Design Trust Futures Studio 2019 - Heritage is Innovation

what is the future of critical making?

Design Trust Futures Studio 2019 未 ．共研社 Design Prototypes Preview at Haw Par Mansion 虎豹別墅 設計原型預覽

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Programme Overview 活動概述

Opening Preview 開幕預覽

Design Trust Futures Studio 2019 Design Prototypes Preview at Haw Par Mansion 未．共研社 2019 設計原型預覽

7:00pm

Reception 接待

7:30pm

Welcome Remarks & Guided Tour 致歡迎詞和導覽

Date 日期

• Marisa Yiu 姚嘉珊 Co-founder/ Executive Director, Design Trust 信言設計大使聯合創辦人 / 執行總監

2019.03.25 Time 時間

• Tim Reeve Deputy Director & Chief Operating Officer, Victoria and Albert Museum 維多利亞和阿爾伯特博物館副主任兼首席執行長

7pm – 9pm Location 地點 Haw Par Mansion, 15A Tai Hang Road, Tai Hang, Hong Kong 香港大坑大坑道 15 號 A 虎豹別墅

Design Dialogue 設計對話 Date 日期

• Roger Wu 胡燦森 Executive Director, Project Development, Haw Par Music Foundation 虎豹音樂基金執行長

Open to public, registration only. 向公眾開放，報名 需先作網上登記。

2019.03.26

Enquiries 查詢

Time 時間

studio@ designtrust.hk

1pm – 3pm

Introduction 介紹 • Marisa Yiu 姚嘉珊 Co-founder/ Executive Director, Design Trust 信言設計大使聯合創辦人 / 執行總監

DTFS 2019 International Mentor Sharing 未．共研社 2019 國際導師演講 • Alexander Groves and Azusa Murakami Co-founders, Studio Swine Studio Swine 聯合創始人

Location 地點 Haw Par Mansion, 15A Tai Hang Road, Tai Hang, Hong Kong 香港大坑大坑道 15 號 A 虎豹別墅

• Hunter Tura President and Chief Executive Officer, Bruce Mau Design Bruce Mau Design 主席兼行政總裁

Panel discussion with guest respondents 與演講嘉賓進行小組討論

Guided Tours 設計導覽 Location 地點 Haw Par Mansion, 15A Tai Hang Road, Tai Hang, Hong Kong 香港大坑大坑道 15 號 A 虎豹別墅

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Open to public, registration only. 向公眾開放，報名 需先作網上登記。 Enquiries 查詢 studio@ designtrust.hk

Schedule 日期

2019.03.28

1:00-2:00pm

2019.03.29

7:00-8:00pm

2019.03.30

1:00-2:00pm

2019.03.31

1:00-2:00pm

Lead Curator's Message 主策展人的話

The programme mission is to make the invisible yet powerful cultural assets of Hong Kong more accessible to the public, whilst curating public and events-based design dialogues and interventions. We find inspiration with the past to shape the future of culture in Hong Kong. As an annual programme, the themes and format change according to the urgency of the topic or the context we are within. This year we’ve invited designers and researchers from the DESIGN TRUST community to examine critical making in new ways, where questions on what makes and shapes creative culture and city identity and its extensions and connections to other cities and cultures abroad.

Building up on Design Trust’s support and role in elevating scholarship and unique content of our region, the programme weaves curation, critical making and testing at its core to excel and foster dialogue and debate. The collective community of this year’s group will be challenged by the richness of the site of Haw Par mansion as a starting point, heritage archives in HK, to new methods of craft and making by our partners Tai Ping Carpets, and mentors who have a legacy of innovation to shape the work in a historic context.Heritage can be innovated to add positive values to society, the design ecology and educational landscape of our region. We are thrilled to have the possibility and the generosity of thinkers and makers to collaborate and present their process, prototypes and discoveries along this journey.

此計劃旨在讓大眾更深入認識香港豐厚的文化資產， 同時以設計為切入點，推動不同主題的公共討論與介 入。我們從香港的過去得到啟發，希望參與形塑香港 文化的未來。作為一項年度計劃，計劃的主題及形式 每年都會因為議題的逼切性及社會背景而有所變化。 本年度我們很榮幸邀得信言設計大使的設計師學員及 其研究員一同合作，嘗試以新的角度去創作產品，並 以文化創意及香港城市身份作起點，逐步伸延及連結 到其他城市與文化作進一步探討。 信言設計大使一直致力提高本地計劃資助撥款，支持 本地專題研究，計劃希望以各種策展、批判性製作以 及設計實驗作為方法，促進更多相關議題的對話與討 論。本年度參與的設計師學員將接受前所未有的挑 戰—以蘊藏豐富本地文化歷史的虎豹別墅作為研究 對象，從文化遺產及歷史檔案中啟發創意。學員將與 計劃夥伴太平地氈共同探索本土紡織工藝，也會跟隨 設計導師，學習在歷史背景下將創意傳承及演繹。展 望將來，歷史與文化遺產的活化與創新將會為社會、 設計圈的生態、教育界的願景帶來更多正面的影響。 我們非常期待各位共同動腦筋、動手合作，向我們展 示在創作、產品研發的過程中實現出的無限可能。

Marisa Yiu 姚嘉珊 Co-founder, Executive Director of Design Trust 信言設計大使聯合創辦人及執行總監

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Design Trust Futures Studio 未．共研社 Design Trust Futures Studio (DTFS) is a long-term flagship programme that makes visible the processes and positive role of design in the culture of contemporary design and production. The programme stems from a project-studio concept that promotes life-long collaborations through a mentor-mentee programme.

「未．共研社」是信言設計大使的長遠旗艦計劃，使設計在現代設

DTFS is a cross-disciplinary initiative created and conceptualised by Marisa Yiu, Co-founder and Executive Director of Design Trust. Experts from different fields will contribute to the mentor-mentee teams in the exploration of materials, production, and put forth the positive value of design of public spaces in Hong Kong, the Greater Bay Area and internationally.

「未．共研社」由信言設計大使聯合創辦人及執行總監姚嘉珊推動及

"In 2019, Design Trust Futures Studio theme and concept is focused on 'HERITAGE IS INNOVATION', exploring the difficult yet animated definitions of Hong Kong identity, shaping conversations on "Conservation", and finding new ways to open up heritage sites to build new narratives of the role and place of heritage – not as a static subject but a dynamic living and inspiring process.

The programme deals with how design disciplines could relate and contribute to making heritage artefacts and buildings in Hong Kong more accessible to the public, while positioning for sustainable and critical tourism in heritage sites in the city and the region. Constituting a major part of our cultural background and collective memory, heritage conservation can be achieved by a dynamic process and design disciplines can play a significant role in the shaping of intangible and dynamic processes." – Marisa Yiu (Co-founder/ Executive Director of DESIGN TRUST) Design Trust Futures Studio 2019 curates site-specific objects by Hong Kong-based designers, who have been involved in the Design Trust foundation as grant recipients and designer mentees in the last years. The programme tests and experiments with building a series of design dialogues in the old 1936 Haw Par Mansion, the Tai Hang neighbourhood, and its extension to other cultures and communities beyond Hong Kong.

Haw Par Mansion has recently been unveiled to the public to become home for a new music foundation, and the neighbourhood of Tai Hang is undergoing transformation, both presenting a fascinating intersection of old and new, ancient and modern, colonial and post-colonial histories.

Tai Hang neighbourhood enables a space for extending the role Haw Par Mansion as a public space and space for community. Programme partners such as Tai Ping with its rich history, and specific archives of Hong Kong Heritage; Haw Par Mansion and its highlighted collections; and such research on Hong Kong through the lens of various advisory members, will be continuously shared throughout the programme.

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計和生產文化中的過程和積極作用顯現出來。他們集中討論前瞻思 維，並展示出設計如何能為社會和公共空間帶來正面的貢獻。該項 計劃源於一個項目工作室的概念，透過導師與學員互相學習而促進 終身合作。

構思。來自不同領域的專家將協助導師和設計師學員團隊探索不同 材料的運用、製作及如何能夠改善香港的公共空間；進一步將香港、 大灣區以至國際的正面的公共空間設計再推前。 「2019 年，『未．共研社』的研究主題及概念將聚焦在『創新的文化 遺產』，主動探索難以定義且不斷流動的香港身份。這些問題既令 我們得以和文化保育這一公共議題對話，也打開了我們理解、談 論文化遺產的新角度—文化遺 不只是靜態的建築，它是一個動態 的，不斷啟發人們投入的過程。本計劃主要探討設計這一學科如 何介入本地文物與古蹟保育，增加古蹟場所對公眾的可及性，亦藉 此機會向公眾教育有關文化古蹟的可持續及批判性旅遊概念。文化 古蹟作為我們文化背景和集體記憶的重要載體，其保育及活化的過 程應該是多變活潑的，而設計這門學科的介入將發揮重要作用。」 — 姚嘉珊（信言設計大使 聯合創辦人 / 執行總監） 「未．共研社 2019」由香港本地設計師在特定場地進行設計，他們 都是過去曾參與信言設計大使研究資助計劃的成功申請人及設計師 學員，在今年的計劃中，他們將會在 1935 年建成的虎豹別墅中， 以一連串的創新與實驗，透過設計跟古蹟、大坑社區以至香港以外 的文化社群展開對話。 虎豹別墅最近已對公眾開放，建築也搖身一變成為音樂基金的基地， 同時，大坑社區也正在慢慢蛻變：社區內充滿著新與舊、傳統與現代、 殖民時期與後殖民等各種元素的交匯。而虎豹別墅就正正是屬於這 一社區的一個公共空間。我們的合作夥伴也相當多元，包括歷史悠 久的太平地氈，庫存中有大量珍稀文物檔案的「香港社會發展回顧 項目」，當然還有虎豹別墅及其特色典藏，以及對香港研究充滿熱 誠的信言設計大使顧問團隊。我們將共同努力令計劃順利延續下去。

heritage is innovation

2019 Theme 2019 年主題

創新的文化遺產 What is the future of critical making? 香港創新製作的未來？ In 2019, the theme and concept of DTFS will be ‘HERITAGE IS INNOVATION’. With this focus, DTFS 2019 will curate new conversations and site-specific objects with Hong Kong-based designers, many of whom have been involved in Design Trust as grant recipients and designer mentees over the past years. The 2019 programme will test a series of design dialogues and prototypes at the historic 1936 Haw Par Mansion in Tai Hang, and experiment with how they can extend to other cultures and communities beyond Hong Kong. 「未．共研社 2019」的研究主題及概念將聚焦在「創新的文化遺產」，主動探索難以定義 且不斷流動的香港身份。由香港本地設計師在特定場地進行設計，他們都是過去曾參與 信言設計大使研究資助計劃的成功申請人及設計師學員，在今年的計劃中，他們將會在

1935 年建成的虎豹別墅中，以一連串的創新與實驗，透過設計跟古蹟、大坑社區以至香港 以外的文化社群展開對話。

Design Trust Futures Studio 未．共研社 Concept 概念

Goals 目標

• Project studio concept 項目工作室概念

• Promote exchange of ideas and processes 推廣意念交流

• Continuing learning 持續學習

• Use design to advance and improve social well-being, health and community interaction 以設計推進及改善社會健康及社群交流

• Life-long collaboration 終身合作 • Mentoring as a collaborative process 以師徒指導的方式合作 • Mentor as mentee, mentee as mentor 導師與學員互相學習

• Raise awareness of environmental issues through creative means 通過創意手法提升對環境議題的意識 • Produce collaborative campaigns or alternatives to advocate for the positive values of design 以合作或另類活動來提倡設計的正面價值 5

About Haw Par Mansion 關於虎豹別墅 Haw Par Mansion and Tiger Balm Garden in Hong Kong was built

by Aw Boon Haw in 1936. The Mansion was his family's private estate, and the Tiger Balm Garden provided a large public recreational landscape to the city's citizen. The Garden was redeveloped into a residential estate in 2004, but Haw Par Mansion was preserved together with its private garden, and is currently a Grade 1 Historic Building.

Designed by Aw Boon Haw, the architectural style of the Mansion shows the cultural influence of British, Chinese, Indian, and Burmese (Myanmar) culture. The Mansion is of Chinese Eclectic style and is one of a few surviving examples in Hong Kong. Its axial symmetrical plan, stained glass windows from Italy, staircase entrances, arches, bay windows and fireplaces shows Western influence; flying eaves imitations, Chiwen roof decorations and brackets, green glazed tile roofs, moon gates, and red columns display Chinese influence; and the timber carvings and mouldings that are gilded with gold, as well as the reliefs showing Indian and Burmese influence. The French style outdoor garden was designed along the main axis of the Mansion with a water fountain at the centre, but also a Chinese style pavilion, a corner tower structure, and a small bridge.

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虎豹別墅及其私人花園是胡文虎先生於

1936 年為其胡氏家族興建，並以兩兄弟 胡文虎﹑胡文豹命名， 毗連別墅依山勢而 修建的萬金油花園，亦於同年開放予公眾 遊覽。後於 1990 年代， 萬金油花園因發 展住宅被拆除，但別墅及其私人花園則被 保留。 整幢別墅的設計出自胡文虎之手，其建築風格可見受 英國、中國、印度及緬甸文化影響，大宅體現了一種 中式折衷主義的風格，也是在香港被成功保留下來的 罕見範例。大宅整體的格局左右對稱，而不同風格也 在其中取得平衡：既有西式元素中常見的意大利彩繪 玻璃，樓梯入口，門廊，窗台及壁爐；屋頂的飛簷、 螭吻裝飾、斗拱、綠色瓦片、月門以及紅色柱子，則 可見其中式韻味；富印度及緬甸色彩的木雕金框亦隨 處可見。別墅前方的私人花園則採取法式庭園佈局， 正中置有噴泉，並配以中式涼亭、角樓及小橋。 別墅樓高四層，由胡宅起居的主樓及工人宿舍組成。 底層為客、飯兩廳，是昔日供休憩的空間。一樓則是 胡家成員的私人房間，天台中廳曾經是用作祈禱靜修 的佛堂。

1870

1926

1929

Eng Aun Tong (later on Tiger Balm) opened in Fujian 永安堂（後易名虎標萬金油）於福建成立

First factory in Singapore 新加坡首個廠房落成

1936

1954

Aw Boon Haw passed away, the Mansion transferred to Haw Par Brothers International 胡文虎逝世，虎豹別墅由虎豹兄弟國際 有限公司接管

Aw Boon Haw started Sin Chew Jit Poh Newspaper 胡文虎創辦星洲日報

1978

Part of Mansion's land was sold 虎豹別墅部分用地被出售

Haw Par Mansion and its private garden completed 虎豹別墅及私人花園落成

2000

Haw Par Mansion, its private garden, and Tiger Balm Garden completely sold to real estate developer 虎豹別墅，萬金油花園及私人花園全部售 予地產發展商

2011

2001

Haw Par Mansion and its private garden preserved and passed to the HKSAR Government 虎豹別墅正式成為活化歷史夥伴計劃的 歷史建築項目

2009

Haw Par Mansion accorded Grade 1 Historic building 虎豹別墅被列為一級歷史建築

2013

Haw Par Mansion included in the Revitalising Historic Buildings through Partnership Regime 虎豹別墅正式成為活化歷史夥伴計劃的 歷史建築項目 Haw Par Music Foundation, a not-for-profit organisation, providing music training at the revitalised Haw Par Mansion. 非牟利音樂陪訓機構虎豹樂圃進駐 7

About Aw Family 胡氏家族

The Aw family's origin goes back to Zhongchuan, a village in Fujian Province, China. The father Aw Chi Kim, a Hakka herbalist, moved to Rangoon, Burma in 1860s, to later on establish the herbal shop, Eng Aun Tong (Hall of Everlasting Peace). Aw Boon Haw and Aw Boon Par are two of their sons, learned from their father, and took over the shop after his death in the 1900s. Working on their father's formula, they produced Ban Kim Ewe (Ten Thousands Golden Oil), which later on became the signature Tiger Balm.

The packaging and promotion of the Tiger Balm was also a big component of Aw Boon Haw's business. The layered packaging, the tiger figure on each product box, and also on each of his cars, houses, and gardens were all his ideas. In 1929, the Aw brothers moved the company, Eng Aun Tong to Singapore, and Hong Kong was the second largest production by 1932. In 1936, Aw Boon Haw bought the land on Tai Hang Road to start building Haw Par Mansion and the Tiger Balm Garden.

In 1913, the Aw brothers started Yangoon Daily newspaper, and in 1938 Sing Tao Daily, which remained in the family until 1999. Aw Boon Haw also founded the "Star Press" with twelve newspapers published in different countries.

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胡氏家族起源於中國福建永定區一個名為中川的村 落。 胡 子 欽 是 客 家 人， 其 職 業 為 一 名 中 醫 師， 於

1860 年代移民至緬甸仰光，並開設中草藥房「永安 堂」。他其中兩個兒子胡文虎及胡文豹於 1900 年代 父親逝世後繼承父業，以父親研發的配方製作萬金 油，這便是後來家傳戶曉的虎標萬金油的由來。 胡文虎包辦了早年虎標萬金油的品牌包裝及宣傳工 作。虎標萬金油的包裝盒採分層設計，每個盒子上均 印有老虎標誌，此標誌後來也出現在他的座駕、房子 及花園裡。胡氏兄弟於 1929 年將永安堂遷至新加坡， 稍後又於各地設立廠房生產虎標萬金油。而香港的廠 房於 1932 年時成為了產量第二高的廠房。1936 年， 胡文虎購入大坑道一塊地段，並於 1936 年，建成虎 豹別墅了虎豹別墅及萬金油花園。 胡氏兄弟於 1913 年創辦《仰光日報》 ，其後於 1938 年 創辦《星島日報》 。 《星島日報》由胡氏經營至 1999 年。 胡文虎亦曾創辦「星系報業」 ，坐擁旗下 12 份報刊。 星系旗下的報章遍佈多個國家。

Source 資料來源 King, S. (1992) Tiger Balm King. Times Books International; Brandel, J. Turbeville, T. (1998) Tiger Balm Gardens: A Chinese Billionaire's Fantasy Environments. Aw Boon Haw Foundation. Sin Chew Jit Poh billboard advertising Tiger Balm medicated ointment (1938-39). Singapore.

National Museum of Singapore Collections. Accession No. 2007-50928-251. Inventory of Intangible Heritage Online Platform of Museums in Singapore. Haw Par Music Farm.

People 成員

Design Trust Futures Studio 2019 「未．共研社 2019」邀請到世界各地及本 brings together international 地知名導師合作，為來自不同領域、不同 and Hong Kong-based mentors 學科的設計師學員提供指導。這些設計師 to work together with 學員都是過往信言設計大使資助計劃的成 diverse and multidisciplinary 功申請人及設計師。 designer-mentees who have been 每位導師都會向學員傳授有關物料、製作過程的心 involved in Design Trust as grant 得。而我們的顧問團隊，則負責支援「未．共研社」 recipients and designers. 目前探索的議題，包括文化遺產、保育、活化、歷史、 Each mentor contributes to the mentees in the exploration of materials, production, and narrating the processes of making. The advisors involved in the programme support the Futures Studio regarding the larger notions of heritage, preservation, conservation, history and identity.

The mentoring method includes each mentee being matched with a mentor; archive and workshop visits for mentees; advisors overseeing the programme; research study tours; and establishing international partnerships.

城市身分等，提供專業研究論述與方向。 計劃採用導師與設計學員一對一師徒制，透過定期分 享及安排學員到訪工作室，促進雙方互相學習。顧問 團會負責監察整個計劃進度與方向，安排實地考察， 以及與國際專家建立夥伴關係。 在每個設計及製作過程當中，設計學員都將展示其最 擅長的專業技能，同時我們也要求學員或團隊在過程 中嘗試加入新元素，而導師將在這一環擔任主導角色。

Each object's fabrication process uses and highlights the best of the individual mentee's expertise and has one new element that the team or designer mentee has not explored – this is where the mentor will play an active role.

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Lead Curator 主策展人

Marisa Yiu 姚嘉珊

Marisa Yiu is the Co-founder and Executive Director of the DESIGN TRUST initiative, that supports creative and research content related to Hong Kong and the Greater Bay Area, and instrumental in shaping the growth of the NGO since 2014 and the Design Trust Futures Studio programme. She is also an architect and Founding Partner of ESKYIU, an award winning multi-disciplinary architecture and research design studio actively integrating culture, community, art and technology based in Hong Kong. She was the Chief Curator of the 2009 Hong Kong & Shenzhen Bi-City Biennale of Urbanism\Architecture located at the West Kowloon waterfront; and curated Studio-X Shenzhen. Along with her partner Eric Schuldenfrei, they were awarded the ‘Architectural League Prize’ for their installations featured in the Venice Biennale received Architectural Record’s Design Vanguard recognition and Design for Asia Award for Ephemera, commissioned by Swire Art Basel and Movement culture: installation for Ido Portal.

Yiu’s work and writings have been published in A/D, Domus China, MIT’s Thresholds, and Architectural Record among others and spoken at numerous global platforms including TEDxCUHK, BoDW, UNESCO forum and at Harvard’s AsiaGSD conference. She has taught at London’s Architectural Association, Parsons, HKU, School of Architecture at CUHK.Yiu is an AIA member, HKIA associate, served on the Board of Advisors for RTHK (seven years term), and formerly a Board member of the Hong Kong Ambassadors of Design.

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建築師姚嘉珊為 ESKYIU 的創辦人之一。ESKYIU 乃一間 駐於香港的多領域建築及研究設計工作室，積極從事整合 文化、社區、藝術及科技等設計項目。她曾於 2009 年擔 任由西九龍海濱舉辦的港深城市 \ 建築雙城雙年展總策展 人，並策劃了 Value Factory 位於深圳的「Studio-X」項 目。姚嘉珊與合夥人 Eric Schuldenfrei 二人於威尼斯雙 年展和紐約曼哈頓下城區文化協會發表的裝置項目榮獲 「Architectural League Prize」 ；也曾以 Movement culture:

installation for Ido Porta」及 由 巴 塞 爾 藝 術 展 贊 助 的 作品「Ephemera」榮獲《Architectural Record》2014 年 「設計先鋒（ Design Vanguard）」稱號，以及亞洲最具影 響力設計獎（ Design for Asia Award）。他們共同編寫 《INSTANT CULTURE: Architecture and Urbanism as

a Collective Process》一 書， 並 在 《High-Rise – Idea and Reality》中合著「Unitary Urbanism」一章。 姚嘉珊的作品和文章曾發表於《A/D》 、《Domus 國際中文 版》、《MIT's thresholds》以及《Architectural Record》 等出版物。她亦於 TED x CUHK、設計營商周、UNESCO 論壇、哈佛大學 AsiaGSD 研討會等國際論壇平台上公開 演講。她曾任教於倫敦建築聯盟學院、帕森設計學院、 庫珀．休伊特國立設計博物館、以及香港中文大學建築學 院，現為美國 AIA 建築學會成員、香港建築師學會附屬會 員，並於過去八年間曾受任於香港電台顧問委員會（ 七年 任期）和香港設計大使董事會。姚嘉珊現為信言設計大使 的聯合創辦人及執行總監，旨於支持香港及大灣區的創意 研究。

Collaborators 合作夥伴

Roger Wu 胡燦森

Michelle Chu 朱蒨蒨

Roger is the Executive Director, Project Development, of Haw Par Music Foundation Limited (HPMF), a non-profit organisation set up to oversee the revitalisation of the historic Haw Par Mansion in Tai Hang, Hong Kong, into Haw Par Music Farm a centre for cross-culture exchange through music, heritage and the arts. Roger is also an Adjunct Associate Professor at the School of Architecture, Chinese University of Hong Kong, and has lectured at architectural schools in universities across the UK, including Bath, Nottingham, Central England, (Birmingham) and Plymouth. Actively involved with both the Royal Institute of British Architect (RIBA), Roger is also the Council Member representing the Asia and Australasian region as well as Chairman of the RIBA Hong Kong Chapter, and the Hong Kong Institute of Architects (HKIA), where he is a member of the Heritage and Conservation, Education Development and Accreditation Committees.

Michelle is the Design Director, Asia Tai Ping, has worked with Tai Ping for close to two decades.

Building on her knowledge in fine arts and design, she has gained extensive project experience on handmade and machine-made carpet design in commercial, luxury retail and residential sectors, as well as production planning and estimation.

Over the years, Michelle collaborates continuously with renowned designers. Her contemporary yet elegant style won the favour of Peter Marino and Andre Fu, creating exquisite and unique pieces that enrich spaces. Today, with a unique experience blending creativity and rigor craftsmanship, she is in charge of developing Tai Ping collection.

Michelle is also a pianist and composer.

胡燦森先生（ Roger Wu），於建築業界擁有超過二十年經 驗，曾受聘與多家建築事務所。在英國，中國大陸以及香 港領導設計的各種大型、有復雜運營要求的項目更使得他 成為經驗相當豐富的資深建築師。Roger 近年積極參與香 港多項文化遺產 及社區計劃。Roger 現身兼虎豹音樂基金 的執行長，香港建築師學會古蹟及文物保育委員會成員， 以及英國皇家建築師學會（ 香港區 ）會長，帶領小組委員會

朱蒨蒨現擔任太平亞洲設計總監。憑藉其對美術與設計的 專業知識，她在商業、高級零售及住宅領域的手工及機織 地氈設計以及地氈生產規劃與評估方面積累了豐富的項目 經驗。多年來，朱蒨蒨不斷與眾多享譽盛名的設計師進行 合作。她那現代而優雅的設計風格贏得了世界頂尖設計師

Peter Marino 與 Andre Fu 的青睞，創造出精美絕倫、別 具一格的作品，在世界各地展現出耀眼的光芒。如今的她， 擁有獨樹一幟、兼具創新與縝密的設計理念，負責太平新 創新系列的開發，致力於在創意、專業與手工藝品質之間 追尋最完美的平衡。朱蒨蒨同時也是鋼琴家和作曲家。

籌備多個重點項目。胡燦 森曾多次負責大中小型的總體規 劃、商業、住宅以及結構設計項目，並從中國、阿爾及利 亞、美國、意大利、俄國和土耳其等多項海外計劃中，積 累了不同國家建築體系、法規和文化的經驗。

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Hong Kong-based Mentor 香港導師

Michael Young

Michael Young founded the Michael Young Studio in 1993 with the aim of providing exclusive, quality design services across an eclectic range of markets – from interiors to technology. After nearly a decade working across the UK and Iceland, Michael was enticed to Asia by his passion for pioneering technology. Today Michael Young Studio is considered to be one of the most exciting and formidable design companies operating in Asia, responsible for designing award-winning icons for its clients that last a lifetime and are presented in museums globally. The studio specialises in creating modern design through exploring the endless possibilities Asia’s technological ingenuity provides. Propelled by the momentum created through collaboration with Chinese industrialists, the studio captures the strengthening ties between local industry and design, and exemplifies the skills of Asia’s industrial innovation.

Michael Young 1993 年創立了 Michael Young 工作室， 旨在提供獨特而高品質的設計，服務的市場範圍非常廣泛— 從室內設計到技術設計。過去 20 年來，Michael Young 成為了國際設計領域中的領先人物。他的作品的獨特性質 源自於對設計類型和習慣的不斷質疑、與生俱來的對技術 的熱情、和以新方式重新解讀空間的強烈慾望。他的設計 有無可匹敵的營造氛圍的能力，既充滿活力又閒適自在， 因 此 作 品 在 世 界 各 地 被 廣 泛 效 仿。 時 至 今 日，Michael

Young 工作室已經被公認是亞洲最令人興奮、最強大的設 計公司之一。工作室為客戶設計可沿用一生的標誌性產品， 在全球範圍內榮獲多項大獎，並在世界各地的博物館展出。

Michael Young 持續推動實驗性設計的發展。

MY Dynasty. A unique collection of Aluminium foam vases inspired by Chinese Taoism.

MY 朝代花瓶系列，以泡沫鋁材打造，其創 作意念體現中國道家哲學的五行元素。 12

Designer Mentee 設計師學員 Participant of Design Trust Futures Studio 2017, 2018 「未．共研社」2017和 2018年的參與者

Xavier Tsang 曾首彥 Xavier Tsang is a designer and candle artisan. He holds a BA in Design Engineering from The Chinese University of Hong Kong since 2005, and has been awarded the Asia Design Excellence Award (2012), 40 UNDER 40 Award from Perspective Magazine (2013) and the Young Design Talent Special Mention Award (2013). In 2009 he co-founded his first design studio Atelier Poesia in Milan. After returning to Hong Kong, he began creating and exhibiting his works of wax and candles, under the label BeCandle. BeCandle has been sold internationally and featured in major design exhibitions including the Salone del Mobile in Italy and Maison et Objet in Paris. Inspired by Italian family-run atelier businesses, he set up an atelier shop in Sai Kung, Hong Kong in 2017.

曾首彥畢業於香港中文大學，主修 Design Engineering， 是一位設計師和蠟燭匠，曾獲多個獎項包括「Asia Design

Excellence Award 2012」、《透 視 雜 誌 》的「透 視 40 驕 子獎 2013」和「DFA 香港青年設計才俊大獎優異獎 2013」 。曾首彥於 2009 年在米蘭開設了自己第一個設計工作室

Atelier Poesia，回港後積極以 BeCandle 的名義創作並 展出他的蠟工藝品和蠟燭。在全球銷售的 BeCandle 均有 在主要設計展覽如意大利的 Salone del Mobile 和巴黎的

Maison et Objet 展出。受意大利家族企業的理念啟發下， 他於 2017 年在香港西貢設立了一間工作室專門店。 曾首彥是「未．共研社」2017 和 2018 年的參與者 。

Xavier Tsang is a participant of Design Trust Futures Studio 2017 and 2018.

Memory Chest, for Bangkok Design Week 2018. A chest of tools for capturing future memory with scents. 記憶箱，2018 年曼谷設計週。一個用香氣 捕捉未來記憶的工具箱。

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Hong Kong-based Mentor 香港導師

Douglas Young 楊志超 Hong Kong native, designer and artist Douglas Young is the founder and creative force behind Goods of Desire, an original Hong Kong lifestyle brand. Douglas is a leading voice regarding design, arts, creativity and entrepreneurship in Hong Kong and is often called upon to share his views on Hong Kong culture and identity. He hopes, through his work, to inspire future generations of designers to seek inspiration from Hong Kong and foster pride in the community. In 2017, Douglas was awarded the Honorary Doctorate of Humane Letters by Savannah College of Art & Design.

生於香港，設計師兼藝術家楊志超先生是香港原創生活品 牌「住好啲」的創辦人和創意主腦。作為香港設計、藝術、 創意和企業家精神的領頭人，楊氏經常獲邀分享他對香港 文化和身份的看法。 楊氏希望透過他的設計和工作，激發新一代設計師以香港 作為創作靈感來源，令他們對本地設計引以自豪。 2017 年， 楊氏被薩凡納藝術設計大學授予榮譽人文博士學位。

The 'Paraphernalia' print is a collection of Hong Kong relics from the 1970s which are rare objects today, defining our interests, technology and sense of aesthetics during this time in Hong Kong's cultural history. 「懷舊物品」是 20 世紀 70 年代香港文化的 集合，是當今罕見的物品，在香港文化歷 史中定下我們的興趣，技術和美學意識。

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Designer Mentee 設計師學員 Recipient of Design Trust Seed Grant 信言設計大使種籽資助計劃成功申請人

Florian Wegenast & Christine Lew Studio Florian and Christine is a two-person lead, multidisciplinary design studio. The duo has expertise in industrial design, and fashion and material innovation design and are both MA graduates from Central Saint Martins College of Art and Design. Their studio is exploring the intersection of science, craft and sustainability.

The collaboration between the two disciplines involves creating structural forms while investigating sustainable materials and how they may be utilised for design led social innovation.

As a studio, their design mission is to push to the boundaries of sustainable materiality and craft processes and how they can be used for future forms and functions.

Studio Florian and Christine 是由 Florian Wegenast 及 Christine Lew 成立的多學科設計工作室。他們二人皆 畢業於中央聖馬丁藝術與設計學院，擅長工業設計、時裝 設計及物料創新。工作室致力探索科學、工藝及永續發展 的交匯點，這兩個不同學科背景的合作，包括創造結構形 式，同時探討可持續物料的設計應用以達至社會創新。而 工作室的使命，就是突破可持續物料及工藝的界限，以及 未來在形式與功能上的應用。

Florian Wegenast & Christine Lew 是信言設計大使種 籽資助計劃的成功申請人，其專題項目名為「Hong Kong

Harbour: Future Sea Craft」。

Florian Wegenast and Christine Lew are recipients of Design Trust Seed Grant for their project entitled "Hong Kong Harbour: Future Sea Craft".

"Hong Kong Harbour: Future Sea Craft", a Design Trust Seed Grant project by Studio Florian + Christine.

Florian Wegenast & Christine Lew 是信言 設計大使種籽資助計劃的成功申請人，其專 題項目名為「Hong Kong Harbour: Future

Sea Craft」 。 15

International Mentor 國際導師

Alexander Groves & Azusa Murakami Studio Swine (Super Wide Interdisciplinary New Explorers) is an art collective established in 2011

by Alexander Groves and Azusa Murakami. Their work straddles between the spheres of sculpture, installations and cinema, blending poetry and research into immersive experiences. The studio adopts an unique approach to each work, drawing on the distinctive resources and vernacular aesthetic of its cultural, historic and economic landscape. Professional training in art and architecture allows the studio to bridge rich and emotional narratives with rigorous technical and spatial awareness. Studio Swine’s films have been awarded at Cannes and other film festivals around the world and their work have been widely exhibited at institutions such as the Victoria & Albert Museum in London, Pompidou Centre in Paris, and the Venice Art and Architecture Biennales.

Studio Swine 是由 Alexander Groves 與 Azusa Murakami 於 2011 年創辦的藝術團體，作品涵蓋雕塑、裝置藝術及電 影，融合詩歌及大量的資料搜集製作成沉浸式體驗。每次 跟不同單位合作，他們都會運用對方獨有的資源，並了解 其文化、歷史及經濟背景而生成的本土美學，創作出與別 不同的藝術作品。二人的藝術及建築學術背景也使他們能 駕馭各種技術應用及空間運用，令每個作品都成為蘊藏濃 厚情感的敍事體。Studio Swine 的電影作品曾獲康城及其 他影展的獎項殊榮，而不少機構都將他們的作品納入為館 藏，包括倫敦 V&A 博物館，巴黎龐畢度藝術中心以及威尼 斯藝術與建築雙年展。

Blue (Infinity Blue), 2018 by Studio Swine. Photo: Petre Krejci.

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Designer Mentee 設計師學員 Recipient of Design Trust Feature Grant 信言設計大使專題資助計劃成功申請人

Ire Tsui, Michael Leung, Rony Chan 徐巧詩、梁展邦和陳凱納 Ire Tsui, Rony Chan and Michael Leung are the founding members of design* lab, an independent research and production laboratory specializing in interdisciplinary design practices. Micro Factory is the pilot research and design project, aimed at exploring new narratives through curated objects with designers, craftsmen, makers, innovators and local industries from Hong Kong and PRD region.

Micro Factory is an experimental concept for old and new, high and low, crafts and technologies. The Project will explore new design implementations through different public activities.

獨立設計研究單位 design*lab，關注跨設計界別的研究 和生產模式，由徐巧詩、陳凱納和梁展邦發起。首個計劃

Micro Factory 嘗試與來自香港和珠三角洲地區的設計師、 匠人、工藝師、創新單位和在地業界合作，透過實驗性的 拼合新舊、高低端的不同工藝和科技策劃製作聯乘物件， 希望為大眾帶來新的設計實踐體驗。 徐巧詩、陳凱納和梁展邦為信言設計大使專題資助計劃的 成功申請人，其計劃名稱為「Micro Factory」。

Ire Tsui, Rony Chan and Michael Leung are recipients of Design Trust Feature Grant for their project entitled "Micro Factory".

"Micro Factory", a Design Trust Seed Grant project by Ire Tsui, Rony Chan and Michael Leung. 徐巧詩、陳凱納和梁展邦為信言設計大使 專題資助計劃的成功申請人，其計劃名稱 為「Micro Factory」。

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International Mentor 國際導師

Hunter Tura

Hunter is President and Chief Executive Officer of Bruce Mau Design where he is responsible for the firm’s overall strategic direction, creative excellence and global business development.

He is passionate about building truly great teams, helping develop strategies and driving growth for clients and brands. Over the course of the past two decades, he has worked with business, cultural and design leaders from organizations such as Asics, Samsung, GE, Unilever, Sonos, Harvard University, the University of Pennsylvania, and the Ullens Center for Contemporary Art in Beijing on a range of design initiatives.

He serves on the Design Council for IE Business School in Madrid, and was previously an External Advisor and Guest Lecturer at Designskolen Kolding in Denmark, where he organized the first BRAND x (Place) Conference in May 2015. He has served on the design faculty of the University of California - Berkeley, Columbia University, and California College of the Arts and has been a lecturer and guest critic at Universities and conferences worldwide.

Asics Tiger. Brand & Retail Design, Osaka, 2016. Bruce Mau Design.

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Hunter 是 Bruce Mau Design 的主席兼行政總裁，負責 主理公司的總體決策方向，創意優勢以及全球業務發展。 他熱衷於建立優秀團隊，共同策劃專案以幫助客戶及品牌 增長。過去 20 年他曾與各大品牌如 Asics、三星、通用 電氣、聯合利華、索諾斯、哈佛大學、賓夕法尼亞大學等 組織合作，以及為北京尤倫斯當代藝術中心策劃一系列設 計項目計劃。 他曾任馬德里 IE 商學院的設計委員會成員，丹麥柯靈設計 學院的外務顧問和客座講師，並於 2015 年 5 月籌辦了第 一次 BRAND x（ Place）會議。此外，他曾在加州大學伯 克利分校設計學系、哥倫比亞大學以及加州藝術學院擔任 過教職，並在不同大學及各地會議上擔任講師和客座評論。

Designer Mentee 設計師學員 Recipient of Design Trust Seed Grant 信言設計大使種籽資助計劃成功申請人

Adonian Chan 陳濬人 Hong Kong lettering designer, graphic design, and musician. Adonian was born in 1986 and graduated from Hong Kong Polytechnic University in 2009.

He cofounded Trilingua Design with Chris Tsui in 2010, and cofounded restaurant and cultural space "tfvsjs.syut" with his music group "tfvsjs".

Since 2011, Adonian has been researching on Hong Kong BeiWei Kaishu. He is now in the process of reinterpreting and redesigning this lettering style under today’s aesthetics and technological context.

香港文字設計師，平面設計師及音樂人。1986 年香港出 生，2009 年香港理工大學畢業，2010 年與徐壽懿共同創 辦叁語設計，同時也跟其樂隊 tfvsjs 創辦餐廳及文化空間 「談風：vs：再說」。2011 年起，陳濬人開始著手研究北 魏真書，及至現在，他正研究在當代美學及技術背景下， 北魏書法可如何重新演繹及重新設計。 陳濬人是信言設計大使種籽資助計劃的成功申請人，其專 題項目名為「香港北魏真書」。

Adonian Chan is a recipient of Design Trust Seed Grant for his project entitled "Hong Kong Beiwei Kaishu".

"Hong Kong Beiwei Kaishu", a Design Trust Seed Grant project

by Adonian Chan. 陳濬人是信言設計大使種籽資助計劃的 成功申請人， 其專題項目名為「香港北魏 真書」。

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International Mentor 國際導師

Ho Puay-Peng 何培斌 Having close to 30 years of experience in academia, Puay-Peng’s main interest is to integrate research, teaching and practice in his research areas of architectural history and conservation practices.

Prior to joining the National University of Singapore (NUS) in 2017, Puay-Peng was Professor of Architecture and served as Director of School of Architecture and University Dean of Students at The Chinese University of Hong Kong. Sustaining his research is the quest to understand religious culture and its architectural forms. His main focus is Buddhist architecture and ritual of medieval China.

Puay-Peng is a conservation consultant, architect and adviser to some 100 conservation projects in Hong Kong since 2013, including PMQ, Haw Par Villa, Comix Homebase, Oil Street Art Space, Court of Final Appeal, and New Campus for Chicago University Booth School. Puay-peng Ho was also appointed to many public and private boards and committees in Hong Kong, including as Chairman of the Lord Wilson Heritage Trust, member of Town Planning Board, Antiquities Advisory Board, and the Housing Authority.

Haw Par Music Farm, Architecture Conservation Consultancy. 虎豹樂圃，歷史建築保育諮詢。 20

何培斌教授在學術界工作近 30 年，一直致力將研究、教 學與實踐融入他的建築史以及文化保育研究領域。2017 年 加入新加坡國立大學（ NUS）前，何教授曾任建築學系教授， 並擔任香港中文大學建築學院院長及大學輔導長。他的研 究涵蓋宗教文化及建築形式的關係，而主要焦點集中在佛 教建築和中世紀中國的儀式。由 2013 年起，何教授曾為 香港本地逾 100 個活化保育項目擔任保育顧問、建築師及 工程顧問，項目包括元創方、虎豹別墅、動漫基地、油街 實現藝術空間、終審法院，以及芝加哥大學布斯商學院新 校舍。此外，何教授也曾被多個香港公私營機構的董事會 及委員會任命為委員，包括衞奕信勳爵文物信託主席，城 市規劃委員會，古物諮詢委員會及香港房屋委員會。

Designer Mentee 設計師學員 Participant of Design Trust Feature Grant research 信言設計大使專題資助計劃的參與者

Julie Progin & Jesse Mc Lin Latitude 22N is a Hong Kong based design studio established in 2008 by designer and artist duo Julie Progin and Jesse Mc Lin.

Latitude 22N 是一家香港設計工作室，由設計師兼藝術

Julie & Jesse create their own, personal line of latitude, drawing upon their different backgrounds and experiences to find a fresh perspective on their own traditions. The duo’s roots are anchored in local heritage. Their story is one of making. They create porcelain collections in which design and skill come together always seeking to work in places and with people with amazing history and expertise. The creation of each item stems from the collaboration between Julie & Jesse and the makers– it weaves and forms their story.

不同 的背景和經驗，找到了他們的傳統新視角。Latitude

家二人組 Julie Progin 和 Jesse Mc Lin 於 2008 年創立。

Julie 和 Jesse 創造了他們自己的個人緯度線，利用他們 22N 的根源是當地遺產，他們在 創造瓷器系列中製作故事， 其設計和技能匯集一起。總是尋求具有驚人歷史和專業知 識，每件作品的創作源於 Julie 和 Jesse 與製作人之間的 合作 - 編織並形成他們的故事。 Latitude 22N 平衡設計， 工藝和藝術之間的界限，利用功能和實驗製作過程作為視 覺話語的藉口。他們的作品中的敘述在遺產，自然與工業， 在消費和廢物的背景下灌輸對設計製造的評論。

Julie Progin and Jesse Mc Lin 曾參與 design*lab 的信 言設計大使專題資助計劃「Micro Factory」。

Their work balances on the fine lines between design, craft and art making use of function and experimental making processes as a pretext for visual discourse. The narratives in their works are instilled with comments on design manufacturing in the context of heritage, nature versus industry, consumption and waste.

Julie Progin and Jesse Mc Lin participated in design*lab’s Feature Grant research.

Fragment(s), The Bottle edition, 2017.

Julie & Jesse.

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International Mentor 國際導師

Lyndon Neri & Rosanna Hu 郭錫恩與胡如珊 Lyndon Neri and Rossana Hu are the Founding Partners of Neri&Hu Design and Research Office, an inter-disciplinary international architectural design practice based in Shanghai, China, with an additional office in London, UK. Neri&Hu are the Overall Winner of The PLAN Award 2018; named EDIDA Designers of the Year 2017 and Interior Designers of the Year of Iconic Awards 2017 by German Design Council, Maison&Objet Asia Designers of The Year 2015 and Wallpaper* Designers of The Year 2014. In 2013, they were inducted into the U.S. Interior Design Hall of Fame.

Their practice was the 2011 INSIDE Festival Overall Winner, won AR Awards for Emerging Architecture in 2010 by Architectural Review and was one of the Design Vanguards in 2009 by Architectural Record.

郭錫恩與胡如珊共同創辦了如恩設計研究室，一家總部設 於中國上海、另於英國倫敦設立辦公室的跨學科國際建 築設計公司。如恩設計研究室於 2018 年榮獲意大利 The

PLAN Award 建築設計大獎年度總冠軍；二人多年來更 先後獲世界級獎項評選為年度設計師，包括 EDIDA 國際 設計大獎（ 2017），德國設計協會（ 2017），巴黎家居裝飾 博覽會（ 2015），《Wallpaper*》 （ 2014）。2013 年二人入 選美國《室內設計》名人堂；如恩設計研究室曾獲 2011 年

INSIDE 設計節年度總冠軍，2010 年度獲《Architectural Review》新銳建築獎，2009 年獲《Architectural Record》 年度「設計先鋒（ Design Vanguards）」殊榮。 郭錫恩亦是由香港設計大使創辦信言設計大使的海外設計 顧問團成員之一。

Lyndon Neri also serves on the International Advisory Council of Design Trust, an initiative of the Hong Kong Ambassadors of Design.

The Waterhouse at Sounth Bund.

Neri&Hu Design and Research Office. 水舍南外滩精品酒店，如恩設計研究室 （Neri&Hu)。 22

Designer Mentee 設計師學員 Recipient of Design Trust Feature Grant 信言設計大使專題資助計劃成功申請人

Elaine Yan Ling Ng 吳燕玲 Elaine Yan Ling Ng, also known as the 'techno fairy'

by Elle Deco, is the founder of THE FABRICK LAB bringing together textiles, electronics, biomimicry, interiors and installations. Elaine is a British Chinese materialologist and a graduate of Central Saint Martins in London where she earned her MA Design in Textile Futures with distinction. She is a TED fellow and is globally recognised, having worked with international design companies such as Nissan Design Europe and Nokia Design Beijing with multiple design awards, including the GGEF "Eco Innovator Award" and "Swarovski Designer of the Future Award". Her magical approach towards materials is recognised by some of the best in the field and has proved inspirational to many. "The Chinese designer creates materials that move and grow like trees – but faster." - Wired UK

吳燕玲（ Elaine） ，曾被《Elle Deco》雜誌譽為「高科技界仙 子」，THE FABRICK LAB 創辦人，專門研究智能紡織品、 電子產品、仿生科技、室內設計及裝置藝術。吳燕玲是一 位英藉華裔物料設計師，畢業於倫敦中央聖馬丁藝術與設 計學院，以優異成績取得 Textile Futures 設計碩士學位。 她是國際知名的 TED 研究員，曾與日產汽車歐洲設計中心 以及諾基亞北京設計中心等國際設計公司合作，並榮獲多 個設計獎項，包括全球綠色經濟論壇（ GGEF） 「生態創新 獎」，施華洛世奇水晶「未來設計師獎」和 DFA 亞洲設計金 獎。她對材料的神奇應用備受業界推崇。「這位華裔設計師 研發了比樹木移動和生長更快的物料」－《Wired UK》。 吳燕玲是信言設計大使專題資助計劃的成功申請人，其計 劃為「UN/FOLD Weaving Time Travel」。

Elaine Yan Ling Ng is a recipient of Design Trust Feature Grant for her project entitled "UN/FOLD Weaving Time Travel".

"UN/FOLD Weaving Time Travel", a Design Trust Feature Grant project

by Elaine Ng. 吳燕玲是信言設計大使專題資助計劃的成 功申請人，其計劃為「UN/FOLD Weaving Time Travel」。 23

Hong Kong-based Mentor 香港導師

Frank Leung & Irene Lai 梁以立及黎蘊琪 Frank Leung & Irene Lai founded via. in 2009 and has created notable works that include multipurpose arts space ArtisTree; boutique workplace W50; and urban sanctuary 28 Aberdeen. Frank is the driving force behind the award winning architecture & design studio via; and Irene develops via.’s external profile, covering areas including publicity, media, and client relations.

梁以立與黎蘊琪於 2009 年創辦 via. 建築工作室，其著名

A graduate of the University of Texas, Austin, Frank’s professional trajectory as an architect and design manager at a major real estate developer covers signature projects including Hong Kong Cyberport, ICC, Shanghai IFC, and West Kowloon Cultural District. Believing in a holistic approach in architecture and design, Frank created via. as "a path of design" where all creative disciplines converge. As a graduate of UC Berkeley and SCIARC, Irene gained a wealth of experience in bespoke projects while at renowned architectural practice Ronald Lu & Partners, and is well versed with the administrative side of design practices.

數碼港，環球貿易廣場，上海國際金融中心及西九文化

W50, via. studio.

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作品包括位於太古坊的多功能藝術空間 ArtisTree，精品 商廈 W50 以及住宅項目 28 Aberdeen。梁以立就是屢獲 殊榮的 via. 的首席設計師，而黎蘊琪則負責公關傳訊及客 戶關係，將 via. 的業務帶到更遠的地方。 畢業於德克薩斯大學奧斯汀分校，梁以立加入了本地主要 地產商任職建築師及設計經理，曾負責地標性項目包括 區。他相信建築設計是對空間作全面性、整體性的探討， 因此將工作室命名為 via.，寓意這是匯聚所有創意學科 的「設計路徑」。黎蘊琪畢業於柏克萊加洲大學及南加洲 建築學院，其後任職於享負盛名的建築所 Ronald Lu &

Partners，具備度身訂做式設計項目的豐富經驗，並精通 設計實務方面的各種行政事務。

Designer Mentee 設計師學員 Recipient of Design Trust Seed Grant 信言設計大使種籽資助計劃成功申請人

Polly Ho & Andy Wong 何善恒和黄漢邦 Loom Loop was founded by Polly and Andy the duo of a dreamer and a perfectionist. The brand was started from a special encounter of the 300-year- old heritage fabric “Canton silk” in Guangdong province. Polly and Andy were then determined to establish a designer label in a compact design studio in PMQ to preserve the heritage. They saw the potential of this forgotten fabric, and were driven to design high-quality clothes which reflect its true value. The brand DNA has a strong emphasis on sustainable fashion and conservation of traditional craftsmanship.

Its core concept is to retell stories of the past in the present and introduced to into the brand’s contemporary designs, as well as designers’ passion and commitment to preserve heritage.

一個有環保概念，而又將中西文化結合的品牌。碌祿 運用 不同的環保素材，造出富有當代時尚的系列。 當中有一種 面料「莨紗綢」，也稱「香雲紗」，是用廣東特有植物薯莨浸 泡桑蠶絲織白胚紗，而後用河泥覆蓋，經日曬加工而成的 紗綢製品。整個染整技藝是全天然，沒有任何污染的，是 國家級非物質文化遺產。除了此莨紗外，品牌也會用上一 些如環保有機棉、以及一些工廠所剩餘，備受忽視但可再 生的有用資源。這也正是品牌名稱的來源：「碌」是一些普 通的事物，只要加以好好運用，就可以成為不平凡而又名 貴的「祿」。 黄漢邦和何善恒是信言設計大使種籽資助計劃的成功申請 人，其計劃為「廣州莨紗綢和中國傳統針織工藝」。

Polly Ho and Andy Wang are recipients of Design Trust Seed Grant for their project entitled “Rejuvenation of Canton Silk Fabric and Traditional Chinese Needlework”.

"Rejuvenation of Canton Silk Fabric and Traditional Chinese Needlework", a Design Trust Seed Grant project by Polly Ho and Andy Wang. 黄漢邦和何善恒是信言設計大使種籽資助 計劃的成功申請人，其計劃為「廣州莨紗綢 和中國傳統針織工藝」。

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International Mentor 國際導師 Recipient of Design Trust Feature Grant 信言設計大使專題資助計劃成功申請人

Brendan Cormier

Brendan Cormier is a senior design curator at the Victoria and Albert Museum. He was the lead curator for the V&A Gallery at Design Society which opened in December 2018 in Shenzhen, China. He has also curated exhibitions for the Venice Biennale of Architecture, the London Design Biennale, the Urbanism\Architecture Bi-City Biennale, and the London Design Festival. Much of his recent curatorial work focuses on re-situating reproductions and copies into a wider ecosystem of design; and how they play a vital role in design education, creative production, and cultural preservation. Prior to working at the V&A, he was the managing editor of Volume Magazine.

Brendan Cormier is a recipient of Design Trust Feature Grant for his project entitled "Unidentified Acts of Design.

'A World of Fragile Parts’ curated

by Brendan Cormier, 2016 Venice Biennale of Architecture 2016 年威尼斯建築雙年展 Brendan Cormier 策展的「脆弱的世界」 26

Brendan Cormier 是 倫 敦 V&A 博 物 館 的 高 級 設 計 策 展 人。2018 年 12 月曾於中國深圳開幕的 V&A 藝廊擔任首 席策展人。此外，他曾在威尼斯建築雙年展、倫敦設計雙 年展、港深城市 \ 建築雙城雙年展以及倫敦設計節擔策展 要職。他近年大部分策展項目都強調將藝術仿品及複製品 重新定位，在更廣泛的設計生態中應用，以及它們在設計 教育、創意製作甚至文化保育所發揮的重要作用。在加入

V&A 前，他曾任《Volume Magazine》的執行編輯。 Brendan Cormier 是信言設計大使專題資助計劃的成功 申請人，其計劃為「Unidentified Acts of Design」。

Designer Mentee 設計師學員 Recipient of Design Trust Seed Grant 信言設計大使種籽資助計劃成功申請人

Sharon de Lyster (Tsang) 曾思朗 Sharon de Lyster (Tsang) is a fashion trend forecaster and founder of textiles studio Narrative Made. She specialises in researching and analysing how Asian cultures impact style preferences and textile creations.

曾思朗是時裝趨勢研究員，時裝品牌 Narrative Made 的

de Lyster combines extensive experience and knowledge in Asian heritage textiles, sustainable fashion production and design to champion textiles cultural conservation and ethical sourcing through her brand Narrative Made. She is a consultant at global trend forecasting agency, WGSN, contributor of online handcraft magazine, The Kindcraft, and guest lecturer at The HK Polytechnic University.

Her work has been featured by international media such as Associate Press, The Washington Post, SCMP and Not Just A Label.

她也擔任全球時裝趨勢預測機構 WGSN 顧問、線上雜誌 《The

創辦人。她專攻有關亞洲文化如何影響風格偏好及時裝製作 的研究與分析。憑藉她對亞洲傳統紡織品、可持續時裝生產 及設計方面的豐富經驗及知識，曾思朗希望透過自家品牌

Narrative Made 宣揚傳統紡織文化保育以及良心採購。此外， Kindcraft》特約作者、香港理工大學客席講師。她的時裝創 作亦備受國際媒體推崇，包括 《Associate Press》 、《華盛頓郵 報》、 《南華早報》及《Not Just a Label》 。 曾思朗先後畢業於中央聖馬丁藝術與設計學院及紐約時裝 學院，並於香港理工大學取得服裝及紡織品設計學位。 曾思朗是信言設計大使種籽資助計劃的成功申請人，其專 題項目名為「The Textile Atlas」。

de Lyster was educated in Central St Martins College of Art and Design in London, Fashion Institute of Technology in New York and holds a degree in Fashion and Textiles Design from The Hong Kong Polytechnic University.

Sharon Tsang de Lyster is a recipient of Design Trust Seed Grant for her project entitled "The Textile Atlas".

"The Textile Atlas", a Design Trust Seed Grant project by Sharon Tsang de Lyster. 曾思朗是信言設計大使種籽資助計劃的成 功申請人，其專題項目名為「The Textile Atlas」。

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Designers Brief 設計概要

01 Scent 香味設計

Designer Mentee 設計師學員 Xavier Tsang 曾首彥 Mentor 導師 Michael Young

Design Brief 設計概要

Universality and accessibility are the two aspects of design that is overlooked. Considering Haw Par Mansion's location, and its architectural and heritage characteristics, the designer will create fragrances around a narrative that represents and complements the building as a holistic space, inviting and orienting visitors. Fragrance inspiration may also draw upon the neighbouring Tai Hang community and the Tai Hang Fire Dragon dance. 普遍性及可及性都是設計理論中經常被忽視的要素。設計師需以虎豹別墅的所在 地、建築及文化特色作為考量點，創作出虎豹別墅的專屬香味，並由此營造別墅富 人文氣息、親民、廣納百客的形象。有關香味的靈感，可循大坑社區的特色，及當 中舞火龍這一傳統活動中探索。

Designer Statement 設計師的話 •

Xavier Tsang 曾首彥

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While I was collecting stories about people's memory of the Haw Par Mansion, the stories that inspired me the most is about the Ten Courts of Hell wall sculpture. I wanted to create a scent experience which brings back people's memories about this wall sculpture.

By creating a fragrance which compliments with the rich history of Haw Par Mansion, the scent experience developed together with aromatherapist Jodie Chan, can be decomposed into ten individual scent notes that trigger memories about the "ten courts of hell", namely "fire", "frozen-ice berg", "rusty metal", "flowing blood", and so on. Each scent will be diffused into the space with a pendulum diffuser. With the generous support of mentor Michael Young, the metronome diffuser will incorporate his experimental material aluminium

foam, which perfectly traps and diffuses fragrance oil. With the swing of the pendulum, this work blends together the narratives of the Ten Courts of Hell wall mural that once stands in the Tiger Balm Garden. 在眾多有關人們對虎豹別墅的回憶當中，最令我 印象深刻的就是那十殿閻羅壁畫，因此我希望透 過創造香味體驗，去喚回大家對此壁畫的記憶。 為了向虎豹別墅的豐富歷史致敬，我創作了一香 氛系列，它包含了十個香氣基調，象徵著十殿閻 羅壁畫的主題，例如火坑、寒冰、鐵銹、血池等 等。配合導師 Michael Young 慷慨提供極具啟 發性的實驗性泡沫鋁材，一個氣味擴散器將通過 懸掛氣味球體，完美地吸留和擴散香油。隨著鐘 擺的擺動，這設計將曾經矗立在萬金油花園中的 十殿閻羅壁畫的敘述融為一體。

Designers Brief 設計概要

02 Lighting Installation 燈光裝置設計 Designer Mentee 設計師學員 Florian Wegenast & Christine Lew Mentor 導師 Douglas Young 楊志超

Design Brief 設計概要

The designers’ intervention will integrate the building's artefacts, transforming them into lighting elements for the Mansion. Artefacts from the Haw Par collection could be incorporated in the lighting object design that act in dialogue with the architectural features, in conversation of the history of Haw Par and the role the Antiquity and Monuments Office play. 設計師需以創意將虎豹別墅內的文物轉化為燈光元素、裝置、物件，總體設計文物 的陳置佈局。部分虎豹別墅的珍藏文物經集團及古物古蹟辦事處同意後，可以作為 創作之用。

Designer Statement 設計師的話 •

Florian Wegenast & Christine Lew

Highlighting the meaning of heritage, we wanted to utilise found materials onsite at Haw Par Mansion, including restoration glass, ceramic roof tiles, and floor mosaic tiles. Working with the design brief, we chose to work with roof tiles, whose preexisting curve and shape mimics a ‘lampshade’ form; the heaviness of the roof tiles also create a nice contrast with the softness of light. As done so in our Future Sea Craft project, we repurposed our found material from the heritage site itself, but also brought a sense of local craft into our final object through the collaboration with a local metal craftsman to create the internal structure for the light system. Ultimately, we were inspired by the traditional lighting sources found in the mansion, where most lights are traditional chandeliers or lantern-shaped

lights. We investigated how we could incorporate these traditional light design forms whilst utilising repurposed materiality to reinterpret the light object for a modern Haw Par Mansion. 為了彰顯古蹟的意義，我們想到利用虎豹別墅現 成的物料如經修復的玻璃、陶瓷屋頂瓦片、或馬 賽克地磚等升級再造。我們利用屋頂瓦片設計了 一座虎豹燈飾，以瓦片的天然線條構成燈罩的形 狀，而且它的厚重感剛好與燈光的輕柔感形成強 烈對照。一如我們的『Future Sea Craft』項目 般，我們將從古蹟中尋得的物品重新定義，並結 合本地工藝製作出成品。這次我們跟一位本地金 屬工藝師合作，共同研究燈飾內部結構。後來我 們發現虎豹別墅內裝設的大部分均為傳統水晶燈 或燈籠狀燈飾，故決定以此傳統特色作為主要參 考，也深入探討如何將此特色注入我們的再造物 料，重新演繹出虎豹別墅的現代美。 29

Designers Brief 設計概要

03

"A Little Kindness, A Little Madness, Makes for Happiness." 「一點善心，加一點瘋狂， 向著幸福前進。」

Souvenirs

Aw Boon Haw (Tiger Balm Gardens: A Chinese Billionaire's Fantasy Environments) 胡文虎《虎豹花園》

紀念品設計

Designer Mentee 設計師學員 Ire Tsui 徐巧詩 Michael Leung 梁展邦 Rony Chan 陳凱納 Mentor 導師 Alexander Groves & Azusa Murakami Design Brief 設計概要

The designers will make visible the Hong Kong based manufacturers and artisans during the research process. They will work on designing souvenirs re-interpreted from that of the Haw Par Collection, and other archives in Hong Kong. The idea is to present local production and craft in relation to the history and heritage of Haw Par Mansion, as well as re-interpreting the concept of a series of "souvenirs" and its presentation in the context of history, heritage and the Haw Par Mansion and Tiger Balm Garden. 設計師需對虎豹別墅文物藏品及其香港本土特色作重新詮釋，製造紀念精品。這些 紀念品既發揚了虎豹別墅這一歷史文化遺産所代表的香港製造以及本土工藝的精 神，同時也是對「紀念品」這一概念的重新詮譯：它們不只是普通的紀念品，而是 承載了虎豹別墅與萬金油花園的歷史文化的載體，及一種深度文化旅遊的可能性。

Designer Statement 設計師的話 •

Ire Tsui 徐巧詩 Michael Leung 梁展邦 Rony Chan 陳凱納

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Inspired by the creative spirits of Haw Par Mansion and Aw brothers, we looked into the stories behind the family, garden, interiors, and objects. A series of storytelling objects, as new heritage souvenirs, are developed with the key design elements from the Haw Par Mansion and collection.

Connecting these ideas to our research and design project Micro Factory, we responded to the Haw Par heritage with a collection of new interior objects, prototyped in collaboration with local metal craftsmen, paper-product makers, and the renowned house of Tai Ping. These objects include a set of playful mobile decorations, allowing participants to create unique combination with visual elements inspired from Haw Par Mansion stainless glass art; candle holders with the iconic hexagon shape of Tiger

Balm; and a new version of decorative Chinese vase developed with artistry carpeting craftsmanship from Tai Ping Carpets and the Haw Par collections. 受虎豹別墅及胡氏兄弟的創新精神啟發，我們著 手了解了有關胡氏家族、大宅花園、室內設計及各 種藏品背後的歷史，然後從中選出具有故事性的 事物，延續虎豹別墅及其藏品的主要設計元素， 創作成新的古蹟紀念品。我們更將此意念與正在 進行中的研究及設計項目『Micro Factory』連繫 起來，與本地鑄鐵師傅、紙藝師、以及著名的太 平地氈聯手合作，開發以虎豹別墅為主題的室內 飾品系列。此系列包括一組充滿玩味的掛飾，靈 感來自虎豹別墅內彩繪玻璃窗的視覺元素，用家 可自由組合出獨特色彩；另外，還有最具代表性 的虎標萬金油六角柱形蠟燭台，以及自太平地氈 工藝以及虎豹別墅藏品中取得靈感的中式花瓶。

Designers Brief 設計概要

Mural

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Haw Par VI Direction - Tiger Movement

Graphics 視覺設計圖像

Designer Mentee 設計師學員 Adonian Chan 陳濬人 Mentor 導師 Hunter Tura

Design Brief 設計概要

The designer will develop a graphic design concept that relates the Haw Par Music Foundation to the Mansion's history and myths, while bridging them to contemporary life, as the building space opens to the public. The concept will be realised with mural designs, and possibly other visual identity elements and motifs, working with and inspired from the archives of the Mansion, as well as the emblems, symbols and recovered ornamentation at Haw Par. 整個視覺設計概念將由虎豹音樂基金及虎豹別墅的歷史、傳奇切入，並將之連結到 當代的時空，以吸引基金會的相關社群以至大眾到訪。設計師會將整個設計概念以 璧畫及其他視覺元素、主題加以呈現。此一設計概念是受別墅的歷史檔案，别墅在 建築外觀上的各種符號、裝飾，及别墅在大坑這一社區內的各種特色。

Designer Statement 設計師的話 •

Adonian Chan 陳濬人

The main concept is to design a wall mural in a way that they reflect the layered history of the Haw Par Mansion and Tiger Balm Garden. Different historical images of the mansion and the garden overlay on each other representing the eclectic nature of the architecture and the family's background.

Two design directions were considered; the first direction involves a backdrop of the Tiger Balm Garden overlaid with other images; the second direction involves several smaller images in different sizes of frames on one wall. I have also been exploring different kinds of logotypes in order to provide a holistic visual identity for the new Haw Par Music Foundation. Looking into the architectural design of the Mansion, the various patterns and movements of tigers and leopards, as well as the different

possibilities of the foundation’s initials, I am developing a logotype that will truly represent the spirit of Haw Par Music Foundation, its representation, evolution and application for different contexts. 這次主要創作一幅壁畫，去呈現虎豹別墅跟萬金 油花園源遠流長的歷史。大概想法是將大宅與花 園中出現的歷史圖像交疊，以突顯大宅建築的折 衷主義風格以及胡氏家族背景特質；目前有兩個 構思，第一，以萬金油花園作為背景，然後將其 他圖像交疊在背景之上；第二，將不同尺寸且相 對較小型的圖像呈現在同一牆身之上。我同時也 為虎豹音樂基金設計新的商標，令基金整體的視 覺識別更為完善。現階段參考了大宅的建築特色 以及老虎與豹的動態形象，希望新商標可更全面 展現基金會的代表性以及它怎樣隨時代演變，彰 顯基金會的核心精神。

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Designers Brief 設計概要

05 Feature Carpet 特式地毯設計

Designer Mentee 設計師學員 Elaine Yan Ling Ng 吳燕玲 Mentor 導師 Lyndon Neri & Rosanna Hu 郭錫恩與胡如珊

Design Brief 設計概要

In questioning design process and translations of the "original" via textual experiments, the designer will re-interpret and create a new circular feature carpet for the main space. With reference to cues of the past, the designer will challenge and reframe critical making in the Haw Par mansion context, that aspires to integrating the old and the new. 設計師需要將別墅歷史以新角度呈現特式地毯設計。通過實驗、設計過程和「原版」 的反思，設計師將重新解釋並為主要空間創建一個新的圓形特式地毯。參考過去的線 索，設計師將在虎豹別墅背景下挑戰並重新構建批判性的製作，以期融入新舊元素。

Designer Statement 設計師的話 •

Elaine Yan Ling Ng 吳燕玲

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My design journey challenges the true meaning and value of 'authenticity' for the 6-meter carpet, designated by the Antiquities and Monuments Office (AMO).

Is it simply ‘replicating’ the aesthetics of the carpet or ‘replicating’ the spirit of the Haw Par Brothers, the original authors of this space? In addition, considering the notion of time and the object's relativity with the space itself, as well as Haw Paw Mansion repurposing into a music foundation, the new carpet enables a personal journey within the space, just like music. A third idea is to innovate with the traditional way of carpet making. Experimenting with a special blend yarn with Tai Ping's unique tufting technique, we formulated new ways of working with interactive fibres. Incorporating these three ideas, the key Chinese mythology figure Phoenix I designed on the carpet can be perceived differently from different angles,

lighting levels, and distances, in different times of the day, and indoor temperatures. 我面對的設計挑戰是目前受古物古蹟辦事處保 管、原位於虎豹別墅主樓的六米地氈，並探討古 物『真跡』的意義與價值為思考點 — 到底是否 只需要將它的美學、甚至是虎豹別墅主人的精神 直接複製便算完成？再者，考慮到地氈與大宅的 時間和空間的特殊意義，而這地方即將變身成虎 豹樂圃，我認為新的地氈作品應該像音樂一樣， 可以成為一種個人化的獨特體驗。最後，我希望 在傳統地氈製作中加入創新元素。我正在嘗試將 一款特製紗線與太平地氈獨有的簇絨技術結合， 開發更多互動纖維的應用。綜合上述三個構思， 我將會為新地氈設計一款中式傳統鳳凰圖案，在 不同的角度、燈光水平、距離、時間以及室內溫 度下，會呈現出不同的視覺效果。

Designers Brief 設計概要

06 Acoustic Textile Object 聲學紡織品 Designer Mentee 設計師學員 Polly Ho & Andy Wong 何善恒和黄漢邦 Mentor 導師 Frank Leung 梁以立 & Irene Lai

Design Brief 設計概要

The designer will re-interpret the history, and the current needs of the Mansion, looking into the existing site context, to create a new functional textile item for the Mansion, considering its new identity as a music foundation. 設計師需要將別墅歷史以新角度呈現，並結合別墅當下需要，了解實地背景，為別 墅設計具功能性的紡織作品，提出創新概念的紡織作品。

Designer Statement 設計師的話 •

Polly Ho & Andy Wong 何善恒和黄漢邦

Haw Par Mansion, and Tiger Balm Gardens, one of the very first theme parks in Hong Kong, have been the inspiration for our object.

The playful scenes of the gardens are forever gone but the childhood memories remain.

Having researched into the history and context of Haw Par Mansion, Loom Loop is fascinated by the circular stained glass doors imported from Florence in the 30s, as well as its new identity as a music foundation.

虎豹別墅與萬金油花園是香港很早期的主題公

Focusing on the stained glass tiger pattern, and the new musical context, we are developing a functional textile piece to act as acoustic panels. With the help of Tai Ping, our textile piece is hand-tufted with fine wool.

The use of wool also adds another dimension to the acoustic panel and can be further developed into a multi-sensory piece.

並可以進一步發展成多感官紡織件。

園，我們的作品亦由此得到啟發。或許兒時在花 園裡玩樂的場面早已消逝，但童年回憶將永遠被 記住。經過對虎豹別墅作仔細研究以及實地考察 後，我們發現大宅內那個 1930 年代從佛羅倫斯 進口的圓形彩繪玻璃窗實在令人驚豔。加上虎豹 別墅新的音樂背景，我們故決定開發一種功能性 紡織品作為吸音紡織品。與太平地氈共同協作， 設計了一塊混紡了細羊毛並由人手簇絨的紡織 品。羊毛的使用還為吸音板增加了其他可能性，

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Designers Brief 設計概要

07 Sculptural Landscape Object 景觀雕塑 Designer Mentee 設計師學員 Julie Progin & Jesse Mclin Mentor 導師 Ho Puay-Peng 何培斌

Design Brief 設計概要

The designers will re-interpret the history, and the current needs of the Mansion, rethinking its textile elements to design a functional sculptural object. The design object may also include the use of re-interpretation and reuse of various materials that build on their expertise and techniques with ceramic making. 設計師需要將別墅歷史以新角度呈現，並結合別墅當下需要，運用最適切的素材去 創作出功能性雕塑品。設計作品可運用不同材料以陶瓷製造的專業知識和技術為基 礎再演繹或再用。

Designer Statement 設計師的話 •

Julie Progin & Jesse Mclin

Taking on the alternate role of contemporary archaeologists, alchemists and designers Julie & Jesse are experimenting with ceramic and textile in the making of sculptural objects to incite visitors of Haw Par Mansion to look, travel, wander and dwell into a reinterpreted microcosm of the lost Tiger Balm Gardens.

“Terra Mobile”, the duo's project contains multi-layered narratives that explore wit and nuance the didactic, sculptural, unconventional yet traditional qualities of Aw Boon Haw's visionary wonderland.

Investigating the possibilities of using waste threads from Tai Ping's production line in the making of a new clay body the duo intends to fashion a cognitive, playful and poetic rendition of the garden's landscape elements

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tracing their lineage to weave a thread between past, present and future and activate the gardens of Haw Par Mansion. 我們不斷切換自己的身分，以考古學者、煉金術 士、設計師的角度試驗陶瓷和紡織品製作雕塑物， 令參觀者重新詮釋微觀世界中的萬金油花園。 「Terra Mobile」包含多層次的敘述，以機智和 細微的方式探索胡文虎的夢幻仙境教學，雕塑， 非傳統和傳統特質。 探討使用太平地毯生產線的廢線製作新粘土體的 可能性，二人對花園的景觀元素進行認知，俏皮 和詩意的演繹，追溯他們的血統，在過去，現在 和未來之間編織線索並激活虎豹別墅的花園。

Designers Brief 設計概要

08 Re-staging History and Heritage 重建歷史與文化遺產 Designer Mentee 設計師學員 Sharon de Lyster (Tsang) 曾思朗 Mentor 導師 Brendan Cormier

Design Brief 設計概要

The design curator will re-stage objects or materials from the archive of Haw Par Mansion. Complementing the existing setting curated by Haw Par Music Foundation, the designer could narrate the old stories, as well as telling new ones through the re-staging of artefacts and other documents, and objects. The goal is to bring cultural conservation to attention, and emphasize the dynamism and publicness of heritage. 設計師需參照虎豹音樂基金團隊的解說，將虎豹別墅收藏的物品如照片、電影、地 圖、海報等現有展品重新策展，以完善當下别墅內現存的佈置。設計師可以重述舊 有的故事，也能在策展的過程中透過相關文物、文件及物件重新敍述新的故事。

Designer Statement 設計師的話 •

Florian Sharon de Lyster (Tsang) 曾思朗

The Tiger Balm heritage is a legacy of Asian entrepreneurship - a story of constant innovation through the past century – with Haw Par Mansion serving as a landmark that witnessed this narrative. Today, we revisit this cultural heritage to explore elements in the city that shaped our experiences and identities. Tracing the history of the brand, the Aw bothers and the site, I discovered layers of connected narratives including visual cultures, collective memories, the experience of Chinese diaspora and entrepreneurs, and the broader Asian social values. The interweaving of these personal and public narratives will be the focus of my design approach.

虎標萬金油可謂是亞洲商界的傳奇—它隨著時 代不斷創新，而虎豹別墅就像見證著所有故事的 重要據點。直至今日，我們可透過再次尋訪此歷 史建築，從中了解城市中有哪些元素正默默形塑 我們自身經驗與身分。經過對虎標品牌、胡氏兄 弟及虎豹別墅的深入研究，我發現當中所涉及的 議題及論述層面非常廣泛，包括視覺文化，集體 回憶，中國僑民生活經驗與創業事蹟，以及更宏 觀的亞洲社會價值等等，而我的設計重點將會聚 焦在這些個人及公共論述的互涉之中。

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Programme Highlights 活動回顧

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Site Visits 實地考察

Istanbul Design Biennale 伊斯坦堡設計雙年展

Date 日期

Date 日期 - Location 地點

The designer-mentees conducted several site visits to Haw Par Mansion since 23 July 2018.

They engaged with the building's history, as well as that of the Haw Par family's, to gain an understanding of possible directions of design and craft.

During the 4th Istanbul Design Biennial "Learning From Heritage" panel, Lead Curator Marisa Yiu (Co-founder and Executive Director of Design Trust) shared on DTFS 2019 to explore new narratives on the role and values of heritage, alongside Brendan Cormier (Senior design curator, V&A Museum, London), Cem Kozar (Founding partner, PATTU, stanbul), Jana Scholze (Associate professor, Kingston School of Art, London), Aric Chen (Curator-atlarge, M+ Museum, Hong Kong), and Merve Bedir (Guest Curator, DESIGN TRUST, Hong Kong).

2018.7.23 - ongoing

Lead Curator, Marisa Yiu (Co-founder/ Executive Director of Design Trust), and Advisor Roger Wu (Executive Director, Project Development of Haw Par Music Foundation) have been continuously guiding the team on the building, its adaptive re-use process, and topics around heritage, and conservation.

2018.9.25 - Yapı Kredi Culture Centre

在第四屆伊斯坦堡設計雙年展的設計圓桌論壇「例外 設計師學員自 2018 年 7 月 23 日起開始到虎豹別墅進

的空間」當中，主策展人姚嘉珊（信言設計大使 聯

行數次實地考察。從大宅的歷史及胡氏家族的故事入

合創辦人 / 執行總監）在「向文化遺產學習」為題的討

手，了解大宅背景，整理出設計與工藝製作的可能性

論上分享了「未．共研社 2019」將如何以全新的詮

與大方向。

釋方法，探討文化遺產的角色及價值。在座講者包

主策展人姚嘉珊（信言設計大使 聯合創辦人 / 執行總 監）以及顧問胡燦森（虎豹音樂基金會執行長）也隨行 為大家講解有關此建築的種種，包括它被活化再利用 的過程，與其相關的文化遺產及保育議題等。

括 Brendan Cormier（倫 敦 V&A 博 物 館 高 級 設 計 策 展 人 ），Cem Kozar（伊 斯 坦 堡 建 築 公 司 PATTU 聯合創辦人），Jana Scholze（倫敦京士頓藝術學院 副教授），陳伯康（香港 M+ 博物館首席策展人）以及

Merve Bedir（香港信言設計大使副策展人）。

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Introductory Workshop 簡介工作坊

Asia Art Archive Visit 參觀亞洲藝術文獻庫

Date 日期 - Location 地點

Date 日期 - Location 地點

The introductory workshop brought together the designers, mentors and advisors, who shared their personal experience and connection with Haw Par Mansion. The unique history and characteristics of Haw Par Mansion reflects the different cultural influences and history and heritage of the Aw Boon Haw Family across the contexts of Fujian, Burma, Singapore, and Hong Kong. This leads into the question of how heritage diplomacy plays a role in cultural exchange, the notion of cultural tourism, and how we can rethink cultural engagement in this context, adding specific values and criticality towards it.

Asia Art Archive (AAA) is interested in different communities, craftspeople, and artists that are overlooked, and less-known histories of art around what is accepted as Asia today. through its collections of artist biographies, exhibition catalogues, references, and special collections, the AAA goes to locations where artists are based, and digitizes their works on location. During the visit, examples from the AAA, such as stencils and handcrafts by Nilima Sheikh and Jyoti Bhatt from Baroda (India), Frog King (Kwok Mangho), and Ha Bik Chuen (Hong Kong) were presented and discussed, as inspiration to the designers.

參與計劃的設計師學員，導師以及顧問親身參觀了虎

在亞洲藝術文獻庫（AAA），我們可以找到被主流忽

豹別墅，了解這幢受各地歷史文化影響的建築，其座

視了的藝術群組、工匠、藝術家資料，以及一些不為

落的社區，及社區內珍貴的非物質文化遺產。此外，

人知的亞洲藝術史。其館藏包括藝術家簡介，展覽場

他們也認識了胡氏家族於福建、仰光、新加坡及香港

刊，各種參考資料以及特別館藏，亞洲藝術文獻庫

等地的發跡史，及他們遺留下來的豐富的文化遺產。

更會遠赴藝術家的所在地，即場為他們的作品製作數

這些歷史和文化遺產背後，跨越四地的語境，使我們

據存檔。館方更即場與設計師學員介紹及討論，展示

得以切入以下一系列的重要問題：文化遺產如何在文

了 來 自 印 度 巴 羅 達 藝 術 家 Nilima Sheikh 及 Jyoti

化交流中產生作用？它們如何可以扣連到文化旅遊？

Bhatt、蛙王（郭孟浩）及夏碧泉（香港）的創作模板與 工藝品，為他們提供創作靈感。

2018.11.9 - Haw Par Mansion

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2018.11.14 - Asia Art Archive

Tai Ping Workshop 太平地氈工作坊

Date 日期

2018.11.29 Location 地點

Tai Ping Showroom

House of Tai Ping is a 63 years old Hong Kong company, with its rich history; key questions addressed in the workshop included: How do we define Hong Kong identity? And how do we innovate materials and craftsmanship?

During the workshop, Enoch To (PR, Marketing Manager, Asia, Tai Ping) shared on the history and development of Tai Ping, while Michelle Chu (Design Director Asia, Tai Ping) explored with the designers different materials, possibilities, and carpet making techniques.

Jennifer Wong (Assistant Curator, M+) also joined the workshop sharing with the designers her research on Tai Ping Archives, and the importance of textile and fashion related items in Hong Kong history. Looking through Wong’s research materials, the designers explored various forms of inspirations, including the Chinese culture, architectural motifs, reliefs, furniture, and mosaics.

太平地氈屹立本地 63 年的香港品牌，此歷史悠久的 老字號在工作坊提出的討論包括：「我們如何定義香 港身分？」「如何在物料及工藝精神方面進行創新？」 杜嘉祺（太平地氈亞洲區公關及市場經理）在工作坊 上分享了太平地氈的歷史及發展，而朱蒨蒨（太平地 氈亞洲區設計總監）則與設計師學員一同探索各種地 氈物料、可能性及製作技術。黃鈺雯（M+ 設計及建 築助理策展人）也特地前來參與，跟一眾設計師學員 分享她對太平地氈的歷史檔案研究，以及紡織業、時 裝業在香港歷史的輝煌一頁。由於地氈物料在保存上 有一定困難，加上欠缺設計及製作工序的視覺存檔，

M+ 最後選擇根據設計與創新的象徵性、以及其國際 曝光度來收集故事。在瀏覽黃研究所得的同時，設計 師學員也從中得到不同形式的靈感，包括中國傳統文 化、建築圖案、浮雕、拼貼工藝等。

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Partnership Launch 夥伴合作啟動

Public Design Dialogue 公開設計對話

Date 日期 - Location 地點

Date 日期 - Location 地點

The Partnership Launch on 3 December 2018, started with an introduction of the programme

by Programme Partner, Mark Wogan (Chief Executive Officer, Tai Ping) and presentations

by Roger Wu (Executive Director, Project Development, Haw Par Music Foundation) and Kuanghan Li (Director, China Heritage Programme, Global Heritage Fund) on the heritage, conservation, and innovation of Haw Par Mansion, and other examples beyond Hon Kong. The designer-mentees also shared on their approach towards design, making, heritage and identity in the context of this year's theme HERITAGE IS INNOVATION moderated by Marisa Yiu. The evening ended with a guided tour around the mansion.

During the Business of Design Week 2018 "Contemporary Heritage in Translating Culture". Marisa Yiu (Co-founder/ Executive Director of Design Trust) and Suzy Annetta (Editor-In-Chief, Design Anthology) comoderated a thought provoking panel discussion with speakers. Jefa Greenaway (Director, Greenaway Architects), Ewan Mceoin (Senior Curator, Department of Contemporary Design and Architecture, National Gallery of Victoria), and Designer-mentee Elaine Ng (Founder, The Fabrick Lab). Discussion included the role of curation in contemporary heritage, as well as the role of design as activism and how it challenges the status quo.

2018.12.3 - Haw Par Mansion

2018.12.8 - HKCEC

信言設計大使 x 設計營商週（BODW）文化與大都會 計 劃 夥 伴 代 表 Mark Wogan（太 平 地 氈 行 政 總 裁 ） 「當代遺產 / 演譯文化」論壇討論了策展在當代遺產 作 簡 短 分 享； 接 著 由 顧 問 胡 燦 森（虎 豹 音 樂 基

中的作用，還探討設計作為行動主義的議題。我們如

金會執行長）、李光涵（全球遺產基金中國項目總監）

何將傳統觀點，感知和知識體系融入我們的城市呢？

就古蹟、保育與創新三方面介紹了虎豹別墅以至香港

感 謝 Suzy Annetta (Design Anthology 總編 輯 )，

類似建築的背景及情況。在場的設計師學員在姚嘉姍

Jefa Greenaway (Greenaway Architects 總 監 )， Ewan Mceoin ( 維多利亞國立美術館當代設計及建築 資深策展人 )，吳燕玲 (The Fabrick Lab 創辦人 ) 和 主持人姚嘉姍 ( 信言設計大使聯合創辦人及執行總監 / 執行總監，ESKYIU 創始合夥人 ) 這場發人深省的。

( 信言設計大使聯合創辦人及執行總監 / 執行總監 ) 主持下逐一就本年度主題「創新的文化遺產」發表他們 初步的設計構思。活動最後以一場虎豹別墅導覽結束。

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Tai Ping Xiamen Factory Visit 太平地氈廈門廠房參觀

Date 日期

The designers visited Tai Ping's factory in Xiamen, led by Enoch To (PR, Marketing Manager, Asia) and Michelle Chu (Design Director, Asia) of Tai Ping on December 9-12.

The tour included a visit to the Tai Ping archives and the carpet making spaces. The designers also learned about the processes of carpet making including the preparation of yarn, various dying techniques, to preparation of designs and stencils, and Tai Ping's famous hand-tufting and carving techniques. The visit provided the designers with a comprehensive context to Tai Ping's making methods.

負責研究紡織品的設計師學員於 2018 年 12 月 9 至 12

The trip ended with a productive meeting with the production manager, where the designers shared on their concepts and discussed on feasibility, materiality, and mapping out of the next stage design in preparation for the experimentation and production of the first batch of prototype testing.

2018.12.9-12 Location 地點

Tai Ping Factory, Xiamen

日前往太平地氈廈門廠房參觀。導覽團由太平地氈代 表杜嘉祺（亞洲區公關及市場經理）及朱蒨蒨（亞洲區 設計總監）帶領，走進太平地氈的歷史檔案及陳列室， 了解製作工序的用具及技術。設計師學員更親身到生 產工場體驗，觀察預備紡紗的工序，各種染色技術， 模板設計，以及太平地氈最著名的手工簇絨技術。最 後，大家一同見證工藝師傅為地氈進行裁剪、雕琢成 形等最後工序。這次參觀為學員提供了全面的地氈製 作知識。 參觀完結前，設計師學員獲邀與生產部經理會面，大 家都把握此難得機會分享自己的設計概念，討論製作 的可行性、用料選材，逐步準備及實踐每一個設計步 驟，並期待設計樣板的誕生。

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Internal Workshop 個別導修工作坊

Michael Young The internal workshop took place at Michael Young’s studio, where designer-mentee Xavier Tsang shared his ideas about a collection of scents inspired by Haw Par’s infamous ten courts of hell mural and folklore, bringing in the story from the gardens into the Mansion.

Mentor Michael Young (Founder, Michael Young Studio) commented on the importance of translating visual representation into other sensual forms, and explained the possible material, texture, and production methods for Xavier to further develop and explore.

Some of the examples included Zens, the bamboo light range, which promotes the use of locally sourced material that is of cultural significance; the Oxygen Chair and the role of material innovation; and MY Dynasty, a collection of aluminum foam vases inspired

by Chinese Taoism, amongst others. The workshop ended with discussing the next steps for Xavier's scent object for Haw Par Mansion, such as testing the different scents, and elaborating the pendulum system.

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Date 日期

2019.1.29 Location 地點

Michael Young Studio

此個別導修工作坊在 Michael Young 的工作室進 行。設計師學員曾守彥（Xavier）以虎豹別墅中的十 個地獄壁畫為靈感，創作了一系列香水，將故事由花 園帶到別墅裡去。導師 Michael Young（Michael

Young 工作室創辦人）即席與 Xavier 分享了視覺轉 化為其他感官形式的重要性，以及在生產過程可能用 到的各種物料、材質及製作方法，有助產品日後進一 步的發展；Michael 以自己的作品為例，如以竹為 主要物料的傢具系列《Zens》，就是能在地取材而又 兼具文化標誌性的創作；而《Oxygen Chair》則實 現了物料創新；以鋁金屬泡沫製成的《MY Dynasty》 花瓶系列的靈感是來自中國道教等等。來到課堂的尾 聲，Xavier 總結出接下來一連串的設計工序，以及 為香水系列作仔細調整。

G.O.D. Archive Visit & Workshop 「住好啲」設計藏品參觀及工作坊

Douglas Young 楊志超

Date 日期

2019.1.30 Location 地點

G.O.D. Studio

The workshop started with a presentation by 楊志超（ Douglas）（「住好啲」行政總裁及共同創辦 Douglas Young (CEO & Co-founder, G.O.D.), 人）在工作坊上分享了香港品牌的獨特風格，以及如 sharing on the Hong Kong brand’s unique 何以新的美學形式及產品去演繹此一的香港風格。 style or form of aesthetics and products that 「住好啲」品牌自創辦以來顛覆了大眾對紀念品的想 reinterpret traditional Hong Kong style in new 像，有趣的是，只有懂流利廣東話及英語的人，才 ways. G.O.D. also provides an alternative to 能完全明白「住好啲」這充滿玩味的名字中那一語雙 traditional souvenirs, as only those who are 關的意思。 familiar with Cantonese and English cultures can fully grasp the double meanings in G.O.D.'s 走進 Douglas 位於石峽尾的工作室，可見他的設計 esoteric designs. 收藏品自成一格，各自表述著對香港的定義，也呈現 出香港文化與風格，例如迷你郵箱及油麻地街景。當 Douglas’s collection is now housed in his 被問到香港最具象徵性的物件時，Douglas 選擇了 Shek Kip Mei studio has its own definition of 中式湯匙，因為它有著完美的形狀，具功能性，可堆 Hong Kong, as style and culture, and is used 疊收藏，而且價錢廉宜，可大量生產，是早於古代商 to transform as ideas for his designs, such as 朝已存在的傳統設計。 the mailboxes, or Yau Ma Tei facades. When asked to choose a prominent cultural object for Hong Kong, Douglas chose the Chinese spoon, with its perfect shape in terms of materiality, function, stackability, cost effectiveness, and mass production and had a long history dating back to the Shang Dynasty.

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Hong Kong Heritage Project Archive 香港社會發展回顧項目 The Hong Kong Heritage Project was established to collect and interpret the historical records of the Kadoorie Family, their businesses. During the visit Fanny Iu (Executive Director) and Melanie Li (Manager – Corporate and Community History) of The Hong Kong Heritage Project shared with the designers the Kadoorie business history and its relationship to Hong Kong’s social and economic development from 1884 to 1980. The designers also looked into the archive’s paper records, photographs, sound-tracks and films, architectural plans and maps, as well as oral history interviews. Some of the topics explored include Hong Kong’s rural communities, its industry, manufacturing and tourism scene, as well as Hong Kong’s post-war rehabilitation.

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Date 日期

2019.2.13 Location 地點

Hong Kong Heritage Project Archive

香港社會發展回顧項目的成立，是為了收集及整理嘉 道理家族及其業務發展有關的歷史紀錄。當日參觀由 香港社會發展回顧項目代表饒啟芬（執行總監）及李 靄慈（企業及社區歷史經理）帶領，並與設計師學員 分享嘉道理家族的業務歷史，以及這段歷史與 1884 至 1980 年間的香港社會及經濟發展的關係。學員們 也親身閱覽檔案室內的紙本紀錄、昔日照片、錄音 及短片、建築圖則及地圖，以至口述歷史檔案。當 中探討了不少議題，包括有關香港農村社區、工業、 製造業及旅遊業的發展，以至戰後香港社會復甦及 發展。

Studio Visit 工作室參觀

via.

Following a special tour to via.'s studio, Frank Leung (Founder & Principal, via.) shared with us his philosophy, design, and selected projects related to heritage and identity, including a 1938 Bauhaus family house renovation project in the Kadoorie estates, and the Holy Trinity Cathedral, sharing various ways of updating the character of the space while preserving the heritage characteristics of the building. Through other working examples, Frank also shared on the consideration of context, patterns, and craftsmanship, and the approach to translating the craft patterns into architectural design details. The concept of living heritage was also explored, how buildings should be used and continuously changing, creating a conversation between the old and new, people and history. With a multi-disciplinary approach, via. creates holistic design ideas and aspirations, updating heritage and making it relevant to the time.

Date 日期

2019.2.13 Location 地點

via. Studio

梁以立（Frank） （via. 建築工作室創辦人及首席設計 師）帶領設計師學員參觀其工作室之後，隨即分享他 的個人哲學及設計心得，並精選幾個跟古蹟與城市 身份有關的項目作仔細介紹，包括 1938 年採包浩斯 風格的翻新項目 The Kadoorie Estate，聖公會聖 三一座堂等，深入剖析在為空間的特性升級的同時， 也保留古蹟建築的文化特徵。Frank 以他主理的項目 為實例，分享計劃工程時對背景、紋理及工藝上的各 種考慮，以及將工藝紋理轉化為建築設計細節的方法。 此外，大家還探討了「活古蹟」 （living heritage）的 概念，一座建築如何透過不斷的改動變化，建立出新 與舊、人與歷史的對話。透過大量的跨界研究，via. 致力創造整全的設計意念及願景，令古蹟活化及與時 代並進。

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Prototype Exhibition Floorplan 原型展覽平面圖

Room G12

Main Hall

01

Lift

Ground Floor

m Fro

Lower Ground

ad Ro ng Ha Tai

02

t Lif

Lobby Entrance Location 地點 Haw Par Mansion, 15A Tai Hang Road, Tai Hang, Hong Kong 香港大坑大坑道 15 號 A 虎豹別墅

Entrance DTFS 2019 Intro

01 Scent 香味設計 • Xavier Tsang 曾首彥

02 Lighting Installation 燈光裝置設計 • Florian Wegenast & Christine Lew

47

Prototype Exhibition Floorplan 原型展覽平面圖

Room 113

05

03

07 About DTFS 2019

Lift

First Floor

06

03 Souvenirs 紀念品設計 • Ire Tsui, Michael Leung & Rony Chan 徐巧詩、梁展邦和陳凱納

04

04

Graphics 視覺設計圖像 • Adonian Chan 陳濬人

05 Feature Carpet 特式地毯設計 • Elaine Yan Ling Ng 吳燕玲

06 Acoustic Textile Object 聲學紡織品 • Polly Ho & Andy Wong 何善恒和黄漢邦

07 Sculptural Landscape Object 景觀雕塑 • Julie Progin and Jesse Mc Lin 49

About Design Trust 關於「信言設計大使」 Mission 宗旨 Design Trust creates active long-term, intelligent and meaningful platforms to fund and advocate for the positive value of the process of design, debate and creative sharing.

We support innovative, thought-provoking investigations in various design disciplines from graphics, media, wearable technologies, architecture to the built environment to actively accelerate creative research, design and development of meaningful projects that advocate for the positive role of design.

信言設計大使倡議積極、長遠、知性及有意義的發 展平台，旨於推動及資助具創意和新思維的設計研 究方案。我們鼓勵嶄新、具前瞻性的設計研究計劃， 範圍觸及各大設計領域，包括平面視覺、媒體、穿 戴產品科技、建築及生活空間，從而推動創意研究、 設計和任何有助拓展設計議題的項目，藉此提倡設 計的正面價值。

About Us 本會簡介 Design Trust was established in 2014 by Hong Kong Ambassadors of Design, a registered charity in Hong Kong since 2007, as a grant funding platform. Design Trust supports creative projects that develop expertise, build research initiatives and content related to Hong Kong and the Greater Bay Area. Working across a multiplicity of design disciplines from graphics, media, architecture to the built environment, Design Trust aims to actively accelerate creative research, design and development of meaningful projects that advocate for the positive role of design.

信言設計大使為成立於 2014 年的專案資助平台，由

2007 年所創立的本地註冊、 非牟利慈善團體「香港設 計大使」創辦。信言設計大使旨於支持香港及大灣區 的設計專案，推動專業知識、設計研究議題和創意項 目，工作涉及多個設計領域，包括平面設計、媒體、 以及建築生活空間。信言設計大使積極鼓勵創意研究、 設計及別具意義的計劃發展，藉此提倡設計的正面價 值。

Core Activities 主要活動 • Grants 資助計劃 • Design assembly & dialogues 設計講座和對談 • Engaging the community & public events 社區及公眾活動 http://designtrust.hk designtrust 50

Design Trust Futures Studio「未．共研社」 In 2019, Design Trust Futures Studio theme and concept is focused on "HERITAGE IS INNOVATION", exploring the difficult yet animated definitions of Hong Kong identity, shaping conversations on "Conservation", and finding new ways to open up heritage sites to build new narratives of the role and place of heritage - a dynamic living and inspiring process. The programme deals with how design disciplines could relate and contribute to making heritage buildings in Hong Kong more accessible to the public, while advocating for sustainable and critical tourism in heritage sites in the city and the region. Current and past DTFS programmes include 2017: "Small is Meaningful"; 2018 "Play is for the People". 「未．共研社」把現代設計和生產文化中的過程和正面作用 顯現出來。計畫源於項目工作室概念，旨在促進導師與學 員的終身合作。在 2017 年以主題《「細小」的威力》我們探 究如何利用香港細小的空間，帶來有意義的改革，而 2018 年則以主題《眾．樂樂園》作出延伸。踏入 2019 年，我們 將集中探討香港鮮明又多變的個性，研究旅行的意義，並 塑造有關保育的對話，構思新穎方法開放歷史建築，書寫 歷史遺產的新故事和角色，開拓它們多元並具啓發性的可 能。計畫以設計為出發點，希望能尋找創新途徑，令文物 建築更能跟大眾接軌，同時融入城市和周邊地區的可持續 旅遊發展。正因為文物建築不單跟日常生活息息相關，並 構成我們文化背景和集體回憶的重要部分，我們可以通過 與文物並肩生活實踐保育，從中學習，而設計則能在其中 發揮重要作用。

Design Trust Futures Studio 2019 Team

信言設計大使 2019「未．共研社」團隊

Marisa Yiu 姚嘉珊 , Joyce Li 李雯諭 , Wendy Ng 吳詠彤 , Merve Bedir, Kimberley Hui 許潔華

Mentors & Collaborators 導師及合作夥伴 Alexander Groves, Azusa Murakami, Brendan Cormier, Douglas Young 楊志超 , Frank Leung 梁以立 , Irene Lai 黎蘊 琪 , Hunter Tura, Lyndon Neri 郭錫恩 , Rossana Hu 胡如珊 , Michael Young, Puay-Peng Ho 何培斌 , Roger Wu 胡燦森 , Kuanghan Li 李光涵 , Michelle Chu 朱蒨蒨

Designer Mentees 設計學員 Adonian Chan 陳濬人 , Christine Lew, Florian Wegenast, Elaine Ng 吳燕玲 , Ire Tsui 徐巧詩 , Michael Leung 梁展邦 , Rony Chan 陳凱納 , Julie Progin, Jesse Mclin, Polly Ho 何善恒 , Andy Wong 黄漢邦 , Sharon de Lyster, Xavier Tsang 曾首彥 Special thanks to Mark Worgan, Shawn Hiltz, Michelle Chu, Enoch To of Tai Ping, and Hong Kong Airlines for their generous support. 特別鳴謝太平的 Mark Worgan，Shawn Hiltz，朱蒨蒨和杜嘉祺， 以及香港航空的慷慨支持。

BOARD OF DIRECTORS 董事會成員 Alan Lo (Chairman) 羅揚傑 ( 主席 ) Kamsen Lau 劉今晨 Gabriela Kennedy Ivan Pun 潘艾文 Jay Parmanand Joyce Tam 譚載怡

CO-FOUNDER / EXECUTIVE DIRECTOR 聯合創辦人及執行總監 Marisa Yiu 姚嘉珊

DESIGN TRUSTEES 信言設計大使贊助人 Victor Lo 羅仲榮 Jennifer Liu 廖偉芬 Denise Lau 劉思蔚 Daryl Ng 黃永光 Amanda Loke 陸桂蓮 Akarin Gaw 吴繼淦 Yama Chan 陳雅文 Adrian Cheng 鄭志剛 Joanne Chow 周凱瑜 Jo Black Ming Wai Lau 劉鳴煒 Donald Choi 蔡宏興 Yvette Ho 何馬美域 Jimmy K.W. Chan 陳光華 Vanessa Cheung 張添琳 Kristine Li 李敬恩 Janice Chan-Choy 蔡陳若詩 Angelina Kwan 關蕙 Charmaine Li 李志妍 Lumen Kinoshita 萬亮人 Desiree Au 歐詠詩

INTERNATIONAL ADVISORY COUNCIL 海外顧問團

Beatrice Leanza 畢月 David Gianotten Eva Franch Lars Nittve 李立偉 Liu Xiaodu 劉曉都

Lyndon Neri 郭錫恩 Rodman Primack Thomas Heatherwick Tom Dixon Zoë Ryan

GREATER BAY AREA DESIGN COUNCIL 大灣區設計顧問 Aric Chen 陳伯康 Andrew Au 歐子健 Arnault Castel Cole Roskam Eric Schuldenfrei Giovanni Alessi Anghini Irene Lam 林雅蘭 Jean T Miao 繆永珍 Kate Jones

Keith Tam 譚智恒 Leslie Lu 盧林 Marc Cansier Ole Bouman 奥雷．伯曼 Stephanie Poon 潘芷慇 Suzy Annetta Tat Lam 林達 William To 陶威廉 Winnie So 蘇詠寧 51

http://designtrust.hk/design-trust-futures-studio

#DTFS #heritageisinnovation #indesignwetrust #designtrusthk #designtrust #futuresstudio

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Acknowledgements 鳴謝 Lead Organiser 主辦單位

Programme Partner 計劃夥伴

Partner Foundation 核心夥伴