolour, 19½” x 9½” (49.5 x 24cm), Bell Gallery label verso.

€600 - 900

45 Markey Robinson 1918-1999 SHAWLIES

Gouache, 17½” x 29½” (44.5 x 75cm), signed.

€1500 - 2000 32

46 Brian Ballard RUA b.1943

DAFFODILS AGAINST BLUE Oil on canvas, 24” x 18” (61cm x 46cm); signed, inscribed and dated ‘91 verso.

47 Patrick Leonard HRHA 1918-2005

AFTER THE SHOWER Oil on board, 20” x 16” (51 x 41cm), signed verso.

€1400 - 1800

48 Arthur Power HRHA 1891-1984 OUTHOUSES

Pastel, 10” x 14” (25.5 x 35.5cm), signed.

€800 - 1200

49 Phoebe Donovan 1902-1998

DEATH BEFORE LIFE Oil on board, 16” x 20” (40.5 x 51cm), signed; signed, inscribed verso.

€300 - 500

Exhibited: Irish Exhibition of Living Art, 1944 (label verso).

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€300 - 500

50 Jack Butler Yeats RHA 1871-1957

GAFF IN THE EAST END OF LONDON (c.1900) Indian ink, 14” x 20½” (35.5 x 52cm), signed.

Provenance: Theo Waddington Fine Art, London (labels verso).

The heyday of the Gaff or Penny Theatres was a few decades before Yeats made this illustration. He was aware of their demise when he made this. They were notorious but popular establishments in the East end of London in the nineteenth century where they were set up in outhouses or in a range of available buildings. A penny or halfpenny secured the customer entrance for which they could partake of light refreshments and a variety of entertainment. The middle classes regarded these businesses with some horror, considering them to be unregulated spaces in which impressionable youths could easily be corrupted and which tended to attract the lower classes in large numbers. The stages were constructed so as to allow as much room as possible for the audience. This facilitated the substantial crowds and secured the owner a decent return on the performance. Popular plays often included scenes of violence and criminal behaviour, with highwaymen being especially well-liked characters (The bill for a forthcoming performance of Dick Turpin is pasted on the wall in Yeats’s Gaff). Another recurring theme of the melodramas was the African slave and in this drawing, Cato the Slave is being performed. It is evident that the lead role is played by a white actor who has blackened up for the part.

In the Gaff a mixed and rather sedate audience of smartly dressed middle aged men and women enjoy the play. They keep their coats and hats on indicating the brevity of the performance and the informality of the venue. A lady carries a large plate of foodwhile a man at the back of the audience gazes upwards, showing as much curiosity about the setting as the activity on stage.

On the right hand side a toothless character draws back a large curtain and gestures us in. Behind him a man loiters apart from the audience, enjoying a smoke. On the other side of the hall a group of young boys are trying out their boxing skills with one of them receiving a rather violent punch on the chin. Through the use of cross-hatching in Indian ink and in the application of white highlights on the stage and in the left foreground, Yeats recreates the bizarre and fantastic atmosphere of the theatre.

The pen and ink drawing is one of a series which Yeats intended to publish as a book, Pastimes of the Londoners. In the end he did not secure a publisher but some of the series appeared as illustrations in the Manchester Guardian in 1905. C.P. Scott, the editor of the newspaper, may not have considered this one to be suitable, as he expressed caution over the nature of some of the imagery in the illustrations which he thought might shock the public. The boys trying their hand at boxing, in particular, could have been considered unsuitable for a family paper.

Roisin Kennedy, October 2013

€8000 - 12000

51 George Russell AE 1867-1935

SUNSET, SLIGO Watercolour, 10” x 14” (25.5 x 35.5cm).

Provenance: The Oriel Gallery, Dublin (label verso).

It is believed this is a view at Lissadel in Sligo.

€1000 - 1500

52 Patrick Scott HRHA 1921-2014

LIGHT OVER BOG Wash, 27½” x 31¼” (70 x 79.5cm), signed.

Provenance: The Dawson Gallery (label verso).

€2000 - 3000

53 Brian Ballard RUA b.1943

DARK TREE, GREECE Oil on board, 11” x 15½” (28 x 39.5cm), signed and dated ‘88.

35

€1000 - 1500

54 Peter Collis RHA 1929-2012

KILLINEY STRAND AND SUGARLOAF Oil on canvas, 5” x 7” (13 x 18cm), signed.

55 Peter Collis RHA 1929-2012 THE SUGARLOAF FROM KNOCKREA Oil on board, 9½” x 9½” (24 x 24cm), signed.

€400 - 600

€700 - 1000

56 Michael Mulcahy b.1952

SEA AND SKY 2002 Oil on canvas, 14½” x 18¼” (37 x 46.5cm), signed; signed with initials and inscribed verso.

57 Michael Mulcahy b.1952

BERLIN V Oil on canvas, 14¼” x 18” (37 x 46cm), signed; signed, inscribed, dated 1986 verso.

€200 - 300

36

€200 - 300

58 Tom Nisbet RHA 1909-2001

HADDINGTON RD. FACADE Watercolour, 18” x 22” (46 x 56cm), signed, inscribed label verso.

€500 - 700 59 Christopher M. Doran 1900-1981

ST. STEPHEN’S CHURCH, MOUNT STREET Watercolour, 15½” x 15¼” (39.5 x 38.5cm), signed.

Provenance: The Dawson Gallery, Dublin.

€300 - 500

60 Tom Nisbet RHA 1909-2001

HADDINGTON ROAD Watercolour, 11” x 15” (28 x 38cm), signed.

61 Seamus O’Colmain 1925-1990 EVENING IN THE SQUARE Collage, 19½” x 25” (49.5 x 63.5cm), signed.

€300 - 500

37

€300 - 500

62 John Shinnors b.1950 THE LIGHTHOUSE CAT Oil on canvas, 21½” x 23” (55 x 58.5cm), signed.

Provenance: Taylor Galleries, Dublin (label verso).

€6000 - 9000

38

63 Ciaran Lennon b.1947

ARBITRARY COLOUR COLLECTION (5)

Acrylic on copper and brass, each 9” x 6” (23 x 15cm), signed verso.

Exhibited: Fenton Gallery, Cork (label verso).

€2000 - 4000

64 Mary Lohan, Contemporary

DISTANT SEA Polyptic, oil on canvas, each 10” x 12” (25.5 x 30.5cm), signed, inscribed and dated 2004 verso.

€3000 - 5000

39

Lot 65

Est. €6000 - 9000 40

66 Felim Egan b.1952

GREEN CRESCENT Oil on canvas, 47¼” x 47¼” (120 x 120cm) signed, inscribed and dated 05 verso.

67 Chung Eun Mo, Contemporary

PORTICO (C9124) Oil on canvas, 79” x 63”, irregular (201 x 159.5cm), signed, inscribed and dated 1991 verso.

Provenance: Vangard Gallery, Cork (label verso).

€4000 - 6000

€1000 - 2000

68 Patrick O’Reilly, b.1957 UNTITLED Mixed media, 39½” x 39½” (100 x 100cm), signed and dated 2006.

€1500 - 2000 42

70 Brian Breathnach b.1958

SAMUEL BECKETT Mixed media, 11” x 11¼” (28 x 28.5cm), signed with initials 2B and dated 1991.

69 Brian Breathnach, b.1958 THE UNKNOWN PAINTER Oil on canvas, 15” x 12” (38 x 30.5cm), signed with initials 2B and dated 1988.

€400 - 600

Brian Breathnach was born in Dublin in 1958. He studied for one year at the National College of Art and Design (NCAD) from September 1976 to June 1977.

In 1982 Breathnach moved to Paris where he lived and worked as an independent visual artist. In 1983 he worked with Michael Farrell at ‘La Ruche’ in Paris assisting Farrell in the execution of a series of paintings in the Café Triste and James Joyce series’.

In 1987 Breathnach met with Samuel Beckett and began a series of portraits and interpretive works on the writings of Beckett. In 2006 he staged an exhibition titled: Meeting Samuel Beckett at The Dublin Writers Museum as part of The Beckett Centenary Festival. The exhibition was opened by Edward Beckett who acquired a large work for his collection.

Brian Breathnach lives and works in Dublin, he has exhibited widely in Ireland and Europe and has received many corporate and private commissions during more than thirty years as a professional artist.

€400 - 600

43

71 Gladys Maccabe HRUA ROI FRSA b.1918 THE AUCTION ROOM Oil on board, 20” x 24” (51 x 61cm), signed.

€2000 - 3000

72 Rosaleen Davey b.1947

SET V Acrylic on panel, 14” x 14” (36 x 36cm); signed and dated 2007, inscribed verso.

73 Rosaleen Davey b.1947

FIRST QUESTION Acrylic on panel, 15” x 15” (38 x 38cm) signed and dated 2007; signed, inscribed verso.

€300 - 500 44

€300 - 500

74 Arthur K. Maderson b.1943

ABOVE VENICE Oil on canvas, 30½” x 43” (77.5 x 109cm), signed; inscribed verso.

€2000 - 3000

75 Peter Collis RHA 1929-2012

GLENCREE VALLEY I Oil on board, 10½” x 11½” (27 x 29cm); signed, inscribed verso.

76 Geraldine Hone, Contemporary

BURREN LANDSCAPE Oil on canvas, 16” x 16” (40.5 x 40.5cm), signed.

€1000 - 1500

€200 - 400

77 William Sadler 1782-1839 A VIEW OF POOLBEG LIGHTHOUSE Oil on panel, 7½” x 10½” (19 x 26.5cm).

78 Frances Baker 1873-1944

A PARK IN PARIS Watercolour, 9” x 12” (23 x 30cm).

79 Frances Baker 1873-1944

MARKET STALLS ON THE LEFT BANK, PARIS Watercolour, 9” x 12½” (23 x 31cm).

€200 - 300

€200 - 300

80 Frances Baker 1873-1944 MEADOW Watercolour, 10” x 14” (25.5 x 35.5cm) signed with initials.

81 Tom Nisbet RHA 1909-2001

LAKE LANDSCAPE Watercolour, 12” x 15¼” (30.5 x 39cm), signed.

€200 - 300

€200 - 400

€1000 - 2000

82 Irish School EVENING NEAR ROONAGH QUAY, CONNEMARA Oil on canvas, 11½” x 17¼” (29 x 44cm).

83 James Richard Marquis RHA fl. 1862-1885

MILLTOWN BRIDGE Oil on canvas, 10¾” x 14½” (27 x 37cm); inscribed verso.

€200 - 400

84 Roisin Murray 1894-1980

FEMALE PORTRAIT Oil on canvas, 23¼” x 19¼” (59 x 49cm), signed.

Róisin Murray was a qualified teacher, an active member of Cumann na mBan from its foundation and an artist.

Murray studied at the National College of Art where Sean Keating was her mentor. She exhibited on several occasions at the RHA as Róisin O’Doherty which was extremely rare for a non-member coming through a competitive process.

Further exhibitions included Living Art and on two occasions the Arts Council exhibitions of Contemporary Irish Art that went to USA and Great Britain. Murray had two paintings in the US event, Sean Keating being the only other Irish artist with two on that occasion.

Leo Smith of the Dawson Gallery constantly urged Murray to mount a one-man-show and equally constantly she refused. Murray had a studio in Dawson Street and later in Wicklow Street from the early 50’s to the mid 70’s and undertook private commissions and there are several of her paintings around in various private collections and institutions including one in the National Gallery collection.

€500 - 700

47

€300 - 500

85 George K. Gillespie RUA 1924-1995

GLENDOLAGH, CONNEMARA Oil on canvas, 24” x 36” (61 x 91.5cm); signed, inscribed verso.

€2000 - 3000

86 Frank Egginton RCA FIAL 1908-1990 THE GAP OF DUNLOE, KILLARNEY Watercolour, 21” x 29½” (53 x 75cm), signed.

Provenance: Daniel Rees Fine Art, Michigan (label verso).

€800 - 1200 48

87 Robert Taylor Carson HRUA 1919-2008

MOTHER AND FOAL Oil on canvas, 20” x 24” (51 x 61cm), signed; signed, inscribed, dated 1980 verso.

€1000 - 2000

88 Ivan Sutton b.1944 WALKING THE BIKES – ROUNDSTONE Oil on canvas board, 15” x 19” (38 x 48cm), signed; signed and inscribed verso.

€800 - 1200 49

89 Arthur Armstrong RHA 1924-1996 CROSSING THE BOG, DERRY Oil on board, 10” x 8” (25.5 x 20cm).

€300 - 500

90 Charles Brady HRHA 1926-1997 THATCHED COTTAGE Oil on paper, 12” x 16” (30.5 x 41cm), signed and dated 1968.

€1400 - 1800 50

91 Kathleen Fox 1880-1963 WOMAN SEATED IN AN INTERIOR Oil on canvas, 18” x 15” (46 x 38cm), signed, inscribed verso.

€2000 - 3000

92 Gladys Maccabe HRUA ROI FRSA b.1918

FUNFAIR IN THE PARK Oil on board, 18” x 24” (46 x 61cm), signed, inscribed verso.

€2000 - 3000 51

93 Niccolo d’ardia Caracciolo RHA 1941-1989 ITALIAN FARMHOUSE Watercolour, 11½” x 17½” (29.5 x 44.7cm).

€400 - 600

94 Niccolo d’ardia Caracciolo RHA 1941-1989 CARD PLAYERS II

Pencil, 11¼” x 7½” (28.7 x 19.3cm).

€300 - 500 95 Niccolo d’ardia Caracciolo RHA 1941-1989 FARMYARD Watercolour, 7½” x 10½” (19 x 27cm), signed.

€300 - 500

52

96 Patrick Leonard HRHA 1918-2005 10AM MASS – CROWDED CHURCH PORCH, DECEMBER 1982 Oil on panel, 12” x 15½” (30.5 x 39cm), signed; signed, inscribed verso.

€400 - 600

97 Seamus O’Colmain 1925-1990 EVENING TRYST Oil on board, 15” x 11” (38 x 28cm), signed; inscribed verso.

Provenance: The Oriel Gallery, Dublin, 1985, No. 36 (Exhibition catalogue attached).

€600 - 900 98 Desmond Hickey 1927-1998 ENNISTYMON, CO. CLARE Oil on board, 20” x 24” (51 x 61cm) signed; inscribed verso.

53

€600 - 900

99 John Schwatschke b.1943 THE ACCIDENT Oil on canvas, 30” x 36” (76 x 91.5cm), signed; signed, inscribed verso.

100 John Schwatschke (b.1943) SECOND CHILDHOOD Oil on canvas, 40” x 50” (101.5 x 127cm) signed; signed, inscribed verso.

€600 - 900

€600 - 900

101 Arthur K. Maderson b.1942 THE NIGHT MARCH, LE VIGAN, FRANCE Mixed media, 13” x 13” (33cm x 33cm), signed; signed and inscribed verso.

102 John Morris b.1958 WINDBREAKS, BALLYBUNION BEACH Oil on board, 10” x 10” (25.5 x 25.5cm), signed; signed, inscribed, dated 2013 verso.

€800 - 1200

€300 - 500

54

103 Charles Brady HRHA 1926-1997 WATERFORD COAST #2 Oil on board, 11” x 13½ (28 x 34cm), signed, inscribed and dated June 1959 verso.

104 Charles Brady HRHA 1926-1997 LANDSCAPE Oil on paper, 14” x 18” (35.5 x 46cm), signed and dated 1969.

€600 - 900

€600 - 900

105 Ludmila Korol b.1965 UNTITLED Acrylic on canvas, 39½” x 39½” (100 x 100cm), signed.

106 Ebba Von Essen, Contemporary STILL LIFE Oil on board, 24” x 20” (61 x 51cm), signed with initials.

€400 - 600

€600 - 900

55

107 Barbara Warren RHA b.1925 DRESSER Oil on canvas, 22” x 18” (56 x 46cm), signed.

108 Patrick Viale b.1952 VASE OF FLOWERS Oil on board, 13½” x 17½” (60 x 45cm), signed.

€1000 - 1500

€600 - 900

109 Phoebe Donovan 1902-1998 MAGPIES Pastel, 20” x 30” (51 x 76cm), signed. €300 - 500 56

110 Elizabeth Cope b.1952 GRAMOPHONE AND STAFFORDSHIRE Oil on board, 48” x 34” (122 x 86cm), signed; signed, inscribed verso.

111 Elizabeth Cope b.1952 CHAIR Oil on board, 36½” x 29” (93 x 73.5cm), signed. €800 - 1200

€1000 - 1500

112 John Schwatschke b.1943 CUTTING CORNERS Oil on canvas, 30” x 40” (76 x 101.5cm), signed with monogram upper left; signed and inscribed verso. €600 - 900 57

113 John Dinan, Contemporary BOATS AT LOW TIDE Oil on canvas, 17¼” x 21¼” (44 x 54cm), signed. €700 - 1000

114 Peter Pearson b.1955 DUBLIN 1981 Oil on canvas, 57” x 37” (145 x 94cm), signed and dated 1981.

115 Frances Biggs, 20th/21st Century DOVE Oil on board, 20” x 24” (51 x 61cm) signed.

€400 - 600

€300 - 500

58

116 Fergus O’Ryan RHA 1911-1989 THE ZETLAND POOL, CASHEL, CONNEMARA Oil on board, 18” x 22” (46 x 56cm), signed; inscribed verso. €1000 - 1500

117 Jack Donovan b.1934 THE EXECUTIVES Mixed media, 48” x 35” (122 x 89cm), signed and dated 1970. €400 - 600

118 John Keating b.1953 FRUIT Watercolour, 23” x 30¼” (58.5 x 77cm) signed and dated 1979. €200 - 300

59

119 Patrick O’Reilly b.1957 PILLAR Bronze, 68” high (173cm), signed, ed.1/1 with Foundry de Gour stamp (unique).

120 Leo Linehin, Contemporary FORM Carved chestnut, 64” high x 42” wide, including base (163 x 107cm).

€4000 - 6000

Made from 150 year old chestnut tree. €2000 - 4000

60

121 John Behan RHA b.1938 FLIGHT OF THE EARLS Bronze, unique, 28” x 30” (71 x 76cm), signed.

Note: with a letter from the artist explaining the background. €6000 - 9000

122 Patrick O’Reilly, b.1957 HORSE Bronze, 23” high x 54” wide (58 x 137cm), signed, ed.1/1 with Foundry de Gour stamp (unique). €2000 - 3000

61

123 John Kingerlee b.1936 GRID SERIES Oil on paper, 7½” x 11” (19 x 28cm), signed with monogram and dated 2004. €1000 - 1500

124 Martin Finnin, Contemporary ABSTRACT COMPOSITION Gouache on paper, 27¾” x 39” (70.5 x 99cm) signed and dated 04. €1500 - 2000 62

125 Michael Mulcahy b.1952 FLOWER 3 Oil on canvas, (74 x 93cm), signed; inscribed and dated 2001 verso.

Provenance: Taylor Galleries Dublin. €600 - 900

126 Liam Belton RHA b. 1947 STANDING MALE FIGURE III Graphite on board, 16” x 11” (40.5 x 28cm), signed, inscribed and dated 2004 verso.

Exhibited: Peppercanister Gallery, Dublin.

126A Jane O’Malley b. 1944 BLACK PETALS Carborundum print , paper size 26½” x 38½” (67.5 x 77.5cm) signed and inscribed ed. 6/20.

Provenance: Fenton Gallery, Cork (label verso). €500 - 700

€600 - 900 63

127 Albert Hartland 1840-1893 A CORNFIELD, CO.CORK Watercolour, 14” x 28” (35.5 x 71cm), signed. €400 - 600

128 Michael Angelo Hayes RHA ANWS 1820-1877 THE BUFFS Watercolour, 13” x 10” (33 x 25.5cm); label verso.

129 Stella Steyn 1908-1987 STILL LIFE WITH FLOWERS Oil on canvas, 26¼” x 20½” (66.5cm x 51cm). €400 - 600

€600 - 900

130 Jimmy Lawlor, Contemporary UNTITLED Oil on canvas, 11¼” x 29½” (28.5 x 75cm), signed. €600 - 900 64

131 John Morris b.1958 ON BALLYBUNION BEACH Oil on board, 5” x 22” (13 x 56cm), signed; signed, inscribed, dated 2013 verso. €300 - 500

132 Alan Kenny, Contemporary GENETIC CAT WITH LOVERS Oil on board, 15¼” x 11¼” (39 x 28.5cm), signed; signed, inscribed, dated 2011 verso.

133 Alan Kenny, Contemporary POLKA FIDDLE PLAYER Oil on board, 19” x 15¼” (48.5 x 38.5cm), signed; signed, inscribed, dated 2011 verso.

€350 - 450

€500 - 700

135 Colin Middleton MBE RHA, 1910- 1983 LANDSCAPE Watercolour 7¼” x 10¼” (18.5 x 26cm), signed with monogram. €400 - 600 134 John Kingerlee, b.1936 THE RED BOARDER Oil on board, 33” x 23” (84 x 58.5cm); inscribed, dated 1986 verso. €400 - 600 65

136 James Longueville PS RBSA b.1943 CLOUD IN CONNEMARA Oil on board, 17½” x 26½” (44.5 x 67.5cm), signed; inscibed verso.

137 Gerald Davis 1938-2005 WIND OVER THE DUNES Oil on board, 20” x 24” (51 x 61cm), signed; signed, inscribed and dated 1974 verso.

€300 - 500 €400 - 600

138 Norman Moore, Contemporary THE MUSIC ROOM Oil on canvas, 16” x 20” (41 x 51cm), signed, inscribed verso

139 Percy Hall, Contemporary BOGLAND Mixed media on canvas, 27½” x 31¼” (70cm x 79.5cm), signed and dated ‘74.

€300 - 500

€300 - 500

66

140 Padraig Lynch b.1936 FULL MOON Oil on board, 7½” x 9¼” (18.5 x 23.5cm), signed.

141 Maeve Taylor, Contemporary BOATSCENE Oil on board, 9” x 9½” (23 x 24cm), signed.

€200 - 400

€200 - 400

142 Guy Hanscombe, Contemporary UNTITLED Oil on canvas, 31½” x 47½” (95 x 121cm), signed with initials. €500 - 700

143 Marit Guinness Aschan 1919-2004 MIDNIGHT SUN Oil on board, 23” x 19½” (58.5 x 49.5cm), signed, inscribed and dated c.1960; and a collection three further oils from the 1950s, all unframed (4). €400 - 600 67

144 Henry William Moss 1859-1944 SHEEP GRAZING Oil on board, 17” x 21” (43 x 53cm), signed.

145 Gerald Davis 1938-2005 FIGURES IN A LANDSCAPE Oil on board, 15” x 20” (38 x 51cm), signed and dated 1974.

€300 - 500

€300 - 500

146 Padraig Lynch b.1936 STILL LIFE WITH GLASS BOWL Oil on canvas, 14” x 18” (35 x 45cm), signed. €600 - 900

147 Keegan Boyle, Contemporary TABLE TOP Oil on canvas laid on board, 26” x 22” (66 x 56cm), signed and dated 2003. €200 - 400

68

148 Father Jack P.Hanlon 1913-1968 NUDE Oil on canvas, 18” x 21½” (46 x 55cm).

149 Father Jack P.Hanlon 1913-1968 MEDITERRANEAN VILLAGE Oil on board, 15” x 21½” (38 x 55cm).

Provenance: Acquired directly from the artist; by descent to the current owner.

Provenance: Acquired directly from the artist; by descent to the current owner.

€800 - 1200

€800 - 1200

151 Tom Nisbet RHA 1909-2001 ALONG THE CANAL Watercolour, 12" X 15" (30.5 x 38cm), signed.

150 Fergus O’Ryan RHA 1911-1989 BOG OF GLENCREE Oil on board, 14” x 18” (35.5 x 46cm), signed; inscribed verso.

€200 - 400

€600 - 900

69

152 Tom Nisbet RHA 1909-2001 HERBERT PARK Watercolour, 11” x 14½” (28 x 37cm), signed.

153 Berthold Dunne, Contemporary THE BAIT DIGGER Watercolour, 16” x 20” (41 x 51cm); signed, inscribed verso.

€200 - 400 €200 - 300

154 John Kingerlee b.1936 UNTITLED Mixed media, 25” x 17” (63.5 x 43cm), signed, dated 1989.

155 Max Maccabe, Contemporary BOTTLE AND FRUIT Oil on board, 18” x 15” (46 x 38cm), signed, inscribed verso.

€300 - 500

Provenance: James Adam studio sale, 2003, lot 8 (label verso). €200 - 300 70

156 Bernard Reynolds, Contemporary SUNRISE Oil on board, 14” x 18” (35.5 x 46cm), signed; and two smaller landscapes, signed (3).

157 Felim Egan b.1952 SOUL BOX 5B Mixed media on boxed wood, 16 x 16 x 16cm, signed and dated 05.

Provenance: Vangard Gallery, Cork (label verso).

€300 - 500

€400 - 600

158 John Kingerlee (b.1936) UNTITLED Mixed media, 25½” x 18½” (65 x 47cm), signed and dated 1989.

159 Gerald Davis 1938-2005 TREE Oil on board, 14” x 10” (35.5 x 25.5cm) signed; signed, inscribed and dated 1974 verso.

€400 - 600

€200 - 300 71

160 Douglas Alexander 1871-1945 UPPER LAKE KILARNEY, CO. KERRY Watercolour, 10¼” x 14” (26 x 35.5cm), signed.

161 Douglas Alexander 1871-1945 LANDSCAPE Watercolour, 9¾” x 14” (25 x 35.5cm), signed.

€150 - 200

€150 - 200

162 Victor Price, 20th Century THE SALE / IT / THE GOOD COMPANION / GAS BEFORE OPERATION / ALL BY YOURSELF IN THE MOONLIGHT (5)

Pen and wash, a collection of five illustrated postcards from the 1930s, each 3½” x 5½” (9 x 14cm), addressed to Miss Ivy Price and Mrs Victor Price.

163 Liam Treacy 1934-2004 ARKLOW Oil on board, 10” x 8” (25.5 x 20cm), signed. €300 - 500

Provenance: The Oriel Gallery, Dublin, where purchased by the present owner. €400 - 600 72

164 Rose Brigid Ganley HRHA, 1909-2002 THE IRONWORKS, CLONSKEAGH Oil on board, 10” x 14” (25.5 x 35.5cm), signed, inscribed artist’s label verso.

165 Norah McGuinness HRHA 1901-1980 AUTUMN LEAVES Crayon, 10” x 13” (25.5 x 33cm), with artist’s stamp, inscribed verso.

€300 - 500

€200 - 400

166 Bernard Reynolds, Contemporary SNOW SCENE Oil on board, 13½” x 11” (34 x 28cm), signed.

167 Bernard Reynolds, Contemporary BOG LANDSCAPE Watercolour, 9” x 11” (23 x 28cm), signed. €100 - 200

€150 - 250

73

168 LIFE IN THE WEST OF IRELAND, DRAWN AND PAINTED BY JACK B YEATS, Maunsel & Co. London, 1912.

€100 - 200

Standard Conditions of Business 1. Definitions In these Conditions, de Veres Art Auctions, who act as auctioneers and agents for the vendor, are called ‘the auctioneers’ (which expression shall be deemed to include their servants and agents) and the representative of de Veres conducting the auction is called ‘The Auctioneer’.

2. Third Party Liability Every person at or on the ‘Auctioneers’ premises or at any premises being used by the Auctioneer at any time shall be deemed to be there entirely at his/her own risk and shall have no claim whatsoever against the Auctioneers or their servants or agents in respect of any accident or incident which may occur nor any injury, damage or loss howsoever arising and whether or not same is the subject of any allegation of negligence.

3. General Whilst the Auctioneers make every effort to ensure the accuracy of their catalogue and the description of any lot: (a) Each lot as set out in the catalogue or as divided or combined with any other lots or lots is sold by the vendor with all faults, imperfections and errors of description. (b) Any claim under any Statute must be received in writing by the Auctioneers within three months of the sale. (c) The Auctioneers shall not be liable for consequential or resultant loss or damage whether sustained by a Vendor or a Purchaser or the owner of any item or their respective servants and agents arising in any circumstances whatsoever and irrespective of any claim made by any party as to negligence or lack of care of the Auctioneers or any part acting on their behalf.

4. The Auction (a) The Auctioneer has absolute discretion to divide any lot, to combine any two or more lots or to withdraw any lot or lots from the sale, to refuse bids, regulate bidding or cancel the sale without in any case giving any reason or previous notice. He may bid on behalf of the vendor for all goods which are being offered subject to reserve or at the Auctioneer’s discretion. (b) The highest bidder shall be the buyer except in the case of a dispute. If during the auction the Auctioneer considers that a dispute had arisen. He has absolute discretion to settle it or to re-offer the lot. The Auctioneer may at his sole discretion determine the advance or bidding or refuse a bid. (c) Each lot is put up for sale subject to any reserve price placed by the vendor. Whether or not there is a reserve price the seller has the right to bid either personally or by any one person (who may be the Auctioneer). (d) All conditions, notices, descriptions, statements and other matters in the catalogue and elsewhere concerning any lot are subject to any statements modifying or affecting the same made by the Auctioneer from the rostrum prior to any bid being accepted for the lot.

5. Recession Notwithstanding any other terms of these Conditions, if within 12 months after the sale, the Auctioneers have received from the buyer any notice in writing that in his view the lot is a deliberate forgery and within twenty-one days after such notification the buyer returns the same to the Auctioneers in the same condition as at the time of sale and by producing evidence, the burden of proof to be upon the buyer satisfies the Auctioneers that considered in the light of the entry in the catalogue the lot is a deliberate forgery, then the sale of the lot will be rescinded and the purchase price of the sale refunded. In the event of a dispute then the matter shall be settled by the President of the Institution of Chartered Surveyors in the Republic of Ireland. Both the buyer and the vendor agree to be bound by the decision .

6. Default The Auctioneers disclaim responsibility for default by - either the buyer or the vendor because they act as Agents for the vendor only and therefore do not pay out to the vendor until payment is received from the buyer.

Instructions given by telephone are accepted at the sender’s risk and must be confirmed in writing forthwith.

7. In the event of a sale by private treaty both the vendor and the buyer agree to be found by these and any Special Conditions of Sale.

8. Retention of Title All goods remain the property of the vendor until paid for in full. The Auctioneers will not assume liability to discharge nett proceeds arising from the sale of goods until those goods have been paid for in full.

VENDOR’S CONDITIONS 9. Instructions All goods delivered to the Auctioneers’ premises will be deemed to be delivered for sale by auction and will be catalogued and sold at the discretion of the Auctioneer and accepted by them subject to all the Sale Conditions. By delivering the goods to the Auctioneers for inclusion in

their auction sales the vendor acknowledges that he or she has accepted and agreed to be bound by all these Conditions.

10. Collection and Deliveries The Auctioneers do not normally undertake the packing, collection or delivery of goods but will if requested use their best endeavors as Agent of the Owner to arrange for an independent contractor on the owner’s behalf to deal with packing, collection and/or delivery. The Auctioneer will not in any event arrange insurance of the goods and will accordingly not be liable for any loss or damage to goods howsoever arising including breakages or for any damage to premises, fixtures or fittings therein caused by such contractor or otherwise and the owner is responsive for all arrangements to verify that any such contractor and the goods is/are appropriately insured. Unless instructions are received to the contrary, charges (including VAT) for such services will be charged to the vendor’s account or discharged through the Auctioneers by the purchaser as the case may be. The Auctioneers’ liability (if any) will rise only where they themselves carry out packing and collection/delivery and only in the case of breakage or loss caused through deliberate negligence of their employees and in any event in one single contract and the Auctioneers’ liability will not exceed £500. Provided further than the Auctioneers will not be liable for consequential loss in any circumstances whatsoever.

11. Loss or Damage and Storage The Auctioneers reserve the right to store or arrange for the storage of goods held by them or delivered to them either on their own premises or elsewhere at their sole discretion and entirely at the owner’s risk. The Auctioneers shall not be liable for any loss (including consequential loss) howsoever caused of damage to goods of any kind including breakages, or for unauthorised removal of goods. Should the owner of goods so wish it will be his/her goods while they are in the possession of the Auctioneers.

12. Right to Re-sell The Auctioneer reserves the right to re-sell any item which has not been collected within thirty days of purchase.

13. 3% commission due to saleroom.com for lots purchased using Live Bidding.

14. Payment: Cash, bankers draft or cheque. With the exception of American Express, Credit cards are also accepted, subject to a charge 0f 1.5% on the invoice total. Debit and Laser cards are also accepted, at no charge, but are subject to daily limits as determined by your bank.

TERMS Purchaser 1. 19½%+ VAT will be added to the hammer price for each lot.

2. All accounts must be discharged by certified cheque, bank draft or cash.

3. The responsibility for items purchased passes to the purchaser on the fall of the hammer.

4. The Auctioneers reserve the right to look for 25% deposit on all goods.

VAT Regulations: All lots are sold within the auctioneers VAT margin scheme. Revenue Regulations require that the buyers’ premium must be invoiced at a rate which is inclusive of VAT. This VAT is not recoverable by any VAT registered buyers.

INDEX A Armstrong, A Alexander, D B Baker, F Ballard, B Behan, J Belton, L Biggs, F Boyle, K Brady, C Breathnach, B Butler, MA C Campbell, G Caracciolo, N Carron, W Carson, R.T Clear, C Cooke, B Cope, E Collins, P Collis, P Curling, P D Davey, R Davis, G Donovan, J Donovan, P Doran, C.M Dinan, J Dunne, B

89 160,161 12,78,79,80 46,53 121 126 115 147 36,90,103,104 69,70 13,17 44 14,15,93,94,95 40 21,21A,87 8 32 110,111 4 2,54,55,75 27 72,73 137,145,159 117 49,109 59 113 153

E Egan, F Egginton, F English, J F Finnin, M Fox, K Flanagan, TP G Ganley, R Gillespie, G H Hall, P Hanlon, JP Hanscombe, G Hartland, A Hayes, M A Hickey, D Hill, R Hone, G

66, 157 86 25

124 91 6

164 85

139 148,149 142 127 128 98 18 76

L Lamb, C Lawlor, J Lennon, C Leonard, P LeJeune, J Linehan, L Lohan, M Longueville, J Lynch, P

M Maccabe, G 10,28,39,42,71,92 Maccabe, M 155 Madderson, A 34,74,101 Marquis, JR 83 McDonnell, H 24 McGuinness, N 30, 165 McSweeney, S 22 Middleton, C 135 Mo, C E 67 Moore, N 138 Moore, Y 41 Morris, J 102,131 Moss, H W 144 Mulcahy, M 56,57,125 Murray, R 84

J Johnson,N 29

N Nisbet, T

K Keating, J Keating, S Kenny, A Kingerlee, J Korol, L

O O’Brien, G O’Colmain, S O’Malley, J O’Reilly, P O’Ryan, F Osborne, W.F

118 20 132,133 123,131,134,154 105

3 130 63 38,96 5 120 64 136 140,146

58,60,81,151,152 43 61,97 126A 68, 119,122 116,150 16

P Pearson, P Power, A Price, V Pye, P R Reynolds, B Robinson, M Russell, G S Sadler, W Schonhauser, H Schwatschke, J Scott, P Scully, S Shelbourne, A Shinnors, J Steyn, S Sutton, I

114 48 162 35

156,166,167 23,26,45 51

77 11 99,100,112 52 65 33 31,62 129 88

T Taylor, M Treacy, L

141 163

V Viale, P Von Essen, E

108 106

W Warren, B Webb, K Y Yeats, J.B

1,107 7,9, 21B

19,50

ART AUCTIONEERS & VALUERS

35 Kildare Street, Dublin 2. Tel: 01 676 8300 info@deveres.ie www.deveres.ie