DAVID DIKE FINE ART TEXAS ART AUCTION – FALL 2020

A Tradition In Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, October 3, 2020 at 10:30 AM CST

A Tradition In Texas Art Since 1996

DAVID DIKE FINE ART TEXAS ART AUCTION Fall Auction: Saturday, October 3, 2020 at 10:30 AM CST Auction Preview Open Daily 214 Projects • 150 Manufacturing, Suite 214 • Dallas, TX September 14-October 2, 2020 Monday-Friday, 10am-5pm • Saturday, 12 noon-5pm

Auction Date: Saturday, October 3, 2020 Bidding starts promptly at 10:30am CST

Bidding Options Bidding options available via LiveAuctioneers.com Absentee and live phone bidding available.

For the absentee/phone bid form and online internet bidding access, please visit: www.daviddike.com

At David Dike Fine Art, the safety of our clients and staff remains our top priority.

The Texas Art Auction will take place without a live audience. We look forward to your live participation.

Special Note to our Clients: At David Dike Fine Art, the safety of our clients and staff is our top priority. To that end, the Fall Texas Art Auction will take place without a live audience. The sale will still be a live sale, conducted by Louis Murad of Murad Auctioneers (13362). As in the past, we will provide live traditional phone bidding, absentee bidding, and live online bidding through Live Auctioneers and Next Lot bidding platforms.

Forms and bidding platform links are available at www.daviddike.com.

This year we will also provide a live video feed through the online bidding platform so that you may watch and listen to the auctioneer live as the sale proceeds. Again, this is all accessible through www.daviddike.com.

The auction preview will take place at 214 Projects in the Design District located at 150 Manufacturing, Suite 214.

You may preview the art in person at your convenience prior to the sale.

On the day of the auction, October 3, 2020, the gallery will be closed to the public.

2613 Fairmount Street • Dallas, Texas 75201 • Phone: 214-720-4044 • Fax: 214-720-4469 • Email: info@daviddike.com • Website: www.daviddike.com Hours: Monday – Friday 10:00 AM – 5:00 PM • Saturday 11:00 AM – 4:00 PM Please Contact the Gallery for More Information.

AUCTIONEER: LOUIS MURAD OF MURAD AUCTIONEERS LOUIS MURAD TXS 13362 •

TERMS AND CONDITIONS OF AUCTION The following, as amended by any posted notices, specific bills of sale or similar instruments relating to a transaction or oral announcements during the sale, constitutes the entire terms and conditions on which property listed in the catalogue shall be offered for sale or sold by Murad Auctions, the auctioneer conducting the sale on behalf of any consignor for whom we act as agent. DDFAA (as subsequently defined) is not an auctioneer and is not conducting the auction or arranging any resulting transaction. In these Conditions of Sale, “We” and “Our” refer to Murad Auctions.

1. As used herein the term “bid price” means the price at which a lot is sold to the purchaser and the term “purchase price” means The aggregate of (a) the bid price, (b) A PREMIUM PAYABLE BY THE PURCHASER OF 20% of the hammer price (or 25% if bidding via LiveAuctioneers.com online) and (c) unless the purchaser is exempt by law from the payment thereof, any Texas or local sales tax (or compensating use tax of another state) and applicable taxes. Murad Auctions has been authorized by the consignor to retain, as part of our remuneration, the premium payable by the purchaser.

2. On the fall of the auctioneer’s hammer, the highest bidder shall be deemed to have purchased the offered lot, and title to the lot shall pass to the purchaser, in accordance with all of the conditions set forth herein and thereupon the purchaser (a) assumes full risk and responsibility therefore (b) if requested will sign a confirmation of purchase, and (c) will pay the purchase price in full in cash for all lots purchased. To prevent misdelivery and inconvenience in settlement of a purchase, no lot may be transferred. All property shall be removed from our premises at the purchaser’s expense immediately following the sale. If not so removed we may, as an accommodation to the purchaser, transfer the property to a public warehouse or other premises under our control or the control of DDFAA at the purchaser’s sole risk and expense. Each sale made pursuant to these Conditions of Sale will be deemed to constitute a grant of security interest by the purchaser to us in, and we may retain as collateral security for the purchaser’s obligations to us or our assignee, any of the purchaser’s property in our possession, and we may apply against such obligations all monies held or received by us for the account of, or owing to, the purchaser. Each purchaser consents to the filing of public notices or our lien. Whenever the purchaser pays only a part of the total purchase price for one or more lots purchased, we may apply such payments, in our sole discretion, to the lot or lots we choose. Payment will not be deemed made in full until we have collected all amounts due in cash or good funds represented by cleared checks or cashier checks. If the foregoing conditions or any other applicable conditions herein are not complied with, in addition to other remedies available to us and the consignor by law, including but without limitation, the right to hold the purchaser liable for the purchase price, we at our option may either (a) cancel the sale, retaining as liquidated damages all payments made by the purchaser or b) resell the property with a three day notice to the original defaulting purchaser, and in such event the purchaser shall be liable for the payment of any deficiency plus all costs and expenses of both sales, our commission at our standard rates, all other charges due hereunder, attorney’s fees and incidental damages; or (c) take any measures it deems necessary. If Murad Auctions must resell the property, the original defaulting purchaser will be held responsible for any deficiencies in the purchase price, including any and all associated expenses including reasonable attorney’s fees, warehousing, commissions or any other costs associated with the default. No actions by us or any third party before or after the auction shall be deemed a waiver of any of the foregoing.

3. We reserve the right to withdraw any property at any time before the actual sale. Unless otherwise announced by the auctioneer at the time of sale, all bids are per lot as numbered in the catalogue and no lot shall be divided for sale.

4. The auction will be conducted by Louis Murad TXS 13362. We reserve the right to reject any bid 2

from any bidder. The highest bidder acknowledged by the auctioneer shall be the purchaser. In the event of any dispute between bidders, or in the event the auctioneer doubts the validity of any bid, the auctioneer shall have sole and final discretion either to determine the successful bidder or to re-offer and resell the article in dispute. If any dispute arises after the sale, our sales records shall be conclusive in all respects.

5. If we are prevented by fire, theft or any reason whatsoever from delivering any property to the purchaser, our liability shall be limited to the sum actually paid therefore by the purchaser and shall in no event include any incidental or consequential damages.

6. Some lots are offered subject to a “reserve,” which is an undisclosed minimum price below which the lot will not be sold. If a lot is offered subject to a reserve, the auctioneer may implement such reserve by bidding on behalf of the consignor, whether by opening bidding or continuing bidding in response to other bidders until reaching the reserve.

7. ALL STATEMENTS CONTAINED OR IN ANY BILL OF SALE, INVOICE OR ELSEWHERE, OR MADE BY THE AUCTIONEER, AS TO AUTHORSHIP, PERIOD, CULTURE, SOURCE, ORIGIN, MEASUREMENT, QUALITY, RARITY, PROVENANCE, IMPORTANCE, EXHIBITION AND LITERATURE OF HISTORICAL RELEVANCE OR PHYSICAL CONDITION ARE QUALIFIED STATEMENTS OR OPINION AND NOT REPRESENTATIONS OR WARRANTIES. WE AND CONSIGNORS MAKE NO REPRESENTATION AND WARRANTIES AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS, INCLUDING BUT NOT LIMITED TO, ANY REPRODUCTION RIGHTS IN THE PROPERTY. No employee or other agent of Murad Auctions, the auctioneer, David Dike Fine Art, L.L.C., Dike Management, LLC, David Dike Fine Art Auction, David Dike Fine Art or of David Dike (collectively “DDFAA”) is authorized to make on behalf or that of the consignor any representation or warranty, oral or written, with respect to any property. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been repaired or restored.

THE PURCHASER EXPRESSLY ACKNOWLEDGES AND AGREES THAT IN NO EVENT SHALL WE BE LIABLE FOR ANY DAMAGES INCLUDING, WITHOUT LIMITATION, ANY COMPENSATORY, INCIDENTAL OR CONSEQUENTIAL DAMAGES. IN NO EVENT WILL OUR LIABILITY OR THE LIABILITY OF DDFAA TO A PURCHASER EXCEED THE PURCHASE PRICE ACTUALLY PAID. 8. All deliveries will be shipped COD unless otherwise agreed to by purchaser and Murad Auctions. If packing and handling of purchased lots is done by us, it is done at the entire risk of the purchaser. We are not liable for any acts or omissions of carriers or packers, including those we may recommend. Such carriers or packers may carry their own insurance and any claim for loss or damage should be addressed directly to them. No items will be shipped unless we specifically agree to do so.

9. Unless prior arrangements have been made with Murad Auctions, there may be a seven day waiting period if purchasing artwork with a personal or company check. To avoid delay of this sort, bidders are encouraged to prearrange check approval or establish a line of credit

with Murad Auctions by calling (214) 720-4044 no later than 5pm on Friday, October 2, 2020. There will be no exceptions. Bank card purchases will be honored at our option.

10. These Conditions of Sale and the purchaser’s and our respective rights and obligations hereunder are governed by Texas law. By bidding at an auction, whether in person or by agent, telephone or other means, the purchaser or bidder agrees to be bound by these Conditions of Sale and to consent to the exclusive jurisdiction of the state courts of, and the federal courts sitting in, the State of Texas. All of our obligations under these Conditions of Sale and the obligations of purchaser to pay, are performable in Dallas, Dallas County, Texas.

11. These Conditions of Sale shall bind the successors and assigns of all bidders and purchasers and inure to the benefit of our successors and assigns. No waiver, amendment or modification of the terms hereof (other than posted notices or oral announcements during the sale) shall bind us unless specifically stated in writing by us. If any part of these Conditions of Sale is for any reason invalid or unenforceable, the rest shall remain valid and enforceable.

12. As a service to those wishing to place bids, we may at our discretion accept bids without charge in advance of sale by telephone, or in writing on bidding forms available from us. “Buy” bids will not be acceptable; all bids must state the highest bid price the bidder is willing to pay. As noted above, a premium payable by the purchaser will be added to the bid price. In the event identical bids are submitted, the earliest will take precedence. Absentee bids shall be executed in competition with other absentee bids, any applicable reserve and bids from the audience. Successful absentee bids may not be acknowledged, but sale results and selling prices for any lot may be obtained by telephoning us during normal business hours. We assume no responsibility for failure to execute these bids for any reason whatsoever.

13. As a convenience to our clients, we furnish pre-sale estimates for all lots included in the catalogue. These are intended as an approximate guide to current market value, and should not be interpreted as a price or as an appraisal. The final bid may well be less or more than any estimate printed.

14. EXCEPT AS EXPRESSLY PROVIDED ABOVE, ALL PROPERTY IS SOLD “AS-IS” AND NEITHER MURAD AUCTIONS, THE AUCTIONEER, DAVID DIKE, THE DAVID DIKE FINE ART AUCTION, DAVID DIKE FINE ART, L.L.C. OR DIKE MANAGEMENT LLC, NOR THE CONSIGNOR NOR THE AGENT OF ANY OF THEM MAKES ANY REPRESENTATION OR WARRANTY, EXPRESS OR IMPLIES, AS TO THE TITLE, MERCHANTABILITY, FITNESS OR CONDITION OF THE PROPERTY OR AS TO THE CORRECTNESS OF DESCRIPTION, GENUINENESS, ATTRIBUTION, PROVENANCE OR PERIOD OF THE PROPERTY OR AS TO WHETHER THE PURCHASER ACQUIRES ANY COPYRIGHTS OR OTHER INTELLECTUAL PROPERTY RIGHTS IN LOTS SOLD OR AS TO WHETHER A WORK OF ART IS SUBJECT TO THE ARTIST’S MORAL RIGHTS OR OTHER RESIDUAL RIGHTS OF THE ARTIST. 15. All rights to this catalogue are reserved. Some of the images may be the subject of copyright or other rights of the artist or owner. No part of this catalogue may be reproduced without permission.

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1. MICHAEL RAY CHARLES (Am. 1967-) FOLIO

Exhibition Catalogue, 1997 $4,000 - $8,000 Packet is enclosed in the original flour sack, used at both the Tony Shafazi Gallery and the Blaffer Gallery.

2. ESSE FORRESTER-O’BRIEN (Am. 20th Cent.)

BOOK

Art and Artists of Texas $200 - $400

3. EVERETT SPRUCE & OTIS DOZIER PAIR OF FOLIOS: Everett Spruce, A Portfolio of Eight Paintings, I Blaffer Series of Southwestern Art, U.T. Press, 1958 Otis Dozier, A Portfolio of Six Paintings, II Blaffer Series of Southwestern Art, U.T. 1961. Inscribed: To Eleanor and Karl Oviatt, My Friends–Otis Dozier $200 - $400

6. BETH CLARDY

5. LAURA ANN TAYLOR (Am. 1906-1990)

Church Near Mexico lithograph 10 1/2 x 8 signed lower right: Laura Ann Taylor $400 - $800

(Am. Bn. 1951-)

Group, ed. 75/75 print 8 x 12 signed on reverse: 75/75, Group, M.W. $500 - $1,000

8. HORACE OAKLEY ROBERTSON

(Am. 1919-2004)

Green Half Moon, 2002 monoprint 16 x 19 5/8 signed across bottom: Green Half Moon 1/1, Beth Clardy $400 - $800

4. MELISSA MILLER

(Am. 1886-1970)

7. HORACE OAKLEY ROBERTSON (Am. 1886-1970)

Liberty Church, 1940 lithograph 9 x 11 7/8 signed across bottom: Liberty Church 25, HO Robertson 1940 $1,500 - $2,500

Docker’s Riverside Hotel – Shawneetown, 1942 lithograph 9 1/4 x 11 7/8 signed lower right: HO Robertson $800 - $1,200

12. KELLY FEARING (Am. 1918-2011)

Little Boat, 1948 monoprint 8 x 10 1/2 signed across bottom: Little Boat, Kelly Fearing $250 - $500

10. BILL WIMAN (Am. Bn. 1940)

9. JAMES RECORD (Am. 1956-1997)

Texas Cubism, ed. 4/20, 1977 lithograph 22 x 18 signed across bottom: Texas Cubism, 4/20, Bill Wiman ’77 $1,500 - $3,000

Texas State Capital Dome lithograph 25 x 21 signed across bottom: The Texas State Capital Dome, 584/1986 $300 - $600

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11. KELLY FEARING (Am. 1918-2011)

Untitled, Abstract Patterns with Arms monoprint 11 x 8 1/2 signed lower right: Kelly Fearing, 1947 $250 - $500

13. KELLY FEARING

14. KELLY FEARING

(Am. 1918-2011)

(Am. 1918-2011)

Red Fish, 1948 graphite & gouache on paper 7 x 11 signed lower right: Kelly Fearing, 1948 $800 - $1,200

Boy with a Kite in a Secret Place etching 9 3/4 x 8 signed across bottom: Boy with a Kite in a Secret Place $200 - $500

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

15. KELLY FEARING

16. EDWARD EISENLOHR

17. EDWARD EISENLOHR

(Am. 1872-1961)

(Am. 1872-1961)

The River at Santa Fe, ed. 14/50 lithograph 8 x 10 signed lower right: Edward G. Eisenlohr $500 - $1,000

Hillside Adobes lithograph 8 x 10 signed lower right: Edward G. Eisenlohr $500 - $1,000

(Am. 1918-2011)

18. JANET TURNER

Under Water Plant Growing, 1947 monoprint 12 1/2 x 9 signed lower left: Under Water Plant Growing, Kelly Fearing ’47 $250 - $500

(Am. 1914-1988)

Chickens, 1948, ed. 50 color block print 12 x 9 signed across bottom: Chickens, ed. 50, Janet Turner $400 - $800 EXHIBITION:10th

Annual Texas Exhibition, 1948-49 ; 2nd Southwestern Exhibition of Prints and Drawings, Awarded Richard H. McLarry Prize; 3rd National Print Annual Exhibition, 1949

20. MERRITT MAUZEY (Am. 1898-1973)

Trip to the Gin, ed. 30 lithograph 11 5/8 x 16 signed across bottom: Trip to the Gin (ed. 30) Merritt Mauzey $500 - $1,000

21. MERRITT MAUZEY (Am. 1898-1973)

Public Weigher, ed. 15 lithograph 12 1/8 x 16 1/4 signed across bottom: Public Weigher (ed. 15) $500 - $1,000

19. MERRITT MAUZEY (Am. 1898-1973)

Cotton Picker, ed. 6/19 lithograph 10 x 11 3/4 signed across bottom: Cotton Pickers, 6/1/9, Merritt Mauzey $500 - $1,000 22. MERRITT MAUZEY (Am. 1898-1973)

Cotton Compress, ed. 12/23 lithograph 10 x 11 3/4 signed across bottom: Cotton Compress 12/23, Merritt Mauzey $500 - $1,000 24. MERRITT MAUZEY (Am. 1898-1973)

Ed’s Place, ed. 20 lithograph 9 1/2 x 13 3/4 signed across bottom: Ed’s Place (ed. 20), Merritt Mauzey $1,000 - $2,000

25. MERRITT MAUZEY (Am. 1898-1973)

Ballard Ranch, ed. 15/20 lithograph 10 x 11 7/8 signed across bottom: Ballard Ranch, 15/20, Merritt Mauzey $500 - $1,000

23. MERRITT MAUZEY (Am. 1898-1973)

Cotton Gin, 12/25 lithograph 10 x 11 3/4 signed across bottom: Cotton Gin, 12/25, Merritt Mauzey $500 - $1,000 28. VERONICA HELFENSTELLER (Am. 1910-1964)

Port etching 4 x 5 signed across bottom: Port, Veronica Helfensteller $600 - $1,200

26. MERRITT MAUZEY (Am. 1898-1973)

Desert Drama, ed. 2/22, 1939 lithograph 12 x 10 signed across bottom: Desert Drama, 2/22, Merritt Mauzey $500 - $1,000

27. VERONICA HELFENSTELLER (Am. 1910-1964)

The Three Guardians lithograph 14 x 17 1/2 signed lower right: Helfensteller $600 - $1,200 O R I G I N A L P R I N T S, D R A W I N G S , B O O K S & F O L I O S

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29. MARY LIGHTFOOT (Am. 1889-1970)

Abstract Design serigraph 13 x 16 $300 - $600

30. EMILY RUTLAND

31. EMILY RUTLAND

(Am. 1890-1983)

(Am. 1890-1983)

Texas Oilwell lithographic crayon on paper 13 x 17 1/2 signed lower right: Emily Rutland $800 - $1,500

Playful Horses lithograph 12 x 16 signed across bottom: Playful Horses, Emily Rutland $500 - $1,000

32. BARBARA MAPLES (Am. 1912-1999)

Untitled photogram 7 3/4 x 9 3/8 signed lower right: Barbara Maples $300 - $600

33. BARBARA MAPLES (Am. 1912-1999)

36. COREEN MARY SPELLMAN

Nickie, ed. 2/4 aquatint 9 x 11 3/4 signed across bottom: Nickie, 4/2, Barbara Maples $400 - $800

35. FLORENCE MCCLUNG (Am. 1894-1992)

Back of the Bullring, 1948 lithograph 12 x 15 3/4 signed across bottom: Back of the Bullring, Florence McClung $1,500 - $3,000

(Am. 1905-1978)

Underpass, 1924 mezzotint 4 3/4 x 7 signed across bottom: Underpass – 24, CM Spellman $1,500 - $3,000 This work was published in: American Today, Collection of Exhibition Prints

34. BARBARA MAPLES (Am. 1912-1999)

Gulf Scene, ed. 12 linocut 17 x 11 1/2 signed across bottom: Gulf Stream, ed. 12, Barbara L Maples $1,000 - $2,000

39. BLANCHE MCVEIGH

37. COREEN MARY SPELLMAN (Am. 1905-1978)

Study Time mezzotint 7 3/4 x 5 3/4 signed across bottom: Study Time, Coreen Mary Spellman $1,000 - $2,000

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(Am. 1895-1970)

40. BLANCHE MCVEIGH

Majorettes, c. 1945 aquatint 10 1/2 x 13 7/8 estate stamped lower right $600 - $1,200

(Am. 1895-1970)

Majorettes, c. 1945 color aquatint 7 x 9 $500 - $1,000

38. COREEN MARY SPELLMAN (Am. 1905-1978)

Share Cropper etching 4 7/8 x 6 3/4 signed across bottom: Share Cropper, Coreen Mary Spellman $2,000 - $3,000

41. BLANCHE MCVEIGH

42. BLANCHE MCVEIGH

(Am. 1895-1970)

(Am. 1895-1970)

Firewood, 1941, ed. 10/25 aquatint 8 7/8 x 6 7/8 signed across bottom: 10/25, Firewood, Blanche McVeigh $500 - $1,000

Enough, 1946, ed. 50 color aquatint 10 x 7 3/4 signed across bottom: Enough, 50 prints, Blanche McVeigh $600 - $1,200

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

44. BLANCHE MCVEIGH (Am. 1895-1970)

The Haunted House, ed. 50 aquatint 11 x 14 signed across bottom: Haunted House, 50 prints, Blanche McVeigh $1,000 - $2,000

45. BLANCHE MCVEIGH (Am. 1895-1970)

House in the Woods etching 5 x 7 signed lower left: Blanche McVeigh $300 - $600 46. JERRY BYWATERS (Am. 1906-1989)

43. BLANCHE MCVEIGH

Paint Colt, ed. 50 linoleum block print, in two colors 10 x 6 1/2 signed across bottom: Paint Colt, ed. 50, Jerry Bywaters $800 - $1,200

(Am. 1895-1970)

Decatur Courthouse aquatint 12 x 8 3/4 signed across bottom: Decatur Courthouse $600 - $1,200 EXHIBITED: This was the prize winning

print at First Light; Local Art and the Fort Worth Public Library; 1901-1961; A Centennial Exhibition at the Fort Worth Public Library in 2001

48. OLAF CARL WIEGHORST (Am. 1899-1988)

Bucking Branco etching 7 3/8 x 5 3/4 signed lower right: O Wieghorst $750 - $1,000

49. WILLIAM HERBERT “BUCK” DUNTON (Am. 1878-1936)

Texas Cowhand, Model: Van Price, 1928 charcoal on paper 14 x 11 signed lower left: Dunton of Taos Signed across bottom: Texas Cowhand, Model, Van Price, W. Herbert Dunton, Aug. 31st, 1928 $1,800 - $2,200

50. NICK EGGENHOFER (Am. 1897-1985)

When All is Said, it was the man on horseback who made the West graphite on paper 9 x 7 signed lower right: Eggenhofer $750 - $1,000

47. JERRY BYWATERS (Am. 1906-1989)

Padre, c. 1940 linoleum block print with three colors 10 x 8 signed across bottom: Padre, Jerry Bywaters $800 - $1,200

53. JERRY BYWATERS 52. TRENTON HANCOCK (Am. Bn. 1974-)

Hag Bag, 1998 acrylic on paper 15 x 13 1/2 $1,500 - $3,000

(Am. 1906-1989)

Ranch Hand and Pony lithograph 9 x 13 1/4 signed lower right: Jerry Bywaters $1,000 - $2,000

51. DAN DIAL

54. JERRY BYWATERS

(Am. 20th Cent.)

(Am. 1906-1989)

Third Mortgage conte on paper 28 x 20 1/2 $600 - $1,200

Mexican Mother, 1936 lithograph 16 x 12 signed across bottom: Mexican Mother, Jerry Bywaters, ’36 $1,000 - $2,000

EXHIBITED: Eleventh

Annual Allied Arts Exhibition, 1940, The Dallas Museum of Fine Arts.

O R I G I N A L P R I N T S, D R A W I N G S , B O O K S & F O L I O S

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58. WILLIAM LESTER 56. WILLIAM LESTER

57. WILLIAM LESTER

(Am. 1901-1991)

55. WILLIAM LESTER

(Am. 1901-1991)

(Am. 1901-1991)

(Am. 1901-1991)

Old Store in Austin, ed. 20; 1942 lithograph 8 1/2 x 11 signed across bottom: Old Store in Austin, Edition 20, WM Lester 1942 $1,000 - $2,000

Mountain River, 1941, ed. 25 lithograph 10 1/8 x 14 15/16 signed across bottom: Mountain River, Edition 25, WM Lester, 1941 $1,500 - $3,000

Live Oak Pass, ed. 25, 1941 lithograph 9 3/4 x 14 signed across bottom: Live Oak Pass, Edition 25, WM Lester 1941 $1,000 - $2,000

Coming Rain, March – 1930 lithograph 7 1/2 x 9 signed across bottom: WM Lester (S.L.), Coming Rain, March 1930 $1,000 - $2,000

62. ALEXANDRE HOGUE (Am. 1898-1994)

59. WILLIAM LESTER

Penetente Morada, ed. 6/50, 1941 lithograph 9 x 13 signed across bottom: Penetente Morada, 6/50, Alexandre Hogue, 1941 $2,500 - $4,500

(Am. 1901-1991)

Live Oak Pass, ed. 25, 1941 lithograph 9 3/4 x 14 signed on reverse: Live Oak Pass, Edition 25, WM Lester (S.L.) 1941 $1,000 - $2,000

60. WILLIAM LESTER (Am. 1901-1991)

61. WILLIAM LESTER

Deep Woods, ed. 25, 1940 lithograph 10 1/2 x 8 signed across bottom: Deep Woods, Edition 25, WM Lester 1940 $1,000 - $2,000

(Am. 1901-1991)

Recluse, ed. 25, 1939 lithograph 10 1/8 x 8 signed and titled across bottom: Recluse, 1939, Ed. of 25, William Lester $1,000 - $2,000

64. ALEXANDRE HOGUE 62-A. ALEXANDRE HOGUE

(Am. 1898-1994)

(Am. 1898-1994)

Cryptonymous, ed. 6/16, 1957 screenprint 14 x 18 signed across bottom: Cryptonymous, 6/16, Alexandre Hogue-1957, Imp. $1,500 - $3,000

Liberators, 1943 lithograph 11 1/2 x 15 signed across bottom: Liberators, Alexandre Hogue, 1943 $1,000 - $2,000 63. ALEXANDRE HOGUE (Am. 1898-1994)

62-B. ALEXANDRE HOGUE

In the Beginning, ed. 10/20; 1964 aquatint 16 x 22 signed across bottom: In The Beginning, 10/20; Alexandre Hogue-Imp-1964 $600 - $1,200

(Am. 1898-1994)

Oil Strike, 1943 lithograph 16 1/2 x 13 1/4 signed across bottom: Oil Strike, Alexandre Hogue, 1943 $2,000 - $4,000

65. ALEXANDRE HOGUE (Am. 1898-1994)

Bombardment, ed. 36/55, 1952 print 9 x 13 signed across bottom: Bombardment 36/55, Alexandre Hogue, 1952 $600 - $1,200 8

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

66. ALEXANDRE HOGUE (Am. 1898-1994)

March Fantasy, ed. 8/40, 1927 two color linocut on rice paper 10 x 14 signed across bottom: March Fantasy 8/40, Alexandre Hogue, 1927 $1,000 - $2,000

67. ALEXANDRE HOGUE (Am. 1898-1994)

69. PETER HURD

On the Back Stretch, ed. 150/150 serigraph 9 1/2 x 18 signed across bottom: On the Back Stretch, 150/150, Alexandre Hogue, 1935 $800 - $1,200

(Am. 1904-1984)

The Sentinel Santa Fe Trail, ed. 134/500 lithograph 13 x 19 1/4 signed lower right: Peter Hurd $800 - $1,200

70. THOMAS HART BENTON (Am. 1889-1975)

Island Hay lithograph 10 x 12 1/2 signed across bottom: Island Hay, Thomas H. Benton $1,500 - $2,500

68. PETER HURD (Am. 1904-1984)

Saturday Night, ed. 36 lithograph 15 1/2 x 12 signed lower right: Peter Hurd $2,500 - $3,500

73. LLOYD GOFF (Am. 1908-1982)

71. GRANT WOOD

Cattle Country lithograph 6 x 10 1/2 signed across bottom: Cattle Country, Lloyd Lozes Goff $300 - $600

(Am. 1891-1942)

March, 1939 lithograph 9 x 12 signed lower right: Grant Wood $6,000 - $8,000 This limited edition print was part of the Associated American Artists set. Grant Wood is known for his iconic American Regional scenes, notably, American Gothic which hangs on view in the Chicago Art Institute.

75. OTIS DOZIER (Am. 1904-1987)

Grasshopper, 1987 serigraph 20 x 26 signed across bottom: 25/30, Otis Dozier, ’87 $1,000 - $2,000

72. GEORGE GRAMMER (Am. 1928-2019)

76. OTIS DOZIER (Am. 1904-1987)

Jackrabbit Dreaming pencil on paper 5 x 7 3/4 signed lower right: Dozier $600 - $1,200

Day of the Blessing of the Flowers, 1952 lithograph 11 1/2 x 7 1/2 signed across bottom: Day of the Blessing of the Flowers, 4/10, George Grammer, 1952 $800 - $1,200

74. OTIS DOZIER (Am. 1904-1987)

Jackrabbit woodblock print 3 3/4 x 3 3/4 $600 - $800

77. PULLED 80. EMIL JAMES BISTTRAM (Am. 1895-1976)

Untitled, ed. 12/200 print 21 x 13 $800 - $1,200 78. OTIS DOZIER (Am. 1904-1987)

Palm Leaf ink and watercolor on paper 7 1/2 x 10 1/2 signed lower right: Dozier $600 - $1,200

79. EMIL JAMES BISTTRAM (Am. 1895-1976)

Untitled, ed. 4/100 print 15 1/2 x 18 signed lower right: Bisttram $800 - $1,200

O R I G I N A L P R I N T S, D R A W I N G S , B O O K S & F O L I O S

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84. JOSEPHINE MAHAFFEY (Am. 1903-1982)

81. JOSEPHINE MAHAFFEY

Wine Bottles watercolor on paper 21 1/2 x 29 1/2 $500 - $1,000

(Am. 1903-1982)

Conch Shell watercolor on paper 14 1/2 x 18 signed lower right: j.m. $600 - $1,200

82. JOSEPHINE MAHAFFEY

83. JOSEPHINE MAHAFFEY

(Am. 1903-1982)

(Am. 1903-1982)

New York City watercolor on paper 29 x 21 signed lower right: j.m. $1,000 - $2,000

Red Fruit & Grapes watercolor on paper 13 1/2 x 10 signed lower right: JM $200 - $400

87. JOSEPHINE MAHAFFEY

88. JOSEPHINE MAHAFFEY

85. JOSEPHINE MAHAFFEY

(Am. 1903-1982)

(Am. 1903-1982)

(Am. 1903-1982)

Texas Parade watercolor on paper 12 x 16 1/2 signed lower right: JM $600 - $1,200

Prickly Pear Cactus watercolor on paper 29 1/2 x 19 3/4 signed lower right: JM $300 - $600

Blue Cow watercolor on paper 24 x 20 signed lower right: JM $400 - $800 86. JOSEPHINE MAHAFFEY (Am. 1903-1982)

Rooster watercolor on paper 8 1/2 x 7 signed lower right: JM $200 - $400

89. JOSEPHINE MAHAFFEY (Am. 1903-1982)

Cats & Rooster watercolor on paper 12 x 16 1/4 signed lower right: JM $300 - $600

91. JOSEPHINE MAHAFFEY 90. JOSEPHINE MAHAFFEY (Am. 1903-1982)

Bottles watercolor on paper 29 x 22 signed lower right: JM $300 - $600

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DAVID DIKE FINE ART ★ TEXAS ART AUCTION

(Am. 1903-1982)

Owl print 11 1/2 x 6 1/2 signed lower right: JM $200 - $400

92. JOSEPHINE MAHAFFEY (Am. 1903-1982)

Peacock print 8 x 4 1/2 signed lower right: JM $200 - $400

93. TOM LEA (Am. 1907-2001) MAP

Plan of the Town of Puerto, 1880 ink and pencil on paper 22 1/2 x 26 1/2 signed lower right: made for reference during the writing of “The Wonderful Country,” by: Tom Lea $8,000 - $10,000 Created as a reference during the writing of The Wonderful Country, by Tom Lea

93-A. SCOTT & STUART GENTLING ScissorTailed Fly Catcher, Plate XLVII offset lithograph 25 1/2 x 19 3/4 $1,000 - $2,000 This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth.

93-B. SCOTT & STUART GENTLING Roadrunner, Plate: XLIII offset lithograph 25 1/2 x 19 3/4 $1,000 - $2,000

93-C. SCOTT & STUART GENTLING Pyrrhuloxia, Plate: XXXIV offset lithograph 25 1/2 x 19 3/4 $1,000 - $2,000

This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth.

This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth.

94. OLIN TRAVIS 93-D. SCOTT & STUART GENTLING Scaled Quail, Plate XXV offset lithograph 25 1/2 x 19 3/4 $1,000 - $2,000

(Am. 1888-1975)

93-F. SCOTT & STUART GENTLING Mourning Dove, Plate XXXI offset lithograph 25 1/2 x 19 3/4 $1,000 - $2,000

This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth.

Landscape oil on board 4 1/2 x 9 signed lower left: Olin Travis $400 - $800

This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth.

93-E. SCOTT & STUART GENTLING House-Wren, Plate XXII offset lithograph 25 1/2 x 19 3/4 $1,000 - $2,000 This work hung in the Bird Café in the historic Land Title Building at 155 East 4th St in Fort Worth.

95. LOUIS OSCAR GRIFFITH

97. LOUIS OSCAR GRIFFITH

(Am. 1875-1956)

(Am. 1875-1956)

Fall Landscape oil on canvasboard 9 3/4 x 14 signed lower left: L.O. Griffith $1,000 - $2,000

Indian Travelers in Texas pastel on paper 4 1/2 x 8 1/2 signed lower right: L.O. Griffith $400 - $800

96. LOUIS OSCAR GRIFFITH

98. CARL BENTON COMPTON (Am. 1905-1981)

Food Gatherers, 1935 oil on canvas 20 x 24 signed lower left: Carl Benton Compton, 1935 $3,000 - $6,000

EXHIBITED: Palette Paper & Chisel Club, Athenium Building, Chicago, IL

(Am. 1875-1956)

Near Guid Mound, Texas pastel on paper 4 1/2 x 8 1/2 signed lower right: L.O. Griffith $400 - $800 EXHIBITED: Palette Paper & Chisel Club,

Athenium Building, Chicago, IL

99. MILDRED NORRIS COMPTON (Am. 1912-1976)

Snow Scene with Sled, c. 1935 oil on canvas 20 x 23 3/4 $2,000 - $4,000

FINE PAINTINGS AND SCULPTURE

11

100

101

100. MILDRED NORRIS COMPTON (Am. 1912-1976)

Meditation Scene gouache on paper 12 x 16 signed lower right: Mildred Norris Compton 1946 $1,000 - $2,000

101. MILDRED NORRIS COMPTON (Am. 1912-1976)

Women at a Well gouache on paper 12 1/2 x 16 signed lower right: Mildred Compton $1,000 - $2,000

102. MILDRED NORRIS COMPTON

102

103

(Am. 1912-1976)

Meditation Family gouache on paper 12 3/4 x 16 signed lower right: Mildred Compton $1,000 - $2,000

103. CARL BENTON COMPTON (Am. 1905-1981)

A Family in a Landscape gouache on paper 15 x 20 signed lower right: Carl Benton Compton $2,000 - $4,000

104. CARL BENTON COMPTON

104

(Am. 1905-1981)

Bison Skull and Fantastical Landscape gouache on paper 14 1/2 x 18 signed lower right: Carl Benton Compton 1944 $1,500 - $3,000

106

105. MILDRED NORRIS COMPTON (Am. 1912-1976)

Self-Portrait, 1932 oil on canvas 24 x 18 3/4 signed lower right: Chicago, ’32 $2,000 - $4,000

105 106. CARL BENTON COMPTON (Am. 1905-1981)

Portrait of a Woman oil on board 15 1/4 x 12 signed lower right: CBC $2,000 - $4,000

107. CARL BENTON COMPTON (Am. 1905-1981)

Woman Reading oil on canvas 29 x 23 $1,500 - $3,000

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107

107-A

107-A. OTIS DOZIER (Am. 1904-1987)

Colorado Magpies, 1943 oil on masonite 16 x 20 signed lower right: Otis Dozier, ’43 $6,000 - $12,000

FINE PAINTINGS AND SCULPTURE

13

107-B

107-C

108

107-B. RED (CHARLES ROGERS) GROOMS (Am. Bn. 1937-)

Bull Rider, Ed. 8/100, 1991 lithograph 25 1/2 x 18 1/4 signed across bottom: 8/100, Red Grooms ’91 $1,500 - $2,500 This lot is accompanied by a statement from the Shark’s Ink Press. It states this lithograph was published by the Modern Art Museum of Fort Worth.

107-C. RED (CHARLES ROGERS) GROOMS

109

(Am. Bn. 1937-)

Bronco Buster, Ed. 66/75 lithograph 8 3/4 x 8 1/4 signed across bottom: 66/75, Red Grooms $700 - $1,000

109-A

This lot is accompanied by a statement from the Shark’s Ink Press.

108. FRED DARGE (Am. 1900-1978)

Dry Country (Davis Mountains, Texas) oil on canvasboard 12 x 16 signed lower right: F. Darge $2,000 - $3,000

109. FRED DARGE

110

(Am. 1900-1978)

Early Morning Grand Canyon oil on canvasboard 12 x 16 signed lower right: F. Darge $3,000 - $6,000 NOTE ON REVERSE: Early

Morning” (on the Trail to Hopi Point, Grand Canyon, National Park Arizona)

109-A. WILLIAM FORAUER (Am. 20th Cent.)

Untitled, Forward Facing Cows in a Landscape oil on canvas 30 x 40 signed lower right: W. Forauer $2,500 - $5,000

111

PROVENANCE: From the

estate of Derrill Osborne.

William Forauer; Private Collection, Dallas, TX current acquired from above

110. FRED DARGE (Am. 1900-1978)

Sheep Herder Sketch pencil on paper 4 1/3 x 6 7/8 signed lower right: F Darge $1,000 - $2,000

111. JOE GRANDEE (Am. 1929-1976)

Rounding Up the Herd oil on canvas 22 x 28 signed lower left: Joe Grandee $6,000 - $8,000

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112 112. ELMER BOONE (Am. 1883-1952)

The Cattle Drive oil on canvas 19 1/4 x 30 1/4 signed lower right: E.L. Boone $12,000 - $15,000

113. FRED DARGE (Am. 1900-1979)

Boat Rental, White Rock Lake oil on canvasboard 18 x 24 signed lower right: F Darge $4,000 - $8,000

113

114

115 114. FRED DARGE (Am. 1900-1978

Afternoon Shadows, Big Bend National Park oil on canvasboard 12 x 16 signed lower right: F. Darge $3,000 - $6,000

115. FRED DARGE (Am. 1900-1978)

Horsemen & Pack Horse on Bumham Chisos Ranch, Chisos Mountains c. 1930 oil on canvas 22 x 32 signed lower right: F Darge $18,000 - $25,000 PROVENANCE: Fred Darge

Studio; H.A. Conover Estate purchased from above

FINE PAINTINGS AND SCULPTURE

15

116 116. ELLA K MEWHINNEY (Am. 1891-1962)

Floral Still Life oil on canvasboard 17 x 14 signed lower right: Ella K. Mewhinney $2,000 - $4,000

117. ELLA K MEWHINNEY (Am. 1891-1962)

Bouquet of Glad Flowers oil on canvas 26 1/2 x 19 signed lower right: Ella K. Mewhinney $6,000 - $8,000 EXHIBITED: Visioning

Beauty: An Ella K. Mewhinney Retrospective, Nov. 1, 2008 - Jan. 31, 2009 at the Bell County Museum in Belton, TX.

118. VERDA LIGON (Am. 1902-1970)

Dream Flowers of the Desert pastel on paper 18 x 15 signed on reverse: Verda Ligon $3,000 - $6,000 EXHIBITED: Sixteenth Annual

Allied Arts , 1945.

117

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118

119 119. VERONICA HELFENSTELLER (Am. 1910-1964)

Legend of Sleepy Hollow watercolor on paper 12 x 18 signed lower right: V.H. $1,500 - $3,000 EXHIBITED: The Women’s

Museum, Of This Vast State: Women Artists of Texas 19001960, Nov. 3, 2006 - Jan. 28, 2007

120. XAVIER GONZALEZ (Am. 1898-1993)

Offerings, 1951 oil on canvas 34 x 44 signed lower right: X.G. $5,000 - $10,000

121. HARRY CARNOHAN (Am. 1904-1969)

Madonna, 1953 gouache on canvas 36 x 25 signed lower right: Carnohan ’53 $1,000 - $2,000

120

121

FINE PAINTINGS AND SCULPTURE

17

122. ALICE CHILTON

122

(Am. 1891-1978)

Bluebonnet Landscape oil on board 8 x 10 signed lower right: Alice Chilton $1,500 - $3,000

123. ALICE CHILTON (Am. 1891-1978)

Cactus Landscape oil on canvasboard 10 x 8 signed lower right: Alice Shilton, G.N.A. $1,000 - $2,000

124. ALICE CHILTON (Am. 1891-1978)

Yucca in Bloom oil on board 16 x 12 signed lower right: Alice Chilton $2,000 - $4,000

123

124

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125 125. W. FREDERICK JARVIS (Am. 1868-1944)

Fall Landscape oil on canvas 18 x 24 signed lower left: W Frederick Jarvis $1,500 - $3,000

126. W. FREDERICK JARVIS (Am. 1868-1944)

Pumpkins in the Field oil on canvas 10 x 12 signed lower left: WF Jarvis $1,500 - $3,000

127. MORRIS WALTON LEADER (Am. 1877-1966)

Bluebonnet Landscape oil on canvas 10 x 12 signed lower left: MW Leader $1,500 - $3,000

128. RAYMOND EVERETT (Am. 1885-1948)

Landscape, 1936 oil on canvas 24 x 30 signed lower left: R Everett 1936 $1,500 - $3,000

126

128

127

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19

129 129. ROLLA SIMS TAYLOR (Am. 1872-1970)

Landscape with Verbenas, c. 1920 oil on canvas 16 x 24 signed lower left: Rolla Taylor $6,000 - $12,000 EXHIBITED: Texas

Impressionism at the Panhandle Plains Historical Museum

130. ROLLA SIMS TAYLOR (Am. 1872-1970)

Leon Springs Cabin, Near San Antonio, TX oil on canvas 14 x 16 signd lower right: Rolla Taylor $1,500 - $3,000

131. ROLLA SIMS TAYLOR (Am. 1872-1970)

Untitled oil on canvasboard 9 x 12 signed lower right: Rolla Taylor $1,000 - $2,000

132. ELOISE POLK MCGILL (Am. 1868-1939)

Harbor Scene oil on board 9 x 12 signed lower right: E.P. McGill $2,000 - $4,000

131

130

132

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134

133

135

133. WILLIAM A. SLAUGHTER (Am. 1923-2003)

Texas Landscape oil on canvas 20 x 16 signed lower right: W.A. Slaughter $1,000 - $2,000

134. WILLIAM A. SLAUGHTER (Am. 1923-2003)

Spring Texas Landscape oil on canvas 36 x 24 signed lower right: W.A. Slaughter $8,000 - $12,000

135. WILLIAM A. SLAUGHTER (Am. 1923-2003)

Bluebonnet Landscape oil on canvas 9 x 12 signed lower left: W.A. Slaughter $1,500 - $2,500

FINE PAINTINGS AND SCULPTURE

21

136 136. FRANZ STRAHALM (Am. 1879-1935)

Medina Lake oil on canvas 28 x 34 signed lower right: Franz Strahalm $6,000 - $8,000

137. ELLA K MEWHINNEY (Am. 1891-1962)

Texas Bluebonnet Landscape oil on canvas 13 x 17 signed lower left: Ella K. Mewhinney $8,000 - $12,000

138. HERBERT STITT (Am. 1880-1943)

Country Landscape oil on canvas 25 x 30 signed lower left: HD Stitt $5,000 - $10,000

137

138

22

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

139 139. EDWARD EISENLOHR (Am. 1872-1961)

Santa Fe, 1924 oil on canvas 20 x 24 signed lower right: E.G. Eisenlohr, Santa Fe, 1924 $6,000 - $8,000

140. DWIGHT HOLMES (Am. 1900-1986)

Aspens in Ruidoso, NM 1979 oil on canvas signed lower right: Dwight C. Holmes ’79 $2,000 - $4,000

141. EDWARD EISENLOHR (Am. 1872-1961)

Church at Selma, June 1940 oil on board 12 x 18 signed lower left: E.G. Eisenlohr $8,000 - $12,000

140

141

FINE PAINTINGS AND SCULPTURE

23

142 142. FREMONT ELLIS (Am. 1897-1985)

Swinging Footbridge of Colt Canyon oil on canvas 20 x 24 signed lower left: Fremont Ellis $15,000 - $25,000

143. CARL THOMAS HOPPE (Am. 1897-1981)

Horse Mint, 1926 oil on canvas 22 x 30 $6,000 - $10,000 EXHIBITED: The San Antonio

Art League, 1928 Competition; Texas Impressionism, Panhandle-Plains Historical Museum

144. CARL THOMAS HOPPE (Am. 1897-1981)

Grey Day in Texas Hill Country oil on canvas 16 x 20 signed lower right: C Hoppe, 53 $2,000 - $3,000

143

144

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DAVID DIKE FINE ART ★ TEXAS ART AUCTION

145 145. REVEAU BASSETT (Am. 1897-1981)

Mallards in Flight oil on canvas 20 x 16 signed lower left: Reveau Bassett $12,000 - $18,000

146. REVEAU BASSETT (Am. 1897-1981)

Mallard Ducks oil on canvasboard 8 x 10 signed lower left: Reveau Bassett $2,000 - $4,000

147. REVEAU BASSETT (Am. 1897-1981)

Northern Pin Tail Ducks oil on canvasboard 8 x 10 signed lower right: Reveau Bassett $2,000 - $4,000

146

147

FINE PAINTINGS AND SCULPTURE

25

148

148. OLIN TRAVIS (Am. 1888-1975)

Port Aransas, Texas oil on board 20 x 28 signed lower left: Olin Herman Travis $10,000 - $20,000

26

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

149 149. KATHRYNE HAIL TRAVIS (Am. 1894-1972)

Devils Den, Arkansas oil on canvas 24 x 30 signed lower right: Kathryn Hail Travis $1,500 - $3,000

150. OLIN TRAVIS (Am. 1888-1975)

November in the Ozarks oil on canvas 20 x 28 signed lower left: Olin Herman Travis $5,000 - $7,000

150

FINE PAINTINGS AND SCULPTURE

27

152 151. PULLED

152. OLIN TRAVIS (Am. 1888-1975)

Study for Ash Hopper gouache on paper 10 1/2 x 9 signed lower right: Olin Travis $2,000 - $3,000

153. ALEXANDRE HOGUE (Am. 1898-1994)

The Mountain Trail, 1927 oil on canvasboard 8 x 6 signed lower left: Alexandre Hogue 27 $7,000 - $10,000 NOTE ON REVERSE:

The Mountain Trail, Simpsons Memorial Trail to Wheelers Peak, October, 1927, Alexandre Hogue

153

28

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

154 154. PETER HURD (Am. 1904-1984)

Chores Before the Rain watercolor on paper 22 x 30 signed lower right: Peter Hurd $12,000 - $18,000

155. PETER HURD (Am. 1904-1984)

Los Salinas watercolor on paper 12 x 18 1/2 signed lower right: Peter Hurd, Los Salinas $2,000 - $4,000

156. JOSEPH A. FLECK (Am. 1892-1977)

Young Indian Boy Selling San Ildefonso Pottery oil on board 44 x 29 signed lower right: Jos. Fleck $15,000 - $25,000

155

156

FINE PAINTINGS AND SCULPTURE

29

157

157. PETER HURD (Am. 1904-1984)

Pennsylvania Landscape oil on canvas 16 x 25 signed lower right: Peter Hurd $5,000 - $10,000

158. ROBERT WOOD

158

(Am. 1889-1979)

Ocean View oil on canvas 24 x 48 signed lower right: Robert Wood $3,000 - $6,000

30

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

159 159. DAWSON DAWSON-WATSON (Am. 1864-1939)

Prickly Pear Cactus oil on canvas 17 x 13 signed lower left: Dawson-Watson $25,000 - $35,000

159-A. DAWSON DAWSON-WATSON (Am. 1864-1939)

Path through the Bluebonnets, 1933 oil on canvasboard 16 x 12 signed lower right: Dawson-Watson 33 $6,000 - $12,000

160. AUDLEY DEAN NICOLS (Am. 1875-1941)

West Texas oil on canvas 12 x 18 signed lower left: Audley Dean Nicols $15,000 - $25,000

159-A

160

FINE PAINTINGS AND SCULPTURE

31

161

161. PORFIRIO SALINAS (Am. 1910-1973)

Spring in the Hill Country oil on canvas 36 x 46 signed lower left: Porfirio Salinas $60,000 - $80,000

32

James Boyd Betts, a business man of Fort Worth, Texas, purchased this painting from Dewy Bradford in the early 1950s. It has remained in the family ever-since.

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

162

163

162. PORFIRIO SALINAS (Am. 1910-1973)

Texas Bluebonnet Landscape oil on canvas 24 x 32 signed lower left: Salinas $40,000 - $60,000

163. PORFIRIO SALINAS (Am. 1910-1973)

Texas Bluebonnet Landscape oil on canvas 25 x 30 signed lower right: Porfirio Salinas $20,000 - $30,000

James Boyd Betts, a business man of Fort Worth, Texas, purchased this painting from Dewy Bradford in the early 1950s. It has remained in the family ever-since.

FINE PAINTINGS AND SCULPTURE

33

164

164. PORFIRIO SALINAS

165

(Am. 1910-1973)

West Texas Bluebonnet Landscape oil on canvas 24 x 36 signed lower left: Porfirio Salinas $20,000 - $30,000

165. PORFIRIO SALINAS (Am. 1910-1973)

Texas Bluebonnet Landscape oil on canvas 16 x 24 signed lower left: Porfirio Salinas $12,000 - $18,000

34

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

166 166. PORFIRIO SALINAS (Am. 1910-1973)

West Texas oil on canvas 12 x 16 signed lower left: P Salinas $8,000 - $12,000

167. PORFIRIO SALINAS (Am. 1910-1973)

Mount Bonnell Colorado River, 1940 oil on canvasboard 10 x 14 signed lower left: P Salinas $2,500 - $5,000

168. PORFIRIO SALINAS (Am. 1910-1973)

El Cordobes Spain oil on canvas 20 x 16 signed lower left: Porfirio Salinas $3,000 - $6,000

167

168

FINE PAINTINGS AND SCULPTURE

35

169 169. FRANK REAUGH (Am. 1860-1945)

Untitled, D pastel on paper 3 x 5 1/2 signed lower right: D $3,000 - $6,000 EXHIBITED: Panhandle Plains

Historical Museum PROVENANCE: recorded on

reverse of frame by Rainone Galleries stating: “This painting belonged to the Panhandle Plains Historical Museum in 1965. This was examined by Reveau Bassett and William Alexander, both of Dallas.”

170. PULLED

171. FRANK REAUGH (Am. 1860-1945)

Colorado City pastel on paper 3 x 6 1/2 signed lower right: Colo $4,000 - $8,000

171

PROVENANCE: Estate of

Reveau Bassett, Dallas, TX; Private Collection, Dallas, TX; Heritage Auctions, Dec. 15, 2017; Empire Partners, Ltd Collection acquired from above

172. FRANK REAUGH (Am. 1860-1945)

Untitled Blue Sky pastel on paper 3 1/2 x 7 signed lower right: F Reaugh $2,000 - $3,000

Untitled, Blue Sky is accompanied by a letter of Authenticity from James P. Cornette, President of the Panhandle Plains Historical Society, 1963-1965.

The lot also includes a book: F. Reaugh-Man and Artist, by: J. Evetts Haley. ©1960 by J. Evetts Haley

36

172

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

173 173. JOSE ARPA (Am. 1858-1952)

Brackenridge Park oil on canvas 18 x 24 signed lower left: J Arpa $40,000 - $60,000

174. JOSE ARPA (Am. 1858-1952)

The Tower in Miraflores, Dr. Urrutia’s, c. 1920 oil on panel 14 1/3 x 11 1/4 signed lower right: J Arpa, San Antonio $40,000 - $60,000

This is the “Lost Garden” in San Antonio, Texas, c. 1920.

174

FINE PAINTINGS AND SCULPTURE

37

175

175. JULIAN ONDERDONK (Am. 1882-1922)

In the Land of the Spanish Oak, Southwest Texas, 1910 oil on canvas 20 x 30 signed on reverse: Julian Onderdonk 1910 $175,000 - $200,000

This painting is accompanied by a letter of authenticity from Harry Halff, author of the book: Julian Onderdonk: A Catalogue Raisonne.

Julian Onderdonk is notably one of the most highly valued Texas impressionist painters of the early 20th century. His career began early, as Julian was the son of Robert Jenkins Onderdonk, a prominent portrait painter and teacher of the San Antonio area. Robert Jenkins helped organize and attended the Arts Students League of New York in 1875.

Julian moved to New York in 1901 and showed early distinction for his skills as he studied under William Merritt Chase during which time he was awarded first prize in a student exhibition. Julian stayed in New York and became a prolific painter and had a partnership with a dealer in New York City who sold many of his works.

Julian returned to San Antonio in 1909. It was during this time, and the years following his return that his affinity for the Texas landscape and his mastery of painting it shined. In the Land of the Spanish Oak in Southwest Texas, Onderdonk takes a simply filled landscape of Spanish Oaks and depicts the sunlight splayed on the sculptural undulation of the terrain, and renders the vibrant colors of the foliage into a dynamic landscape. The pale sky is covered in an array of cool and warm tones that meet the horizon line in a complex colorful play on evening shadow. This rare painting portrays Onderdonk’s masterful talent as an impressionist painter and his proficiency for color.

1910 marked an active period for Onderdonk in painting production, exhibitions, and travel. He exhibited works at the San Antonio Women’s Club. He left for a trip to New York to collect paintings and bring them home to be exhibited at the Dallas State Fair Exhibition in October of 1910. In November he exhibited works at the San Antonio International Fair. He also exhibited two works at the National Academy of Design Annual Exhibition in New York. During this time he was listed as teacher of drawing and painting at the Wasson School at 206 Lexington Avenue in San Antonio, Texas.

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DAVID DIKE FINE ART ★ TEXAS ART AUCTION

176 176. JULIAN ONDERDONK (Am. 1882-1922)

Winter in the Brush Country, Southwest Texas, 1922 oil on panel 9 1/2 x 12 1/2 signed lower right: Julian Onderdonk $30,000 - $40,000

This painting is illustrated on page no. 288, plate no. 1899 as: Texas Landscape, 1922, oil on academy board, 9 x 12 in the book: Julian Onderdonk: A Catalogue Raisonne by: Harry Halff and Elizabeth Halff (c) 2016 Museum of Fine Arts Houston.

177. JULIAN ONDERDONK (Am. 1882-1922)

At Twilight, 1909 oil on panel 6 x 9 signed lower right: Julian Onderdonk $12,000 - $18,000

177

FINE PAINTINGS AND SCULPTURE

39

178 178. JULIAN ONDERDONK (Am. 1882-1922)

Fall Landscape oil on canvas 10 x 12 signed lower left: Julian Onderdonk $6,000 - $9,000

179. JULIAN ONDERDONK (Am. 1882-1922)

Woods Scene, 1908 oil on panel 6 x 9 signed lower right: Julian Onderdonk Signed on reverse: Julian Onderdonk, 1908 $6,000 - $12,000

This painting is included and illustrated on page 131; cat no.

310 of the book: Julian Onderdonk: A Catalogue Raisonne, by: Harry H. Halff & Elizabeth Halff © 2016 The Museum of Fine Arts Houston.

179

180. JULIAN ONDERDONK (Am. 1882-1922)

Landscape, Memory, 9/25/1922 pencil on paper 8 x 9 1/4 $1,500 - $3,000

This piece has been reviewed by Harry Halff, author of Julian Onderdonk, A Catalgoue Raisonne. He comments that it is a sketch

by Julian, and would have come through Eleanor Onderdonk to La Sirena Gallery. Halff plans to include this in the Onderdonk Catalogue Raisonne addendum.

180-A

180-A. ROBERT JENKINS ONDERDONK (Am. 1852 - 1917)

Sunset Through the Trees oil on canvas 20 x 24 signed lower left: RJ Onderdonk $8,000 - $12,000

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180

181

NOTE: Texas painter, Tom Lea made his way to China as an accredited artists’ correspondent for Life Magazine during WWII by way of his friendship with Texas Art collector C.R. Smith who headed the Air Transport Command. Smith had written to Lea explaining Lea could fly anywhere the ATC flew. As a result, Lea flew around the world documenting the backroads of war, and ended up in China. Henry Luce who was the founding publisher of Life magazine asked Lea to paint the Chinese countryside while there.

The following is an excerpt from the book: A Picture Gallery by Tom Lea, on page 78: “In 1943 Tom Lea made a long and exhaustive trip to China as an artist correspondent for Life magazine. After a few disagreeable days in Chungking he grew irritable and homesick. However, a trip to the countryside along the Yang-Tze River revealed, a dreamlike majesty to the misty flow of the great river through the quiet land so anciently known and lived upon and used and shaped and loved by generation after generation after generation.”

181. TOM LEA (Am. 1907-2001)

Dream of A Fair River: Yang-Tze, 1946 oil on canvas 27 x 32 signed lower right: Tom Lea, 1946 $70,000 - $90,000 PROVENANCE: from the

Collection of Dr. Robert B. Homan.

FINE PAINTINGS AND SCULPTURE

41

182

182. MERRITT MAUZEY (Am. 1898-1973)

Olsen’s oil on masonite 24 x 30 signed lower right: Mauzey $18,000 - $25,000

42

NOTE WRITTEN BY MERRITT MAUZEY ATTACHED TO THE BACK OF THE PAINTING: Sketch made of John Sealy Hospital around 1935… an old man lived in the boat and said that he had lived by the Sea all his life and would die by the Sea. He had a Scandinavian brogue so I called the sketch “Olsen’s.” This oil was made from the 12 x 16 sketch.

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

183

Everett Spruce moved to Dallas in 1926 with the encouragement of Olin Travis to study at Travis’s Dallas Art Institute.

While at the Institute, Spruce studied under Travis and Thomas Stell. In 1931, Spruce began work as a gallery assistant at the Dallas Museum of Fine Arts moving on to become the assistant to the director and registrar from 1935-1939.

In 1940, Spruce moved to Austin to teach at the University of Texas where he remained until 1974. He taught at UT first as instructor of life drawing and creative design, then professor of art and served as chair of the art department from 1949-1950. He was awarded the grant from the Ford Foundation for creative and experiential study. These active years for Spruce marked a time when his works were widely collected by museums including the Metropolitan Museum of Art, the Museum of Modern Art, and the Whitney Museum of American Art to name a few.

183. EVERETT SPRUCE (Am. 1908-2002)

Riverbird oil on canvas 24 x 36 signed lower left: E Spruce $20,000 - $30,000 LOCATION: Pedernales Falls.

BIRD SPECIES:

Chuck-will’s-widow

This fall, the Amon Carter Museum of American Art is hosting the exhibition: Texas Made Modern: The Art of Everett Spruce. This exciting show is curated by the museum and is accompanied by an extensive catalogue of Spruce’s work.

Several works in this exhibition resemble similar characteristics and strong qualities to this work with its dark outlines, almost patchwork quality of the rocky hillside above the water, and the subject matter of the Texas landscape and wildlife.

Texas Made Modern: The Art of Everett Spruce will be on view August 18 - November 1, 2020.

SOURCES: –Midcentury Modern Art In Texas, by: Katie Robinson Edwards (c) 2014 Univ. of Texas Press –Texas Artists and Artisans 1718-1959 Vol. III: Q-Z, by: Vic Roper (c) 2017: Vic Roper –cartermuseum.org

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184

184. EVERETT SPRUCE (Am. 1908-2002)

Sand Piper oil on board 25 x 30 signed lower right: Spruce $30,000 - $40,000

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185. EVERETT SPRUCE

186

(Am. 1908-2002)

Four Bare Trees, 1931 gouache on paper 10 x 14 signed lower left: Everett Spruce 31 $24,000 - $30,000

186. EVERETT SPRUCE (Am. 1908-2002)

Mountain ink on paper 9 1/2 x 11 3/4 signed lower left: Spruce $1,000 - $2,000 PROVENANCE: Everett Spruce

Studio; Margaret Peck purchased at U.T. Facility Art Exhibition, 1960. The Original Check from Margaret Peck to Everett Spruce is included in this lot.

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187 187. WILLIAM LESTER (Am. 1901-1991)

Bird Roost, 1957 oil on linen canvas 34 x 44 signed on reverse: Bird Roost, WM Lester $8,000 - $12,000

This was the tenth painting Lester executed in 1957. It was a gift to his daughter and son-in-law.

188. WILLIAM LESTER (Am. 1901-1991)

Blue Landscape, 1970 mixed media acrylic paper glued on board 22 x 29 1/2 signed on reverse: Blue Landscape, WM Lester 1970 $3,000 - $6,000

189. WILLIAM LESTER (Am. 1901-1991)

Shadows Cast, New York, 1955 oil on linen canvas 30 x 44 signed on reverse: 1955 IX, Shadows Cast, WM Lester $10,000 - $15,000

William Lester was a Texas Religionists painter and studied Olin Travis and Thomas Stell with the encouragement of Alexandre Hogue. He later taught art at the Dallas Museum of Art until 1942. He then moved to Austin to teach at the University of Texas from 1942-1974. He was the chair of the art department from 1952-1954. His works can be found in the following collections: Dallas Museum of Art, Metropolitan Museum of Art, Museum of Fine Arts Houston, Torch Collection, Houston; and the Whitney Museum of American Art. SOURCE:

–Midcentury Modern Art In Texas, by: Katie Robinson Edwards (c) 2014 Univ. of Texas Press.

189

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190 190. WILLIAM LESTER (Am. 1901-1991)

Chalk Bluff, 1961 oil on linen canvas 30 x 44 signed on reverse: 1961, II, Chalk Bluff $5,000 - $10,000

This was the second painting Lester created in 1961.

191. WILLIAM LESTER (Am. 1901-1991)

Abstraction oil on masonite 17 x 12 $3,000 - $6,000

192. WILLIAM LESTER (Am. 1910-1991)

Untitled oil on masonite 30 x 24 $1,000 - $2,000

191

192

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193 193. WILLIAM LESTER (Am. 1901-1991)

5-M, c. 1974 acrylic on paper 25 x 18 $800 - $1,000

Lester created this experimental design after he retired from his teaching position at the University of Texas.

194. WILLIAM LESTER (Am. 1901-1991)

Untitled Abstraction ink on paper 30 x 22 signed on reverse $2,500 - $5,000

195. WILLIAM LESTER (Am. 1901-1991)

Untitled Abstraction, 1965 ink and watercolor on paper 11 x 14 signed on reverse: WM Lester ’65 $800 - $1,200

194

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195

196

196-A

196. DAVID BATES (Am. Bn. 1952-)

Clovis pencil and ink on paper 40 1/2 x 30 signed lower right: David Bates $15,000 - $20,000

196-A. DAVID BATES (Am. Bn. 1952-)

Study for Iris, Ed. 20 lithograph 14 x 8 3/4 signed across bottom: CTP#1, Bates 98 $1,000 - $2,000

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197 197. OTIS DOZIER (Am. 1904-1987)

Three Quail, 1984 oil on canvas 36 x 30 signed on reverse: Dozier ’84 $3,000 - $6,000

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198. OTIS DOZIER (Am. 1904-1987)

Yellow Mountain Country oil on masonite 24 x 30 signed on reverse: Otis Dozier $3,000 - $6,000

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199

199. DOROTHY HOOD (Am. 1918-2000)

The Moon in the Earth II oil on canvas 70 x 59 3/4 signed upper right: D Hood $25,000 - $35,000

Dorothy Hood was born in 1918 in Bryan, Texas. She is known today as one of the foremost female Texas painters, producing some of her most significant and large-scale works while in Houston. She had spent periods of time between Mexico and Latin America which influenced her layered and evocative approach to painting. Her social circles included Latin American and European artists, painters, and writers. She was married to Jose Maria Velaso Maidana, the Bolivian composer.

In recent history, the Art Museum of South Texas presented a major retrospective of her work: The Color of Being/El Color del Ser in 2017. This exhibition showcased some of her largest most important paintings taking over 11 galleries of the museum. Her works can be found in the following collections: Museum of Fine Arts Houston; McNay Art Museum; National Museum of Women in the Arts, Washington, D.C.; and the Laguna Gloria Art Museum.

SOURCES: –Midcentury Modern Art In Texas by: Katie Robinson Edwards (c) 2014 Univ. of Texas Press –The Color of Being/El Color del Ser by : Susie Kalil © 2016 Art Museum of South Texas

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200 200. JENNIE HADDAD (Am. 1906-1996)

One O’Clock, 1957 oil on canvas 50 x 38 signed on reverse: Jennie Haddad, ’57 $15,000 - $25,000

Jennie Haddad remained a Dallas based artist after studying with Abstract Expressionist master Hans Hoffman in Provincetown and New York City. She had an acclaimed career winning several awards and was shown in several exhibitions, including one curated by Clement Greenberg. Haddad was born in Lebanon in 1906, she and her family moved to Provo, Utah in 1912. After her father’s death when she was nine, she and the rest of her family moved to Canadian and then Amarillo, Texas. She later moved to Tyler, Texas and married Joseph Haddad.

Jennie’s interest and talent for art began while only in third grade. Other students were instructed to illustrate church windows, and Jennie depicted a Madonna, for which she won first prize. While working in the candy shop she would sketch on candy wrapper, and she began sketching what she saw.

After marrying Joseph, in 1943 Haddad started driving to Dallas every week to study with Otis Dozier at the Dallas Museum of Fine Arts. Her early paintings resemble the work of John Marin, she never studied with him, rather, she admired his work. She always carried a sketchbook with her and drew what she saw in nature.

Haddad information continues on page 54.

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201 201. JENNIE HADDAD (Am. 1906-1996)

Storm, 1958 oil on canvas 64 x 50 signed on reverse: Storm, 1958, Jennie Haddad $20,000 - $30,000

Haddad’s husband passed away when she was 47, after that she moved to Dallas and began studying art at SMU. In 1956 she went to Provincetown to study with Hans Hoffman. In the October 19, 1983 Dallas Times Herald article titled: Abstract Realism, Jennie Haddad’s paintings reflect her unique view of the real world, staff writer Bill Marvel quotes Haddad reflecting on her time with Hoffman: “I clicked with Hans Hoffman and that turned out to be one of the best things that could have happened to me.” In 1958 Hoffman retired and reduced his class size to 12, Haddad was one of those chosen 12. Haddad’s work is linked to Louise Nevelson, Helen Frankenthaler, Robert Motherwell, Mark Rothko and Franz Kline. She spent her summers in Woodstock and winters in New York where she studied at the Arts Students League.

Jennie Haddad returned to Dallas and brought her paintings back from New York. One of her takeaways from Hoffman was that he told his students to: “Work from nature and that is good.” In 1979 the University of Dallas held a retrospective of her work, curated by the highly regarded art critic Clement Greenberg. Over the years her work was well represented by Ruth Wiseman Gallery in Deep Ellum of Dallas, Adams-Middleton Gallery in Dallas as well as represented by international art dealer, Ron Hall. Her works are abstract, and she comments on an endearing aspect of her oeuvre, that had three periods. In the 1983 Dallas Times Herald article, Marvel sites Haddad on her periods: “At first there was a real lot of action. Then I began to see a lot of color in space, using colors to create negative as well as positive space. In the third period I’m trying to continue so that I can do as I please. I don’t like to repeat myself. I would go mad if I copied myself over and over.”

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202 202. ROBERT PREUSSER (Am. 1919-1992)

Untitled, #1, 1939 oil on board 10 x 10 signed lower right: Robert Preusser $15,000 - $20,000 PROVENANCE: The Preusser

Estate; Parkerson Gallery, Houston; Private Collection Houston, Texas Featured in the book for the exhibition The Art of Texas: 250 Years by Ron Tyler, page 353.

203. EDMUND DANIEL KINZINGER (Am. 1888-1963)

Couple on the Beach, 1938 oil on canvas 24 x 31 signed lower right: EDK, 38 $15,000 - $20,000

203

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205

204 204. MICHAEL FRARY (Am. 1918-2005)

White Vase oil on masonite 20 x 16 signed lower right: Frary $2,000 - $4,000 LABEL ON REVERSE:

Dallas Museum of Fine Arts, 1959, Art Rental Collection

205. CARDEN BAILEY (Am. 1911-1942)

Castle oil on panel 20 x 16 signed lower right: Carden Bailey $1,500 - $3,000

206. GEORGE GRAMMER (Am. 1928-2019)

New York oil on masonite 24 x 18 3/4 signed lower left: Grammer $3,000 - $6,000

207. GEORGE GRAMMER (Am. 1928-2019)

African Masks, 1953 oil on canvas 25 x 46 signed lower right: Grammer 53 $5,000 - $10,000

206

207-A. GEORGE GRAMMER (Am. 1928-2019)

Old Wick Orchard polymer and watercolor on paper 18 1/2 x 14 signed lower right: Grammer $1,800 - $2,500

207

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207-A

207-B

207-C 207-B. GEORGE GRAMMER (Am. 1928-2019)

Floral Garden in Mexico, 1951 casein and watercolor on board 23 1/2 x 12 signed lower right: Grammer ’51 $1,500 - $3,000

207-C. GEORGE GRAMMER (Am. 1928-2019)

Looking Toward Grand Central, 1956 watercolor on paper 24 x 19 signed lower right: Grammer ’56 $2,000 - $4,000 LABEL ON REVERSE: The

Downtown Gallery

207-D. GEORGE GRAMMER (Am. 1928-2019)

Cypress watercolor on paper 11 x 8-1/4 signed lower right: Grammer ’56 $800 - $1,200 LABEL ON REVERSE:

The

Downtown Gallery

207-E. GEORGE GRAMMER (Am. 1928-2019)

San Miguel de Allende Rooftops, Near the Fronton Courts, 1951 watercolor on 22 x 30 signed lower right: Grammer ’51 $1,500 - $3,000

207-D

207-E

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208

208. SEYMOUR FOGEL (Am. 1911-1984)

Untitled, Red Lyrical Form oil on masonite 40 x 30 signed on reverse: Fogel $6,000 - $12,000

209. SEYMOUR FOGEL (Am. 1911-1984)

Untitled encaustic, crayon & mixed media on paper 40 x 30 signed lower right: Fogel ’75 $4,000 - $6,000

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209

New York City native, Seymour Fogel studied at the National Academy of Design in New York and the Art Students League under Leon Kroll and George Brandt Bridgeman where he mastered realism and executing the human form.

Diego Rivera took him on as an assistant to complete a mural at Rockefeller Center. In the 1930’s Fogel traversed the country by train rendering imagery from the Great Depression. These works have landed in collections such as the National Gallery in Washington, D.C. and the Ogden Collection in New Orleans, LA. The Works Progress Administration gave him several commissioned projects in New York, Washington D.C., Minnesota and Arizona. As a result, his figurative works from the 1930’s focused on social realism.

In 1946, Fogel started his professorship in the art department at the University of Texas at Austin where he joined the ranks of forward-thinking modernist painters. This first decade of modernist outpouring included 6 series: pastiche, mother and child, seraphic, limestone, flagellant, and multi-style.

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210

211

212 210. SEYMOUR FOGEL (Am. 1911-1984)

Totem mixed media on paper 9 x 44 estate stamped lower left $8,000 - $12,000

211. SEYMOUR FOGEL (Am. 1911-1984)

Core-Shaft encaustic crayon and mixed media on board 20 x 14 $2,500 - $5,000 PROVENANCE: Graham

Modern Label attached to the back of the painting.

Purchased by Larry & Trish Heichel directly from the Fogel Estate.

212. SEYMOUR FOGEL (Am. 1911-1984)

Untitled, Cosmic Machine, 1978 graphite on paper 30 x 20 signed lower right: Seymour Fogel, ’78 $2,000 - $4,000

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213 213. DAN RIZZIE (Am. Bn. 1951-)

The Bolivar (J.V.H.), 1990 acrylic and wood on board 60 x 40 signed on reverse: The Bolivar, for (J.V.H.), 1990, Dan Rizzie $6,000 - $8,000

214. DAN RIZZIE (Am. Bn. 1951-)

Untitled print 9 x 8 3/4 signed lower right: Dan Rizzie, 1995 $600 - $1,200

214-A. DAN RIZZIE (Am. Bn. 1951-)

Untitled, 1985 monotype print with chine collé paper 23 3/4 x 17 3/4 signed lower right: Dan Rizzie, 1985 $1,000 - $2,000

214

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214-A

215 215. PERRY NICHOLS (Am. 1911-1992)

Watering Hole, 1951 oil on masonite 24 x 30 signed lower left: Perry Nichols ’51 $8,000 - $12,000

216. PERRY NICHOLS (Am. 1911-1992)

A Pear, Apple & Two Lemons oil on board 4 3/4 x 5 1/2 estate stamped on reverse $1,500 - $2,500

217. JERRY BYWATERS (Am. 1906-1989)

In the Hills, 1941 watercolor on paper 11 x 14 signed across bottom: In the Hills, Jerry Bywaters, ’41 $4,000 - $8,000

216

217

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218 218. ZANNE HOCHBERG (Am. 1931-2001)

The Skaters, 1985 oil on canvas 12 x 12 signed lower right: Hochberg, 1985 $5,000 - $8,000

219. ZANNE HOCHBERG (Am. 1931-2001)

Woman, 1989 acrylic & mixed media 24 x 18 3/4 signed upper right: Zanne Hochberg $3,000 - $6,000

220. ZANNE HOCHBERG (Am. 1931-2001)

Untitled, 1970, ed. 1/25 blue sugar loaf print 9 3/4 x 11 3/4 signed across bottom: 1/25, Z Hochberg, ’79 $800 - $1,200

219

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220

221 221. ZANNE HOCHBERG (Am. 1931-2001)

Emerald Dragon, 1970 acrylic on paper 13 x 10 1/4 signed lower right: Zanne Hochberg, 1970 $2,000 - $4,000

222. ZANNE HOCHBERG (Am. 1931-2001)

Untitled Abstraction, December, 1994 acrylic and mixed media on top of etching on paper 8 1/4 x 11 signed lower left: 7/30; B; 12/94 $800 - $1,200

223. ZANNE HOCHBERG (Am. 1931-2001)

Ecstatic, 1995 mixed media on print 10 x 10 signed lower right: Zanne Hochberg, 1995 $1,800 - $3,000

222

223

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224 224. BROR UTTER (Am. 1913-1993)

Collage, 1944 mixed media on paper 11 x 7 3/4 signed lower right: Bror Utter ’44 $1,500 - $3,000

225. BROR UTTER (Am. 1913-1993)

Untitled ink on paper 7 x 9 1/2 signed lower right: Bror Utter $2,000 - $4,000

226. BROR UTTER (Am. 1913-1993)

Untitled graphite and ink on paper 10 1/4 x 13 1/4 signed lower right: Bror Utter, ’48 $400 - $800

226

225

Bror Utter was a founding member of the Fort Worth Circle, and was a contemporary of Dickson Reeder. He was active in the Fort Worth community teaching at the Fort Worth Art Association among other groups. He received his formal training at the Fort Worth School of Fine Arts and at the Colorado Springs Fine Arts Center. Throughout his painting career he took several trips to Europe where he studied the culture of Rome, Naples, Florence, and Venice; undoubtedly the subject of this painting was inspired by the Italian cultural influence.

He actively exhibited throughout his painting career. Today his works can be found in the following permanent collections: Amon Carter Museum of American Art, Fort Worth; Colorado Springs Fine Arts Center; Dallas Museum of Art; Denver Art Museum and at the Modern Art Museum, Fort Worth.

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227 227. BROR UTTER (Am. 1913-1993)

Arches watercolor on board 22 x 28 signed lower right: Bror Utter $2,000 - $4,000

228. BROR UTTER (Am. 1913-1993)

Siena Duomo Italy, 1956 watercolor on paper 18 1/2 x 26 3/5 signed lower right: Bror Utter 7/56 $5,000 - $7,000

229. SWEETIE LADD (Am. 1902-1991)

Lake Como oil on board 17 1/4 x 13 1/2 signed lower right: S Ladd $2,500 - $3,000

228

230. BILL BOMAR (Am. 1919-1991)

Rocks on the Main Shore, 1950 watercolor on paper 10 3/4 x 14 1/2 signed lower left: BB $1,500 - $3,000

229

230

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232

231

231. FRED SAMUELSON (Am. 1925-2015)

Untitled Landscape oil on canvas 38 x 32 signed lower right: Fred Samuelson $1,000 - $2,000

233 232. MCDONALD SMITH (Am. 1927-)

Untitled oil on canvas 28 x 36 signed lower right: McDonald Smith $2,000 - $4,000

233. EDMUND DANIEL KINZINGER (Am. 1888-1963)

Taos Pueblo, 1940 pastel on paper 18 1/2 x 24 signed lower right: Taos, EDK 40 $1,500 - $3,000

234. EDMUND DANIEL KINZINGER (Am. 1888-1963)

Portrait of Two Women, 1934 pen and ink on paper 8 1/2 x 10 3/4 signed lower right: EDK 34 $1,000 - $2,000

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234

235 235. ROBERT PREUSSER (Am. 1919-1992)

Untitled mixed media on board 24 x 18 $2,000 - $4,000

236. ROBERT PREUSSER (Am. 1919-1992)

Arctic Region, 1985-1990 mixed media on canvas 50 x 24 signed lower middle: Preusser ’85/’90 $3,000 - $5,000

237. ROBERT PREUSSER (Am. 1919-1992)

Organic Shapes and Strait Lines blue ink on paper 11 x 8 1/2 signed lower right: Preusser $500 - $1,000

236

237

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238 238. DEFORREST H. JUDD (Am. 1916-1993)

Lajitas Landscape acrylic polymer on masonite 18 x 30 signed lower right: DeForrest Judd $2,000 - $4,000

239. DEFORREST H. JUDD (Am. 1919-1993)

Caddo Lake, 1951 oil on board 12 x 16 signed lower right: DeForrest Judd ’51 $2,000 - $4,000

240. DAVID BROWNLOW (Am. 1915-2008)

The Departure oil on masonite 18 x 24 signed lower left: David Brownlow $2,000 - $3,000

239

240

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241 241. ETHEL SPEARS (Am. 1903-1974)

At the Beach watercolor on paper 22 x 30 signed lower right: Ethel Spears $800 - $1,200

242. BARNEY DELABANO (Am. 1926-1997)

Red Brick Building, 1946 oil on canvas 20 x 16 signed lower right: Delabano, 46 $1,500 - $3,000

243. COREEN MARY SPELLMAN (Am. 1905-1978)

Mexican Woman mezzotint 3 3/4 x 2 3/5 signed lower right: Coreen M. Spellman $600 - $1,200

242

244. COREEN MARY SPELLMAN (Am. 1905-1978)

Untitled Landscape watercolor on paper 19 1/2 x 24 estate stamped: Estate of Coreen Mary Spellman $400 - $600

243

244

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245 245. PAUL MAXWELL (Am. 1925-2015)

Fish, 1960, ed. 130/200 serigraph 12 x 18 signed lower right: P Maxwell $600 - $1,200

246. WARD LOCKWOOD (Am. 1894-1963)

Untitled tempera on paper 19 x 27 signed lower right: Lockwood $3,000 - $5,000

This work is reproduced as plate no VI-9 in the book, Ward Lockwood 1894-1963, by Charles C. Eldredge, (c) The Univ. of Kansas Museum of Art. From the book, “The drawing style of the coastal sketches was more happily translated to a series of abstractions which Lockwood produced about 1950.

In these abstractions there is a new delicacy and a feeling for an overall, uniform image.

In this the drawings show affinities with the intricate constructions etched by Ynez Johnston, whose work was admired and collected

by Lockwood. The abstraction also evokes memories of Paul Klee’s fantastic drawings, a source which had particular impact on Lockwood.”

246

247

247-A

247-B

247. JANET MOYER (Am. 20th Cent.)

Rhapsody oil on board 11 x 9 signed lower right: J Moyer $400 - $800 EXHIBITED: Texas

General Exhibition 1946-1947; label is affixed to back.

247-A. DUKE HORN (Am. 20th Cent.)

Life Carousel Series #8, 2016 oil on canvas 16 x 20 signed lower right: D. Horn 2016 $800 - $1200

247-B. DUKE HORN (Am. 20th Cent.)

Capricious Floral II acrylic and mixed media on canvas 18 x 24 signed lower left: D. Horn ’19 $800 - $1200 70

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249 248. VICTOR VALDEZ (Am. 20th Cent.)

Untitled City Scene oil on canvasboard 22 x 11 1/4 signed lower right: Victor Valdez, 50 $800 - $1,200

248 249. LUIS EADES (Am. 1923-2014)

Departure for the Island, 1950 oil on canvas 24 x 34 signed lower left: Luis Eades ’50 $2,000 - $3,000

250. ANNETTE LAWRENCE (Am. Bn. 1965-)

250

Leticia Eaton, 1998 acrylic on paper 66 x 44 $4,000 - $8,000

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251 251. JESUS BAUTISTA MOROLES (Am. 1950-2015)

Core Relief, 1995 Swedish granite (89 pounds) 18 3/4 x 41 1/4 x 5 1/4 $4,000 - $8,000

252. JESUS BAUTISTA MOROLES (Am. 1950-2015)

Untitled granite 17 1/2 x 10 1/4 x 3 3/4 $1,500 - $3,000

253. CHALRES UMLAUF (Am. 1911-1994)

Head I, 1960 bronze 23 1/4 x 12 x 8 signed on back of sculptural base: C Umlauf $7,000 - $12,000

An image of this piece is illustrated on page 73, plate no. 93 of the book: Charles Umlauf, Sculptor, Forward by: Gibson A Danes, Intro. by: Donald Goodall, (c) 1967 Univ. of Texas Press

252

253

254. JIM HUNTINGTON (Am. Bn. 1941-)

Ram, 1987 rock with bronze arc 19 x 19 x 15 $2,500 - $5,000

254

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256

255

255. CLYDE CONNELL (Am. 1901-1988)

Bistineare Kings II, 1993 mixed media 116 x 20 x 20 $2,000 - $4,000

256. SAM GUMMELT (Am. Bn. 1944-)

Laguna Insert #3, 1993 enamel, tar and asphalt on wood 30 1/2 x 4 $800 - $1,200

257. NANCY CHAMBERS (Am. 20th Cent.)

Untitled mixed media and ceramic 9 x 9 x 16 $1,000 - $2,000

258. TRACY HICKS (Am. 1946-2014)

Influencer, 1993 jar with dinosaur gizzard stone on wood column 67 x 10 1/2 x 10 1/2 $1,500 - $3,000

258

257

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259

260

259. MORTON RACHOFSKY (Am. 1930-2019)

Untitled wood sculpture 49 x 12 1/4 x 12 1/4 signed on reverse: © 1992, MR $1,500 - $3,000

260. MORTON RACHOFSKY (Am. 1930-2019)

Untitled (with moquette) wood sculpture 42 x 9 x 7 dated: 7/21/71 $2,500 - $5,000

261. DARRYL LAUSTER (Am. 20th Cent.)

Three Eagles, 2006 cast polyester resin 25 x 10 1/2 x 9 1/2 $2,000 - $4,000

Darryl Lauster is an Intermedia artist, writer, and an Associate Professor of Sculpture at the University of Texas at Arlington. He has exhibited nationally at the Amon Carter Museum of American Art, the National Metal Museum, the Cameron Museum of Art, the Urban Center for Contemporary Art, the John Michael Kohler Foundation and the Contemporary Arts Museum, Houston, as well as internationally in Berlin, Paris, London and Rutten. His work can be found in the permanent collections of the Philadelphia Museum of Art, McNeese State University and the Museum of Fine Arts, Houston.

261

262

His writing has been published by Gulf Coast Magazine, Art Lies Magazine, Crack the Spine, The Conversation, the CAA Art Journal Open and his first novel Rites of Passage, was published by Creators Press in 2017.

262. CELIA EBERLE (Am. 1950-)

Soup, 2002 ceramic, paper maché, paper clay, foam core, gesso & acrylic 13 x 28 1/2 x 17 $800 - $1,200 74

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263

264 263. STEPHEN RASCOE (Am. 1924-2008)

Near Sun Tide Road, 1950-1960 (SRM60) oil on masonite 48 x 24 signed lower right: S. Rascoe $2,000 - $4,000

264. STEPHEN RASCOE (Am. 1924-2008)

Village Balcony View, 1969 (BR61) oil on masonite 36 x 24 signed lower right: Rascoe $2,000 - $4,000

265. STEPHEN RASCOE (Am. 1924-2008)

Seagulls and Driftwood, 1950 (SRM 591) oil on masonite 24 x 46 signed lower right: S. Rascoe $2,000 - $4,000

265-A. EARL STALEY (Am. Bn. 1938)

View from the South Rim, 1985 oil on canvas 48 x 71 1/2 signed lower right: Staley ’85 $1,000 - $2,000

265

265-A

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266 266. CECIL CASEBIER (Am. 1922-1996)

Oz White Shooting Pool at Cecil Casebier’s House oil on canvas 30 x 60 signed: Cecil Casebier $2,000 - $4,000 NOTE ON BACK: Painting of

Oz White shooting pool at Cecil Casebier’s House, authentic Cecil Casebier painting. – Cecil Casebier, Jr.

267. KELLY FEARING (Am. 1918-2011)

Four Abstract Figures casein and pencil on paper 20 x 27 signed lower left: Kelly Fearing $3,000 - $6,000

268. KELLY FEARING (Am. 1918-2011)

Monk, 1962 mixed media on paper 17 1/2 x 12 signed lower right: Kelly Fearing 1962 $1,000 - $2,000

267

269. KELLY FEARING (Am. 1918-2011)

Study for Saint Francis, 1974 pastel on paper 15 x 11 signed lower right: Kelly Fearing, 1974 $1,000 - $2,000

268

269

76

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

270

271 270. DON VOGEL (Am. 1917-2004)

Garden Scene with Mother & Child oil on panel 30 x 40 signed lower right: D. Vogel $2,500 - $5,000

271. ARTINE SMITH (Am. 1903-1992)

Built in 1795 watercolor on paper 15 x 22 signed lower left: Artine $600 - $1,200

272. KERMIT OLIVER (Am. Bn. 1943-)

Morning at Rosharon, 1976 oil on board 30 x 36 signed on reverse: Morning at Rosharon, October 23, 1976 $9,000 - $12,000

272

This work was commissioned by James W. Nesbitt.

273. ANNE CUSHING GANTZ (Am. 1935-2012)

The Conservatory oil on masonite, two panels each panel: 48 x 24 left panel signed lower left: Cushing; right panel signed lower right: Cushing $2,000 - $5,000

274. RAYMOND THIBESART (Am. 1874-1968)

Untitled Tree pastel on paper 12 x 9 $1,000 - $2,000

273

274

FINE PAINTINGS AND SCULPTURE

77

275

276

275. JOHN ELLIOT JENKINS (Am. 1868-1937)

Spring Texas Landscape oil on canvasboard 18 x 24 signed lower left: John Elliott Jenkins $2,000 - $4,000

276. JOHN ELLIOT JENKINS (Am. 1868-1937)

Hillside Field oil on canvasboard 12 x 18 signed lower right: John Elliott Jenkins $1,000 - $2,000

277. JOSEPHINE OLIVER TRAVIS (Am. 1908-1991)

278

277

Untitled, C. 1923-1933 pastel on paper 3 7/8 x 9 notes on reverse $1,000 - $2,000

278. FRANK KLEPPER (Am. 1890-1952)

Japanese Memories oil on canvas 16 x 20 signed lower left: Klepper $1,500 - $3,000 PROVENANCE: Frank Klepper

279

(artist) Collection; Lula Klepper (Frank’s sister) inherited from above; Carol Hurley (granddaughter of Lula Klepper) inherited from above (current)

279. FRANK KLEPPER (Am. 1890-1952)

Untitled, Fisherman oil on canvas 34 x 40 signed lower right: Klepper $4,000 - $8,000

280. RICHARD COKE TO SAMPSON HUDSON Texas Land Grant from Governor Richard Coke to Sampson Hudson; 1874-1876; 1876 paper 14 x 15 No. 415, Vol. 4 $600 - $1,200

280-A. ELISSHA PEASE TO JOHN H BURNETT Texas Land Grant from Elisha Pease to John H. Burnett; 1869 paper 14 x 16 No. 68, Vol. 18 $600 - $1,200

280

280-B. HARDIN RICHARD RUNNELS TO JOSEPH H DEVINE Texas Land Grant from Richard Runnels to Joseph H. Devine; 1859 paper 14 x 16 No. 286, Vol. 24 $600 - $1,200

78

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

280-A

280-B

281

282 281. IRENE VON HORVATH (Am. 1918-2007)

Night Parking, Dallas, TX, 1942 watercolor on paper 14 1/2 x 20 1/4 signed lower right: Irene Von Horvath $400 - $800

282. NAOMI BROTHERTON (Am. Bn. 1920-)

Downtown Dallas watercolor on paper 14 x 18 $400 - $800

283. DORIS CHILDRESS

283

(Am. 1909-2001)

284

Fish Market, 1957 watercolor on paper 16 x 12 signed lower right: Doris Childress, June 1957 $2,000 - $4,000

284. HEDWYN SANDERS (Am. 1885-1971)

Park Scene oil on board 20 x 24 signed lower left: H. Sanders $400 - $800

285. XAVIER GONZALEZ (Am. 1898-1993)

Untitled, New Orleans, 1935 watercolor on paper 18 x 20 signed lower right: X Gonzalez 1935 $2,500 - $5,000

286. HARRY LEWIS (Am. 1927-2006)

Natchez Mississippi watercolor on paper 10 1/2 x 15 signed across bottom: Natchez Miss, H Lewis $500 - $1,000

285

286

FINE PAINTINGS AND SCULPTURE

79

287

288

289

290

287. SUE BENNER (Am. Bn. 1955)

Untitled, Landscape, 1988 hand dyed fabric 21 1/4 x 21 signed lower right: © Sue Benner, 1988 $400 - $800

288. SUE BENNER (Am. Bn. 1955)

Untitled – Bold Pattern hand dyed fabric 21 x 21 signed lower right: © Sue Benner, 1988 $400 - $800

289. SUE BENNER (Am. Bn. 1955)

Untitled, Landscape, 1988 hand dyed fabric 20 3/4 x 21 signed lower right: © Sue Benner, 1988 $400 - $800

290. FRANK X. TOLBERT (Am. Bn. 1945-)

“X” & A Drink Bier after Picasso & Dali Show, 1997 charcoal on paper 30 x 22 signed across bottom: Drink Bier After Picasso & Dali Show, Xavier 1.20.97 $500 - $1,000

291. DAVID H. GIBSON (Am. 20th Cent.)

Head Full, David McManaway’s Studio, 1998 photographic print 24 1/2 x 20 signed across bottom: 1998, Head Full From David McManaway’s Studio, David Gibson $1,000 - $2,000

291

291-A 291-A. KEITH DAVIS (Am. 20th Cent.)

Green Chaps (accompanied by pencil on paper sketch for this painting) oil on canvas 24 x 18 signed lower right: Davis $2,000 - $3,000

80

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

293

292

292. STEPHEN LAPTHISOPHON (Am. Bn. 1956)

Wooden Donkey, 2004 ink and acrylic on cardboard 53 1/2 x 31 $2,000 - $4,000

293. UNKNOWN (Am. 20th Cent.)

Texas General Exhibition, Poster Poster 17 1/2 x 14 $600 - $1,200

294. BOB WADE (Am. Bn. 1943)

The Pose, ed. 15/38 print 18 x 21 signed lower left: Bob Wade $2,000 - $4,000

294

295. ART GUYS (Am. 20th Cent.)

Untitled, ed. 47/50 mixed media on wood 30 x 22 $1,000 - $2,000

295-A. PAM BOWMAN (Am. 20th Cent.)

Le Cique de Tejas acrylic on canvas 48 x 60 signed lower left: Pam Boman $2,000 - $4,000

295

295-A

FINE PAINTINGS AND SCULPTURE

81

295-B 295-B. DANIEL BLAGG (Am. 20th Cent.)

Railyard, Santa Fe, 2009 oil on panel 14 x 25 $2,000 - $4,000

295-C. DANIEL BLAGG (Am. 20th Cent.)

Switch Over the Tracks drybrush watercolor on paper 18 x 24 signed lower right: Daniel Blagg $2,000 - $4,000

296. POLLY HOFFMAN (Am. 1890-1949)

Oil Rig Workers oil on canvasboard 18 x 16 signed lower left: Polly Hoffman $3,000 - $6,000

297. ARTHUR BISHOP JEFFREYS

295-C

296

(Am. 1892-1970)

East Texas Oil Field, 1936 oil on canvas 30 x 40 signed lower right: AB Jeffreys E TEX ’36 $3,000 - $6,000

298. LAJOS MARKOS (Am. 1917-1993)

Untitled oil on masonite 16 x 20 signed lower right: Lajos Markos $1,000 - $2.000

299. RAYMON S. ORREN (Am. 1912 - 1995)

Still Life with Cactus oil on paper 28 x 22 signed lower right: Raymon Orren $1,000 - $2,000

297

EXHIBITED:

Fort Worth Apt Association, Fort Worth, TX

299

298

82

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

300 300. L. R. LOPEZ (Am. 20th Cent.)

Arizona Landscape oil on masonite 11 3/4 x 18 signed lower right: L.R. Lopez $1,000 - $2,000

301. PETER HOHNSTEDT (Am. 1871/72-1957)

Mule Ear Peaks oil on canvas 30 x 36 signed lower right: PL Hohnstedt $8,000 - $12,000

301

302

302. SETH FLOYD CREWS (Am. 1873-1958)

Five O’Clock oil on board 20 x 22 signed lower left: Floyd Crews $2,500 - $5,000

303. JESSIE DAVIS

303

304

(Am. 1887-1969)

Untitled, Landscape oil on canvasboard 9 x 12 signed lower right: Jessie Davis $400 - $800

304. FRANK GERVASI (Am. 1895-1986)

Cloudcroft, New Mexico oil on canvasboard 12 x 16 signed lower right: F Gervasi $300 - $600

FINE PAINTINGS AND SCULPTURE

83

305

307

305. ADOLPH ARTHUR DEHN (Am. 1895-1968)

Landscape oil on canvasboard 16 x 20 signed lower right: Adolph Dehn 45 $2,000 - $4,000

306. ROBERT WOOD (Am. 1889-1979)

Estes Park Colorado, 1954 oil on canvas 25 x 30 signed lower left: Robert Wood 54 $1,000 - $2,000

307. DOUGLAS CLARK (Am. Bn. 1965-)

Native Texan, ed. 4/50, 2006 bronze 11 x 12 1/2 x 6 1/2 signed on sculptural base: D.B. Clark © 2006; 4/50 $600 - $1,200

306

308

308. JOE BEELER (Am. 1913-2006)

The Cheyenne, ed. 16/30 bronze 10 1/4 x 4 x 3 3/4 signed on reverse: Joe Beeler, 16 of 30 $800 - $1,200

309. CAROL THORNTON (Am. 1926-2013)

Texas Christian University, Amon G. Carter Stadium, ed. 11/50 bronze 9 1/4 x 10 x 2 1/2 signed lower right: CT $200 - $300

310. CAROL THORNTON (Am. 1926-2013)

Chapel bronze 11 1/2 x 6 x 3 1/8 signed lower left: CT $200 - $300

84

309

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

310

311

313

312

314 311. JOHN ENSER (Am. 1898-1968)

In Old Mexico oil on canvas 24 x 30 signed lower right: John F. Enser $2,000 - $4,000

312. JOHN ENSER (Am. 1898-1968)

Deserted Bishops Palace oil on canvas 24 x 30 signed lower right: John F. Enser $3,000 - $6,000

313. CLARA C. PANCOAST (Am. 1872-1959)

315

316

Mission San Jose oil on canvasboard 7 1/2 x 11 3/4 signed lower right: CC Pancoast $800 - $1,200

314. CLARENCE J FINNEY (Am. 1898-1957)

Taos, NM, c. 1933 watercolor on paper 14 x 20 $1,000 - $2,000

315. FRANK CALDER (Am. 1890-1968)

Mission San Jose, 1926 watercolor on paper 9 x 12 1/4 signed lower right: Frank Calder 26 $400 - $800

316. JESSIE JO ECKFORD (Am. 1895-1941)

Taxco, 1932 watercolor on paper 11 x 8 1/2 signed lower right: J Eckford $400 - $800

FINE PAINTINGS AND SCULPTURE

85

317

318

317. ERIC HARRISON (Am. Bn. 1971-)

319

Bluebonnets in the Hill Country oil on canvas 16 x 20 signed lower left: Eric Harrison $1,000 - $2,000

318. VIVIAN LOVE (Am. 1908-1982)

Bluebonnet Landscape; April 1964 oil on canvasboard 16 x 20 signed lower left: Vivian Love $1,000 - $2,000

319. JOSE RAMOS (Am. Act. 1930s - 1940s)

Bluebonnets and Verbenas, c. 1935 oil on canvas 16 x 20 signed lower left: Jose Ramos $1,500 - $3,000

320. VIVEANO LOPEZ (Am. 1906-1983)

Bluebonnet Landscape oil on canvasboard 8 x 10 1/2 signed lower right: Lopez $1,000 - $2,000

86

320

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

321

322 321. JANET DOWNIE (Am. 1854-1944)

Texas Bluebonnet Landscape oil on canvasboard 3 1/2 x 5 3/4 signed lower left: Downie $400 - $800

322. MAUD ESTELLE WORK (Am. 1883-1943)

Bluebonnet Landscape oil on canvasboard 11 3/4 x 16 signed lower right: Maud Work $600 - $1,200

323

323. SANTA DURAN (Am. 1909-2002)

Bluebonnets and Yucca oil on masonite 12 x 16 signed lower left: Santa Duran $1,500 - $3,000

324. WILLIAM R. THRASHER (Am. 1908-1997)

Bluebonnet Landscape oil on canvas 24 x 36 signed lower left: WR Thrasher $2,000 - $4,000

325. DOLLIE NABINGER (Am. 1905-1988)

Untitled, Bluebonnet Landscape oil on canvas 24 x 36 signed lower left: D.S. Nabinger $1,500 - $3,000

324

325

FINE PAINTINGS AND SCULPTURE

87

326

327

326. VALLIE FLETCHER (Am. 1874-1939)

River Scene oil on canvasboard 11 3/4 x 15 signed lower left: Vallie Fletcher $800 - $1,200

327. GEORGE THOMAS PRITCHARD (Am. 1878-1962)

Untitled Landscape oil on masonite 18 x 24 signed lower right: G Thomas Pritchard $750 - $1,500

328. DONALD DEARDORFF (Am. 1925-2010)

Untitled Landscape oil on canvasboard 11 1/2 x 23 1/2 signed lower left: Deardorff $1,000 - $2,000

328

329. ROBERT QUILL JOHNSON (Am. 1927-1980)

Quail Hen and Chicks oil on panel 18 x 14 signed lower right: Robert Quill Johnson $1,200 - $1,800

330. VALLIE FLETCHER (Am. 1874-1939)

Reflections oil on canvas 18 x 22 signed lower right: Vallie Fletcher $800 - $1,200

Donald Deardorff studied under Fort Worth Circle artist, David Brownlow.

329

330

88

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

331

332 331. JACK BARNETT (Am. Bn. 1944-)

The Field in Spring oil on board 18 1/2 x 24 signed lower right: Jack Barnett $1,000 - $2,000

332. JACK BARNETT (Am. Bn. 1944-)

Longhorn in Pasture oil on masonite 12 3/4 x 15 1/2 signed lower right: Barnett $800 - $1,200

333. JACK BARNETT

333

(Am. Bn. 1944-)

334

Bridge and Field Covered with Snow oil on canvas 22 x 28 signed lower right: Jack Barnett ’15 $1,000 - $2,000

334. J.B. ERWIN (Am. 1920-2009)

Winter Landscape, 1978 oil on board 18 x 24 signed lower right: J.B. Erwin, ’78 $1,000 - $2,000

335. ANNE WEARY (Am. Bn. 1952-)

335

336

Longhorns in Burnett pastel on paper 8 x 11 1/2 signed lower right: Anne Weary $400 - $800

336. ANNE WEARY (Am. Bn. 1952-)

Yucca pastel on paper 9 1/4 x 5 1/2 signed lower left: AC Weary $400 - $800

337. ANNE WEARY (Am. Bn. 1952-)

Horses on a Summer Day pastel on paper 5 1/2 x 9 1/2 signed lower right: Anne C Weary $400 - $800

337

FINE PAINTINGS AND SCULPTURE

89

338 338. RODNEY L FURAN (Am. 1927-)

Handcart Immigrants 1856 oil on panel 23 x 38 signed lower right: R Furan © 1978 $1,000 - $2,000

339

339. J.P. LANGLEY (Am. 20th Cent.)

La Vaquera the Cowgirl oil on canvas 48 x 36 signed lower right: J.P. Langley 2020 $1,500 - $3,000

341

340

340. RUSSELL VERNON HUNTER (Am. 1900-1955)

342

Abandoned Storefronts oil on canvasboard 20 x 16 signed lower right: Russell Vernon Hunter $1,500 - $3,000

341. LAJOS MARKOS (Am. 1917-1993)

The Rustlers, 1971 oil on canvas 24 x 36 signed lower left: L Markos $8,000 - $12,000 EXHIBITED: Sandor’s

Hungarian Restaurant in Houston, Texas.

343

342. GARY GORE (Am. 20th Cent.)

Shy Hurst, 1978 oil on canvas 22 x 26 signed lower left: Gary Gore, 1978 © $1,000 - $2,000

343. ENDRE SZABO (Hungary/Am. 1922-1991)

Fiddler, 1979 oil on canvas 18 x 24 signed lower right: Endre Szabo © 1979 $1,000 - $2,000 90

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

345

344

344. AMY FREEMAN LEE (Am. 1914-2004)

Landscape with Pond watercolor on paper 15 x 21 signed lower right: Amy Lee $400 - $800

345. AMY FREEMAN LEE (Am. 1914-2004)

Series of 4 Landscapes watercolor on paper 8 x 10 (each) $300 - $600

346. AMY FREEMAN LEE (Am. 1914-2004)

Arches watercolor on paper 15 x 11 signed lower right: Amy Lee $300 - $600

347 347. GENEVA FLORES HART (Am. 1906-2008)

346

Priests gouache on paper 16 1/4 x 15 1/2 $300 - $600

348. GENEVA FLORES HART (Am. 1906-2008)

Church Group gouache on paper 15 3/4 x 19 1/2 $300 - $600

349. GENEVA FLORES HART (Am. 1906-2008)

Sidewalk Café gouache on paper 15 3/4 x 19 1/2 $400 - $600

349

348

FINE PAINTINGS AND SCULPTURE

91

350

349-A

351

349-A. LEE SMITH (Am. Bn. 1950-)

Hymn to the Flame, 1993, ed. 24 intaglio print on paper 5 3/4 x 5 3/4 signed across bottom: Hymn to the Flame, Flatbed V, LN Smith 3/93 $600 - $1,200

350. AVERY KELLY (Am. 1987-)

Fox oil on canvas 30 x 40 $600 - $1200

354

351. PHIL KIMBROUGH (Am. 20th/21st Cent.)

352

Queen of the Night Sky, 2015 acrylic on board 20 x 16 signed on reverse: Queen of the Night Sky, Phil Kimbrough, 2015 $500 - $1,000

352. MARTHA SIMKINS (Am. 1866-1969)

Portrait of Young Lady oil on canvas 30 x 40 signed lower right: Martha Simkins $2,000 - $4,000

353. MARTHA SIMKINS (Am. 1866-1969)

Portrait of a Woman oil on canvas 30 x 40 $800 - $1,200

354. MAURINE CANTEY (Am. 1901-1982)

Cranberry Lamp, 1952 oil on canvas 40 x 20 signed lower right: Maurine Cantey $3,000 - $6,000

355. W.D. BOYD (Am. 1856-1938)

353

Untitled Landscape oil on canvasboard 16 x 20 signed lower right: Boyd $750 - $1,500

355

92

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

356

357 356. ELOISE STADE (Am. 20th Cent.)

White Rock Lake, Dallas, Texas, 1972 oil on canvas 16 x 20 signed lower right: E. Stade, 72 $600 - $1,200

357. URSULA LAUDERDALE (Am. 1879-1933)

Women Dancing oil on canvas 34 x 28 signed lower left: Ursula Lauderdale $1,000 - $2,000

358. ROBERT JOY (Am. 1910-1993)

Woman Gardening with Hat oil on canvas 36 x 48 signed lower left: Robert Joy 1979 $1,500 - $3,000

358

359

359. MARGARET SCRUGGS (Am. 1892-1988)

Tree Roots pastel on paper 4 1/4 x 8 1/2 signed lower right: M Scruggs $300 - $600

360. HOWARD THAIN (Am. 1891-1959)

361

The Sentinels oil on canvasboard 12 x 16 signed lower right: Howard Thain $1,000 - $2,000

361. BUD BIGGS (Am. 1906-1985)

Untitled, Cowboy in a Texas Landscape watercolor on paper 22 x 30 signed lower left: Bud Biggs $800 - $1,200

360 362. IRA MCDADE (Am. 1867-1954)

Landscape oil on canvasboard 9 1/2 x 15 1/2 signed lower right: Ira McDade $700 - $900

362

FINE PAINTINGS AND SCULPTURE

93

363. RUTH K. UNDERWOOD (Am. 1890-1976)

365. TRAVIS LEA RHEA

Portrait of Frank Reaugh oil on canvas 20 x 16 signed lower left: Ruth K. Underwood $1,000 - $2,000

(Am. 1927-2010)

The Bath oil on board 13 x 10 signed lower left: Rhea $400 - $800

364. LUIS EDWARD GRENET (Am. 1857-1922)

Mary oil on canvas 24 x 19 1/2 $2,000 - $4,000 366. VOLNEY ALLAN RICHARDSON (Am. 1880-1955)

367. EMILY GUTHRIE SMITH

Floral Still Life oil on canvas 30 x 25 signed lower right: V.A. Richardson $400 - $800

(Am. 1909-1986)

Drama Girl pastel on paper 17 x 14 signed lower right: Emily Guthrie Smith, P.S.A. $600 - $1,200

368. AUBREY DALE GREER (Am. 1904-1998)

370. RUTH TEARS

Rose Still Life oil on canvas 25 x 30 signed lower left: A.D. Greer $300 - $600

(Am. 1919-1971)

369. FRANZ STRAHALM (Am. 1879-1935)

Roses oil on canvas 22 x 16 signed lower right: Franz Strahalm $1,000 - $2,000

Labor of Love, 1968 oil on canvasboard 18 x 14 signed on reverse: Ruth Tears $600 - $1,200 371. MELINDA WARING (Am. 20th Cent.)

Still Life with Oriental Vase oil on canvas 24 x 20 signed lower right: M Waring $3,000 - $6,000

94

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

372. PAUL TURNER

375. CAL GASPARD

(Am. 1904-1993)

(Am. 1934-)

Terrier Dog oil on canvas 22 x 27 1/2 signed lower right: Paul Turner, 1971 $500 - $1,000

Fisherman by House oil on canvas 18 x 24 signed lower left: Cal Gaspard $1,000 - $2,000

374. JOHN ELLIOT JENKINS (Am. 1868-1937)

Floral Still Life oil on canvasboard 24 x 28 signed lower right: John Elliot Jenkins $1,000 - $2,000

376. UNKNOWN (20th Cent.)

Kitchen of the Convent of Santa Rosa oil on canvas 18 x 24 signed lower left: Ex-Convento STA Rosa Cocina De Ceramic $750 - $1,500 373. KENNETH BROWN (Am. 20th Cent.)

Fall at Blanco, c. 1930 pastel on paper 8 x 3 3/4 signed lower right: K Brown $300 - $600 379. FREDA MOORHOUSE 378. RONALD THOMASON

(Am. 1918-2006)

(Am. 1931-2001)

Pease House, Corpus Christi watercolor on paper 17 x 23 signed lower right: Moorhouse $800 - $1,200

Cabin with Red Roof watercolor on paper 9 1/2 x 12 signed lower left: Ronald Thomason $500 - $1,000

380. KATHLEEN SAVAGE (Am. 20th Cent.)

Still Life oil on panel 8 x 13 3/4 signed lower right: Kathleen Savage $600 - $1,200

377. ARTURO MERCADO (Am. 1938-2015)

Bluebonnet Landscape watercolor on paper 22 x 30 signed lower left: Arturo, 1972 $500 - $1,000

384. MARY JARVIS (Am. 20th Cent.)

Untitled Landscape oil on canvasboard 10 x 14 signed lower right: M Jarvis $600 - $1,200

382. SALLIANN PUTMAN (Am. 1937-)

381. UNKNOWN (20th Cent.)

Untitled, Man Plowing Field oil on canvasboard 22 x 30 $750 - $1,500

Spring Flowers Study watercolor and bodycolor on paper 9 7/8 x 8 1/4 signed lower right: Salliann Putman $200 - $400

383. SALLIANN PUTMAN (Am. 1937-)

Spring Flowers watercolor and bodycolor on paper 10 1/4 x 7 3/4 signed lower right: Salliann Putman $200 - $400 FINE PAINTINGS AND SCULPTURE

95

INDEX OF ARTISTS ARPA, JOSE BAILEY, CARDEN BARNETT, JACK BASSETT, REVEAU BATES, DAVID BEELER, JOE BENNER, SUE BENTON, THOMAS HART BIGGS, BUD BISTTRAM, EMIL JAMES BLAGG, DANIEL BOMAR, BILL BOONE, ELMER BOWMAN, PAM BOYD, W.D. BROTHERTON, NAOMI BROWN, KENNETH BROWNLOW, DAVID BYWATERS, JERRY CALDER, FRANK CANTEY, MAURINE CARNOHAN, HARRY CASEBIER, CECIL CHAMBERS, NANCY CHARLES , MICHAEL RAY CHILDRESS, DORIS CHILTON, ALICE CLARDY, BETH CLARK, DOUGLAS COMPTON, CARL BENTON COMPTON, MILDRED N. CONNELL, CLYDE CREWS, SETH FLOYD DARGE, FRED

173, 174 205 331, 332, 333 145, 146, 147 196, 196-A 308 287, 288, 289 70 361 79, 80 295-B, 295-C 230 112 295-A 355 282 373 240 46, 47, 53, 54, 217 315 354 121 266 257 1 283 122, 123, 124 6 307 98, 103, 104, 106, 107 99, 100, 101, 102, 105 255 302 108, 109, 110, 113, 114, 115 DAVIS, KEITH 291-A DAVIS, JESSIE 303 DAWSON-WATSON, DAWSON 159, 159-A DEARDORFF, DONALD 328 DEHN, ADOLPH ARTHUR 305 DELABANO, BARNEY 242 DIAL, DAN 51 DOWNIE, JANET 321 DOZIER, OTIS 3, 74, 75, 76, 78, 107-A, 197, 198 DUNTON, HERBERT “BUCK” 49 DURAN, SANTA 323 EADES, LUIS 249 EBERLE, CELIA 262 ECKFORD, JESSIE JO 316 EGGENHOFER, NICK 50 EISENLOHR, EDWARD 16, 17, 139, 141 ELLIS, FREMONT 142 ENSER, JOHN 311, 312 ERWIN, J.B. 334 EVERETT, RAYMOND 128 FEARING, KELLY 11, 12, 13, 14, 15, 267, 268, 269 FINNEY, CLARENCE J. 314 FLECK, JOSEPH A. 156 FLETCHER, VALLIE 326, 330 FOGEL, SEYMOUR 208, 209, 210, 211, 212 FORAUER, WILLIAM 109-A FRARY, MICHAEL 204 FURAN, RODNEY L. 338 GANTZ, ANNE CUSHING 273 GASPARD, CAL 375 GENTLING, SCOTT & STUART 93-A, 93-B, 93-C, 93-D, 93-E, 93-F GERVASI, FRANK 304 GIBSON, DAVID H. 291 GOFF, LLOYD 73 GONZALEZ, XAVIER 120, 285 GORE, GARY 342

96

GRAMMER, GEORGE

GRANDEE, JOE GREER, AUBREY DALE GRENET, LUIS EDWARD GRIFFITH, LOUIS OSCAR GROOMS, RED (CHARLES ROGERS) GUMMELT, SAM GUYS, ART HADDAD, JENNIE HANCOCK, TRENTON HARRISON, ERIC HART, GENEVA FLORENCE HELFENSTELLER, VERONICA HICKS, TRACEY HOCHBERG, ZANNE

72, 206, 207, 207-A, 207-B, 207-C, 207-D, 207-E 111 368 364 95, 96, 97 107-B, 107-C

256 295 200, 201 52 317 347, 348, 349 27, 28, 119 258 218, 219, 220, 221, 222, 223 HOFFMAN, POLLY 296 HOGUE, ALEXANDRE 62, 62-A, 62-B, 63, 64, 65, 66, 67, 153 HOHNSTEDT, PETER 301 HOLMES, DWIGHT 140 HOOD, DOROTHY 199 HOPPE, CARL THOMAS 143, 144 HORN, DUKE 247-A, 247-B HUNTER, RUSSELL VERNON 340 HUNTINGTON, JIM 254 HURD, PETER 68, 69, 154, 155, 157 JARVIS, W. FREDERICK 125, 126 JARVIS, MARY 384 JEFFREYS, ARTHUR BISHOP 297 JENKINS, JOHN ELLIOT 275, 276, 374 JOHNSON, ROBERT QUILL 329 JOY, ROBERT 358 JUDD, DEFORREST H. 238, 239 KELLY, AVERY 350 KIMBROUGH, PHIL 351 KINZINGER, EDMUND D. 203, 233, 234 KLEPPER, FRANK 278, 279 LADD, SWEETIE 229 LANGLEY, J.P. 339 LAPTHISOPHON, STEPHEN 292 LAUDERDALE, URSULA 357 LAUSTER, DARRYL 261 LAWRENCE, ANNETTE 250 LEA, TOM 93, 181 LEADER, MORRIS WALTON 127 LEE, AMY FREEMAN 344, 345, 346 LESTER, WILLIAM 55, 56, 57, 58, 59, 60, 61, 187, 188, 189, 190, 191, 192, 193, 194, 195 LEWIS, HARRY 286 LIGHTFOOT, MARY 29 LIGON, VERDA 118 LOCKWOOD, WARD 246 LOPEZ, L.R. 300 LOPEZ, VIVEANO 320 LOVE, VIVIAN 318 MAHAFFEY, JOSEPHINE 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 92 MAPLES, BARBARA 32, 33, 34 MARKOS, LAJOS 298, 341 MAUZEY, MERRITT 19, 20, 21, 22, 23, 24, 25, 26, 182 MAXWELL, PAUL 245 MCCLUNG, FLORENCE 35 MCDADE, IRA 362 MCGILL, ELOISE POLK 132 MCVEIGH, BLANCHE 39, 40, 41, 42, 43, 44, 45 MERCADO, ARTURO 377 MEWHINNEY, ELLA K. 116, 117, 137 MILLER, MELISSA 4 MOORHOUSE, FREDA 379

DAVID DIKE FINE ART ★ TEXAS ART AUCTION

MOROLES, JESUS BAUTISTA MOYER, JANET NABINGER, DOLLIE NICHOLS, PERRY NICOLS, AUDLEY DEAN O’BRIEN, ESSE FORRESTER OLIVER, KERMIT ONDERDONK, JULIAN ONDERDONK, ROBERT J. ORREN, RAYMON S. PANCOAST, CLARA C. PREUSSER, ROBERT PRITCHARD, GEORGE T. PUTMAN, SALLIANN RACHOFSKY, MORTON RAMOS, JOSE RASCOE, STEPHEN REAUGH, FRANK RECORD, JAMES RHEA, TRAVIS LEA RICHARDSON, VOLNEY A. RIZZIE, DAN ROBERTSON, HORACE O. RUTLAND, EMILY SALINAS, PORFIRIO SAMUELSON, FRED SANDERS, HEDWYN SAVAGE, KATHLEEN SCRUGGS, MARGARET ANN SIMKINS, MARTHA SLAUGHTER, WILLIAM A. SMITH, MCDONALD SMITH, ARTINE SMITH, LEE SMITH, EMILY GUTHRIE SPEARS, ETHEL SPELLMAN, COREEN MARY SPRUCE, EVERETT STADE, ELOISE STALEY, EARL STITT, HERBERT STRAHALM, FRANZ SZABO, ENDRE TAYLOR, LAURA ANN TAYLOR, ROLLA SIMS TEARS, RUTH TEXAS LAND GRANTS THAIN, HOWARD A. THIBESART, RAYMOND THOMASON, RONALD THORNTON, CAROL THRASHER, WILLIAM R. TOLBERT, FRANK X. TRAVIS, OLIN TRAVIS, KATHRYN HAIL TRAVIS, JOSEPHINE OLIVER TURNER, JANET TURNER, PAUL UMLAUF, CHARLES UNDERWOOD, RUTH UNKNOWN UTTER, BROR VALDEZ, VICTOR VOGEL, DON VON HORVATH, IRENE WADE, BOB WARING, MELINDA WEARY, ANNE WIEGHORST, OLAF CARL WIMAN, BILL WOOD, GRANT WOOD, ROBERT WORK, MAUD ESTELLE

251, 252 247 325 215, 216 160 2 272 175, 176, 177, 178, 179, 180 180-A 299 313 202, 235, 236, 237 327 382, 383 259, 260 319 263, 264, 265 169, 171, 172 9 365 366 213, 214, 214-A 7, 8 30, 31 161, 162, 163, 164, 165, 166, 167, 168 231 284 380 359 352, 353 133, 134, 135 232 271 349-A 367 241 36, 37, 38, 243, 244 3, 183, 184, 185, 186 356 265-A 138 136, 369 343 5 129, 130, 131 370 280, 280-A, 280-B 360 274 378 309, 310 324 290 94, 148, 150, 152 149 277 18 372 253 363 293, 376, 381 224, 225, 226, 227, 228 248 270 281 294 371 335, 336, 337 48 10 71 158, 306 322

A B S E N T E E B I D/P H O N E - I N B I D F O R M

DAVID DIKE FINE ART TEXAS ART AUCTION Saturday, October 3, 2020 • 10:30am TO PLACE BIDS, THIS FORM MUST BE RECEIVED BY 12:00 NOON CST, FRIDAY, OCTOBER 2, 2020

䡺 Absentee Bid

䡺 Phone-In Bid*

Please indicate 1st, 2nd, 3rd Phone Call Order Preference

*For Telephone bids, the low estimate must be at least $500 and you must be willing to at least bid up to the low estimate.

Phone space is limited, so telephone bidding is offered on a first come first served basis.

(PLEASE PRINT)

Name:____________________________________________________________________________________________________________________________ Address: ________________________________________________________________________________________________________________ City:____________________________________________________________ State:____________________ Zip:__________________________ Phone: (1st) ________________________________ (2nd) ________________________________ (3rd) ____________________________ Email:____________________________________________________________________________ Fax: ____________________________ State Sales Tax: ______________________________________ Resale Certificate No.: __________________________________________ (If applicable) LOT NO.

DESCRIPTION – ARTIST/TITLE

TOP LIMIT OF BID* $ $ $ $ $ $ $ $

(Please use 2nd page if needed)

*Does Not include the Buyers Premium

䡺 Check

Card Number:________________________________________ Exp. Date: ____________________________________

䡺 VISA

Cardholder Signature: ______________________________________________________CSC Code: ______________

䡺 MasterCard

Cardholder Name: ____________________________________ Cardholder Billing Zip Code: ____________________

䡺 AmEx

Cardholder Billing Street Address:____________________________________________________________________

CSC: Credit Card Security Code – (the 3 digit code on the back of MasterCard/VISA and 4 digit code on the front of AmEx card.)

BANK REFERENCE OR DEPOSIT (If bidder is unknown to DAVID DIKE FINE ART, L.L.C.) In order to avoid delays in receiving purchases, buyers unknown to us are advised to make payment arrangements or supply credit references in advance of the sale date. If such arrangements are not made, purchases cannot leave our premises until checks have been cleared.

Bank Name: ________________________________________________________ Account #: __________________________________________ Contact:________________________________________________________ Telephone:________________________________________ I agree that I am bound by the “Conditions of Sale” published in the catalogue for the sale and govern all purchases at auction that I make.

Signed: __________________________________________________________ Date: ____________________________________________ Return bid form by Email, Mail or Fax:

DAVID DIKE FINE ART, L.L.C. • 2613 Fairmount • Dallas, TX 75201 Fax: 214.720.4469 • Phone: 214.720.4044 • info@daviddike.com • www.daviddike.com TO PLACE BIDS, THIS FORM MUST BE RECEIVED BY 12:00 NOON CST, FRIDAY, OCTOBER 2, 2020 *Buyer’s Premium is 20% of hammer price. In addition, all applicable sales tax will be added.

BIDDER NAME __________________________________________________________________________________________

LOT NO.

DESCRIPTION – ARTIST/TITLE

PAGE 2/2

TOP LIMIT OF BID* $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ *Does Not include the Buyers Premium

FRONT COVER : PAGE 38 , LOT 175

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JULIAN ONDERDONK

INSIDE BACK COVER : PAGE 13 , LOT 107- A

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AUCTION DIRECTOR : ANNE KELLY LEWIS , ISA AM

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INSIDE FRONT COVER : PAGE 43 , LOT 183

OTIS DOZIER

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BACK COVER : PAGE 32 , LOT 161

CATALOGUE DESIGN : WINSHIPPHILLIPS . COM

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EVERETT SPRUCE

PORFIRIO SALINAS

PHOTOGRAPHY : PHIL BAILIFF

2613 Fairmount Street Dallas, TX 75201 Phone: 214-720-4044 Fax: 214-720-4469 info@daviddike.com daviddike.com •

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