M.Arch 2023

DEVANSHI PATEL SELECTED WORKS

DEVANSHI PATEL

22nd May 1998

Cincinnati, United States of America

+1 513-313-1561

devanshipatel22work@gmail.com

https://portfolio.cept.ac.in/student/patel-devanshi-piyush-ui4915

https://devanshipatel22wor.wixsite.com/devanshipatelworks-c

https://issuu.com/devanshi22work

https://www.linkedin.com/in/devanshi-patel-61785725a/

About me

“ ”

I firmly think that well-designed places have the power to revitalise the five senses that every livingbeing possesses. I try to visualise and design spaces that are uniquely impactful and experiential, yet let them stay rooted with traditional materials and methods that can embrace social and cultural context as well. I enjoy working on a junction’s detailing to enhance the user experience. I believe that to solve any design problem, focus on demand and the experience of the user matter the most, along with a funtional, strategic design solution.

Education

University of Cincinnati

Master’s in Architecture (2023-2026) (currently pursuing)

CEPT University , Ahmedabad , India

Bachelor’s in Interior Design (2015 - 2020) (5 Year Undergraduate Program)

Hochschule fur Technik, Stuttgart, Germany

International Exchange Student (2018 - 2019)

Bachelor’s in Interior Design Program

Languages

Interests

Conceptualization

Research and Development of Craft and its Techniques

History of Art and Architecture

Expertise

Sketching

Visualization and Presentation

Communication and Mangement

Skills

Software Skills

Analytical sketching

Working with wood and Metal prototypes and Junctions

Architectural Research Writting

Work Experience

Junior Interior Designer

HCPIA Pvt. Ltd| Ahmedabad | 2021 - Present

Got an experience to work on a big government Project that to when the site is far away from the work place.Hierarchy and Management of Project becomes the key feature in order to work on a big Projects with time bound deadlines.

My scope of work included the following.

• Interior Tender packages of 5 buildings of Centra Visa Redevelopment Project, New Delhi (In a group)

• Central Vista Project, New Delhi ; Furniture Layouts and Furniture Presentations and Furniture Datasheets for Executive Enclave Buildings.

• Flooring Pattern designs and Good for construction document for Executive Enclave.

• Door Design representing traditional Indian style for Executive Enclave, Vice President’s Enclave and Prime Minister’s Enclave.

• Prepared Client Presentation of Interior Design Concept for Exective Enclave.

• Conceptual Presentations and development for 4 buildings of Central Vista Project.

• Research and development about the certain specifications of materials , Elements , Local craft techniques etc

• Working drawing of few Furnitures for mass production at factory.

• Created Mood boards and Material Boards for 5-6 projects.

• Handled the Executive Enclave project as a Sub Head. My task included management and communication between Architecture team and Internal Interior Design Team apart from working on the package.

• Executive Enclave comprised of 4 Buildings where 3 are 4 storey an one building is 2 storey.

Hand Skills

Spatial Planning

Design Detailing

Conceptual Representation

Work Experience

Junior Interior Designer

Projects 3.14| Ahmedabad | 2020 - 2021

• Interior Layouts for Printing Press readapted to Pet Hospital.

• Research and development of a space requirement , equipments and Safety Standards for designing a Pet Hospital.

• GFC Furntiture Drawings of a Residential Project.

• Headed a 350 sq feet readaptation project. The project was to design a branding store for a young customized Furntiture and Rugs brand.

• Mood Boards , Client Presentations, 3D Modelling, Interaction with execution agency were key learnings while working for Pet Hospital and Retial Shop Project.

Internship

Xia Works | Stuttgart , Germany| 2019(4.5 months)

• Commercial Banquet Ceiling design Project for a hotel in Munich.

• From Conceptual development , Construction drawings, 3d modellling, Material Procurement, Interacting with vendors etc were a part of my tasklist while working on a banquet Ceiling Design Project.

• Architecture Drawings of a Outdoor Garage cum Barbeque Place.

Internship

ParkRaum| Stuttgart , Germany | 2018 (Freelancing)

• Worked on conceptual development of a healthcare retail shopalong with making 3d Models for visualization , Matrial Selection and attending site visits with Head Project Manger.

• 3d Models and Furniture drawings for Exhibition display units for a popup store of a Healthcare company.

Internship

Umang Shah Architects| Ahmedabad | 2018

• Worked on a residentail project in Ahmedabad from Concept, to Furniture Layouts , Furniture Detail Drawings, Kitchen drawings, Electical Layouts , Material Selections , Prototype drawings etc.

• Got a chance to attend client Meetings and Site Visits during Execution Stage.

Academic Research Writting

Transition of traditional Iraqi Courtyards of Bagdadh : Study through traditional Material, Style , Environmental and Social Influences.

Re-adapting Vernacular aspects into modern Architecture

: Discussion through works of Renzo Piano, Kengo Kuma, Tadao Ando and Charles Correa

Ancilliary

Documentation and Appreciation of Heritage of Ahmedabad

Exploring Fabric Processes

The Making of Goan Houses

Himalayan Raw Architecture

Accomplishments

Selected for an International Exchange programe at HFT, Stuttgart at Germany for one semester on Merit Basis in 2018.

Awarded the Best Capstone Project Award at CEPT University Level in 2020.

Awarded the Gold Medal under the Best Final Year Project Category by GICEA (Gujarat Institute of Civil Engineers and Architects )at State Level in 2021.

01

P&G OFFICE FOR FUTURE

Academic Project (Fall 2023): Reimaging the future of the workplace through adaptive reuse

Location: 8256 Union Centre Blvd, West Chester Township, Ohio Area: 3,74,400 sq feet

Office design for P and G revolves around the core principles of axis symmetry and the transformative power of natural light. Considering light as an important criterio to readapt the work space, roof plays the role of the a dynamic element, channeling light strategically into work areas, meeting rooms, and communal spaces. This concept emphasizes the duality of elements in your office design, highlighting the balance between solidity and transparency, function and aesthetics, and day and night functionality.

“The space creates an experience curated to optimize productivity, foster collaboration, and enhance wellbeing through the symbiotic relationship between design, light, and function.”

Site's emphasis on symmetry, axis, and the incorporation of contours in the front presents a unique opportunity to blend these features into an engaging office space design.

RELATION BETWEEN INTERIOR VS EXTERIOR

Columns of Sendai Complex

Convertile umbrella canopy as a shading/ light control element

Existing site column

Proposed multifunctional column

ELEMENTS BORROWED FROM THE PRECEDENT’S STUDY

Drawing inspiration from architectural marvels such as the Johnson Wax Museum's triple-height columns, the versatile utility columns reminiscent of Sendai serve a multitude of functions, including HVAC and staircase integration. Similarly, the convertible umbrellas, echoing the design ingenuity of the Medina Mosque, dynamically adjust to varying levels of direct sunlight, exemplifying adaptability and innovation.

Umbrella at Masjid Nawabi Mosque

Johnson Wax Headquaters

INTERIOR UMBRELLA EXTERIOR UMBRELLA

Exterior canopy serving as a parking space / with roof incorporated with solar panels and a rain water harvesting system

Water Pond

Rain water collection

1. OPEN CONDITION

2. SEMI-CLOSED CONDITION

3. FULLY CLOSED CONDITION

INTERIOR PARTITION

Facade Design

Relation between Interior - Exterior

Following the concept of solidity and transparency , a solid concrete core forms the heart of the structure, providing stability, privacy, and a sense of groundedness. Embracing this core is a striking glass envelope, serving as a dynamic interface with the external environment.

Facade Design

Relation between Interior - Exterior

A view of the facade from the exterior through countors (designed as a hangout/ breakout place)

Night view showning illuminating glass box and solid concrete walls.

Glass Facade

Water feature serving of rain water harvesting

“Architecture is an art of how to waste

Vault House Thin House

Academic Project (Spring 2024): Precedent study for Thin House

Location: Oxnard United States

Area: 3600 sq feet

The Thin House project draws inspiration and concepts from the Vault House precedent study, particularly in its utilization of unidirectional vaults. While maintaining the essence of vaulted spaces, modifications are made to the construction assembly. Horizontal planks are incorporated into the exterior framework, creating a play of negative and positive spaces that facilitate visual connectivity, even from the furthest reaches of the house.

Additionally, the project takes into account the existing site conditions, ensuring minimal disruption to the ecology while leveraging it to enhance the functionality of the Thin House through optimal light distribution.

Horizontal view

Black vertical members represent the solid structural memebers which obstruct the view from rear of the house tofront and white represents the clear vision

Axial Vaults

X , Y and Z directional vaults /openings

Linear Segmentation

Segmenting the vault house with the change in vault shape for each function of the house

Vaulted Volumes Directional Transparency

Vault House _ Johnston Marklee_Parti Diagrams

The building, despite its basic rectangular shape, features arched windows and recesses punctuating its volume from all angles. This design element is echoed inside, where vaulted doorways, rooms, and corridors create a continuous motif, culminating in a sweeping view of the beach and ocean.

By arranging stacked and unidirectional vaulted rooms within a straightforward rectangular structure, the parallel alignment of these rooms serves to enhance and extend the oceanfront vista. Adhering to local regulations, the house is elevated two meters above the sand and designed to collapse in the event of a tsunami, resulting in a split-level two-story layout with a garage tucked underneath at the rear.

A welcoming arched entrance guides visitors through a central courtyard, allowing natural light to permeate the interior while subtly dividing the living areas at the front from the bedrooms at the rear.

Thin house : Reading between lines

HORIZONTAL VIEW OF SIGHT VAULTED VOLUMES LINEAR SEGMENTATION

CUBOIDAL VOLUMES AND SKYLIGHT VAULT

CIRCULATION

COPY AND MIRROR OF UNDULATING VAULTS (SECTIONAL VIEW) DEVANSHI PATEL

DIRECTIONAL TRANSPARENCY

STAGGERING LEVELS ALIGNMENTS

THIN HOUSE: READING BETWEEN LINES VAULTED VOLUMES

THIN HOUSE: READING BETWEEN LINES DEVANSHI PATEL

HORIZONTAL VIEW OF SIGHT

Second floor Plan

First floor Plan

DIRECTIONAL TRANSPARENCY

VAULT HOUSE

DIRECTIONAL TRANSPARENCY

STAGGERING LEVELS ALIGNMENTS

DIRECTIONAL

Ground floor Plan

COPY AND MIRROR OF UNDULATING VAULTS (SECTIONAL VIEW)

CUBOIDAL VOLUMES AND SKYLIGHT VAULT

DIRECTIONAL TRANSPARENCY

VAULT HOUSE

DIRECTIONAL TRANSPARENCY

CIRCULATION

DIRECTIONAL TRANSPARENCY

STAGGERING LEVELS ALIGNMENTS

VAULTED VOLUMES

HORIZONTAL VIEW OF SIGHT

DIRECTIONAL TRANSPARENCY

DIRECTIONAL TRANSPARENCY VAULT HOUSE

VAULTED VOLUMES

COPY AND MIRROR OF UNDULATING VAULTS (SECTIONAL VIEW)

STAGGERING VAULT HOUSE

AXIAL VAULTS

Facade study 03

Academic Project (Fall 2023): Precedent study for Thin House

Location: Oxnard United States

Area: 3600 sq feet

The project was about to create a detailed design for a single-story structure featuring a crawl space beneath, constructed primarily with wood. The structure has a sloped roof and include significant glazing, with 40% of the total glazing area on the south side and 25% on the east side. Additionally, the entry point is situated on the east side of the building.

The facade design prioritizes privacy by limiting visibility from the interior to the exterior while restricting views from the exterior to the interior. To achieve this, a buffer space is incorporated between the facade and the interior glazing wall. This buffer space serves the dual purpose of preventing direct heat gain and minimizing wind exposure.

Misbehaved Tectonics 04

Academic Project (Spring 2024): Precedent study Radial cable tensile structure

Location: O2 Dome ,Londn, United Lingdom

The project explored the influence of different construction methods on a radial cable tensile structure precedent. 3D objects were developed based on this study, utilizing laser cutting, 3D printing, and CNC milling to explore various geometries and parametrics. By intentionally misusing and appropriating each fabrication process, new structural hybrids emerged. This iterative process facilitated the creation of a catalog showcasing diverse tectonic possibilities and their associated fabrication materials.

Considdering precend t study various iterations were tried to potray the nature of tensile cables and the fabric which is shaped with the geometry of the radially arranged tensile cables.The relation between soild and void volumes, supported and suspended solids etc were explored throup three processes.

Precedent Study, O2 Dome, London

O2 Dome,London_ Tensile Cable skeleton

O2 Dome, London_ Plan

O2 Dome, London_ Module

O2

O2

O2 Dome, London_Mirror and rotated modules

Dome, London_Solid vs Void

O2 Dome, London_Solid vs Void

Dome, London_Tensile Cable Skeleton

Supported Volumes

Core volume to bind support and suspended solid

Supported volumes

Supports, suspended volume and core

Supported stem rotated 22.5 degree

Supported stem rotated 15 degree

Supported stem rotated -15 degree

Void and Solid forms achieved by rotating the core stem to 3 different angles

Iterations of 3d volumes achieved by playing with angularity by rotating the stem

3d volume exploring the most tilted module on the top to least tilted at bottom

Iterations of 3d volumes achieved by playing with angularity by rotating the stem

05

Tectonics in Architecture

Academic Project (Fall 2023): Precedent study for Thin House

Location: Neue National Gallery, Berlin, Germany

Area: 53820 sq feet

This project is based on a precedent study of the works of Moshe Safdie and Tadao Ando. Several buildings by these architects were analyzed to inform the design of the exhibition space within the Neue National Gallery, originally designed by Mies van der Rohe.

The temporary interior exhibition structure within the building was designed by integrating the geometry of the building itself. Inspired by the solid and void forms of the arches found in many of Moshe Safdie’s buildings, these elements were strategically positioned around the periphery, serving as supports for suspended exhibition panels. The central interior structure features a grid of cubes with staggered levels, following the same geometry and proportions as those found in the works of both architects, Safdie and Ando. This space thus serves as a convergence between the modern and contemporary architectural styles of Moshe Safdie and Tadao Ando, showcasing their works within the iconic building designed by Mies van der Rohe.

Orchestration of lights are considered the major concept where light elements made of fabric an faceted planks are designed considering the architetcural style of both architects.

Study of comparision between the buildings by precedent architects

Existing Structural elements of neue National Gallery

Roof Grid

Transparent Walls

Floor Plate

Module 2

Module 3

Module 1

Peripherial

Peripherial

Fabric as element to diffuse light : Moshe Safdie

Play of facets to diffuse light: Tadao Ando

core exhibit system derived by he study of diffused light system explored by precedent architect

Exhibit system with fabric canopy derived from the sudy of presedent architects.

Photoshop Collage of the interior exhibit spaces to visualize look and feel

Collage shows the vies from the peripherial exhibit system made of fabric canopy which helps to control the direct glare and light received form the transparent glass wall on the structure.

The cuboidal grid derived from the extracting the grid present in roof of neue national gallery and the shiftin the level derived by the proportionsl study of the structured designed by both the architects.

The metal cuboidal frame contrubutes to the material i.e metal members used in the existing site by Mies Vander Rohe.

Photoshop Collage of the interior exhibit spaces to visualize look and feel

Collage shows the comparision between the fabric element as diffused light and facets on the other side as a diffused light element.

06

XYZ of ABC:

WELLS OF ASSEMBLY

Academic Project(Spring 2020): Public Space (Shop and Experience center for “WATER”)

Location: Prathma blood center , Ahmedabad

Area: 8000 sq meter

Site clearly has a void spaces formed between the original core working glass box which is wrapped as a skin of intuitive curved concrete walls. The huge 4.5 storey void between concrete curve walls and glass box create a sense of experience of a deep inside the Well from within. Three wells are experienced in the site all which intersects with each other as walls and thus interlocks as a volume at different heights. These wells (curved walls) are of different geometry so forms different scale of volumes. These strong geometry of the site influence the form and design with Kit of Parts.

Geometry

similar

a. Board (Form)

b. Board 50% reduced from original size + String

a. Board (Branching )

b. Board 50% reduced from original size+ String

a. Board (progression)

Form and

of

components for a Cantilever model

Analytical and Conceptual sketches of a Cantilever model

Cantilever Model Study; Form, Geometry, Structure and Proportions

Brief : Analyzing and studying the forces diagram for bending , torsion, shear and co mpression and understanding the role of each part given in designing the system such as stringer, stud, connector, bracing etc.

Learning Outcome: Form and Shape of element is very important part in order for a structure to be stable. Shaping the Kit of part should be such that it gives Form to the structure along with stability keeping in mind the material optimization.The role of same kit of part for making same, similar and different component to assemble a structually stable System.

Study of the sizes and proportions of a cantilever model Exploded Axonometirc view of the assembly of a cantilever model Component

b. Board 50% reduced from original size + string x 3

Third level +1050 cms

Proposed Floor Levels

Social Well for Water

Water in Agriculture Exibition and small activity.

Hydrotherapy as Activity. Water in Medicines.

Importance of Water in Aquatic life.

Exhibition

Activity for Relaxing mind through water.

Spiritual/Reliious Well for Water

Sound Therapy related to water to concentrate and focus mind in Spiritual way .

Existing Floor Levels

Voids as shop for Water

Juice from Fruits and vegetables. Water from oly Rivers , Lakes etc.

Water with addin special chemical compounds to boost immunity etc

Second level +650 cms

First level +450 cms

Research Well for Water

Small labaratory with research on water . Produce new products for Shop of Water.

Long Section showing Activity in Social Wells i.e Well 1 ,2 and 3 and Shop for Water.Activities such as hydrotherapy center, Exhibition for future life under Water, Activities related to need of water in Agriculture, Cafeteria Etc

View looking at Cash counter from Well2 towards Well1 Exhibition zone in the lowest well of Well2 right at entrance From Shop for Water.

View from Staircase of Cafeteria looking at Exhibition space of Well 2 with Direct light From Roof OTS covered with solar radiant glass.

View from Entry for Shop of Water looking towards Bridge 1 connecting well 1 with Research Well.

XYZ

Vertical Assembly Between components of each System i.e Wells, Bridge and skin.(Inter System) Horizontal Assembly Between each System i.e between Bridge, Well and Skin of Well. (Intra System)

Sandwich slab 200 mm thick 25 mm thick plywood on sandwiched with` T` section of 100 mm flange.

a. 25mm thick plywood

b. 30mm thick wooden stiffners

c. T section with height 100m and 100mm flange.

d. Plywood 25 mm thick divided in 12 equal parts to assemble with the cantilever Member from skeleton of WELL module.

Cantilever Member of Skeleton of Well tied togeather with an I section Ring of 150cms Diameter.

Branched modules of skeleton of Well tied togeather with a 60mm dia rod in Tension.

Assembling the modules of two different Subwells with a ring of I section running around lower periphery of upper Well and upper periphery of lower well Offsetted from each other to allow light to pass through from top to Bottom.

Scaling the half part of Subwell 1c such that bigger modules becomes a surface for Subwell 1c and floor Supports for Subwell 1d. Exploded

Primary Structure Suspended Volume Skin and Interior

Cafeteria open space as Functional requirement resulted in 4 modules of skeleton . To support structure central kitchen counter with structure to support the upper modules of skeleton of sub well 1d.

High stool sitting tabletop around the periphery to again supported open Structure of Sub well 1d.

Railing as a structural member tying floor with lower module of Skeleton of Subwell1 d.

Exhibition Panel for display of Exhibition on Future /Aquatic Life under Water.

Structure for Display of exhibition is an offset of Form of Well which partially transfers the load from Floor of Well 1d towards well 1c and further down.

Semi open space as a functional requirement to allow controlled light and vision in the space.

Waiting Area for appointment for hydrotherapy Center. Space with controlled light and vision.

Privacy as a key factor to this space. So skin as louvers which ties each module of sub well 1b and also allows controlled light entering the space.

Sitting is such that it again ties the Sub module of Sub well 1b. (Smaller modules of Sliced Form).

Display rack for shop of water is such that it surrounds well modules and act a a bracin and tied member for modules of Well ,which helps to transfer the load to round

Assembly of well 1 with bridge connecting well 1 (Social Well and Research Well)

Number of modules reduces and diameter increases moving upwards such that the curved surface of Site becomes a backdrop skin for subwells.

The density of members reduces moving upwards and functions are distributed such that least private spaces are planned at most top.

Skeleton of Well 1 + skin for each Well such that it becomes the Secondary Structure. Primary Frame of compression members spanning vertically to support bridges for circulation and suspend two Primary wells on both side of passage.

Bridge connecting Well1 of Social Well and Well 5 of Research Well

View from subwell 11b looking towards through louvers at bridge .

View from Bridge 1 connecting social well with research well with compression members of bridge anchored with well modules to suspend well.

View looking at Cash counter from Well2 towards Well1 Exhibition zone in the lowest well of Well2 right at entrance From Shop for Water.

XYZ of ABC: Wells of Assembly

Well 1 showing the quality/Ambience of interior space along with interior elements such as louvers. railings, glass cubicle, Sitting elements, Shop display element, Exibition Dispaly etc

Spacer between compression member (40 mm dia x 160 mm)

Tension rod (between 2 spacers)

Wooden sections 20 mm thick

“I” section (100 mm web) 50 mm flange circular bent in 4 quadrant.

“I” section( 80 mm web) 40mm flange for bracing two sections

Metal Gusset plate 45mm thick between wooden planks

Wooden Plank(triangular shape) 60 mm thick

Metal Plate 25 mm thick

Wooden sections 60mm thick

Isonometric detail of junction of vertical conncection with floor (Well levels).

XYZ of ABC: Wells of Assembly

Assembly of Well 1

Component of well 1a, 1b and 1c assembeled to develop a social well system with a combination of wooden compression member elements tied with metal rod which act as a tension member.

Social Well 1

Circular pipe 80 mm dia as junction for well with bridge 20mm plywood sandwich

I section (80mm web) 40 mm flange sandwich between plywood

T section with double web (100 mm) flange (100 mm)

20mm da holes for fixing cantilever wooden beam with sections.

DETAIL 2

Isonometric detail of junction of vertical connection of two same members of different volume of wells.

Sectional Perspective

07

Interpretation Center

Academic Project ( Spring 2018) Interpretation center for archaeological remains of Dholavira

Location: Dolavira Excavation Site , Gujarat

Area: 10,000 sq feet

Designing a space for interpretation center for the archeological elements which are excaved from excavation site of Dholavira. The design process was derived through a matrix of form and structure considering the environmental factors such as view , light , air and wind , climate insulation.

Interpretation Center

Matrix Diagrams for site with respect to light, wind, sun and view factor

INFERENCES

CONCEPT MODELS for Form Development

Exploded axonometric showing space planning

Section AA showing the space planning of the 5 bays central bay is circulation bay with with elevators. Right corner of the bay is the passage way towards shop and cafe. service with directors’ cabin, staff, and public toilets. 2nd and 4th bay (from the left) centre, auditorium, photo gallery.

SECTION AA

with ramps, and staircase

Left corner bay is the is the main interpretation

GROUND FLOOR PLAN

SECTION BB

Section BB showing the insertion of truss modules in between the concrete cavity walls. Inserted Truss modules are glazed with Louvers on the facade to allow the flow of air from west- east direction. The casteleted beam truss houses the louvers in the north direction to allow light inside the space.

SECTION 33

Section 33 showing the space divides in 3 halves in which the central space behaves as module for wind /air circulation levels in the other two modules helps in the clear view even from the other half of the building. Lower spaces are the public spaces (cafe, shop )which are easily accessible rather than the upper levels which are interpretation centre which needs to be more connected with the site visually.

SECTION 22

Section 22 cutting through the Ramp which is the connecting element for all the modules of truss which are staggered , scale and nested within the vertical walls along east-west direction.

Interpretation Center

Wall Section showing the joinery detils and the Material Specification of metall truss module and Concrete cavity walls

Sectional Model

Model showing how bridges made up of truss are inserted within two solid free standing concrete walls and floating roof helping wind and light to penetrate through the exhibition center without harming the content of the display.

Thus forming a space in a space with inner space with exhibition system which is a transparent cube inserted within a big rectalgular volume of space with Insulated roof and walls. Size : 1.2m x

Miscelleneous 08

Hands on Making

Experimenting with crafting wooden and metal furniture, incorporating a bamboo deck, and assembling a wooden sukkah presents an exciting opportunity to explore various materials and techniques. Additionally, the inclusion of glazed ceramics, red clay, acrylic lamps, and tie-dyeing methods further enriches the creative process, allowing for the fusion of different textures, colors, and forms. This interdisciplinary approach encourages the development of innovative and eclectic designs that are both aesthetically pleasing and functional.

Furniture: Wood and Metal

Wooden Folding Chair (Prototype)

This folding chair is designed for Sitting and Watching T.V. for a space designed by Frank Lloyd Wright (Robie house). The furniture designed reflects the ideology of linear vertical members along with horizontality which is reflected in the spaces designed by the architect.

Role : Concept and Design of the Furniture.

Prototype: Execution was done in a gorup of 4 people.

Furniture: Wood and Metal

Cantilever Bamboo Deck

The Building of small bamboo deck / pavilion space to scale so as to explore the various stages and structural aspects of this style of construction.

The learnings during the project included the study of the inherent properties of bamboo and it’s use in structural design during their site visits to ABARI projects but also were keen to train in making our joining mechanisms.

Step 01

Preparing foundation pit for the cantilever deck with column on both side with a connecting beam .

Digging a pit and then first filling up with stones and then ramming it so that the earth stays at a place and gives a plain clean surface for frame work to rest and concrete to be poured.

Step 02

Selecting bamboo and processing it. For structural use bamboo should always be selected from the shorter side i.e from the side where there is lesser distance between two nodes. Then sanding the nodes and making it smooth for aesthetics and also to avoid wear and tear.

Applying varnish on bamboo for aesthetics and to protect it from rain, sun, wind etc.

Step 03

Making fish mouth joinery in bamboo and fixing it with barrel nut and threaded rod.Horizontal 45 degree bracing drilling on site while assembling and tying it with threaded rod and nut. Fixing bamboo with threaded rod while rotating it which was inserted in concrete beam.Fixing and tighting nut with key.

Ceramics and Glazing

Ceramics and Glazing

Red Clay Form

Red Clay Form

Plaster of Paris Form

Ceramics

Exploring Materials:

Clay,Ceramics and Acrylic

Red clay : making forms of leaf, hand with position, carving out space from a cube .

Ceramic: Developing forms inspired from Warli art. The black and white element assembled out of triangles.Techniques adn types of spray glazing with double coloue were experimented.

Acrylic : making lamps for Navaratri made out of black opaque acrylic lazrcut sheets. (9 day festival in gujarat) (group of 4)

Ceramics and Glazing

Red Clay Form

Working with wood|Sukkah

Working with wood|Sukkah

Working with wood|Sukkah

Working with wood|Sukkah

Brand Wall Concepts

The brand concept is developed by taking the inferences from the expressions ,language, style, material, form and colour of the Furnitures and inteior elements designed by brand Arisaa.

Toning down the background shades such that the brand wall is highlighed through the dark blink red and blue color.

Arch shape infered from the forms and the shape of the furniture. Black powder coated metal frame complimenting the sleekness also presented in the furniture elements.

Conceptualization

The design of the products played an important role while conceptualizing the space.

The pop colours in the furnitures drived the idea to keep the background plain and add a bright touch of colour to the ceiling which will also play a role of binding element to unify and enlarge the whole space visually.

The central stage is to display the new upcomming exclusive range of furniture

Conference Table of the Main Office

Material Used: Wooden plank + Fluted glass + Light wood Inlay

MASTER BED LAYOUT FRONT ELEVATION

Master bed

SIDE ELEVATION