> BRAND GUIDELINES
© Deadgood Trading Limited 2014
This is >
Š Deadgood Trading Limited 2014
>
>
A guide to the basic elements that
COLLECTION
PRODUCT
PAGE
A DEADGOOD INTRO
WHO WE ARE
4
ASSETS
LOGO
6
IDENT
10
PHRASES
11
TYPEFACE
12
PALETTE
16
ILLUSTRATIONS
18
PHOTOGRAPHY
20
PARAGRAPHS
24
STATIONARY
26
PROMOTIONAL MATERIAL
30
PRODUCT BRANDING
38
PACKAGING
40
VINYL
42
THE RULES
44
make up the Deadgood brand. Have a read, it will help you get to know us a bit better.
HOW THEY GO TOGETHER
AND FINALLY
3 © Deadgood Trading Limited 2014
Everything we do is > Our vision is to develop one of the world’s leading furniture design brands. Our mission is to be the very best we can be in everything we do.
>
We are dedicated to supporting local communities and economies and use a highly skilled network of British manufacturers and craftspeople to produce our products. Every one of these partners adhere to our high standards and
Our approach is simple.
specifications and share our belief in limiting the impact the production of our
We aim to do things differently, challenge the status quo and align the values on
products have on the environment.
which our business is built with our personal philosophies and beliefs.
We are genuinely interested in making a difference. Over the last ten years we
The beating heart of our company ethos is the word ‘collaboration’. If it wasn’t for
have been fortunate enough to find an audience of people who share our beliefs,
the strength of the relationships with every one of our creative, operational and
a client base who have all played their part in helping us on this journey.
strategic partners then Deadgood would be nothing more than a bright idea on
These people are the ones who are helping us answer some extraordinary
the back of a beer mat.
questions of ourselves.
Our dedicated team includes a tight knit roster of unique individuals, working
We like being Deadgood and hope you do too.
both in house and beyond. We believe in nurturing the next generation of great British designers. Over the years our family has grown to feature a host of
Dan Ziglam & Elliot Brook, co-CEO’s, March 2015
exceptionally talented people of whom we are justifiably proud to be associated with.
4 © Deadgood Trading Limited 2014
> OUR CLIENTS
Amazon
The Core
Imperial Tobacco
Philips
ASK Restaurants
Clydebuilt Bar & Kitchen
JD Wetherspoon
Red Bull
BBC
Deutsche Bank
KPMG
Sage
Baltic
Drygate Brewery
Liverpool University
Starbucks
Benugo
Ernst & Young
Manchester Airport
Telephonica Digital
BMW
Falmouth University
Manchester University
Toffee Factory
Brewdog
Giraffe Restaurants
Marks and Spencer
Tyneside Cinema
British Council
MusicSlashArt
Virgin Trains
Burrito Mama Restaurants
Gordons LLP
The National Gallery
Wahaca Restaurants
Building Schools for the Future
Holiday Inn
NHS
Watergate Bay Hotel
Butlins
Holland Park School
Northumbria University
We Work
Cathay Pacific
HSBC
Nudo
Workspace Group
City & Islington College
Ibis Hotels
Owners Direct
Yo!Sushi
5 © Deadgood Trading Limited 2014
Say hello to our logo
>
Our logo is the foundation of our brand. Just like a precious stone, you must handle our logo with care and not abuse it! If it breaks, you pay for it. (Our lawyers say so!)
LOGO
This logo is used for all printed collateral including all printed publications, advertising, posters, flyers, vinyl and product packaging. It is also to be used for all screen work, including websites, banners and presentations. This logo is available in black, white or grey.
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How to use it...
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As a creative bunch of folks, we’re not here to set too many rules, but here’s a guide of what’s Deadgood and what’s not.
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LOGO USE
Always leave enough padding around the logo. 99% of the time, use white or neutral backgrounds.
On other occasions, the Deadgood logo can also be placed on a colour or a photo.
Try not to sit the logo on nasty colours!
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© Deadgood Trading Limited 2014
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Do not use the white logo on backgrounds that are too light or cluttered.
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Do not rotate the logo.
> If you’re not 100% that it looks good. It probably doesn’t. Give it a miss!
Don’t add embelishments like drop-shadows, embossings etc. to the logo.
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© Deadgood Trading Limited 2014
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Our identity Aside from our Deadgood logo, we also have other ways of showing our personality and heritage.
We want our brand to feel inviting and personable. Our mission is to put the customer experience at the heart of our operation and this symbol gives reference to the work that we do and the relationships we build along the way.
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IDENT
This ident can be used in all printed collateral including all printed publications, advertising, posters, flyers, vinyl and product packaging where the main logo may not be appropriate. It is also to be used for all screen work, including websites, banners and presentations. It works well at the bottom of a page or at the back of a document. This ident is available in black or white or grey.
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DEADGOOD PHRASES
As part of our brand and personality, we often use statements involving the ‘Deadgood’ name. You can be as creative and playful with this within reason without being too cheesy! Favourites have included: “Hello, we are deadgood” “Something in this box is deadgood..” “Clerkenwell Design Week is deadgood”
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Typeface PRINT
DEADGOOD
AKKURAT PRO
The Deadgood font is our primary font. It’s a softened and playful font, much
Akkurat Pro is our secondary font. It’s a nice, clean and easily legible serif
like ourselves.
font.
Great for use on headers and opening paragraphs.
To be used as the main font for use in headers, paragraphs and use on headers and opening paragraphs.
Aa Aa © Deadgood Trading Limited 2014
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
(.,?!£$&@*) 0123456789
(.,?!£$&@*) 0123456789
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AKKURAT PRO BOLD
AKKURAT LIGHT PRO
Akkurat Pro also comes in bold.
Akkurat Light Pro is the skinny sister of Akkurat Pro. It’s crisp and lighter on
To be used for headers only.
the eye. Great for use in paragraphs and secondary paragraphs after an intro.
Aa Aa © Deadgood Trading Limited 2014
ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
(.,?!£$&@*) 0123456789
(.,?!£$&@*) 0123456789
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Typeface ONLINE
ARIAL BOLD
ARIAL
Copy (12px)
Navigation (12px)
HEX #000000
Headers (16px ) HEX #999999
Aa Aa ABCDEFGHIJKLMNOPQRSTUVWXYZ
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
abcdefghijklmnopqrstuvwxyz
(.,?!£$&@*) 0123456789
(.,?!£$&@*) 0123456789
14 © Deadgood Trading Limited 2014
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CALIBRI Emails (11pt) HEX #000000 [Black]
Aa ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz (.,?!£$&@*) 0123456789
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A > Palette
C0 M0 Y0 K0
C 0 M 0 Y 0 K 40
C 0 M 0 Y 0 K 100
C 0 M 100 Y 100 K 0
R 255 G 255 B 255
R 153 G 153 B 153
R0 G0 B0
R 204 G 51 B 0
#ffffff
#999999
#000000
#CC3300
Pantone
Pantone Cool Grey 7 U
Pantone 485 EC
Pantone Process Black
PALETTE
RAL 9001 Signal White
RAL 7004 Signal Grey
RAL 9003 Jet Black
RAL 3020 Traffic Red
Here’s our current palette of materials and colours.
Text and Illustrations
Text
Main body of text and illustrations
All combined majestically with a scale of Black Monochrome.
Text or illustrations that are on top of an image or fill colour
Standard Red Working Girl Powder Coated Finish
Standard White Powder Coated Finish
Items of information that can sit in the background and not distract from the main information
Items of information that are not to be missed. Standard Black Powder Coated Finish
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Let me illustrate... For each product, we have a set of illustrations to show off their beauty and characteristics.
PRODUCT ILLUSTRATIONS
Illustrations are used for printed and digital collateral including catalogues, price lists, posters, flyers and vinyl etc. It is also to be used for screen work, including websites, banners and presentations. The illustrations are generally black or white, but can be changed to suit medium. EPS files should be saved in RGB format and set to the #000000.
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Photography All photography needs to be pre-approved prior to use.
CUT OUT
CASE STUDIES
Cut Out shots are used for press, print and online.
Case Study shots show our products being used in live projects. Images not
Lead images for products used online should always be cut out on white #ffffff
taken by Deadgood can only be used if we have the consent to do so. These
background with some light shadows.
images are great for use on internal documents and social media by crediting and tagging the correct persons.
CONTEXT
STYLED SHOOTS
Context shots are great for showing how our products look to scale in real life and
Studio product shots need to be consistant across the collection and should
are great for full spread use or as secondary product images online. These are
be shot on a white background, painted room set or with a colour backdrop.
also great to use on social media
Props can be used to bring the products to life and put them in context. These
These can be varied depending on the character of the product.
should be a reflection upon the product and our Deadgood personality.
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Photography IMAGE EDITING
SOCIAL MEDIA USE
Any images that are edited should be consistent across the collection and any
Representation of imagery on social media needs to be consistent in terms of
use of filters, levels, saturation etc needs to be noted and applied to related
colour, style and quality. Some ad hoc imagery should be used to give a behind
images
the scenes look at the company, personalities and products.
IMAGE SAVING FORMATS
USE OF TEXT
Original images should be saved in TIFF format then edited and saved in the
Text needs to be clear over an area of the image that isn’t busy or boxed out
following formats:
overlayed or next to the image.
Full size JPEG - 300dpi
Alignment depends on image and medium.
JPEG - 3000px max width/height - 300dpi For web use - 72dpi Full size square - 300dpi Square for web use - 1200px x 1200px
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How they go together... Here are a few hints and tips for consistent use of typography and alignment in paragraphs and other formats.
Some top things to look out for: Alignment, spacing, typography and asset placement. TITLE
Deadgood Typeface. Generally top left aligned and much larger than the rest of the copy.
DESCRIPTION
Where needed, a secondary header in a smaller font it used to give extra description
PARAGRAPH HEADER
Akkurat Pro Bold, usually in capital letters.
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This is a title OPENING PARAGRAPH This is a description
Akkurat Pro THIS IS A HEADER
SECONDARY PARAGRAPH/MAIN COPY Opening Paragraph Faccusant que molor aut eventiatquis repelique dolut est quis de solendita volore volore venim id
Akkurat Pro Light
excepud andempero cone ideles et am dolorro et anis dest qui.
Secondary Paragraph or Main CopyTeni ressitatur maio eate pligendae militaernam am, exerunt iatinvellaut odiscidit eossundae od ulpa quam dolorupta vendi dolestibea cuscid utem faccus nulpari busaper untiumet et accus quam que iur autenetus.
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Stationary The rules are farily loose for exact positioning , but some examples are overleaf.
Leave plenty of room for the elements to breathe and include a gutter for consistancy across mediums. Try to avoid widows within text and utilise tables for consistent alignment.
Example A - Pricelist (Print & Screen)
Example B - Sales Order (System Font)
Minimum Table Height: 6.7mm - Cell Text Position: 1.4²mm
Minimum Table Height: 6.7mm -Cell Text Position: 1.4²mm
Deadgood Logo: [R 167, G 169, B172] Size: 22pt
Deadgood Logo: [R 167, G 169, B172] Size: 22pt
Header: [Black] Size: 22pt, Line Width: 26.4pt
Header: [Black] Size: 22pt, Line Width: 26.4pt
Designer Name: [Black]7pt
Designer Name: 7pt
Main copy: Akkurat Pro, Bold & Light: [Black] Size 8pt, Line Width: 11pt
Main copy: Akkurat Pro, Bold & Light: [Black] Size 8pt, Line Width: 11pt
Line Weight: Black - 0.25pt - Printer Margin: 12.7mm
Line Weight: Black - 0.25pt - Printer Margin: 12.7mm
Gutter Width: 25mm - Header: 6mm
Gutter Width: 25mm -Header: 6mm
Illustration Right aligned
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Stationary Example A - Pricelist (Print & Screen)
Example B - Sales Order (System Font)
Stationary Working Girl Collection
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BY DAVID IRWIN
Dimension
Low Stool
450mm (h) x 435mm (w) x 355mm (d)
Medium Stool
635mm (h) x 465mm (w) x 435mm (d)
High Stool
785mm (h) x 495mm (w) x 490mm (d)
Materials
Solid Oak with powder coated, clear lacquered or Chromium Steel frame
Additional Notes
Stackable in quantities of 10
Lead Time
6-8 Weeks
Place of Origin
Birmingham, United Kingdom
> Deadgood Trading Ltd 5th Floor Tru Knit House,
Tyne and Wear, NE1 6UF T +44 (0) 203 371 0214
12345 Page 1 of 1
Working Girl Low
Deadgood Order No. Order Date Purchase Order Ref. Account No. Delivery Date
12345 01/01/2015 ABCD12345 ABC001 01/01/2015
CUSTOMER
DELIVERY ADDRESS
John Smith 123 John Street Liverpool Merseyside L2 5BQ
John Smith 123 John Street Liverpool Merseyside L2 5BQ - 07813683697
Newcastle Upon Tyne
E info@deadgoodltd.co.uk
MINIMUM ORDER QUANTITY
This is not a VAT Invoice
9-11 Carliol Square
Ljubljana, Slovenia
PRODUCT
SALE CONFIRMATION
PRODUCT CODE
LIST PRICE (Ex VAT)
WG1S-
QTY
PRODUCT CODE
1.00
ABC-001-WH
WG1M-
123
Working Girl High
WG1L-
123
FRAME OPTIONS
FINISH CODE
Jet Black (RAL 9003)
01-
Signal White (RAL 9001)
02-
Traffic Red (RAL 3020)
03-
Chrome
04-
Raw (Clear Lacquered)
05-
UNIT PRICE
NET
Working Girl Medium Cross
123.00
123.00
739.00
23,123.00
123.00
123.00
739.00
23,123.00
123.00
123.00
739.00
23,123.00
TOTAL NET AMOUNT
1,230,000.00
Solid Oak Seat - White Frame Floor reference: Ground Floor Zone 123
123
Working Girl Medium
DESCRIPTION
23.00
L5A
Loved Up - Band A Camira Blazer Oak Legs - Main Fabric: Camira Aquarius Aristotle
1.00
SURCHARGES
ABC-001-WH
Working Girl Medium Cross Solid Oak Seat - White Frame Floor reference: Ground Floor Zone 123
23.00
Bespoke RAL
10 units
L5A
Loved Up - Band A Oak Legs - Main Fabric: Zimmer & Rohde Saga 10386565 Floor reference: Ground Floor Zone 123
1.00
06-
ABC-001-WH
Working Girl Medium Cross Solid Oak Seat - White Frame
+10
Floor reference: Ground Floor Zone 123 SEAT OPTIONS
FINISH CODE
Oak
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SURCHARGES
23.00
L5A
Loved Up - Band A Camira Blazer Floor reference: Ground Floor Zone 123
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FSC Certified Oak
100 units
22
+10
Acacia
100 units
23
+10
Lacquered
100 units
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+10
EXAMPLE CODE
WG1S-01-21
Deadgood Trading Ltd
Registered in England No. 06678822
Registered Office: 5th Floor Tru Knit House,, 9-11 Carliol Square
VAT Registration No. 938 478 666
Newcastle Upon Tyne, Tyne and Wear, NE1 6UF
E: info@deadgoodltd.co.uk T:+44 (0) 191 261 1277
PAYMENT TERMS: STRICTLY 30 DAYS ON DELIVERY Bank: Royal Bank of Scotland, Branch:64 Fawcett Street, Sunderland SR1 1BB Account Name: Deadgood Trading Ltd Sort Code: 16-32-36 Account No: 10228333 BIC: RBOSGB2L IBAN: GB22RBOS16323610228333
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CARRIAGE
50.00
TOTAL VAT
1,230,000.00
INVOICE TOTAL GBP
1,230,000.00
Deadgood Trading Ltd Registered Office: 5th Floor Tru Knit House,, 9-11 Carliol Square
Registered in England No. 06678822
Newcastle Upon Tyne ,Tyne and Wear, NE1 6UF
VAT Registration No. 938 478 666
28 © Deadgood Trading Limited 2014
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Letterhead Example
> Business Card Examples Deadgood Trading Ltd 5th Floor Tru Knit House 9-11 Carliol Square Newcastle Upon Tyne
My name is Elliot and I’m >
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Tyne and Wear, NE1 6UF T +44 (0) 203 371 0214 E info@deadgoodltd.co.uk
Deadgood Trading Ltd Registered Office 5th Floor Tru Knit House 9-11 Carliol Square Newcastle Upon Tyne Tyne and Wear, NE1 6UF Registered in England No. 06678822
Dan Ziglam
VAT Registration No. 938 478 666
Deadgood CEO
>
|
London & Newcastle, UK
T +44 (0)1234 567 890 E info@deadgoodltd.co.uk W www.deadgoodltd.co.uk
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Promotional Material Some basic rules for positioning on stationary, print etc.
CATALOGUE / CASE STUDY / PRODUCT PDF
Any catalogues, case studies or product information PDFs should follow the format of the stationary. The content for these can be a mixture of Deadgood photography and product
Minimum Table Height: 6.7mm - Cell Text Position: 1.4²mm Deadgood Logo: [R 167, G 169, B172], [Black] or [White] Size: 22pt Header: [Black] or [R 167, G 169, B172] Size: 22pt, Line Width: 26.4pt
illustrations. A few things to include: Main copy: Akkurat Pro, Bold & Light: [Black] or [R 167, G 169, B172] Size: 8pt, Title of product and designer name Lead page and context shot Detail shot Each variation or size of product - image, code and product illustration with
Line Width: 11pt Line Weight: Black - 0.25pt - Printer Margin: 12.7mm Gutter Width: 25mm - Header: 6mm Left Aligned - Mixed
dimensions Product Codes, Sizes, Material, List Price (Everything on the pricelist) Upholstery should contain a link to the fabric bands.
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Promotional Material NEWSLETTER
The newsletter is much more playful and loose in terms of alignment, positioning and content. This should have some reference to catalogues/ pdfs but this is not restrictive. This can be a mixture of product, case studies, social media, inspiration, behind the scenes and interviews etc. You can also use logos, symbols and illustrations. Feel free to push the boundaries on creative content and display.
Minimum Table Height: 6.7mm - Cell Text Position: 1.4²mm Deadgood Logo: [R 167, G 169, B172], [Black] or [White] Size: 22pt Header: [Black] or [R 167, G 169, B172] Size: 22pt, Line Width: 26.4pt Main copy: Akkurat Pro, Bold & Light: [Black] or [R 167, G 169, B172] Size: 8pt, Line Width: 11pt Alignment - Mixed
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Promotional Material
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PRESENTATIONS
LANDSCAPE Minimum Table Height: 6.7mm -Cell Text Position: 1.4²mm Deadgood Logo: [R 167, G 169, B172] Size: 22pt Header: [Black] Size: 22pt, Line Width: 26.4pt Designer Name: 7pt Main copy: Akkurat Pro, Bold & Light: [Black] Size 8pt, Line Width: 11pt Line Weight: Black - 0.25pt - Printer Margin: 12.7mm Gutter Width: 25mm -Header: 6mm
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Promotional Material HAND OUTS & ADVERTISING
> Content for handouts and advertising depends upon what is being advertised and the limitations of the media, whether this is size or print
A5
colour. This can be photography, text or product illustrations. All advertising should include contact telephone number, email address and website as well as
>
relevant annotations to what is being advertised.
> [A5-A3 Handouts] Minimum Table Height: 6.7mm - Cell Text Position: 1.4²mm
A4 Deadgood Logo: [R 167, G 169, B172], [Black] or [White] Size: 36pt Header: [Black] or [R 167, G 169, B172] Size: 22pt, Line Width: 26.4pt Main copy: Akkurat Pro, Bold & Light: [Black] or [R 167, G 169, B172] Size: 8pt, Line Width: 11pt
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Alignment - Mixed
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Product Branding So that everyone knows exactly what products are Deadgood, wherever possible, branding should be applied discreetly to products. Exact positioning is entirely product dependant.
UPHOLSTERY LABELS
TBC
Black Woven Label with white logo, Standard: Size: 40mm x 15mm - Logo Size: 24pt Small: Size: 15mm x 15mm - Ident Size: 24pt
TIMBER BRANDING
Positioned to the underside of the product in most cases
Laser Etched - Subtle, not high intensity. Test against material. Stamped - [Black] Logo or Ident Size: 36pt
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Packaging Use of logo and typeface with packaging.
BOXES
Boxes should be brown corrugated card/stock. The Deadgood Logo and Ident should always be used on these. Deadgood phrases are sometimes good to use with these, as well as care icons and product illustrations. Upto 200mm²
Deadgood Type: [Black] Size: 36pt Logo Only: [Black] Size: 110pt
Upto 500mm²
Deadgood Type: [Black] Size: 60pt Logo Only: [Black] Size: 180pt
500mm²+
Deadgood Type: [Black] Size: 120pt Logo Only: [Black] Size: 370pt
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LABELS
50mm x 280mm - Black on Clear with 13 digit Barcode
DEADGOOD TAPE
Logo and/or Ident only. Black print on clear tape.
BOX INSTRUCTIONS
As per printed collatoral layout, with use of assembly drawings and product illustrations.
TOTE BAGS
Logo or Deadgood phrases
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Vinyl Some basic rules for size and positioning of exhibition vinyl.
INFO VINYL
HEADER VINYL
Product information can be top or bottom left or right aligned to suit medium.
Main header or phrasing should be slightly above head height and centred.
Upto 500mm² -
Akkurat Pro: Size: 28pt
Upto 1m width -
500mm²+ -
Akkurat Pro: Size: 45pt
1000mm²+ -
Akkurat Pro: Size: 150pt
Deadgood Type: Size: 36pt Logo Only: Size: 110pt
1m+ width-
Deadgood Type: Size: 60pt Logo Only: Size: 180pt Logo Only: Size: 120Opt
3m+ width -
Deadgood Type: Size: 120pt Logo Only: Size: 675pt Ident Only: Size: 1200pt
5m+
TBC
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And finally...
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Tnis booklet is only a guideline to what we’ve done before to get us this far.
Deadgood is dedicated to being one of the leading furniture design brands in the world. Do your research! Without keeping up to date with trends and current movements, the brand cannot move forward and become even better.
Be creative and let your imagination run wild! With your help, we can keep the look and feel of the Deadgood branding fresh and relative.
Good luck and thanks for reading!
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