Dawsons | The March Sale

AUCTIONS FOR FINE ART & ANTIQUES

0207 431 9445 | INFO@DAWSONSAUCTIONS.CO.UK | DAWSONSAUCTIONS.CO.UK

THE MARCH SALE 21 MARCH 2020 | 10AM

Explore, Discover & Collect OUR NEXT AUCTION | THE APRIL SALE SATURDAY 25 APRIL 2020 | 10AM ENTRIES INVITED

DETAIL | LOT 1

The March Sale ORDER OF SALE LOTS 1 - 113 - Paintings & Prints LOTS 114 - 151 - Furniture & Mirrors LOTS 152 - 234 - Asian Art LOTS 235 - 281 - Ceramics & Glass LOTS 282 - 326 - Decorative Arts & Collectables LOTS 327 - 339 - Clocks LOTS 340 - 351 - Coins, Stamps & Objects of Vitue LOTS 352 - 367 - Watches LOTS 368 - 416 - Silver & Silver Plate LOTS 417 - 578 - Jewellery

VIEWING TIMES THURSDAY 19 MARCH 10-5PM (BY APPOINTMENT) FRIDAY 20 MARCH 10-7PM SATURDAY 21 MARCH FROM 9AM

VENUE The Auction House, Kings Grove Estate, Maidenhead, Berkshire, SL6 4DP 01628 944 100 | 0207 431 9445 info@dawsonsauctions.co.uk

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LOTS 1–113

PAI NTI N G S & P R I NTS

Paintings

2. Russian School, 19th century depicting a landscape with a cart and peasants, signed “P. Sukhodolsky” and dated ‘73, oil on board, within an old Louis XIV style frame. (Dimensions: 16 cm x 24 cm) £1,500-2,000

1. French School, 18th century depicting the portrait of a member of the French ‘Lumieres’ (possibly Voltaire), from the Enlightenment period in the second half of the 18th century, oil on canvas, within a carved giltwood frame, the stretcher inscribed ‘Voltaire’.

Provenance: This picture had hung at Locko Park in the Drury-house collection for at least 100 years; it bears a collection number (no. 183) to the bottom of the frame which links it directly to the Locko Park collection, being listed in Jean Paul Richter’s catalogue for the estate’s picture collection, published in 1901. (Dimensions: 58 cm x 48 cm) £1,500-2,000

3. † Sadegh Tabrizi (b. 1938) Iranian depicting a couple with geometric shapes in the background, signed lower right, mixed media on canvas, within a wooden and canvas frame.

(Dimensions: 45 cm x 34 cm) £2,000-3,000

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6. Charles Brooking (1723-1759) British ‘A British Man of War in rough seas off a rocky coast’, signed, an old label attached to the oval stretcher indicates that the painting was in the Dowager Countess Mansfield collection, oil on canvas in a later gilt Louis XIV style frame. (Dimensions: 55 cm x 78 cm.)

4. † Sadegh Tabrizi (b. 1938) Iranian depicting a couple with a bird on their heads, signed lower centre, mixed media on board, within a glazed frame. (Dimensions: 22 cm x 19 cm)

Provenance: The Dowager Countess Mansfield and Christie’s. £6,000-8,000

£800-1,200 7. Circle of Alfred Frank de Prades (1840-1895) British a pair of oils on canvas depicting racehorses in stables with hostlers, unsigned, label to verso “S.T. Smith, Pictures dealer and Restorer, St Jame’s W” (...), within a wooden gilded frame carved with continuous foliage and rosettes on the corners. (Dimensions: 40 cm x 60 cm) (Qty: 2) £300-500

8. English School, 19th century depicting a bucolic scene of chicken and rooster in a barn, unsigned, oil on canvas, within gilt wooden frames with egg and dart and beaded detail, with ‘Mucklows’ Gallery label, each 24 cm diameter. (Qty: 2) £150-250

5. Qajar School, 21st century depicting the full portrait of a Persian warrior in fine 18th century clothes, unsigned, mixed media on paper laid on board, within a glazed frame. (Dimensions: 26.5 cm x 18.5 cm) £500-700

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Buyers Premium of 27.6% including VAT applies to every lot.

15. Arnold Mesches (1923-2016) American a pair of abstract compositions, signed, mixed media on paper, within a glazed frame (Dimensions: 10.5 cm x 23.5 cm) (Qty: 2) £80-120

16. † Alfred Daniels (1924-2015) British ‘Bridge Over the Canal’, 1975, oil on board, 25 cm x 14.5 cm, together with another by the same hand, greengrocers with boxes of apples and grapes, signed but undated, 10.7 cm x 21.5 cm, each in a wooden frame. (Qty: 2) Provenance: The ‘Canal’ work purchased by the vendor’s family at Christie’s, 7th March 1997, with original lot label affixed verso.

9. German Impressionist School, 20th century

£300-500

depicting a landscape, signed “L. Ury”, oil on panel, inscribed ‘Lesser Ury’ on the verso, within a gilded frame. (Dimensions: 29 cm x 39 cm.) £600-800

10. † Norman Alexander (XX) English ‘Reconstruction Athens’, signed lower left, acrylic on canvas, titled verso, within a gilded frame, 70 cm x 90 cm, together with Pierre Lavarenne (b. 1928) French, depicting a landscape, signed lower right, acrylic on canvas, within a white frame, 58 cm x 82 cm. (Qty: 2) £350-450

11. † John Sewell (b.1926) British ‘Summer dusk’, depicting a tree with birds, signed and dated 1980, acrylic on masonite, within a wooden frame (Dimensions: 90 cm x 90 cm.)

Provenance: From the estate of Alfred Daniels RBA, RWS (1924-2015) £100-200

12. H.J. Squires (XX) English ‘Above Winchcombe’, depicting a landscape with a cottage, signed lower right, oil on canvas, within a Louis XIV style frame (Dimensions: 50 cm x 75 cm) £150-250

17. † Alfred Daniels RBA RWS (1924-2015) British depicting fishermen with nets on the beach, signed and dated 1965 lower right, oil on canvas, within a wooden frame. (Dimensions: 59 cm x 74 cm.)

Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015) £500-700

13. † H.J. Squires (XX) English ‘Little Rissington’, depicting a field with cottages in the background, signed lower left, oil on canvas, within a gilded frame (Dimensions: 50 x 75 cm) £150-250

14. † Aedwyn Darroll (1929-2005) English/American ‘Ron’, depicting a portrait of a man, unsigned, oil on board, within a wooden frame (Dimensions: 61 cm x 46 cm.) £100-200

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21. † Mikael Filippovitch Volodine (1912-1987) Russian depicting a snowy street, signed and dated 1944 to verso, oil on canvas, within a gilded frame (Dimensions: 35 cm x 45 cm.) £150-250

22. † Alfred Daniels RBA RWS (1924-2015) British ‘Post Office Durness’, signed and dated 1970 lower right, oil on board, 45.5 cm x 29 cm, together with another oil on board depicting a church landscape, unsigned yet attributed to the same artist, 25cm x 35cm and a further abstract oil on board, possibly used as a mixing palette, 61 cm x 51 cm. (Qty: 3) Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015)

19. † Alfred Daniels RBA RWS (1924-2015) British ‘Sheep at Dalwhinnie, Scotland’, signed and dated 2009 lower left, acrylic on canvas, titled to verso, within a wooden frame. (Dimensions: 59 cm x 74 cm.)

Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015) £400-600

£200-300

23. † Alfred Daniels RBA RWS (1924-2015) British The artist’s archive to include a quantity of period photographs of his works, various correspondence, gallery exhibition leaflets, postcards, a short handwritten autobiographical memoir, various sketches, watercolours, prints and drawings for unfinished works. Together with a folio of photographs, sketches and provisional paintings for some of the Daniels’s major commissions including the Hammersmith Town Hall and Mercantile Credit Offices murals, and various certificates including Fellow of The Royal Society for the Encouragement of Arts, Manufactures and Commerce, Associate of the Royal College of Art, Member of the Royal Society of British Artists, Member of the Royal Society of Painters in Water Colours (signed by HM Queen Elizabeth II), and a cast ‘De Laszlo’ award medal by the RSBA presented to Alfred Daniels in 1990.

Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015) £200-300

24. Russian School, 20th century 20. † Alfred Daniels RBA RWS (1924-2015) British ‘Dufftown Cooperage’, signed lower left, acrylic on canvas, within a wooden frame. (Dimensions: 39.5 cm x 51.5 cm) Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015)

depicting a group of peasants in front a house, unsigned, Cyrillic inscriptions to verso, oil on board, within a Louis XIV style frame (Dimensions: 14 cm x 22.5 cm.) £100-200

£400-600

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Buyers Premium of 27.6% including VAT applies to every lot.

25. † Alfred Daniels RBA RWS (1924-2015) British depicting a cat resting on a wall with the Venetian Arsenal in the background, unsigned, acrylic on canvas laid down on board, unframed, 46 cm x 63 cm, together with three other drawings by the same artist and others, unframed, different sizes. (Qty: 4) £300-400

28. † William Hoggatt (1880-1961) British depicting fishermen at quayside loading a cart (probably at the Isle of Man), signed lower right, watercolour and gouache on paper, within a gilded frame. (Dimensions: 24.5 cm x 34.5 cm) £800-1,200

26. † Alfred Daniels RBA RWS (1924-2015) British depicting fishermen and tourists on Brighton beach, with the pier in the background, unsigned, oil on canvas laid on cardboard, within a wooden frame.

(Dimensions: 49 cm x 59 cm.)

Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2915)

29. † Dorothy Lake Gregory (1893-1970) American depicting a homestead, signed lower left, mixed media on paper, within a green and gilded frame.

(Dimensions: 39 cm x 46 cm) £200-300

£400-600

27. Ismael Gentz (1862-1914) German ‘Art Dealer’s Showroom’, depicting a connoisseur in a gallery, signed and dated 1905 lower left, gouache on board, within a silvered frame. (Dimensions: 13.5 cm x 32 cm) £1,500-2,000

30. Franz Richard Unterberger (1838-1902) Austrian ‘Capri’, oil on panel, signed to lower left, in a gilt gesso frame, inscribed to verso, within a glazed giltwood frame. (Dimensions: 17.5 cm x 37 cm) £1,000-2,000

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34. † Robert L. La Hotan (1927-2002) American depicting a tree and a house, signed lower right, oil on canvas, within a white wooden frame, 45 cm x 61 cm. £200-300

35. After Rembrandt van Rijn, 19th century depicting a young girl at a window, unsigned, oil on canvas, unframed, the original at Dulwich Picture Gallery.

(Dimensions: 76 cm x 63 cm.) £200-300

31. Franciszek Streitt (1839-1890) Polish

36. English school, mid 19th century

depicting musicians, signed lower left, oil on panel, within a gilded rococo style frame. (Dimensions: 20 cm x 41 cm.)

depicting a half-length portrait of a young gentleman wearing a black cravat, unsigned, oil on canvas, unframed, 76 cm x 64 cm.

£2,500-3,500

£300-500 32. † John Sewell (b.1926) British ‘Still life with 3 birds, pears and grapes’, signed and dated 1978 lower right, acrylic on masonite, within a wooden frame.

(Dimensions: 43.5 cm x 43.5 cm)

37. Attributed to Karl Pierre Daubigny (1846-1886) French

Provenance: From the estate of Alfred Daniels RBA, RWS (19242015)

depicting a river scene with sunset, partially signed lower left, oil on canvas, within a gilded frame, 36 cm x 60 cm.

£80-100

£200-300

38. Continental School, 19th century depicting a pastoral scene, unsigned, oil on panel, within a gilded Louis XIV style frame (Dimensions: 21 cm x 31 cm.) £100-200 33. † Attributed to Panayiotis Vassilakis (Takis) (1925–2019) Greek

39. Jacques Marie Gaston de Breville (1858-1931) French

depicting a still life, probably in Paris, signed lower left, oil on canvas, within a wooden frame.

(Dimensions: 61 cm x 30 cm)

£80-120

£1,500-2,000

depicting a homestead on a lake, signed lower right, oil on canvas, within a gilded frame, 47 x 57 cm.

40. † Linda Dangoor (c.1955) Iraqi/British ‘Palimpseste and other stories’ (sic), signed and dated ‘98, mixed media on paper, titled to verso, within a glazed frame.

(Dimensions: 62 cm x 54 cm) £300-500

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Buyers Premium of 27.6% including VAT applies to every lot.

41. Barbizon School, 19th century. Follower of Narcisse-Virgile Diaz de la Peña (French, 1807-1876)

48. Circle of Cosmo Alexander (1724-1772) Scottish/ American

depicting a woman and a child walking on a path in the forest, signed ‘(?) Diaz’, oil on panel, within a Louis XIV style frame (Dimensions: 28 cm x 33.5 cm.) £200-300

depicting a half length portrait of a lady, unsigned, oil on painting, unframed (Dimensions: 77 cm x 65 cm.)

42. Barbizon School, 19th century depicting a water mill in the forest, signed ‘Diaz’ and dated 1869, oil on canvas, the reverse with illegible inscription, unframed, 71 cm x 91 cm. £80-120

43. Jules Monnickendam (1874-1943) Dutch depicting a view of a canal in Venice, signed lower left, oil on canvas, within a gilded frame, 36.5 cm x 47 cm. £80-120

44. Gertrude L. Whelpton (XIX-XX) British depicting a Thoroughbred in his stable, signed and dated 1911 lower left, oil on canvas, unframed, 43 cm x 53 cm, together with an oil on canvas depicting cattle in an open landscape, circle of Aymar Alexandre Pezant, unframed, 40 cm x 61 cm. (Qty: 2) £150-250

45. Continental school, late 19th-early 20th century depicting a portrait of a young woman, signature illegible lower right, oil on canvas, within a gilded frame (Dimensions: 50 cm x 36 cm.) £80-120

46. † Rowland Fade (1939-2017) British three abstract compositional studies, mixed media on canvas, titled ‘Cornish Vision’ [1969] (92 cm x 76 cm), ‘Rainbow Fossils’ [1971] (72 cm x 59 cm) and ‘Grey Composition’ [1971] (73 cm x 58 cm). (Qty: 3) £100-200

47. Canadian school, 20th century ‘The red tree’, depicting a tree in an open landscape, signed ‘Lesch’ lower right, oil on canvas, titled on the verso, within a wooden frame, 68 cm x 55 cm, together with an oil on canvas, signed ‘J.Prine’ (?) and dated 1927, depicting a house near a river, within a wooden frame (Dimensions: 36.5 cm x 44.5 cm.)

(Qty: 2) £80-120

£200-300

49. American school, early 19th century. Circle of Zedekiah Belknap depicting the half length portrait of a gentleman, unsigned, oil on canvas, within a gilded frame (Dimensions: 74 cm x 61 cm.) £300-500

50. English School, probably 19th century A group of four miniatures depicting individual portraits of three women and one man, Mary of Modena (Queen of James II) amongst them, according to an inscription to verso, unsigned, gouache on bone, 4.5 cm x 3.5 cm (largest). (Qty: 4) £100-200

51. English School, 19th century. Circle of Walter Frederick Osborne (1859-1903) Irish ‘Maidenhead’, depicting a house with clothes hanging on a washing line in the yard, signed “F.W” (?) and titled lower left, oil on board, within a gilded and glazed frame. (Dimensions: 22 cm x 40 cm) £150-250

52. Continental School, probably 17th century depicting Noah’s sacrifice after the flood, unsigned, oil on canvas, within a gilded frame. (Dimensions: 61 cm x 80 cm) £150-250

53. Christian Adam (c.1920) French (?) depicting a French farm house in the Provence (probably), signed and dedicated lower right, mixed media on paper laid on board, unframed, 33 cm x 49.5 cm, together with three Indian drawings, unframed, 22 cm x 28.5 cm (biggest). £80-120

54. After Willem Kalf (1622–1693) Dutch a copy of ‘Still Life with a Nautilus Cup’ (1662) in the Museo Nacional Thyssen-Bornemisza (Madrid), depicting a still life with a mounted nautilus, a Venetian glass, a Chinese porcelain, a Turkish carpet, a silver tray, a lemon and an orange on a marble table, unsigned, oil on canvas, unframed. (Dimensions: 51.5 cm x 40 cm) £80-120

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55. French School, 19th century. Circle of Henri Fantin-Latour (1836-1904) French depicting the portrait bust of a young lady, unsigned, oil on canvas, a plaque in the stretcher with the name “Marie Devaux”, within a gilded gesso frame. (Dimensions: 49 cm x 39 cm) £200-400

56. Russian School, 20th century depicting a snowy landscape, signed (Bloshinsky?), oil on canvas, unframed.

(Dimensions: 32 cm x 44 cm)

62. W H Danste (XIX-XX) British ‘Boats in choppy waters’, oil on panel, signed lower left, within a foliate gilt frame. (Dimensions: 34 cm x 44 cm.) £100-150

63. Henry Hadfield Cubley (1858-1934) British ‘The Shore Criccieth N.W’, signed both lower left and verso, dated 1892. Oil on canvas, in a foliate gilt frame.

(Dimensions: 49 cm x 74.5 cm) £200-300

£80-120

57. † Attributed to Emmanuel Levy (1900–1986) British depicting a three masks and a hand on a table with the Big Ben and the Houses of Parliament in the background, signed and dated ‘48 lower left, unframed. (Dimensions: 53 cm x 66 cm) £200-300

58. English School, 20th century a group of three paintings depicting different groups of birds, unsigned, oil on panel, unframed. (Dimensions: 25.5 cm x 20 cm) (Qty: 3) £100-200

59. English School, 19th century depicting the Virgin Mary with Jesus child in cross-like gesture, unsigned, inscribed in the stretcher: “Frank Goodall” (?), oil on canvas, within a gilded frame. (Dimensions: 27 cm x 19 cm)

64. Henry Thomas Alken (1785-1851) British ‘The Exeter to London Mail Coach’, signed: “H.Alken”, oil on canvas, within a gilt frame. (Dimensions: 34 cm x 44 cm) Provenance: Richard Green, London. £2,000-3,000

£150-250 65. English School, 19th century 60. Persian School, 19th-20th century depicting a man sitting with a cup of tea, graphite and watercolour on paper, within a glazed frame, 22.5 cm x 14 cm, together with a group of Persian and Indian School miniatures, within glazed frames, 13.5 cm x 28.5 cm (biggest). £200-300

61. Rajput School, 20th century depicting an Indian wedding, unsigned, opaque watercolour on masonite, within a silvered frame.

(Dimensions: 82.5 cm x 56.5 cm) Provenance: From the estate of Alfred Daniels RBA, RWS (1924-2915)

depicting possibly Henry Howard Earl of Surrey, one of Henry VIII courtiers and another in the Louis XIV period, unsigned, within a glazed frame. (Dimensions: 11 cm x 8.5 cm) (Qty: 2) £80-120

66. After Agostino Carracci (1557-1602), late 18th- early 19th century ‘The Loves of the Gods’ depicting a Triton blowing a conch shell (replicating the figure painted to the lower right in “The Triumph of Galatea” on the frescos in the Palazzo Farnese, Rome), unsigned, pencil sketch on laid paper, within a glazed frame. (Dimensions: 12.5 cm x 10 cm) £100-200

£80-120

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Buyers Premium of 27.6% including VAT applies to every lot.

67. † Val Hamer (20th-21st century) British a collection of still life and floral studies, pastel on paper, comprising 23 works, most of them signed and dated, each around 59 cm x 42 cm. (Qty: 23) £80-120

68. Persian School, 20th century depicting Shaharyar (King of Persia) sitting on a throne giving hearing to a poet’ (sic) and in the other he sits amongst an audience, mixed media on paper, within a glazed frame, 23.5 cm x 19 cm, together with two mixed media on paper by Indian School, depicting a man with a rose and Krishna and Radha, within a glazed frame. (Qty: 4) £200-300 69. Attributed to Paul Sandby (c.1730-1809) British A group of six engravings depicting individuals at their jobs, some signed on plate, unframed, 11 cm x 8.5 cm, together with three engravings by AF V Meulen and others, unframed, 62.5 cm x 45 cm (largest). £150-250

70. After Jacques Rigaud (c.1671/91-1754) French a pair of engravings depicting views of Paris, unframed, 37.5 cm x 56 cm, together with four other engravings depicting different urban views, unframed, 24.5 cm x 33 cm (largest). (Qty: 6) £80-120

71. English School, 19th century depicting a horse and a dog running in a field, illegible signature (Eduard ?) and dated 1839, graphite on paper, unframed, 25 cm x 36 cm, together with a watercolour depicting a landscape, unsigned, within a glazed frame, 9.5 cm x 12 cm, together with a watercolour depicting a lady descending the stairs of an English mansion, 25.5 cm x 36 cm. (Qty: 3)

74. † Hermann Max Pechstein ( 1881-1955) German “Composition (with three Arcadian nudes)”, signed in pencil and in plate with monogram and dated 1918, with blind stamp “DIE SCHAFFENDEN”, print on paper, unframed. (Dimensions: 42 cm x 32 cm) £600-800

75. French School, 17th and 18th century A group of engravings depicting French views, unsigned, unframed, 30.5 cm x 20 cm (largest). (Qty: 7) £80-120

£100-200

72. Sir Ernest Albert Waterlow, RA (1850-1919) British depicting two men in a boat fishing on a lake in front of a homestead, signed with initials and dated 1890 lower left, watercolour on paper, within a glazed frame. (Dimensions: 22 cm x 47 cm)

76. After Jean-Honoré Fragonard (1732-1806) French by M.Blot ‘Le Verrou’ together with a group of engravings after F. Boucher, G.B. Cipriani, H. Bunbury and others, unframed, 55 cm x 39 cm (largest). (Qty: 8) £80-120

£100-200 77. English School, 20th century 73. French School, 19th century. Circle of ClaudeJoseph Vernet (1714-1789) French depicting a study of a fisherman most likely from the south of France, unsigned, dated in 1789 in Paris, watercolour on paper, unframed, 33.5 x 22 cm, together with four other drawings 20th century depicting a Mediterranean church, a view of Machu Picchu, fishermen on a beach and a lady in a boudoir, 37 cm x 27 cm (largest). (Qty: 5)

collection of eight mixed media on paper depicting scenes in markets and cafes, one probably signed (P.Woods?), unframed. (Dimensions: 45 cm x 36 cm) (Qty: 8) £80-120

£150-250

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78. † Alfred Daniels RBA RWS (1924-2015) British

83. After Otto Van Veen (1556-1629) Flemish

‘Spectators at the Entrance Procession’, signed and dated 1998, mixed media on paper, unframed, 33 cm x 50 cm, together with five other drawings by the same artist and others, unframed, different sizes.

(Qty: 6)

a collection of eight illustrated prints from the ‘Quinti Horatii Flacci emblemata’ , each depicting a different scene from the book, within a glazed frame, the reverse of some with French passage from the book, each 18 cm x 15 cm. (Qty: 8)

£200-300

£100-200

79. † Alfred Daniels RBA RWS (1924-2015) British

84. Margot Hamilton Davies (XX-XXI) British

depicting the Bank of England, unsigned, mixed media on paper, unframed, 41 cm x 50 cm, together with five other drawings by the same artist and others (amongst them a portrait of Alfred Daniels painting), unframed, different sizes. (Qty: 6) £200-300

the artist’s archive to include a large folio of sketches of theatrical, costume and fashion designs, together with various letters, correspondence, photographs, wartime diaries and newspaper cuttings relating to her life as a historical costume designer, researcher and illustrator.

80. † Attributed to Margot Hamilton Davies (XXXXI) British

Provenance: Direct from the estate of Margot Hamilton Davies (née. Hill), historical costume expert/ illustrator for reference books, stage, screen and television.

depicting five costumes characterizations for a Shakespeare play, unsigned, mixed media on paper, unframed, 56 cm x 38cm (biggest). (Qty: 5)

£200-300

Provenance: Direct from the estate of Margot Hamilton Davies (née. Hill), historical costume expert/ illustrator for reference books, stage, screen and television.

85. † Margot Hamilton Davies (XX-XXI) British

£150-250

81. † Alfred Daniels RBA RWS (1924-2015) British a pair of mixed media on paper depicting people working in a field with houses and factories in the background, unsigned, unframed, 36 cm x 44 cm, together with a mixed media on board depicting a sitting cat, unsigned, unframed, 31 cm x 43 cm, together with a mixed media triptych depicting Christ on the cross, signed, unframed, 60 cm x 43.5 cm, together with a nude, unsigned, pastels on paper, unframed, together with a watercolour by John Sewell depicting a still life with birds, signed and dated ‘76, unframed, 34 cm x 45 cm. (Qty: 6) Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015) £200-300

‘Fish (street) Hill, houses demolished’, depicting a street in London, titled and dated ‘66 lower left, ink on paper, 35 cm x 45 cm, together by the same artist a drawing depicting Highland cattle with, unframed, 29.5 cm x 42 cm and a pastel on paper depicting a full length portrait of a lady, unsigned, unframed, 61 cm x 51 cm, together with a portrait of a man writing

by Tom Robb, unframed, 40 cm x 30 cm, together with a watercolour by John Sewell, depicting a still life with pears and two butterflies, 30 cm x 41 cm, together with a drawing half length portrait of a man, 23 cm x 29 cm. (Qty: 6) Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015)

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Provenance: Direct from the estate of Margot Hamilton Davies (née. Hill), historical costume expert/ illustrator for reference books, stage, screen and television. £150-250

86. † Alfred Daniels RBA RWS (1924-2015) British A large quantity of signed and unsigned prints by the artist, to include ‘Bankside and Cannon Bridge’, ‘Tourists in Prague’ ‘Hertford College, Oxford’, ‘Leadenhall Market’, ‘The Old City of Rhodes’ and a large print run of ‘The Buskers of Llyod’s’. (Qty) Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015)

82. † Alfred Daniels RBA RWS (1924-2015) British

£250-350

depicting a couple in a 16th century costumes, unsigned, mixed media on paper, original drawing for ‘The Evolution of fashion: Pattern and Cut From 1066 to 1930’ (p.55 year: 1500), unframed, 53 cm x 42 cm, together with four original drawings for the same book, depicting couples in the 1260 (p.23), 1190 (p.15), 1420 (p. 39), 1150 (p.11) fashion, unframed, 53 cm x 42 cm (each). (Qty: 5)

£100-150

87. † Margot Hamilton Davies (XX-XXI) British depicting a couple in a 18th century costumes, unsigned, mixed media on paper, original drawing for ‘The Evolution of fashion: Pattern and Cut From 1066 to 1930’ (p.131 year: 1770), unframed, 53 cm x 42 cm, together with five original drawings for the same book, depicting couples in the 1550 (p.63), 1740 (p.123), 1560 (p. 67), 1380 (p.35) and 1210 (p.19) fashion, unframed, 53 cm x 42 cm (each). (Qty: 6) Provenance: Direct from the estate of Margot Hamilton Davies (née. Hill), historical costume expert. £150-250

Buyers Premium of 27.6% including VAT applies to every lot.

88. † Dame Elisabeth Frink (1930-1993) British ‘Horse and Rider’, lithograph printed in colour, 1970, signed in pencil and numbered 362/500, framed and glazed. (Dimensions: 57 cm x 78 cm) £500-700

89. † Alfred Daniels RBA RWS (1924-2015) British

90. † Alfred Daniels RBA RWS (1924-2015) British

‘Religious revival’ (according to inscription verso), signed and dated 1950 lower left, gouache on paper, within a silvered wooden frame. (Dimensions: 34 cm x 51 cm.)

‘Gozo Cats Malta’ (according to a label from the RWS verso), signed and dated 1999-2013 lower left, watercolour on paper, within a pink wooden frame, 26 cm x 36 cm, together with a mixed media on paper by the same artist, depicting a picnic in the park with domestic pets, signed and dated 2011 lower left, within a glazed frame, 28 cm x 46.5 cm. (Qty: 2)

Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015) £500-700

Provenance: Direct from the studio of Alfred Daniels RBA, RWS (1924-2015). £400-600

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94. † Andrzej Kreutz Majewski (1936-2011) Polish depicting two abstract silhouettes, signed, mixed media on paper, unframed, 24 cm x 34 cm, together with two more works by the artist, ink and mixed media, signed, framed, 23 cm x 32 cm and 10.5 x 7.5 cm, together with a dedicated book about the artist.

(Qty: 4) £200-300

95. † Andrzej Kreutz Majewski (1936-2011) Polish depicting the portrait of a lady, signed with stamp and dated 1976, mixed media on paper, within a glazed frame, 42 cm x 30 cm, together with a mixed media on paper by the same artist, signed, unframed, 32 cm x 23 cm and a landscape by the same artist, signed, gouache on paper, within a glazed frame, 22.5 cm x 35 cm, together with a dedicated book about the artist. (Qty: 4) £200-300

91. After Aubrey Vincent Beardsley (1872-1898) English a group of five prints depicting ‘The toilette of Salome’, ‘The cave of Spleen’, ‘The Abbe’, ‘The black cat’ and ‘Lysistrata Haranguing the Athenian Women’, some signed in plate, within a glazed frame.

(Dimensions: 27 cm x 21 cm) (Qty: 5) £300-500

92. After Henry Salt (1780-1827) English a set of four early 19th century aquatints to include ‘Sandy Bay Valley in the Island of St Helena’, ‘Mosque at Lucknow’, ‘Pagoda at Tanjore’ and ‘A view within the fort of Monghyr’ within a gilded glazed frame.

(Dimensions: Each 44 cm x 59 cm) (Qty: 4) £200-300

96. † After Charles Édouard Jeanneret known as Le Corbusier (1887-1965) Swiss/French ‘Three Nudes’, depicting three naked women sitting on a couch, signed and dated 1936 in the plate, stencil print in colours, within a gilded and carved Charles X style frame (Dimensions: 18 cm x 26.5 cm) £400-600

93. Felix Edouard Guerin-Meneville (1799-1874) French

97. Attributed to Ipek Duben (1941) Turkish

a collection of hand coloured plates of birds, fish and plants, taken from the ‘Dictionnaire Pittoresque d’Histoire Naturelle’ volumes. (Dimensions: 28 cm x 18 cm) (Qty: 12) £80-120

‘Arturovi na pamithon’ (?) depicting a woman sitting, two red frames and a cup, unsigned, collage, inscribed to verso, within a glazed frame, 31 cm x 20 cm, together with an abstract composition, illegible signature, within a 925 silver frame in rococo style, 28 cm x 20 cm. £150-250

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99. † Laurence Stephen Lowry R.A. (1887-1976) British “Group of Children”, limited edition print, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, number 310 from an edition of 850, glazed in a metal frame, together with a framed set of three Lowry sketch prints. (Dimensions: 18 cm x 19 cm) (Qty: 2) 98. Albert Nikolaïevich Benois (1852-1936) Russian

£2,000-3,000

depicting a landscape with a field, signed lower right and dated 1928 lower left, watercolour on paper, within a glazed frame. (Dimensions: 17.5 cm x 12.5 cm) £600-800

100. † Laurence Stephen Lowry R.A. (1887-1976) “The Contraption”, signed in pencil in the margin, with Fine Art Trade Guild blindstamp, number 184 from an edition of 750, glazed in a contemporary frame.

(Dimensions: 31.5 cm x 29.5 cm) £3,000-5,000

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101. George Craig Spence (b.1931) Scottish a pair of gouaches on paper depicting landscapes, signed lower right, within a glazed frame (Dimensions: 46 cm x 36 cm.) (Qty: 2) £200-300

102. Henry Thomas Alken (1785-1851) British a set of six pencil and watercolour miniatures depicting soldiers from the Orient, with titles such as ‘Turks’ ‘Persians’ ‘Arabs’ and ‘Mamlukes’, within one glazed frame, each drawing 7 cm x 9 cm, the frame 45 cm x 37 cm. £100-200

103. † Santiago Carbonell (1960) Ecuadorian

104. † Patrick Procktor RA (1936-2003) British

a pair of offset lithographs, signed lower right, dedicated and numbered 28/100, within a black wooden art deco style frame (Dimensions: 44 cm x 58 cm) (Qty: 2)

‘Marcus and a Pink’, acquatint in colour, signed in pencil, numbered 162/500, glazed in a metal frame.

(Dimensions: 57 cm x 37 cm.) £100-200

£600-800 105. Arnold Mesches (1923-2016) American a pair of fast sketches depicting human figures, signed and dated ‘59 and ‘60, marker pen on paper, within a glazed frame (Dimensions: 17 cm x 10 cm) (Qty: 2) £80-120

106. After Pablo Picasso (1881-1973) Spanish ‘Faune aux branchages (Faun with Branches)’, depicting a faun playing an aulos amongst branches, inscribed: “Epreuve d’artiste” et “Picasso”, print on paper, within a glazed frame (Dimensions: 37 cm x 29 cm) 103A. † Greg Bartley (XX-XXI) Australian

£80-120

‘Nelson Mandela’, signed and numbered 11/500 lower right, dated in London 1990 lower left, photograph, within a glazed frame. £800-1,200

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111. Ernest Pile Bucknall RI (1861-1935) English depicting a horse and carriage in landscape, signed lower left, watercolour on paper, within a glazed frame, 20 cm x 27 cm, together with a landscape with mountain by G.F. Hodson, mixed media on paper, within a glazed frame, 13 cm x 18 cm, together with a watercolour depicting a landscape towards Headley, illegible signature, within a glazed frame, 14.5 cm x 19 cm, together with a watercolour depicting a seascape, dated ‘89 and illegible signature, within a glazed frame, 10 cm x 22.5 cm. (Qty: 4) £150-250

107. After Cecil Aldin (1870-1935) British a set of seven chromolithographs from the ‘Traditional British Sports’ series, each pencil signed to the margin, published by Lawrence and Bullen , 1901, glazed in ebonised frames. (Dimensions: 26.5 cm x 34 cm) (Qty: 7) £500-700

108. James Gillray (1757-1815) British Two hand-coloured etchings comprising “BatCatching” published January 19 1803 by J.Gillray, and “Golgotha, ie the place of skulls” published

by H.Humphrey Dec 1st 1809, both professionally mounted, framed and glazed. (Qty: 2) £200-400

109. † John Stanton Ward CBE, RA, RWS, VPRP, NEAC (1917-2007) British ‘Drawn at Aldbourough during first performances of Midsummer Nights Dream, 1960’ studies of Thomas Hemsley CBE, pen, pencil and watercolour on paper, signed and title to lower left corner, framed.

(Dimensions: 31 cm x 43 cm)

112. An original animation cell from the children’s cartoon series ‘Roobarb & Custard’ hand-drawn on paper, by the artist Bod Godfrey, depicting a laughing Roobarb, framed and glazed.

(Dimensions: 20 cm x 28.5 cm) Provenenace: obtained by the vendor on his childhood visit to the artist. £200-300

113. After Johann Joseph Eugene von Guérard (18111901) Austrian The Valley of the Ovens River; and Lake Illawara, New South Wales, chromolithographs, from Eugene von Guerard’s Australian Landscapes, 35.5 cm x 53.3 cm.

(2) Provenance: Christie’s 2015.

Note: Of Australian Interest. Guérard was an Austrianborn artist, active in Australia from 1852 until 1882, he is represented in Australia’s major public galleries, and is referred to in the country as Eugene von Guerard. £200-300

Provenance: From the estate of Thomas Hemsley CBE (1927-2013) notable English baritone. During his illustrious career he performed at Glyndebourne, Covent Garden and worked with Benjamin Britten, Jean Cocteau and Igor Stravinsky. £100-200

110. English School, 19th and 20th century a group of four watercolours, comprehending landscapes and seascapes, some signed, within glazed frames, 12.5 cm x 17.5 cm (biggest). (Qty: 4) £150-250

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LOTS 114–151

F U R NTITU R E & M I R RO RS

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Furniture & Mirrors 114. A 19th century Dutch marquetry inlaid fold-over card table with extensive foliate decoration and swivel-top, the interior with a circular green baize and card suit motifs to each corner, on four turned and shaped legs. (Dimensions: 76 cm high x 79 cm wide.) £150-250

115. A late Victorian mahogany and brass inlaid sofa table

118. A George III chest on chest the moulded cornice over two short and three long graduated drawers, upon a base of three long graduated drawers, all with brass handles and escutcheons, and supported on bracket feet. 175 cm high, 93 cm wide, 53.5 cm deep. £250-350

119. An early 19th century mahogany cylinder bureau

with two drawers to one side, on a quatrefoil base with four swept legs, terminating on lion paw castors.

(Dimensions: 149 cm wide x 64 cm x 71 cm high.)

the cylinder top opening to reveal a fitted inteior with slidng writing surface, over three long graduated drawers and supported on short square tapering legs to brass castors. 92 cm wide, 46 cm deep, 104 cm high

£100-200

£200-300

120. A 17 th century Italian painted commode the front, top and sides, painted with flower and retaining much original paint, comprising of two drawers, the top drawer with wrought iron lock, supported on short carved legs. 115 cm wide, 57 cm deep, 87 cm high. £300-500 116. A 19th century Italian inlaid serpentine fronted chest of drawers the central frieze drawer over two banks of six drawers, with folding column sides, the front and sides profusely inlaid with floral scrolls and acanthus, supported on square tapering legs. 93 cm wide, 117 cm high, 40 cm deep £300-500

121. A 19 th century chinoiserie lacquered corner cupboard of bow fronted form, the doors enclosing three shelves, together with an 18 th century chair with painted decoration. (2) £100-150

117. A George III mahogany chest on chest the dentil cornice over two short and three long graduated drawers, upon a base of three long graduated drawers, all with brass swan neck handles, and supported on bracket feet. 190 cm high, 109 cm wide, 56 cm deep. £250-350

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122. A set of four Poltrona Frau plush upholstered tub chairs with curved backs, on three panel legs, labelled to underside. (Dimensions: 68 cm high x 60 cm wide) (Qty: 4)

126. A Georgian mahogany architect’s table late 18th century, with pull-out front section, the drawer opening to reveal a baize lined interior with raised, easel-backed drawing surface, the sides with fold out candle stands, 77 cm high x 91 cm x 60 cm, together with a George II mahogany elbow chair, 60 cm wide. (Qty: 2)

£500-700

123. A 19th century brass mounted and inlaid ebonised cabinet the twin glazed doors flanked by cherub motifs, velvet lined shelves to the interior. (Dimensions: 118 cm x 33 cm x 115 cm)

£500-700

£200-300

124. A late 19th century marble-topped oak console table with carved sea scroll and shell frieze, on shaped, carved legs. (Dimensions: 80 cm high x 101 cm x 41 cm.) £150-250

125. A Regency rosewood chiffonier with marble top and brass mounts the two cupboard doors fitted with fabric covers.

(Dimensions: 95 cm high x 41 cm x 125 cm) £100-200

127. An early 20th century German light oak tambour fronted music cabinet the large tambour panel rolling down to reveal 11 sliding shelves, supported on a plinth base with brass castors. With metal makers plaque for Wilh. Fehlinger & Sohne. 50 cm wide, 45 cm deep, 159.5 cm high. £300-500

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128. A Victorian light oak Wellington chest comprising nine graduated drawers with turned wooden handles, and locking side flap, supported on a plinth base. 69 cm wide, 47 cm deep, 119 cm high. £150-250

132. A pair of Paul Kjaerholm ‘PK22’ chairs from a 1956 design, in chrome and brown leather, bearing a label for Fritz Hansen, Denmark, 1988.

(Dimensions: 72 cm high x 63 cm wide.) (Qty: 2) £1,200-1,500

133. An attractive 19th century ebonised bureau in the Aesthetic taste 129. A Dutch-style floral marquetry inlaid cabinet with marble top having two drawers over two cupboard doors, with moulded decoration. (Dimensions: 102 cm x 95 cm x 53 cm.) £400-600

130. A late 19th century mahogany two-door cabinet with arched detail to glass front. (Dimensions: 102 cm x 77 cm x 43 cm.) £100-150

the upper railed shelf with pierced frieze.

(Dimensions: 139 cm x 66 cm.) £150-250

134. A George III mahogany wall mounted narrow display cabinet with shaped internal shelves. (Dimensions: 87 cm x 66 cm) £100-150

135. A Biedermeier style satinwood bookcase in the Art Deco taste with twin curved cupboard doors, flanking a central shelf section. (Dimensions: 126 cm x 137 cm x 35 cm) £200-300

131. A William and Mary oak chest of small proportions the four variously sized drawers with moulded geometric decoration, brass teardrop handles and escutcheons, on front bun feet. (Dimensions: 98 cm x 51 cm x 82 cm high.) £400-600

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136. A 19th century American Empire birds eye maple veneer settee, c.1840 with demi circle armrests and scrolled detail backrest top rail, supported on four tapered and faceted feet with caster wheels. £200-300

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137. A 20th century Korean elm and pear wood kitchen chest

143. A set of three ebonised and bone inlaid narrow chests

in two sections, with two upper narrow drawers over sliding and cupboard doors. (Dimensions: 171 cm x 98 cm x 47 cm)

each with two drawers, on plain legs. (Dimensions: 61 cm high x 44 cm x 30 cm) (Qty: 3) £150-250

£200-300 144. Four Edwardian painted wall-hanging shelves in the Aesthetic taste

138. A 19th century burr walnut display cabinet with shaped frieze and moulded borders to three glass panels, the interior with velvet-lined shelves, over a lower recess flanked by scroll supports.

(Dimensions: 186 cm x 82 cm x 33 cm)

each with a wide upper tier over a narrow lower tier.

(Dimensions: 108 cm x 23 cm x 28.5 cm) (Qty: 4) £200-300

£200-300 145. A late 20th century mother-of-pearl inlaid chair 139. A 1950s-60s Stag ‘C Range’ chest of drawers designed by John and Sylvia Stag in 1953, three drawers, with African Walnut veneered drawer fronts, the exterior later refinished in contrasting black, on tapered, angled legs. (Dimensions: 92cm high, 46cm deep, 76cm wide.)

with drop in seat, on curved front legs. (Dimensions: 89 cm x 52 cm) £200-300

£100-150

140. A 1970s green leather upholstered armchair with similarly upholstered seat cushion, back cushion and head cushion, mounted on a cruciform swivelling stand with four legs, with signs of fading and wear but worn in, not worn out. (Dimensions: 96 cm high, 77 cm wide, approx 73 cm deep.) £80-120

141. A mid-century rosewood sideboard, designed

by Robert Heritage for Archie Shine with rare green marble top, four drawers to the left and cupboard with double doors to the right. 213 cm long, 46 cm deep, 77cm high. £1,000-1,500

146. A late 20th century mother-of-pearl inlaid mirror with shaped top and foliate pattern throughout.

(Dimensions: 140.5 cm x 94 cm) £200-300

142. A late 19th/early 20th century satinwood chest of drawers designed with moulded cornice above two short over five graduated long drawers mounted with turned ivory handles, 142 cm high x 103 cm wide x 64 cm deep. £100-150

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147. A pair of French Louis XVI style ormolu mounted mirrors of rectangular form with bow and wreath surmount, the plate framed with an ormolu egg and dart border.

(Dimensions: 78 cm x 48 cm) (Qty: 2) £100-200

150. A pair of 20th century Chippendale style chinoiserie mirrors each with pagoda top and scrolled borders, 160 cm x 80 cm. (Qty: 2) £500-800

148. A large early 19th century giltwood and gesso overmantle mirror with moulded frieze and curved corners. (Dimensions: 141 cm x 130 cm wide) £150-200

149. A 20th century Venetian octagonal glass wall mirror of foliate scroll design. (Dimensions: 131 cm x 75 cm) £150-250

151. A large 20th century hand woven Persian Isfahan carpet with central medallion on a red ground field with interlaced Shah Abbas palmette motifs, three coloured spandrels and multi guard with herati design border and fringed ends, one of the ends signed in Arabic on a ground with Persian flag colours.

(Dimensions: 283 cm x 390 cm) £1,200-1,500

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LOTS 152–234

A S IAN AR T

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Asian & Tribal Art

154. A large late Qing dynasty wucai dish with the dragon and phoenix pattern, depicting the two sacred creatures to the inside of the dish centered with the flaming pearl, the inner sides and border decorated with more depictions of the two, the underside with apocryphal Wanli mark.

(Dimensions: 37 cm diameter x 9.5 cm high) 152. A Chinese Islamic taste blue and white censor

£600-800

of globular form with panels encasing Arabic inscriptions, raised on a pierced circular base, the underside with apocryphal six character Zhendge mark (1506-1521) but later period. (Dimensions: 20 cm high)

155. A late Qing and early Republic Chinese blue and white porcelain collection

£150-250

to include a set of six figural panel decorated cups and saucers, each with Kangxi Nian Zhi character marks within double circle to underside, together with three other Kangxi period cups and saucers, and one other blue and white bowl. (Qty: 20) £200-300

156. A Chinese early Republic period famille rose brushpot 153. A late Qing dynasty Chinese Meiping vase designed with raised Longquan style celadon with a crackled glaze depicting mythical creatures and deities. (Dimensions: 37 cm high x 20 cm diameter) £200-300

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decorated with a figural scene depicting a servant offering a gift to an elder noble, with further inscriptions and iron red four character Qianlong Nian Zhi mark to underside. (Dimensions: 15 cm high x 12.7 cm diameter) £200-300

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157. A small cloisonné enamel bowl decorated with chrysanthemums and other flower heads, largely finished in green. (Dimensions: 7.5 cm x 3.8 cm) £150-250

158. A Japanese ivory netsuke in the form of a crouching pig, 4 cm long, together with an ivory netsuke of a monkey atop a gourd, an ivory netsuke of a crouching man holding a sack over his shoulder, an ivory netsuke of two figure and a large jar,, signed to base, and a netsuke of a man feeding a tortoise, signed (a/f). (5) £200-300

161. A Chinese Guangxu Famille rose enamelled bowl and cover decorated with yellow ground enamel with five claw dragons chasing a flame pearl amongst clouds, the underside with red iron six character mark.

(Dimensions: 25 cm diameter.) £200-300

159. A Mughal style celadon jade scent bottle

162. Two Persian Qajar lacquer mirror cases

of conch form with carved acanthus, red paste bejewelled detail and gilt highlights. (Dimensions: 10 cm x 6 cm)

to include one decorated with blooming flowers, the other with indoor courting scenes, the first one lacking a mirror, each with gilt embellishment throughout the borders. (Dimensions: 29 cm x 19 cm) (Qty: 2)

£500-700

160. A Persian lacquer Qibla indicator and sundial

£700-900

of circular form, the lid and interior with patterns of interlaced floral and foliate motifs. (Dimensions: 14 cm diameter) £100-200

163. A group of four Indian Pahari style illustrations to include two miniature portraits of two different maharajas on sumptuously embellished horses, one possibly being the Jaipur Maharaja Madho Singh I (1728-1768), the other two paintings depicting a well groomed horse being held by an attendant, and a scene of wild horses being caught, one of the figures being a blue deity. (Dimensions: largest 32.5 cm x 25 cm) (Qty: 4) £500-700

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164. A small collection of Indian miniature pantings

166. A group of three Persian intaglios

to include a portrait of a Maharaja, possibly Man Singh I from Jaipur, with Indian insciption the bottom,30 cm x 21 cm, another portrait of a Maharaja holding a flower, 20 cm x 13 cm, together with a miniature of a nude woman, 15 cm x 8 cm, and an Indian pencil drawing of roses and a butterfly, 23 cm x 13 cm. (Qty: 4)

late 19th/early 20th century, each with Arabic inscriptions carved into an amber coloured hardstone, within white metal mounts, one of then of circular form within a pierced white metal mount with encrusted semi-precious pink stones. (Qty: 3) £100-150

£200-300

167. An early 20th century Chinese cloisonné teapot in the Middle Eastern taste with opening to the top of the hooped handle, the body, handle and base all decorated with polychrome cloisonné enamel depicting fish and flowers.

(Dimensions: 30 cm high) £300-500

168. A Middle Eastern damascene brass teapot decorated with relief floral and foliate patterns throughout the body and hinged lid, the spout ending with a petal rim, raised on a spreading circular base, 30 cm high, together with a small metal funnel decorated with figural scenes to the exterior, 6 cm high x 8.2 cm diameter. (Qty: 2) 165. After Reza Abbasi (c.1565-1635) Persian a miniature portrait of a seated girl in a naturalistic environment with birds on foliate branches, 19 cm x 11 cm, together with another of a man and woman in embrace and holding hands, 25 cm x 17 cm. (Qty: 2) £300-500

£150-250

169. A 19th century Indian tortoiseshell and ivory desk blotter the hinged cover designed with pierced foliate ivory mounted on a tortoiseshell ground, the interior with ivory inlay and silk covered paper pad. (Dimensions: 30 cm high x 23 cm wide) £200-300

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170. A late 19th or early 20th century Chinese hardwood medicine / apothecary cabinet the top with metal lined, glass-topped compartment, and panel covered recess, with four small drawers. 54 cm wide. £100-150

171. A 19th century Chinese metal mounted campaign chest of drawers the top with one long frieze drawer, over smaller drawer and two sliding panel doors, all with metal handles and wrought iron corner bands, with sides with metal carrying handles. 76 cm wide, 38 cm deep, 75 cm high. £100-200

172. A framed 19th century Chinese silk panel with gilt braid depicting a phoenix amongst geometric shapes, swirls and stylised Chinese characters, on a pale blue ground with applied green border. (Dimensions: 34.5 cm x 26 cm.) £200-300

173. A small late 19th century Iranian wool rug decorated in sections with geometric shapes and a reserve of fine stitching. (Dimensions: 97 cm x 68 cm)

176. An early Japanese cast iron teapot possibly 17/18th century, with hoop handle and short spout, the body of circular form covered with a flat lid mounted with a bronze knob. (Dimensions: 15 cm diameter x 21 cm high (with handle)) £300-500

£100-150

174. A pair of Kangxi blue and white porcelain dishes of circular form with floral motifs to the centre and a lozenge pattern border. (Dimensions: 24.5 cm diameter)

177. A Chinese late Qing dynasty blue and white vase in the Meiping shape decorated with mythical birds amongst floral motifs, apocryphal Xuande six-character mark to base.

(Dimensions: 20 cm high) £150-250

£100-200 178. Utagawa Kunisada (1786-1864) Japanese 175. A Chinese Qing dynasty Dehua porcelain group modelled as two Buddhist deities conversing, standing on a lilypad above water, the back with impressed archaic seal script mark and double gourd mark above it. (Dimensions: 24 cm high x 14 cm wide.) £100-200

Two Meiji period woodblock prints of Kabuki actors, possibly Ichikawa Danjuro, each 37 cm x 26 cm, together with a small collection of other Meji period and later woodblock prints, to include two of courtisans (possibly after Okumaru Masanobu), and others. (Qty: 8) £100-200

179. Kuniyoshi Utagawa (1797-1861) Japanese a two part polychrome woodblock print of samurai warriors on horseback in the middle of battle, two woodblock prints of geishas to include one by Utagawa Yoshitora (act. 1840-1880), one part of a triptych print by Kunisada, and four vertical tryptich parts. (Qty: 8) £300-500

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180. Two Chinese and Japanese silk painted scrolls to include a Qing Dynasty painted silk scroll by Wang Zhi Zhou in two parts, the first depicting an official being served tea by an attendant, the other depicting attendants burning incense in an archaic vessel with an elderly man sat in a carved root wood armchair beside them, each work 42 cm x 31 cm later mounted on the same paper scroll, together with a 20th century Japanese painted silk scroll depicting two carps in a pond, signed in Chinese characters reading ‘Teng Long’, meaning ‘soaring dragon’, 115 cm x 37 cm, both mounted on paper. (2) (Qty: 2) £300-500

181. Two Chinese Qing dynasty Famille Rose export porcelain covers 18th century, modelled as domed covers with knob finials, each decorated with applied polychrome enamels of leaves and flowers, the largest 28.5 cm diameter, together with a Samson porcelain Famille Rose lamp decorated with central floral cartouches and gilt embellished, 31 cm high. (Qty: 3)

183. A large Chinese late Qing blue and white Rouleau vase depicting figures in a court setting, the tall neck with Greek key and repeating geometric motifs, double circle mark to base. (Dimensions: 60 cm high.)

£80-120

£500-700 182. Dinet, Etienne, illustrator. The Life of Mohammad, the Prophet of Allah number 487 of 875 copies on handmade paper, coloured plates, tissue guards, original buckram gilt, top edge gilt, 4to, Paris: The Paris Book Club, 1918.

184. A 19th century Chinese famille verte bowl

Note: See Christies Paris sale 2/6/08 Lot 22 for a comparable example which sold for €8,500.

decorated in polychrome enamels with gilt finish, (repaired), 22 cm diameter x 9.3 cm high, together with a blue and white dish, probably Daoguang period, (13.5 cm diameter), and a small famille rose dish (13 cm diameter). (Qty: 3)

£250-300

£200-300

185. A late 19th / early 20th century Chinese blue and white vase of ribbed, bulbous form, the body decorated with foliate blooms, a bird and butterflies, apocryphal fourcharacter Kangxi mark to base. £100-150

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186. Two 19th century or earlier Persian miniatures to include a hand painted map of Europe depicting a Crusader with the Templar’s cross, a Viking with Norse ships, and inscribed in Arabic throughout, 41 cm x 32 cm full sheet, a large miniature painting depicting an enclosed marquis witn figures, within an ornate painted frame and border, 47 cm x 34 cm full sheet, together with a later miniature depictting a seated man holding a sword in a ritual pose, above two seated women reading accompanied by pet deer, the image 28 cm x 18 cm, and an Indian miniature, depicting a young ruler smoking, 24.5 cm x 18 cm full sheet. (Qty: 4) £400-600

187. An 18th/19th century Mughal emperor portrait miniature possibly depicting the emperor Aurangzeb (1618-1707), also known as Alamgir, depicted in a profile stance with a gold halo, gouache on paper.

(Dimensions: full sheet 32 cm x 25 cm) £150-250

190. An Indian brass pedestal ewer bearing the embossed face of Shiva, decorated elsewhere with birds and foliate motifs, the spout formed as an elephant’s head and trunk. (Dimensions: 23.5 cm) £300-400

188. A small collection of Indian Pahari style miniature paintings to include two works depicting Radha and Krishna, one of them of erotic nature showing the two lovers on a bed beneath a pavillion, together with a miniature painting of four women playing polo on horseback, and a court scene of attendants tending to a lady reading a religious book, with hindu inscriptions to the top. (Dimensions: largest 31.8 cm x 23 cm full sheet) (Qty: 4) £500-700

189. A 19th century Japanese woodblock print ‘ehon’ booklet possibly after Katsushika Hokusai (1760-1849), with original paper cover and backing tied with string, containing a quantity of woodcut prints depicting many anthropomorphic figures, deities and other story-tale figures. £100-150

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191. A 19th century Mughal miniature painting depicting an emperor, possibly the Shah Jahan, on horseback with attendants, within a multi border framing with gold leaf and painted floral details, together with a Pahari style Indian miniature depicting Radha and Krishna playing Holi, and a large painting, possibly Kotah or Bundi School, of a hunting pastoral scene depicting noblemen sat in pavillions hunting gazelles, deer and other wild animals in an open field, with musicians playing drums, and mountaineous landscape in the background.

(Dimensions: full sheet 32 cm x 25 cm) (Qty: 3) £400-600

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192. A collection of Meiji period Japanese woodblock prints

199. A 20th century Chinese carved and painted wooden warrior

to include a print by Utagawa Kunisada (Toyokuni III), depicting an oban, another after Ando Hiroshige depicting a kabuki scene, and a group of others depicting kabuki actors and oban, all works within glazed frames. (Qty: 8)

mounted to a wooden rectangular base. (Dimensions: 57 cm high)

£150-250

200. A 20th century Chinese carved rock crystal pot

193. Two early 20th century Chinese silk embroidered skirts to include one with blue ground and black panelling to each section with embroidered polychrome flowers, peaches, bats and butterflies, length 98 cm, the two parts around 140 cm each, the other skirt with black ground and pleated work throughout, decorated with bands on embroidered blue and white flowers 88 cm length x around 165 cm wide. (Qty: 2)

£100-150

carved from a single piece, with prunus root branch and flower decoration, 13 cm wide, 8 cm high. £200-300

201. A 20th century Chinese carved wood model of Buddha seated on a stylised double-lotus chair. (Dimensions: 42 cm high x 15 cm wide)

£400-600

£200-300

194. A 20th century carved wood and painted Tang style horse

202. A Chinese leather cylindrical lidded box

standing on a rectangular base, 61 cm x 61 cm, together with an unpainted carved wooden model of Ganesh, 63 cm high. (Qty: 2)

with metal clasp, 39 x 40 cm, together with a 19th century brass cylindrical container, with brass ring handles, 49 cm high. (2) £100-150

£100-150

195. An early 20th century Korean scholars or calligraphers desk

203. A pair of late 20th century ebonised and mother-of-pearl inlaid cabinets

with parquetry inlay, the sloping riser over five drawers. (Dimensions: 48 cm high x 87 cm x 53 cm)

with twin cupboard doors, opening to reveal shelved interiors. (Dimensions: 111 cm x 76 cm x 37 cm) (Qty: 2)

£100-150

£200-300

196. A pair of 20th century Japanese cloisonné vases

204. A 19th century Chinese lacquer and mother-ofpearl box and cover

of slender, baluster form, 26 cm high, together with a pair of smaller cloisonné jars and covers, 15 cm high.

(Qty: 4)

with carved waves, mother-of-pearl bubbles and fish, 30 cm diameter, together with a modern Chinese lacquer stationery box, with hinged lid, and lift out tray, 40 cm wide. (2)

£70-100

£100-200 197. An early 20th century Japanese ceramic stick stand decorated in polychrome enamels, with reserves of figures and horses, red character marks to base, 66 cm high. £80-120

205. A 20th century Chinese lacquer and bamboo box with painted red flowers, 31 cm wide, together with a 20th century Chinese lacquer scroll box, decorated with character marks, 47 cm wide. (2) £100-200

198. A pair of Chinese painted terracotta military figures each on a perspex display stand, together with another, loose. (Dimensions: The largest 46 cm high) (Qty: 3) £200-300

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210. Indian School, 20th century a group of three watercolours and ink on paper, depicting two battle scenes and a half length portrait of a bearded man, unframed, 17 cm x 24 cm (largest). £100-200

211. An unusual Chinese skull shaped carved boxwood and bone box

206. A large 20th century Burmese bronze model of a Buddha in a standing position, with palms facing outwards, on an integral stepped base, together with a rectangular display plinth. (Dimensions: Height of figure: 155.5 cm / Plinth: 50 cm) £600-800

in the form of a skull with an entwined carved bone snake through the eye sockets, with removable lid. 11.5 cm high. £200-300

212. Akitoyo Terada (act. circa 1950s) Japanese

depicting a Samurai, print in colours published in the 19th century, unframed, 34 cm x 23 cm, together with two more Japanese prints, 40 cm x 26 cm (largest).

‘The stone bridge of Noh Play’, depicting two Noh figures, woodblock print, unframed, 37 cm x 25 cm, together with a woodblock print depicting three kabuki actors on scene, unframed, 25 cm x 35 cm, together with a 19th century design of a kimono, unsigned, unframed, 21 cm x 32 cm.

£200-300

£200-300

208. After Utagawa Kunisada (Toyokuni III, 17861865) Japanese

213. A Chinese Republic period porcelain lidded vase

a group of two depicting one actor and one actress, coulored prints, framed and glazed, 38 cm x 25 cm, together with an opaque watercolour depicting an exotic bird, within a glazed frame, 13.5 cm x 20 cm.

(Dimensions: 11 cm x 8.5 cm) (Qty: 3)

with applied polychrome enamels throughout the three lobbed body, decorated with scrolled foliage and flowers, mounted to each lobe with a hoop handle, the lid with foo dog finial and underside with overglazed red Qianlong mark, 25 cm high x 17 cm diameter, together with a pair of Cantonese Famille Rose plates, a similar cup, a celadon Famille Rose porcelain plate decorated with birds and flowers, 24 cm diameter, and a fruit bowl with Imari palette, 21 cm x 18 cm. (Qty: 6)

207. After Utagawa Kunisada (Toyokuni III, 17861865) Japanese

£200-300

209. Indian School, 20th century a group of seven mixed media on canvas and paper depicting different scenes, unframed, 39 cm x 31 cm (largest).

£100-200

£80-120

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219. A collection of Chinese and Japanese works on paper to include studies of birds, plants, landscapes, together with a mixed media Japanese artwork depicting a man holding a closed parasol, the figure made out of padded textile, on a watercolour painted background, 35 cm high x 51 cm wide. (Qty: 21) £100-200

220. A large silk embroidered wall hanging in the Arts and Crafts style with stylised flowers and border patterns. (Dimensions: 178 cm x 122 cm) £100-200

221. A collection of late Qing dynasty Chinese paintings

214. A Chinese Famille Rose mille fleur porcelain charger painted in polychrome enamel flowers throughout the surface, the underside with overglazed iron red Qianlong mark. (Dimensions: 33 cm diameter)

comprising three silk painted full length portraits of women in traditional clothing, another of a regal lady sat indoors, and two further works on silk with one scene of children playing outdoors carrying peaches and chasing bats, and another scene of men playing a board game in a garden, largest 50 cm high. (Qty: 6) £100-200

£300-500

215. † Kotozuka Eiichi (1906-1979) Japanese `Rooster and Hen`, woodblock print, lower right with seal mark, published by Uchida, within a glazed frame. (Dimensions: 40 cm x 26 cm) £100-150

222. A collection of four Chinese watercolour paintings by ‘Liu Zhuang’, each depicting naturalistic scenes with birds and foliate branches, 59 cm x 29 cm, together with a pair of early 20th century painted portraits of women, 56 cm x 41 cm, within glazed frames, and another two paintings on silk depicting birds on blossoming branches, each signed by the same artist, 54 cm x 34 cm. (Qty: 8)

216. A Chinese reverse painting on glass

£150-200

of a young woman holding a small screen in her hand against a dark background. (Dimensions: 50 cm x 36 cm)

223. A set of four Indian miniatures

£100-150

217. Studio of Tingqua (19th century) depicting the portrait of a government official and attendant, within a glazed frame, watercolour on rice paper. (Dimensions: 30 cm x 18.5 cm)

probably late 19th century, each depicting hunting scenes with men on elephants shooting tigers and other wild mammals, each surmounted with inscriptions, opaque watercolour on paper, within glazed frames. (Dimensions: 14 cm high x 7 cm wide) (Qty: 4) £100-200

£200-300

218. An early 17th century Persian enamel dish decorated with flowers and leaves, on a rich blue ground, with gilt highlights to the border, the underside decorated with scrolls on a turquoise ground, and old applied hand written label, 17.3 cm diameter, together with a 19th century Chinese cloisonné pot, with finely detailed fish scale decoration, 11.25 cm diameter. (2) £100-150

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224. A Northern Chinese Song dynasty Dingyao lotus lidded jar modelled with a circular body decorated with encrusted lotus flower heads, the lid in the shape of a lotus leaf with carved detail and surmounted with the curved stem, 8.5 cm high x 9 cm diameter. ÂŁ300-500

226. A large Japanese Meiji period cloisonne vase 225. A very large late Qing dynasty doucai bowl of circular form, the inside painted with a central mythological beast, the inner border with an Islamic style roundel with inscription in the centre, the exterior border with figures of children, possibly the hundred children, in various activities. (Dimensions: 59 cm diameter x 16.8 cm high)

designed throughout with inlaid cloisonne polychrome enamel birds of prey, blooming camellias and other flowers in a naturalistic setting, the baluster shaped central part surmounted with long tubular neck with one hoop handle, another missing, and resting on a four footed base with rounded corners.

(Dimensions: 104 cm high x 29 cm wide) ÂŁ300-500

ÂŁ200-300

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230. A collection of Japanese woodblock prints to include two works by Utagawa Kunisada (17861864) also known as Toyokuni III, two works by Utagawa Kuniyoshi (1797-1861), each depicting kabuki actors performing in various roles, such as samurai and geishas, each roughly 37 cm x 25 cm, together with a small format print, probably 18th century, depicting a bijin, 19 cm x 12 cm, and a humorous woodblock print by Hiroshige depicting figures exercising, 35 cm x 24 cm. (Qty: 6) £150-250

231. A small collection of Oriental writings probably Persian, 20th century, with Arabic inscriptions and painted scenes of men playing polo and other outdoor scenes, largest page 34 cm x 18.8 cm. (Qty: 5) £70-100

232. Attributed to Ito Shinsui (1898-1972) Japanese from the second series of Modern Beauties: footwarmer (‘Kotatsu’), depicting a bijin warming her legs under a blanket. (Dimensions: 30 cm high x 19.5 cm wide) £200-300 227. A Chinese Qing dynasty famille rose ‘hundred deer’ Hu vase with bulbous body applied with polychrome enamels depicting a forestry scene with deer amongst pine trees and other foliage against a mountainous landscape, with twin bat wing handles either side, the underside with underglaze blue Qianlong mark in archaic script. (Dimensions: 47 cm high x 35 cm wide) £2,000-3,000

228. An early 20th century Cantonese Famille Rose vase with bulbous body depicting a central cartouche of a private performance in an indoor setting, surrounded with a profusion of flowers, fruit, foliage, butterflies, fish and symbols, with various other cartouches with flowers and birds, the vase surmounted with a large shaped mouth in the form of a lotus leaf.

(Dimensions: 50 cm high x 30 cm diameter) £100-200

233. A near pair of Chinese Qing dynasty blue and white porcelain clobbered gu-shape vases possibly Kangxi period, with flared wavy rim above a central faceted part decorated with underglaze blue birds to one vase, the other with floral baskets, each raised on spreading circular bases with floral designs.

(Dimensions: 32 cm high x 15 cm diameter) (Qty: 2) £150-250

234. A Chinese 18th century Famille Rose enamel lidded vase Qianlong period, decorated with polychrome yingcai enamels depicting chrysanthemums on foliate branches, 30.5 cm high, together with a small 18th century bowl with underglaze blue foliage and applied pink enamel berries, 10 cm diameter x 4 cm high. (2) £150-250

229. After Katsushika Hokusai (1760-1849) Japanese a collection of individual black and white woodblock prints from a picture book (ehon), with various scenes, some with faint colours, each mounted on cardboard backing, each print roughly 19 cm high x 26 cm wide, some varying slightly, together with two coloured woodblock prints. (Qty: 11) £100-200

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LOTS 235–281

CE R AM IC S & G L A SS

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Ceramics & Glass

239. A 19th century Paris porcelain part dessert service Ed. Honore & Cie comprising a tazza and seven plates, each painted with a bouquet of flowers, with a rich blue and gilt border, stamped to reverse. Plates 22.5 cm diameter.

(8) £100-200

240. Two 19th century Chinese armorial plates and a conforming bowl each of the same design, featuring a ram’s head to the border and apochryphal coat of arms to the center, with foliate decoration. (Dimensions: Plates: 23 cm diameter (Bowl 22cm)) £300-500

235. A large Unterweissbach porcelain figural group 20th century, modelled with two ladies and a gentleman having tea, the two women with porcelain lace dresses encrusted with delicate flowers, matching the ruffled lace shirt and sleeves of the gentleman, raised on a shaped base with gilt embellished c scrolls, the underside with blue overglazed mark. (Dimensions: 20 cm high x 29 cm wide) £200-300

236. A mid-20th century Walter Moorcroft baluster vase in the Orchid pattern with tube-lined floral decoration on a deep green ground, paper label to the base. (Dimensions: 24 cm high) £100-150

237. A Charles Vyse (Chelsea) Chun glaze ceramic dish 18 cm diameter, together with an Aldermaston Pottery pedestal vase, designed by Alan CaigerSmith, 13 cm high and a St Ives studio pottery vase, with Korean style glaze, by Trevor Corser, 32 cm high.

(Qty: 3) £150-250

238. A collection of fine Continental porcelain to include a small pair of Meissen cups and saucers with galantes scenes and gilt embellishment, cups 5.3 cm diameter, saucers 11 cm diameter, together with a set of six Herend porcelain salts, designed as baskets, a KPM porcelain cup and saucer with woven pattern border to the saucer, with pierced detail holding the cup in place, a pair of twin handled Vienna porcelain tureens, made in three parts with central slop bowl and lidded cover, decorated with painted floral sprays, each 25 cm wide, and a Samson porcelain lidded pot, 18 cm wide x 13 cm high.

241. A large Goldscheider painted terracotta figure of a boy in short trousers and wearing a hat, circa 1900, numbered 1487, with impressed and relief marks verso. (Dimensions: 100 cm x 33 cm wide) £300-500

£150-250

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243. An Art Deco Goldscheider figure of an elegant lady

242. A large Goldscheider bronzed earthenware figure of a finely dressed boy his hands in his pockets against a tree stump, circa 1900, numbered 1628 with impressed and seal marks verso. (Dimensions: 86 cm x 24 cm)

in a green lace flowing dress, her shoulders covered by a shawl, numbered 8204 and designed by Claire Weiss (Herczeg), circa 1930, printed, impressed and painted marks to base. (Dimensions: 31 cm high)

£400-600

£500-700

244. An Art Deco Goldscheider ceramic figure: ‘Girl and Dog’ depicting a young girl in a blue hat and dress, her Scottish Terrier at her side, designed by Germaine Bouret and numbered 7664, printed, impressed and painted marks to base. (Dimensions: 22.5 cm high x 17 cm wide) £150-250

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245. An Art Deco Goldscheider ceramic figure by Josef Lorenzl: ‘Tambourine Dancer’ modelled in floral green, black and grey skirt, standing on an oval base, numbered 6753, printed, impressed and painted marks to base. (Dimensions: 37 cm high x 22 cm wide.) £600-800

246. A 1920s Goldscheider large ceramic figure by Josef Lorenzl: ‘Sitting Till Eulenspiegel with Owl’ depicting a harlequin figure, numbered 5509, impressed, printed and painted marks to base.

(Dimensions: 35 cm high x 21 cm wide) £1,200-1,500

247. A collection of Meissen pink rose pattern teawares comprising teapot, coffee pot, four cups and saucers, milk jug and demitasse, together with other similar Meissen tableweare. (Qty: Qty) £200-300

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248. A late 19th century Doulton Lambeth stoneware water cooler

251. A Finnish Iittala ‘Kantarelli’ glass vase

on a pedestal base, 38 cm high, together with two stoneware dispensers, labelled ‘Rum’ and ‘Peppermint’, each bearing the Royal coat of arms.

designed by Tapio Wirkkala in 1946, produced from 1948-60, the colourless body with wheel-cut vertical lines, the base inscribed ‘TAPIO WIRKKALA IITTALA’. (Dimensions: 11cm high)

£150-250

£100-150

249. A 19th century Derby Porcelain three piece garniture

252. A collection of twelve early 20th century spirit decanters

in the ‘old imari’ pattern, comprising a central twin handled vase flanked with two smaller models, each of baluster form with twin acanthus scroll handles either side, on a square pedestal base, marked to underside with iron red crown above crossed batons and D below. (Dimensions: tallest 29 cm high x 23 cm widest) (Qty: 3)

mainly of globular form with hoop handle to the side, some with white metal mounted cork stoppers, of various colours comprising blue, amber, red and green. (Qty: 12)

£150-250

253. A collection of thirteen coloured glass decanters

£80-120

most early 20th century, comprising blue, purple, amber, green and clear glass examples, some with metal mounted cork stoppers, three with labels to the stoppers one reading ‘Gin’ and two ‘Whiskey’. (Qty: 13) £80-120

254. A Marie-Claude Lalique crystal glass vase with ribbed bulbous body, the tall, narrow neck with flared rim, etched ‘Lalique, France’ to base, 35 cm high. £100-150

250. A rare, impressive and large Mdina Glass ‘Sculpture’ designed, made and signed c1970 by Michael Harris (1933-1994), the ovoid form with mottled, streaked and striated internal trails in blue, purple, and green tones with silver chloride and cased in colourless glass, the base signed by Michael Harris in diamond point ‘Michael Harris Mdina Glass Malta’. (Dimensions: 30.5 cm high, 33.5 cm wide) ‘Sculptures’ of this large size were produced by Michael Harris to demonstrate the drama and spectacle of glassmaking, which would have been fresh to the eyes of the public during the late 1960s and early 1970s. Harris would gather glass from the furnace, apply colours and silver chloride, case it in colourless glass and reheat it, and then trail the large molten gather onto the marver table to create a unique sculptural artwork in glass. As Sculptures made by Harris were large, expensive and heavy, few were made and sold making them extremely rare today. This even rarer fully signed example was acquired by the vendor’s mother during the 1980s. £500-700

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255. An Old English Magnum footed paperweight late 19th/early 20th century, by Richardson from Stourbridge, of low domed form with concentric millefiori design with complex red and white central cog cane surrounded by five rings of polychromatic crimped and cog canes in which white canes predominate, the underside with snapped pontil.

(Dimensions: 9 cm diameter x 4.3 cm high) £200-250

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256. A medium Old English paperweight early 20th century, possibly Whitefriars, of domed form with concentric millefiori design with blue and white central cross cane surrounded by six rings of complex red, blue, white, green and rose crimped canes, the underside with snapped pontil mark from which the outer white canes are drawn out of, with polished basal ring. (Dimensions: 8 cm diameter x 5 cm high) £150-200

257. Two medium Perthshire paperweights

261. A Special Edition Perthshire paperweight PP108 c. 1989-1997, of domed shape with central butterfly cane and ‘P’ cane central to the base, with amethyst and white twists and sections, each enclosing millefiori canes in a 1-1-2-2 formation, set on a contrasting dark blue, the base with concave disc to centre and bearing original label, 6.2 cm diameter x 4.6 cm high; together with another Perthshire paperweight type PP1 (pre-1978) with domed top, central millefiori canes and radical twists, with original label, 7.6 cm diameter x 5.2 cm high. (Qty: 2) £120-180

c. 1978-1997, with domed tops, one type PP5, the other type PP2, each designed with multiple cane work with central ‘P’ cane and millefiori formations, together with another domed top model PP2, with central cane surrounded with two concentric circles of millefiori canes, 6.1 cm diameter x 4.5 cm high.

(Qty: 3) £120-180

258. Two medium Perthshire paperweights type PP7 c. 1969-1971, with domed fountain or Aladdin’s cave design, fashioned with a central air bubble, from which layers of canes and cane chips are drawn down to form a triple layered fountain, together with a larger model of the same design, 7.7 m diameter x 6.4 cm high, all three with fire-polished base. (Qty: 3) £120-180

259. A collection of four Perthshire Paperweights to include a type PP1 (c.1978-1881), designed with various cane patterns such as concentric rings, cogs, twists and sections enclosing further millefiori canes, with moon bruise to surface, 7.4 cm diameter x 5 cm high, together with a large model, type PP1 (post 1972) with millefiori cane work throughout, 7.5 cm diameter x 5.3 cm high, and two small models type PP3 (1984-1997), one with central ‘P’ cane, each modelled with domed top. (Qty: 4) £100-200

262. An Old English Magnum paperweight late 19th century/early 20th century, by Richardson from Stourbridge, of high domed form with concentric millefiori design with red and white central star cane surrounded by six rings of complex, blue, white and rose cane, the underside with snapped pontil. (Dimensions: 8 cm diameter x 5.5 cm high) £200-300

260. A Perthshire paperweight type PP28 c. 1975-1972, designed with concave top, concentric millefiori canework with radical twists and ‘P’ cane to the border. (Dimensions: 7.5 cm diameter x 4.7 cm high) £100-200

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266. A large Old English footed paperweight late 19th/early 20th central, by Richardson from Stourbridge, of domed form with concentric millefiori design with complex blue and white central star cane surrounded by five rings of complex polychrome cane and crimped cog canes, all drawn up towards the dome, the underside with snapped pontil mark.

(Dimensions: 8 cm diameter x 4.6 cm high) £200-250

267. A medium Old English paperweight early 20th central, probably by Whitefriars, of domed form with concentric millefiori design with dark blue and white central star cane surrounded by six rings of complex red, blue, white, green and pink crimped canes, the underside with a polished out pontil from which the outer pink canes are drawn out.

(Dimensions: 7.8 cm diameter x 5 cm high) 263. A small 19th century Old English footed paperweight

£150-200

of domed form with concentric millefiori design with complex red and white central crimped cane surrounded by three rings of complex blue, white and red crimped canes, the underside bearing label ‘From Mrs. Applewhite Abbott’a Collection’ and engraved numbers. (Dimensions: 6.6 cm diameter x 4.8 cm high) Note: Between 1900 and 1938, Mrs. Applewhite Abbott assembled an impressive collection of over 300 Old English paperweights, which were auctioned off in 1952 by Sotheby’s.

early 20th century, by Arculus or John Walsh Walsh, of high domed form with concentric millefiori design with blue and white central crimped cane surrounded by five rings of complex red, blue, white and green canes, the distinctive pushed-up base with snapped pontil mark. (Dimensions: 8 cm diameter x 5 cm high) £200-250

269. A small Old English paperweight

£350-450

264. An Old English Magnum footed paperweight late 19th/early 20th century, by Richardson from Stourbridge, of unusual, low profile form with concentric millefiori design, with blue and white central cog cane surrounded by six rings of complex polychromatic canes, the underside with snapped pontil mark. (Dimensions: 11.2 cm diameter x 3.5 cm high) £250-350

265. An Old English Magnum paperweight late 19th/early 20th central, by Richardson from Stourbridge, of high domed form with concentric millefiori design with red and white central cog cane surrounded by three rings of complex, blue, white and rose canes sharply drawn beneath the base, the underside with snapped pontil mark. (Dimensions: 8.4 cm diameter x 4.5 cm high) £200-250

268. A medium Old English paperweight

early 20th century, by Arculus or John Walsh Walsh, of domed form with concentric millefiori design with blue and white central cog cane surrounded by five rings of complex red, blue, white and green canes, the distinctive pushed-up base with snapped pontil mark.

(Dimensions: 6.5 cm diameter x 3.4 cm high) £200-250

270. An Old English triple layer decorated millefiori glass ink bottle and stopper early 20th century, probably by Whitefriars, designed with central white cross cane surrounded by five concentric rings of complex blue, pink, white and green canes, the footed base with pontil mark.

(Dimensions: 11.9 cm diameter x 17 cm high) £250-350

271. A medium Old English paperweight early 20th century, probably by Whitefriars, of domed form with concentric millefiori design with blue and white central crimped cane surrounded by four rings of complex red, blue, white, rose and green canes, the underside with snapped pontil mark. (Dimensions: 8.2 cm diameter x 5.5 cm high) £150-200

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272. An Old English Magnum paperweight

274. An Old English Magnum footed paperweight

late 19th/early 20th century, by Richardson from Stourbridge, of high domed form with concentric millefiori design with red and white central star cane surrounded by six rings of complex polychromatic canes, the polished base with broad rim. (Dimensions: 9 cm diameter x 6.6 cm high)

late 19th/early 20th century, by Richardson from Stourbridge or Whitefriars, of low domed form with concentric millefiori design with red central cog cane surrounded by six rings of polychromatic millefiori canes, the underside with snapped pontil mark.

(Dimensions: 10 cm diameter x 6 cm high)

£250-350

£350-450

273. An Old English Magnum footed paperweight late 19th/early 20th century, by Richardson from Stourbridge, of high domed form with concentric millefiori design with red and white central cog cane surrounded by four rings of complex polychromatic canes, the underside with snapped pontil.

(Dimensions: 10 cm diameter x 7.4 cm high) £350-450

275. An Old English Magnum footed paperweight late 19th/early 20th century, by Richardson from Stourbridge, of domed form with concentric millefiori design with pink central cane surrounded by five rings of polychromatic canes in which white canes predominate, the underside with snapped pontil.

(Dimensions: 10 cm diameter x 7 cm high) £350-450

Lot 274

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279. A collection of three mid century Murano Barovier & Toso paperweights to include two medium complex milleriori scatter design paperweights, one on polychrome mottled ground, 8.2 cm diameter x 7 cm high, the other on typical Venetian aventurine ground with polished base, 7.3 cm diameter x 8.3 cm high, together with a Magnum complex millefiori scatter paperweight on polychrome mottled ground, 10 cm diameter x 8 cm high. (Qty: 3) £150-250

280. A collection of three mid century Murano Barovier & Toso paperweights

276. An Old English Magnum footed paperweight late 19th/early 20th century, by Richardson from Stourbridge, of high domed form with concentric millefiori design with blue and white central cog cane surrounded by five rings, the underside with snapped pontil. (Dimensions: 9.4 cm diameter x 8.4 cm high)

to include two medium complex milleriori scatter design paperweights, one on polychrome speckled base, 6 cm diameter x 6.1 cm high, the other on typical Venetian ground with polished base, 7.2 cm diameter x 6.1 cm high, together with a medium complex millefiori paperweight with central blue, red and white crimped cane, from which radiate five green adventuring spiral twists divides in five sections, each section containing six complex millefiori crimped canes on an aventurine, with sandblasted base, 7.5 cm diameter x 6.3 cm high. (Qty: 3) £150-250

£350-450

277. A very large Old English Magnum paperweight early 20th century, probably by Whitefriars, of domed form with concentric millefiori design with predominantly pink cane, with central red and white crimp cane with central cross, surrounded by five rings of complex polychromatic canes, many rows featuring central crosses, the underside with snapped pontil, showing some internal stress marks.

(Dimensions: 12.2 cm diameter x 7 cm high)

281. Two mid century Murano glass scramble paperweights each containing a profusion of polychrome twists, spirals, latticino spirals which predominate, and typical Venetian aventurine inclusions, both with polished flat bases, one 7.7 cm diameter x 6 cm high, the other 7.9 cm diameter x 6.4 cm high. £80-120

£250-350

278. A very large Old English Magnum paperweight early 20th century, probably by Whitefriars, of low domed form with concentric millefiori design with predominantly blue cane, with central blue and white crimp cane surrounded by six rings of complex polychromatic canes, many featuring central crosses, the underside with broad polished rim and snapped pontil. (Dimensions: 12.4 cm diameter x 6.4 cm high) £250-350

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LOTS 282–326

D ECO R ATIVE AR T & CO LLEC TAB LE S

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Decorative Art & Collectables

285. An early 20th century painted spelter study of a horse and rider possibly once a clock surmount, 27 cm high, together with assorted collector’s items to include antique brass safe plaques, commemorative medals and assorted late 20th century police uniform badges.

(Qty: Qty.)

282. A Mycenaean Greek style cast iron rhyton designed with trumpet shape mouth and mythical creature finial. (Dimensions: 14 cm x 14 cm) £200-300

£100-150

283. A large 20th century fine quality cold painted bronze snake in a coiled up pose, realistically painted and finely modelled, unmarked. (Dimensions: approx 25 to 27 cm diameter.) £1,000-1,500

286. A large amethyst geode formed of varying sized amethyst quartz crystals.

(Dimensions: 48 cm x 30 cm) £300-400

287. A large amethyst geode formed of varying sized amethyst quartz crystals.

(Dimensions: 40 cm x 29 cm) £300-400

288. After Enrique Molins Balleste (1893-1958) Spanish/French a pair of painted metal dancers in the Art Deco taste, signed ‘Balleste’ to the underside of her left foot, mounted to a stepped marble base. (Dimensions: 46 cm high x 32 cm wide.) £200-300

289. A 19th century Russian icon

284. Adrien Étienne Gaudez (1845-1902) French a patinated bronze study of a peasant girl, in the process of washing pans, signed the base and raised on a circular marble base, together with a patinated bronze figure of a finely dressed gentleman, holding a lady’s slipper, a sword in his belt unsigned but mounted a matching marble base. (Dimensions: Each 32 cm high.) (Qty: 2)

depicting Christ Pantocrator holding a globe in his left hand, with silver oklad hallmarked for 1874, oil on wood, 22 cm x 17.5 cm, together with two later icons of Madonna and child, each with metal oklad, and two empty oklads, one Russian silver for a Christ Pantocrator, the other in base metal with religious scene. (Dimensions: largest 37 cm x 26 cm) (Qty: 5) £80-120

£500-800

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290. A small group of French gilt metal mounts and frames to include two empty ormolu photograph frame mounts, a pair of gilt metal furniture or mirror mounts with swags and acanthus leaf detail, a single gilt metal candlestick, and others. (Qty: 8) £70-100

291. † Thetis Blacker (1927-2006) British ‘Phoenix and Dragon’, dyed textile panel, framed and glazed. (Dimensions: 113 cm x 95 cm.)

Provenance: Commisioned by the vendors in the early 1970s, who have owned it ever since £150-250

292. A carved wooden study of a shark 20th century, fitted with original shark teeth.

(Dimensions: 76 cm x 27 cm.)

298. Mark Firth (born 1952) British Five solid aluminium wall hanging cubes from the ‘Mass and Symphony’ exhibition in 1998, each cube with a unique bespoke surface design. (Dimensions: 7.5cm) (Qty: 5) Trained initially as a mathematician and engineer, Firth changed paths and studied at Camberwell School of Art (1972-76) and at the Slade School of Art, University College, London (1976-78). He has exhibited his work regularly in Britain, Europe, Canada and the United States. His sculpture is in numerous public and private collections internationally. Excerpt from exhibition catalogue, written by William Jackson, reads: “Mark is fascinated by the infinite number of ways in which cubes can be reshaped and toned by milling, boring, cutting and turning, then finished with polished, etched, scribed and textured surfaces, some with screened or hand drawn images....they are conceived and made as individual pieces, so it by chance that the contrived sets and groups fall together.” £100-200

£80-120 299. Mark Firth (born 1952) British 293. A large carved neoclassical style candlestick / converted lamp with moulded decoration, on three feet, (Dimensions: 94 cm)

Five solid aluminium wall hanging cubes from the ‘Mass and Symphony’ exhibition 1998, each cube with a unique and bespoke surface design. (Dimensions: 7.5cm) (Qty: 5)

£80-120

£100-200

294. A pair of gilt wall sconces

300. Mark Firth (born 1952) British

with scroll decoration in the rococo style.

(Dimensions: 34 cm x 30 cm.) (Qty: 2)

A 1990’s modernist aluminium wall plaque, the handmade multi-textured surface with singular cutout column to the left, stamped ‘Mark Firth 94’ to verso. (Dimensions: 33cm square)

£80-120

295. Two mid century jacaranda wooden trays by Jean Gillon and manufactured by WoodArt, each with label for Georg Jensen to underside. (Dimensions: largest 47 cm wide x 22.5 cm deep) (Qty: 2) £100-200

296. A collection of Georgian brass candlesticks to include a pair of side ejector candlesticks with shaped bases, and others. (Dimensions: tallest 23 cm high) (Qty: 5)

Trained initially as a mathematician and engineer, Firth changed paths and studied at Camberwell School of Art (1972-76) and at the Slade School of Art, University College, London (1976-78). He has exhibited his work regularly in Britain, Europe, Canada and the United States. His sculpture is in numerous public and private collections internationally. £100-200

301. ‘Swan’ pens shop counter mahogany display cabinet

£80-120

with three inclined fitted shelves, glazed to the front and sides and opening to the back, the front with plaque reading ‘’Swan’’ pens, on a moulded square base. (Dimensions: 51.5 cm high x 30 cm wide x 29.5 cm deep)

297. A white metal and leather mounted Jambiya knife

£200-300

with decorative embroidery on leather scabbard and wire decorations to the handle. (Dimensions: 30 cm high with sheath) £80-120

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302. A Russian papier mache box of rectangular form

309. A collection of ten Chinese Railway Bonds

the signed cover depicting a group of figures pulling a small ship, 17.5 cm x 6.3 cm, together with another, the cover with a printed portrait, 13.5 cm x 9.5 cm.

(Qty: 2)

‘China, Government of the Chinese Republic, Lung Tsing U Hai Railway 5% Gold Loan 1913’, each for £20, printed in blue and black, text in English and French, with coupons. (Qty: 10) £1,000-1,500

£200-300 310. Two late 19th century American silk theatre programmes

303. A large 20th century Iranian Asghar handprinted textile throw

for the ‘Daly’s’ broadway theatre in New York, built in 1867, produced in booklet form with various notices, stories, poems, fashion adverts and others, back to front. (Dimensions: largest 35 cm x 27 cm.) (Qty: 2)

decorated with floral and geometric motifs.

(Dimensions: 220 cm x 280 cm) £200-300

£70-100 304. A 19th century carved wooden plaque probably depicting Don Quixote in a Renaissance condottiero costume. (Dimensions: 61.5 cm x 39.5 cm) £200-300

with aquatints by J. Hill, vol 1, 1808, leather boards (loose), oblong folio. £80-120

305. Two Lalique glass paperweights both signed Laique “circle R” France, one being a monkey holding it’s head in it’s hands, boxed with paperwork, 6 cm high, the other an Art Nouveau style maiden 8.5 cm high (2) (Qty: 2) £100-150

306. An early 19th century French style ormolu and chrome electric fire with acanthus decoration and turned pineapple finials, with cylindrical glass bars. 74 cm wide. £100-150

307. A 20th century painted wood blackamoor figure on an integral octagonal display plinth, the figure dressed in brightly coloured clothes. (Dimensions: 177 cm high x 41 cm wide.) £350-450

308. A collection of pens to include a Sheaffer PFM V in black with fine nib, a contemporary Montblanc 144 burgundy ballpen and pencil set, a silver Yard-O-Led with unusual alternating plain and engine-turned bands and with hallmarks for London 1936, an Italian Delta ballpen with white metal sleeve marked 925, a 1920s-30s Wahl Eversharp white metal pencil marked STERLING, a rolled gold Yard-O-Led, five black leather pen holders, and a quantity of other pens.

(Qty: Qty) £150-250

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311. PYNE, W.H: ‘Microcosm or a Picturesque Delineation of the Arts, Agriculture, Manufacturers of Great Britain’

312. Of opera, classical music and philosophy interest : A collection of working scores

by William Walton, Richard Wagner, Raymond Warren, David Blake, Charles Wilfred Orr, a signed copy of ‘Redoutes’ by Andre Casanova and a signed copy of ‘The Olympians’ by Arthur Bliss. To also include four vinyl LPs signed by Paolo Silveri, Wilfred Josephs and others. Together with a group of performance programmes inscribed to Thomas Hemsley (including the opening of the Mermaid Theatre, 1951) and several photographs of him on stage performing Brittens ‘The Beggars Opera’ and ‘A Midsummer Night’s Dream’’. (Qty.) Provenance: From the estate of Thomas Hemsley CBE (1927-2013) notable English baritone. During his illustrious career he performed at Glyndebourne, Covent Garden and worked with Benjamin Britten, Jean Cocteau and Igor Stravinsky. £100-150

313. Of Jean Cocteau (1889-1963) and Igor Strawinksy (1882-1971) interest : A signed and inscribed copy of the musical score for Oedipus Rex with inscription ‘Souvenir...?.. a Jean Cocteau 194?’ and later inscription ‘I Stravinksy, London, Nov 9/59’ , published by Boosey & Hawkes, 1948, used

by Thomas Hemsley with his personal working annotations throughout. Together with another unsigned copy of Oedipus Rex , published by Boosey & Hawkes,1949 and two vinyl LPs of the same music, one with narration by Cocteau (4).

Provenance: From the estate of Thomas Hemsley CBE (1927-2013) notable English baritone. During his illustrious career he performed at Glyndebourne, Covent Garden and worked with Benjamin Britten, Jean Cocteau and Igor Stravinsky. £200-300

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314. Of opera, classical music and philopshy interest: A collection of signed books to include works either about or by Bryan Magee, Norman Del Mar, Sir Keith Falkner, Karl Rottger, H. N. Spalding, Wolfgang Wagner, Henry J. Wood and others, several with personal dedications to Thomas Hemsley CBA. (18)

317. A Louis Vuitton Tilsitt Pochette handbag in black leather, with clasp fastener, gilt metal mounts and textured body, single pocket to the interior, with original dust bag. (Dimensions: 27 cm wide x 19.5 cm high (not including handle)) £200-400

Provenance: From the estate of Thomas Hemsley CBE (1927-2013) notable English baritone. During his illustrious career he performed at Glyndebourne, Covent Garden and worked with Benjamin Britten, Jean Cocteau and Igor Stravinsky. £100-150

315. Of Benjamin Britten interest : A collection of musical scores for the opera including ‘The Burning Fiery Furnace’, ‘Cantana Misericordium’ Peter Grimes’, ‘Curlew River’, ‘A Midsummer Night’s Dream’, ‘Death in Venice, Act I & II’ and the ‘War Requiem’, several signed and inscribed ‘For Tom, with affection and gratitude, Ben’ and several vinyl LPs of music by the composer.

Provenance: From the estate of Thomas Hemsley CBE (1927-2013) notable English baritone. During his illustrious career he performed at Glyndebourne, Covent Garden and worked with Benjamin Britten, Jean Cocteau and Igor Stravinsky. £300-500

316. Of Ralph Vaughan William interest : A signed musical score of ‘A Sea Symphony’ together with a copy of ‘R.V.W. A biography of Ralph Vaughan Williams’ signed by the author Ursula Vaughan Williams and a postcard, possibly by her sent to The Hon. Mrs. Thomas Hemsley and an unsigned copy of the score ‘The House of Life’ . (4) Provenance: From the estate of Thomas Hemsley CBE (1927-2013) notable English baritone. During his illustrious career he performed at Glyndebourne, Covent Garden and worked with Benjamin Britten, Jean Cocteau and Igor Stravinsky. £80-120

318. A Louis Vuitton Turenne shoulder bag in black leather with chrome mounts textured body and outer zipped pocket, the interior with two further pockets, with original dust bag. (Dimensions: 34.5 cm wide x 26 cm high (not including handle).) £300-500

319. A black silk manton de Manila shawl embroidered with roses and other floral decoration, with fringed border, approximately 145 cm wide (excluding fringe). £200-300

320. A pair of Italian Artemide ‘Icaro’ wall lamps designed by Carlo Forcolini c1985, perforated metal, glass, and metal finished in grey. (Dimensions: 26cm x 28cm) (Qty: 2) £250-300

321. A WWII Type 95 Japanese NCO’s Katana sword with 67 cm single edge blade numbered 17795, brass tsuba, the cast alloy hilt bearing inspection marks, with similarly numbered scabbard. £200-300

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324. The Rolling Stones: an out-take colour photograph from the ‘Satanic Majesties’ album release taken by Michael Cooper, featuring images of The Beatles, glazed in a contemporary frame.

(Dimensions: 44 cm x 37 cm)

322. A 19th century Eastern flintlock blunderbuss with mother of pearl inlay to the stock, chased floral decoration to the barrel, no visible marks to the plate.

(Dimensions: 99 cm long, barrel 65 cm)

£300-400

£500-700

323. Audrey Hepburn: a Breakfast at Tiffany’s original album soundtrack LP cover mounted and glazed in a contemporary frame.

(Dimensions: 30 cm square) £150-200

325. The Rolling Stones: a 1964 signed poster featuring the original lineup bearing the signatures of Brian Jones, Charlie Watts, Bill Wyman, Mick Jagger and Keith Richards, on a centre page pull-out from Fab Magazine, mounted and glazed in a contemporary frame. (Dimensions: 33 cm x 48 cm) £500-700

326. A 20th century ship’s binnacle compass in a teak case with brass mounts. (Dimensions: 58 cm high x 37 cm wide) £100-200 52

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LOTS 327–339

CLOCKS

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Clocks

332. An early 20th century Asprey chinoiserie mantel clock

327. A brass chiming and repeating carriage clock the white enamel dial with Roman numerals inscribed “G Denham, Leeds”, lacking winding key, approx 13 cm high excluding handle. £100-150

328. A 19th century American Ansonia metal mantel clock in the French style, with applied gilt metal mounts, the metal body with faux green lacquer decoration.

41 cm high. £100-150

with central circular dial with Roman numerals, within a red lacquer case depicting figures playing in a garden, 25 cm high, together with a French greenpainted mantel clock in the Louis XV style with gilt metal rococo mounts, 31 cm high. (Qty: 2) £200-300

333. Two small French ormolu mounted cartel clocks each of circular form with paste stones, surrounding painted enamel dials, 11 cm diameter, together with a miniature French ormolu and onyx mantel clock, in the Louis XV style, adorned with a spelter figure of a putti, 25 cm high. (Qty: 3) £300-400

329. A brass Jaeger Lecoultre 8 day travel clock with circular gilt dial and date indicator, 13 cm diameter, together with a miniature carriage clock by Jenner & Knewstur, 7 cm high. (Qty: 2) £150-200

330. A late 19th century mahogany and inlaid banjo barometer signed ‘Spelzini, Brooks Market’. (Dimensions: 98 cm) £80-120

331. An early 20th century Austrian table clock in bronzed metal modelled as a tree, the movement signed J. Steltzer, Vienna, 28 cm high, together with a leather cased and brass framed easel desk clock, of French and British origin, with pierced brass decoration raised before a mirrored back, the movement labelled ‘British United Clock Co.’, 16 cm square. (Qty: 2) £150-200 334. A French alabaster and ormolu mounted cartel clock the painted circular enamel dial bearing Arabic numerals, beneath ribbon swag decoration, 34 cm high x 14 cm wide, together with a further, smaller ormolu cartel clock in the Classical taste, the enamel dial bearing both Arabic and Roman numerals, below a mercury thermometer, 26 cm x 10 cm. (Qty: 2) £300-500

335. A late 19th century French ormolu mounted mantel clock with bronze putti surmount, the silvered dial bearing Roman numerals, eight day movement striking on a bell, by E. Pannard. (Dimensions: 39 cm x 17 cm) £200-300

Lot 332

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336. A 19th century French Empire style clock garniture with eagle surmount

by Samuel Marti, comprising a four-panel glass and marble case housing a suspended circular dial, twotrain movement striking on a coil gong, together with a pair of four-branch candelabra on inverted tapering columns, on triform bases. (Dimensions: Clock and garnitures: 38.5 cm high) £500-700

337. A late 19th century brass mounted French mantel clock surmounted by a pair of children, the face decorated in relief with allegorical figures and a Classical fountain, the circular dial inset with enamel Roman numerals, eight day movement. (Dimensions: 36.5 cm high x 14.5 cm wide)

338. A French Louis XV style champlevé enamel clock with stamped movement by Vincent, the case with ormolu acanthus c scroll mounts and finial, decorated throughout with polychrome champleve enamel c scrolls designs, supported on four outswept scrolled feet. (Dimensions: 27 cm high x 15 cm wide) £300-500

£150-200

339. A French Louis XVI style clock garniture comprising a central architectural clock with laurel leaf, bow and rams head ormolu mounts, raised on four toupie feet, the movement stamped ‘Japy Freres’, flanked by two twin branch candlesticks similarly designed with acanthus scroll ormolu and flame finials. (Dimensions: the clock 31 cm high x 16.5 cm wide) (Qty: 3) £300-500

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Coins, Stamps & Objects of Virtue 342. A 1994 United Kingdom Gold Proof Sovereign Three Coin Set comprising double sovereign, full soveriegn and half sovereign, Royal Mint, number 500, in fitted box. £700-900

340. A George V 1918 full sovereign in a 9ct yellow gold mount. £220-250

341. A collection of assorted British and world coinage including a European Community Coin Collection, cased collectors sets, encapsulated collectors coins, and a 14ct gold Austrian Maria Therasa coin in mount, 2.5 grams. £100-150

343. A 1992 Royal Mint Proof Sovereign with obverse portrait by Raphael Maklouf, reverse St. George slaying the dragon, in original box of issue with certificate, numbered 3338/5000. £250-350

344. A commemorative German gold coin commemorating 100 years of Weingarten 1865-1965, Maschinefabrik Weingarten Der Grunder H. Schatz.

26.1 mm, 10 grams, in a fitted box. (Dimensions: 18 cm x 19 cm) £250-350

345. An Elizabeth II 1979 full sovereign in a fitted case. £220-250

Lot 342

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346. A Victorian 1899 full gold sovereign in a 9ct gold mound, later box.

350. A 20th century Continental gold and moss agate box

£220-250

of small rectangular form, variously marked.

(Dimensions: 5 cm x 3.7 cm x 1.9 cm)

347. An American 2 1/2 dollar gold coin

£500-700

dated 1910. 4 grams. £100-150

348. A collection of American silver proof dollars and other coinage including two Los Angeles 1984 silver dollars, an Eisenhower 1971 proof dollar, a quantity of 1960’s half dollars, an Austrian silver coin, a cased half proof dollar, an Apollo 11 cased silver coin, two silver dollars and a half dollar. £200-300

351. A novelty 9ct yellow gold pill box of rounded form, with engine-turned decoration and Art Deco style finial handle, approximately 3 cm diameter, marked ‘9 .375’. £250-350

349. A circa 1900 sterling silver and plique-à-jour enamel spoon

by George W Shiebler & Co of New York, with detailed scroll and foliate decoration. (Dimensions: 13 cm) £400-600

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LOTS 352–367

WATCH E S

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Watches

354. A yellow metal ladies pocket watch the case with engraved decoration, the interior of the lid marked 14K, (glass loose), together with a penknife and a novelty lock. (3) £100-200

355. An 18ct yellow gold pocket watch with white enamel Roman numeral dial, approximately 3.3 cm diameter, the case with engraved decoration, marked 18K, together with a pair of Great War medals on ribbons, dated 1914-1918, numbered 23873, P.T.E. W. S. Hutton R. Berks. R., £100-200

356. A J W Benson ‘The Bank’ silver cased pocket watch the white enamel dial with black Roman numerals, and subsidiary seconds dial, in a solid silver case, hallmarked London 1938, the engraved movement numbered 9122. 51mm case. In the original Benson retailers box. £100-150

352. A 1960 Rolex Oyster Date Precision ref. 6466 stainless steel wristwatch the silvered dial with baton indices and ‘Roulette’ date wheel, in a stainless steel Oyster case, with a stainless steel Oyster bracelet. Serial number 559644.

30 mm case.

357. A gent’s 9 carat gold Rotary wristwatch with 17 jewel movement on a leather strap, together with two ladies 9 carat gold wristwatches, both on metal bracelets (A/F) (3) £150-250

£1,000-1,500

358. A 9ct yellow gold Eternamatic ladies wristwatch

353. A Breitling Starliner ref. A71340 stainless steel ladies quartz wristwatch

the round baton dial set into an articulated mesh-link strap, 15 cm long. £400-600

the mother-of-pearl dial with large Roman numerals, diamond indices, and date aperture, with rotating bezel. On a stainless steel bracelet with deployant clasp. 30 mm case. £800-1,200

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359. A 19th century 18ct gold yellow pocket watch the gilt dial with applied gilt numerals, and engraved case back. 42.5 mm case, 62 grams, together with a short gold-plated Albert chain, with 9ct clasp and bar. £400-600

361. An 18ct yellow gold ladies Omega cocktail watch with rectangular baton dial marked ‘Omega’ set into a smoothly articulated matte gold strap, internal diameter approximately 5.5 cm. £600-800 360. A 14ct yellow gold ladies Ermaten watch

362. An Omega Dynamic ladies wristwatch

with round baton dial within squared mount, on a tapered articulated strap, marked 14K, 15.5 cm long.

with blue and steel baton dial, on a blue leather strap, with interchangeable steel bracelet

£300-500

£280-350

363. A Cartier gilt metal and enamel travelling clock the white dial signed Cartier, with red enamel Roman numerals to the bezel, jewelled crown, and folding front flap, the case back engraved Cartier Quartz, serial number 891104206. 53.5 mm case. £200-300

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366. A 1981 Rolex Oyster Perpetual DateJust Rolesor ref. 16013 stainless steel automatic wristwatch the blue dial with applied baton indices and date aperture, with gold fluted bezel in a stainless steel Oyster case, on a Rolesor gold and stainless steel Jubilee bracelet. Serial number 6713713. 35.5 mm case. With original box, lacking paperwork. £2,000-3,000

367. A Russian gold ‘cased’ mechanical wristwatch

364. A 1997 Cartier Santos stainless steel quartz wristwatch

the silvered dial with engraved numerals, in a gold cased case with leather strap, together with a small 18ct yellow gold St. Christopher pendant attached. 35 mm case. £80-120

the cream dial with applied Roman numerals with date aperture and blued steel hands, the X numeral engraved Cartier, in a brushed and polished stainless steel cushion shaped case and bracelet. Serial number 156422855. Complete with box, outer box, paperwork and three spare links. 29 mm.

Note: full serviced by Cartier in 2014, with receipt. £600-800

365. A Baume & Mercier 18 carat gold ladies wristwatch together with an 18 carat gold Watches of Switzerland wristwatch with Ebel movement. £300-500

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LOTS 368–416

S I LVE R

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Silver & Silver Plate 368. A group of five silver decanter labels including sherry, whiskey, port, brandy, and gin, and a pair of silver condiments. £80-120

369. A part canteen of Old English pattern silver flatware comprising six each table forks Sheffield 1915, dessert forks London 1910, table spoons London 1913 and dessert spoons London 1910, various makers, together with six silver teaspoons and a pair of sugar tongs, Sheffield 1908, approx total weight 53.9 ozt, also a 9 carat gold ladies wristwatch. £300-500

370. A Georgian style silver porringer London 1906, by Maurice Freeman, with Britannica standard silver hallmark, the Georgian design with snake hooped handles either side, central cartouche with embossed c scrolls, acanthus and part reeded base. (Dimensions: 6.6 cm high x 15 cm wide) £100-200

371. A George III Irish silver wine funnel Dublin 1787, by William Bond, marks partly rubbed.

(Dimensions: 9.3 cm high x 6 cm diameter) £150-250

372. Howard Fenn (born 1953) British the ‘Kay Tea Set’ with maker’s mark and London hallmarks for 1998, 1999 and 2001, formed from sterling silver and glass, the unique set is designed in the Bauhaus style, and comprises as teapot, stand, water pot, milk and sugar, strainer, tray, spoons and accompanying rack and ten tea glasses, all silver hallmarked. (Dimensions: 34 cm x 36 cm (teapot and stand).)

Born in Yorkshire and educated at Sir John Cass Faculty of Art Architecture and Design in London, Fenn gained a distinction in silversmithing. He is known for his prototype work and small specialist runs for top design companies. He exhibits regularly nationally and internationally and has work in private and public collections. He has lectured at the Victoria and Albert Museum and the Royal College of Art, and has also taught design and silversmithing at the London Guildhall University. He is a Freeman of the Worshipful Company of Goldsmiths and Chairman of the recently founded Association of British Designer Silversmiths. About the design process, Bebe Kay said that she and her late husband Stanley worked closely with Fenn on the design, beginning by manipulating cardboard and cardboard tubes to come up with the final forms. The were keen that it appeared as a form of sculpture, and that it echoed their lives and experiences. In particular, Stanley Kay recalled his Russian grandparents’ samovar, which was influential on the design. £7,000-10,000

372

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376. A small silver easel photograph frame 8.5 cm high, together with a silver salt, each modelled with a golfing theme, various dates and makers, 1.8 ozt. (combined weight). (Qty: 2) £150-200

377. A contemporary Ralph Lauren silver desk weight with a golfing theme Birmingham 2003, of rectangular form, with a diamond lozenge depicting a golfer, within a tartan effect pattern. (Dimensions: 9 cm x 6.3 cm) £100-150 373. A fine pair of George III silver and glass boxes London 1829, maker indistinct, each of shaped rectangular form, the hinged covers surmounted by ducks. (Dimensions: 9 cm x 7 cm x 7.7 cm) £700-900

374. Two sets of George III silver sugar tongs the largest 14 cm, each with bright cut decoration, various dates and makers, together with a 19th century white metal sugar basket, unmarked, (1.8 ozt. of weighable silver). (Qty: 3) £150-250

378. A German silver repousse quaiche by Gebruder Friedlander, Circa 1900, 8.5 cm diameter weight approx 54 grams, together with a quantity of English and continental silver and white metal comprising a boxed set of telve silver cake forks Sheffield 1957, six further silver cake forks Sheffield 1958, a pair of Victorian silver fish servers

by Hilliard & Thomason Birmingham 1849, a pair of silver bon bon dishes London 1958 and a child’s silver spoon and fork, a pierced white metal basket and a similar letter rack, a pastry server stamped 800, twelve white metal fruit knives with unascribed marks, a pair of silver handle servers and a boxed set of six cocktail sticks with gilt cockerel finials, stamped sterling silver.(Qty) £200-400

379. A set of five early 20th century silver golfthemed teaspoons with gilt bowls, together with eight further teaspoons, also with golf themes, various dates and makers, 5.5 ozt. combined weight. (Qty: 13) £150-200

380. A sterling silver and black enamel cigarette box bearing import marks to the interior, the cover decorated with marcasite stones in the Art Deco style. (Dimensions: 8 cm x 5.5 cm) £250-350

381. A novelty George V silver golf trophy London 1929, by Edward Barnard & Sons, depicting the Wilfred character from the Daily Mirror cartoon strip: ‘Pip, Squeak & Wilfred’, with the rabbit appearing between the words ‘Ick Ick’ and a pair of golf clubs, mounted on a wooden plinth. £200-300 375. A Continental silver pedestal goblet with gilt interior stamped ‘MA’ to the foot, with repeating geometric leaf decoration and reeded bowl, 13 ozt (to include fixing bolt). (Dimensions: 15 cm high) £350-450

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382. An Edwardian novelty silver-mounted desk pocket watch holder

386. A collection of eleven white metal cocktail stirrers modelled as golf clubs

with oak easel frame, Birmingham 1910, by William Vale and Sons, decorated with a humorous golfing theme. (A/F) (Dimensions: 15 cm x 18 cm)

signed ‘Alvin’, 10 ozt. (combined weight). (Qty: 11) £300-400

£200-250

383. An Edwardian novelty vesta modelled as a golf ball Birmingham 1904, by S B & Co, of circular form, 0.7 ozt. (Dimensions: 4.7 cm diameter) £100-150

387. A Russian silver gilt and cloisonné enamel swing-handled sugar bowl bearing the mark of Vasilii Agafonov, Moscow 1908-26, decorated with shaded flowers and scrolls principally in greens, pinks, blues and white, the swing handle similarly decorated.

(Dimensions: approx 11.5 cm diameter.) £1,800-2,200

384. An Edwardian novelty silver table lighter Birmingham 1910, by Joseph Gloster Ltd, modelled as a golf club ball, mounted on three golf clubs, with three removable sticks of graduated length.

(Dimensions: 11 cm high.) £400-600

385. A late 20th century silver golf ball box London 1980, by Simon J Beer, of shaped rectangular form, with wooden liner and space for three golf balls, the cover with three quarter-relief stylised balls.

(Dimensions: 15 cm x 8 cm x 7 cm) £450-550

388. A late 19th century Russian silver-gilt and cloisonne enamel salt cellar and spoon, by Ovchinnikov Moscow circa 1890, the salt cellar of circular form, decorated with shaded flowers and scrolls principally in pinks, greens, white and blues, diameter approx 4.5cm, spoon matching. £300-500

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389. A Russian silver and cloisonne enamel salt spoon by Faberge workmaster Feodor Ruckert

393. A George VI silver salver

the underside of the bowl decorated with a stylised flower in pinks, blues and greens on a pale blue ground, Cyrillic FR and 88 standard silver marks.

(Dimensions: approx 7.5 cm long)

London 1937, by Edward Barnard & Sons Ltd, with piecrust edge on four feet, 30 ozt. (Dimensions: 31 cm diameter) £250-350

£100-150 394. A mid-century large silver tankard 390. A white metal cloisonné enamel vase decorated with vines and fruits in blues and greens on a pale blue ground, stamped “Silver 99% Made In Korea”, approx 16 cm high, weight approx 9.3 ozt.

Sheffield 1959, by Alexander Clark & Co Ltd, 12 cm high, together with a silver pedestal basket with swing handle, Sheffield 1918, by William Hutton & Sons Ltd, 25 cm diameter, 29 ozt. combined weight.

(Qty: 2) £250-350

£80-120 395. A mixed group of small silver items 391. A Persian white metal tea caddy

to include cruets, salts, sugar nips and others, various dates and makers, 20 ozt. (weighable silver).

of circular form profusely decorated with engraved foliate motifs, the body with figural scenes of men in traditional clothing and a central one to the lid, the underside with Arabic hallmark, weight 5.6 ozt.

(Dimensions: 7 cm high x 7.5 cm diameter)

£200-300

396. A pair of George VI silver candlesticks

£80-120

Birmingham 1941 (maker indistinct), 24 cm high, together with a silver sugar sifter, Birmingham 1979,

by W I Broadway & Co, 19 ozt. combined weight.

(Qty: 3) £150-250

397. A George V silver three-piece silver tea set Birmingham 1922, by Henry Matthews, comprising a teapot, (12.5 cm x 23 cm), a twin-handled sugar bowl and a milk jug, together with a further silver bachelor’s teapot, London 1908, by William Hutton & Sons, 26 ozt. (combined weight). (Qty: 4) £200-300

398. A mixed collection of cased 20th century silver items to include a cruet set, a set of Mappin & Webb coffee spoons, a Continental silver pen and letter opener set, a caddy spoon and other items, various dates and makers, 11 ozt. (of weighable silver). (Qty: 7) £100-200 392. A cased Victorian silver tea and coffee service London 1851, by Robert Hennell III, comprising a tea pot, coffee pot, milk jug, a twin handled sugar pot, and a pair of sugar tongs (by a different maker), each designed with etched floral medallions and sprays, the coffee and tea pot mounted with ivory rings to the handles and finials, the milk and sugar pots with textured acanthus scroll handles and gilt interior, in original wooden box with fitted baize lining for each piece, together with a silver plated hot water pot on stand, decorated with embossed c scrolls and flowers, with a silver spirit burner, combined silver weight 57 ozt. (quantity) (Qty: 7)

399. A part canteen of American sterling silver Francis I pattern flatware by Reed & Barton comprising 12 soup spoons, 7 table spoons, 8 tea spoons, 4 table spoons, 12 salad forks, 12 side and 10 table nives (all with steel blades), a similar cheese knife and 3 serving pieces. Total weighable silver approx 73 ozt. £500-800

£600-800

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400. A pair of stylised floriform Mexican silver candle holders by Salvador de la Serna 11 cm high x 21 cm wide, together with a Mexican silver serving spoon by P. Lopez, six Mexican silver tea spoons and an English silver wine coaster with wooden base, weighable silver approx 15.3 ozt. £100-150

401. A collection of miscellaneous silverware to include a George II silver spoon, 1757 by Louis Black, a silver miniature travel carriage clock, 1921

by Henry Williamson Ltd, 8.5 cm high, a late 20th century silver wine funnel, a pair of silver candlesticks, a cased set of Continental silver teaspoons, a cased silver cruet set and an assortment of various silver teaspoons, pickle forks and others, including a Georg Jensen cocktail stirring spoon, weighable silver 39 ozt. (quantity) £300-500

402. Three early Georgian silver tablespoons of various 18th century dates, hallmarks partly rubbed, one by Thomas Wallis II, the other two with rat-tail pattern, together with a George III silver spoon dated 1812, combined weight 6.3 ozt. (Qty: 4) £70-100

403. A mixed group of small silver items comprising a trumpet form spill vase, a matching sugar bowl and milk jug, a Christening tankard, a covered jug and two sets of teaspoons, together with a pair of white metal napkin rings and other items, (16 ozt. of weighable silver) (Qty: Qty)

405. A 19th century/early 20th century Chinese export silver bowl with repousse floral work throughout the body with a profusion of chrysanthemums and camellias, with wave and pinched border, raised on a circular base stamped with makers mark in Chinese characters and initials, possibly reading ‘Q’. (Dimensions: 10 cm high x 20 cm diameter) £200-300

406. A pair of Victorian silver pierced bowls London 1900, by Wakely & Wheeler, with fine repousse decoration to the inside of the bowl designed with floral motifs and c scrolls, the pierced borders with further scrolled foliage, traces of previous gilding, together with a small pair of silver pieced bowls, silver napkin rings, a small George III silver toddy ladle, assorted silver flatware, two cased set of silver teaspoons, a cased set of silver salts and a cased set of silver cake forks. (qty) £150-250

£200-250

404. A Victorian silver tea service London 1892, by W & C Sissons (Walter & Charles Sissons), comprising a teapot, a milk jug and a twin handled sugar pot, each designed with part fluted bodies, the teapot with ebony handle and finial, together with a three piece dressing table set of two brushes and a mirror, each of circular form with hooped handle, the silver mounts with hammered work, hallmarked London 1924 by Amy Sandheim, weighable silver 39 ozt. (Qty: 6) £350-450

407. A Victorian cased silver dessert service for twelve settings Sheffield 1894, by Harrison Brothers & Howson, with mother of pearl handles, within an oak case with fitted interior lined with blue velvet, together with a George V cased silver fish service for twelve settings, Sheffield 1928, by James Dixon & Sons Ltd, with ivory handles, in a fitted oak case, and a silver plated dessert service for six, in a mahogany case. (Qty: 3) £100-200

408. A collection of miscellanous silver flatware to include a silver dessert service for five, with mother of pearl handles, an early George III silver jug

by Hester Bateman, 1775, a George III small toddy ladle, and other assorted flatware, mainly teaspoons, weighable silver 10 ozt. £80-120

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409. An early 20th century Indian white metal dish

412. A novelty white metal propelling pencil

with embossed decoration of animals and foliate scrolls, 35 cm diameter, together with other items comprising a perfume bottle with dropper, a jar holder, incense burner, a Kashmir vase on a wooden base and three small coasters. (Qty: Qty)

formed as a golf club, 10 cm, with a holder formed as a golf bag.

£250-350

413. A walking cane handle modelled as a golf ball

£100-150

together with a silver plated toast rack and a pair of grape scissors, also each with a golf theme. (Qty: 3) £150-200

414. A silver plated six piece condiment set with a golf theme comprising two salts, two peppers and two mustards, each modelled as a golf ball. (Qty: 6) £150-200

410. An Eastern enamel and white metal sugar box

415. A silver plate and glass cocktail shaker of Art Deco style

with twin handles, 9.3 cm high x 14 cm wide, and two similar glass holders, 5.6 cm, 12.0zt. combined weight.

(Qty: 3)

25.5 cm high, together with a small plated dish and a Modernist chrome fruit bowl, 37 cm diameter. (Qty: 3)

£400-600

£100-150

416. A large silver plated tureen and cover on pedestal foot, the bulbous bowl with engraved floral decoration and beaded rim, the lid with applied deer finial, approx 40cm long x 30 cm high, together with two silver plate mounted lemonade jugs, each approx 28 cm high (3) (Qty: 3) £80-120

411. A Chinese export silver gilt water sprinkler with inverted tapering neck, the bulbous body and pedestal base decorated in relief with floral motifs, impressed character mark to base, 8 ozt.

(Dimensions: 27 cm high.) £400-600

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LOTS 417–578

J E WE LLE RY

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Jewellery

422. A yellow gold, diamond, and opal cluster ring 417. A designer style heavy 18ct yellow gold cuff bangle with matching ring and earrings

set with a rounded oval cabochon opal, within a border of diamonds, set with diamonds to the shoulder, the yellow metal shank marked 585, size N 1/2, 4.5 grams.

hand made after a Links of London design, comprising of polished bars interspersed with polished yellow discs, threaded on cross section wires, with snap clasp stamped .750, the ring and earrings in the same style. Total weight 185 grams.

£700-1,000

Note: handmade for the vendor in Dubai. £5,000-6,000

418. A yellow metal bangle bracelet of textured ribbon-twist design, marked 22ct, internal diameter approximately 7 cm. £700-1,000

419. Christian Dior. A vintage costume jewellery brooch with matching earrings, set with teal and turquoise coloured stones, white metal mounts, marked as by Michael Maer, together with a yellow metal brooch of swirled ribbon form, set with diamond accents, unmarked, 4.8 grams, and a yellow metal and pearl wreath brooch, unmarkedm 2,8 grams. £100-200

420. An 18ct yellow gold and solitaire diamond ring

423. A pair of yellow metal and diamond drop earrings

set with a round brilliant-cut diamond of approximately 0.24 carats, approximate colour and clarity J/K, SI1/2, size L, 3.6 grams.

the tear-drop mounts set with baguette and round brilliant-cut diamonds, the total diamond weight approximately 2.50 carats, the French style fittings marked 18, 3.2 cm long, 6.8 grams.

£100-200

£1,200-1,500

421. An Indian diamond bracelet the alternating round and square-shaped mounts each inset with a rose-cut diamond within a border of mixed-cut diamonds, in silvered settings, with yellow metal mounts, the clasp marked 14K, 17.5 cm long. £300-500

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427. A yellow metal fancy-link chain bracelet comprised of three rows of coiled segments, the bracelet with indistinct mark, the clasp marked 750, 15.5 cm long.

424. A diamond pendant / brooch of rounded openwork design

£700-900

centred with a round brilliant-cut diamond of approximately 0.33 carats, the silvered mount inset with smaller diamonds, the yellow metal mount testing as 15ct, approximately 5.2 cm diameter, 18.5 grams.

428. A yellow metal fancy-link chain bracelet

£1,000-1,500

429. An Edwardian yellow metal, pearl, and amethyst pendant

with later clasp (the clasp marked 9K). £350-450

of openwork form, set with split seed pearls and two amethysts (unmarked, tests as 15ct) suspended on a 14ct yellow gold chain, pendant approximately 5.2 cm long. £300-400

430. A diamond and aquamarine cocktail ring set with an emerald-cut aquamarine of approximately 5.0 carats, surrounded with round brilliant-cut diamonds of approximately 1.0 carats combined, the shak marked ‘18ct silver’, size O, 5.2 grams. £800-1,200 425. A diamond and emerald cocktail ring in the Tiffany style, set with a mixed square-cut emerald of approximately 3.20 carats, surrounded with a rounded square border of round brilliant-cut diamonds, the shoulders set with diamonds, and the underside of the mount with collet-set diamonds, size O, 6 grams. £1,200-1,500

426. A late Art Deco gold and garnet cocktail ring set with a mixed-cut garnet, the mount with ornate ribbon-scrolled shoulders inset with diamond accents, marked to interior of shank ‘500’ in an oval, (tests as 18ct rose gold), size J 1/2, 12.2 grams.

431. An 18ct white gold, diamond and peridot ring centred with a faceted cushion-cut peridot, within a border of round brilliant-cut diamonds, set with diamonds to the shoulders, size N, 5.2 grams. £400-600

432. A pair of diamond and pearl drop earrings the silver set gold-backed bow-shaped mounts inset with round-cut diamonds, each suspended with a white pearl. £300-400

£400-600

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433. Tiffany & Co. A diamond and pearl stick pin in the form of a diamond-set snake wrapped around a white pearl, 7 cm long, 3 grams. £400-600

434. A yellow metal and ruby ring set with five stones, size K, together with a yellow metal and synthetic ruby ring, a yellow metal and ruby half band ring, a yellow metal and bezel set ruby ring, and a silver and ruby ring. (5) £400-600

441. A marquise-cut diamond ring the diamond of approximately 1.79 carats, approximate colour and clarity H / Si2, set in white metal, the shank marked 14K, size M 1/2, 5.8 grams.

435. A yellow metal and ruby cluster ring set with a raised cluster of round-cut rubies, shank unmarked (tests as gold), size P, 6 grams.

£3,000-3,500

£250-300 442. A 14k white gold, diamond and citrine cocktail ring

436. A yellow metal, synthetic ruby, and diamond ring

set with a rectangular-cut citrine, within a border of round-cut diamonds, size N, 3.5 grams.

the wide band inset with a mixed-cut ruby, the shoulders inset with a small round-cut diamond within a triangular setting, unmarked, size R 1/2, 11 grams.

£200-300

£400-600

443. A yellow metal and calibre-set diamond cocktail ring

437. A diamond-set stick pin

the rounded mount inset with rows of mixed-cut diamonds, size N /12, 5 grams.

in the form of a wolf’s head, with ruby eyes, head 14 mm wide, pin 6.3 cm long.

£150-200

£400-600

444. A 9ct yellow gold and diamond ring

438. A diamond and enamel stick pin in the form of a jockey on a racehorse, horse 2.3 cm wide, pin 6.7 cm long.

centred with a row of calibre-set mixed-cut diamonds, flanked with rows of small round brilliantcut diamonds, size M 1/2, 2.8 grams. £100-200

£300-400

439. A diamond, emerald, ruby, and sapphire stick pin of articulated target design, 11 mm diameter. £400-600

440. An 18ct yellow gold and diamond band ring set with seven square-cut diamonds, size L 1/2, 5.4 grams. £150-200

445. A 14ct white gold and diamond line bracelet set with three lines of round brilliant-cut diamonds, the diamonds approximately 0.02 carats each, 19 cm long. £500-700

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446. A white metal and diamond crossover-style band ring with white diamond-set cross, over five bands of fancy-coloured diamonds, unmarked, size K 1/2, 5.5 grams. £100-200

447. A pair of white metal and diamond earrings of squared form, calibre-set with square-cut diamonds, 7 x 6 mm, with yellow metal butterflies. £100-200

448. A rose metal and blue enamel locket pendant suspended on a rose metal and blue enamel twisted baton links, indistinct mark to clasp. £100-200

451. An 18ct rose gold, diamond, and sapphire pendant set with a mixed pear-cut sapphire, a baguettecut diamond of approximately 0.25 carats, and a marquise-cut sapphire, pendant 3.4 cm long, suspended on an 18ct rose gold chain. £500-700

452. A pair of white metal and diamond cluster earrings set with round and calibre-cut diamonds, 15 mm long, 3.6 grams. £150-250

453. A diamond cluster ring 449. A1973 Israel 25th anniversary gold proof three coin set boxed, a 200 lirot, a 100 lirot, and a 50 lirot.

set with a marquise-shaped cluster set with small round-cut diamonds, within curved shoulders, the shank indistinctly marked 10K, size P, 6 grams £150-200

£1,000-1,500 454. A diamond cluster ring 450. A large group of costume jewellery to include various necklaces, brooches, silver rings, a cultured pearl double strand necklace, a nephrite beaded necklace, etc.

set with a princess-cut diamond of approximately 0.80 carats, the central diamond approximately H colour, I1 clarity, within a border of small round-cut diamonds, the shank marked 14K, size N 3.3 grams.

£100-200

£300-400

455. A diamond cocktail ring set with a square cluster of round brilliant-cut diamonds, with crossover-style split shoulders inset with small round-brilliant-cut diamonds, the white metal shank marked 585, size U, 6 grams. £200-300

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456. A white metal and diamond crossover ring

461. An 18ct yellow gold and diamond ring

centred with three round brilliant-cut diamonds of approximately 0.50 carats combined, the crossoverstyle shoulders channel-set with round and baguettecut diamonds, the shank marked 585, size N, 4.5 grams.

the navette-shaped mount pave-set with round brilliant-cut diamonds, size P, 2.8 grams.

£300-400

462. A 9ct white gold and diamond half eternity ring

£150-200

size L 1/2, 2 grams.

457. A 14k white gold and diamond ring set with round-cut diamonds, the band curved to fit around a solitaire diamond, the curve approximately 8 mm wide, size M 1/2, 2 grams, £80-120

458. A white metal and diamond ring set with three graduated round-cut diamonds of approximately 0.25 carats combined, the shoulders channel-set with small round-cut diamonds, the shank marked 10K, size N, together with a slender white metal and diamond band ring, set with roundcut diamonds of approximately 0.15 carats combined, the shank marked 14K, size N, 3.9 grams combined.

(2)

£200-300

463. A 9ct yellow gold, sapphire, and blue topaz ring size P, 2.8 grams, together with a 9ct white gold and colour-change garnet ring, size S, 2.2 grams, and a 9ct yellow gold, diamond, and sapphire half band ring, 1.4 grams. (3) £150-200

464. An 18ct yellow gold, diamond, and sapphire ring set with five alternating stones, size M 1/2, 3.5 grams. £200-300

£100-200

465. An 18 carat gold diamond solitaire ring the round brilliant cut diamond estimated to weigh approx 0.45 carat, size J 1/2, 6 grams. £100-150

466. A diamond solitaire ring in yellow and white metal set with a brilliant-cut diamond of approximately 0.40 carats, the shank marked 750, size M 1/2. £200-300 459. A white metal and diamond ring

467. A quantity of jewellery fragments

set with a princess-cut diamond of approximately 1.75 carats, approximate colour and clarity H/I, I1, fourclaw set in a raised mount, the white metal shank marked 14K, size P, 2.6 grams, together with a white metal and diamond half eternity band, of shaped design, inset with diamond accents, the ring marked 10K, size M 1/2, 1.5 grams.

including emeralds, sapphires and turquoise (Qty)

£800-1,200

460. A yellow metal, pearl, and turquoise pendant in the Edwardian taste, the openwork mount set with rounded pearls and turquoise, suspended with an earlier yellow metal and turquoise pendant drop, suspended on a 9ct yellow gold chain, 10 grams. £300-400

£100-150

468. A platinum and diamond ring set with five graduating round brilliant-cut diamonds of approximately 0.35 carats combined, the shank marked ‘PLAT’, size O 1/2, 2.8 grams. £150-200

469. A diamond and ruby half band ring set with four square-cut rubies interspersed with three round-cut diamonds, the yellow metal shank marked 585, size M, 1.9 grams. £150-200

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470. A 9 carat gold ruby and diamond ring centred mixed oval-cut ruby, flanked with two round brilliant-cut diamonds of approximately 0.40 carats, approximately I/J, Si2, size L, 2.5 grams. £300-400

471. A sapphire and diamond bar brooch stamped 15ct together with a cameo brooch, the frame stamped 9ct, a yellow metal bar brooch with locket back and three further brooches (6) £100-150

472. A yellow metal and pale green gemstone ring size S, 4 grams, together with a white metal bracelet comprised of alternating smooth and engraved links.

(2)

476. A yellow metal bracelet of articulated woven design, makers mark ‘Superoro’, the clasp stamped 750, 19.5 cm long. £600-800

£80-120

473. A yellow and white metal diamond bracelet the pinched bone-links interspersed with yellow metal and diamond set segments, indistinct marks, 17 cm long, 10.5 grams. £300-400

474. A late 19th or early 20th century enamel and gem set white metal pendant depicting George killing the dragon, polychrome decorated and set with small rubies and pearls, suspended on a yellow metal chain, the clasp stamped 9ct. £180-250

477. A yellow metal Crucifix pendant 5 x 2.8 cm, suspended on a fancy-link yellow metal chain, stamped 750. £800-1,200

478. A 9 carat yellow gold and sapphire brooch the elongated bar brooch centred with a floral design, inset with round-cut blue sapphires, 5.5 cm long. £400-600

479. A diamond cluster ring

475. A ladies 18ct yellow gold Jaeger le Coultre wristwatch the small Roman numeral and baton dial inset into an articulated textured link strap, dial 1 cm diameter, watch approximately 16 cm long. £1,000-1,500

centered with a princess-cut diamond of approximately 0.30 carats, within a squared border of round-cut diamonds, the split shoulders inset with round-cut diamonds, the white metal shank unmarked (likely white gold) size H 1/2, 4.5 grams. £250-350

480. A yellow metal, diamond and emerald ring centred with a bezel-set emerald, within a chamfered rectangular mount inset with round-cut diamonds, instinct mark to mount, size R 1/2. £400-600

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481. A yellow metal and diamond ring set with five graduated old-cut diamonds of approximately 1.0 carats combined, the yellow metal shank stamped 18ct, size Q, 3.2 grams. £200-300

482. A yellow metal, diamond, and ruby cluster ring set with four round-cut rubies and small diamonds, the shank fitted with ring sizers, (shank tests as gold) size H 1/2, 3.2 grams. £120-180 485. An 18 carat gold Bueche Girod lady’s wristwatch with diamond set bezel, and integral 18 carat gold bracelet. £1,000-1,500

483. A white metal, diamond, and lapis lazuli bracelet the hinged bangle with one terminal pave set with round brilliant-cut diamonds, the other with a piece of lapis, stamped 750. £1,200-1,500 486. A diamond natural pearl brooch the stylised oval mount in the mid 20th century style (brooch likely later), inset with round brilliant and baguette-cut diamonds, the pearl accompanied by Gemmological Association pearl report stating the weight as 10.93 ct, measuring 11.43 mm x 11.96 mm x 11.01 mm, brooch 6.4 cm long, 32 grams. £2,500-3,000

487. A yellow and white metal diamond bracelet the alternating links each inset with a small round brilliant-cut diamond, unmarked, 19 cm long. £400-600 484. A yellow metal and cabochon coral ring the coral measuring approx 22 mm x 17 mm, the ring stamped 900, size K. £500-800

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490A. A late 19th / early 20th century yellow metal and black enamel mourning pendant the black enamel set with yellow metal monogrammed initials, with photo aperture to verso, unmarked, 4.5 cm long. An opal and diamond cluster ring. £200-300

488. An impressive diamond and aquamarine cocktail ring centred with a mixed square-cut aquamarine of approximately 8.0 carats, surrounded with round brilliant-cut diamonds of approximately 2.50 carats combined, the white metal shank marked 850 (tests as platinum), size P 1/2, 12 grams. £1,800-2,400 491. An 18ct white gold, diamond, and sapphire ring in the Art Deco style, the north to south mount inset with three bezel-set round brilliant-cut diamonds within a border of calibre-cut blue sapphires, with diamonds inset to the shoulders, size N 1/2, 3.8 grams. £600-800

489. A yellow gold, diamond, and aquamarine ring set with an emerald-cut aquamarine, the shoulders each inset with a baguette-cut diamond, the shank marked 18ct, size P, 3.8 grams. £500-700 492. A fine diamond line bracelet 490. An opal and diamond cluster ring set with an oval cabochon black opal, within a double silvered halo border of diamonds, with diamonds to the shoulders, the shank marked 585, size O 1/2, 5.5 grams. £300-400

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set with fifty eight round brilliant-cut diamonds of approximately 5.0 carats combined, the diamonds approxiamtely SI1/2 clarity approximate colour G/H the white metal clasp marked 750 (tests as 18ct gold), 17.5 cm. £2,800-3,500

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493. A yellow metal and diamond hexagonal cluster pendant set with round brilliant-cut diamonds, approximately 2 cm wide, suspended on an 18ct yellow gold chain, 9.5 grams. £500-800

496. A pair of 18ct yellow gold, diamond, and lemon quartz drop earrings each with an oval briolette-cut quartz, beneath an articulated double loop mount inset with diamonds, clip and pin fastens, marked 18k, 3.8 cm long, 13.2 grams. £700-900

497. An 18ct yellow gold, diamond, and emerald ring

494. A yellow metal and emerald line bracelet set with twenty-one mixed oval-cut emeralds, approximately 15.5 cm long, the clasp indistinctly marked 18K.

centred with a squared emerald-cut emerald of approximately 0.50 carats, flanked with two round brilliant-cut diamonds of approximately 0.60 carats combined, size O, 2.5 grams.

£500-700

£400-600

497A. A 9ct yellow gold and blue paste ring set with a mixed oval-cut paste stone to centre, within an orante foliate mount, size K, 4 grams. £50-60

495. A solitaire diamond pendant the round brilliant-cut diamond of approximately 1.10 carats, suspended on an 18ct white gold chain. £1,200-1,800

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502. A 15ct yellow gold, pearl, and demantoid garnet bar brooch together with a 15ct yellow gold Maltese cross pendant on a chain, a 9ct yellow gold and cameo bar brooch, a gilt metal and blue stone pendant on a yellow gold chain, a silver forget-me-not pendant on chain, a flat-link necklace, and a silver bangle with applied gilt thistle decoration, in a small jewellery box. £150-250

503. A Victorian gilt metal and turquoise floral brooch 498. A pair of solitaire diamond ear studs the diamonds of approximately 0.90 carats combined, four-claw set in white metal (tests as 18ct gold), approximate colour and clarity K/L, SI2, and H/I, I2. £700-900

approximately 4 cm diameter, together with a pair of 9ct gold and blue hardstone drop earrings, possible azurite, 3.7 cm long. (2) £120-180

504. An early 20th century 18ct yellow gold and diamond three-stone ring diagonally-set with three round-cut diamonds of approximately 0.40 carats combined, size N, 2.6 grams. £250-350

505. An 18ct yellow gold and old-cut diamong ring et with five graduated old-cut diamonds, size N, 4.8 grams. £200-300

506. An Edwardian 9ct yellow gold and split seed pearl pendant / brooch 499. A diamond and platinum cluster ring in the Art Deco style, centred with a collet-set round brilliant-cut diamond of approximately 1.0 carats, the geometric mount set with round and baguette-cut diamonds, the mount marked PLAT, size O, 4.2 grams.

in the Art Nouveau taste, 4.4 cm long, together with an 18ct yellow gold, diamond, and pearl ring, size N. (2) £200-300

£2,500-3,000

507. A group of four yellow metal brooches

500. An 18ct white gold and diamond line bracelet

to include a yellow metal and Jasperware brooch, a yellow metal and cameo brooch, a 9ct yellow gold and pearl wreath brooch, and a 9ct yellow gold ribbon-twist brooch of rounded form. (4)

the diamonds of approximately 1.0 carats combined, approximately 20 cm long, 9.8 grams.

£200-300

£400-600 508. A group of three pearl necklaces 501. A 15ct yellow gold, diamond, and ruby bar brooch centred with a collet-set mixed round-cut ruby, flanked with two round briliant-cut diamonds of approximately 0.20 carats combined, 7 cm long, 4.8 cm.

together with a pair of 9ct yellow gold and pearl stud earrings, and a group of silver and marcasite jewellery. (qty) £80-120

£200-300

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509. An 18ct white gold and diamond tennis bracelet set with forty-nine round brilliant-cut diamonds of approximately 5.88 carats combined, approximate colour E-G, VVS2-VS2, 18 cm long, 12 grams.

511. An impressive diamond and ruby ring the diamond band inset with old-cut diamonds of approximately 2.00 carats combined, mounted with a four-claw set mixed oval-cut ruby, of approximately 3.0 carats, the mount unmarked (tests as platinum) with sizing bar, size P 1/2, 5 grams.

Together with a copy of insurance valuation dated July 2019, stating insurance replacement value at £17.950.

Together with photocopy of independent valuation certificate stating replacement cost as £38,500; also together with a photocopy of GCS certificate stating ruby as being of Myanmar origin, indications of heating.

£4,000-6,000

£10,000-12,000

510. An 18ct white gold and diamond hinged bangle set with thirteen round brilliant-cut graduated diamonds of approximately 6.10 carats combined, approximate colour overall H/I, clarity I/2, internal diameter 6 cm, 26 grams.

Together with SafeGuard insurance valuation dated 2014, stating replacement value as £15,660. £6,500-7,000

512. An 18ct white gold and solitaire diamond ring set with a round brilliant-cut diamond of approximately 1.50 carats, approximate colour and clarity F/G, I1, size P 1/2, 3.8 grams.

Together with photocopy of insurance valuation dated September 2018, stating replacement value as £13,750. £3,500-4,000

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516. A 9ct yellow gold curb-link identity bracelet engraved with a name, together with a yellow metal chain necklace, and a 9ct yellow gold and single diamond ring, size L. (3) £100-200

517. An 18ct white gold and solitaire diamond ring the round brilliant-cut diamond of approximately 0.46 carats, approximate colour and clarity L/M, Si1/2, size J, 3 grams. £200-300 513. An 18ct white gold, diamond, and ruby ring centred with a mixed oval-cut ruby of approximately 1.86 carats, flanked with two round brilliant-cut diamonds of approximately 1.08 carats combined, approximate colour and clarity F/G, VS2, size I, 4.6 grams.

Together with a copy of insurance valuation dated February 2019, stating replacement value as £8750, and a copy of GCS certificate stating ruby to be of Burmese origin, indications of heating. £3,000-3,500

514. An impressive 18ct white and yellow gold, diamond, and emerald cluster ring centred with a mixed emerald-cut emerald of approximately 2.0 carats, possibly Colombian origin, within a double tiered mount of round brilliant-cut diamonds, with yellow gold and diamond triangular mount design to shoulders, size P, 13.5 grams.

Together with photocopy of SafeGuard certificate dated 2016, stating insuranve replacement value as £8275. £2,000-3,000

518. An unusual diamond and cats eye chrysoberyl pendant mounted in rose metal (marked 14K, tests as gold), having an oval cabochon black chrysoberyl showing four-point asterism, surmounted with two rows of small round-cut diamonds, the thirteen diamonds of approximately 0.20 carats combined, chrysoberyl approximately 19 x 14 x 8 mm, 8 grams. £300-400

515. A 9ct yellow gold curb-link necklace together with a 9ct yellow gold box-link necklace. (2) £300-500

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519. An unusual Modernist style yellow metal and turquoise ring

526. A yellow metal, diamond, and emerald pendant

with three four-claw set rounded turquoise beads, indistinct mark to shank, size T, together with an 18ct yellow gold and pearl ring, size S, a 9ct yellow gold and ruby and diamond band ring, size S 1/2, and a gilt metal and enamel locket, suspended on a yellow metal chain. (4) £100-200

set with a mixed pear-cut emerald, surmounted with five marquise-cut diamonds, the diamonds approximately L/M colour, set in unmarked yellow metal, the pendant 1.8 cm long, 2.9 grams. £400-600

527. An early 20th century 15ct yellow gold, diamond, and pearl bracelet

520. A 15ct white and yellow gold diamond cluster bar brooch set with a daisy cluster of round-cut diamonds, of approximately 0.70 carats combined, 6.5 cm long, 4.7 grams. £200-300

the articulated links with three pearls and two colletset diamonds, fitted with safety chain, approximate length 19 cm, 14.9 grams. £400-600

528. A pair of 18ct white gold and ruby earrings each collet-set with a round-cut ruby, approximately 5 mm diameter, 2.3 grams.

521. A diamond and sapphire ring the bow-shaped mount set with a row of old roundcut sapphires within a border of old-cut diamonds (one diamond lacking), set in unmarked yellow metal, size L 1/2, 3.4 grams.

£200-300

£200-300

522. An 18ct yellow gold, diamond, and opal ring set with three oval cabochon opals interspersed with diamond accents, size L 1/2, £150-200

523. An 18 carat white gold and diamond pendant in the form of conjoined stylised hearts, three of which are set with diamonds. Length of pendant approx 6 cm, chain approx 40 cm.

529. Bvlgari. An 18ct white gold B.Zero ring

£100-150

size V, in original box.

524. A late 19th / early 20th century diamond and pearl chocker necklace

Together with a photocopy of original receipt dated April 2019, retail value AUD 2270. £400-600

centred with an old-cutdiamond set hoop and two looped segmetns, suspended with four rows of pearl either side, two more diamond-set connectors, and fastened with a diamond-set bar clasp, approximately 36 cm long, in fitted box from Chapple & Mantell, London.

the channel-set band with seven round briliant-cut diamonds, indistinctly marked to shank (tests as gold), size L, 2.8 grams.

£200-300

£300-400

525. Two gem set 9 carat white gold pendants together with another white metal diamond set pendant marked 9 ct

531. A diamond and ruby halo cluster ring

all on 9 carat white gold chains, £100-150

530. A yellow metal and diamond ring

centred with an oval-cut ruby within a border of diamonds, the shoulders set with two rows of small round-cut diamonds, the shank indistinctly marked ‘...50’, size R, 1.8 grams. £150-250

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532. An 18ct yellow gold, diamond and sapphire cluster ring

539. A pair of white metal and diamond set lorgnettes

set with a mixed oval-cut blue sapphire within a border of round and baguette-cut diamonds, size L, 3.1 grams.

circa mid 20th century, the mount set with old-cut diamonds, 5.8 cm long (closed), with octagonal lenses.

£250-300

£200-300

533. A yellow gold and diamond band ring

540. A white metal and diamond chain necklace

set with three channel-set rows of round brilliant-cut diamonds, the stones of approximately 0.80 carats combined, indistinct marks to shank, size M 1/2, 9 grams.

set with nineteen open-set round-cut stones, no clasp, unmarked, approximately 74 cm long. £300-400

£300-400

534. An 18ct yellow gold and solitaire diamond ring set with a round brilliant-cut diamond of approximately 0.40 carats, approximate colour and clarity K/L, Si1/2, size N, 2.7 grams. £200-300

535. An 18ct white gold and solitaire diamond pendant necklace the round brilliant-cut diamond of approximately 0.28 carats, approximate colour and clarity G/H VS/SI1, four-claw set and suspended on an 18ct white gold chain. £300-400

536. A silver gilt opal and diamond ring set with a pear-shaped cabochon opal within a border and twisted shoulders set with old-cut diamonds, adjustable shank, approximately size Q, 4 grams. £80-120

541. A natural pearl and diamond ring set with a rounded natural white saltwater pearl of approximately 6.8 carats, flanked with baguette-cut diamonds, set in unmarked white metal, size M 1/2, 3.9 grams.

Together with photocopy of certificate from The Gem and Pearl Laboratory dated February 2013, stating the pearl to be of natural saltwater origin. £2,000-2,500

537. A silver gilt, diamond, and opal cocktail ring set with a round cabochon opal, within a border of old-cut diamonds, size Q, 4.2 grams. £80-120

538. A white metal, diamond, and black onyx bar brooch centred with a marquise-cut diamond of approximately 0.50 carats, and set with calibre-cut onyx and diamond accents, 6 cm long, 4 grams, together with a 15ct yellow gold and pearl bar brooch, 5.2 cm long, 3 grams. (2) £200-300

542. A pair of ribbon-twist diamond earrings the mounts set with tapered baguette-cut diamonds and surmounted with a small round-cut diamond, total diamond weight approximately 2.20 carats, unmarked, the butterflies stamped 750, 8 grams. £400-600

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543. A pair of 9ct yellow gold cufflinks

551. A yellow metal articulated mesh-link bracelet

together with a 14K gold wedding band, size Q, a yellow metal coin holder (a/f, does not open), a yellow metal and banded agate stick pin, three pairs of silver cufflinks, two pairs of metal cufflinks, and two metal tie studs. (qty)

(a/f, broken to centre), double stamped to clasp ‘ARR 18K’, Italian, 16.5 cm long. £400-600

£250-300

544. A large quantity of various costume jewellery items including necklaces, brooches, rings, bracelets, beads, smaller jewellery parts, clasps, etc. contained in a large suitcase. £80-120

545. A pair of 18 carat white gold diamond chandelier earrings approx 28 mm long 552. A tri-coloured metal fancy-link necklace

£120-180

comprised of flattened figaro links, marked 18Kt (tests as gold), together with an Italian yellow metal flat-link bracelet, marked 750. (2)

546. A pair of cabochon amethyst stud earrings, stamped Garrard 750 together with a pair of amethyst and citrine earrings stampe 9K and a further pair of white metal amethyst stud earrings (3)

£500-700

£100-150

547. A pair of diamond and pearl pendant earrings the cultured pearls measuring approx 12 mm x 9 mm, overall length of earrings approx 55 mm £200-300

548. Five cultured pearl rings one stamped 750 and set with diamonds to the shank, pearl approx 8.3 mm diameter, another white metal diamond and pearl stamped 750, a pearl and coral ring stamped 18ct, a 9 carat gold pearl and diamond riing and a double pearl ring stamped 585.

(5) (Qty: 5) £250-350

549. A yellow metal, diamond, and blue zircon ring set with a mixed round-cut zircon, with diamond accents to shoulder, size M 1/2.

553. A late 19th / early 20th century cameo brooch likely Italian, depicting Leda and the Swan, within an ornate filigree design yellow metal mount (unmarked), 11.5 grams, approximately 4.2 cm long, unsigned. £200-300

£100-200 554. A yellow metal rounded band ring (lacking stone), size J, shank unmarked.

550. A mid to late 20th century yellow metal and opal cocktail ring

£100-200

set with a raised oval dome cluster of oval cabochon opals, the shank marked 14K, size P 1/2. £100-200

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555. A 9ct yellow gold flattened fancy-link necklace

by Chiampesan, Italy, together with a 9ct yellow gold rope-twist chain (a/f), a yellow metal ropetwist necklace marked 777 (untested), two pairs of yellow metal earrings, a yellow metal bar brooch in an antique white leather jewellery box dated 9 October 1909, various silver and white metal jewellery, a gilt metal and amethyst coloured paste brooch, loose earrings, etc. contained in two early 20th century wooden jewellery boxes. £250-300

560. A yellow metal and cornelian signet ring with three champlevé enamel red bands encircling the ring stamped 18 ct, maker’s mark B&T, size O, weight 10.5 grams. £200-400

556. A yellow and white metal gent’s signet ring stamped 750 and with maker’s mark FJ, size R £500-800

557. A quantity of jewellery comprising a gold and cornelian signet ring (hallmarks rubbed), seven brooches including two stamped 15ct, two fobs and three damaged yellow metal items (13) (Qty: 13) £300-500

558. A graduated opera length faceted amber bead necklace largest bead approx 22mm wide, smallest approx 9.5 mm wide, weight approx 117 gms, length 99 cm. £200-300

561. A Victorian 18 carat gold serpent / snake ring hallmarked Birmingham 1892, size O, together with an 18 carat gold bloodstone signet ring hallmarked Birmingham 1930, size Q, gross weight approx 16.8 grams.(2) £350-500

559. Ten yellow metal and one yellow metal set stick pins including various gem set examples (11) £80-120

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567. An unusual naturalistic yellow metal and diamond ring

562. A 19th century yellow metal (tests 15 carat gold) and garnet floral pendant brooch approx 70 mm x 45 mm (A/F), together with two bar brooches, both stamped 15 ct. Gross weight approx 22 grams.(3)

the textured mount set with diamond accents, the shank marked 14K, size M. £200-300

£300-500

568. A yellow metal and diamond ribbon-swirl brooch

563. A yellow metal and synthetic corundum pendant

set with a small diamond, marked 750, together with two Victorian yellow metal floral brooches, an 18ct yellow gold flattened curb-link eternity ring size N, a coral brooch, a yellow metal and carnelian honeycomb brooch, and a small selection of silver and white metal jewellery, etc.

set with a purple Alexandrite-style stone within a shell-shaped gold mount (unmarked, tests as gold), suspended on a yellow metal chain (clasp marked 500), together with a late 19th / early 20th century yellow metal and turquoise bracelet, the snake-link bracelet mounted with a turquoise-set clasp. (2)

£200-300

£120-180

564. A yellow metal and rose-cut garnet heartshaped pendant the suspension loop marked 14K, 2 cm wide, together with a yellow metal and opal brooch, 2.2 cm long, and a yellow metal and pearl pendant on fine chain. (3) £100-200

565. A yellow metal and floral enamel locket pendant

569. A yellow metal flat-link articulated bracelet

the suspension loop marked 14K, on a heavy 9ct yellow gold snake-link chain necklace.

of textured design, 2 cm wide, the clasp marked 585, 18.5 cm long.

£200-300

£600-800

566. A triple strand pearl necklace

570. An early to mid 20th century yellow metal and diamond ring

comprised of small natural-shaped pearls, fastened with a diamond and sapphire clasp (yellow metal mount unmarked), together with an Italian yellow metal and pearl bar brooch marked 750, approximately 4.8 cm long. (2)

set with four round-cut diamonds within squared settings, shank unmarked, size I 1/2, 1.4 grams. £100-200

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Buyers Premium of 27.6% including VAT applies to every lot.

571. An Edwardian yellow metal, seed pearl, and peridot pendant the openwork mount centred with a round-cut peridot, pendant approximately 2.1 cm diameter, suspended on a 9ct pale rose gold chain, together with an 18ct yellow gold and pearl cluster ring, size M 1/2. (2) £150-200

572. Eight white metal and silver brooches including Victorian and Aesthetic movement examples together with a collection of Victorian, Art Deco and later 20th century costume jewellery and buckles, four hatpins, an agate bead necklace two glass bead necklaces and a hallmarked silver seal.(Qty) £100-150

577. A natural pearl necklace of graduated pearls, largest approximately 5 mm wide, smallest approximately 1.9 mm wide, fastened with a rhomb-shaped diamond-set clasp, contained in a fitted box.

Together with photocopy of certificate from the Gem and Pearl Laboratory, dated January 2020. £700-1,000

573. A sapphire and ruby bow brooch in textured yellow metal stamped 750, approx 4.5 cm wide, weight approx 13 grams £200-400

574. A pair of diamond drop earrings with screw fittings, marked 14k, drop approx 3 cm, estimated total diamond content approx 0.70 carat £300-500

578. A 9ct yellow gold curb-link charm bracelet with alternated textured and plain links and 9ct gold heart-shaped locket clasp, suspended with various charms including a hat, a show, the Statue of Liberty, a house, a witch, a half sovereign dated 1907, etc. £500-700

575. An 18ct yellow gold and diamond cluster ring lacking central stone, size N, together with a 15ct yellow gold Edwardian bar brooch, and two yellow metal chains (unmarked, untested). (4)

END OF SALE

£200-300

576. An 18ct yellow gold and opal ring set with a single oval cabochon opal, measuring approximately 9 x 8 mm, size N, 2.7 grams. £100-150

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AUCTION VIEWING FRIDAY 10AM TO 7PM

AUCTION

Auction Calendar

SATURDAY 10AM

We hold auctions at our salerooms in

20TH JUNE 2020

Berkshire once a month.

25TH JULY 2020

2020 AUCTION DATES 21ST MARCH 2020 25TH APRIL 2020 23RD MAY 2020

22ND AUGUST 2020 26TH SEPTEMBER 2020 24TH OCTOBER 2020 21ST NOVEMBER 2020 19TH DECEMBER 2020

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Meet Our Team

Ourfriendlyteamofspecialistscoverawiderangeofindustryexpertiseandareonlytoo pleased to answer any questions you may have.

Aubrey Dawson ASFAV Managing Director Head of Valuations

Ben Haynes ASFAV Chairman Modern & Classic Cars

aubrey@dawsonsauctions.co.uk

ben@dawsonsauctions.co.uk

Pete Liggins Commercial Director pete@dawsonsauctions.co.uk

Peter Mason Saleroom Manager Auctioneer & Valuer

Jeannie Greig Office & Accounts Administrator

Rachel Hutchinson MA Head of Jewellery Auctioneer & Valuer

peter@dawsonsauctions.co.uk

jeannie@dawsonsauctions.co.uk

rachel@dawsonsauctions.co.uk

Rachel Assous MA Valuer Decorative Art, Silver & Collectables

Harrison Goldman BA (Hons) Auctioner & Valuer Furniture & Decorative Arts

Colin Smith Valuer Jewellery & Silver

harrison@dawsonsauctions.co.uk

colin@dawsonsauctions.co.uk

Lauren Latham BComm Office Manager Jewellery & Silver

Marc Sancho MA Valuer Paintings & Works of Art

Mark Hill BA (Hons) Head of Design

lauren@dawsonsauctions.co.uk

marc@dawsonsauctions.co.uk

Sean Wright Photographer

YanYan Zhao Viewing & Saleroom Assistant Mandarin Chinese Speaker

rachelassous@dawsonsauctions.co.uk

sean@dawsonsauctions.co.uk

dawsonsauctions.co.uk

mark@dawsonsauctions.co.uk

Sue Marson Accounts Department

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An 18th century Russian Icon Sold for ÂŁ27,000

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Buyers Premium of 27.6% including VAT applies to every lot.

THE AUCTION PROCESS

AUCTION

COLLECTION

We hold Fine Art, Antiques & Jewellery auctions at our salerooms in Berkshire once a month, and a number of additional specialist sales throughout the year. You are welcome to bid online, by phone or in person at our saleroom.

Please contact us directly to arrange a time for collection, delivery or storage of your purchased items. Our saleroom is open until 5pm on the day of the sale and from 10am to 5pm, Monday to Friday.

BID IN PERSON

SHIPPING

To experience the excitement of bidding in person you will need to register with us by providing a proof of identity before the auction. On the day of the auction you’ll be given a bidding number to use.

We recommend Mail Boxes Etc as a responsible and reliable courier service.

Please contact them directly to assist with the delivery and shipping of your purchase. www.mbe.co.uk

BID ONLINE

COMPANY DETAILS

You can register to bid live in real-time from wherever you are in the world. Simply set up your account at our website, select an auction and complete your application before the sale starts. To register please visit: www.dawsonsauctions.co.uk

We trade as Dawsons Auctioneers Limited.

Registered company office: The Auction House, Kings Grove Estate, Maidenhead, Berkshire, SL6 4DP. Company Registration Number: 10185175.

Registered in England & Wales.

VAT Number: 251 2412 49.

BID BY PHONE If you’d like to bid by telephone, please get in touch a minimum of 24 hours before the auction and a member of our team will call you on the day a few lots beforehand.

PAYMENT Please note that all auction purchases must be paid for and collected within 5 working days of the sale. Storage charges will be incurred thereafter. Please note that a Buyers’ Premium of 27.6% including VAT applies to every item.

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Cartier, London An Art Deco diamond bracelet Sold for ÂŁ40,000

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G LO SSA RY

ARTIST RESALE RIGHTS & R OYA LT Y C H A R G E S

An item catalogued with the name of an artist, without any qualification, is a work by the artist.

From 1st January 2012 all UK market professionals (including auctioneers, dealers and galleries) are required to collect a royalty payment for all living artists and the beneficiaries of deceased artists up to 70 years following their death. The payment must be

‘Attributed to’ – an item created by the artist in whole or in part, as recognised by Dawsons.

collected after each new sale.

‘Studio of’ – or Workshop of as recognised by Dawsons, the item was created in the studio or workshop of an artist, and possibly under their supervision.

‘Circle of’ – as recognised by Dawsons, the item was created during the time of and influenced by the artist.

‘Follower of’ – Dawsons recognises that the item was executed in the style of the artist, but not necessarily by a pupil.

‘Manner of’ – as recognised by Dawsons, the item was executed in the style of the artist, at a later date.

‘After’ – Dawsons recognises that this item is a copy of the artist’s original work.

‘Signed, dated or inscribed’ – as recognised by Dawsons, the item was officially signed, dated or inscribed by the artist. The inclusion of a question mark indicates an element of doubt on Dawsons’ part.

Items labelled with a + in the catalogue and sold for £1,000 or more will be subject to a further percentage of the hammer price as follows: £0 to £50,000 | subject to 4% £50,001 to £200,000 | subject to 3% £200,001 to £350,000 | subject to 1% £350,001 to £500,000 | subject to 0.5% Exceeding £500,000 | subject to 0.25% The Artist’s Resale Right payable will include one of the above rates, with a maximum royalty payment of £12,500 for a single transaction.

The total resale rate will be based on the pound sterling/euro reference exchange rate as quoted by the European Central Bank on the date of sale.

All royalty charges are passed on to the Design and Artists Copyright Society (DACS). No handling costs or other charges in relation to the Artists Resale Rights are retained by Dawsons. There is no VAT payable on this royalty charge.

‘Bearing signature’ – as recognised by Dawsons, the signature, date or inscription was by the hand of someone other than the artist.

‘Dimensions’ – item dimensions are measured from and not including the mount or frame.

All dimensions are given in centimetres stating height before width.

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I N F O R M AT I O N F O R B U Y E R S 1. INTRODUCTION The following informative notes are intended to assist Buyers of Dawsons, particularly those inexperienced or new to our saleroom or online bidding platforms. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection in person, on our websites and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. AGENCY As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy, your primary contract is with the seller.

3. ESTIMATES Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot.

The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. BUYER’S PREMIUM The Conditions of Sale oblige buyers to pay a buyer’s premium of 23% on the hammer price of each lot purchased. In addition VAT is payable on this premium at the standard rate (presently 20%). (Buyer’s premium 27.6% inclusive of VAT).

5. VAT The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the vVAT included within the premium is not recoverable as input tax.

6. ARTIST’S RESALE RIGHTS / DROIT DE SUITE Lots as indicated † in the catalogue and if sold for the equivalent of €1000 or more on the day of the auction will be subject to a further percentage of the hammer price as follows: From €0 to €50,000 subject to 4% From €50,001 to €200,000 subject to 3% From €200,001 to €350,000 subject to 1% From €350,001 to €500,000 subject to 0.5% Exceeding €500,000 subject to 0.25% The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of €12,500 for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. AGENTS We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances, lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three-week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

9. COLOURED GEMS It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated, buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. EXPORT OF GOODS Buyers intending to export goods, should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. BIDDING Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Photographic identification is required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. ABSENTEE BIDDING (COMMISSION BIDDING) Absentee bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium.

They will be executed as cheaply as possible, with regard to the reserve (if any) and competing bids. If two buyers submit identical absentee bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving absentee bids by telephone or email. Please ensure bids are left at least one hour prior to the start of the auction.

13. LIVE ONLINE BIDDING (a) An online bidding service is offered via dawsonsauctions. co.uk, the-saleroom.com, EasyLiveAuction.com and Live Auctioneers. In completing the bidder registration on these sites the buyer is agreeing to Dawsons conditions of sale. (b) In the case where a debit or credit card has been used to register, the buyer also agrees to authorise Dawsons, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. (c) Please note that any lots purchased via dawsonsauctions. co.uk or the-saleroom.com, whether live bidding or absentee bidding, will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. Any lots purchased via EasyLiveAuction.com will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price or £3 + VAT for the whole auction. (d) Dawsons offers online bidding services as a convenience to its clients, but neither Dawsons nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or absentee bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system.

14. METHODS OF PAYMENT Payment can be made by cash, debit and credit cards or bank transfer. For international bank transfers an administration fee of £25 is payable. Cheques are not accepted. Please note that regulation of money laundering means we are limited to receiving the equivalent of €15,000 in cash payment.

15. COLLECTION AND STORAGE (a) Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may result in the buyer paying storage charges. All furniture and carpets must be collected within three working days following the auction. All other lots must be collected within five working days following the auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter. (b) Dawsons are unable to pack, post or deliver any items purchased through public or online auctions, but will happy to provide details of a local delivery company if required.

These are suggestions only and are not the recommendation of Dawsons or affiliated with Dawsons in any way and as such Dawsons cannot be held responsible for the individual performance of any other companies.

8. ELECTRICAL GOODS These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

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TERMS & CONDITIONS Dawsons Auctioneers Limited carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. These terms apply to Dawsons Auctioneers Limited trading as Dawsons Auctioneers.

1. DEFINITIONS In these Conditions: 1. “auctioneer” means the firm of Dawsons Auctioneers Limited or its authorised auctioneer, as appropriate; 2. “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; 3. “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; 4. “terms of consignment” means the stipulated terms and rates of commission on which Dawsons accepts instructions from sellers or their agents; 5. “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; 6. “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; 7. “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

8. The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND CONDUCT OF THE AUCTION 1. Bidders are required to register their details including photographic identification before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid.

2. The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believes there may be error or dispute, and take such action as they reasonably thinks fit.

3. Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneers hammer whereupon the buyer becomes liable to pay the purchase price.

4. Any post auction sales of lots offered at auction shall incorporate these conditions as if sold in the auction.

5. Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. BIDDING INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 23%. The premium is subject to VAT at the standard rate. (27.6% inclusive of VAT) 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT 1. Immediately a Lot is sold you will: i. give to us, if requested, proof of identity, and ii. pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

2. Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

1. i. You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction in the case of furniture and carpets or 5 working days following the day of the auction in the case of all other items. ii. Dawsons are unable to pack,

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post or deliver any items purchased through public or online auctions, but will be happy to provide details of a local delivery company if required. These are suggestions only and are not the recommendation of Dawsons or affiliated with Dawsons in any way and as such Dawsons cannot be held responsible for the individual performance of any other companies.

2. No purchase can be claimed or removed until it has been paid for and payment has cleared.

3. Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed.

4. Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 15, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the required collection or the 21st calendar day after the auction. Until risk passes, Dawsons will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES 1. If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: i. to proceed against you for damages for breach of contract; ii. rescind the sale of that Lot and/or any other Lots sold by us to you; iii. to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; iv. to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; v. to charge interest at a rate not exceeding 1% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; vi. to retain that or any other Lot sold to you until you pay the total amount due; vii. to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; viii. to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions.

9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. ABSENTEE BIDS, TELEPHONE BIDS AND LIVE ONLINE BIDDING Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf.

1. Lots will be purchased by the Auctioneer on behalf of the absentee bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute absentee bids whether through the auctioneer or through any online bidding software, or where a bidding slip has been completed incorrectly. We urge absentee bidders, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms.

2. Where two or more absentee bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

3. Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This facility is only available by prior arrangement with the Auctioneers.

The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids.

4. Live Online bidding. An online bidding service is offered via the-saleroom.com and EasyLiveAuction.com. In completing the bidder registration on these sites the buyer is agreeing to

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Dawsons conditions of sale. i. In the case where a debit or credit card has been used to register the buyer also agrees to authorise Dawsons, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. ii. Please note that any lots purchased via the-saleroom.com, whether live bidding or absentee bidding, will be subject to an additional 4.95% commission charge + VAT at the rate imposed on the hammer price. Any lots purchased via EasyLiveAuction.com will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price. iii. Dawsons offers online bidding services as a convenience to its clients, but neither Dawsons nor the seller will be responsible to you for errors during or after the sale or failures to execute bids, either live bids or absentee bids, placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (aa) any loss of connection to the auction being conducted online; (bb) a breakdown or problems with the online bidding software or the web site service provider; and/or (cc) a breakdown or problems with any internet connection, computer, mobile device or system.

11. WARRANTY OF TITLE AND AVAILABILITY 1. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third-party claims.

2. No representation or warranties are made by Dawsons or the seller as to whether any lot is subject to copyright or whether the buyer acquires copyright in any lot.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTION AND CONDITION OF LOTS 1. Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we, the auctioneer nor our employees or agents, nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries.

2. Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Dawsons Auctioneers Limited are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Dawsons will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

3. Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Dawsons are not liable for the omission of this term.

4. Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Dawsons may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Dawsons and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description

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reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

16. ONLINE ONLY TIMED AUCTIONS These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale.

1. Right to Cancel. If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. i. The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. ii. To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email). The communication must be received within 14 calendars days from the day on which you acquire the lot. iii. If you cancel the contract, we will reimburse all payments received from you. As Dawsons are unable to provide a postage or packing service, the cost of the initial delivery or collection is not returnable. In addition the cost of returning the item if you choose to cancel the contract is payable by you. iv. We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than: (i). 14 calendar days after the day we receive back from you any goods supplied, or (ii). (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods. (iii). We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest.

2. Liability. Dawsons nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system.

17. GENERAL We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

18. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to: 1. sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate; 2. hold that specific individual liable for the cost of restoration where appropriate; 3. hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

4. any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

5. such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting or sending.

20. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary of terms appearing in the catalogue.

21. Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors).

Buyers Premium of 27.6% including VAT applies to every lot.

Explore, Discover & Collect OUR NEXT AUCTION | THE APRIL SALE SATURDAY 25 APRIL 2020 | 10AM ENTRIES INVITED

DETAIL | LOT 1

AUCTIONS FOR FINE ART & ANTIQUES

0207 431 9445 | INFO@DAWSONSAUCTIONS.CO.UK | DAWSONSAUCTIONS.CO.UK

THE MARCH SALE 21 MARCH 2020 | 10AM