PROGRAM: Mark Morris Dance Group: The Look of Love
BOARD OF DIRECTORS
JULY 1, 2024— JUNE 30, 2025
CHAIR
Ethan D. Davidson
VICE CHAIR
Mary Kramer
VICE CHAIR
Denise J. Lewis
VICE CHAIR
Don Manvel
PRESIDENT/CEO
Patty Isacson Sabee
SECRETARY
Gene P. Bowen
TREASURER
Bharat C. Gandhi
IMMEDIATE PAST CHAIR
R. Jamison Williams
Naomi André
Richard A. Brodie
Kevin Dennis
Lisa M. DiChiera
Shauna Ryder Diggs
Enrico DiGirolamo
Maria C. Duey
Marianne Endicott
Fern R. Espino
Paul E. Ewing
John W. Ingle III
Barbara Kratchman
Dexter Mason
Ali Moiin
Donald Morelock
Allan Nachman
Ann Nicholson
Sara Pozzi
Paul Ragheb
Ruth Rattner
Irvin D. Reid
Pamela E. Rodgers
Evan D. Ross
Terry Shea
Matthew Simoncini
Richard Sonenklar
Peter C. Stern
Lorna Thomas
Jesse Venegas
Gary L. Wasserman
Ellen Hill Zeringue
DIRECTORS EMERITI
Elizabeth Brooks
Shelly Cooper
Marjorie M. Fisher
Herman Frankel
Dean Friedman
Jennifer Nasser
Charlotte Podowski
Audrey Rose
C. Thomas Toppin
Richard Webb
BOARD OF TRUSTEES
JULY 1, 2024— JUNE 30, 2025
Lourdes V. Andaya
Naomi André
Harold Mitchell Arrington
Barbra Bloch
Gene P. Bowen
Richard Brodie
Charles D. Bullock
Thomas Cohn
Françoise Colpron
Peter & Shelly Cooper
Ethan & Gretchen Davidson
Kevin Dennis & Jeremy Zeltzer
Cristina DiChiera
Lisa M. DiChiera
Shauna Ryder Diggs
Enrico & Kathleen DiGirolamo
Debbie Dingell
Mary Jane Doerr
Maria C. Duey
Kenneth & Frances Eisenberg
Marianne Endicott
Alex Erdeljan
Fern R. Espino & Thomas Short
Paul & Mary Sue Ewing
Margo Cohen Feinberg & Robert Feinberg
Oscar & Dede Feldman
Carl & Mary Ann Fontana
Bharat & Lynn Gandhi
Barbara Garavaglia
Yousif & Mara Ghafari
Toby Haberman
Derek Hodgson
John & Tara Ingle III
Patty Isacson Sabee & David Sabee
Jill Johnson
Ellen Kahn
Stephanie Germack Kerzic
Mary Kramer
Michael & Barbara Kratchman
Linda Dresner & Ed Levy Jr.
Denise J. Lewis
Arthur & Nancy Liebler
Stephan & Marian Loginsky
Mary Alice Lomason
Don Manvel
Jack Martin & Bettye Arrington-Martin
Dexter Mason
Benjamin Meeker & Meredith Korneffel
Phillip D. Minch
Ali Moiin & William Kupsky
Donald & Antoinette Morelock
E. Michael & Dolores Mutchler
Allan & Joy Nachman
Ann Nicholson
Juliette Okotie-Eboh
Linda Orlans
Spencer & Myrna Partrich
Margaret Pehrson
Sara Pozzi
Waltraud Prechter
Ted & Carrie Pryor
Paul & Amy Ragheb
John & Terry Rakolta
Ruth F. Rattner
Irvin D. Reid & Pamela Trotman Reid
Pamela E. Rodgers
Jacqueline Roessler
Audrey Rose
Evan & Kelsey Ross
Anthony & Sabrina Rugiero
Terry Shea
Matthew & Mona Simoncini
Sheila Sloan
Richard A. Sonenklar & Gregory Haynes
Mary Anne Stella
Peter C. Stern
Lorna Thomas
James G. Vella
Jesse & Yesenia Venegas
Jeff & Amy Voigt
Bradley Wakefield & Meghann Rutherford
Gary L. Wasserman
R. Jamison & Karen Williams
Ellen Hill Zeringue
Mary Lou Zieve
TRUSTEES EMERITI
Agustin Arbulu
Lawrence & Dodie David
Dean & Aviva Friedman
Preston & Mary Happel
Robert & Wally Klein
Charlotte & Charles Podowski
Marjorie Sandy
Roberta Starkweather
C. Thomas & Bernie Toppin
FOUNDING MEMBERS
Lynn* & Ruth* Townsend
Avern* & Joyce* Cohn
John & Mardell* De Carlo
David* & Karen V.* DiChiera
Aaron* & Bernice* Gershenson
Donald* & Josephine* Graves
Roman* & Katherine* Gribbs
John* & Gwendolyn* Griffin
Harry* & Jennie* Jones
Wade* & Dores* McCree
Harry J. Nederlander* E. Harwood Rydholm*
Neil & Phyllis* F. Snow
Richard* & Beatrice* Strichartz
Robert* & Clara* “Tuttie” VanderKloot
Sam* & Barbara* Williams
Theodore* & Virginia* Yntema
KEY *Deceased
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A message from Patty Isacson Sabee
Welcome to our 24/25 Season!
We are thrilled to host you at the glorious Detroit Opera House with a much fuller series of programs than last year, producing four powerful operas on our main stage and doubling the number of dance companies we present. We are delighted to embrace so many new and renewing subscribers and to see our dance fans join us for opera—and vice versa.
In our 54th season, we are proud to open with the news that Yuval Sharon, our Gary L. Wasserman Artistic Director, has renewed his relationship with Detroit Opera through the 27/28 season. A visionary leader, he continues to build on this company’s legacy of innovation and sets the stage for ever more creative and unexpected ways to transform our experience of opera and dance.
And while he has been busy with dynamic projects here and abroad, he somehow found the time to write a book! A New Philosophy of Opera was published in September to critical acclaim and animated discussion in many major media outlets. I encourage you to explore what the Washington Post describes as “an infectious ode to opera.” We look forward to continued engagement and conversations with you about our role in the bright, bold future of our beloved art form.
We hope you find many transformative moments in our productions this season. Your generosity is crucial to our work, as is the leadership support of The William Davidson Foundation in sponsoring the 24/25 season at Detroit Opera. We are proud to have earned their investment in the vitality of our community.
On behalf of the Board, staff, volunteers, and hundreds of eclectic, opinionated, and creative workers from the Detroit region and beyond, we are so delighted to share the enchantment of this season with you.
Patty Isacson Sabee President & CEO, Detroit Opera
FEB 22, 2025 / SAT / 7:30PM
FEB 28, 2025 / FRI / 7:30PM
MAR 02, 2025 / SUN / 2:30PM
MUSIC GEORGE FRIDERIC HANDEL
LIBRETTO GIACOMO ROSSI
Handel’s Baroque blockbuster is viewed through the lens of a child’s fantasy in a contemporary pediatric ward. The young patients venture on a heroic journey, where knights, sorcerers, monsters, and magic are used as a salve for unimaginable challenges. Countertenor Anthony Roth Costanzo leads the talented cast in Louisa Proske’s reimagined production, conducted by Detroit Opera Music Director Roberto Kalb.
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EVAN ZIMMERMAN
A message from Jon H. Teeuwissen
Welcome to Dance @ Detroit Opera!
The 24/25 season features an eclectic mix of six worldclass companies, four of them accompanied by live music. Our dance season presents the widest possible spectrum of dance styles, including modern dance, classical ballet, and contemporary ballet.
Mark Morris Dance Group opens the fall season with The Look of Love, a loving tribute to one of pop music’s greatest songwriting teams, Burt Bacharach and Hal David. Mark Morris has been described as “indisputably the most musical” choreographer by The New York Times. Many in the audience will be familiar with Bacharach’s music, but his songs sound completely fresh in new arrangements by Ethan Iverson, sung and played live. Fourteen selections include “Raindrops Keep Falling on My Head,” “Walk on By,” and “I Say a Little Prayer,” the latter recorded in the 1960s, first by Dionne Warwick and then by Aretha Franklin. This piece is bound to be loved by “Anyone Who Had a Heart.”
Les Ballets Trockadero de Monte Carlo, celebrating its 50th-anniversary season, presents an evening of great classical works, but with a comic twist. This all-male ensemble—also known as the Trocks—dances both the male and female roles, offering some seriously proficient pointe work in excerpts from classics such as Swan Lake. They pay homage to and parody well-known choreography by the likes of George Balanchine and Merce Cunningham. The Trocks perform an exaggerated, hilarious version of iconic ballerina Anna Pavlova’s most famous ballet solo, The Dying Swan. This signature piece is serious fun!
Complexions Contemporary Ballet debuts at the Detroit Opera House just in time for its 30th anniversary. Co-founded by two former Ailey dancers as “a concept in dance,” Complexions originally featured dancers from the major New York-based companies such as Joffrey, Ailey, and Dance Theatre of Harlem. What started as a project evolved into a well-respected, inventive contemporary ballet company that tours internationally. The repertoire features choreography by Dwight Rhoden that melds classical and contemporary ballet. The first half of the program, danced to classical music, includes my favorite Rhoden pas de deux, Ave Maria, and will feature a live performance by soprano Brianna Robinson, one of Detroit Opera’s 24/25 Resident Artists. A brand-new spoken-word piece by Aaron Dworkin will be performed to Global Warming by Michael Abels, co-composer of the 2023 Pulitzer Prize-winning opera Omar. The second half, Love Rocks, is choreographed to the music of Lenny Kravitz. I promise that you will leave the opera house feeling the love!
Jon H. Teeuwissen Artistic Advisor for Dance
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Detroit Opera Youth Chorus presents
DECEMBER 15, 2024
@2:00PM AT DETROIT OPERA HOUSE TICKETS AVAILABLE AT DETROITOPERA.ORG
Operetta Remix
This summer, Operetta Remix, a camp for aspiring artists ages 13-18, performed at DO with a company of 24 students. The students worked with experienced opera and theater professionals to develop their skills in singing, acting, stage movement, healthy vocal technique, and audition practice. The repertoire included pieces from the operetta, opera, and musical theater canon.
Create & Perform
Making a successful return to our summer programming, Create & Perform recently welcomed students ages 8-12 for an innovative two-week program. These young artists created their own stories, dances, and music compositions, culminating in a performance at Detroit Opera titled Wonderland: No Town Like Motown
Questions about summer programs?
Contact Director of Education Branden Hood at bhood@detroitopera.org or Associate Director of Education Mark Vondrak at mvondrak@detroitopera.org
The Future of Opera. Built in Detroit.
Introducing our National Circle giving society
If you are a proud champion of all things “Detroit-made” and an advocate of operatic distinction and innovation on a national—and even international—level, then you belong in our newly established National Circle giving society.
Through your generous annual gift of $25,000 or more, you will be making a resounding statement demonstrating your profound passion for our art form and unwavering belief in its potential to affect meaningful change. It is a vote of confidence in our intention to present a broad spectrum of operatic experiences—from the traditional, time-honored gems of the repertoire to living-and-breathing contemporary creations and re-imaginings—that bring together people of all ages and backgrounds, and inspire timely and important conversations.
It’s Your Turn to Be in the National Spotlight
To learn more about the National Circle and associated donor benefits, please contact Juliano Bitonti Stewart, Director of Development, at 313.965.4271 or jstewart@detroitopera.org.
“We want to be very inclusive in creating the National Circle because it’s all about supporting Detroit Opera on a national stage. So if you care about Detroit, if you care about opera, and if you care about the integral role Detroit Opera plays in shaping the future of both of those important things, then we would like to welcome you to be a part of what we’re doing.”
Barbara Walkowski, National Circle Founding Chair
MARK MORRIS DANCE GROUP THE LOOK OF LOVE
SAT NOV 2, 7:30PM
PRE-PERFORMANCE TALK 6:30PM
SUN NOV 3, 2:30PM
PRE-PERFORMANCE TALK 1:30PM
No photography or video during the performance is allowed. Please silence all phones.
DURATION: 65 MINS – NO
These performances of The Look of Love are presented by
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SKYE SCHMIDT
MARK MORRIS DANCE GROUP
Mica Bernas Karlie Budge Sarah Hillmon
Courtney Lopes
Griffin Massey** Claudia McDonald**
Dallas McMurray Alex Meeth*
Brandon Randolph Christina Sahaida Billy Smith
Joslin Vezeau Noah Vinson
MMDG MUSIC ENSEMBLE
Clinton Curtis Marcy Harriell
Ethan Iverson Nadje Noordhuis Blaire Reinhard
Vinnie Sperrazza Simón Willson
*Apprentice
**Understudy
ARTISTIC DIRECTOR
Mark Morris
EXECUTIVE DIRECTOR
Nancy Umanoff
Official Tour Sponsor
Major support for the Mark Morris Dance Group is provided by members of the GRAND DUO CIRCLE with annual gifts of $12,000 or more. HERO $500,000+ Elizabeth Amy Liebman. LEADER $125,000-$249,999 The Beth and Ravenel Curry Foundation, Fidelity Charitable Foundation, Judith R. and Alan H. Fishman, Howard Gilman Foundation, Vanguard Charitable. STAR COLLABORATOR $50,000-$124,999 Anonymous, Bloomberg Philanthropies, Dance/NYC’s New York City Dance Rehearsal Space Subsidy Program, made possible by The Mellon Foundation, The Fan Fox & Leslie R. Samuels Foundation, Shelby and Frederick Gans, Mrs. Candace and Dr. Vincent Gaudiani, Laurie M. Tisch Illumination Fund, Sully Bonnelly and Robert Littman, New York City Department of Cultural Affairs in Partnership with the City Council, PARC Foundation, Antony Peattie, The Shubert Foundation. STAR SPONSOR $25,000-$49,999 Anonymous, Jody and John Arnhold, Eliot Nolen and Timothy Bradley, Bernice Greene, John and Tommye Ireland (in memoriam), Suzy Kellems Dominik, Mark Morris, The SHS Foundation. STAR SUPPORTER $12,000-$24,999 Anonymous, Billy Rose Foundation, Lucy Bowen McCauley, Con Edison, Susan DeLong, Neil Ericsson and Karen Florini, The Gladys Krieble Delmas Foundation, York-Chi and Stephen Harder, Impact Assets, Jewish Communal Fund, Amanda Gluibizzi and Christian Kleinbub, Leatherwood Foundation, Manson Family and Stanley J. Wertheimer Fund Donors, National Endowment for the Arts, Sarabeth Berman and Evan Osnos, Robert Wood Johnson Foundation, Schwab Charitable, Jolie Curtsinger Schwartz and Gabriel Schwartz, David Resnicow and Diane Solway, Nancy Umanoff, Mary Ann Casavant and Scott Wilson, June and Jeffrey Wolf.
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JULIETA CERVANTES
T H E LO O K O F LOV E
Music by Burt Bacharach
Lyrics by Hal David
Lyrics from “The Blob” by Mack David Arranged by Ethan Iverson
Choreography by Mark Morris
Costume and Production Design by Isaac Mizrahi
Lighting Design by Nicole Pearce
Alfie
What the World Needs Now
I’ll Never Fall in Love Again
Message to Michael Raindrops Keep Falling on My Head
Do You Know the Way to San Jose Anyone Who Had a Heart Walk on By Don’t Make Me Over Are You There (With Another Girl) The Blob
Always Something There to Remind Me
The Look of Love I Say a Little Prayer
Used by permission. All rights reserved.
Marcy Harriell, lead vocals; Ethan Iverson, piano; Nadje Noordhuis, trumpet; Simón Willson, bass; Vinnie Sperrazza, drums; Clinton Curtis and Blaire Reinhard, background vocals
Mica Bernas, Karlie Budge, Sarah Hillmon, Courtney Lopes, Dallas McMurray, Alex Meeth, Brandon Randolph, Christina Sahaida, Billy Smith, Noah Vinson
The Look of Love is a production of the Mark Morris Dance Group; BAM; BroadStage, Santa Monica; Cal Performances, UC Berkeley; The Jay and Susie Gogue Performing Arts Center at Auburn University; Hopkins Center for the Arts at Dartmouth; and Krannert Center for the Performing Arts, University of Illinois Urbana-Champaign in association with Arizona Arts Live, University of Arizona; Harriman-Jewell Series; The John F. Kennedy Center for the Performing Arts; Modlin Center for the Arts at University of Richmond; Moss Arts Center at Virginia Tech; Marybelle and Sebastian P. Musco Center for the Arts; Tennessee Performing Arts Center; UC Santa Barbara Arts & Lectures; and Virginia Arts Festival.
This program will be performed without an intermission.
MARK MORRIS ARTISTIC DIRECTOR
Mark Morris was born on August 29, 1956, in Seattle, Washington, where he studied with Verla Flowers and Perry Brunson. In the early years of his career, he performed with the companies of Lar Lubovitch, Hannah Kahn, Laura Dean, Eliot Feld, and the Koleda Balkan Dance Ensemble. He formed the Mark Morris Dance Group (MMDG) in 1980 and has since created over 150 works for the company. From 1988 to 1991, he was Director of Dance at Brussels’ Théâtre Royal de la Monnaie, the national opera house of Belgium.
In 1990, he founded the White Oak Dance Project with Mikhail Baryshnikov. Much in demand as a ballet choreographer, Morris has created 22 ballets since 1986, and his work has been performed by companies worldwide, including San Francisco Ballet, American Ballet Theatre, Ballet am Rhein, Dusseldorf, and the Royal New Zealand Ballet. Noted for his musicality, Morris has been described as “undeviating in his devotion to music” (The New Yorker).
He began conducting performances for MMDG in 2006 and has since conducted at Tanglewood Music Center, Lincoln Center, and BAM (Brooklyn Academy of Music). He served as Music Director for the 2013 Ojai Music Festival. He also works extensively in opera, directing and choreographing productions for the Metropolitan Opera; New York City Opera; English National Opera; and The Royal Opera, Covent Garden; among others. He was named a Fellow of the MacArthur Foundation in 1991 and has received eleven honorary doctorates to date. He has taught at the University of Washington, Princeton University, and Tanglewood Music Center. A Doris Duke Artist, Morris is a member of the American Academy of Arts and Sciences and the American Philosophical Society, and has served as an Advisory Board Member for the Rolex Mentor and Protégé Arts Initiative.
He has received the Samuel H. Scripps/American Dance Festival Award for Lifetime Achievement, the Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society, the Benjamin Franklin Laureate Prize for Creativity, the International Society for the Performing Arts’ Distinguished Artist Award, Cal Performances Award of Distinction in the Performing Arts, the Orchestra of St. Luke’s Gift of Music Award, and the 2016 Doris Duke Artist Award. In 2015, Morris was inducted into the Mr. and Mrs. Cornelius Vanderbilt Whitney Hall of Fame at the National Museum of Dance in Saratoga Springs, New York. Morris opened the Mark Morris Dance Center in Brooklyn, New York, in 2001 to provide a home for his company, subsidized rental space for local artists, community education programs for children and seniors, and a school offering dance classes to students of all ages and levels of experience with and without disabilities. Morris's memoir, Out Loud , co-written with Wesley Stace, was published in paperback by Penguin Press in October 2021.
The MARK MORRIS DANCE GROUP was formed in 1980 and gave its first performance that year in New York City. The company’s touring schedule steadily expanded to include cities in the United States and around the world, and in 1986 it made its first national television program for the PBS series Dance in America . In 1988, MMDG was invited to become the national dance company of Belgium and spent three years in residence at the Théâtre Royal de la Monnaie in Brussels. The Dance Group returned to the United States in 1991 as one of the world’s leading dance companies. Based in Brooklyn, New York, MMDG maintains strong ties to presenters in several cities around the world, most notably to its West Coast home, Cal Performances in Berkeley, California, and its Midwest home, the Krannert Center for the Performing Arts at the University of Illinois at Urbana-Champaign. In New York, the company has performed at New York City Center’s Fall for Dance Festival, regularly performs at Lincoln Center for the Performing Arts’ Mostly Mozart and White Light Festivals, and collaborates yearly with BAM on performances and master classes. From the company’s many London seasons, it has received two Laurence Olivier Awards and a Critics’ Circle Dance Award for Best Foreign Dance Company. Reflecting Morris's commitment to live music, the Dance Group has featured live musicians in every performance since the formation of the MMDG Music Ensemble in 1996. MMDG regularly collaborates with renowned musicians, including cellist Yo-Yo Ma, pianist Emanuel Ax, mezzo-soprano Stephanie Blythe, and jazz pianist Ethan Iverson, as well as leading orchestras and opera companies, including the Metropolitan Opera, English National Opera, and the London Symphony Orchestra. MMDG frequently works with distinguished artists and designers, including painters Robert Bordo and the late Howard Hodgkin, set designers Adrianne Lobel and Allen Moyer, costume designers Isaac Mizrahi and the late Martin Pakledinaz, and many others. MMDG’s film and television projects include Dido and Aeneas, The Hard Nut , Falling Down Stairs, two documentaries for the U.K.’s South Bank Show, and PBS's Live from Lincoln Center. In 2015, Morris's signature work L’Allegro, il Penseroso ed il Moderato had its national television premiere on PBS’ Great Performances. While on tour the Dance Group partners with local cultural institutions and community organizations to present arts and humanities-based activities for people of all ages and abilities.
The MMDG MUSIC ENSEMBLE , formed in 1996, is integral to the Dance Group. “With the dancers come the musicians…and what a difference it makes” (Classical Voice of North Carolina). The Ensemble’s repertory ranges from 17th and 18th century works by John Wilson and Henry Purcell to more recent scores by Ethan Iverson, Lou Harrison, and Henry Cowell. The musicians also participate in the Dance Group’s educational and community programming at home and on tour. The Music Ensemble is led by Colin Fowler, who began to collaborate with MMDG in 2005 during the creation of Mozart Dances.
BURT BACHARACH | MUSIC
Burt Bacharach (1928-2023) was one of the world's most acclaimed, award-winning composer/songwriters. His music is as diverse as his audiences, spanning generations and continents, as he is celebrated both as a pop culture icon and one of the world’s greatest contemporary composers. Bacharach’s credits read like the world’s favorite radio stations’ playlist: “Alfie,” “Arthur’s Theme,” “Close To You,” “Do You Know The Way To San Jose,” “I Say A Little Prayer,” “I'll Never Fall In Love Again,” “This Guy’s In Love With You,” “Walk On By,” “What The World Needs Now Is Love,” and “Wishin' And Hopin’” are among just the 48 top ten hits and nine #1 songs. Bacharach and Hal David were the recipients of the 2012 Library of Congress Gershwin Prize for Popular Song. The prize is awarded to musicians whose lifetime contributions in the field of popular song exemplify the standard of excellence associated with the Gershwins. Bacharach and David received the Library’s Gershwin Medal in May 2012 at an all-star tribute in Washington, DC. Bacharach’s memoir, Anyone Who Had a Heart , was released in May 2013. For the first time in his long and astonishing career, Bacharach told his story of love, heartbreak, success, failure, and unbridled ambition in Anyone Who Had a Heart, which is named after one of many songs Bacharach and David wrote for Dionne Warwick. The memoir was published by HarperCollins. Bacharach composed his first film score in 16 years for John Asher’s autism-based drama film Po. The film was released in April 2016. Po tells the story of a recently widowed father struggling to raise his ten-year-old son who has autism. Bacharach and Daniel Tashian released two new songs called “Moon Over Wichita” and “Heartbreak Storms” via Big Yellow Dog Music in April 2022. The songs are a continuation of their Grammy nominated Blue Umbrella EP, released in 2020, and Blue Umbrella (The Complete Recordings), which was released in 2021 and featured four never-before-heard songs. Bacharach and Steven Sater's Some Lovers, featuring vocal performances from some of Broadway's most beloved co-stars, was released on November 26, 2021. The album was nominated for a Grammy Award for Best Musical Theater Album.
HAL DAVID | LYRICS
Hal David (1921-2012) is known for his award-winning lyrics that have been featured in films, Broadway shows, and music charts throughout his career. Being honored through numerous Grammys, the NARM Presidential Award, and more, he is most known for his collaborations with composer Burt Bacharach, whom he met in 1957. The two wrote their first hit, "The Story of My Life," and then continued to write iconic American pop songs throughout the 1960s and '70s. In 2012, David and Burt Bacharach received the Gershwin Prize for Popular Song. But the duo was not just known for the pop songs they created. They also wrote for movies, with four of their songs being nominated for Academy Awards: “What’s New, Pussycat?,” “Alfie,” “The Look of Love,” and “Raindrops Keep Falling on My Head.” “Raindrops Keep Falling on My Head” also won an Oscar in 1970. Lincoln College bestowed a Doctor of Music degree on David for his contribution to American music. In October of 2007, David received an Honorary Degree from the Five Towns College in Long Island, and, in addition, they named their new Music Library building The Hal David Music Library. David was a member of the Nashville Songwriters Hall of Fame and was the first non-British person to receive the Ivor Novello Award from the British Performing Rights Society.
ETHAN IVERSON | ARRANGER, PIANO
Pianist, composer, and writer Ethan Iverson first came to international prominence as a founding member of The Bad Plus, a game-changing collective with Reid Anderson and David King. The New York Times called TBP “Better than anyone at melding the sensibilities of post-60’s jazz and indie rock.” During his 17-year tenure, TBP performed in venues as diverse as the Village Vanguard, Carnegie Hall, and Bonnaroo; collaborated with Joshua Redman, Bill Frisell, and the Mark Morris Dance Group; and created a faithful arrangement of Igor Stravinsky’s The Rite of Spring and a radical reinvention of Ornette Coleman’s Science Fiction. Since leaving TBP, Iverson has kept busy. In 2017, he co-curated a major centennial celebration of Thelonious Monk at Duke University and premiered the evening-length Pepperland with the Mark Morris Dance Group. In 2018, he premiered an original piano concerto with the American Composers Orchestra and released a duo album of new compositions with Mark Turner on ECM. In 2019, he released Common Practice with Tom Harrell on ECM, standards tracked live at the Village Vanguard. In 2021, he released the big band work Bud Powell in the 21st Century and was featured on the March cover of DownBeat. In 2022, he released Every Note is True on Blue Note records, an album of original music with Larry Grenadier and Jack DeJohnette. Iverson has also been in the critically-acclaimed Billy Hart Quartet for well over a decade and occasionally performs with elder statesmen like Albert “Tootie” Heath or Ron Carter or collaborates with noted classical musicians like Miranda Cuckson and Mark Padmore. For almost 20 years, Iverson’s website Do the Math has been a repository of musician-to-musician interviews and analysis. Time Out New York selected Iverson as one of 25 essential New York jazz icons: “Perhaps NYC’s most thoughtful and passionate student of jazz tradition—the most admirable sort of artist-scholar.” Iverson has also published articles about music in The New Yorker, NPR, The Nation, and JazzTimes.
COLIN FOWLER | MUSIC DIRECTOR
Colin Fowler began his musical study at the age of five in Kansas City, went on to study at the Interlochen Arts Academy, and continued his education at The Juilliard School, where he received his Bachelor of Music in 2003 and his Master of Music in 2005. While at Juilliard, he studied piano with Abbey Simon, organ with Gerre Hancock and Paul Jacobs, harpsichord with Lionel Party, and conducting with James dePriest and Judith Clurman. A versatile musician and conductor, Fowler works in many areas of the music scene in New York City. He is a veteran conductor and keyboardist of many Broadway shows, including Jersey Boys, In the Heights, Wicked, and the Radio City Christmas Spectacular. As a classical soloist and collaborative artist, he has performed and recorded with many world-renowned musicians and ensembles, including Deborah Voigt, Renée Fleming, The Knights, and the Los Angeles Philharmonic. He has arranged and conducted for numerous TV and film productions, including Yellowstone and Greta Gerwig's Little Women. He began to collaborate with the Mark Morris Dance Group in 2005 and has performed over 60 pieces with the company on almost every keyboard instrument possible, including the harmonium and toy piano. He has conducted performances of Mozart Dances, Acis and Galatea, The Hard Nut, and L’Allegro, il Penseroso ed il Moderato, and helped edit and create over 15 videodances with Mark Morris during the pandemic. Hailed by The New York Times as “invaluable” and “central to Morris's music,” he was appointed Music Director in 2013.
MARCY HARRIELL | LEAD VOCALS
Marcy Harriell is a singer, actress, and designer. Music was as mandatory as air for the daughter of a truck-driving trumpeter and a gardening artist. In her childhood home, she delighted in drilling arias while jazz greats played in the background. Her ability to passionately embrace diverse vocal styles has made her a standout in New York theatre. Jumping lithely amongst opera, rock, jazz, and R&B, The New York Times recently hailed her as a vocalist who “demolishes the furious torch song” with a “rafter rattling intensity.” Broadway star turns include Tony Award-winning musicals In the Heights, Rent, and her nightly showstopping performance in Lennon , where the New York Post declared this “wildcat kitten” a “star in the making.” Throughout her career, she has had the honor to work with numerous industry legends: Stephen Sondheim, who guided her performance of Marta in Company at Lincoln Center and the Kennedy Center; Athol Fugard, who directed her in the world premiere of his play Sorrows & Rejoicings; Jerome Robbins and Arthur Laurents, under whose masterful supervision Harriell deepened the role of Maria in West Side Story. "Superfriend" Lin-Manuel Miranda recruited her to record early demos for Disney’s Moana, tapping Harriell's emotional interpretations for the soundtrack. Enamored by another interpretation, Quentin Tarantino wrote the role of “Marcy” for her in his film Death Proof. On the small screen, Harriell has been a series regular on NBC's Ed; HBO's Nurse Jackie; CBS’s Queens Supreme; and has guest starred in numerous episodics, including Manifest, NCIS, Law & Order, and Search Party. When she’s not onstage, onscreen, or in-studio, Harriell takes a happy audience on a colorful ride alongside her husband Rob in the hit YouTube series @ thehandmadeharriells , creating couture garments for everyday life. In fact, she’ll be wearing one of her creations tonight. Instagram: @ marcyharriell Website: thehandmadeharriells.com
CLINTON CURTIS | BACKGROUND VOCALS
Clinton Curtis is a multi-genre singer, musician, and songwriter originally from Key West, Florida. As a choral singer he has worked with many of the world’s luminary conductors and orchestras, most recently including engagements with the New York Philharmonic, Berlin Philharmonic, and San Francisco Symphony. March 2016 marked his operatic debut in Curlew River for the Mark Morris Dance Group. As a popular songwriter and frontman for The Clinton Curtis Band he has toured internationally as a cultural ambassador with the U.S Department of State. He has released five original studio albums available at music.clintoncurtis.com
BLAIRE REINHARD | BACKGROUND VOCALS
Blaire Reinhard is thrilled to be joining the MMDG Music Ensemble in The Look of Love. Her voice and original compositions have been featured in hundreds of TV shows, films, radio spots, and commercials, with credits including Feel the Beat, So You Think You Can Dance, The Friend, Inside Amy Schumer, Dance Moms, The Young and the Restless, One Life to Live, Lincoln Heights, The Voice, Silver Bells, High School Musical, The Namesake, Cow Belles, and The Merry Gentleman . She has also worked as music supervisor on series including Younger and Chappelle’s Show. For over a decade, she has managed and directed the Blaire Reinhard Band, performing as lead vocalist and keyboardist at events around the greater New York City area. Website: blaireband.com
NADJE NOORDHUIS | TRUMPET
With a trumpet sound possessing a "beyond-category beauty” (Dan Bilawsky, All About Jazz), Australian-born trumpeter/composer Nadje Noordhuis’ deeply felt, clarion tone and evocative compositional gift meld classical rigor, jazz expression, and world music accents into a sound that is distinctively her own. From Sydney, Australia, and based in New York for twenty years, Noordhuis was a semi-finalist in the 2007 Thelonious Monk International Jazz Trumpet Competition and the 2010 National Jazz Awards in Australia. She has played on two Grammy-winning recordings and six Grammy-nominated albums across a variety of musical genres. She tours with the Maria Schneider Orchestra, Darcy James Argue’s Secret Society, Anat Cohen Tentet, and leads her own ensembles. Noordhuis has four albums of original compositions on her Little Mystery Records label and two vinyl releases on Newvelle Records. Her 2015 contemplative album with pianist Luke Howard, Ten Sails, currently has over 17 million digital streams. She has been commissioned by brass bands, trumpet ensembles, big bands, string ensembles, and jazz artists internationally.
SIMÓN WILLSON | BASS
Simón Willson is a Chilean-born, New York City-based bassist, composer, and improviser. As an eclectic and in-demand sideman, he has toured with a host of different artists in Europe, the United States, Canada, and South America. His wide-ranging interest in different realms of jazz and improvised music has led him to work with a diverse pool of established artists such as Dave Douglas, Ethan Iverson, Steve Cardenas, George Garzone, Jason Palmer, Rodney Green, Michael Blake, Pablo Held, Jim Black, Tim Miller, and Frank Carlberg, among many others. He also plays in bands of contemporaries such as Kevin Sun, Max Light, and Jacob Shulman. In addition to his sideman work, he co-leads the bands Great on Paper, Family Plan, and Earprint. The latter won the “best debut album” category of the NPR Music Jazz Critics Poll in 2016, and Family Plan released their debut album in September 2021, due to receiving a generous grant from the Chilean government. Willson can be heard on over twenty-five records for labels such as Tzadik, Steeplechase, Newvelle, and Endectomorph, in addition to a number of self-releases.
VINNIE SPERRAZZA | DRUMS
Vinnie Sperrazza is a Brooklyn-based jazz drummer. He has made a mark on the New York jazz community with his swinging, enthusiastic playing and his commitment to original projects. He has released three full-length albums of his original compositions for Loyal Label and Positone Records. In 2023, he released a trio album with pianist Ethan Iverson and bassist Michael Formanek, and a new suite of music composed for a group with guitarist Brandon Seabrook and saxophonist Loren Stillman. Additionally, he has played on over 80 albums as a sideman. Notable recent touring has been with saxophonist and composer Ohad Talmor’s Subway Lines ; Stew and Heidi Rodewald in Stew and The Negro Problem ; the Mark Morris Dance Group’s Pepperland , composed and led by Ethan Iverson; the Michael Formanek Drome Trio, featuring new extended compositions by Michael Formanek; and the jazz collective Ember, featuring saxophonist Caleb Curtis and bassist Noah Garabedian. He is a member of the Hank Roberts Sextet and Hank Roberts Trio, and tours and records with the groups Landline, the Choir Invisible, Ember featuring Orrin Evans, Matt Bauder’s Hearing Things, Vinnie Sperrazza-Jacob Sacks-Masa Kamaguchi PLAY, and trioTrio meets Shelia Jordan.
ELISA CLARK | REHEARSAL DIRECTOR
Elisa Clark is an award-winning artist, educator, and administrator who trained at the Maryland Youth Ballet prior to receiving a B.F.A. from The Juilliard School under the direction of Benjamin Harkarvy, with guidance from Carolyn Adams. She first performed with Mark Morris Dance Group in 2005, remained a full-time company member through 2011, and frequently returned as a guest performer, company teacher, and stager through 2024, when she was appointed Rehearsal Director. In addition to MMDG, she has been a featured company member with Alvin Ailey American Dance Theater, Lar Lubovitch Dance Company, and Monica Bill Barnes & Co, a guest artist for Buglisi Dance Theater, and has performed with Nederlands Dans Theater and the Metropolitan Opera in works by Jiri Kylian and Crystal Pite respectively, amongst others. Elisa was also a founding member and company manager for Robert Battle’s Battleworks Dance Company and has served as Battle’s artistic assistant for over two decades. As an educator and mentor, she has been on faculty at the School at Jacob’s Pillow, Princeton University, University of the Arts, American Dance Festival, Move NYC, Steps on Broadway, Marymount Manhattan College, and at Bard College in partnership with Gibney Company, to name a few, and has taught company class for MMDG, Alvin Ailey American Dance Theater, Ailey II, Ballet Hispanico, Gibney Company, Hubbard Street Dance Chicago and the Metropolitan Opera Ballet. She is currently on the ballet faculty at the Ailey School, Gibney, and the Mark Morris Dance Center. Elisa is a répétiteur for both Battle's and Morris's works, and is also a Princess Grace Award Winner and a Certified Life Coach.
MICA BERNAS | DANCER
Mica Bernas, originally from Manila, Philippines, received her training at the Cultural Center of the Philippines Dance School. She later joined Ballet Philippines as a member of the corps de ballet and rose up the ranks to Soloist. While at Ballet Philippines, she also studied at De La Salle University and graduated with a bachelor’s degree in organizational communication in 2006. Upon graduating, she moved to New York and joined Carolyn Dorfman Dance. She was a guest artist with the Limón Dance Company and worked with Karole Armitage, Gallim Dance, Marta Renzi, and Connecticut Ballet. As an educator, she has taught all levels of dance, including afterschool programs, preprofessional, and master classes. She has taught at the Limón Institute and formerly ran the dance program at BIMA at Brandeis University. She joined MMDG as a company member in 2017.
KARLIE BUDGE | DANCER
Karlie Budge grew up in Knoxville, Tennessee, training and performing with the Tennessee Children’s Dance Ensemble. She attended Case Western Reserve University on a full scholarship from the department of dance, graduating magna cum laude with a B.A. in dance and a B.S. in statistics in 2016. Budge has performed with Graham 2, Merce Cunningham Trust, and in her own solo and duet choreography. Budge joined MMDG as an apprentice in September 2018 and became a company member in November 2019.
SARAH HILLMON | DANCER
Sarah Hillmon was born and raised in Rochester, New York. There she trained with Garth Fagan and Timothy M. Draper and was a member of the Rochester City Ballet. She graduated with a B.F.A. in dance from New York University's Tisch School of the Arts, where she had the privilege of performing works by talented artists including Sidra Bell, Lucinda Childs, Gus Solomons Jr., and Charles Weidman. After college, she became a member of Lucinda Childs Dance Company, where she toured the world performing classic works. While in New York City, she has also had the honor to perform with artists such as Solange Knowles as well as a number of dance companies including Robert Mark Dance, Suzanne Beahrs Dance, BodyStories: Teresa Fellion Dance, DanceBoissiere, and the Daniel Gwirtzman Dance Company. She joined MMDG as an apprentice in 2023 and became a company member in 2024.
COURTNEY LOPES | DANCER
Courtney Lopes is originally from Bermuda and attended the University of North Carolina School of the Arts for her high school education. She graduated magna cum laude with a B.F.A. in dance from SUNY Purchase in 2012 and studied in Taiwan at the Taipei National University of the Arts. As a student, she performed works by Paul Taylor, Jessica Lang, Lar Lubovitch, and Huang Yi of Cloud Gate Dance Theater. In addition to performing with Dance Heginbotham for over nine years, she has worked as a freelance artist with Megan Williams, Sameena Mitta, Kathryn Alter, Sue Bernhard, and Robert Mark Burke. As an educator and répétiteur, she has worked with the Mason Gross School of the Arts at Rutgers University, Ballet Tech, 92Y Harkness Dance Center, Dance for PD®, and the José Limón Institute. She first performed with MMDG in 2018 and became a company member in 2023.
GRIFFIN MASSEY | DANCER
Griffin Massey was born in Tulsa, Oklahoma. After training in Oklahoma and Texas, he moved to New York City where he earned his B.F.A. in dance in 2023 from The Juilliard School under Alicia Graf Mack, Dean and Director of the Dance Division, and Mario Alberto Zambrano, Associate Director. While at Juilliard, he had the opportunity to perform works by Sonya Tayeh, Donald McKayle, Ohad Naharin, Aszure Barton, Spencer Theberge, Jermaine Spivey, and Hofesh Shechter. He has also studied at Springboard Danse Montréal under the direction of Alexandra Wells. He was an apprentice with MMDG from 2023 to 2024.
CLAUDIA M c DONALD | DANCER
Claudia Mcdonald holds a B.F.A. in dance from Fordham University/The Ailey School. She was a member of Jessica Lang Dance, both as dancer and rehearsal director. She has restaged Lang's work, including her choreography in Seattle Opera's production of Aida , and continues to assist her with projects. She has performed with the Mark Morris Dance Group in The Hard Nut , Romeo & Juliet: On Motifs of Shakespeare , and L'Allegro, il Penseroso ed il Moderato, as well as in Morris's production of Orfeo ed Euridice at the Metropolitan Opera.
DALLAS M c MURRAY | DANCER
Dallas McMurray, from El Cerrito, California, began dancing at age four, studying jazz, tap, and acrobatics with Katie Maltsberger and ballet with Yukiko Sakakura. He received a B.F.A. in dance from the California Institute of the Arts. McMurray performed with the Limón Dance Company and in works by Jiří Kylián, Alonzo King, Robert Moses, and Colin Connor. McMurray performed with MMDG as an apprentice in 2006 and became a company member in 2007.
ALEX MEETH | DANCER
Alex Meeth grew up in Dousman, Wisconsin, and began his dance training with Eddy Bray at the age of thirteen. After graduating from the Kettle Moraine School for Arts and Performance, he was accepted on scholarship to the Boston Conservatory at Berklee, where he graduated with a B.F.A. in contemporary dance performance (emphasis in choreography) in 2022. While at the Boston Conservatory, he performed works by Mark Morris, Catherine Coury, José Limón, Daniel Pelzig, and Bradley Shelver. Since 2019, he has additionally danced with the Boston Early Music Festival under the direction of Kathleen Fay and Melinda Sullivan. Meeth joined MMDG as an apprentice in 2024.
BRANDON RANDOLPH | DANCER
Brandon Randolph began his training with the School of Carolina Ballet Theater in Greenville, South Carolina, under the direction of Hernan Justo. At age 14, he was accepted into the South Carolina Governor’s School for the Arts and Humanities, where he studied with Stanislav Issaev and Bobby Barnett. Randolph received his B.F.A. in dance from Purchase College in 2012. There he had the opportunity to perform with Dance Heginbotham as well as repertory by Stephen Petronio, Lar Lubovitch, Paul Taylor, and George Balanchine. Randolph began working with MMDG in 2013 and became a company member in 2014.
CHRISTINA SAHAIDA | DANCER
Christina Sahaida grew up in Pittsburgh, Pennsylvania, and began her early dance training at the Pittsburgh Ballet Theatre School. In 2012, she graduated with honors from Butler University, receiving a B.F.A. in dance performance. She has worked with Ballet Quad Cities, Texture Contemporary Ballet, and most recently the Big Muddy Dance Company in St. Louis, Missouri. Sahaida joined MMDG as an apprentice in 2017 and became a company member in 2019.
BILLY SMITH | DANCER
Billy Smith grew up in Fredericksburg, Virginia, and attended George Mason University under a full academic and dance talent scholarship. He graduated magna cum laude in 2007 and received achievement awards in performance, choreography, and academic endeavors. While at George Mason, he performed the works of Mark Morris, Paul Taylor, Lar Lubovitch, Doug Varone, Daniel Ezralow, Larry Keigwin, Susan Marshall, and Susan Shields. Smith’s own piece, 3-Way Stop, was selected to open the 2006 American College Dance Festival Gala at Ohio State University, and his original choreography for a production of Bye Bye Birdie garnered much critical praise. An actor as well, Smith’s regional theater credits include Tulsa in Gypsy, Mistoffelees in CATS , and Dream Curly in Oklahoma! Smith danced with Parsons Dance from 2007-2010. He joined MMDG as a company member in 2010.
JOSLIN VEZEAU | DANCER
Joslin Vezeau is from St. Louis, Missouri, where she trained at the Center of Creative Arts (COCA). She graduated magna cum laude from the Ailey/Fordham B.F.A. program in dance performance in 2018 and while there was awarded the Denise Jefferson Memorial Scholarship. During her senior year in college, she joined Peridance Contemporary Dance Company in New York and danced with that company for six seasons. When not dancing, she is a personal trainer and loves rock climbing, volunteering at Brooklyn farmers markets, and taking care of dogs. She joined MMDG as an apprentice in 2023 and became a company member in 2024.
NOAH VINSON | DANCER
Noah Vinson is originally from Springfield, Illinois, and received his B.A. in dance from Columbia College Chicago. He was named a Dance Magazine “Dancer on the Rise” in 2009 and assisted Mark Morris in the creation of The Letter V for Houston Ballet. He began dancing with MMDG in 2002 and became a company member in 2004.
ISAAC MIZRAHI COSTUME AND PRODUCTION DESIGN
Isaac Mizrahi has worked extensively in the entertainment industry as a performer, host, writer, designer, and producer for over 30 years. He has an annual residency at Café Carlyle in New York City and has performed at various venues across the country such as Joe’s Pub, The Regency Ballroom, and several City Winery locations nationwide. The New York Times noted, “he qualifies as a founding father of a genre that fuses performance art, music, and stand-up comedy.” He is the subject and co-creator of Unzipped , a documentary following the making of his fall 1994 collection which received an award at the Sundance Film Festival. He hosted his own television talk show The Isaac Mizrahi Show for seven years, has written three books, and has made countless appearances in movies and on television. He served as a judge on Project Runway: All-Stars for the series’ entire seven-season run. Mizrahi has directed productions of A Little Night Music and The Magic Flute for the Opera Theatre of St. Louis. Annually, he directs and narrates his production of the children’s classic Peter and the Wolf at the Guggenheim Museum in New York. Mizrahi has his own production company, Isaac Mizrahi Entertainment, under which he has several projects in development in television, theatre, and literature. His New York Times best-selling memoir, I.M., was published in February 2019.
NICOLE PEARCE | LIGHTING DESIGN
Nicole Pearce is a multidisciplinary artist living in Queens, New York. Her work has been seen across the United States, Cuba, England, Germany, Japan, Korea, Italy, New Zealand, and Russia. The New York Times has stated: “The glow of Nicole Pearce’s lighting on center stage creates a feeling of magic, as if the dancers are circling an unseen grail." Selected dance credits include work with Alvin Ailey American Dance Theater, American Ballet Theater, Atlanta Ballet, Dance Heginbotham, Dance Theater of Harlem, Gallim, Houston Ballet, Hubbard Street, Joffrey Ballet, Malpaso, Mark Morris Dance Group, Nederlands Dance Theater, and New York City Ballet. Selected theater and opera credits includes work with Arena Stage, Arizona Opera, Hartford Stage, Long Wharf Theater, McCarter Theater, Minnesota Opera, The Play Company, The Playwrights Realm, Philadelphia Theater Company, Opera Montreal, and Pittsburgh Public Theater. Her installation of 1,000 paintings entitled Tiny Paintings for Big Hearts is open to doctors, nurses, staff, and patients of Elmhurst Hospital in Elmhurst, New York. Instagram: @nicolepearceart Website: nicolepearcedesign.com
c O sT um E + pro D ucTion DE s I g N
Mark Morris
Dance Group Staff
Artistic Director Mark Morris
Executive Director Nancy Umanoff
Production
Director of Technical Production
Johan Henckens
Lighting Supervisor Mike Faba
Audio Supervisor Carl Lund
Wardrobe Supervisor Amy Page
Artistic
Director of Artistic Engagement
Jen Rossi
Rehearsal Director Elisa Clark
Music Director Colin Fowler
Company Manager Julia Weber
Ballet Licensing Tina Fehlandt
Administrative Assistant
Allison Antoinette Bailey
Archivist Stephanie Neel
Administration
Chief Financial Officer Elizabeth Fox
HR Business Partner Jessica Loyola
Accounting Manager Natalia Kurylak
Finance Associate Jillian Marzziotti
Development
Director of Development
Michelle Amador
Major Gifts Officer Lauren Grant
Database Administrator Rima Yamazaki
Marketing
Director of Marketing and Communications Laura Giannatempo
Marketing Manager, Creative Content
Shantel Prado
Marketing and Digital Engagement
Associate Savannah Cooper
Publicist Kimberly Giannelli
Dancer Social Media Liaison
Mica Bernas
Education and Community Engagement
Director of Education Bianca Golden
Community Engagement Manager and Faculty Liaison Calvin A. Rollins II
Adult Programs Manager Kyara Mahlen
School Manager Lily Khan
School Administrator Carol Alvarez
Program Assistants Vero Loga, Janée Murray-Wegman, Clara Isabel
Diaz Maldonado
Student Company Rehearsal Director
Billy Smith
Dance For PD® Program Director
David Leventhal
Dance For PD® Programs and Engagement Manager
Maria Portman Kelly
Dance For PD® Programs Assistant
Amy Bauman
Dance For PD® Programs Administrator
Randy Miles
Dance Center Operations
Director of Dance Center Operations
Elise Gaugert
Studio Manager Tiffany McCue-Frenzel
Events and Operations Manager
Henry Lombino
Rental Coordinator Emily Arden Jones
Facilities
Director of Facilities and Capital Projects
Mark Sacks
Team Lead Orlando Rivera
Maintenance Wilson Garcia, Darrell Jordan, James Luksa
Booking Representation Michael Mushalla (Double M Arts & Events)
Legal Counsel
Mark Selinger (Greenberg Traurig, Llp)
Accountant PKF O'Connor Davies
Orthopedist David S. Weiss, Md (NYU Langone Health)
Physical Therapist Harkness Center For Dance Injuries at NYU Langone Health
Jessica Lassiter, PT, DPT, ATC
Hilot Therapist Jeffrey Cohen
Board of Directors
Judith R. Fishman, Chair
David Resnicow, Vice-Chair
Mark Selinger, Vice-Chair
Isaac Mizrahi, Secretary
Sarabeth Berman
Mary Ann Casavant
Margaret Conklin
Jolie Curtsinger
Estela Díaz
Shelby Gans
Amanda Gluibizzi
York-Chi Harder
Suzy Kellems Dominik
Nicholas Ma
Timothy J. Mcclimon
Helen Meyer
Mark Morris
Onay Payne
Darryl Pinckney
Jocelynne Rainey, EdD
James Seely
Nancy Umanoff
Emeritus: Jane Stine
Thanks to Maxine Morris. Sincerest thanks to all the dancers for their dedication, commitment, and incalculable contribution to the work.
Follow and tag us on Facebook, Twitter, and Instagram @ markmorrisdance
To learn more about our work and programs, please visit mmdg.org
The Mark Morris Dance Group's annual programs and Subsidized Rehearsal Space Program are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
Additional support provided by Mark Morris Dance Group PARTNERS contributing $1,500-$11,999 annually.
LEADING PARTNER $6,000-$11,999 Anonymous (3), American Parkinson Disease Association, Inc., Wally and Roz Bernheimer, Beyer Blinder Belle, Terry Boyer, Jeffery and Tina Budge, Harold Clinton, Carol Ann Dyer, Google Matching Gift Program, Lynn and Brian Grant Family, Lori Raphael and J. Michael Hemmer, Macduff and Twyla Hughes, Marc and Melissa James, Jerome Robbins Foundation, Kenneth Aidekman Family Foundation, William W. Lockwood, Jr., Jill Horner and Yo-Yo Ma, Marta Heflin Foundation, Kristine Morris, Parkinson's Foundation, Onay Payne, Linda Johnson and Bruce Ratner, Sills Family Foundation, Grace and John Timberlake, Fanny van Kwawegen, Mark Horowitz and Dorrine Veca.
COLLABORATING PARTNER
$3,000-$5,999 Anonymous (2), Bank of America Charitable Gift Fund, Kate Weil and Stuart Bauchner, Bloomberg LP, Neal Brilliant, Carmie and Merv Budge, Hon. Steven Berk and Jennifer Chandler Hauge, Charney Companies, Mark Selinger and Iris Cohen, Caroline and Paul Cronson, Della Rosa Family Foundation, Catherine de Saint Aignan, John and Margaret Falk, Ann and Richard Feldman, Michael and Nancy Feller, Stephen M. Foster, Frank and Deenie Brosens Foundation, Goldman Sachs Philanthropy Fund, Sharon Gurwitz, The Harkness Foundation for Dance, Kate Bernheimer and Xia Hendricks, The Herman Liebmann Foundation, Penn and Diane Holsenbeck, Insperity, Deborah Karl, Kate and Tom Kush, Judy Lichterman, Medtronic, The New York Community Trust, Janet and David Offensend, PNC Bank, Princeton Area Community Foundation, Patrick Ravey, Mikhail Baryshnikov and Lisa Rinehart, Cindy Sherman, Paul Di Vito and John Silvia, Mary Waters, Zeitz Foundation.
SPONSORING PARTNER
$1,500-$2,999 Anonymous (9), Jane E. Aaron, Alexis Adler, Eve Auchincloss Lilley, Katherine and Gary Bartholomaus, Lane Heard and Margaret Bauer, Thérèse D. Bernbach, Frederick and Morley Bland, Stephanie Boye, Circles for Change, Carol Yorke and Gerard Conn, Jean and Wayne Cunningham, Belden and Pamela Daniels, Mary Darmstaetter, Jane Rush Davenport, Estela Díaz, John and Linda Donovan, Jean Fuller Farrington, Carolyn George, Elisa B. and Kenneth Glazer, The Greater Cincinnati Foundation, Elizabeth Lovett Grover, Thomas Shapiro and Madeleine Grynsztejn, Frances Ingebritson, Jewish Community Foundation, Mary Neal Jones, Lucille Kurian, Nancy Langsan, Fred and Jean Leventhal, Laurence and Jane Levine, Adrianne Lobel, Manulife, Gretchen Wold and Thomas Martin, Diane L. Max, Suzanne Berman and Timothy J. McClimon, Jennifer Melby, Judith Scofield Miller and David Miller, Ben Munisteri, Claire Munzenrider, National Philanthropic Trust, Emanuel Ax and Yoko Nozaki, Steve Offutt, Jill and Geoffrey Parker, David Pomerantz, Drs. Jocelynne and Perry Rainey, Cecilia Paul and Harry Reinert, The Fein/Remnick/Litman Family, MaryKathryn and Richard Roelofs, Jeffrey and Kim Brown Seely, James and Colleen Seely, Katy Homans and Patterson Sims, David Stang, Susan K. Freedman & Rabbi Richard Jacobs Family Fund, Emmanuel Torrijos and Jing Shang Tan, Jennifer Thienes Dixon, Charlie and Judy Tobey, Bob Turner and Paula Togawa, Kirsti Aho and Dale Underwood, Jay and Elaine Unkeless, Joan Waricha, Franklin Stone and David Wenk, Leslie Ziff, and the more than 1,500 supporters not listed here whose support has been crucial to our operations. This performance was made possible with funding, in part, from the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
LEGACY GIVING Individuals who name the Mark Morris Dance Group in estate plans through bequests, gift annuities, charitable trusts, and beneficiary designations ensure a strong future for our organization. MMDG gratefully acknowledges recent bequests and living legacy commitments from Anonymous (6), Joan Acocella, James and Sheila Foley, Sandy Hill, Patrick Leader, Gregg Rockefeller, Jane Levy Troy, J.D. Bruce Wilson.
If you are new to legacy planning, please explore our free tool at freewill.com/mmdg or if you have already planned for MMDG in your will, please let us know so we can welcome you to our Legacy Society. Contact Michelle Amador, Director of Development at michelle @mmdg.org. We would be honored to recognize your generosity in future programs.
GIFTS IN HONOR Amy Jo Bauman, Anna Rodriquez, Anthony Lee, Bub Dub, Carol Krasnow, Charlie and Judy Tobey, Chris Savastio, Cristobal Williams, Dana Kotler, Darryl Pinckney, David B. Leventhal, David Iverson and his family, Dido Mirck, Edith Tinnes, Elise Gaugert, Gunilla Norris, Jane Levine, Judith and Alan Fishman, Judith T. Dean, Julia Weber, Kitt Barnes Martone, Lana KellyFitzgerald, Lauren Grant, Lloyd Mast, Maria Portman Kelly, Mark Horowitz, Mark Morris, Michael Andrew Fox, Michael J. Fox, Misty Owens, Nancy Holland, Nancy Umanoff, Nicole Pearce, Past and Present Members of the Dance Group, Patricia Beilman, Ruth Manson, Sam Black, Sarabeth Berman, Saskia Vroom, Steven Berk, Susan Craver, Tara Sherman.
GIFTS IN MEMORY Adele Hensley, Adolph Fuerst, Carlos Lemme, Christine Austria, Daniel McGuiness, David Drennen, Edward Solomon, Edward William Gretton, Ellen Offner, Gazan Children, Helen Waricha, Janet Sherman, Jim Young, Joan Acocella, John and Tommye Ireland, Judith Rosenblatt, K Robert Reaster, Kathleen Howard, Kevin Wynn, Kitt Barnes Martone, Laurence Levine, Lawton Johnson, Lloyd Mast, Louis Olenick, Mark Horowitz, Marshall Marcovitz, Mary Evangeline Munzenrider,
Maureen Zaniel, Melanie Kaye/ Kantrowitz, Michael Sheniak, Mira Popovich, Nancy Giles Snyder, Nathaniel Lee, Pauline Pon, Raymond W. Blank, Jr., Regina Welt, Richard Daubendiek, Rita Schwartz and Martin Miller, Stan Reedy, Stanley Bushkoff, Stanley Wertheimer, Steve Grimaldi, Stuart Hodes, Thomas G Evans, Tommy Vigorita, Walter M Kozlowski, Warren Brunetti, Zoltan David Farkas and John O. Miller.
IN KIND CONTRIBUTIONS
The Celeste Group, Darryl Pinckney and James Fenton, Greenberg Traurig, LLP, Lori Raphael and J. Michael Hemmer, Mark Horowitz, M.D., Howard Gilman Foundation, Meyer Sound Laboratories, Inc.
The Mark Morris Dance Group is a member of the Cultural Solidarity Fund, Dance/USA, the Downtown Brooklyn Arts Alliance, and Museum Arts and Culture Access Consortium. Discalced Inc. (dba Mark Morris Dance Group) is a registered 501(c)(3) nonprofit organization and relies on cash contributions, gifts from donor advised funds, stocks, IRA rollovers, bequests, memberships, and contributions for its annual programs . To learn more and donate, visit mmdg.org/support.
“Alfie”—From the Paramount Pictures Film Alfie. Music by Burt Bacharach. Lyrics by Hal David. Published by Famous Music, LLC, Sony/ATV Harmony.
“What the World Needs Now”, “Are You There (With Another Girl)”, “Do You Know the Way to San Jose”, “I’ll Never Fall in Love Again”, “Don’t Make Me Over”, “Always Something There to Remind Me”, “Anyone Who Had a Heart”, “Walk on By”, “Message to Martha”, “I Say a Little Prayer”— Written by Burt F. Bacharach and Hal David. Published by New Hidden Valley Music (ASCAP) and BMG Gold Songs (ASCAP) obo itself and Songs of Fujimusic (ASCAP).
“The Look of Love”—From the feature film Casino Royale . Written by Burt Bacharach and Hal David. Published by Colgems-EMI Music Inc.
“The Blob”—From the Paramount Pictures film The Blob. Written by Burt Bacharach and Mack David. Published by Famous Music, LLC, Sony/ATV Harmony, Jobe Music, Brad Reinis Music and Debbie Grillo Music. By arrangement with Soroka Music Ltd.
“Raindrops Keep Falling on My Head”— Written by Burt F. Bacharach and Hal David. Published by New Hidden Valley Music (ASCAP), BMG Gold Songs (ASCAP) obo itself and Songs of Fujimusic (ASCAP), and Warner Chappell Music, INC.
MARK MORRIS DANCE GROUP 3 Lafayette Avenue Brooklyn, NY 11217-1415
718.624.8400
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Because of your dedication and support, Detroit Opera continues to provide meaningful artistic experiences for our community and inspires audiences of the future.
Please consider a gift to Detroit Opera this season. Your generosity will ensure that our community has access to the highest caliber of dance performances, like Mork Morris Dance Group's The Look of Love for years to come!
Charitable contributions generate a significant portion of our overall funding and are investments in the future of performing arts in our community. Without donations, opera and dance cannot thrive in southeast Michigan.
Thank you for all the ways you support us!
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Their leadership plays an integral part in the company's viability, underwriting quality opera and dance performances as well as award-winning community.
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Community Foundation for Southeast Michigan
General Motors
The Kresge Foundation
Stellantis
$2,000,000+
Mr.* & Mrs. Douglas Allison
Mr. Lee & Mrs. Floy Barthel
Marvin, Betty & Joanne Danto Dance Endowment and Marvin & Betty Danto Family Foundation
Mr. & Mrs. Herman Frankel
John S. and James L. Knight Foundation
Lear Corporation
Linda Dresner & Ed Levy Jr.
Masco Corporation
McGregor Fund
The Skillman Foundation
R. Jamison & Karen Williams
$1,000,000+
AT&T
Bank of America
Mandell L. and Madeleine H. Berman Foundation
Mr.* & Mrs. John A. Boll Sr.
Compuware Corporation
Estate of Robert & RoseAnn Comstock
DTE Energy Foundation
The Fred A. & Barbara M. Erb Family Foundation
Mrs. Margo Cohen Feinberg & Mr. Robert Feinberg
Max M. & Marjorie S. Fisher Foundation
Mrs. Barbara Frankel* and Mr. Ronald Michalak
Mr. & Mrs. Samuel Frankel*
General Motors Corporation
Hudson-Webber Foundation
JPMorgan Chase
Paul Lavins
The Andrew W. Mellon Foundation
National Endowment for the Arts
Richard Sonenklar & Gregory Haynes
Dr. & Mrs. Sam B. Williams*
Matilda R. Wilson Fund
Every effort has been made to accurately reflect donor names and gift levels. Should you find an error or omission, please contact Angela Nelson-Heesch at anelsonheesch@detroitopera.org or 313.237.3438
KEY
* Deceased
Contributors to Detroit Opera
Detroit Opera gratefully acknowledges these generous corporate, foundation, government, and individual donors whose contributions to Detroit Opera were made between July 1, 2023, and August 31, 2024. The generosity of our donors is vital to sustaining Detroit Opera’s position as a valued cultural resource.
Foundations, Corporate & Government Support
$1,000,000+
William Davidson Foundation
State of Michigan
$500,000-$999,999
John S. and James L.
Knight Foundation
$250,000-$499,999
The Fred A. & Barbara M. Erb Family Foundation
Ford Foundation
Gilbert Family Foundation
The Mellon Foundation
Ralph C. Wilson Jr. Foundation
Individual Support
$100,000-$249,999
Max M. & Marjorie S. Fisher Foundation
Ford Philanthropy
General Motors
$50,000-$99,999
Hudson Webber Foundation
Milner Hotels Foundation
$25,000-$49,999
Applebaum Family Foundation
Kresge Foundation
National Endowment for the Arts
Matilda R. Wilson Fund
$10,000-$24,999
Detroit Children’s Choir
Oliver Dewey Marcks Foundation
DTE Energy Foundation
Geoinge Foundation
Masco Corporation
MGM Grand Detroit
OPERA America
Penske Corporation
Ralph L. and Winifred E. Polk Foundation
Louis and Nellie Sieg Fund
Ida and Conrad H. Smith Endowment for MOT
The Mary Thompson Foundation
The Williams Family Fund
Burton A. Zipser and Sandra D. Zipser Foundation
$5,000-$9,999
C&N Foundation
James & Lynelle Holden Fund Honigman LLP
The National Circle
Donald R. and Esther Simon Foundation
Somerset Collection
Charitable Foundation
Strum Allesee Family Foundation
The Samuel L. Westerman Foundation
$1,000-$4,999
Joyce Cohn Young Artist Fund
Marjorie And Maxwell Jospey Foundation
Josephine Kleiner Foundation
Elmira L. Rhein Family Foundation
Sigmund and Sophie Rohlik Foundation
Rugiero Promise Foundation
Introduced in 2024, members of the National Circle are Detroit Opera’s leading supporters in this pivotal moment, playing an essential role in bringing the transformative power of opera to audiences in our city and across the country. Through their annual support of $25,000 or more, these donors have an unwavering belief in our art form’s ability to affect meaningful change.
$100,000+
Ethan & Gretchen Davidson
Leslie Lazzerin*
Linda Dresner & Ed Levy Jr.
Ms. Vivien McDonald*
David & Christine Provost
Gary Wasserman & Charles Kashner
$50,000-$99,999
Richard Alonzo
Ruth Rattner
Mr. David W Schmidt
Mr. Cyril Moscow
$25,000-$49,999
Dr. Lourdes V. Andaya
Elaine Fontana*
Susanne McMillan
James & Ann Nicholson
Matthew & Mona Simoncini
Mrs. Phyllis Funk Snow*
The DiChiera Society
Richard Sonenklar & Gregory Haynes
Jesse & Yesenia Venegas
Ms. Barbara A. Walkowski
R. Jamison & Karen Williams
DiChiera Society members honor the legacy and vision of our company’s founder, David DiChiera, while bolstering our future as one of the most significant and innovative opera and dance organizations in the country under the leadership of the Gary L. Wasserman Artistic Director, Yuval Sharon, with an emphasis on community engagement, accessibility, and artistic risk-taking.
$10,000-$24,999
Mr. Joseph A. Bartush
Gene Bowen
Richard & Joanne Brodie
Wayne Brown & Brenda Kee
Enrico & Kathleen DiGirolamo
Ms. Nina S. Drolias
Carl & Mary Ann Fontana
Ms. Nancy B. Henk
Patty Isacson Sabee & David Sabee
Mary Kramer
Denise Lewis
Jack Martin & Bettye Arrington-Martin
Ms. Mary C. Mazure
Ali Moiin & William Kupsky
Donald & Antoinette Morelock
William & Wendy Powers
Waltraud Prechter
Dr. & Mrs. Samir M. Ragheb
Irvin & Pamela Reid
Michael Wellman
$5,000-$9,999
Ms. Christine Ammer
Dr. Harold Mitchell Arrington
Ms. Mary Barton Letts
Richard & Susan Bingham
Nicole A. Boelstler
Ms. Violet Dalla Vecchia
Maria & David Duey
Marianne Endicott
Fern Espino & Tom Short
Paul & Mary Sue Ewing
Michael Fisher
Ms. Laurie R. Frankel
Bharat & Lynn Gandhi
Ralph & Erica Gerson
Allan Gilmour & Eric Jirgens
Toby Haberman
William Hulsker & Aris Urbanes
John & Arlene Lewis
Stephan & Marian Loginsky
Robert & Terri Lutz
Don Manvel
Ronald Michalak
Ms. Evelyn Micheletti
Phillip Minch
Mary Moll
Robert & Susan Morris
George & Jo Nyman
Prof. Sara A. Pozzi, Ph.D
Ms. Stephanie M. Prechter
Ms. Pam E. Rodgers
Evan & Kelsey Ross
Janice Ross
Ankur Rungta & Mayssoun Bydon
Mary Schlaff & Sanford Koltonow
Terry Shea & Seigo Nakao
Frank & Susan Sonye
Ms. Mary Anne Stella
Mr. Peter C. Stern
Dr. Lorna Thomas, MD
Barbara Van Dusen
Mr. Lewis Wagner
Ned & Joan Winkelman
Ellen Hill Zeringue
$2,500-$4,999
Nina Abrams
Thomas & Gretchen Anderson
D. L. Anthony
Gregory & Mary Barkley
Douglas & Sandra Bitonti Stewart
Paul & Lee Blizman
Bob & Rosemary Brasie
Ronald & Mildred Burkman
Dr. Lynne Carter
Albert & Janette Cassar
Dr. Mary Carol Conroy
Maurice & Carolyn Cunniffe
Walter & Lillian Dean
Carolyn Demps & Guy Simons
Cristina DiChiera &
Neal Walsh
Ms. Lisa Maria DiChiera
Ms. Mary Jane Doerr
Marla Donovan
Ms. Judith Ellis
Marjory Epstein
Raina Ernstoff & Sanford Hansell
Michael & Sally Feder
Yvonne Friday & Stephen Black
Clifford & Zoe Furgison
Glendon Gardner
Robert & Christine Hage
Mrs. Beverly Hall Burns
Ms. Carole Hardy
Barbara Heller
Doreen Hermelin
Roberto Kalb & Mane Galoyan
Barbara & Michael Kratchman
Max Lepler & Rex Dotson
Arthur & Nancy Liebler
Amy McCombs
Mary McGough
Friends of Detroit Opera
Van Momon & Pamela L. Berry
Xavier & Maeva Mosquet
Brian Murphy & Toni
Sanchez-Murphy
Geoffrey Nathan
Peter & Barbara Nickles
Sally Orley
Mr. Jonathan F. Orser
Brock & Katherine Plumb
The Estate of Magdalena Predeteanu
Ted & Carrie Pryor
Leon & Debbe Saperstein
Rosalind Sell
Mark & Lois Shaevsky
Laura Sias*
Susan Sills
Michael & Stacey Simmons
Susan A. Smith
Dr. Gregory E. Stephens
C. Thomas & Bernie Toppin
Jeff & Amy Voigt
Stanley Waldon
Bret & Susanna Williams
Every gift helps to ensure that opera and dance thrive in our community, and that we share the indescribable experience we feel when the curtain rises. Friends of Detroit Opera are among our most loyal and crucial supporters and receive exclusive benefits with annual gifts of $500 or more.
$1,000-$2,499
Nell Duke & David Ammer
Ms. Geraldine Atkinson
Peggyann & Ramon Berguer
Mr. Stanislaw Bialoglowski
Mr. & Mrs. Mitchell Bleznak
Constance Bodurow
Marsha Bruhn
Patricia Cosgrove
Tonino & Sarah Corsetti
James & Elizabeth Ciroli
Dr. Shauna Ryder Diggs
Alex Erdeljan
Burke & Carol Fossee
Joseph Fontana & Nada Jurisich-Fontana
Carol Gagliardi & David Flesher
Mr. Thomas M. Gervasi
Stuart Grigg
Mr. Lawrence Glowczewski
Mr. Nathaniel Good
Mary Ellen Hoy & Jim Keller
Marc Keshishian & Susanna Szelestey
Richard & Involut Jessup
Gregory Knas
William & Jean Kroger
Jeff & Joanne Kukes
Mr. Loreto A. Manzo
Patrick & Patricia McKeever
Eugene & Lois Miller
Craig & Shari Morgan
Ms. Maryanne Mott
Harold Munson & Libby Berger
Allan & Joy Nachman
George & Nancy Nicholson
Joshua & Rachel Opperer
Coleen Pellerito
Mark & Kyle Peterson
Mr. Shane Pliska
Michael & Charlene Prysak
Rip & Gail Rapson
Ms. Alice Rea
Kingsley & Lurline Sears
Alvin & Harriet Saperstein
Gabriel & Martha Stahl
Dr. Andrew James Stocking
Ann Steglich
Manuel Tancer & Claire Stroker
Andrew J. Sturgess
John Lovegren & Daniel Isenschmid
John & Susan Zaretti
Katina Zaninovich
Torben Winther & Linda Hall
$750-$999
Frank & Jenny Brzenk
Ms. Vera C. Magee
John & Marie McElroy
Walter & Elizabeth Newgeon
Barbara Roden
Michael Schon
Joseph & Rosalie Vicari
Dennis & Jennifer Varian
$500-$749
Dr. Antonia Abbey
Mr. David A. Agius
Robert & Catherine Anthony
Ms. Allison Bach
Eugene & Roselyn Blanchard
Barbra Bloch
Ms. Terry P. Book
Anne Missavage & Robert Borcherding
Gretchen Thams & James Bowman
Amy & Tyler Bouque
Grethen Thams & James Bowman
Dr. Cynthia Browne, MD
Marceline Bright
Jonathan Cohn & Daniela Wittmann
Leonard Dimsa & Nicholas Tapl
Mr. John R. DiLodovico
Daniel & Susan Drucker
Mr. M. Brennan Farrell
Todd Gordon & Susan Feder
Daniel H. Ferrier
Sue Force
Erin & John Gianopoulos
John Gierak & Dona Tracey
Joseph & Lois Gilmore
Gil Glassberg & Sandra Seligman
Mr. Robert Theodore Goldman
Larry Gray
John & Kristan Hale
Mr. Gary M. Hawkins
Paul & Nancy Hillegonds
Elizabeth Hoger & Lisa Swem
Jane Iacobelli
Ms. Jill Johnson
Kimberly Johnson
Shawn Rieschl Johnson & Christian Kirby
Mr. Dennis Johnston
Geraldine & Jacqueline Keller
Ms. Lee Khachaturian
Justin & Joanne Klimko
Mr. Alex Koprivica
Ms. Cynthia Kratchman
Mary Jane Kupsky
Albert Kurt
Lori Maher
Mr. Russell Moore
Natasha Moulton-Levy
Ms. Nancy K. Murray
Ronald Northrup
Ms. Monica E. Parrish
Bertram & Elaine Pitt
Concetta Ross*
Julie Finn & Bradley Rowens
Drs. Adam & Rebecca Rubin
Marjorie Sandy
Michael Schon
Maj. Carl R. Smith
Dr. Geneva Tatem
John M. Toth
Gifts in Tribute
Suart & Barbara Trager
Rennard & Daphne Tucker
Ms. Janet Beth Weir
Ian D. Wiesner
Rita Winters
Janice Zeltzer
We extend a heartfelt thank you to the families, friends, colleagues, businesses, and groups who generously made gifts to Detroit Opera in honor of or in memory of the special peoples in their lives, whose names are listed bold below.
IN HONOR OF
Abbie E Wisusik
Michelle Tornopilsky
Allan & Joy Nachman
Eliot & Elizabeth Bank
Andrew Berg
Anne & Robert Berg
Ann Katz
Ruth Rattner
Bill & Ali Moiin
William & Elizabeth S. Kupsky
Brenda Kee
Ruth Rattner
Carl & Mary Ann Fontana
Mrs. Nina Dodge Abrams
Thomas E. Barron
Michael J. Bartoy
Andre Boulanger
Barbara E. Camph
Wilson Curle
Pamela Fontana
Cynthia Gitt
Peter Gude
Patty Isacson Sabee
Theresa Johnson
Ms. Mary Kramer
William Kupsky
Allen A. Lewis
Holton Shipman
Sarah Siwek
Teresa Taranta
Sara Valenti
Robert Wittenberg
Ellen Jacobowitz
Ann Conrad
Sandra A. Jacobowitz
Gary Wasserman
Rodger & Loree Wasserman
Harriet Berg
Mr. Richard D. Cavaler
John Estell
Katina Zaninovich
Lisa DiChiera
Ruth Rattner
Lois Shaevsky
Everett & Margery Jassy
Mary Kramer
Amy McCombs
Mark & Lois Shaevsky
Sandy Duncan
Wayne Brown & Brenda Kee
Shunbin Xu
Ali Moiin & William Kupsky
Dr. Willaim Kupsky
Mary Jane Kupsky
IN MEMORY OF
Florence, David, & Joyce Schon
Michael Schon
Anne Strciker
Torben Winther & Linda Hall
Aphrodite Roumell
Allan & Joy Nachman
Armando Delicato
Jacqueline Shuster
Barbara & Michael Kratchman
Jeff & Joanne Kukes
Barbara Frankel
Wayne Brown & Brenda Kee
Beate M. Vreeken
Karen & Matthew Cullen
Cameron "Sandy" Duncan
Ethan & Gretchen Davidson
Gary Wasserman & Charles Kashner
Devon Hoover
Dr. Cynthia Browne, MD
Patricia Cosgrove
Stephan & Marian Loginsky
Donald Epstein
Marjory Epstein
Elaine Fontana
Bryan Pukoff
George & Eleanor Bodurow
Constance Bodurow
Heather Gehring
Shawn Rieschl Johnson & Christian Kirby
Dr. Charles B. Smith
Dr. Peggie J. Hollingsworth
Enrico & Olga Petrini
Miss Alma M. Petrini
Joseph Katulic
Stuart Grigg
Karen Hodgson
Stephan & Marian Loginsky
Dawn Minch
Stephan & Marian Loginsky
Harry Cook
Ms. Susan Chevalier
Pauline Fucinari
Mr. Anthony Delsener
Alphonse S. Lucarelli
Waltraud Prechter
John P. McMullin
Alexander Ford
Tori Murphy
Margaret Winters
Elizabeth Porter
Nancy Rade
Paula Lisa Cole
Pauline Virginia Fucinari
Martha Chamorro
Dr. David Fucinari
Carole Ireland
Phyllis Snow
Lisa Gross
Carole Heinrich
Kathleen Kennedy
Sarisa Zoghlin
Kevin Dennis & Jeremy Zeltzer
Vreevious
Bradley & Rachel Benigni
Every effort has been made to accurately reflect donor and honoree and memorial names for gifts received between July 1, 2023, and August 31, 2024. Should you find an error or omission, please contact Angela Nelson-Heesch at anelsonheesch@detroitopera.org or 313.237.3438
Capital Campaign for the Detroit Opera House
The Detroit Opera Board of Directors began the first phase of fundraising for the Detroit Opera House capital improvements in January 2020. This multiphase capital campaign grew from recommendations identified in the facilities master plan completed by Albert Kahn Associates, Inc. Scheduled facility improvements and upgrades will shape the patron experience at the opera house for years to come. We extend heartfelt thanks to the following donors who made contributions that enabled capital improvements to begin.
LEADERSHIP GIFTS
Ethan & Gretchen Davidson
William Davidson Foundation
National Endowment for the Humanities
Matthew & Mona Simoncini
CAMPAIGN CONTRIBUTORS
Naomi André
Michael Azar
Nancy Azizi
Lee & Floy Barthel
Blue Cross Blue Shield of Michigan
Gene P. Bowen
Elizabeth Brooks
Mr. Elliott Broom
Wayne S. Brown & Brenda Kee
Mrs. Judith Christian
James & Elizabeth Ciroli
Hon. Avern Cohn* & Ms. Lois Pincus
John & Doreen Cole
Mr. Adam Crysler & Dr. Oxana Crysler
Joanne Danto & Arnold Weingarden
Ms. Julia Donovan Darlow & Hon. John C. O'Meara
Kevin Dennis & Jeremy Zeltzer
Shauna Ryder Diggs, MD
Enrico & Kathleen Digirolamo
David & Carol Domina
Mr. Cameron B. Duncan*
Ms. Wendy L Ecker
Mr. Michael Einheuser
Marianne T. Endicott
Alex & Lil Erdeljan Foundation
Fern Espino & Tom Short
Carl & Mary Ann Fontana
Mrs. Barbara Frankel* & Mr. Ronald Michalak
Mr. & Mrs. Herman Frankel
Samuel* & Toby Haberman
John & Kristan Hale
Dr. Devon Hoover*
Eleanor & Alan Israel
Robert Jesurum & Christine Petrucci
The Karen & Drew Peslar Foundation
Ms. Velda Kelly
Mary Kramer
Michael & Barbara Kratchman
Denise Lewis
Alphonse S. Lucarelli*
Don Manvel
Marvin, Betty & Joanne Danto Family Foundation
McGregor Fund
Benjamin Meeker & Meredith Korneffel, MD
Ali Moiin & William Kupsky
Donald & Antoinette Morelock
Allan & Joy Nachman Philanthropic Fund
James & Ann Nicholson
Peter Oleksiak
Ms. Linda Orlans
Penske Corporation
Mr. Shane Pliska
Prof. Sara A. Pozzi, Ph.D.
Waltraud Prechter
Paul & Amy Ragheb
Mrs. Ruth F. Rattner
Ankur Rungta & Mayssoun Bydon
Terry Shea & Seigo Nakao
The Skillman Foundation
Mr. Richard Slama
SOLO World Partners LLC
Richard Sonenklar & Gregory Haynes
The State of Michigan
Lorna Thomas, MD
Mr. & Mrs. C. Thomas Toppin
Jesse & Yesenia Venegas
R. Jamison & Karen Williams
Ellen Hill Zeringue
Listing reflects gifts and pledges as of August 31, 2024, in alphabetical order.
Avanti Society Members Setting the Stage for Tomorrow
Found in many Italian opera texts, the word avanti means “ahead” or “forward,” and the Avanti Society— Detroit Opera’s planned gift recognition program—is a group of thoughtful donors whose generosity is defined by foresight. By including Detroit Opera in their estate plans, members are leaving lasting gifts which will bring the transformative power of opera and dance to audiences in our community and around the country, well beyond our own lifetimes.
Those listed below have chosen to include Detroit Opera in their estate plans to secure the future of American Opera unfolding in Detroit. Thank you, Avanti Society Members!
Douglas* & Sarah Allison
Dr. Lourdes V. Andaya§
Mr. & Mrs. Agustin Arbulu§
Mr.* & Mrs. Chester Arnold§
Dr. Leora Bar-Levav
Mr. & Mrs. Lee Barthel
Mr. & Mrs. Brett Batterson§
Mr. & Mrs. Richard Bowlby
Mrs. Doreen Bull
Mr.* & Mrs. Roy E. Calcagno§
Dr. & Mrs. Thomas E.Carson
Dr.* & Mrs. Victor J. Cervenak
Father Paul F. Chateau
Mary Christner
Mr. Gary L. Ciampa
Hon. Avern Cohn* & Ms. Lois Pincus
Prof. Kenneth Collinson
Douglas & Minka Cornelsen
Dr. Robert A. Cornette§#
Mr. Thomas J. Delaney
Walter & Adel Dissett
Ms. Mary J. Doerr#
Mrs. Helen Ophelia Dove-Jones
Marianne T. Endicott§#
Mr. Wayne C. Everly
David & Jennifer Fischer
Mr. & Mrs. Herb Fisher§
Derek & Pamela Francis
Mrs. Barbara Frankel* & Mr. Ronald Michalak§#
Mr. & Mrs. Herman Frankel§#
Dr. & Mrs. Byron P. Georgeson§
Albert & Barbara Glover
Robert Green
Mr. Ernest Gutierrez
Mr. & Mrs. Stephen Hagopian
Mr. Lawrence W. Hall§
Mr. & Mrs. Jerome Halperin§
Ms. Heather Hamilton
Charlene Handleman
Preston & Mary Happel
Mr. Kenneth E. Hart§
Mr. & Mrs. Eugene L. Hartwig§
Dr. & Mrs. Gerhardt A. Hein
Fay & Allen Herman
Derek & Karen* Hodgson
Andrew & Carol Howell
Dr. Cindy Hung§
Eleanor & Alan Israel
Ms. Kristin Jaramillo§
Mr. Donald Jensen§
Mr. John Jickling
Mr. Patrick J.* & Mrs.
Stephanie Germack Kerzic
Josephine Kessler
Edward & Barbara Klarman
Mr. & Mrs. Robert Klein#
Mr. & Mrs. Erwin H. Klopfer§#
Myron & Joyce LaBan
Paul Lavins
Mr. Max Lepler & Mr. Rex Dotson
Linda Dresner & Ed Levy Jr.
Mr. Hannan Lis
Florence LoPatin
Mr. Stephen H. Lord
Ms. Denise Lutz
Laura & Mitchell Malicki
Ms. Jane McKee§
Bruce Miller
Drs. Orlando & Dorothy Miller§
Ms. Monica Moffat & Mr. Pat McGuire
Drs. Stephen & Barbara Munk
Mr. Jonathan F. Orser
Ms. Julie A. Owens
Mr. Dale J. Pangonis§
Mr. & Mrs. Charles A. Parkhill
Mr. Richard M. Raisin§
Mrs. Ruth F. Rattner§#
Ms. Deborah Remer
Dr. Joshua Rest
Mr. & Mrs. James Rigby§
Mr. Bryan L. Rives
Ms. Patricia Rodzik§
David & Beverly Rorabacher
Dulcie Rosenfeld
Professor Alvin & Mrs. Harriet Saperstein
Ms. Susan Schooner§
Mark & Sally Schwartz
Arlene Shaler§
Ms. Ellen Sharp
Ms. Edna J Pak Shin
Mr. & Mrs. Harold Siebert
Mrs. Loretta Skewes
Ms. Anne Sullivan Smith
Mr.* & Mrs. Richard Starkweather§#+
Ms. Mary Anne Stella
Mr. Stanford C. Stoddard
Mr. Ronald F. Switzer§ & Jim McClure
Lillie Tabor
Peter & Ellen Thurber
Alice* & Paul Tomboulian
Jonathan & Salome E. Walton
Susan Weidinger
Mr. Andrew Wise
Larry* & Mary Lou Zangerle
We express profound thanks to these Avanti Society members whose planned gifts to Detroit Opera have been realized.
Robert G. Abgarian Trust
Mr. & Mrs. Robert Allesee#
Serena Ailes Stevens
Mr. & Mrs. J. Addison Bartush§#
Mr. & Mrs. Mandell Berman
Margaret & Douglas Borden
Charles M. Broh
Milena T. Brown
The Gladys L. Caldroney Trust
Charlotte Bush Failing Trust
Mary C. Caggegi
Allen B. Christman
Miss Halla F. Claffey
Ms. Virginia M. Clementi
Robert C. & RoseAnn B. Comstock
Mary Rita Cuddohy
Marjorie E. DeVlieg
Nancy Dewar
James P. Diamond
Dr. David DiChiera
Mrs. Karen V. DiChiera
Dr. & Mrs. Charles H. Duncan§
Mr. Wayne C. Everly
Dr. Evelyn J. Fisher
Mrs. Anne E. Ford
Ms. Pamela R. Francis§
Mrs. Rema Frankel
Barbara Lucking Freedman
The Edward P. Frohlich Trust
The Priscilla A.B. Goodell Trust
Freda K. Goodman Trust
Priscilla R. Greenberg, Ph.D.§#
Maliha Hamady
Patricia Hobar
Mary Adelaide Hester Trust
Ms. Nancy B. Henk
Gordon V. Hoialmen Trust
Carl J. Huss
Mr. John Jesser
H. Barbara Johnston
Maxwell & Marjorie Jospey
Mrs. Josephine Kleiner
Misses Phyllis & Selma Korn§*
Mr. & Mrs. Arthur Krolikowski§
Mr. Philip Leon
Dores & Wade McCree
Lucie B. Meininger
Helen M. Miller
Ella M. Montroy
Ronald K. Morrison
Ruth Mott
Elizabeth M. Pecsenye
Clarice Odgers Percox Trust
Thomas G. Porter
Mitchell Romanowski
Ms. Joanne B. Rooney
Concetta Ross
Mr. & Mrs. Giles L. & Beverly Ross
Ms. Merle H. Scheibner
Drs. Heinz & Alice
Platt Schwarz§
Ms. Laura Sias
Mrs. Marge Slezak
Ms. Phyllis Funk Snow§
Edward L. Stahl
Mary Ellen Tappan
Charitable Remainder Trust
Dr. Mildred Ponder Stennis
Margaret D. Thurber
Mr. & Mrs. George & Inge Vincent§#
Herman W. Weinreich
J. Ernest Wilde Trust
Mrs. Ruth Wilkins
Helen B. Wittenberg
Mr. & Mrs. Walter & Elizabeth Work§
Joseph J. Zafarana
Mr. & Mrs. George M. Zeltzer§
KEY
§ Founding Members
# Touch the Future donors
* Deceased
Membership in the Avanti Society is open to all who wish to declare their intention for a planned gift to Detroit Opera. Call Juliano Bitonti Stewart to learn more, 313.965.4271.
Orchestra
Detroit Federation of Musicians, Local #5, of the American Federation of Musicians
VIOLIN I
Daniel Stachyra Interim Concertmaster
Yuri Popowycz Acting Asst. Concertmaster
Emelyn Bashour Second Principal
Emily Barkakati
Anna Bittar-Weller
Molly Hughes
Bryan Johnston
Henrik Karapetyan
Velda Kelly
Beth Kirton
Jenny Wan
Andrew Wu
VIOLA
John Madison Principal
Jacqueline Hanson
Scott Stefanko
CELLO
Ivana Biliskov Principal
Benjamin Maxwell
Andrea Yun
BASS
Derek Weller Principal
Clark Suttle
HARP
Open Position Principal
FLUTE
Open Position Principal
Open Position Second
OBOE
Eli Stefanacci Principal
Open Position Second
CLARINET
Roi Karni Principal
J. William King
BASSOON
Daniel Fendrick Principal
Greg Quick
HORN
Colin Bianchi Principal
Carrie Banfield-Taplin
TRUMPET
David Ammer Principal
Mark Davis
TROMBONE
Open Position Principal
Dustin Nguyen
TIMPANI
Eric Stoss Principal
PERCUSSION
John Dorsey Principal
Administration & Staff
LEADERSHIP
Patty Isacson Sabee, President & CEO
Yuval Sharon, Gary L.Wasserman Artistic Director
Roberto Kalb, Music Director
Andrew Berg, Chief Development Officer
Daniel T. Brinker, General Manager, Detroit Opera House & Parking Center
Shawn Rieschl Johnson, Chief Programming & Production Officer
Alexis Means, Director of Operations & Patron Experiences
Holly Clement, Senior Manager of Events & Rentals
Jennifer George-Consiglio, Manager of Venue Operations
Michael Hauser, Curator of History & Architecture
Kathie Booth, Volunteer Coordinator
USHERS
Max Aghili, Christine Berryman, Ellen Bishop, Kathie Booth, Lori Burkhardt, Randall Davis, Erin G-Doakes, Suzanne Erbes, Pamela Fergusson, Jo-Ann Hale, Sue Hargrave, Myrna Mazure, Ennis Mcgee, Steven McReynolds, Heddie O’Connor, Bill Ried, Kimberly Ried, Edna Rubin, Ida Vance, Sheryl Weinan-Yee
IN CASE OF EMERGENCY
Please observe the lighted exit signs located throughout the theater. In the event of an emergency, remain calm and walk, do not run, to the nearest exit. Ushers and security personnel are trained to assist. An emergency medical technician (EMT) is on-site during most events. Contact an usher or staff member if you need medical assistance.
GUEST SERVICES:
Vincent Lobby and Broadway Lounge
There are a variety of amenities for your comfort and use located in both guest services locations. Wheelchairs, booster seats*, earplugs, assisted listening devices, feminine hygiene products, basic first aid items, and more are complimentary and available for your convenience. Coat check is also available. The Vincent Lobby is located on the Madison Street side of the building and the Broadway Lounge is located on the Broadway Street side of the building.
*Limited quantity
PHOTOGRAPHY, RECORDING, AND CELL PHONE USE
Photography and/or recording during any performance is strictly prohibited. Photographs taken in the lobby areas, before or after a performance, and during intermission are welcome. As a courtesy to all guests, please turn off all electronic devices and refrain from use during the performance.
RESTROOMS
Women’s restrooms are located off the Ford Lobby (Broadway Street entrance) and down the stairs, and on third floor (Madison Street entrance). Men’s restrooms are located under the Grand Staircase and on the third floor (Broadway Street side). There are two sets of elevators or stairs available to access all third-floor restrooms. All third-floor restrooms are wheelchair accessible (women’s restroom, press 3R in the elevator). There are single-use unisex wheelchair accessible restrooms on the first floor of the Broadway Street side of the building and the Madison Street side of the building. There is also a wheelchair accessible women’s restroom on the Broadway Street side of the building.
NO SMOKING
The Detroit Opera House is a non-smoking facility. This includes e-cigarettes, vapes, and other “smokeless” products.
USHERS
Ushers are stationed throughout the building to assist patrons as needed. Please direct questions, concerns, and feedback to them during your visit. Enjoy volunteering? Please go to guest services or the Detroit Opera website, detroitopera.org/volunteers, for information on becoming a volunteer.
LOST AND FOUND
During the performance, lost and found is located in guest services. Unclaimed items are logged and taken to the Safety and Security office after each performance. To inquire about a misplaced or lost item, please call 313.961.3500. Items left over 30 days will be discarded or donated.
RECORDING IN PROGRESS
Entry and presence on the event premises constitute your consent to be photographed, filmed, and/or otherwise recorded, and to the release, publication, exhibition, or reproduction of any and all recorded media for any purpose whatsoever in perpetuity in connection with Detroit Opera and its initiatives. By entering the event premises, you waive and release any claims you may have related to the use of recorded media of you at the event.