David Niven Architectural Portfolio

IDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVENDA AVIDNIVENDAVIDNIVENDAVIDN IVENDAVIDNIVENDAVIDNIVEND IDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVENDA AVIDNIVENDAVIDNIVENDAVIDN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVENDA VIDNIVENDAVIDNIVENDAVIDNIV VIDNIVENDAVIDNIVEN DAVIDNIVEN DAVIDNIVENDAVIDNI NIVENDAVIDNIVENDAVIDNIVEN IVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID IVENDAVIDNIVENDAVIDNIVEND AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNIV DNIVENDAVIDNIVENDAVIDNIVE AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVENDA

Eric Jenkins 85

Alessandra Cianchetta 117 Michele Busiri-Vici

Doug Palladino 89

Pe

Bill Macdon

eter

Macapia 69

nald

99 Henry Smith-Miller 4

Stephanie Bayard 59

Nanako Umemoto 31

VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DUMBO NIVENDAVIDNIVENDAVIDNIVEN WERC VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND ARCH 805 | Instructor:Henry Smith-Miller

This is an infrastructure project combining a recycling facility, incinerator, and natatorium Should architecture mask, disguise, or celebrate urban infrastructure assets? This the

project forgoes a formal connection to

highlight mechanical systems, the true linkage

between the WtE/MRF and natatorium. Through rigorous study of these systems, the building is self sustaining after its initial on-grid start up and taken off grid. The gabion facade was a strategic choice to upcycle non-recyclable materials after being compressed into plastiglomerates. The modular grid

superstructure allows the building to be

constructed in phases as materials become

available. This enables the frame to change size to accommodate programmatic changes of the building’s lifespan. When the building is no

longer useful it will be disassembled and sold as raw or upcycled building materials.

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID DUMBO Vinegar Hill

Secondary structural beams running 20 feet on center Primary structural beams running 30 feet on center

Main structural columns supporting floor to floor height of 12 feet

ASTM A490, 1 inch Diameter bolt connections with 5/16 inch washer thickness

L-Channels allow wide flange connections in the frame

Welded plates provide connections for the cross braces in the frame

Bolted connections between welded plate and cross braces

Cross braces attached into the frame for stab in the longer spans

k and walkways e landscape that owards the m entrances which is by the truss system

Visible MEP systems Natatorium healing program which includes saunas, hot tubs, fitness centers, and relaxation rooms

Structure is fully visible from both interior and exterior

Main oversized hybrid pool

Skylights provide light to all pools on all levels with line of sights to most spaces as each area of the building is open space

Mechanical distribution and service rooms

Long span lap pool

With immediate access to the incinerators, heating for the natatorium is readily available with connections to the main distribution branches

The separated distribution branches for air control, water supply, and electricity reach all the natatorium spaces and help service all the needs of the building

Electrical distribution is initially provided by the city grid and is then supplied by the turbine and generator at each of the four incinerators

With immediate access to the river, cooling for the natatorium is readily available with connections to the main distribution branches

These smaller rooms serve as backup systems for when the main heating and cooling systems are unable to meet demand.

Smaller heaters and chillers are available for this purpose

This large main room provides the primary source of air control and ventilation for the three areas of the project. Air handling units are housed in this main space and has immediate access to the exterior for intake and exhaust.

These smaller rooms provide air control and ventilation as a backup when the main room is unable to meet demands

Secondary backup structure supports the hung rock cages

Cages filled with slag glass, waste concrete, and plastiglomerates inside the wire mesh container

Cages are hung on cables that run through the wire mesh and connect to the structure grid

Gabion rock cages attached to the structure grid to act as rainscreen and veneer for the project

Certain cages can be left empty for moments of porosity and permeability

Additional steel columns placed below the hill and trusses to provide support for the recycling facilities in the spaces below Filled in berm using dirt that has been taken from the site that provides stability to the south side of the hill and trusses

Short ribbon windows allows light to enter the recycling facility from the south

Trusses also provide support for the long span bridges which allows public entrances into the natatorium spaces

Load bearing walls around the recycling facilities provide support for the trusses

Open webbed trusses support the public park hill and walkways above the recycling center and allow a slight cantilever over the truck roadway and river

VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND S DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND aori jima

ARCH 704 Instructor:Nanako Umemoto

This project is a critique of olympic architecture, prioritizing transformation into a post-olympic agricultural space over the transient use of the site as an olympic village.

the generative process for this project utilizes a dual system of tectonics for its

conceptual framework: those of the earth and those of textiles. the contextual linkage here

is sakiori, a heterogenous style of weaving that utilizes torn rags. through rigorous

manipulation of rag type and weave pattern,

sakiori can be redeployed as a system for creating a landscape coded with textures and densities

which can guide the programming of the site. THE

APPROACH FOCUSEs ON POST-OLYMPIC OCCUPANCY AS WELL AS STREAMLINING THE TRANSITION BY MINIMIZING FACILITY FOOTPRINTS AND MAXIMIZING FARMLAND. THE DIAGRID

SERVES NOT ONLY AS STRUCTURE FOR THE LANDFORM, BUT ALSO DIVIDE IT INTO PLOTS.

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN C B NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID hūō

ōhatei

500 FEET

400 FEET

300 FEET

200 FEET

2011 TSUNAMI 100 FEET

SEA LEVEL

SEA LEVEL 2500

elevation

aspect

solar radiation

slope

SANSAI

Bracken Fern Pine muShrOOm hen OF the WOOdS Shimeji BamBOO udO

SANSAI

Bracken Fern Pine muShrOOm hen OF the WOOdS Shimeji BamBOO udO

COASTAL ardiSia SPindLe tree machiLuS FaLSe daPhne BLack Pine

CITRUS

SatSuma Orange Sudachi Yuzu LOquat

GREENS

naPPa caBBage mizuna eggPLant ShiSO

COASTAL ardiSia SPindLe tree machiLuS FaLSe daPhne BLack Pine

ROOTS

tarO daikOn radiSh POtatO SWeet POtatO mYOga ginger turniP

CITRUS

SatSuma Orange Sudachi Yuzu LOquat

ORCHARD aPPLe Pear PerSimmOn cherrY aPricOt

GREENS

naPPa caBBage mizuna eggPLant ShiSO

LANDSCAPE White Oak machiLuS FaLSe daPhne chinquaPin cameLLia muLBerrY BaYBerrY

RO

tarO daik POta SWee mYO turn

VIDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNIV V VENDAVIDNIVENDAVIDNIVEND V DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN NIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND ecchio

erticale

ARCH 603 Instructor:Stephanie Bayard

This project looks at the future of the urban high rise through the lens of hyper-density.

borrowing its organizational structure

from plant stem morphology, this urban

high-rise draws parallels between various types of transitory tissues and

circulation/envelopes. by flipping the proposed programmatic ratio on its head, the building begins to explore the idea of retaining exclusivity and

individual identity in a preparation for a hyperdense future. it

accomplishes this through the lens of housing as an accessory;

individual residential strands are

connected by a porous mass which houses a wealth of programs that serve the economic needs of the

inhabitants and encourages them

to build an interdisciplinary community.

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID willoughby plaza

VIDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNIV P VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN NIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND olitikos

A R C H 6 0 1 | I n s t r u c t o r: P e t e r M a c a p i a

This project is a sculptural

intervention with the intention of creating both a public forum and urban foraging space

The module is not a given fact nor a permanent condition. It is a starting point for constraints that apply to

architectural specificity which will be used to explore the connections between architecture and

algorithmically generated geometry.

By spatializing the modules, a new

understanding of their geometry and relationships can be developed, and a new kind of architecture can be explored.

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID Sara D. Roosevelt Park

VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND Cardozo

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID US Z DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID treet

akka

Hybrid Japan/DC Studio|ARPL 401|Eric Jenkins

Drawing on a 3 week study in Japan, this

project addresses the development of hybrid buildings in minimal sites.

DC’s urban sprawl has reached its limits; the only remaining means of expansion is going vertical.

Rather than relate programmatic elements, the key is relating the ever-denser population. Contemplative spaces and a tight circulatory hub creates opportunity for increased familiarity and interaction. experiment to circumvent

An

DC’s inevitable

future, programmatic elements were chosen from a hat and added to the schema of a column-slab residential tower.

VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND National Mall

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID smooth and

striated

ARPL 402|Second Semester|Douglas Palladino

This project addresses the last empty site

on the national mall and the intricacies of

museum design and security. It resulted in a

60+ page CD set.

Seeking to critique Brian O’Doherty’s White Cube in light of the proximity of the artifacts to their historical context, this buildings facade is transparent and

dynamic: changing its rhythm and material

to facilitate the proper connection between user, artifact, and context.

8" Laminated Bamboo Fin

1/2" Steel Fin Assembly

Anchor

Wood Plug

Sealant and Backer Rod

Neoprene Gasket

3/4" Exterior Ductile Concrete Face

1 1/2" Ductile Concrete w/external rebar grid

2" Spaceloft Insulation

3/4" Interior Ductile COncrete Face

Wood Cover

1

Fin Section 6" = 1'-0"

Foam Spacer

Gasket

2" (Double glazed) Bent Glass Liquid Wall

Precast Ductile Concrete Window Casing w/ cast-in steel shape

1/16" Steel Clip

VIDNIVENDAVIDNIVENDAVIDNI VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNI EMERGENT VENDAVIDNIVENDAVIDNIVEND LEARNING DAVIDNIVENDAVIDNIVENDAVID CENTER AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND ARCH 602 | Instructor:William

macdonald

In the interest of integrated education, this project proposes a montessori/harkness school where

programmatic functions change over the course of the day

This project aims to shift the trajectory of

educational architecture through the lens of emergent fields. Following pioneers like

Herman Hertzberger and

Aldo Van Eyke, the classrooms are merged with the circulation to create a more holistic and adaptive learning environment.

Using wrestling as a basis for understanding emergent properties, the form of the building undulates and rotates on its center axis, as if trapped in a maelstrom. Throughout the development of a cultural topography and the excessive diagramming of interactions through the day, the programmatic “coding“ of the building was mapped onto its skin and shifts as the day progresses. This enables the building to become a social condenser for the community.

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID Financial District

CONDUPLICATE FENASTRUS SATURATION

CARINATE FLABELLATUS EXCLUSIVITY

ACICULAR FORMA INTEGRA RELIEF

SUPERVOLUTE DELTOID ANIMOSITY

SATURATION

EXCLUSIVITY

RELIEF

ANIMOSITY

EXCLUSIVITY

ACCESSIBILITY PRECEDENCE CAPACITY

ADMINISTRATION GRADE SPECIFIC LABS

SATURATION

PERMEABILITY CONGESTION DENSITY

EVENT SPACES OPEN LEARNING SURFACES THEATRE

RELIEF

DISENGAGEMENT ETCHING RESPITE

CAFE LOUNGE LIBRARY

ANIMOSITY

DISSONANCE AVERSION SPITE

COMPETITIVE SPACES FABRICATION COUNSELING

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

85% 44% 60% 27%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

53% 56% 25% 3%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

13% 75% 6% 0%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

29% 28% 45% 0%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

45% 60% 6% 0%

EXCLUSIVITY

ACCESSIBILITY PRECEDENCE CAPACITY

ADMINISTRATION GRADE SPECIFIC LABS

SATURATION

PERMEABILITY CONGESTION DENSITY

EVENT SPACES OPEN LEARNING SURFACES THEATRE

RELIEF

DISENGAGEMENT ETCHING RESPITE

CAFE LOUNGE LIBRARY

ANIMOSITY

DISSONANCE AVERSION SPITE

COMPETITIVE SPACES FABRICATION COUNSELING

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

53% 43% 100% 24%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

30% 49% 71% 8%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

42% 18% 89% 1%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

79% 88% 25% 11%

SATURATION RELIEF EXCLUSIVITY ANIMOSITY

62% 57% 20% 2%

VIDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND South Quay

IVENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI IVENDAVIDNIVENDAVIDNIVEND C DAVIDNIVENDAVIDNIVENDAVID DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND NIVENDAVIDNIVENDAVIDNIVEN ENDAVIDNIVENDAVIDNIVENDAV NDAVIDNIVENDAVIDNIVENDAVI DNIVENDAVIDNIVENDAVIDNIVE NDAVIDNIVENDAVIDNIVENDAVI NIVENDAVIDNIVENDAVIDNIVEN NIVENDAVIDNIVENDAVIDNIVEN VENDAVIDNIVENDAVIDNIVENDA DNIVENDAVIDNIVENDAVIDNIVE DAVIDNIVENDAVIDNIVENDAVID ommunitas

ARCH 806 | Instructor:Alessandra Cianchetta

This urban planning project aims to tackle the problem of density and housing in a post-brexit london.

The meaning of Communitas is threefold: the spirit or essence of community, a shared liminal experience, and the complexity of social environments within. These concepts are reified as richness of social interaction and a shared perception of London’s transition to-

wards hyperdensity facilitated by a built environment

resulting in a meaningful conversation between intervention and context that produces a space in which a society can flourish. This project explores density as

efficiency of the built environment in a prescribed zone,

and describes success as a result that is both congenial and maximalist. In the case of

South Quay this means

preparing it for the opening of the crossrail and the influx of commuters and new businesses by taking

advantage of the existing unbuilt space to insert a series of parasitic interventions with a minimal footprint, adding value while creating new public realms and

interdisciplinary communities with minimal disruption to the existing urban fabric.

CHADWELL HEATH SEVEN KINGS FOREST GATE MARYLAND

MANOR PARK

ROMFORD

GOODMAYES

ILFORD

STRATFORD

CITY OF LONDON FARRINGDON

TOTTENHAM COURT ROAD

WHITECHAPEL

LIVERPOOL STREET CUSTOM HOUSE CANARY WHARF

WOOLWICH

ISLE OF DOGS

ABBEY WOOD

TREVELYAN HOUSE

SHENFIELD

SULKIN HOUSE FLOSBURY ESTATES

ASHINGTON HOUSE CRESCENT HOUSE

CITY OF LONDON

BARBICAN

CHARTERED ACCOUNTANTS HALL

BALFOUR TOWER

MINORIES CAR PARK ROBIN HOOD GARDENS

CANARY WHARF SAMPSON HOUSE NATIONAL THEATRE

READING

NATIONAL THEATRE STUDIO

ABBEY WOOD

SOUTH QUAY LAMBETH TOWERS

CROSSHARBOUR

MUDCHUTE

ISLAND GARDENS

EXISTING MOBILITY NETWORKS

EXISTING BUILDING USE RESIDENTIAL

CULTURE

OFFICE

RETAIL

EDUCATION

EXISTING PUBLIC SPACE

DLR

METRO

BUS ROUTE

DLR STOP

METRO STOP

BIKE PATH

STREET

SOFTSCAPE HARDSCAPE

TREE 25

50

100

PROPOSED BUILDING USE

PROPOSED MOBILITY NETWORKS

PROPOSED PUBLIC SPACE

RESIDENTIAL

CULTURE

DLR

BUS ROUTE

SOFTSCAPE

EXISTING TREE

OFFICE

RETAIL

DLR STOP

BIKE PATH

HARDSCAPE

PROPOSED TREE

BASKETBALL COURT

CRICKET COURT

EDUCATION

STREET WITH SIDEWALK FOOTPATH

25

50

100

VIDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN VIDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVEND DAVIDNIVENDAVIDNIVENDAVID AVIDNIVENDAVIDNIVENDAVIDN VENDAVIDNIVENDAVIDNIVEND VIDNIVENDAVIDNIVENDAVIDNIV AVIDNIVENDAVIDNIVENDAVIDN DNIVENDAVIDNIVENDAVIDNIVE NIVENDAVIDNIVENDAVIDNIVEN DAVIDNIVENDAVIDNIVENDAVID NIVENDAVIDNIVENDAVIDNIVEN AVIDNIVENDAVIDNIVENDAVIDN VIDNIVENDAVIDNIVENDAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVIDNIVENDAVIDNIVENDAVID VENDAVIDNIVENDAVIDNIVEND

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There was a breadyness in my mouth I could not get to pass That same one has eating but not drinking for too long late night drifting through the city

The cars dance a ballet on 81 My eyes flickered no longer asleep

They met the driver’s in the rearview mirror we had an understanding

A cold unspoken word Everyone else in the car was out The state police scream by i’m doubtful of their hurry The clouds fizzle out in a blue haze mingling with the deep forest like the ski jacket she used to wear

Mumbling pushing her arm past my head she yawns as if to swallow the world

She could, too The highway is losing its fight It splinters and crumbles The other one wakes and gives the driver a familar caress reminding him she’s there.

Must attachment always be so shallow?

I hunt for my little blue tin of almonds in search of a different answer

DAVI IDNIVENDAVIDNIVENDAVIDNIV VENDAVIDNIVENDAVIDNIVENDA DAVIDNIVE AVIDNIVENDAVIDNIVENDAVIDN DA IVENDAVIDNIVENDAVIDNIVEND DAVIDNI IDNIVENDAVIDNIVENDAVIDNIV DAVI VENDAVIDNIVENDAVIDNIVENDA DAVIDNIVE AVIDNIVENDAVIDNIVENDAVIDN DA DAVIDNIVENDAVIDNIVENDAVID D VENDAVIDNIVENDAVIDNIVENDA DAVIDNIVE VIDNIVENDAVIDNIVENDAVIDNIV DAV VIDNIVENDAVIDNIVENDAVIDNI DAV NIVENDAVIDNIVENDAVIDNIVEN DAVIDN IVENDAVIDNIVENDAVIDNIVEN DAVIDNI DAVIDNIVENDAVIDNIVENDAVID D IVENDAVIDNIVENDAVIDNIVEND DAVIDNI AVIDNIVENDAVIDNIVENDAVIDN DA VIDNIVENDAVIDNIVENDAVIDNIV DAV DNIVENDAVIDNIVENDAVIDNIVE DAVID AVIDNIVENDAVIDNIVENDAVIDN DA VENDAVIDNIVENDAVIDNIVENDA DAVIDNIVE education

2020

2017

+received an m. arch from pratt institute gaud | gpa 3.76 +accepted/enrolled in the spring 2020 studio of experiments

+received a bs arch from the catholic university of america. + participated in japan/dc traveling studio

professional experience

2019/20 +lot-ek |intern +creating and editing construction documents, updating marketing materials, creating and editing details, organizing drawing sets, finding and organizing rfps, rfqs, and competitions, finding subcontractors, sourcing materials.

2018 +todd rader / amy crews |intern +creating and editing construction documents, updating marketing materials, creating and editing details, organizing drawing sets.

2016/17

+mgac | sustainable design/furniture procurement intern +scrubbing specs, grant writing, coordinating building material reuse, funding research, certification analysis, budget analysis.

201-841-4793 | dniven@pratt.edu | 91 clifton place | brooklyn, new york | 11238

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