David Zwirner Books Spring/Summer 2022 Catalogue

David Zwirner Books Spring/Summer 2022

David Zwirner Books Spring/Summer 2022

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Point Break: Raymond Pettibon’s Surfers and Waves Carol Bove: Collage Sculptures The Five Lives of Hilma af Klint Portia Zvavahera Bridget Riley: Past into Present

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Clarion Kandis Williams

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Seeing Shakespeare William Shakespeare × Rose Wylie: The Tempest

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ekphrasis Dix Portraits Something Close to Music

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Spotlight Sherrie Levine: Hong Kong Dominoes

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Recent Releases Selected Backlist Distribution Details

Point Break: Raymond Pettibon’s Surfers and Waves Texts by Jamie Brisick and Brian Lukacher Contributions by Emily Erickson and Stephanie Gilmore

Hardcover 9 × 12 in | 22.9 × 30.5 cm 192 pages, 140 illustrations David Zwirner Books ISBN 978-1-64423-035-0 $55 | $75 CAN | £40 June 2022

“All this must be either surfed or painted”: This is the underlying sentiment behind Raymond Pettibon’s iconic works of surfers and waves in this quintessential volume dedicated to the motif.

Pettibon is known for his characteristically enigmatic aesthetic and sharply satirical critiques of American culture. Though drenched in cynicism, his work empathizes with the dizzying madness of our own humanity as it engages both so-called high and low culture. Perhaps most poetic among the many motifs present in Pettibon’s oeuvre is the surfer. In 1985, Pettibon began Surfers––a series he continues to work on to this day––popular for its depiction of the lone surfer silently carving “a line of beauty” along an impossibly large wave.

This publication traces a selection of more than one hundred surfers from the series, from smaller monochromatic works on paper to colorful large-scale paintings applied directly to the wall. For Pettibon’s protagonist in these works, surfing exists apart from all else. Momentarily he achieves sublimity on the wave, distant yet synced with turbulent reality. We are forced to confront our own scale: small and feeble in the face of the power of nature, what is beyond our control. Pettibon’s lyrical writings on these painted surfaces—both his own and lines taken from literature—reference his own philosophies and the confusions of reality: he critiques and highlights the hypocrisies and vanities of the world he engages. To help navigate, the scholar Brian Lukacher explores art-historical antecedents in Pettibon’s work, particularly the seascapes of J. M. W. Turner, and Jamie Brisick, the writer and former professional surfer, examines the Southern California surf and music culture of Pettibon’s youth. The professional big wave surfer Emi Erickson also describes the sensory experience of conquering the enormous waves ISBN 978-1-64423-035-0 depicted in Pettibon’s works.

Raymond Pettibon’s (b. 1957) influential oeuvre engages a wide spectrum of American iconography variously pulled from literature, art history, philosophy, religion, politics, sports, and alternative youth culture, among other sources. Intermixing image and text, his drawings engage the visual rhetorics of pop and commercial culture while incorporating language from mass media as well as classic texts by writers such as William Blake, Marcel Proust, John Ruskin, and Walt Whitman.

Through his exploration of the visual and critical potential of drawing, Pettibon’s practice harkens back to the traditions of satire and social critique in the work of eighteenth- and nineteenth-century artists and caricaturists such as William Hogarth, Gustave Doré, and Honoré Daumier, while reinforcing the importance of the medium within contemporary art and culture today.

Jamie Brisick’s books include Becoming Westerly: Surf Champion Peter Drouyn’s Transformation into Westerly Windina (2015), The Eighties at Echo Beach (2011), Have Board, Will Travel: The Definitive History of Surf, Skate, and Snow (2004), and We Approach Our Martinis with Such High Expectations (2002).

His writings and photographs have appeared in The Surfer’s Journal, The New Yorker, The New York Times, and The Guardian. In 2008, he was awarded a Fulbright Fellowship. He lives in Los Angeles.

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Carol Bove: Collage Sculptures Texts by Catherine Craft and Lisa Le Feuvre Foreword by Jeremy Strick Introduction by Catherine Craft

Hardcover 9 × 13 in | 22.9 × 33 cm 192 pages, 129 illustrations Nasher Sculpture Center ISBN 978-1-64423-067-1 $65 | $85 CAN | £50 February 2022

Exploring the recent sculptural innovations of prominent contemporary artist Carol Bove.

Carol Bove: Collage Sculptures presents an extensive look into the artist’s work over the past five years and her ongoing exploration of scale, color, material, and artistic traditions of the twentieth century.

Bove’s recent work engages the conceptual concerns of mid-century sculpture, such as spontaneity, industrial materials, and the potential of painted sculpture. However, within this space of familiar sculptural traditions, Bove has discovered new approaches that lead to places previously unknown. Bove’s “collage sculptures” are created from scrap metal and stainless steel that has been carefully worked into sinuous forms and are frequently painted. Considering the hard rigidity of the steel, the works possess an appearance of almost impossible softness, as if steel could become as pliable as clay. Such works range from small pedestal sculptures to large, imposing compositions. Bove’s interest in scale and how a viewer’s understanding of an artwork shifts depending on its context are explored through a selection of small works from the collection of the Nasher Sculpture Center, Dallas.

Known for works that incorporate found and constructed elements with a unique formal, technical, and conceptual inventiveness, Carol Bove (b. 1971) stands as one of the foremost contemporary artists working today. Her work has consistently challenged and expanded the possibilities of formal abstraction.

Catherine Craft is curator at the Nasher Sculpture Center, Dallas, where she has curated Melvin Edwards: Five Decades (2015) and The Nature of Arp (2018). She is the author of An Audience of Artists: Dada, Neo-Dada, and the Emergence of Abstract Expressionism (2012) and Robert Rauschenberg (2013).

Lisa Le Feuvre is a curator, writer, editor, and public speaker. She is the inaugural executive director of Holt/Smithson Foundation, an artist-endowed foundation dedicated to the creative legacies of the artists Nancy Holt and Robert Smithson. Between 2010 and 2017, Le Feuvre was head of sculpture studies at the Henry Moore Institute, where she directed the research component of the largest artistendowed foundation in Europe, leading a program of education, research, collections, publications, and exhibitions.

Published by the Nasher Sculpture Center on the occasion of the eponymous 2021 exhibition, the catalogue features beautiful reproductions of Bove’s work and an introduction as well as an essay by curator Catherine Craft on the development of the collage sculptures and their relationship to other artists and traditions of modern sculpture. Also included is an essay by Lisa Le Feuvre that explores Bove’s complex work by means of a thematic alphabet ISBN 978-1-64423-067-1 related to the artist’s interests, and a foreword by Jeremy Strick.

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The Five Lives of Hilma af Klint

By Phillipp Deines Foreword by Julia Voss

Hardcover 8.25 × 11.75 in | 21 × 29.8 cm 120 pages, illustrated throughout David Zwirner Books ISBN 978-1-64423-069-5 $35 | $47 CAN | £25 March 2022

A moving biography, told in vivid illustrations, this graphic novel features key moments in the life of Swedish artist and pioneer of abstract painting Hilma af Klint (1862–1944). Long underrecognized, af Klint is amid a sensational rediscovery that continues to take art audiences by storm.

Artist Philipp Deines traces the story of now world-famous af Klint’s unique life and groundbreaking oeuvre through five chapters featuring her development as an artist, her family background, and her relationship to the spiritual. Highlighting how she came to her distinctive paintings, her spiritual quest, and the friends who helped her, this is a story of the strength it took af Klint to continue as an artist against all odds.

Beautifully drawn, brightly colored, and well researched, this graphic novel is a new way of looking at the story of an artist. Referencing Julia Voss’s new biography of af Klint, Deines presents an accessible and lively introduction for many ages. Biography, art history, and contemporary narrative style merge and complement each other in this magnificent visual world.

Hilma af Klint (1862–1944) is now regarded as a pioneer of abstract art. Though her paintings were not seen publicly until 1987, her work from the early twentieth century predates the first purely abstract paintings by Kandinsky, Mondrian, and Malevich.

Philipp Deines is an artist, illustrator, and graphic designer. In 2015, he published Behind the White Cube (Merve Verlag) with Julia Voss. In 2020, he received the Berlin Comic Scholarship and his work was exhibited in the Museum for Communication Berlin. In 2021, his work was exhibited at Grisebach in Berlin in the exhibition Stu-stu-stu-studioline. The Five Lives of Hilma af Klint (2022) is his first graphic novel. He lives and works in Berlin.

Julia Voss is a curator, art critic, and professor.

Her biography of Hilma af Klint was on the shortlist of the Leipzig Book Fair Prize in 2020 and became a bestseller. She headed the visual arts department of the Frankfurter Allgemeine Zeitung for ten years and has been teaching art history as an honorary professor at Leuphana University in Lüneburg since 2015. She lives in Berlin with her husband Philipp Deines and two children.

ISBN 978-1-64423-069-5

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Portia Zvavahera Text by Meredith A. Brown Interview with the artist by Allie Biswas

Hardcover 9.5 × 11 in | 24.1 × 27.9 cm 112 pages, 24 illustrations David Zwirner Books ISBN 978-1-64423-071-8 $65 | $85 CAN | £50 June 2022

Expressive and rich paintings by the Zimbabwean artist Portia Zvavahera—made during a time of intense solitude and collective struggle across the globe.

In her paintings, Zvavahera gives form to emotions that manifest from other realms and dimensions beyond the domains of everyday life and thought. Her vivid imagery is rooted in the cornerstones of our earthly existence—life and death, pain and pleasure, isolation and connection, and love and loss.

Zvavahera draws from a powerful visual vocabulary comprising women, her family, and shape-shifting animals, in scenes both metaphorical and fantastical. In several paintings, she makes use of intricate patterns taken from her own floral or classical Zimbabwean designs. Her particular process of alternating painting and printing results in images that communicate complex emotions in a play of tension and release. The result is a deeply personal body of work that probes the nature of the human condition. As Zvavahera states, “It is me in the paintings.… I can only speak about myself.”

In addition to gorgeous reproductions of twenty-four paintings, including up-close details and installation views, this catalogue also features a new essay by the curator Meredith Brown and an interview with the artist by the writer Allie Biswas. This catalogue surveys work made since 2017.

Portia Zvavahera was born in 1985 in Harare, Zimbabwe, where she currently lives and works. She studied at the BAT Visual Arts Studio, National Gallery of Zimbabwe, from 2003 to 2005. She then received a diploma in visual arts from Harare Polytechnic in 2006.

Allie Biswas is a writer and researcher based in London. She is coeditor of The Soul of a Nation Reader: Writings by and about Black American Artists, 1960–1980 (2021). She has published interviews with artists including Rashid Johnson, Julie Mehretu, Meleko Mokgosi, Zanele Muholi, Adam Pendleton, and Wolfgang Tillmans. She has written catalogue essays for monographs on the work of Rina Banerjee, Arcmanoro Niles, Serge Alain Nitegeka, and Hannah van Bart.

Forthcoming publications include a catalogue about the US Embassy’s art collection in London and interviews with Lubna Chowdhary, Theaster Gates, and Ibrahim Mahama.

Meredith A. Brown serves as the director of museum affairs and chief curator at Planting Fields Foundation in Oyster Bay, New York, where she oversees all collection and exhibition initiatives. Her research focuses on the histories of gender and social activism as they intersect with art in the twentieth and twenty-first centuries and has been supported by The Metropolitan Museum of Art, the Smithsonian Institution, the Terra Foundation for American Art, the Andrew W. Mellon Foundation, and Stanford University.

Prior to joining Planting Fields, she worked as a senior research associate in modern and contemporary art at The Metropolitan Museum of Art. Brown earned her MA and PhD in art history from The Courtauld Institute of Art, University of London, and holds a BA in art and art history from Stanford University.

ISBN 978-1-64423-071-8

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Bridget Riley: Past into Present Text by Éric de Chassey

Hardcover 9.5 × 12 in | 24.4 × 30.5 cm 80 pages, 36 illustrations David Zwirner Books ISBN 978-1-64423-066-4 $55 | $75 CAN | £40 February 2022

Renowned British artist Bridget Riley’s paintings have provoked powerful sensations through their formally taut, abstract compositions over the course of her more than six-decade career. In this new body of work, Riley returns to earlier ideas and takes them into further and surprising directions.

“I am sometimes asked ‘What is your objective’ and this I cannot truthfully answer. I work ‘from’ something rather than ‘towards’ something. It is a process of discovery.” Since 1961, Riley has focused exclusively on seemingly simple geometric forms, such as lines, circles, curves, and squares, arrayed across a surface—whether a canvas, wall, or paper—according to an internal logic. The resulting compositions actively engage the viewer, at times triggering sensations of vibration and movement. In the present selection, Riley advances her Measure by Measure series, her most extensive body of work to date, into a new, darker color palette. Once again, changing the way we look and offering a powerful effect on our eyes.

This sense of dynamism was explored to great effect in the artist’s earliest black-and-white paintings, which established the basis of her enduring formal vocabulary. In 2020, after visiting her own earlier works at her retrospective exhibition organized by the National Galleries of Scotland, Riley returned to black-and-white lozenges, adjusting the orientation of each shape to create a new visual sensation.

In 1967, Riley introduced colour into her work, thus expanding the perceptual and optical possibilities of her compositions.

One of the most significant artists working today, Bridget Riley’s dedication to the interaction of form and color has led to a continued exploration of perception. From the early 1960s, she has used elementary shapes such as lines, circles, curves, and squares to create visual experiences that actively engage the viewer, at times triggering optical sensations of vibration and movement. Her earliest black-and-white compositions offer impressions of several other pigments, while ensuing, multi-chromatic works present color as an active component. Although abstract, her practice is closely linked with nature, which she understands to be “the dynamism of visual forces—an event rather than an appearance.” Éric de Chassey is the director of the Institut national d’histoire de l’art, Paris, and a professor of modern and contemporary art history at the École normale supérieure in Lyon, France. Between 2009 and 2015, he was the director of the French Academy in Rome, Villa Medici. He has published extensively on American and European art, transatlantic cultural relationships, and the visual culture of the second half of the twentieth century.

Published on the occasion of the 2021 exhibition at David Zwirner, London, this monograph features new scholarship on the artist by art historian Éric de Chassey, who looks at how Riley’s past, as well as ISBN 978-1-64423-066-4 previous artists, has led to this body of work.

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Series Clarion The Clarion series of illustrated publications is positioned as an extension of each exhibition at the groundbreaking gallery space 52 Walker, curated by Ebony L. Haynes. The program focuses on showcasing conceptual and research-based artists from a range of backgrounds and at various stages in their careers. The series title is derived from the Clarion Science Fiction and Fantasy Writers’ Workshop, the oldest of its kind, at the University of California, San Diego. Octavia Butler attended this workshop in the 1970s. Both she and her work have been extremely influential in many cadres of Black culture and subculture. With a sleek design influenced by encyclopedias, each publication will feature color reproductions of the works on view, alongside an introduction by Haynes, commissioned essays, artist texts, archival materials, and more.

Kandis Williams Texts by Ebony L. Haynes and Hannah Black Conversation between Kandis Williams and Okwui Okpokwasili

Hardcover 6.5 × 9.25 in | 16.5 × 23.2 cm 96 pages, 40 illustrations David Zwirner Books ISBN 978-1-64423-068-8 $35 | $47 CAN | £25 April 2022

The inaugural volume in a new series of books, Kandis Williams documents the Los Angeles–based artist’s exhibition A Line.

Interrogating issues of race, nationalism, authority, and eroticism, her topical work is made across collage, sculpture, and video.

Williams draws on her background in dramaturgy to envision a space that accommodates the biopolitical economies that inform how movement might be read. Looking at the interconnections between popular culture and myth, she relates in her work anatomy, regions of Black diaspora, and communication and obfuscation. Williams’s body of work shapes an alternative language that examines how Black moving bodies are regarded. Williams continues to make visible the inexpressible violence Black bodies have been subjected to in dance and beyond.

Featuring contributions by the curator of 52 Walker—a David Zwirner gallery space—Ebony L. Haynes and the artist and writer Hannah Black, and a stirring conversation between Williams and the artist Okwui Okpokwasili, the book serves as an extension of the exhibition. Included are high-quality illustrations of the artworks alongside rich archival materials.

Kandis Williams (b. 1985) was born in Baltimore and received her BFA from Cooper Union in New York in 2009. She is the founder of the publishing and educational platform Cassandra Press. In addition to her visual arts practice, for which she has been exhibited internationally, Williams’s performances have been mounted in institutions across the world.

She is the recipient of the 2021 Grants to Artists award, presented by the Foundation for Contemporary Arts, New York, and the 2020 Mohn Award for artistic excellence, presented by the Hammer Museum, Los Angeles.

Williams is represented by Night Gallery and currently lives and works in Los Angeles.

Ebony L. Haynes is a writer and curator from Toronto. She is based in New York, where she is a director at David Zwirner. Haynes is a visiting curator and critic at the Yale School of Art in the painting and printmaking class of 2021. She also runs an online “school” that offers free professional practice classes to Black students worldwide.

Hannah Black is an artist and writer. She was born in Manchester, England, and now lives in New York.

ISBN 978-1-64423-068-8

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Series Seeing Shakespeare Seeing Shakespeare, a series from David Zwirner Books, brings the world’s leading contemporary artists together with William Shakespeare. Featuring covers designed by the artists and illustrations throughout, these editions of Shakespeare’s plays are created with a whole new generation in mind, one of readers and art lovers alike.

Shakespeare remains a relevant force today, as writers, critics, filmmakers, and artists regularly reinterpret his work, breathing new life into the Bard’s words. This new series offers a dynamic visual take on Shakespeare’s work. In the same way that directors today cast Shakespeare’s plays in myriad settings—from war zones to corporate headquarters—visual artists all see Shakespeare in unique ways that reinvigorate and cast new light on his characters and stories as well as their universal themes.

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William Shakespeare × Chris Ofili: Othello

William Shakespeare × Marcel Dzama: A Midsummer Night’s Dream

William Shakespeare × Rose Wylie: The Tempest

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William Shakespeare × Rose Wylie: The Tempest

By William Shakespeare Artwork by Rose Wylie Introduction by Katie Kitamura

Hardcover 6 × 9 in | 15.2 × 22.9 cm 144 pages, 31 illustrations David Zwirner Books ISBN 978-1-64423-061-9 $30 | $40 CAN | £22 April 2022

Set on a remote island, Shakespeare’s The Tempest is an ideal subject for the artist Rose Wylie, whose work frequently references classic stories and well-known characters.

Likely the last play written entirely by Shakespeare, The Tempest brings together various themes the Bard explored in his prior plays, including magic, revenge and forgiveness, order and society, and nature versus art. The shipwreck and remote island, the spirits, and the dukes and their children offer rich material for Wylie’s works on paper and canvas.

As the third title in David Zwirner Books’s Seeing Shakespeare series, this book pairs a complex narrative with equally layered works by a contemporary artist who approaches the play and art making from a unique perspective. Also included is an introduction by the writer Katie Kitamura.

British artist Rose Wylie (b. 1934) paints uniquely recognizable, colorful, and exuberant compositions that at first glance are instantly accessible, not seeming to align with any discernible style or movement, but on closer inspection are revealed to be wittily observed and subtly sophisticated meditations on the nature of visual representation itself.

Katie Kitamura’s most recent novel is Intimacies (2021). Her previous novel, A Separation (2017), was a finalist for the Premio von Rezzori. She has twice been a finalist for the Young Lions Fiction Award and has received fellowships from the Lannan and Santa Maddalena Foundations.

Her work has been translated into eighteen languages and is being adapted for film and television. She teaches in the creative writing program at New York University.

ISBN 978-1-64423-061-9

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Series ekphrasis “Ekphrasis” is traditionally defined as the literary representation of a work of visual art. One of the oldest forms of writing, it originated in ancient Greece, where it referred to the practice and skill of presenting artworks through vivid, highly detailed accounts. Today, ekphrasis is more openly interpreted as one art form, whether it be writing, visual art, music, or film, that is used to define and describe another art form, in order to bring to an audience the experiential and visceral impact of the subject.

The ekphrasis series is dedicated to publishing rare, out-of-print, and newly commissioned texts as accessible paperback volumes. It is part of David Zwirner Books’s ongoing effort to publish new and surprising pieces of writing on visual culture.

The Psychology of an Art Writer Vernon Lee

Dix Portraits

By Gertrude Stein Introduction by Lynne Tillman

Softcover 4.25 × 7 in | 10.8 × 17.8 cm 60 pages, 10 illustrations David Zwirner Books ISBN 978-1-64423-054-1 $12.95 | $17.95 CAN | £8.95 April 2022

Originally published in 1930 in an edition of one hundred copies, Gertrude Stein’s Dix Portraits pairs her singular literary style with original lithographs by Pablo Picasso and other artists in Stein’s circle to create an exceptional artist book exploring written and visual portraiture.

Written between 1913 and 1929, revolutionary years in art history, Dix Portraits conveys the deep human engagement between an artist and her subject. The artist book unites Stein’s ten portraits in prose with ten sketches by five artists: Christian Bérard, Eugene Berman, Pablo Picasso, Pavel Tchelitchew, and Kristians Tonny. Utilizing the interplay between word and image, Stein’s writing and the artists’ images provide nuance and depth, balancing humor and sincerity.

With a new introduction by the writer Lynne Tillman, Dix Portraits is an unforgettable artistic collaboration. The subjects represented include Guillaume Apollinaire, Christian Bérard, Eugene Berman, Bernard Faÿ, Georges Hugnet, Pablo Picasso, Erik Satie, Pavel Tchelitchew, Virgil Thomson, and Kristians Tonny. Originally printed in an edition of one hundred copies with the lithography, and now widely accessible for the first time, Dix Portraits captures Stein’s legacy as a champion of artists and a pioneer of creativity.

ISBN 978-1-64423-054-1

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The American writer Gertrude Stein (1874–1946) was a major figure in the avantgarde visual arts and literary spheres in the period between World Wars I and II. Stein moved in 1903 to Paris, where she met Alice B. Toklas, who would remain her companion for forty years. Their home in Paris functioned as a salon for many now celebrated writers and artists, who became close acquaintances.

Stein is recognized for coining the term the “Lost Generation” to describe American authors living abroad, including Ernest Hemingway and Sherwood Anderson.

Revered and feared for both her literary and artistic expertise, Stein has, in no small part, shaped how we understand and appreciate modernism today. Stein’s best-known books include The Making of Americans (1925), How to Write (1931), and The Autobiography of Alice B. Toklas (1933), as well as her poetry collection Stanzas in Meditation and Other Poems [1929–1933] (1956).

Lynne Tillman writes novels, including, most recently, Men and Apparitions (2018); short stories, including the collection The Complete Madame Realism and Other Stories (2016); and essays and art and cultural criticism, including contributions to the catalogues Andy Warhol: From A to B and Back Again (2018) and Raymond Pettibon: A Pen of All Work (2017) and publications such as Aperture magazine. Tillman has received a Guggenheim Fellowship and a Creative Capital/Warhol Foundation grant for arts writing. Tillman is a professor and writer in residence in the English department of the University at Albany.

Something Close to Music: Late Art Writings, Poems, and Playlists

By John Ashbery Introduction by Mónica de la Torre

Softcover 4.25 × 7 in | 10.8 × 17.8 cm 96 pages David Zwirner Books ISBN 978-1-64423-070-1 $12.95 | $17.95 CAN | £8.95 June 2022

An intimate and unique collection of the work of John Ashbery—a prolific poet and art critic—pairing poetry and art writings with playlists of music from his personal library.

This book places poetry by Ashbery, gathered from his later collections, in conversation with a selection of contempora­neous art writing. In addition, as Ashbery loved music and listened to it while writing, the “playlists” here present samplings of music from these same years, culled from his own library of recordings.

Ashbery’s poetry is frequently described as ekphrastic, though, rather than writing a poem “based on” or “inspired” by the content of an artwork or piece of music, he engages with how the experience of seeing it and the artistic strategies employed offer ways of thinking about it and through it. Many observations from Ashbery’s art writing also provide keys to how we might read his poetry. Many recordings he listened to feature contemporary classical works that emphasize complex textures, disparate sounds, and disjunct phrases—qualities which are mimicked in his poetry.

In exploring this ekphrastic book project, the reader is invited to discover how, for Ashbery, these three forms might illuminate and inform one another. In Mónica de la Torre’s introduction, she explores the connection between the three muses of music, art, and poetry, and the ekphrastic experience of reading Ashbery.

ISBN 978-1-64423-054-1

John Ashbery (1927–2017) was born in Rochester, New York. He was the author of more than twenty-five books of poetry, including Commotion of the Birds, Breezeway, Quick Question, Planisphere, Notes from the Air, which was awarded the 2008 International Griffin Poetry Prize, A Worldly Country, Where Shall I Wander, Self-Portrait in a Convex Mirror, which received the Pulitzer Prize for Poetry, the National Book Critics Circle Award, and the National Book Award, and Some Trees, which was selected by W. H. Auden for the Yale Series of Younger Poets in 1955. The winner of many other prizes and awards both nationally and internationally, he received the Medal for Distinguished Contribution to American Letters from the National Book Foundation in 2011 and a National Humanities Medal, presented by President Barack Obama at the White House, in 2012.

Mónica de la Torre is a poet and essayist.

Her books include Repetition Nineteen (2020) and The Happy End/All Welcome (2017), a riff on Martin Kippenberger’s 1994 art installation The Happy End of Franz Kafka’s “Amerika,” itself a riff on Kafka’s unfinished novel Amerika. Born and raised in Mexico City, she is also the author of several collections in Spanish, including the image text volume Taller de Taquimecanografía (2011), an exquisite corpse composed with the eponymous women’s art collective she helped form. Recent writing appears in Photostats: Felix Gonzalez-Torres (2020) and Lucy Raven’s Dia Chelsea publication (2021).

She coedited the anthology Women in Concrete Poetry: 1959–1979 (2020) and teaches at Brooklyn College.

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Series Spotlight Each title in the Spotlight Series from David Zwirner Books features new work by a leading contemporary artist. These collectible books offer the perfect primer on a wide variety of artists from Marcel Dzama to Wolfgang Tillmans. Produced alongside solo exhibitions at David Zwirner Hong Kong, these books not only feature neverbefore-seen works by the gallery’s artists, but also provide invaluable historical context for development of their careers. Each book begins with an in-depth color plate section, complete with details, of new works produced for the accompanying exhibition. The specially commissioned texts and interviews that follow are illustrated with highlights from the artist’s past work. Available in both English-only and bilingual English/traditional Chinese editions, this series makes the work of these important artists accessible to a wider audience.

Sherrie Levine: Hong Kong Dominoes Text by Larry List Interview with the artist by Jeanne Siegel

English Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 108 pages, 51 illustrations

Bilingual Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 124 pages, 51 illustrations

David Zwirner Books ISBN 978-1-64423-063-3 $35 | $47 CAN | £25 December 2021

David Zwirner Books ISBN 978-1-64423-064-0 $35 | $47 CAN | £25 December 2021

Exploring the development of groundbreaking artist Sherrie Levine’s work, this catalogue looks at four series central to her practice.

The latest in the Spotlight Series, which focuses on new bodies of work by contemporary artists, Sherrie Levine: Hong Kong Dominoes showcases several series that distinctly engage the artist’s ongoing inquiry into notions of authorship, originality, and authenticity.

Many of the works are consistent with Levine’s practice—the deliberate reproduction of other artists’ works and styles, so that her work and the original are nearly indistinguishable (as with the After Henri Matisse (1985) and After Feininger (2021) series). A number of the works make reference to modernist masterpieces, questioning the stereotypical construct of the heroic male artist. In her Monochromes After Renoir Nudes (2016) series, Levine used a computer program to calculate the average tone of the nude figures in Renoir’s paintings and then used this color to create monochrome panels. Published for the first time, Hong Kong Dominoes: 1–12 (2017) replicates the patterns of a set of dominoes that Levine purchased in Hong Kong, evoking both minimalist art and popular games.

The catalogue also features a new essay by Larry List, which tracks the history of Levine’s inspirations and artistic practice, and an interview with Levine by Jeanne Siegel, originally published in the June/ Summer 1985 issue of Arts Magazine, which explores the artist’s use of appropriated imagery.

Sherrie Levine’s (b. 1947) work engages many of the core tenets of postmodern art, incisively challenging notions of originality, authenticity, and identity. Since the late 1970s, she has created a singular and complex oeuvre using a variety of media, including photography, painting, and sculpture. Many of her works are explicitly appropriated from artworks within the modernist canon, while others are more general in their references, assimilating art historical interests and concerns rather than specific objects. Some of Levine’s earliest work was included in Pictures, an important exhibition at Artists Space in New York in 1977 curated by Douglas Crimp that came to define The Pictures Generation—a group of artists examining the structures of signification underlying any image.

Larry List is a New York-based writer and curator. He is a contributor to the Man Ray catalogue raisonné, and his essays have appeared in a range of publications, including Duchamp/Man Ray/Picabia (2008), Transformer: The Work of Glenn Kaino (2009), Takako Saito: Dreams to Do (2019), and Jan Fabre: Oro Rosso (2019).

Jeanne Siegel was an influential writer, art critic, curator, and educator. She edited and contributed to numerous art journals and was the author of Artwords: Discourse on the 60s and 70s (1985), Art Talk: The Early 80s (1990), and Painting After Pollock: Structures of Influence (1999). She served as the chair of the art history department at the School of Visual Arts, New York, from 1975 to 2000 and as the chair of the undergraduate fine arts department from 1976 to 2005. Siegel passed away in 2013.

ISBN 978-1-64423-054-1 ISBN 978-1-64423-063-3

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Recent Releases ISBN 978-1-64423-059-6

Albers and Morandi: Never Finished

9 781644 230596 Hardcover 9 × 10 in | 22.9 × 25.4 cm 144 pages, 68 illustrations

Text by Laura Mattioli Conversation between David Leiber, Heinz Liesbrock, and Nicholas Fox Weber

David Zwirner Books ISBN 978-1-64423-059-6 $55 | $76 CAN | £40 2021

An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi— two of modern art’s greatest painters.

ISBN 978-1-64423-057-2

Donald Judd: Artworks 1970–1994

9 781644 230572

Hardcover 7 × 10 in | 17.8 × 25.4 cm 284 pages, 123 illustrations David Zwirner Books ISBN 978-1-64423-057-2 $85 | $115 CAN | £60 2021

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Foreword by Flavin Judd Texts by Johanna Fateman, Lucy Ives, Branden W. Joseph, Marta Kuzma, Thessaly La Force, Anna Lovatt, Lauren Oyler, Wendy Perron, Michael Stone-Richards, and Mimi Thompson A sweeping selection of Donald Judd’s iconic and ambitious works alongside a diverse collection of newly commissioned writings.

ISBN 978-1-64423-036-7

Liu Ye: The Book Paintings

9 781644 230367

Hardcover 8.25 × 11 in | 21 × 28 cm 192 pages, 96 illustrations David Zwirner Books ISBN 978-1-64423-036-7 $55 | $76 CAN | £40 2021

Text by Zhu Zhu Translated by Denis Mair Interview with the artist by Hans Ulrich Obrist The Chinese artist Liu Ye’s meticulous, colorful canvases convey his love of literature in the first publication dedicated to his paintings of books.

ISBN 978-1-64423-049-7

Making a Great Exhibition

9 781644 230497 Hardcover 9 × 10.75 in | 22.9 × 27.3 cm 40 pages, illustrated throughout David Zwirner Books ISBN 978-1-64423-049-7 $18.99 | $25.99 CAN | £13.99 2021

By Doro Globus and Rose Blake Illustrated by Rose Blake An exciting insight into the workings of artists and museums, Making a Great Exhibition is a colorful and playful introduction geared to children ages 3 to 7.

29

Selected Backlist ekphrasis 28 Paradises Poetry by Patrick Modiano Illustrated by Dominique Zehrfuss Translated with an introduction by Damion Searls

A Balthus Notebook

By Guy Davenport Contribution by Judith Thurman Afterword by Lucas Zwirner

The Cathedral Is Dying

By Auguste Rodin Introduction by Rachel Corbett Translated by Elisabeth Chase Geissbuhler

Chardin and Rembrandt

By Marcel Proust Afterword by Alain Madeleine-Perdrillat Translated by Jennie Feldman

The Critic as Artist

By Oscar Wilde Introduction by Michael Bracewell

Degas and His Model

By Alice Michel Translated by Jeff Nagy

Duchamp’s Last Day

By Donald Shambroom

$12.95 | £8.95 2019

David Zwirner Books ISBN 978-1-64423-002-2

ISBN 978-1-64423-002-2 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 88 pages, 28 illustrations $12.95 | £8.95 2020

Zwirner Books 9 David 781644 230022 ISBN 978-1-64423-032-9

ISBN 978-1-64423-032-9 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 120 pages $12.95 | £8.95 2020

Zwirner Books 9 David 781644 230329 ISBN 978-1-64423-046-6 ISBN 978-1-64423-046-6

Softcover 4.25 × 7 in | 10.8 × 17.8 cm 96 pages $12.95 | £8.95 2016

9 David 781644 230466 Zwirner Books ISBN 978-1-941701-50-8

ISBN 978-1-941701-50-8 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 64 pages, 8 illustrations $12.95 | £8.95 2019

Zwirner Books 9 David 781941 701508 ISBN 978-1-64423-003-9

ISBN 978-1-64423-003-9 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 144 pages, 1 illustration $12.95 | £8.95 2017

Zwirner Books 9 David 781644 230039 ISBN 978-1-941701-55-3

ISBN 978-1-941701-55-3 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 88 pages $12.95 | £8.95 2018

Zwirner Books 9 David 781941 701553 ISBN 978-1-941701-87-4

ISBN 978-1-941701-87-4 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 64 pages, 7 illustrations

30

9 781941 701874

Giotto and His Works in Padua

By John Ruskin Introduction by Robert Hewison

Letters to a Young Painter

By Rainer Maria Rilke Introduction by Rachel Corbett Translated by Damion Searls

Oh, To Be a Painter!

By Virginia Woolf Introduction by Claudia Tobin

On Contemporary Art

By César Aira Foreword by Will Chancellor Afterword by Alexandra Kleeman Translated by Katherine Silver

Photography and Belief

By David Levi Strauss

$12.95 | £8.95 2018

David Zwirner Books ISBN 978-1-941701-79-9

ISBN 978-1-941701-79-9 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 184 pages, 44 illustrations $12.95 | £8.95 2017

Zwirner Books 9 David 781941 701799 ISBN 978-1-941701-64-5

ISBN 978-1-941701-64-5 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 64 pages $12.95 | £8.95 2021

Zwirner Books 9 David 781941 701645 ISBN 978-1-64423-058-9 ISBN 978-1-64423-058-9

Softcover 4.25 × 7 in | 10.8 × 17.8 cm 96 pages $12.95 | £8.95 2018

9 David 781644 230589 Zwirner Books ISBN 978-1-941701-86-7

ISBN 978-1-941701-86-7 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 64 pages $12.95 | £8.95 2020

Zwirner Books 9 David 781941 701867 ISBN 978-1-64423-047-3 ISBN 978-1-64423-047-3

Softcover 4.25 × 7 in | 10.8 × 17.8 cm 104 pages Pissing Figures 1280–2014

By Jean-Claude Lebensztejn Translated by Jeff Nagy

The Psychology of an Art Writer Vernon Lee

The Psychology of an Art Writer

By Vernon Lee Foreword by Dylan Kenny

$14.95 | £11.95 2017

9 David 781644 230473 Zwirner Books ISBN 978-1-941701-54-6

ISBN 978-1-941701-54-6 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 168 pages, 155 illustrations $12.95 | £8.95 2018

Zwirner Books 9 David 781941 701546 ISBN 978-1-941701-78-2

ISBN 978-1-941701-78-2 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 136 pages, 1 illustration

9 781941 701782

31

ekphrasis Ramblings of a Wannabe Painter

By Paul Gauguin Translated with an introduction by Donatien Grau

The Salon of 1846

By Charles Baudelaire Introduction by Michael Fried

Summoning Pearl Harbor

By Alexander Nemerov

$12.95 | £8.95 2016

David Zwirner Books ISBN 978-1-941701-39-3

ISBN 978-1-941701-39-3 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 56 pages $12.95 | £8.95 2021

Zwirner Books 9 David 781941 701393 ISBN 978-1-64423-053-4 ISBN 978-1-64423-053-4

Softcover 4.25 × 7 in | 10.8 × 17.8 cm 172 pages $12.95 | £8.95 2017

9 David 781644 230534 Zwirner Books ISBN 978-1-941701-65-2

ISBN 978-1-941701-65-2 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 96 pages, 12 illustrations

Thrust: A Spasmodic Pictorial History of the Codpiece in Art

By Michael Glover

Two Cities

By Cynthia Zarin

$12.95 | £8.95 2019

Zwirner Books 9 David 781941 701652 ISBN 978-1-64423-024-4

ISBN 978-1-64423-024-4 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 94 pages, 25 illustrations $12.95 | £8.95 2020

Zwirner Books 9 David 781644 230244 ISBN 978-1-64423-031-2

ISBN 978-1-64423-031-2 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 88 pages

Visions and Ecstasies: Selected Essays

By H.D. Introduction by Michael Green

$12.95 | £8.95 2019

Zwirner Books 9 David 781644 230312 ISBN 978-1-64423-023-7

ISBN 978-1-64423-023-7 Softcover 4.25 × 7 in | 10.8 × 17.8 cm 82 pages, 1 illustration

9 781644 230237

32

Collected Writings and Interviews ArtCenter Talks: Graduate Seminar, The First Decade 1986–1995 Edited with an introduction by Stan Douglas

Donald Judd Interviews Edited by Flavin Judd and Caitlin Murray

$39.95 | £28 2016

David Zwirner Books/ ArtCenter Graduate Press ISBN 978-1-941701-52-2 ISBN 978-1-941701-52-2

Softcover 6 × 9.5 in | 15.2 × 24.1 cm 368 pages, 278 illustrations $39.95 | £28 2019

Foundation/701522 9 Judd 781941 David Zwirner Books

ISBN 978-1-64423-016-9 ISBN 978-1-64423-016-9 978-1-941701-86-7

Softcover 4.25 × 7.25 in | 10.8 × 18.4 cm 1,024 pages, 88 illustrations Donald Judd Writings Edited by Flavin Judd and Caitlin Murray

$39.95 | £28 2016

Foundation/230169 9 Judd 781644 781941 701867 David Zwirner Books

ISBN 978-1-941701-35-5 ISBN 978-1-941701-35-5

Softcover 4.25 × 7.25 in | 10.8 × 18.4 cm 1,056 pages, 184 illustrations

fried welling

promesse du bonheur

Poems by Michael Fried

Promesse du Bonheur

Promesse du Bonheur

scholar. His many older in the Age of Essays and Reviews. rth, and The Next

hibited widely and Georges Pompidou, eum of Art, New useum of Modern New York.

Photographs by James Welling

Michael Fried is a poet of the utmost integrity.

J. M. Coetzee

Promesse du Bonheur Poetry by Michael Fried Photographs by James Welling

David Zwirner Books

ISBN 978-1-941701-43-0

9 781941 701430

Poems by Michael Fried Photographs by James Welling

About Michael Fried’s previous book of poems, The Next Bend in the Road, J. M. Coetzee wrote: “Michael Fried is a poet of the utmost integrity. His new poems are above all a tribute and offering to the god-force of poetry itself.” About an earlier collection, Allen Grossman wrote: “In America today there is no lyric work more compelling and well made than To the Center of the Earth.” The present book, Promesse du Bonheur, breaks new ground by combining eighty-two poems, a mix of lyrics and prose poems, with thirty-four photographs, most of them made, all of them chosen by the photographer James Welling. More often than not, the photographs stand in oblique relation to the poems, as complementary pieces of a mesmerizing whole.

Written under the aegis of Emerson in “Self-Reliance”—“Accept the place the divine providence has found for you, the society of contemporaries, the connection of events”—the poems engage diverse subjects: from the high modernist art world of the 1960s to a major poet’s tragic loss of memory, from exemplary works such as Edgar Degas’s The Fallen Jockey, Heinrich von Kleist’s Prince of Homburg, and Adolf Menzel’s drawings, from the lives of figures such as Edouard Manet, Anna Akhmatova, Jacques Derrida, Stanley Cavell, Iris Murdoch, Ian Hamilton, and John Harbison to erotic love, late fatherhood, the death of parents and friends, and the onset of age. Beginning with the memory of an uncle serving in the Pacific theater during World War II and ending with the searing “In the Time of the Migrants,” Promesse du Bonheur seeks to hold the reader/viewer in its grip from first page to last.

05/10/16 13:15

Social Forms: A Short History of Political Art

By Christian Viveros-Fauné

$25 | £18 2016

Zwirner Books/ 9 David 781941 701355 nonsite.org

ISBN 978-1-941701-43-0 ISBN 978-1-941701-43-0

Softcover 7 × 8.75 in | 17.8 × 22.2 cm 152 pages, 36 illustrations $29.95 | £25 2018

Zwirner Books 9 David 781941 701430 ISBN 978-1-941701-90-4

ISBN 978-1-941701-90-4 Softcover 8 × 10.5 in | 20.3 × 26.7 cm 128 pages, 50 illustrations

Tell Me Something Good: Artist Interviews from The Brooklyn Rail Edited by Jarrett Earnest and Lucas Zwirner Introduction and portraits by Phong Bui

What it Means to Write About Art: Interviews with art critics

By Jarrett Earnest

$29.95 | £24.95 2017

Zwirner Books 9 David 781941 701904 ISBN 978-1-941701-37-9

ISBN 978-1-941701-37-9 Softcover 6.5 × 9.5 in | 16.5 × 24.1 cm 535 pages, 61 illustrations $32.50 | £24.95 2018

Zwirner Books 9 David 781941 701379 ISBN 978-1-941701-89-8

ISBN 978-1-941701-89-8 Softcover 6 × 9 in | 15.2 × 22.9 cm 560 pages

9 781941 701898

33

Spotlight Series Carol Bove: Ten Hours Interview with the artist by Johanna Burton

$35 | £25 2019

David Zwirner Books ISBN 978-1-64423-020-6

ISBN 978-1-64423-020-6 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 114 pages, 60 illustrations

Marcel Dzama: Crossing the Line Interview with the artist by Laila Pedro

$35 | £25 2019

Zwirner Books 9 David 781644 230206 ISBN 978-1-64423-005-3

ISBN 978-1-64423-005-3 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 94 pages, 47 illustrations

Michaël Borremans: Fire from the Sun Text by Michael Bracewell

$35 | £25 2018

Zwirner Books 9 David 781644 230053 ISBN 978-1-941701-83-6

ISBN 978-1-941701-83-6 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 80 pages, 41 illustrations

Neo Rauch: PROPAGANDA Text by Daniel Kehlmann

$35 | £25 2019

Zwirner Books 9 David 781941 701836 ISBN 978-1-64423-011-4

ISBN 978-1-64423-011-4 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 76 pages, 31 illustrations

Oscar Murillo: the build-up of content and information Text by Victor Wang

$35 | £25 2018

Zwirner Books 9 David 781644 230114 ISBN 978-1-941701-97-3

ISBN 978-1-941701-97-3 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 78 pages, 40 illustrations

Rose Wylie: painting a noun …

Text by Michael Glover

$35 | £25 2020

Zwirner Books 9 David 781941 701973 ISBN 978-1-64423-029-9

ISBN 978-1-64423-029-9 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 92 pages, 49 illustrations

Thomas Ruff: Transforming Photography Interview with the artist by Okwui Enwezor

$35 | £25 2019

Zwirner Books 9 David 781644 230299 ISBN 978-1-64423-017-6

ISBN 978-1-64423-017-6 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 80 pages, 45 illustrations

34

9 781644 230176

Wolfgang Tillmans: DZHK Book 2018 Interview with the artist by Allie Biswas

$35 | £25 2018 Hardcover 6.75 × 9.5 in | 17.1 × 24.1 cm 100 pages, 59 illustrations

David Zwirner Books ISBN 978-1-941701-94-2

ISBN 978-1-941701-94-2

9 781941 701942

Seeing Shakespeare William Shakespeare × Chris Ofili: Othello

By William Shakespeare Artwork by Chris Ofili Introduction by Fred Moten

William Shakespeare × Marcel Dzama: A Midsummer Night’s Dream

By William Shakespeare Artwork by Marcel Dzama Introduction by Leslie Jamison

$30 | £22 2019

David Zwirner Books ISBN 978-1-64423-022-0

ISBN 978-1-64423-022-0 Hardcover 6 × 9 in | 15.2 × 22.9 cm 174 pages, 12 illustrations $30 | £22 2021

Zwirner Books 9 David 781644 230220 ISBN 978-1-64423-044-2

ISBN 978-1-64423-044-2

Hardcover 6 × 9 in | 15.2 × 22.9 cm 174 pages, 20 illustrations

9 781644 230442

35

Exhibition Catalogues and Monographs 112 Greene Street: The Early Years (1970–1974) Interviews compiled by Jessamyn Fiore Introduction and selected texts by Louise Sørensen

Albers and Morandi: Never Finished Text by Laura Mattioli Conversation between David Leiber, Heinz Liesbrock, and Nicholas Fox Weber

Al Taylor: Early Paintings Text by John Yau Conversation with Stanley Whitney and Billy Sullivan by Mimi Thompson

Al Taylor: Pet Stains, Puddles, and Full Gospel Neckless Text by Mimi Thompson

Alice Neel: Freedom Text by Helen Molesworth Introduction by Ginny Neel Contribution by Marlene Dumas

Alice Neel, Uptown

By Hilton Als Foreword by Jeremy Lewison

Anni Albers: Camino Real Texts by Brenda Danilowitz and T’ai Smith

$50 | £30 2012

David Zwirner/Radius Books

ISBN 978-1-934435-41-0 ISBN 9781934435410

Hardcover 8.5 × 12 in | 21.6 × 30.5 cm 198 pages, 97 illustrations $55 | £40 2021

9 David 781934 435410 Zwirner Books ISBN 978-1-64423-059-6 ISBN 978-1-64423-059-6

Hardcover 9 × 10 in | 22.9 × 25.4 cm 144 pages, 68 illustrations $45 | £35 2017

9 David 781644 230596 Zwirner Books ISBN 978-1-941701-58-4 ISBN 978-1-941701-58-4

Hardcover 9 × 11.5 in | 22.9 × 29.2 cm 96 pages, 44 illustrations $50 | £32 2015

9 David 781941 701584 Zwirner Books ISBN 978-1-941701-12-6 ISBN 9781941701126

Hardcover 9 × 11.5 in | 22.9 × 29.2 cm 104 pages, 50 illustrations $45 | £35 2019

9 David 781941 701126 Zwirner Books ISBN 978-1-941701-98-0 ISBN 978-1-941701-98-0

Hardcover 8.5 × 10.5 in | 21.6 × 26.7 cm 112 pages, 52 illustrations $55 | £40 2017

9 David 781941 701980 Zwirner Books ISBN 978-1-941701-60-7 ISBN 978-1-941701-60-7

Hardcover 8.5 × 10.5 in | 21.6 × 26.7 cm 144 pages, 57 illustrations $55 | £40 2020

9 David 781941 701607 Zwirner Books ISBN 978-1-64423-042-8 ISBN 978-1-64423-042-8

Hardcover 8 × 10.5 in | 20.3 × 26.7 cm 120 pages, 74 illustrations

9 781644 230428 36

Bridget Riley: Recent Paintings 2014–2017 Text by Richard Shiff

$50 | £35 2018

David Zwirner Books ISBN 978-1-941701-91-1

ISBN 978-1-941701-91-1

Hardcover 9.5 × 12 in | 24.1 × 30.5 cm 96 pages, 47 illustrations Bridget Riley: The Stripe Paintings 1961–2014 Texts by Robert Kudielka, Paul Moorhouse, and Richard Shiff Interview with the artist by Robert Kudielka

Bridget Riley

Bridget Riley

Works 1981–2015

Works 1981–2015

Bridget Riley: Works 1981–2015 Texts by Robert Kudielka and Richard Shiff

$55 | £35 2014

9 David 781941 701911 Zwirner Books ISBN 978-0-9899809-7-5 ISBN 9780989980975

Hardcover 10 × 12 in | 25.4 × 30.5 cm 180 pages, 99 illustrations, 2 gatefolds $50 | £32 2016

9 David 780989 980975 Zwirner Books ISBN 978-1-941701-23-2 ISBN 978-1-941701-23-2

Hardcover 9 × 12 in | 22.9 × 30.5 cm 96 pages, 58 illustrations Concrete Cuba: Cuban Geometric Abstraction from the 1950s Text by Abigail McEwen Interview with Pedro de Oraá by Lucas Zwirner Illustrated chronology by Susanna Temkin

Dan Flavin: Series and Progressions Texts by Tiffany Bell, Anne Rorimer, Richard Shiff, and Alexandra Whitney Interview with Dan Graham

David Zwirner: 25 Years Texts by Richard Shiff and Robert Storr Foreword by David Zwirner

De Wain Valentine: Works from the 1960s and 1970s Text by Robin Clark

$55 | £40 2016

9 David 781941 701232 Zwirner Books ISBN 978-1-941701-33-1 ISBN 978-1-941701-33-1

Hardcover 9.75 × 11 in | 24.8 × 27.9 cm 192 pages, 177 illustrations $68 | £40 2010

9 David 781941 701331 Zwirner/Steidl ISBN 978-3-86930-146-4 ISBN 9783869301464

Hardcover 9.25 × 12 in | 23.5 × 30.5 cm 156 pages, 114 illustrations, 3 gatefolds $70 | £50 2018

9 David 783869 301464 Zwirner Books ISBN 978-1-941701-77-5 ISBN 978-1-941701-77-5

Hardcover 9.5 × 12.25 in | 24.1 × 31.1 cm 308 pages, 428 illustrations $45 | £30 2016

9 David 781941 701775 Zwirner Books ISBN 978-1-941701-20-1 ISBN 978-1-941701-20-1

Hardcover 9.75 × 11.5 in | 24.8 × 29.2 cm 96 pages, 51 illustrations

9 781941 701201 37

Exhibition Catalogues and Monographs Donald Judd Text by Richard Shiff Interview with the artist by Jochen Poetter

Donald Judd: Artworks 1970–1994 Foreword by Flavin Judd Texts by Johanna Fateman, Lucy Ives, Branden W. Joseph, Marta Kuzma, Thessaly La Force, Anna Lovatt, Lauren Oyler, Wendy Perron, Michael Stone-Richards, and Mimi Thompson Doug Wheeler Text by Germano Celant

$65 | £45 2011

David Zwirner/Steidl

ISBN 978-3-86930-390-1 ISBN 9783869303901

Hardcover 10 × 11.25 in | 25.4 × 28.6 cm 144 pages, 61 illustrations $85 | £60 2021

9 David 783869 303901 Zwirner Books ISBN 978-1-64423-057-2 ISBN 978-1-64423-057-2

Hardcover 7 × 10 in | 17.8 × 25.4 cm 284 pages, 123 illustrations $75 | £60 2020

9 David 781644 230572 Zwirner Books ISBN 978-1-941701-24-9 ISBN 978-1-941701-24-9

Hardcover 9.5 × 12 in | 24.1 × 30.5 cm 352 pages, 158 illustrations Endless Enigma: Eight Centuries of Fantastic Art Texts by Dawn Ades, Olivier Berggruen, and J. Patrice Marandel Introduction by Nicholas Hall

Felix Gonzalez-Torres Text by David Breslin

$75 | £60 2019

9 David 781941 701249 Zwirner Books ISBN 978-1-941701-88-1 ISBN 978-1-941701-88-1

Hardcover 9 × 11 in | 22.9 × 27.9 cm 240 pages, 155 illustrations $45 | £35 2018

9 David 781941 701881 Zwirner Books ISBN 978-1-941701-76-8 ISBN 978-1-941701-76-8

Hardcover 8.5 × 11.75 in | 21.6 × 29.8 cm 112 pages, 92 illustrations

Felix Gonzalez-Torres

Franz West: The 1990s Texts by Eva Badura-Triska, Veit Loers, and Bernhard Riff

Fred Sandback: Decades Text by James Lawrence

$65 | £42 2016

9 David 781941 701768 Zwirner Books ISBN 978-1-941701-10-2 ISBN 978-1-941701-10-2

Hardcover 9 × 11.5 in | 22.9 × 29.2 cm 140 pages, 136 illustrations $60 | £35 2013

9 David 781941 701102 Zwirner/Radius Books ISBN 978-1-934435-58-8 ISBN 9781934435588

Hardcover 10 × 12 in | 25.4 × 30.5 cm 128 pages, 80 illustrations

9 781934 435588 38

Fred Sandback: Vertical Constructions Texts by Yve-Alain Bois, David Gray, and Lisa Le Feuvre

Giorgio Morandi: Late Paintings

$55 | £40 2017 Hardcover 10.5 × 12.5 in | 26.7 × 31.8 cm 132 pages, 96 illustrations $45 | £35 2017

Text by Laura Mattioli Contributions by John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi Foreword by David Leiber

Hardcover 9 × 10.5 in | 22.9 × 26.7 cm 96 pages, 35 illustrations

Gordon Matta-Clark: The Beginning of Trees and the End, Drawings and Notebooks

$55 | £35 2016

Text by Briony Fer Interview with Sarah Sze by Jessamyn Fiore

Harold Ancart: Traveling Light Text by Laura McLean-Ferris Interview with the artist by Bob Nickas

Jan Schoonhoven Text by Antoon Melissen

David Zwirner Books

ISBN 978-1-941701-57-7 ISBN 978-1-941701-57-7

9 David 781941 701577 Zwirner Books ISBN 978-1-941701-56-0 ISBN 978-1-941701-56-0

9 David 781941 701560 Zwirner Books ISBN 978-1-941701-25-6 ISBN 978-1-941701-25-6

Hardcover 12 × 9 in | 30.5 × 22.9 cm 184 pages, 154 illustrations $60 | £45 2021

9 David 781941 701256 Zwirner Books ISBN 978-1-64423-051-0 ISBN 978-1-64423-051-0

Hardcover 11.5 × 9.75 in | 29.2 × 24.8 cm 100 pages, 53 illustrations $50 | £32 2015

9 David 781644 230510 Zwirner Books ISBN 978-1-941701-04-1 ISBN 9781941701041

Hardcover 8 × 10 in | 20.3 × 25.4 cm 126 pages, 130 illustrations Jason Rhoades: PeaRoeFoam Texts by Julien Bismuth and David Zwirner Contributions by Dylan Kenny and Lucas Zwirner Interview with Linda Norden

Jeff Koons: Gazing Ball Text by Francesco Bonami

$55 | £32 2015

9 David 781941 701041 Zwirner Books ISBN 978-1-941701-07-2 ISBN 978-1-941701-07-2

Hardcover 8.5 × 12.25 in | 21.6 × 31.1 cm 112 pages, 58 illustrations $50 | £32 2014

9 David 781941 701072 Zwirner ISBN 978-0-9899809-1-3 ISBN 9780989980913

Hardcover 9.75 × 12.5 in | 24.8 × 31.8 cm 80 pages, 31 illustrations

9 780989 980913 39

Exhibition Catalogues and Monographs Joan Mitchell: I carry my landscapes around with me Texts by Suzanne Hudson and Robert Slifkin

$55 | £40 2020

David Zwirner Books

ISBN 978-1-64423-028-2 ISBN 978-1-64423-028-2

Hardcover 10 × 14 in | 25.4 × 35.6 cm 104 pages, 57 illustrations John McCracken: Works from 1963–2011 Text by Robin Clark Interview with the artist by Anne Reeve

Jordan Wolfson: Ecce Homo/le Poseur Texts by Esther Leslie, Linda Norden, and Philippe Van Cauteren Interview with the artist by Aram Moshayedi Introduction by Martin Germann and Aram Moshayedi

Josh Smith: Emo Jungle, A Celebration Text by Bob Nickas

$75 | £45 2014

9 David 781644 230282 Zwirner Books/ Radius9781934435755 Books ISBN

ISBN 978-1-934435-75-5

Hardcover 11.5 × 13 in | 29.2 × 33 cm 194 pages, 121 illustrations $55 | £37 2013. Reprint edition 2015 Hardcover 9 × 13 in | 22.9 × 33 cm 136 pages, 90 illustrations $45 | £35 2020

9 REDCAT/S.M.A.K./Walther 781934 435755 König,9783863354145 in association ISBN

with David Zwirner Books ISBN 978-3-86335-414-5

9 David 783863 354145 Zwirner Books ISBN 978-1-64423-039-8 ISBN 978-1-64423-039-8

Hardcover 8.5 × 10.5 in | 21.6 × 26.7 cm 96 pages, 184 illustrations Kerry James Marshall: History of Painting ​Texts by Teju Cole and Hal Foster

$60 | £45 2019

9 David 781644 230398 Zwirner Books ISBN 978-1-64423-015-2 ISBN 978-1-64423-015-2

Hardcover 8.5 × 10.5 in | 21.6 × 26.7 cm 96 pages, 35 illustrations Lisa Yuskavage: Babie Brood, Small Paintings 1985–2018 Text by Jarrett Earnest Foreword by Hanna Schouwink

Liu Ye: The Book Paintings Text by Zhu Zhu Translated by Denis Mair Interview with the artist by Hans Ulrich Obrist

$60 | £45 2019

9 David 781644 230152 Zwirner Books ISBN 978-1-64423-014-5 ISBN 978-1-64423-014-5

Hardcover 8.5 × 10.5 in | 21.6 × 26.7 cm 192 pages, 114 illustrations $55 | £40 2021

9 David 781644 230145 Zwirner Books ISBN 978-1-64423-036-7 ISBN 978-1-64423-036-7

Hardcover 8.25 × 11 in | 21 × 28 cm 192 pages, 96 illustrations

9 781644 230367 40

Luc Tuymans Catalogue Raisonné of Paintings: Volume 1, 1972–1994 Edited with text by Eva Meyer-Hermann

Luc Tuymans Catalogue Raisonné of Paintings: Volume 2, 1995–2006 Edited with text by Eva Meyer-Hermann

Luc Tuymans Catalogue Raisonné of Paintings: Volume 3, 2007–2018 Edited with text by Eva Meyer-Hermann

Luc Tuymans: Exhibitions at David Zwirner Interviews with Brice Marden, Peter Schjeldahl, Robert Storr, Madeleine Grynsztejn, and Helen Molesworth by Lynne Tillman Interview with the artist by David Zwirner

Lucas Arruda: Deserto-Modelo Texts by Will Chancellor and Barry Schwabsky

$200 | £165 2017

David Zwirner Books/ Yale Press ISBNUniversity 978-1-941701-61-4 ISBN 978-1-941701-61-4

Hardcover with slipcase 9.25 × 12 in | 23.2 × 30.5 cm 492 pages, 245 illustrations $200 | £165 2019

9 David 781941 701614 Zwirner Books/ Yale Press ISBNUniversity 978-1-941701-95-9 ISBN 978-1-941701-95-9

Hardcover with slipcase 9.25 × 12 in | 23.2 × 30.5 cm 456 pages, 269 illustrations $200 | £165 2019

9 David 781941 701959 Zwirner Books/ Yale Press ISBNUniversity 978-1-64423-013-8 ISBN 978-1-64423-013-8

Hardcover with slipcase 9.25 × 12 in | 23.2 × 30.5 cm 430 pages, 179 illustrations $55 | £30 2012. Reprint edition 2013

9 David 781644 230138 Zwirner/Ludion ISBN 978-94-6130-072-0 ISBN 9789461300720

Hardcover 9.75 × 11.5 in | 24.8 × 29.2 cm 224 pages, 220 illustrations $60 | £45 2020

9 David 789461 300720 Zwirner Books ISBN 978-1-64423-041-1 ISBN 978-1-64423-041-1

Hardcover 8.25 × 10.75 in | 21 × 27.6 cm 136 pages, 100 illustrations Mamma Andersson: The Lost Paradise Text by Karl Ove Knausgaard

$45 | £32 2021

9 David 781644 230411 Zwirner Books ISBN 978-1-64423-056-5 ISBN 978-1-64423-056-5

Hardcover 9.25 × 11.75 in | 23.5 × 30 cm 72 pages, 28 illustrations Marcel Dzama: Puppets, Pawns, and Prophets Text by Deborah Solomon

$50 | £28 2013

9 David 781644 230565 Zwirner/Hatje Cantz ISBN 978-3-7757-3732-6 ISBN 9783775737326

Hardcover 9.25 × 11 in | 23.5 × 27.9 cm 184 pages, 154 illustrations

9 783775 737326 41

Exhibition Catalogues and Monographs Marlene Dumas: Against the Wall Text by Marlene Dumas

$45 | £27 2010. Reprint edition 2014

David Zwirner Books

ISBN 978-1-941701-00-3 ISBN 9781941701003

Hardcover 9.5 × 12.5 in | 24.1 × 31.8 cm 72 pages, 30 illustrations Marlene Dumas: Myths & Mortals Texts by Marlene Dumas and Claire Messud

$70 | £55 2019

9 David 781941 701003 Zwirner Books ISBN 978-1-941701-99-7 ISBN 978-1-941701-99-7

Hardcover 7.25 × 11 in | 18.4 × 27.9 cm 128 pages, 82 illustrations No Problem: Cologne/New York 1984–1989 Foreword by David Zwirner Texts by Diedrich Diederichsen and Bob Nickas Illustrated chronology by Kara Carmack

Noah Davis Edited with text by Helen Molesworth Interviews with Lindsay Charlwood, Dagny Corcoran, Daniel DeSure, Thomas Houseago, Deana Lawson, Henry Taylor, and Venus X by Helen Molesworth

Oscar Murillo Edited by Okwui Enwezor and Anna Schneider Introduction by Okwui Enwezor Texts by Emma Enderby and Anna Schneider Interview with the artist by María Belén Sáez de Ibarra

Roy DeCarava: Light Break Text by Dawn Ades Poetry by Richard Tuttle

Raymond Pettibon: Here’s Your Irony Back, Political Works 1975–2013 Text by Benjamin H. D. Buchloh

$60 | £42 2015

9 David 781941 701997 Zwirner Books ISBN 978-1-941701-02-7 ISBN 9781941701027

Hardcover 9 × 11.25 in | 22.9 × 28.6 cm 276 pages, 239 illustrations $65 | £50 2020

9 David 781941 701027 Zwirner Books/ The Underground Museum ISBN 978-1-64423-037-4 ISBN 978-1-64423-037-4

Hardcover 10 × 12 in | 25.4 × 30.5 cm 176 pages, 95 illustrations $65 | £50 2017

9 Haus 781644 230374 der Kunst ISBN 978-1-941701-66-9 ISBN 978-1-941701-66-9

Hardcover 9 × 11.25 in | 22.9 × 28.6 cm 282 pages, 205 illustrations $60 | £45 2021

9 First 781941 701669 Print Press/ David 978-1-64423-038-1 Zwirner Books ISBN ISBN 978-1-64423-038-1

Hardcover 8.75 × 11 in | 22.2 × 27.9 cm 144 pages, 83 illustrations $60 | £40 2013

9 David 781644 230381 Zwirner/Hatje Cantz/ Regen Projects

ISBN 9783775737333 ISBN 978-3-7757-3733-3

Hardcover 10.75 × 12.5 in | 27.3 × 31.8 cm 212 pages, 122 illustrations

9 783775 737333 42

Raymond Pettibon: Homo Americanus, Collected Works Edited with an introduction by Ulrich Loock and Harald Falckenberg Foreword by Dirk Luckow and Sabine Breitwieser Texts by Ulrich Loock, Raymond Pettibon, and Lucas Zwirner Raymond Pettibon: To Wit Text by Lucas Zwirner Interview with the artist by Kim Gordon Photographs by Andreas Laszlo Konrath

Richard Serra: Early Work Text by Hal Foster

$65 | £40 2016 Hardcover 7 × 10.25 in | 17.8 × 26 cm 692 pages, 575 illustrations $45 | £30 2014

David Zwirner Books/

Deichtorhallen Hamburg – ISBN 978-1-941701-26-3 Sammlung Falckenberg ISBN 978-1-941701-26-3

9 David 781941 701263 Zwirner ISBN 978-0-9899809-4-4 ISBN 9780989980944

Hardcover 9.25 × 12.5 in | 23.5 × 31.8 cm 188 pages, 110 illustrations $85 | £54 2014

9 David 780989 980944 Zwirner/Steidl ISBN 978-0-9899809-0-6 ISBN 9780989980906

Hardcover 9.5 × 12 in | 24.1 × 30.5 cm 340 pages, 194 illustrations Richard Serra: Forged Steel Texts by Richard Serra and Richard Shiff

$50 | £35 2016

9 David 780989 980906 Zwirner Books/Steidl ISBN 978-1-941701-17-1 ISBN 978-1-941701-17-1

Hardcover 9.5 × 12 in | 24.1 × 30.5 cm 144 pages, 93 illustrations Richard Serra: Vertical and Horizontal Reversals Text by Gordon Hughes

$65 | £40 2015

9 David 781941 701171 Zwirner Books/Steidl ISBN 978-1-941701-01-0 ISBN 9781941701010

Hardcover 10 × 12.25 in | 25.4 × 31.1 cm 88 pages, 115 illustrations Roy DeCarava: Light Break Preface by Zoé Whitley Introduction and text by Sherry Turner DeCarava

Ruth Asawa Texts by Tiffany Bell and Robert Storr Illustrated chronology by Emily K. Doman Jennings with Jaime Schwartz

$60 | £45 2019

9 First 781941 701010 Print Press/ David Zwirner Books ISBN 978-1-64423-025-1 ISBN 978-1-64423-025-1

Hardcover 9.75 × 11.5 in | 24.8 × 29.2 cm 228 pages, 100 illustrations $70 | £55 2018

9 David 781644 230251 Zwirner Books ISBN 978-1-941701-68-3

ISBN 978-1-941701-68-3

Hardcover 8.5 × 13.25 in | 21.6 × 33.7 cm 200 pages, 125 illustrations

9 781941 701683 43

Exhibition Catalogues and Monographs Sherrie Levine: After Reinhardt Auto-interview by Ad Reinhardt

$35 | £25 2019

David Zwirner Books

ISBN 978-1-64423-009-1 ISBN 978-1-64423-009-1

Softcover 8.25 × 10.75 in | 20.9 × 27.3 cm 76 pages, 32 illustrations Tamuna Sirbiladze Texts by Max Henry, Anna Kats, and Julie Ryan Conversation with the artist by Benedikt Ledebur Sonnets by Benedikt Ledebur

Toba Khedoori Text by Julien Bismuth

William Eggleston: The Democratic Forest, Selected Works Text by Alexander Nemerov

Yayoi Kusama: Every Day I Pray for Love Poetry by Yayoi Kusama

$30 | £25 2017

9 David 781644 230091 Zwirner Books ISBN 978-1-941701-80-5 ISBN 978-1-941701-80-5

Hardcover 8 × 10.75 in | 20.3 × 27.3 cm 160 pages, 121 illustrations $55 | £33 2013

9 David 781941 701805 Zwirner/Radius Books ISBN 978-1-934435-65-6 ISBN 9781934435656

Hardcover 10 × 12.75 in | 25.4 × 32.4 cm 96 pages, 26 illustrations, 2 gatefolds $55 | £38 2016

9 David 781934 435656 Zwirner Books/Steidl ISBN 978-1-941701-42-3 ISBN 978-1-941701-42-3

Hardcover 11.75 × 12.25 in | 29.8 × 31.1 cm 120 pages, 73 illustrations $45 | £35 2020

9 David 781941 701423 Zwirner Books ISBN 978-1-64423-045-9 ISBN 978-1-64423-045-9

Hardcover 6.5 × 7.75 in | 16.5 × 19.5 cm 304 pages, 150 illustrations Yayoi Kusama: Festival of Life Text by Jenni Sorkin

Yayoi Kusama: Give Me Love Text by Akira Tatehata Poem by Yayoi Kusama

$70 | £50 2018

9 David 781644 230459 Zwirner Books ISBN 978-1-941701-81-2 ISBN 978-1-941701-81-2

Hardcover 9.75 × 12 in | 24.8 × 30.5 cm 152 pages, 65 illustrations Includes special foldout poster $55 | £35 2016

9 David 781941 701812 Zwirner Books ISBN 978-1-941701-21-8 ISBN 978-1-941701-21-8

Hardcover 10 × 12 in | 25.4 × 30.5 cm 120 pages, 48 illustrations

9 781941 701218 44

The Young and Evil: Queer Modernism in New York, 1930–1955

$65 | £50 2020

Texts by Jarrett Earnest, Ann Reynolds, and Kenneth E. Silver Interview with Alexander Jensen Yow

by Michael Schreiber

Hardcover 8.75 × 11.75 in | 22.2 × 29.8 cm 152 pages, 162 illustrations

David Zwirner Books

ISBN 978-1-64423-026-8 ISBN 978-1-64423-026-8

9 781644 230268

Artist Projects Anni Albers: Notebook 1970–1980

$30 | £25 2017

Afterword by Brenda Danilowitz

David Zwirner Books ISBN 978-1-941701-74-4

ISBN 978-1-941701-74-4

Hardcover 7.75 × 10 in | 19.7 × 25.4 cm 152 pages, 148 illustrations

Chris Ofili: Paradise Lost

$35 | £25 2018

Text by Joshua Jelly-Schapiro

9 David 781941 701744 Zwirner Books ISBN 978-1-941701-82-9

ISBN 978-1-941701-82-9

Softcover 6 × 7.75 in | 15.2 × 19.7 cm 96 pages, 67 illustrations

Jordan Wolfson: California Text by Jordan Wolfson Photographs by Andreas Laszlo Konrath and Gaea Woods

Making a Great Exhibition

By Doro Globus and Rose Blake Illustrated by Rose Blake

$50 | £35 2015

9 David 781941 701829 Zwirner Books ISBN 978-1-941701-06-5

ISBN 9781941701065

Softcover 9.5 × 14.5 in | 24.1 × 36.8 cm 136 pages, 88 illustrations

$18.99 | £13.99 2021

9 781941 701065 David Zwirner Books

ISBN 978-1-64423-049-7 ISBN 978-1-64423-049-7

Hardcover 9 × 10.75 in | 22.9 × 27.3 cm 40 pages, illustrated throughout

9 781644 230497 45

Artist Projects Frequencies

Oscar Murillo

Oscar Murillo: Frequencies Texts by Belisario Caicedo, Clara Dublanc, and Oscar Murillo

R. Crumb: Bible of Filth

$65 | £42 2015

David Zwirner Books ISBN 978-1-941701-22-5

ISBN 9781941701225

Hardcover 6.5 × 9.5 in | 16.5 × 24.1 cm 608 pages, 515 illustrations $35 | £30 2017

9 David 781941 701225 Zwirner Books ISBN 978-1-941701-70-6

ISBN 978-1-941701-70-6

Hardcover 5.25 × 7.25 in | 13.3 × 18.4 cm 336 pages, illustrated throughout Rose Wylie: Lolita’s House

$50 | £35 2018

9 David 781941 701706 Zwirner Books ISBN 978-1-941701-93-5 ISBN 978-1-941701-93-5

Softcover (staple-bound) 9.5 × 11 in | 24.1 × 27.9 cm 46 pages, 38 illustrations Edition of 500 numbered copies Roy DeCarava: the sound i saw Texts by Radiclani Clytus and Sherry Turner DeCarava

Sherrie Levine: Diary 2019

$75 | £55 2019

Photographs by Roy DeCarava Text by Langston Hughes Afterword by Sherry Turner DeCarava

Venus & Adonis

By William Shakespeare Translated by Hafid Bouazza Illustrated by Marlene Dumas

David Zwirner Books ISBN 978-1-64423-010-7 ISBN 978-1-64423-010-7

Hardcover 10.25 × 13.25 in | 26 × 33.7 cm 228 pages, 210 illustrations $59.95 | £45 2018 Hardcover, leather with ribbon bookmark 5.25 × 8.75 in | 13.3 × 22.2 cm 384 pages

The Sweet Flypaper of Life

9 First 781941 701935 Print Press/

$24.95 | £17.95 2018

9 David 781644 230107 Zwirner Books/ Xavier Hufkens ISBN 978-1-64423-001-5 ISBN 978-1-64423-001-5

9 First 781644 230015 Print Press ISBN 978-0-9998438-1-9 ISBN 9780999843819

Softcover 5 × 7.25 in | 12.7 × 18.4 cm 106 pages, 141 illustrations $30 | £25 2019

9 Athenaeum/ 780999 843819 David Zwirner Books ISBN 978-1-64423-000-8 ISBN 978-1-64423-000-8

Hardcover 7 × 9.75 in | 17.8 × 24.8 cm 144 pages, 33 illustrations

9 781644 230008 46

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Page 36: Alice Neel, Uptown Distributed in Europe by Scratch Books.

Distributed outside the United States, Canada, and Europe by Thames & Hudson, Ltd. Page 46: R. Crumb: Bible of Filth Distributed by Hatje Cantz Page 41: Marcel Dzama: Puppets, Pawns, and Prophets Page 42: Raymond Pettibon: Here’s Your Irony Back, Political Works 1975–2013 Distributed in Asia by Thames & Hudson, Ltd. Distributed outside the United States, Canada, and Asia by Ludion Page 41: Luc Tuymans: Exhibitions at David Zwirner Distributed by Walther König, Cologne Page 40: Jordan Wolfson: Ecce Homo/le Poseur

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Page 41: Luc Tuymans Catalogue Raisonné of Paintings: Volume 1, 1972–1994 Page 41: Luc Tuymans Catalogue Raisonné of Paintings: Volume 2, 1995–2006 Page 41: Luc Tuymans Catalogue Raisonné of Paintings: Volume 3, 2007–2018

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Artwork Captions and Credits Page 2: Raymond Pettibon, No Title (You compel us…), 2006. © Raymond Pettibon Page 4: Carol Bove, Offenbach Barcarolle, 2019. © Carol Bove

Managing Director: Doro Globus Editorial Director: Lucas Zwirner Sales and Distribution Manager: Molly Stein

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Editor: Anne Wehr Editorial Associate: Elizabeth Gordon Production Manager: Jules Thomson

Page 8: Portia Zvavahera, This is where I travelled [4], 2020. © Portia Zvavahera

© 2021 David Zwirner Books

Page 10: Bridget Riley, Intervals Wall Painting, 2021. © 2021 Bridget Riley. All rights reserved

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Page 14: Kandis Williams, Line Intersection Sublimation: Uptown Downtown satisfactions of Swan Lake, east west Pavlova to Mezentseva, Madonna Whore Balanchine to Dunham., 2021. © Kandis Williams Page 18: Rose Wylie, In a Clowslip’s bell I lie, 2020. © Rose Wylie Page 26: Sherrie Levine, Hong Kong Dominoes: 1–12, 2017. © Sherrie Levine

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