David Obrovnik portfolio : english

vol.1 2019

portfolio portfolio portfolio po r tf oli o

por o oli r tf po

tfol

po r tf oli o

io p

po r tf oli o

ort foli o

o oli r tf po

por

po rfo lio

tfol

io p

po rfo lio

orfo l

io p

o oli r tf po

orfo l

io portfolio portfolio portfo

io p ortfol ortfoli p o i l o po portfo rtfo lio p

David Obrovnik

olio portfolio portf

io tfol r o p

ortf olio p

orfo l

io p

orfo

DAVID OBROVNIK 10.04.1995 Fošt 22.b 2317 Oplotnica Slovenia tel: +386 41 750 964 mail: david.obr14@gmail.com instagram: davit_ facebook: David Obrovnik issu: https://issuu.com/davit_

LANGUAGES Slovenian: mother tongue English: C1 (fluent) Croatian: C1 (fluent) Spanish: A2 (beginner) Czech: A1 (beginner) KNOWLEDGE AND EXPERIENCE IN COMPUTER operating system Windows operating system macOS MS Office (Word, Excel, PowerPoint) Autodesk (Autocad) Adobe (Illustrator, Photoshop, Indesign) Archicad CorelDRAW Google SketchUp INTERESTS photography painting drawing fashion design filmography

workshops and competitions »Urban landscapes for a better tomorrow« within the DEMOLA Slovenia project _Workshop for students from Slovenia and India in Maribor, Slovenia. exhibitions

High School Slovenska Bistrica; gymnasium, Ul. dr. Jožeta Pučnika 21, 2310 Slovenska Bistrica graduated 2014

2015

2014

Student Exhibition of the Best Works FGPA UM _ Urban bivouac and dormitory; Architectural Design 1, izr. prof. Janko Zadravec, assistant, asist. Nataša Šprah, udia _Linescube, microhouse, microexpressive, and housevertical; Architectural Design 2, prof. Nande Korpnik, udia, asist. dr.

Marko Jaušovec, udia

Bechelor degree: dipl. inž. arh.

University of Maribor, Faculty of Civil Engineering, Transport Engineering and Architecture; department of architecture, Smetanova ulica 17, 2000 Maribor graduated 2017

exhibitions Student Exhibition of the Best Works FGPA UM _Exercises; Composition, prof. Vojko Pogačar, akad. slikar _House BOX; Visualization, doc. dr. Kaja Pogačar, udia

2016

Vurnik Days, Šivčeva House Gallery, Radovljica, Slovenia _Displaced project from the subject Studio II, izr. prof. Uroš Lobnik, udia

workshops and competitions

workshops and competitions

»Ekaterinburg 2017 Friendly city squares« NEPTUNE _ Workshop for students from Finland, Switzerland, Slovenia, the Netherlands and Denmark in Ekaterinburg, Russia.

Student wrokshop Fabiani, Plečnik and Vurnik room in Hotel Union, Ljubljana _2nd place for the design of three hotel rooms on the theme of three key slovenian architects Plečnik, Fabiani and Vurnik in collaboration with Nace Mohorič and Eva Sevsek (Faculty of Architecture, Ljubljana) and Eva Sesek (Faculty of Design, Trzin)

"Conceptual design of a contemporary wardrobe for a youth room" with Slovenian interior company ALPLES exhibitions

Project »Participatory approach to the restoration and revival of Loče. Let's connect Loče! "Within the program "On the creative path to knowledge 2017-2020 " _Participation in the conceptual design of the integrated urban planning of the city, the design of a residential tower and the graphic production and design of the final publication with Katarina Kobale Student workshop Velika Polana _Conceptual design of the wine cellar project in Lendavske gorice in collaboration with Katarina Kobale and Kaja Likar, production and design of the final publication and posters in collaboration with Katarina Kobale

2018

2017

Student Exhibition of the Best Works FGPA UM _SKEJT: youth center; Studio III, doc. mag. Andrej Černigoj, udia, pred. Tomaž Ebenšpanger, udia, asist. Nataša Šprah, udia _Castle Lindek – an attempt to reconstruct the castle from the 17th century; Fundamentals of cultural heritage protection, dr. Igor Sapač, udia

Master degree: mag. inž. arh.

University of Maribor, Faculty of Civil Engineering, Transport Engineering and Architecture; department of architecture, Smetanova ulica 17, 2000 Maribor

Memorial for village Govce near Laško _Design of the commemorative memorial project for village Govce and graphic design of a publication with Katarina Kobale and Kaja Likar, presented in the Virtual Mine catalog, exhibited at Visual Heritage EXPO Vienna 2018

exhibitions

exhibitions

Malešická průmyslová oblast, Praga _exhibited project Industrial Forest, prof. ing. arch. Zdenék Jiran in prof. Marco Maio

Student Exhibition of the Best Works FGPA UM _Intergenerational center Maribor; Studio M1, doc. Robert Potokar, udia _Multifamily building in the city center; Multifamily buildings, izr. prof. dr. Metka Sitar, udia, asist. Nataša Šprah, udia _Oplotnica; Settlement planning methods and concepts; pred. Aleksander Ostan, udia _UM.AU Academy of arts; Public buildings, doc. Janko Zadravec, udia, asist.

Nataša Šprah, udia _Western city road between Lack and Ilich roads; Spatial strategies and urban development; izr. prof. dr. Metka Sitar, udia, Stojan Skalicky, udia, doc. dr. Melita Rozman Cafuta, udika

Exhibition of Students Works, CTU Praga _Industrial Forest; Design studio 1M, prof. ing. arch. Zdenék Jiran, prof. Marco Maio _Center of Urban Culture; Design Studio M2, prof. Marco Maio, prof. Filip Klozar

Visual Heritage EXPO Vienna 2018 _ Memorial for village Govce near Laško

Czech Technical University in Prague; Faculty of Architecture, Thákurova 9, 166 34 Praha 6 Erasmus+ exchange 2018/2019

2019

Vurnik Days, Šivčeva House Gallery, Radovljica, Slovenia _exhibition of the project from the Fabiani, Plečnik and Vurnik room in Hotel Union

castle Lindek

intergenerational center Maribor

UM.AU academy of arts

noah ark

01

02

03

04

industrial forest

08

memorial of the village Govce

/DVOJNOST

forest city

/KONCEPT

winery Lendavske Gorice

/NEGATIV

07

06

05 /TRIPARTITNOST

castle Lindek 01

Lindek Castle is an important monument to the profane cultural heritage in local terms, as well as in the broader national sense. Through the process of aging, it was struck by a similar fate of decay as most other medieval castles in Slovenia, and over time he turned into a ruin.

Today, the castle is rapidly decaying, and its architectural elements are disappearing day by day.

The concept of renovation is to connect the forgotten parts of the castle into a whole. The guideline, therefore, as in museums, is to introduce a circular path that will run through the history of the ruins, opening us to the future. In summary, we are talking about a walk that offers us two extremes as a whole, the testimony of the rest of human history that we stroll through, while also looking to the future, which allows us picturesque views of the valley and the surrounding hills.

The complete renovation is based on four interconnected elements: excavation of debris, replenishment of damage, insertion of functionality and integration of everything mentioned above.

1_situation

3_ floor plan

4_ cross section A

3 5_ cross section B

2

2_axonometry

6_ facade east

current situation in 2017

4

5

6

8_ floor plan

9_ cross section A

8 10_ cross section B

7

7_axonometry

11_ facade east

attempt of reconstruction from 17th century

9

10

11

proposal for renovation of the castle

12

13

13_concept

16

14_ cross section A

15

12_ floor plans K, P, P + 1, P + 2

15_ cross section B

14

17_ axonometry

17

18_ visualizations

19_ disassembled axonometry

18

19

intergenerational center Maribor 02

The design of the home for the elderly arises in response to the question of how to create a space in which the elderly will feel as homely as possible. Homeownership can be equated with the ideology of a private house set in a garden. The latter becomes a place to live, play, socialize and grow food. By intersecting the ideologies of the garden and the private house, we create the term "garden in the house." Garden in the house acts as a greenhouse in which we can garden throughout the year.

The building mass, which takes over and continues the elaborate student campus in the immediate vicinity, is perforated with atriums shaped as greenhouses. Through the mass of the volume, perforations are cut across all floors, thus creating an interesting game of triple views and illumination of the interior.

Individual living units are clustered in the form of a cluster under a common roof around a central greenhouse - an atrium that represents the central connecting space.

Green Island is a place for meeting, socializing and gardening together.

Residents live in harmony with nature and thus become self-sufficient.

The software complex consists of two facilities; a two-storey nursing home with a public program and a four-storey tower of sheltered housing. The two buildings are connected to a perforated atrium cellar.

The building is protected by a green barrier against KoroĹĄka Road.

The sprawling construction of the building dictates outdoor open spaces, which cut into the mass of the building and, in the south, pass through private gardens into pristine nature.

1_situation

3_ floor plan

4_ axonometry

4 6_ facades S, J

H

H H

H

H

H H

5_ cross section A, B

7_ visualiza-

2

2_ ground floor plan

3 H

H

H

H

H

H

H H

H

H

H

H

5

6

7

8_visualization

UM.AU academy of arts 03

The Academy of Arts is located in the center of Maribor, conceived as a seal between the existing built fabric of Castle Street. The Academy has two sections: Fine Arts and Music and is located between the facilities of the Astoria CafĂŠ and the former Partizan Cinema.

The design concept is first taken from existing building volumes.

The building thus aligns along the street axis. The volume inserted is divided into three masses that stack up. In this way, we get a free ground floor, which gives access to the inner atrium.

The inner courtyard is divided into several levels and atriums, designed as an outdoor amphitheater that descends into the inner amphitheater classroom. The common courtyard also appears on the terrace on the third floor, where it is used as an outdoor reading room and social room.

The facade of the academy is glass, as it contrasts with the modern material in contrast to the historical facades of adjacent buildings, while at the same time reflecting them in a framed building.

1_situation

3_ ground floor floor

4

5

4_ floor plan 6

5_ floor plan 3

6_ cross section B

3

2_ basement floor

7_ cross section C

8_ facade V

9_axonometry

2

6

7

9

8

8_visualization

noah arc 04

The selected location in Celje is very polluted due to Cinkarna Celje, as it is located right next to the industrial zone. Responding to such a space is a unique challenge, which we have answered with a massive Regional Center and Institute for the Environment, which will take into account the global problems of climate change, pollution and extinction of specific plant and animal species of different latitudes.

The design concept of trinity comes from the topographic design of Celje. It is formed by the Celje Castle and the Celje Hut, each built on its own hill and the Celje basin in between, were lies the town. We took the tripartite and transformed it into the concept of three circles. By combining them, we reasonably placed them in the area and constructed biome domes through them.

The architecture consists of a lightweight bar structure and an ETFE transparent membrane that ensures the establishment of the selected climate inside the dome. It protects the interior from noise and pollution.

Noah arc is a huge, multicuple greenhouse containing plants from all over the world. Consists of four domes of different sizes and volumes.

The latter form three biomes - Tropical, Savanna and Mediterranean with different tree, plant and animal species. Inside the domes is also housed the Institute of the Environment, which occupies the premises of various laboratories to investigate the aforementioned problems.

1_situation

4

3_ floor plan of the ground floor

3

2_ floor plan of the basement

4_ floor plan of the floor 1

5_ axonometry of capsules

6_ floor plans of capsules

2 7_ section A, B

5

7

6

detail 3

detail 2 5

3

detail 1 m_1:15

detail 3 m_1:15

detail 2 m_1:15

detail 1 m_1:15

detail 3 m_1:15

detail 2 m_1:15

4 1 3 4

2

3

5

9

5

1

5

3

3

1 2 6 7

2 5 1

5 7

3

5

6 7

6

3

1 2srednja ETFE folija

8 1 2

8

8_detailed cut

9_details

10_ visualization of Mediterranean biom

detail 1

srednja ETFE folija 3

8

3 6 7

2

3

11_ visualization of Savanna biom

5

10

11

8_visualization of Tropical biom

winery Lendavske Gorice 05

The Pannonian Wine Cultural Center in Lendavske Gorice is located along the village road. The construction of the replica (scenario) of the demolished cottage winery is not reasonable, since the original cannot be replaced, so the project comprehensively addresses the "memory" of the cottage according to the principles of critical regionalism.

The spatial arrangement highlights the duality between the visible memory of the demolished and the burrowed new program opening up to the vineyards. An abstract structure of a former cottage (scenario used to be) can be seen from the access road. The premises of the wine cellar are positioned underground, thus minimally affecting the existing visual image of the location. The latter opens in the direction of the vineyards (scenario today).

The new complex has two underground floors. In the upper part there are rooms for visitors with a catering program, and in the lower part there are wine cellars. The floors connect the stairs and the elevator.

Visitor spaces are directly accessible from the south side, where there is a smaller parking lot. Main spaces are with a glass wall opened to the east in the direction of the vineyards.

External access to the wine cellar is regulated by a ramp, also from the south side.

The abstract structure - the outline of the former cottage winery, where it once stood, is the outline of the archetype of the winery typical for this region. Below it, there is a void in the plateau on which it stands. Void is the negative of the former winery's volume and a light source for the underground winery.

The shape of the building follows the parcel boundary along the road and the topography of the terrain.

The west and north sides are completely dug in, while the south and east sides have a terrace.

1_situation

3

2_ floor plan of the basement

3_ floor plan of the ground floor

4_ cross section A, B

5_axonometry of the interior

2

4

5

6_axonometry of the exterior

memorial of the village Govce 06

RIBNIK

The village Govce was first mentioned between 1265 and 1267 as Goltz. Govec was a clustered village and the main building in the village was a church dedicated to St. Mary Magdalene. Next to the church were initially 7 homesteads with a population of about 100 people. The residents lived through farming. In 1818, it began to be mined. Due to the excavation of the trenches, homesteads began to sinking into the ground. By 1965 residents were forced to move out. They continued mining, resulting in accelerated land sliding. In the early 1990s, the ruins of the village were mostly demolished.

The memorial is designed as a circular learning path with designed urban elements; information boards, benches and village model. The main object of the memorial is the model of the village, which consists of three layers. It shows the trenches, the terrain and the village. Additional design elements of the hallmark are boards that allow the vedut to be revived. With the silhouette of a former building the visitor can imagine it in real space. The void of the silhouette thus arouses the feeling of today's emptiness of space.

The actual photos are also engraved into the metal for ease of presentation. Both elements are formed from corten, which as metal most visually connects with nature. The benches are shaped like a concrete pedestal with a wooden seat. Each bench has a story engraved by the former residents. The educational path takes the visitor through the joyful and tragic stories of the erased village.

VILLAGE GOVCE

QUARRY

1_situatiom

MINE

2_situation of the area with the learning path

3

5

4

3_ layout of the model

6

4_ facade of the model

5_ axonometry of the model

6_ visualization of the model

forest city_urbanism 07

The selected location in Prague, in the HoleĹĄovice area, is located in a predominantly industrial area. The location has good connectivity with the city as here is the last metro station on green line A. We designed a green city with residential blocks.

The neighborhood is closed to motor traffic, but opened to public passenger transport, delivery and intervention. Along the main, existing road there is a green lane with trees that separates the neighborhood from loud traffic.

Ground floors of the buildings are filled with public functions and the upper floors are housing. Among the facilities, there are open green spaces intended for socializing.

The main promenade is designed through the neighborhood, with three main centers. These centers are intended for public functions.

The first center is Cultural Center, followed by Elementary School and Health Center.

1_situation

3

3_central public axis concept

4_green concept

5_traffic arrangement concept

6_5-minute city concept

2

4

5

6_axonometry

industrial forest 08

Industrial Forest Cultural Center is one of the three central public activities in urbanism described earlier. As the name implies, the facility seeks to approach the industrial style as it is located in an area currently in industrial use. For the sake of the latter, I wanted to create an architecture that, with its monumentality, would try to present the history of space to the next generations.

The facility is designed as a cultural center whose primary purpose is to become a multi-purpose space.

It brings together different cultural programs and, as a result, brings different generations together in one place. It contains various exhibition spaces, a multipurpose theater, an experimental space for music, light and film, classrooms, ateliers, a cafe, a photographic studio, a library and administration.

The Garden of Inspiration and Senses is a specially designed space consisting of water, light, natural and sound elements. It is an area consisting of columns, concrete curtains, green nets and water fountains. The concept is summed up by something most natural - walking in the forest.

In the natural environment, people can constantly choose their own path, losing themselves and discovering interesting microambients full of inspiration.

The columns in the garden are used as primary structural elements or decorative elements to create a special ambience. When we add a secondary feature to them, they become rainwater collectors, lights, and musical instruments that creates speacial ambient.

1_tloris pritliÄ?ja

3

2_ floor plan 1

3_ floor plan 2

4_ facades V, Z

5_ cross section A, B

6_ visualization

2

4

5

6

7

7_visualization

8

8_disassembled axonometry

folio port folio

tfo l io

po r tf oli o

port

por

o oli r tf po

p olio ortfo f r o p lio folio por io por l o f tfol r o p o i io rtfol po r tf ol io

portfo l io

olio portfolio portfolio portf p ortf lio olio rtfo po

io tfol por

tel: +386 41 750 964 mail: david.obr14@gmail.com instagram: davit_ facebook: David Obrovnik

po r t f oli o p

lio tfo or

portfolio folio port lio rtfo po