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December 14, 2016 Vol. 9 No. 100
Miracle of Miracles
Barbara Feldman, Sandy Seplow, Phyllis Eisenberg, Dudsn Walpert, Sheila Sloan Mira Eisenberg, Leo Eisenberg, Front and Center: Danny Gurwin. Photo by Shari Lipman
CVRep is proud to present its 2016-2017 Season “Love, Marriage & LIFE CHANGING EVENTS” By Pamela Price Coachella Valley Repertory Theatre (CVRep) is doing well rocking with their 20162017 season. A real teaser for the 2016-17, Season themed “Love, Marriage & Life Changing Events “was the debut of their 2016 Holiday Cabaret performance of Miracle of Miracles ‘Celebrating Jewish
Writers of the American Musical Theatre”starring Danny Gurwin with accompanist Scott Harlan on December 9th. Historically accurate, as well as irresistibly nostalgic ( sorry, Mike Jagger), Gurwin kept the pace moving with outtakes from classical Broadway hits ramped up with a Yiddish accent from Fiddler on the Roof ( Sholem
Aleichim, Yiddish author and playwright) ) to Milk and Honey ( lyric’s by Jerry Herman) Gurwin is a scholar when it comes to musical theatre with a BFA in this specialty from the University of Michigan. Gurwin briefed the audience (CVRep’s theatre seats 88) with entertaining insights on a steady stream of
By Jack Lyons Theatre and Film Critic As the year 2016 comes closer to becoming the year 2017, it may be a good time to sample three genres that that hopefully scored with its fan base, perhaps luring new fans that the writers, producers, and directors have been trying to reach and seduce. America’s movie going public has definitely undergone changing demographics over the last ten years to a point where films and their stories are less linear and less narrativedriven. Now more emphasis is placed on warp-speed visuals, CGI actions sequences, along with ear-splitting sound tracks and dialogue delivered in mumbled, whispered tones by the actors, and I’m
guessing here, in order to give the impression of danger, urgency, or menace, that is, if we’re talking thriller, drama, mystery, or action genres. A great number of films released today are apparently not being produced as a way of enlightening their viewers through understanding the spoken dialogue, or the clarity of story points, or communicating to the viewers in general. They’re meant to be merely chewing gum for the eyes and ears. And people wonder why no one reads books or newspapers anymore. We’ve been dumbing down our society for years to the point that critical thinking and challenging the status quo is for fuddy-duddies, and bygone generations. Which brings
us to the three films I’ve seen this week. All three films are in general release. In no particular order they are: “Allied”, “Arrival” and “The Accountant”. “Allied” is an old fashion WW II espionage thriller starring Hollywood power actors Brad Pitt and Marion Cotillard. Pitt plays Canadian RAF Wing Commander and Intelligence Officer Max Vatan who has been sent to Casablanca, French Morocco on a deadly mission behind enemy lines. Once there he meets up with French resistance fighter Marianne Beausejour played by Marion Cotillard, and the two spies plan their mission to assassinate the German Ambassador. Max
Jewish composers and lyricists, from Dorothy Fields, Eddy Cantor the versatile performer, comedian singer, dancer, actor, and songwriter. Biblical Broadway was interpreted by Gurwin as well with a musical commentary on the Broadway hit, Joseph and the Amazing Technicolor Dreamcoat. And then, as I remarked to my
theatre companion, Phyllis Eisenberg, there has to a songbook honoring George and Ira Gershwin ( there was) and Alan J. Lerner, American lyricist and librettist. Of course, Frederick Loewe, who collaborated with Loewe, who brought My Fair Lady and Continues on Page 6
Closing out 2016 with three movie - mini reviews
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Marion Cotillard and Brad Pitt in “Allied”