A TOUCH OF STYLE
A TOUCH OF ST YLE Danielle Crawford
expo in Michigan and from there, he invited me to groom for him at U.S. Nationals. In 2011, I was introduced to Zac and Lisa Powell of Powell Training Center and spent the year grooming for them at shows. Since then, they introduced me to many of the clients and friends I have to this day. My current Arabian gelding, Bosco Afire (Afire Bey V x Bacharah) lives at their farm. In 2016, I decided to offer my photography and design services full time, launching Danielle Crawford Productions. I no longer groom at shows, but I do occasionally get to be an exhibitor, or offer braiding services. I am thankful for my experience as a groom, as this has not only introduced me to many new people, but has also given me more grooming skills that I can apply to my photography clients, such as clipping, braiding, and making sure those tails are nice and straight. Where did you go to school or how did you learn your craft? My mom has always had a passion for photography, and spent days with me as a child, teaching me the basics of photography, such as composition, lighting, and angles, on her film camera. I took photos of my cats and dogs and flowers to enter in the local fair. So, I grew up with the love of visual art. When I was a teenager, my mom invested in a DSLR, which I quickly borrowed to take photos at the local horse shows for fun. I spent summers down at the fairgrounds practicing my timing and angles on all different breeds of horses: Quarter Horses, Paints, Appaloosas, Arabians, Morgans, ponies, etc. During this time, I had also taken a course at our local college in Graphic Design, and I quickly became interested. While I attended college to earn my Bachelor’s Degree in Marketing, I continued to hone my photography skills. Then one day, fresh out of college, I decided that photography was going to
How long have you been associated with the Arabian horse industry? My mom purchased my first Arabian horse, Sensation Al Lite (Sensation Al Z x CS Firelight) when I was 14 years old. I’ve been hooked ever since! Have you been involved with various aspects of the Arabian horse industry? And if so, please share your road of travel. The day we picked up my gelding, his previous
owner gave me a giant box full of Arabian Horse Times and World magazines from the 1980s and 1990s. I spent many hours of my childhood studying the horses and trainers. In fact, I still have all those magazines to this day—my husband has begrudgingly moved them across the country many times! I showed 4-H and local shows with Lite, but always wanted to work with industry professionals. While I was in college, I met Tommy Garland at a horse
be an art that I pursued. I contacted Brandy Johnson (Phillips), a photographer and graphic designer in Florida. I expressed my desire to learn more about photoshoots and the need for hands-on experience. Although we had never met in person before, she kindly invited my husband and I down to a large photoshoot in Virginia. After that, she has always allowed me to stay in touch with her when I have photography or design questions. I photographed clients and designed graphic work part time while I worked full time in the corporate world. I have learned the majority of what I know now through talking to other professionals, taking workshops, reading DIY books, and when all else fails, YouTube. I also study the work of other professionals I admire. I particularly enjoy photography by Brandy Phillips, Stuart Vesty, Howie Schatzberg, and April Visel (with whom I hope to attend one of her workshops in the future). When it comes to your photography and design, how would describe your sense of style? I believe above all, when someone is looking at one of my images or designs, I want them to feel emotion. In my photography, I like to capture small, personal moments between horses and their humans. Those moments where nobody even realizes that I’m clicking the shutter. But don’t get me wrong, I love the energy of working with a strong, powerful English horse. For my design work, I tend to gravitate towards moody, texture-filled backdrops. I love using bright, vivid colors that complement the subjects as well.