DAVID HINE Architecture Portfolio

Page 1

DAVID HINE ARCHITECTURE

Since I was a child, I always enjoyed creating and building structures out of anything I could find. I spent most of my time developing the ideas that were in my mind with careful consideration. I greatly enjoyed the experiences of the many amazing buildings and architecture in my home city of Austin, Texas throughout my younger years. Throughout my primary education at Regents School of Austin and my secondary education at Dripping Springs High school, I was encouraged to pursue my interests in design and architecture.

While earning an A.A.S. Degree in Architectural & Engineering Computer Aided Design – Architectural Specialty at Austin Community College, I gained 400 hours experience in Revit 2018, 250 hours in AutoCAD 2017, as well as 100 hours in both Inventor and Civil 3D to create a vast array of construction documents. During this time, I studied residential, commercial, structural, MEP, civil and mechanical drafting skills and design.

After graduating Summa Cum Laude with a Bachelor of Science in Architecture at the University of Texas at Arlington, I have a new found sense in what architecture is and what it could be. In addition to attending architecture school, I became an apprentice plumber two years ago to better understand the build process.

9 WRAP, INTERSECT, REFLECT 19 THE TRIAD INSTITUTION 27 SKETCHBOOK 29 1994 31 INUPIAT GALLERY 11 THE GATEWAY MUSEUM 3 DART BUS SHELTER

DART's NEXT GENERATION BUS SHELTER DESIGN BUILD

CLIENT: DALLAS AREA RAPID TRANSIT (DART)

LOCATION: DFW METROPLEX

SITE PAD: 5’X8’

MATERIALS: Aluminum structure(built in steel), Polycarbonte ROOF, PLASTIC HDPE SIDING AND SEATS

As part of a design build studio in partnership with DART, AIA Dallas, Tolar Manufactoring, Urban Solar, and K Strategies, we set out to design DART’s next generation bus shelters. We set out to achieve this by interviewing the community and the riders to figure out what was important to them. We focused our purpose on creating an impact for the community by improving the shelter performance, security, and increased ridership. In addition to designing DART’s next generation bus shelter, we built prototype shelters in UTA CAPPA’s design build workshop. DART is extremely happy with the result of our work and has since continued its develpoment with HDR and KAI architects.

This project received a Honor Award in Urban Design from the The American Society of Landscape Architects during the 2023 Texas ASLA Conference.

3
RENDERING BY RICHA VERMA
4

10.BEAM

12.RODS

15 13 14 6 5 4 2 9 8 10 3 1 7 11 12
1.SOLAR PANELS 2.PLASTIC H PROFILE 3.LIGHTING FIXTURES 4.SCREENING 5.4” COLUMN 6.ADVERTISING PANEL 7.TRASH BIN/ RECYCLE 8.POLYGAL 9.CROSS FRAME 11.L BRACKET 13.BACK SCREENING
5
14. SEATING
6
7

A.1

9' PAD 4' 4' 5' PAD 7'-6" 4' 4' 4' 6" COLLEGE OF ARCHITECTURE, PLANNING AND PUBLIC AFFAIRS THE UNIVERSITY OF TEXAS AT ARLINGTON SCHOOL OF ARCHITECTURE PROTO BUS SHELTER FALL 2022-23 CONSTRUCTION 2022-2023 ALL RIGHTS RESERVED. THE DRAWINGS, DESIGNS, AND IDEAS EMBODIED THEREIN ARE THE PROPERTY OF THE STUDENTS AND INSTRUCTORS OF THE PARALLEL CONSTRUCTION STUDIO 2020-21 AT CAPPA AT UT ARLINGTON; AND SHALL NOT BE COPIED, REPRODUCED, DISCLOSED TO OTHERS, OR USED IN CONNECTION WITH ANY WORK OTHER THAN THE SPECIFIED PROJECT FOR WHICH THEY HAVE BEEN PREPARED, IN WHOLE OR IN PART, WITHOUT THE PRIOR AUTHORIZATION OF THE SCHOOL. DRAWN BY: STUDIO 4556 CHECKED BY:JULIA LINDGREN SITE PLAN
SITE PLAN 1 SCALE: 1/2" = 1' 0" AD PANEL PEA GRAVEL 4X4 ADA SPACE WAYSINE 6'-1" 12'-1" 12'-1" 5'-8" 77 8 " 3" 5'-9 1/2" 5'-91 2 " 21 2 " 1'-5" 12' 77 8 " 1" 4'-0" 3'-73 4 " 3'-73 4 " 3'-101 2 " 11 4 " 1 4 " 12'-11 4 " 4' 4' 4' 1 8 " 3 4 " 77 8 " 3" 21 2 " 1 8 " 21 2 " 21 2 " 3" COLLEGE OF ARCHITECTURE, PLANNING AND PUBLIC AFFAIRS THE UNIVERSITY OF TEXAS AT ARLINGTON SCHOOL OF ARCHITECTURE PROTO BUS SHELTER 2022-23 CONSTRUCTION 2022-2023 ALL RIGHTS RESERVED. THE DRAWINGS, DESIGNS, AND IDEAS EMBODIED THEREIN ARE THE PROPERTY OF THE STUDENTS AND INSTRUCTORS OF THE PARALLEL CONSTRUCTION STUDIO 2020-21 AT CAPPA AT UT ARLINGTON; AND SHALL NOT BE COPIED, REPRODUCED, DISCLOSED TO OTHERS, OR USED IN CONNECTION WITH ANY WORK OTHER THAN THE SPECIFIED PROJECT FOR WHICH THEY HAVE BEEN PREPARED, IN WHOLE OR IN PART, WITHOUT THE PRIOR AUTHORIZATION OF THE SCHOOL. DRAWN BY: STUDIO 4556 CHECKED BY:JULIA LINDGREN STRUCTURE FRAME SUPPORT A.6 BACK CROSS BEAM 3 SCALE:N/A FRAME SUPPORT LAYOUT 1 SCALE: 1/2" 1' 0" BEAM CONNECTED TO FRAME 2 SCALE: 1/2" = 0" FRONT L- BEAM 4 SCALE:N/A L-BRACKETS CYLINDER CHANNELS LARGE BEAM SIDE VIEWS 3 4 1'-4" 4' 4" 1 2 3" 1" 1 8 1" 1" 4" 1 2 4" 1 0" 1 COLLEGE OF ARCHITECTURE, PLANNING AND PUBLIC AFFAIRS THE UNIVERSITY OF TEXAS AT ARLINGTON SCHOOL OF ARCHITECTURE PROTO BUS SHELTER 2022-23 CONSTRUCTION 2022-2023 ALL RIGHTS RESERVED. THE DRAWINGS, DESIGNS, AND IDEAS EMBODIED THEREIN ARE THE PROPERTY OF THE STUDENTS AND UT ARLINGTON; AND SHALL NOT BE COPIED, REPRODUCED, DISCLOSED TO OTHERS, OR USED CONNECTION WITH ANY WORK OTHER THAN THE DRAWN BY: STUDIO 4556 CHECKED BY:JULIA LINDGREN STRUCTURE BRACKET DETAILS A.2 PLAN VIEW BRACKET 1 SCALE: 1" 1' 0" ELEVATION BRACKET 2 SCALE: 1" = 1' 0" COLLEGE OF ARCHITECTURE, PLANNING AND PUBLIC AFFAIRS THE UNIVERSITY OF TEXAS AT ARLINGTON SCHOOL OF ARCHITECTURE PROTO BUS SHELTER 2022-23 CONSTRUCTION 2022-2023 ALL RIGHTS RESERVED. THE DRAWINGS, DESIGNS, UT ARLINGTON; AND SHALL NOT BE COPIED, REPRODUCED, DISCLOSED TO SPECIFIED PROJECT FOR WHICH THEY HAVE BEEN PREPARED, IN WHOLE OR PART, WITHOUT THE PRIOR AUTHORIZATION OF THE SCHOOL. DRAWN BY: STUDIO 4556 CHECKED BY:JULIA LINDGREN COLUMN BEAM A.5 COLUMN - BEAM CONNECTION 1 SCALE: 1 1/2" = 1' 0" 4” ALUMINUM COLUMN STEEL BEAM 3/8 “ HOLE EQUAL EQUAL CYLINDER CHANNEL 4” 4” 8” 8” *SEE FOUNDATION DETAIL FOR DIM* “T” BRACKETS

WRAP, INTERSECT, REFLECT 4TH YEAR

This project is an abstract experimentation centered around forms that wrap, intersect, and reflect. The forms were influenced by studies of walls and trails in the built world. In this design, trails intersect and wrap around the walls. Walls also wrap around and intersect other walls. These components are then reflected to create cube-like form. Through the process of wrap, intersect and reflect, this abstract cube provides phenominal views that invite your imagination to decide what it is. The physical model is composed of museum board and acrylic.

EAST ELEVATION SCALE: 1:4

SOUTH ELEVATION SCALE: 1:4

9
y
g ysical
TOP VIEW SCALE: 1:4
SOUTH SECTION
SCALE: 1:4
EAST SECTION
SCALE: 1:4
AXONOMETRIC SCALE: 1:4 ARCHITECTURAL COMPONENTS
SYMMETRY
PARK COMPONENTS INTERSECTION CONNECTIONS
10

THE GATEWAY MUSEUM DALLAS, TX

LOCATION: 1919 Woodall Rodgers Fwy, Dallas, TX 75201

SITE AREA: 0.90 acres

BUILDING: 100,000 sq ft

PROGRAM: INTERPRETIVE CENTER FOCUSED AROUND

NATIONAL PARKS

MATERIALS: STEEL REINFORCING

STRUCTURE, REINFORCED CONCRETE, GLASS, OPAQUE SMART GLASS

The Gateway Museum brings America's greatest national parks to the heart of Dallas, TX through the use of virtual reality, augmented reality and projection technologies in combination with architecture to create emotional experiences. The building's design is directly influenced by WRAP, INTERSECT, REFLECT in the previous slide as well as my emotions while visiting the arcs of Red Canyon National Park in Utah. As I drove through the Red Canyon arcs on my way to Bryce Canyon, I felt as if I was passing through a gateway into another world. These emotions sparked the entry sequence of the Gateway Museum.

In order to leave Dallas and enter a national park, one must pass under the massive red arc and descend underneath the infinity-edge reflection pool that drowns out the city. Upon entering the building, you are met with a five-story lobby whose space is molded by concrete walls mimicking those of a canyon. Once you reach the third floor, you are faced with an unexpected and breathtaking view in the panoramic projection deck that is cantilevered over the reflection pool. Instead of seeing Clyde Warren Park and the Dallas skyline, the viewer is connected with a panoramic view of a national park landscape through the use of projection technologies and opaque smart glass.

In addition to the panoramic projection deck, the Gateway Museum also houses a massive three-story projection room, virtual reality rooms, a lecture hall and multiple galleries.

11
PARTIFORM RHYTHMWRAP ISONMETRIC NORTHEAST ELEVATION 12
ENTRY FLOOR
1/32”=1’-0” GROUND FLOOR 1/32”=1’-0”
4 12 3 7 8 5 6 5 6 10 9 11 10 9 131313 12 5 6 14 15 1 2 3 4 5 LOBBY GALLERY GIFT SHOP LECTURE HALL MEN’S BATHROOM 6 7 8 9 10 WOMEN’S BATHROOM LOADING BAY STAFF PARKING ENTRY OPEN TO LOBBY PROJECTION ROOM 11 12 13 14 15 CLASSROOM PROJECTION DECK VR ROOM CAFETERIA OUTDOOR SPACE 13
THIRD FLOOR 1/32”=1’-0”
14
LOBBY HIDDEN BACK ENTRY 15
PROJECTION ROOM SPACE ZION NATIONAL PARK PROJECTION
16
RED CANYON ARC TUNNEL PROJECTION
INFINITY-EDGE REFLECTION POOL
18 PANORAMIC PROJECTION DECK

THE TRIAD INSTITUTION NEW YORK, NY

LOCATION: 666 1st Avenue, New York, NY 10016

SITE AREA: 6.4 acres

BUILDING: 37,800 sq ft

PROGRAM: EDUCATIONAL INSTITUTION AND GALLERY WITH A PUBLIC PARK AND WATERFRONT ACCESS

MATERIALS: REINFORCED CONCRETE & STEEL FRAMED, GLASS, SOLAR-PANELED ROOF

The Triad Instituion is a virtual reality educational institution and public park that spreads awareness to climate change on a global scale. Since 2007, this 6.4- acre site in midtown Manhattan next to the East River has been unoccupied. This master plan design was developed around three primary objectives: the circulation of the city into the park and building, the site’s direct connection and use of its waterfront space, and its use of sustainable technologies and designs to combat climate change. The organization of the Triad Institution and park is directly influenced by the current mobility of the city by extending 39th and 40th Street through the site in the form of pedestrian walkways and continuing the current pathways as they connect to the edges of the site and the waterfront space. The site’s circulation is then created by these new pathways as they all descend the natural topography through multi-leveled linear routes to the waterfront. The wider pathway from 40th Street continues straight through the VR institution and influences its design. The organization of the instituion is directly influenced by the creation of site’s circulation as its sides are parallel with the edges of those pathways. Broken into three triangles to represent the three main aspects of the site, the Triad Institution is centered around the circulation and experience of the space. The design incorporates solar panels on the roof of the structure that slope to the South for power, manmade marshes to function as natural sponges to flooding, and an abundance of greenery to counter the city’s lack of.

19
20
22
23
24
NEW YORK PHYSICAL SITE MODEL PHYSICAL SCALE 1:100
26

SKETCHBOOK

This sketchbook encompasses various project designs, site visits, nature studies and building details explored in the first year of architecture school.

1ST YEAR 27

This white model creation project consists of many different model pieces combined together into something new. The matte white spray painted pieces are from lego kits, house model kits, and plastic army kits. 1941 is an abstract representation of the bombing that took place from 1940 to 1941 in London during World War II.

29
1941
WHITE MODEL
30

INUPIAT GALLERY ANCHORAGE, ALASKA

LOCATION: 507 E St STE 206, Anchorage, AK 99501

SITE AREA: 6.4 acres

BUILDING: 10,000 sq ft

PROGRAM: ALASKAN TRIBE GALLERY AND MUSEUM

MATERIALS: REINFORCED CONCRETE & STEEL FRAMED, GLASS

Located across Town Square Park in Anchorage, Alaska, the Inupiat Gallery is an exploration of intersecting spaces and continous paths. The gallery focuses its art on the Inupiat bowhead whale hunters and their migrational hunts for the bowhead whales. The Inupiat Gallery consists of four galleries including a circulation gallery that spirals up the building and various community rooms that invite public use.

31
32
GROUND FLOOR 1/8” = 1’-0” SECOND FLOOR 1/8” = 1’-0” THIRD FLOOR 1/8” = 1’-0” ENTRY MECHANICAL LOBBY STREET GALLERY STORAGE CLASSROOM CAFE CIRCULATION GALLERY CIRCULATION GALLERY CIRCULATION GALLERY COMMUNITY ROOM ARCHIVES CONFERENCE PRINTING OFFICE OFFICE EXPERIENCE GALLERY GALLERY CIRCULATION GALLERY UP UP UP UP DOWN DOWN DOWN 33
34
NORTH ELEVATION 1/8” = 1’-0” NORTH SECTION 1/8” = 1’-0” GALLERY PRINTING OFFICE CLASSROOMCAFE WEST ELEVATION 1/8” = 1’-0” WEST SECTION 1/8” = 1’-0” CLASSROOM OFFICEOFFICE GALLERY EXPERIENCE GALLERY COMMUNITY ROOM MECHANICAL STREET GALLERY 35
36

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.