Darius Hollwell - Professional Work Sample

A Collection of Work

DESIGN. RESEARCH. ART. ARCHITECTURE. DARIUS HOLLWELL

Darius Hollwell

Education 2007- 2013 2004 - 2007

Firms 2012 - 2013 2013 - 2015 2015 - 2017

Kansas State University // Master of Architecture Lee’s Summit West High School // High School Diploma

Helix Architecture & Design // Internship 360 Architecture // Full-time Professional HOK Architecture // Full-time Professional

Skills: [Analog]

Contact Information DariusHollwell@gmail.com 816.682.1644 2416 NW Riven Rock Trail Lee’s Summit, MO 64081

Hand Drafting Sketching Model Building Communication Teamwork Craftsmanship

[Digital] Revit AutoCAD Sketchup [wVray] Rhinocerous [wVray][wGrasshopper 3D] Adobe InDesign Adobe Illustrator Adobe Photoshop Microsoft Office Suite 3ds Max Design Lumion

01

Mercedez-Benz Stadium

02

Little Caesar’s Arena

03

Hallmark Urban Village

04

Philip’s Arena

05

Appendix

01

Mercedez-Benz Stadium

6

Darius Hollwell

Professional Work Sample

Mercedez-Benz Stadium Location: Atlanta, Georgia Residents: Atlanta Falcons, Atlanta United FC Capacity: 71,000 - 83,000 Design Firm: 360 Architecture, HOK Construction Cost: 1.6 Billion Concept: The owner desired an icon that would be internationally recognized, have an operable roof and set a standard for sustainable large scaled projects. The ruling geometry became the operable roof that operated similar to a camera aperture.

This gave way for 8 distinctive facets. The facet that faced downtown Atlanta was made to be glass, instead of the energy preserving metal panels.

This glazed facet, coupled with the fissure in the bowl, opened the stadium interior up to become the “Window to the city.“ There is a large plaza to the west of the stadium, as an extension to the Olympic plaza. The Plaza overlooks what will be an extremely large zone for die hard fans to tailgate before the game. The Tail gate zone also contains a “Marta” (subterranean public transit) stop to lessen the carbon footprint by allowing patrons to easily access the stadium via public transit. Once completed, the Videoboard that encircles the aperture will be the largest in the world at over 58’ in height and 400 plus feet in length. The videoboard also provides a unique medium for creative visual display and content.

My Role: This was my first professional project coming out of school. I had a very unique and versatile skill set. As a result, I was more of a fireman, someone who could be plugged in at any point along the design process and be of service.

Mercedes-Benz Stadium

7

8

Darius Hollwell

Professional Work Sample

Parametrics and Videoboards Fresh out of school with an intense handle on parametric modeling via Rhino & Grasshopper, I and another team member championed the schematic stages of the building form. We began by scripting the exterior envelope. One of the controls we built in was the ability to quickly and easily change the footprint and scale along the x,y or z axis. The script also had the ability to quickly increase the amount of facets along the ellipse. Fun fact, we held a 10 facet building for a few months before eventually reducing the facet amount to 8. We could also control each facet individually. A flared facet to give more of a proper front door and formal view to the city from within the stadium. It was later also removed for the simpler more pure geometry that you see today. We also built in not only the size of the opening in the roof but also how the trusses and all major structure would adapt as that size was altered. Finally, one of the most useful items the script possessed was the ability to do squarefootage material take-offs as we tweaked the design. We were able to get real-time feedback on cost with every design move. This was essential for clarification with the contractor and the client when discussing value engineering items. As an example, the stadium began entirely as an ETFE gradiated facade. Through the VE process, with the help of the script, we realized that the cooling loads would be too great if we were to maintain this design direction. An insulated metal panel replaced the ETFE on the roof and the sky-facing wall panels. This was a cheaper material and it possessed a better insulative quality, reducing cooling loads. Using the script, we were able to design, analyze, export a model and render within a week. A process that would have taken two to three times the amount of time using traditional computer modeling methods.

As we moved from schematics into design development, the intensity of daily scripting began to settle down. I was then given ownership over the largest videoboard in the world. Design, documentation and coordinating with representatives at various videoboard providers. Culminating in being part of producing the manifest for the videoboard bid process.

1

2

3

4

5

6

7

8

9

10

11

12

13

14

16

15

17

18

19

20

21

T

NEW STADIUM PROJECT

T

S

S

15.4

14.4

13.4

12.2

11

10

9

7.2

8

owner / developer: AMBFO 09-1 CLOSED ROOF 1324' - 0"

R

1

07 4213.19 A1

3223 Howell Mill Road, Northwest Atlanta, GA 30327 T: 404.367.2141

R

4

08 9119 A2

285 Andrew Young Int. Blvd., NW Atlanta, GA 30313 T: 404.223.4000

developer project executive: Darden & Company

07 4213.19 COLOR: CENTRIA MEDIUM GRAY SEE M1.A234.01FOR COMPLETE ELEVATION

07 5423

T: 770.403.6402

P

TOP OF ROOF STEEL 1279' - 6"

N

3

N1

07 4213.19 A7

TYP

A560.01 M

A1 A563.01

A6

08 CATWALK 1208' - 0"

audio/ video broadcast: WJHW J & A Engineering Consultants

TYP

A566.01

L

UPPER FACADE K15

FO SE R CO E A2 NTI 30 NU .06 AT IO N

J13

K

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A563.01

07 9500B

H12

Sim

K

08 4413

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A560.01

07 4213.19 A4

LOWER FACADE 40% FRIT

COLOR: CENTRIA MEDIUM GRAY

06.5 UPPER MEZZANINE 1142' - 7 1/2"

08 9119 A2 COLOR: MATCH ADJACENT METAL PANEL

H6

J10

J

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A560.01

A433.02

4

Sim

J10

06 CONCOURSE 03 1127' - 7 1/2"

civil Kimley Horn Long Engineering Skyline Engineering & Construction landscape architect HGOR Centricity, LLC. The Creative Eye, LLC.

07 TOP ROW 1174' - 8 1/2"

TYP

A566.01

mechanical / electrical / plumbing: WSP Khafra Engineering Consultants, Inc. SL King & Associates building envelope Heitmann & Associates The Epsten Group, Inc.

Sim

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

L

associate architect: Goode Van Slyke Architecture Stanley Beaman & Sears Thompson, Ventulett, Stainback & Associates, Inc. Suzanne Kasler Interiors CNNA Architects, Inc. structural: Buro Happold Consulting Engineers PC Sykes Consulting, Inc. Hoberman Associates Uni-Systems, LLC. Kimley Horn

07 4213.19 A7

A434.04

architect of record: Hellmuth, Obata + Kassabaum, Inc. 300 W. 22nd Street Kansas City, MO 64108 T: 816.472.3360

N

J10 __ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

M

4400 Falcon Parkway Flowery Branch, GA 30542 T: 770.965.3115

owner: Georgia World Congress Center Authority

WITH INTEGRAL DAMPER. SEE MECHANICAL COLOR: MATCH ADJACENT METAL PANEL

P

developer / operator: Atlanta Falcons Stadium Company, LLC

J

code and life safety FSC RL Brown & Associates accessibility United Spinal Association McAfee3 Architects food service Ricca Newmark Camacho Associates field design FTE leed adminstration Ecoworks Studio LLC

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A433.01

05 UPPER SUITE 1114' - 9 1/2"

COPYRIGHT © 2014 Hellmuth, Obata + Kassabaum, Inc.

C

key plan

07 9500 B

FAC ET

2

D

07 6200 C

FAC ET 8

T1 FACE

A

seal / signature

CONTINUOUS GUTTER WITH INTERMEDIATE ROOF DRAINS RE: PLUMBING DRAWINGS

A7

03 3000

Sim

THE ORIGINAL OF THIS COMPUTER PLOTTED DRAWING BEARS THE ARCHITECT'S SEAL AS APPLIED / SIGNED BY WILLIAM MARK CARTER Cert. No.: 5254

03 LOWER SUITE 1075' - 1 1/2"

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A563.01 G

02 CONCOURSE 01 1061' - 1 1/2" 01.1 ADMINISTRATIVE 1045' - 0" 01 ADMINISTRATIVE 1036' - 0"

SEE A230.04 FOR CONTINUATION

F

G

ON THE DATE: 11/07/14

rev

date

1 08 9119 A2

M1 A231.04

COLOR: CENTRIA MEDIUM GRAY

E

J13

1 08 9119 A2

A1

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A431.04

12.19.2014

2 3

01.15.2015 01.23.2015

4

03.24.2015

F

4

08 4413 A

A431.04

00 FIELD 1018' - 0"

08 5653 E

03 4500

03 4500

WITH

TYPICAL AT EXTERIOR PRECAST

08 4113

REVISION 1 - BULLETIN 007 CD PROGRESS PRINT REVISION 2 - BULLETIN 022 REVISION 5 - BULLETIN 030

03 3000 COLUMN SEE STRUCTURAL

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

AND 07 1900 A3

COLOR: MATCH ADJACENT METAL PANEL

1

1 07 9500 B

A7

03 4500

__ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _ __ _ _ __ _ _ _

A431.04

07 4213.19 A4

description

1

F1 A231.04

A1 A109-2

FAC ET

7

07 4213.19 A4

D

3

ET FAC

H

B ET FAC

04 CONCOURSE 02 1101' - 11 1/2"

CONCOURSE FACADE

H

D1

FAC ET 4

ET 5 FAC

6

1

07 1900 A3

08 4113

ENLARGED EXTERIOR ENCLOSURE ELEVATIONS - FACET 5 1/16" = 1'-0"

D

KEYNOTE LEGEND ARCHITECTURAL PRECAST FINISH LEGEND

GLAZING LEGEND

03 4500 PRECAST ARCHITECTURAL CONCRETE MODERATE SANDBLAST FINISH

LOW-E-COATED, CLEAR INSULATED GLASS, TEMPERED

03 4500 PRECAST ARCHITECTURAL CONCRETE BRUSH BLAST FINISH

03 3000 03 4500 07 1900 A3

CAST-IN-PLACE CONCRETE PRECAST ARCHITECTURAL CONCRETE SILICONE ELASTOMER PENETRATING WATER REPELLENT INSULATED METAL WALL PANELS 07 4213.19 07 4213.19 A1 FOAMED-INSULATION CORE METAL WALL PANELS SYSTEM 1 - MAIN FACETS 07 4213.19 A4 FOAMED-INSULATION CORE METAL WALL PANELS SYSTEM 4 - CONCOURSE 01 ENCLOSURE 07 4213.19 A7 FOAMED-INSULATION CORE METAL WALL PANELS SYSTEM 7 - SOFFITS THERMOPLASTIC POLYOLEFIN (TPO) ROOFING 07 5423 SHEET METAL FLASHING AND TRIM MISCELLANEOUS 07 6200 C MATERIALS ARCHITECTURAL JOINT SYSTEMS FOR BUILDING 07 9500 B EXTERIORS ALUMINUM-FRAMED ENTRANCES AND STOREFRONTS 08 4113 GLAZED ALUMINUM CURTAIN WALLS 08 4413 GLAZED ALUMINUM CURTAIN WALL 08 4413 A SECURITY WINDOWS 08 5653 FIXED, EXTRUDED-ALUMINUM HORIZONTAL, 08 9119 A2 CONTINUOUS-LINE, DRAINABLE-BLADE LOUVER

LOW-E-COATED, CLEAR INSULATED GLASS

C

3/23/2015 1:49:18 PM

B

A

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

Mercedes-Benz Stadium

20

Original drawing is 48 x 36. Do not scale contents of this drawing.

C

date

MARCH 24, 2015

phase

CD

issued for

CONSTRUCTION

project number

130700.00

package number

BULLETIN 030

package name

B

EXTERIOR ENCLOSURE ENLARGED ELEVATIONS FACET 5 sheet number

A

A230.05

author firm

TVS

21

9

02

Little Caesar’s Arena

12

Darius Hollwell

Professional Work Sample

Little Caesar’s Arena Location: Detroit, Michigan Residents: Detroit Red Wings, Detroit Pistons Capacity: 15,000 - 20,000 Design Firm: 360 Architecture, HOK Construction Cost: 862.9 Million Concept: An assortment of Kansas City based firms developed the Sprint Center and the Power and Light District in Downtown Kansas City. The Sprint Center is the most successful arena in the United States without having a professional sports team as a resident. The Power and Light District was a newer concept that took an open plaza space that sloped and ended on a stage. The large plaza was covered with a clear ETFE roof to keep out the elements but ensure the feeling of being outside was preserved. The plaza was then surrounded by Bar’s and restaurants on all sides, with the height of two large stories. 360 Architecture had a large hand in coming up with this concept that completely revitalized downtown Kansas City. It was also the starting point for business and developers to see value in the area and thus Kansas City’s urban renaissance had begun. Evident by the continued development of downtown and surrounding areas.

Little Caesar’s Arena took this concept by putting the arena in the center and surrounding it with a covered entertainment district. Little Caesar’s seeks to aid in revitalizing downtown Detroit in the same manner that the Sprint Center and the Power and Light District did for Kansas City.

My Role: My second major project out of school. I was still a fireman but my role had evolved a bit, as I was given ownership of the Upper Concourse to Design, Detail and Document.

Little Caesar’s Arena

13

14

Darius Hollwell

Professional Work Sample

Little Caesar’s Arena

7

The Upper Concourse of the Detroit Red Wings facility was the first time I was able to own a large amount of square-footage within a building. The arena contained numerous different program types. The Concourse contained Bars, restaurants, restrooms, first aid offices, guest services, pseudo-club spaces and sponsor areas and I was to design and document it all. A few ancillary items I also had on my radar was the “Via,“ the promenade and bridge structure that surrounded the arena facade. As a result, railing details and custom light stanchions were also a part of my documentation effort. The arena facade was beautifully designed by a fellow teammate, however anything beyond the metal panels, such as the archway opening shroud and the ceiling planes were my domain. My coordination role was also expanded. I was tasked with coordinating with lighting consultants, sign-age and graphic consultants in addition to your more common structural and MEP consultants. I was also given tasks outside of the upper concourse that pertained to the entire arena. I worked with my fellow designers on the project to surmise their vision but I documented and detailed all interior glazed walls. I was also tasked with the door schedule, in an arena this size, there were over 20 different door types and more than 1000 doors in total. All them with different fire rating and security requirements. These two are examples of the less glamorous tasks but I was able to work through the process and produce for the team.

8

9

10

11

12

13

14

16

15

17

18

DETROIT EVENTS CENTER

A1 _______

A1 _______

A-A4.30

A-A4.03

P 13.2

13

13.5

J

13.8

14

14.5

15

A-A4.01

16

18

17

18.5

19.2

19

19.5

20 20.2

A1

Detroit, Michigan 48201

W.A

IDF

E

NORTH CONCOURSE

CONCESSIONS

A3

VENDOR DEPOT

CONCESSIONS

IDF

E

A1

A4

A2

BAR

WOMEN

12.5

TRASH COLLECTION

12

TRASH

WOMEN

MEN

CONCESSION R

21

BC.1

EAST CONCOURSE

VENDOR DEPOT

FIRST AID

WEST SIDELINE CLUB

WEST SIDELINE CLUB MICHIGAN MARKET FOOD STALLS

L

22.5

MEN

MEP: SMITH SECKMAN REID SELLINGER ASSOCIATES, INC ETS ENGINEERING, INC AV/SCOREBOARD: WRIGHTSON, JOHNSON, HADDON & WILLIAMS, INC

CONCESSION (NV)

TRAFFIC SURVEY: PARSONS BRINCKERHOFF PARKING: RICH & ASSOCIATES, INC

MERCHANDISING 24

BAR E

G

F

K

EAST SIDELINE CLUB

BF B1

BAR

BAR

B3

B2

H1 A-A4.03

H1 _______

CHICKEN + FRY CONCESSION

COMMISSIONING: SEBESTA, INC EXTERIOR ENCLOSURE: MORRISON HERSHFIELD CORPORATION WIND & SNOW: ROWAN WILLIAMS DAVIES & IRWIN, INC

J

26

BH

A9 A8

VOID A-A4.45

SECURITY: DUCIBELLA, VENTER & SANTORE CODE & LIFE SAFETY: FP&C

A

WOMEN

B

WOMEN

C

LEED CONSULTANT: ECOWORKS STUDIO

BJ

D

WEST CONCOURSE

6

ACCESSIBILITY/ADA: ED ROETHER CONSULTING VERTICAL TRANSPORTATION: PERSOHN HAHN & ASSOCIATES, INC

6.5 A1

FOOD SERVICE: WILLIAM CARUSO & ASSOCIATES

BUILDING CONTROLS CONSULTANT: HMA CONSULTING, INC

BG

BUILDING "B" SHOWN FOR REFERENCE ONLY

ENVIRONMENTAL/GEOTECH: NTH CONSULTANTS

GRAPHICS & WAYFINDING: CATT LYON DESIGN

A-A4.30

25

EAST SIDELINE CLUB

FS BOH

STRUCTURAL: MAGNUSSON KLEMENCIC ASSOCIATES DESAI/NASR, INC LANDSCAPE ARCHITECT: SMITHGROUPJJR

BE

23

CONCESSION (NV)

7

CIVIL: GIFFELS WEBSTER

BD

CONCESSION (V) FS BOH

RETAIL

ASSOCIATE ARCHITECT: HAMILTON ANDERSON ASSOCIATES

MEN GUEST SERVICES

DESIGN MANAGER: STREET-WORKS DEVELOPMENT 168-A IRVING AVENUE SUITE 200K PORT CHESTER, NY 10573 T: 914.949.6505 ARCHITECT OF RECORD: Hellmuth, Obata & Kassabaum, Inc. 300 W. 22ND STREET KANSAS CITY, MO 64108 T: 816.472.3360 F: 816.472.2100

BC

22

MEN

WOMEN

10

B6.1

WOMEN

WOMEN

10.8

8

DEVELOPMENT MANAGER: HINES FOX OFFICE CENTER 2211 WOODWARD AVENUE DETROIT, MI 48201 T: 313.417.3136

BB M

GRILL CONCESSION

A-A4.01 H1

ILITCH HOLDINGS 2211 WOODWARD AVENUE DETROIT, MI 48201

BA

OPEN TO VIA BELOW

11.5

9

OWNER: OLYMPIA DEVELOPMENT OF MICHIGAN 2211 WOODWARD AVENUE DETROIT, MI, 48201 T: 313,471,3458

20.5

LITTLE CAESARS

11

N

A5

MEN

27 H

BK

KEY PLAN

IDF

MEN

MEN

5.5

OPEN TO BELOW

OPEN TO BELOW

H

BACK OF HOUSE

GRILL CONCESSION(V)

3.5

BAR

C2

2

1

32

29

30

31

F

N

C4

C5

C11

F

C7

C8

E

COPYRIGHT © 2015 Hellmuth, Obata & Kassabaum, Inc.

seal/signature

BR

C10 C6

K

A1 _______

CC

A-A4.02

C8.6 C9 CC.5

BS

4 CA.3

E

CD

BUILDING "C" SHOWN FOR REFERENCE ONLY

CA.5 CA.6

M

BQ

C13 C12

CA

CA.4

L

D

G3

OPEN TO VIA BELOW 2.5

C3

B

C

J

BP

3

J

C1.6

A

H

BUILDING "A" SHOWN FOR REFERENCE ONLY

SOUTH CONCOURSE

LITTLE CAESARS (V)

OPEN TO VIA BELOW

BUILDING "D" HOWN FOR REFERENCE ONLY

A1

G2

BN

OPEN TO BELOW

MEN

MEN

BRANDED FOOD & BEVERAGE

K

G1

G

OPEN TO BELOW

5

BM

28

WOMEN

WOMEN

4.5

BL

OPEN TO BELOW

E

rev

date

description

BT CC.6 BT.5

CB C12.6 B4

B5 BP.5

B6

H1 C1

D C10.8

A-A4.02

C11.8

05 UPPER CONCOURSE PLUMBING FIXTURE COUNTS

POPULATION

1

MEN

WOMEN

4136

4135

FAMILY

Little Caesar’s Arena

05 UPPER CONCOURSE POINTS OF SALE TOTAL 8213

CONCESSION

60 REQUIRED @ 1:125

63

BAR

48

PORTABLE

13

C date

15

03

Hallmark Urban Village

18

Darius Hollwell

Professional Work Sample

Hallmark Urban Village Location: Kansas City, Missouri Owner: Milhaus Development Capacity: 450 Units Design Firm: HOK Construction Cost: 83 Million Concept: The owner desired a fairly large housing complex to sit on a hill with 50ft of grade change and a 5/6 split wood frame construction constraint.

That is not much of a concept, as it is more construction and code challenges. We imposed our own concept on the project to be good urbanist and provide a place that art, nature and architecture all harmoniously coexisted. We started with the standard texas wrap. Parking garage in the center and units surrounding the garage. This meant half the units faced an undesirable garage facade. We pushed the garage to the street side that had another garage across the street. We then cut the donut, which made bars that fortuitously walked up the hill with the grade. It also allowed for light penetration into the interior courtyards, as the openings were south facing. A meandering route was added that cut through all buildings and courtyards to unite the complex as one.

My Role: Taking a hiatus from sports architecture with my third large project out of school was a great change of pace. My team size shrunk from 20 to 3 and my role significantly expanded. Our firm was the design architect for the master-plan and exterior facades. I was responsible for all aspects of the project, with oversight and consult from a superior.

Hallmark Urban Village

19

5,000 SF Restaurant 15,000 SF Potential Daycare

1,100 SF Amenity 1,900 SF Retail 8,100 SF Leasing / Amenity

3,300 SF Retail

SITE DEVELOPMENT DIAGRAM // INSERT PROGRAM & ACTIVATE STREETS

20

DECEMBER 17, 2015

Darius Hollwell

Professional Work Sample

SITE DEVELOPMENT DIAGRAM // ADJUST FOR VIEWS & PUBLIC SPACES DECEMBER 17, 2015

5 Levels (450 Parking Stalls) 5 Stories + Basement 5 Stories + Basement 5 Stories + Basement 4 Stories over Podium 1 Story 3 Stories over Podium 4 Stories over Podium

3 Stories (x7 townhomes) 3 Stories (x2 townhomes) 3 Stories (x2 townhomes) 3 Stories (x1 townhomes)

SITE DEVELOPMENT DIAGRAM // CREATE COURTYARDS AND CONNECTIONS DECEMBER 17, 2015

SITE DEVELOPMENT DIAGRAM // CONNECT THE COMMUNITY DECEMBER 17, 2015

SITE DEVELOPMENT DIAGRAM // BUILDING HEIGHTS DECEMBER 17, 2015

Hallmark Urban Village

21

22

Darius Hollwell

Professional Work Sample

Hallmark Urban Village As a result of the building geometry, it gave way to a significant amount of landscape. The landscape design became the star of the project. It was an immensely enjoyable experience to work hand in hand with our in-house landscape architects. We gave every courtyard a different character, not only to add variety of the view from the individual units but also to provide an assortment of different amenities for the resident to experience. The “Den“ was the quiet courtyard, with plenty of shade, cushy seating, and a residents only cafe. The pool deck is for the swimmers and sunbathers. There is also a significant amount of open space to gather, party and most important, Bar-B-Que. The “Dog Park“ is a space to let residents who have dogs play and socialize, owner and pet alike. There is also a public plaza that is flanked by a Cafe and an amphitheater from impromptu performances.

23

04

Philip’s Arena

26

Darius Hollwell

Professional Work Sample

Philip’s Arena Location: Atlanta, Georgia Owner: Atlanta-Fulton County, Recreation Authority Residents: Atlanta Hawks Capacity: 17,000 Design Firm: HOK Construction Cost: $192.5 Million Concept: Philip’s Arena had an existing 4 story suite wall on the west side of the arena bowl that did not sell. As a result of the suite wall the concourses did not have a 360 degree connection, which hindered the flow of the arena. HOK sought out to fix these issues by breaking down the wall for a more egalitarian seating product, as well as complete the 360 degree connection of both major concourses.

HOK was also tasked with updating existing clubs and suite products, while adding new millennial focused concourse amenities and sponsored party decks. A new look and feel was desired for the arena. The owner wanted a consistent palette but also had a desire for each quadrant to have it’s own idiosyncratic nature. The theming was able to change between quadrant along with the primary sponsor, however the detailing and material palette remained similar.

My Role: The fourth and most current large project out of school, Philip’s Arena, provide me with my biggest role in the sports market to date. I was again given the upper concourse to design and document. However, I had the bowl elements, the two sponsor towers and the sixth man box, added to my responsibilities as well. I also again reprized my role as “fireman” to put out any fires that may have arose throughout the design and documentation for the entire project.

Philip’s Arena

27

Philip’s Arena The Swing Suite - In a joint venture with top golf and an effort to add new and unique amenities, swing suites were introduced. A typical 50 person party suite with a twist. A virtual golfing area was added to the suite for patrons to play before, after and if their heart desired during a game. The Suites are also a source of additional revenue as they could be rented out during non-game days.

WOMEN J.C.

MEN J.C. PANTRY PANTRY

CONCESSION

BAR

CONCOURSE

STAIR

PARTY DECK

ELEC.

Darius Hollwell

Professional Work Sample

VOM.

TRASH J.C.

MEN WOMEN

BAR PORTABLE FOOD PORTABLE CONCOURSE

BAR

GRAB AND GO

GRAB AND GO

BAR

BAR CONCOURSE

COMM. J.C.

STAIR

FIRST AID

CUSTOMER SERVICE STG. ELEV.

VOM. WOMEN VOM. RETAIL / NOVELTY VOM. PANTRY

J.C.

VOM.

EVENT STAFF

EVENT STAFF

N

C CO O N OK C IN ES SIOG

1/4" 24'-2

ELEV.

SERVICE ELEVATOR

VOM.

SERVICE LOBBY

COOKING CONCESSION

FAMILY TLT.

VOM.

ELEC. MEN CONCESSION SERVICE ELEV.

COOKING CONCESSION

COMM. STAIR

PARTY DECK VEST. WOMEN

ELEC.

26 '-0

7/8 "

SCOREBOARD CONTROL ROOM

COMM.

ELEC.

PARTY DECK

MECH.

MECH.

FAM. TLT.

28

COOKING CONCESSION

BAR ELEV. MACH. RM.

ELEV. ELEV. ELEV. BAR MECH.

12 '-4 "

STAIR

MEN

Atlanta Brew Pub - A full brewery complete with pub centric food options. Atlanta Brew Pub is an area for the beer connoisseur to come and try beer locally, nationally and from around the world. The design of the space was based on a typical beer garden which just happened to have a great view to Atlanta Hawks basketball games.

VOM.

COMM.

COMM.

J.C. FAM. TLT.

PANTRY CONCESSION

MECH CONCOURSE LOUNGE

MEN

JAN

RM

3/4" 42'-6

The Six - As the suite wall was taken down for the introduction of general admission amphitheater, the place needed an amenity to create a unique experience. “The Six,” a play on the sixth man is a place for the most passionate fans to call home.

The box acts as a megaphone to apply the fan’s passion.

PARTY DECK

MECH.

WOMEN

The Hawk Bar - The first on-court bar in NBA history. It is the place to see and be seen, as the bar will easily be visible from anywhere in the bowl and on television as it is in the sight-line of the main follow camera. It is also an great opportunity to sell sponsorship with the prominent presence the bar poses.

STAIR

The Swag Shop - Brain child of rapper “Killer Mike” the swag shop is a staple in Atlanta. There is an intense desire to bring the hip-hop culture that is, so central to Atlanta into the arena. What better way to accomplish this then with a barbershop, the cultural discussion hub of Hip Hop culture. You are able to receive a fade while watching the game.

MECH.

42'-3

5/8"

24'-9 1/2"

Swing Suite

The Six

Swag Shop

Atlanta Brewery and Pub

Hawk Bar

The Six Philip’s Arena

29

05

Appendix

Dairy Farmers of America // Stair Detailing Located in Kansas City, Kansas, the new corporate headquarters for Dairy Farmers on America a multi billion dollar business. Most of all the dairy products produced in America have an allegiance to this organization. I was not on this project full-time. I moonlighted with another team in the office when Hallmark Urban Village went through its project lulls. Having recently received LEED GA status at the time, the firm thought it would be good to put my new found credentials to good use.

I headed up gathering LEED points for our in-house design team and the consultants. LEED status is still pending but the goal was for the project to achieve LEED silver. In th photo above there is a glass staircase that spans 3 stories. I was also charged with detailing the staircase. I choose the railing fasteners and the glass gradient, that was to resemble an emptying glass of milk. I also detailed through the leather hand rail that was to resemble cow hide, as well as the leather bench that surrounded the stair. The bench was an elegant way to maneuver around cane detection code. The glass baffles that surrounded the ceiling of the stair was a visually minimal way to accommodate for smoke baffles. These solutions are a few of the examples of what made a great space that the client loves for its aesthetics as well as elegant solutions to functional issues. They are well on their way to filling the headquarters and there is a possibility of complex expansion in the near future.

32

Darius Hollwell

Professional Work Sample

Twin Creeks // Competition Twin Creeks competition was administered by the parks commission of North Kansas City. This project was not an inoffice project but our small design team received support from the firm in the pursuit to winning the competition. The project was done completely in the teams spare time over a two week period. The Parks Commission stated a desire to add a unique and iconic destination point along the twin creeks. They also expressed the frustration of residents who dealt with constant flooding issues during heavy rains. Our teams concept was to solve both issues with one solutions. The solution we came up with was to dig out the creek a bit deeper and pave a half-pipe as a water reservoir with drainage. The flooding season was typically early spring. This meant that most of the time during the summer and into the fall, the creek would be dry. The 3 plus mile long half-pipe then became an attraction for skaters and bikers alike. The ability to practice tricks and ride along the side of the walls on sharp curves would provide a unique low-maintenance attraction for the city to advertise. A walking path was also added to weave with the bike path. The spaces between the paths became a folly park, that acted as artful breadcrumbs as you made your way though the park. The ending to the park culminated in a viewing tower the allowed three hundred and sixty degree views of the Northland. The tower doubled as a layered vertical garden that would help supply the farmers market plaza below. The plaza is a large open paved space with all the essential amenities such as restrooms. Small structures surrounded the plaza for local vendors to bring and sell their products, mostly produce but also had the option of any retail concept the resident desired.

The large plaza then fell into an amphitheater for small plays, poetry readings, story times, comedy shows and concerts, during the day or under the Northland stars. Our team ended up not winning the competition, however the team and the firm thought it was a great and innovative idea.

Appendix

33

Color and Couture // KC Fashion Show Color and Couture is the annual fashion show administered by the local IIDA branch. Each firm in Kansas City is selected at random to team up with a material product representative. Teams are tasked with designing and building a dress with unconventional materials that range from floor tile to wall vinyl and everything in between. Every firms effort culminates in a fashion show where all the dresses and the models rock the runway and go head to head in front of a panel of esteem judges. Various awards are given out to teams for different categories. However, not every team wins as there are usually 25 plus firms participating and only 8 awards administered.

At our firm the teammate that usually heads up our team, had to take her maternity leave. She saw my passion for design and fashion and passed me the torch of running our team. This meant I had to guide design, manage the budget and be a leader of my peers that consisted of 15 members, with only two males including myself. I was also tasked with choosing a model and keeping her pleased throughout the process. i created the mix for the runway music. I also made sure to delegate tasks to teammates, as to lighten the load on myself and give every team member a sense of belonging and ownership as this again was an unpaid extracurricular venture. The dress was mostly designed by committee but I made sure that our final product was one cohesive thought. We went with the trendy backless leather crop top. I knew the judges would respond well to the drama of a dress with a long train but I also wanted to keep it modern and not matronly with the cut of the dress. We had our silhouette chosen but we struggled with the patterning on the dress. While this was happening, we found it difficult to get in-touch with our rep throughout the process. Three weeks away from the fashion show we learned of the news that she had lost her fight with cancer. Our team was devastated. As there was nothing we could truly do, I wanted to show our support for cancer research to find a cure. I said why don’t we use a layered ribbon on the dress pattern, not really telling the team at the time that this ribbon was in the image of the ribbon for cancer research. It created a great aesthetic effect and I later told the team the reasoning behind the patterning post competition, as I did not want this to factor into the judges decision. The day came for our model to rock the runway and she was magnificent. We won that day, a trophy for best use of color. It was an arduous and difficult experience, that truly paid off in the end.

34

Darius Hollwell

Professional Work Sample

Arena in Las Vegas // Competition Our firm was tasked with concepting an arena a few blocks off the strip in Las Vegas, Nevada. We were given two weeks. I however, was not brought on the project until the Friday prior to the Monday deadline. i was initially tasked with using Grasshopper 3D to pull all the buildings, sidewalks and street works for the site. I then took sketches from our design lead to model the plinth that the building was to sit on which contained parking retail and an amphitheater. We were holding two building designs and I was tasked with coming up with a third. The arena bowl was already designed. We wanted the envelope to be as tight to the bowl as possible to lessen the cost of the entire project. This is what you see with the darker envelope that was to be a full LED screen. We also understood that this was Vegas and we needed to add some razzle-dazzle with the secondary envelope that housed the ancillary functions of the building. Designed in the image of an exotic sports car, the secondary envelope generated the excitement that has come to be expected in association with Vegas. This design was produced in a few days and was presented to the client following. Although, we did not have the best interviewing experience with the client, we ended up winning the project.

Appendix

35