Old Convent

VIA SACRA OLD CONVENT

Historical Building Information Modelling

VIA SACRA OLD CONVENT

Instituto Superior Tecnico

Integrated Master in Architecture

Via Sacra

OLD CONVENT

AUTHORS: CRISTINA MARTEV DANIELA CALUTOIU 2023/2024

PROFESSORS ANA PAULA FILIPE TOMÉ JESSE RAFEIRO THE AUTHORS OF THE BOOK ARE RESPONSIBLE FOR ALL OF THE CONTENT AND THE CORRECTNESS OF THE INFORMATION GIVEN.

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C O NT E NT 5

Intention

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Introduction

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Old Convent

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Stations of the Cross

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Chapels

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Station l Guarita I

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Station ll Guarita II

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Station lX Guarita III

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Station X Guarita IV

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Station Xl Guarita V

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Station XII Guarita VI

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Station lV Guarita VII

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Bibliography

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QR

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Intention In this project we intend to shed light on the history of the Capuchin monks, Via Sacra’s Old Convent of the Convent of Nossa Senhora de Arrábida and the path of Jesus' crucifixion.

Within this study, we will present our own theory and order of the steps of The Way of The Cross, a path characterized by its incomplete and poorly documented chapels, along with restricted access. The Via Sacra symbolizes the route that Jesus traversed while carrying the cross from the Pretorium to Calvary, where He met His demise.

As we venture through the Stations of the Cross and immerse ourselves in the narrative of Christ's passion, we invite you to embark on a creative reflection. While following in the footsteps of Jesus through the 7 steps of the Old Convent, we focus on the characterization of the distinctive features and pathologies of each chapel.

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INTRODU CTION

THE CONVENT OF ARRABIDA The Convent of Arrábida was built during the 16th and 17th Century, after being founded in 1542 by Friar Martinho de Santa Maria, a Castilian Franciscan, who was granted the land by the first duke of Aveiro. It became an important site for pilgrimage and a home to monks, living in cells carved into the steep rocks of the mountain range of Arrábida. With the suppression of religious orders in 1834, the monastery was left abandoned, deteriorating into a desolate state, until it was bought by the Palmela family and restored in the 1940s and ‘50s. In 1990 the entire land, comprising 25 hectares in total, was sold to the Fundaçao Oriente.

The isolated chapels dispersed throughout the mountains were looked after by the monks when the terrain was still inhabited, currently they seem abandoned or at least publicly unreachable. (Source 1)

Image taken by the authors. Guaritas as seen from far away

Source 1. https://pt.wikipedia.org/wiki/Convento_de_Nossa_Senhora_da_Arr%C3%A1bida 6

INTRODU CTION

Today one can visit the monastery with a guided tour, being shown the heart of the premises, while one can sense the luscious gardens and additional small buildings in proximity. Upon entering the first patio by trespassing a passageway initially hidden to the eye behind a small altar, one immediately recognizes the local vernacular Portuguese Architecture, with masses of white walls, which reflect the plentiful shadows of the plants, still sheltering the curious visitor from the spectacular views to come. Slowly the beauty of the floor plan unravels as one walks along the myriad small alleys leading further and further up the mountain, through the former refectory, the kitchen, the laundry and lastly to the dormitories of the monks and pilgrims. (Source 1)

Image taken by the authors. Guarita 3

Source 1. https://pt.wikipedia.org/wiki/Convento_de_Nossa_Senhora_da_Arr%C3%A1bida 7

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OLD CONVENT

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OLD CONVENT

STATIONS OF THE CROSS

In our project, we've established a meaningful connection between the stations of the cross and the guaritas of the Old Convent, Via Sacra. This symbiotic relationship enhances the poetic ambiance of our presentation, complemented by a poem. We began by thoroughly analyzing the stations, seeking to recreate their significance on our project map. This visual representation serves as a narrative canvas, allowing us to tell a compelling story that unfolds along the Via Sacra. The inclusion of a poetic element further enriches our presentation, creating a more profound and immersive experience.

We've identified a correlation between the steps of the Old Convent and stations 1, 2, 9, 10, 11, 12, and 14 in “Tratado dos Passos.” These specific stations were chosen for their historical significance and their resonance with our narrative. They encapsulate pivotal moments, contributing to the richness of our story and journey. The careful selection aims to seamlessly integrate the architectural importance of the Old Convent's steps with the profound and symbolic journey outlined in “Tratado dos Passos.”

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The 7 guaritas

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OLD CONVENT

STATION 1 Divine fortress, Greatly what I fear The joy of Angels, There is a lot of confusion here.

To the disciples he sent That they would wait for you here, And they watched with him How long was necessary to pray there.

Praise you Lord, For the fear you took For your unhappiness: And you made us happy, Amen.

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OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA I Section

Model

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OLD CONVENT

Pathologies

Guarita I is the first chapel from the Old Convent. Is it situated very up on the hill. It has preserved very well during time. The reader, however, can see some damages: all around the external walls, blocks have fallen, creating little openings in the guarita, as seen in image 1.

The dome has kept its form, in some places minor erosions can be detected.

The inside of the guarita doesn’t contain anything.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the point clouds. We made the “openings” resulting from the falling of some blocks. Also, we have made the detailed interior, where arches can be seen.

2. Blender

We used Blender for “deforming” the perfect geometry from Revit. Our purpose was to give it a more “realistic” look of the pathologies. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion

Twinmotion was used for creating a realistic environment of the guarita’s placement.

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OLD CONVENT

STATION 2 Seeing the Dream come to Judas Guiding those bad people I went out to meet him Very cheerfully.

Ask them: who are you looking for?

Jesus, they respond.

Answer them: I was that one, They send him back and arrest him.

May you be praised my Lord For moved by love, Do you want to see him treated like this?

For failing the sinner, Amen.

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OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA II Section

Model

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OLD CONVENT

Pathologies

Guarita II is the 2nd chapel from the Old Convent. The special feature of this guarita is its hexagonal shape.

The exterior walls have kept their form, however they have some marks of erosion.

The roof has a deep crack on top, and it is significantly damaged, especially at the corners.

The inside of the guarita doesn’t contain anything.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the point clouds. We made the “openings” resulting from the falling of some blocks. Also, we have made the detailed interior, where arches can be seen.

2. Blender

We used Blender for “deforming” the perfect geometry from Revit. Our purpose was to give it a more “realistic” look of the pathologies. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion

Twinmotion was used for creating a realistic environment of the guarita’s placement.

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OLD CONVENT

STATION 9 With the great weight of the Cross I wanted to be a weakened God And with her lying here The good JESUS lies on the ground.

They try to lift him up, And when he gets up It seems like he wants to breathe.

Glory be to the Father, Glory to the Son together, Glory to the Holy Spirit, That it comes from both.

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OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA III Section

Model

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OLD CONVENT

Pathologies

Guarita lll is the 3rd chapel from the Old Convent.

The exterior of the guarita has signs of erosion, the roof being the one who got affected the most.

The interior walls are well maintained, showing minimal signs of damage. They are painted in a light, yellowish color.

The interior is decorated with an altar with colorful tile details and a statue of Jesus on a cross.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the point clouds. We made the “openings” resulting from the falling of some blocks. Also, we have made the detailed interior, where arches can be seen.

2. Blender

We used Blender for “deforming” the perfect geometry from Revit. Our purpose was to give it a more “realistic” look of the pathologies. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion

Twinmotion was used for creating a realistic environment of the guarita’s placement.

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OLD CONVENT

STATION 10 Coming here tormented The Lord with such torments, And your clean face With very disgusting sputum.

With the Cross at your back, And with such heavy weight, Their serene face.

It is now turned into a leprous.

In such a horrible figure Found the Virgin Mother, To the Son of God the Father, On the street of bitterness.

With such a view of one, and another The soul is pierced With a very sharp sword In the temple prophesied, Glory be to you Lord, That finding your Mother You were hurt with pain For giving us freedom.

Amen.

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OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA IV Section

Model

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OLD CONVENT

Pathologies Guarita IV is the 4th chapel from the Old Convent. The special feature of this guarita it is its detailed roof: it has 4 interesting small pylons around the dome. Even if it is a wonderful construction, the dome and the pylons are very damaged. The rendering has completely eroded, making it difficult to envision the pylons’ detailing.

The exterior walls have kept their form, however 1 of them has lost its rendering and paint in time.

Looking at the other exterior walls, we can deduct that the guarita was painted in a peachyorange color back when it was constructed.

The inside of the guarita doesn’t contain anything.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the point clouds. We made the detailed pylons and the detailed interior, where arches can be seen.

2. Blender

We used Blender for “deforming” the perfect geometry from Revit. Our purpose was to give it a more “realistic” look of the pathologies. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion Twinmotion was used for creating a realistic environment of the guarita’s placement.

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OLD CONVENT

STATION 11 Seeing the Jews here That Christo fainted, With that heavy Cross, Which he could no longer handle.

They say with Cyrineo, May he help you carry it, Great desire was yours To see him in pain.

Glory be to you Lord Why have you suffered For freeing the sinner: Deserved hell.

Amen

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OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA V Section

Model

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OLD CONVENT

Pathologies Guarita V is the 5th chapel from the Old Convent. This guarita looks great and it has kept its form, there are no damages. The dome is intact, it has some discoloration on the top, but it doesn’t influence on the look of it.

The walls have kept the paint, a pale-yellow color, the damage they have are a result of vandalism.

They have no sign of erosion or other natural damages.

This is the most accessible guarita, as it is located on the edge of a main road.

The inside of the guarita doesn’t contain anything.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the point clouds.

2. Blender

We used Blender to give the guarita a more “realistic” look. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion

Twinmotion was used for creating a realistic environment of the guarita’s placement.

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OLD CONVENT

STATION 12 Here our Redeemer He arrives bloodied; Such comes the graced face, That when I see it is horrifying.

Moved the woman sinks When you see him pass by, He gave him a very clean cloth Stop and clean up.

In cleaning himself he left In the cloth your figure, Which still lasts today Printed as it was.

Glory be to the Father, Glory to the Son together, Glory to the Holy Spirit, That comes from both Amen.

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OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA VI Section

Model

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OLD CONVENT

Pathologies

Guarita VI is the 6th chapel from the Old Convent. This guarita is not possible to reach, we have based our work on satellite pictures. We tried our best to model the guarita as true to reality as possible.

The inside of the guarita doesn’t contain anything.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the satellite pictures.

2. Blender

We used Blender to give the guarita a more “realistic” look. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion

Twinmotion was used for creating a realistic environment of the guarita’s placement.

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OLD CONVENT

STATION 14 Here in this place The women are crying The Lord says to them, turning, I don't want you to cry for me, Daughters of Jerusalem, Over yourself cry, And with pain sighs day, For your children too, Because there are so many evils, That will come upon you, What will you say about mountains and valleys?

Come fall upon us.

So on the green wood Such blows are being given Dryly stay judging What will be done in it, Glory celebrates the Father, 36

OLD CONVENT

Drawings

Floor plan

Roof plan

GUARITA VII Section

Model

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OLD CONVENT

Pathologies

Guarita VII is the last chapel from the Old Convent. This guarita is not possible to reach, we have based our work on satellite pictures. We tried our best to model the guarita as true to reality as possible.

The insisde of the guarita doesn’t contain anything.

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OLD CONVENT

HBIM Process 1. Revit modeling

We used Revit for modeling the guarita with the help of the satellite pictures.

2. Blender

We used Blender to give the guarita a more “realistic” look. Moreover, we have applied the textures of the guarita in the same app.

3. Twinmotion

Twinmotion was used for creating a realistic environment of the guarita’s placement.

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Bibliogra p h y

https://hiddenarchitecture.net/convento-da-arrabida/

https://www.foriente.pt/a-fundacao/convento-arrabida

https://juliedawnfox.com/convento-da-arrabida/

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https://youtube.com/watch?v=ctFaP6fa1Gw&ab_channel=DanielaC%C4%83lu%C8%9Boiu

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