

2024 Annual Report






A
message from Museum Director and Curator
Jessica Roscio

“There are times when life moves so quickly it is hard to believe another year has gone by. Fiscal year 2024 brought a number of exciting new things to the Museum, but also a welcome sense of consistency. It is very nice to feel like you have found a rhythm and established a firm footing, and I have such confidence about the path the Museum is on. While it is gratifying to look back on a year filled with exhibitions that were both a challenge and joy to produce, along with new programming and strengthening connections with the University, I realize that absolutely nothing could be accomplished at the Danforth without the commitment from our staff. When I think about consistency, I think about the people I have been lucky enough to call my colleagues over the past six years since we became part of Framingham State. They bring an incredible range of talent, and you will see the result of that in the following pages. They are committed to the belief that art should be accessible to all, and together we seek to make the Danforth experience vibrant and innovative. For however the Danforth touches you—through the collection, exhibitions, programming, membership, or donor support—I hope you feel the same sense of excitement for what we can do together.”

A message from Art School Director Noelle Fournier
“Over the last year, my work at the Art School has been focused on a spirit of growth and fiscal sustainability. As we continue to welcome new students, families and teachers in the studios, we have refined staff positions to provide more efficient and effective service to participants, with an eye to building new programs to become more robustly self-sustaining. We have been looking back at the history of how this lively institution came to be, recognizing the values of community and excellence in education that have been our hallmark for 52 years. Educational initiatives at the Danforth, taking place at the Art School, in the Museum and beyond, are all imbued with these values as we provide learning experiences in art for a new generation of community members. I so enjoy seeing our long-term students returning each session, learning about their lives and watching their artwork develop over the years. Once in a while, if I am lucky, I even get to teach a class, reminding me how much joy there is in learning with our students. All this serves as a wonderful reminder of how art can transform our lived experiences.”


Staff Highlights
Barry Burlingham Gifts and Stewardship
“As we enter our 50th anniversary year, we are grateful for the foresight of some committed supporters who understand the importance of providing for the longterm stability of the Danforth. By including us in their will, they have joined the Paul G. & Elaine S. Marks Society, giving us confidence that the next half century will see a strong Museum and Art School,
continuing to bring art and art education to the MetroWest region. Encouraging as well are the endowment funds established last year with the aid of the Massachusetts Endowment Incentive Program, created by the Board of Higher Education. With the aid of these matching funds, in 2024 three generous donors added over $182,000 to our endowment in support of the Museum and Art School – an encouraging start for our next fifty years!”

Kathryn DeAntonio Summer Arts Manager
“After working as a teacher for the Art School for about a year, I was delighted to be brought on as Summer Arts Manager in the spring. I have been training alongside the director and been impressed by the collection of creative and amazing teachers here. I am impressed by the opportunities we create for our community, through the Assistantship program that empowers
teens to work in classrooms and alongside teachers, to weekly art shows for students that put on display the creative intelligence of the teaching staff and inspiring abilities of our students.”
Highlights

Mary Erickson
Visitor Services & Community Engagement Manager
“I really enjoyed working with Julia Csekö and Raquel Fornasaro on our bilingual Community Conversations Through Art. I loved meeting these Brazilian-American artists in their studios, and I learned about their culture and how it impacts their art and process. Both artists are agents for change—social and environmental—and their
passion was immediately apparent. I interviewed each artist on Framingham Access Television–which was a new and fun experience! The intention for these artist talks was to welcome Framingham’s large Brazilian population to the Danforth. This project ignited my fire to make our museum more accessible to immigrant populations by creating multilingual collateral and making our events welcoming to non-native English speakers.”

Laura Gayton
Marketing Communications & Design Manager
“The highlight of my year was recording sponsorship testimonials at radio station 88.9 WERS. Jessica Roscio and I visited the WERS recording studio on the Boston Common to record sound bites with legendary morning show host George Knight. With the mike in front of me, I talked about what it’s like to be a
WERS sponsor. Even though I kept stumbling over my words, George was patient and encouraging, and the studio engineers covered all my errors and made me sound so polished. For months afterward, people would tell me, ”Oh, we heard you on the radio talking about the Danforth! It was so fun to hear you guys on air.” (And this is only one example of why my job is amazing!)”

Rachel Passannante Collections Manager
“This year had a few firsts for me. I have curated exhibitions with works from our permanent collection, but this year was my first curatorial experience with artists from outside of our institution in Harvest, Foraged, Found. It was a rewarding process that resulted in an amazing exhibition with five talented and deserving artists. The other was publishing my first journal article in Women’s Art Journal on Meta Fuller’s scrapbook. I had been working on this paper
since the scrapbook’s donation, and finally being able to share it with a wider audience this Spring was a great way to end the fiscal year. Having the ability and support from the Danforth Staff and FSU to explore and try new things has been a wonderful experience!”
Katherine Tako-Girard
Learning & Engagement Manager

“One of the great joys experiences that provoke of experiencing the Museum. and traditions, built on embodied entity of emotions, many journeys of discovery This year, my favorite adults with memory loss, partners. Instead of a conversation, in front stories which resulted positive outcomes between in front of art being the from this day close to and here he was super

Chandra Taylor Manager of Events & School Programs
“This year, we focused on brainstorming and implementing new ways to reach the Framingham community, and to focus on our goal of being the Art Museum and School for Framingham and surrounding area. The creation of our community arts event, Hype the Arts, came about this year with the goal to welcome the community into our
space, introduce our exhibitions and programs and to highlight the arts in a fun, free and accepting way. It is exciting to be a part of the planning for this event, since the enthusiasm and drive surrounding the mission is palpable. To highlight and celebrate art, while making it accessible to everyone in our community, is a crucial part of what we strive for here at the Danforth. I look forward to continuing this mission with our school programs and public events.”
joys of my work is to create responsive museum provoke encounters which change our habitual ways Museum. These experiences go beyond the norms on seeing our visitors of all ages holistically—as an emotions, body, spirit, and mind. I am lucky to witness discovery during my museum education programs. moment was during an art-centered program for loss, including Alzheimer or dementia, and their care a traditional museum tour, we talked and shared. Our of one particular work of art, elicited vivid personal resulted in a powerful collective journey. I observed many between the care partners, connecting with each other the greatest of them. I carry a touching expression to my heart: ‘My husband is usually so quiet at home, super active and lively’.”
Fall Exhibitions
October 7, 2023 – January 28, 2024

Marisa Companion
Performative Realities
These exhibitions focus on the work of three New Englandbased artists working across media, approaching themes of perseverance, resilience, and acceptance. The powerful images of Marisa Companion speak to chronic illness and our fraught relationship with self-image and digital culture. Kate Holcomb Hale uses painting, sculpture, installation, and video to explore how an artist develops a unique visual voice in the face of adversity while Torrance York’s work is quiet, contemplative, thoughtful, and poetic.



Kate Holcomb Hale lean, STAND,
Torrance York Semaphore
Spring Exhibitions
February 17, 2024 – June 2, 2024

Harvest, Foraged, Found
Including work by Madge Evers, Lynda Goldberg, Bob Kephart, Saberah Malik, and Sarah Sockbeson
The Spring Exhibitions at the Danforth Art Museum merge the past with the present and create a space for storytelling, discovery, and understanding. In three exhibitions, artists peel back layers of history and confront the past through visual interpretations that bring a broader understanding of the present. Each artist uses their chosen medium, lived experiences, and connection to place to explore history, culture, the natural world, collecting, and personal agency—all while urging us to be proper stewards of the world in which we live.
Unearthing Sandra Matthews

Not a Story to Pass On

Jennifer Davis Carey and Scarlett Hoey
The Danforth Annual Juried Exhibition
June 2024

The Danforth Annual Juried Exhibition aligns with our mission by presenting a novel perspective each year, showcasing innovative work, and introducing new artists. Once again, we had a panel of three jurors, representing the region, the university, and the Danforth. This year’s jurors are Marie Craig, Co-Founder of Fountain Street Art Gallery in Boston, Keri Straka, Professor of Art at FSU, and Noelle Fournier, Director of the Danforth Art School. The works in this exhibition represent a wide range of media and processes. There is something to inspire everyone.
Juried Exhibition Artists on our mobile app
With so many artists in the Juried Exhibition, we want to be able to provide a way for both artists and visitors to expand upon the work on view. Artists were asked to provide recorded or written statements about their artwork, their artistic process, or what inspires them as an artist. Through our Danforth App, visitors can then plug in the number next to the works on view to hear directly from the artist or read their statement! 41 out of 77 artists participated, which is an amazing total. Even better, these statements can be accessed anytime, at the museum or from home, so people can continue to interact with the exhibition wherever they are!
Artist Talks Series
During a five-part Sunday Spotlight Series, Museum staff interviewed 15 artists represented in the Danforth’s second Annual Juried Exhibition. We invited small groups of the juried artists to discuss their work in the context of a theme:
Portraying the Self: Fran Forman, Bekka Teerlink, Maria Wood Mertinooke
The Figure in Art : Kaffe Kang, Lori Mehta, Patricia Schappler
Family, Memory, and Identity : Monica DeSalvo, Kathryn Geismer, Sung Ji Lee
Materials Matter : Elizabeth Cohen, Virginia Mahoney, Andrea Pritchard, Sylvia Vander Sluis
Constructed Worlds : Robert Caras, Jackie Heitchue, Gordon Saperia

Marketing Taking bold steps
Over the last year, the Danforth advertising—as well as old fashioned media influencers.
We started out the fiscal year for eight months. Our campaign the WERS weekly newsletter
We worked closely in collaboration influencer Colleen Blair (@travelikealocalma participated in a press tour focused afternoon visit to both the Museum
In the spring, we partnered with included radio spots for nine weeks digital newsletter.
We also ran an advertisement BAR also included a series of
In an exciting development, WERS testimonials. Director/Curator Manager Laura Gayton visited Knight. The testimonials aired quite a bit of favorable attention.
We continue to reach out to our social media. Our email open social media climbs steadily.
Marketing Initiatives
steps to increase brand exposure
Danforth has strengthened our presence through radio, print, and digital fashioned face-to-face contact with members of the press and social by sponsoring the popular, independent radio station 88.9 WERS campaign included not only continuous radio spots, but also placement in as well as web tiles on the WERS homepage. collaboration with the Metrowest Visitors’ Bureau by welcoming popular @travelikealocalma with 69.9 K followers) in September. In March, we focused on arts, culture and history hosting five journalists for an Museum and School.
with Boston’s NPR News Station WBUR for a campaign which weeks and a full week of coverage in WBUR Today - their daily
advertisement in the spring print edition of Boston Art Review. Our campaign with banners in their weekly digital newsletter.
WERS reached out to the Danforth to record sponsorship Jessica Roscio and Marketing Communications and Design visited the WERS station to record with beloved morning host George aired consistently for the last three months of FY24 and garnered us attention.
our growing community of followers through bimonthly emails and rate holds strong at an impressive 42%, and our presence on
Museum Education
Adult Programs
Throughout the year, Learning and Engagement Manager Katherine Tako-Girard panel discussions which provided special opportunities for museum visitors and exhibitions.
During a five-part Sunday Spotlight Series, she along with Alex LeBlanc, Fellow, interviewed 15 artists represented in the Danforth’s second Annual Katherine paired artist Torrance York with Dr. David Rose, a Harvard neuropsychologist, creativity, the brain, and neurodegenerative diseases as it related to her Photographer Sandra Matthews was joined by Museum Director Jessica Yale University, and Billie Mantle from MassArt to discuss how her artwork places.
In collaboration with Framingham Reads Together, Katherine gave a slide Rosie Riveters and Jennifer Davis Carey’s Dellie the Riveter assemblage, part of the war effort during WWII.
Katherine invited FSU Professor Alexander Hartwiger to moderate an Jasmine Chen, Saberah Malik, and Stephen Marc about contemporary and visual culture.
Family Programs
Our free Drop into Art program continued to fuel the love of art and art-making. of this drop-in program welcomed people of all ages. Katherine designed materials which changed regularly and were inspired by the Museum’s generations of one family coming together to look at art in the Museum the Art School studio.
Education Initiatives
Tako-Girard planned many talks and visitors to learn about the collection
nc, FSU Learning & Engagement
Annual Juried Exhibition. neuropsychologist, to talk about her exhibition, Semaphore
Jessica Roscio, Dr. Laura Wexler from artwork interprets culture, gender, and slide lecture about the history of Black assemblage, bringing attention to an important engrossing discussion with artists contemporary artistic diasporas, identity formation, art-making. Eight separate sessions designed thematic activity sheets and Museum’s exhibitions. We often saw three Museum followed by an art-based activity in

Community Initiatives
Beyond Our Walls

Starting a few years ago, Beyond Our Walls was one of the Danforth’s first community initiatives. This year as roving reporter, Visitor Services & Community Engagement Manager Mary Erickson wrote about Art on the Cochituate Rail Trail; this glorious project by Studio Without Walls was up in fall 2023 along the Natick and Framingham trail. Mary also met with local plein air artist Karen Walter and Alla prima painter Annelyse Reinertson.
Meeting the Community from Behind a Table
Mary Erickson stood behind our Danforth table at many different events with Danforth collateral, FSU students and a button maker. The Danforth could also be seen at the Framingham Farmers Markets, New England Center for Children’s 5K run, La Festa Junina, Framingham City Hall Pride Event.
One-on-one Meetings
In promoting the two bilingual Community Conversations through Art and the bilingual Drop into Arts, Mary enjoyed meeting the local owners of the downtown Framingham businesses as she distributed flyers. She met with many community members and leaders, connecting for the sake of knowing our neighbors in Framingham. This created an opportunity to share ideas and

resources with each other and think about ways to collaborate. She met staff members of churches, Literacy Unlimited, Progente, Open Spirit, the Framingham History Center, The Latino Health Insurance Program, New England Center for Children, Downtown Framingham Inc., ATAC, Dia Feliz, Jeff’s Place.
Community Program Development
As an educational institution, the Danforth offers programs that represent diverse people, various modes of learning, and accessible spaces. During the spring, Katherine Tako-Girard stewarded a new program, called Hype the Arts, a community day. She led lively brainstorming sessions with the Danforth Art Museum and School staff to plan for this event, including program intention and purpose, logo and banner design, program content, marketing, fundraising, and community outreach. Katherine worked closely with Chandra Taylor in the preparations for this celebration of art and community. Together, they focused on creating a fun and welcoming setting and highlighting Danforth’s various offerings, while prioritizing access for broad audiences. We look forward to sharing the results from this new initiative in next year’s annual report.

Art School Initiatives
The Art School enjoys a slow and steady increase in registrations and especially in the important metric of new-to-us students. Our efforts in outreach and advertising have been effective, as has the word of mouth that studying here is a truly positive experience for all ages and for folks from all backgrounds.
We were lucky in FY24 to place a dedicated Summer Arts Manager to help with this very complicated and busy program. Kathy DeAntonio has been a teacher at the Danforth and demonstrated an exceptional level of leadership potential. Her approach to teaching and her deep understanding of art education bring a welcome new voice to the Art School team.
The selection of classes and workshops at the Art School included continuing study in a variety of media in addition to a series we call Museum Inspiration Workshops . These are designed for students to study a specific theme, method or material used by exhibiting artists at the Museum. When possible, these workshops are taught by the artists themselves, which is another unique feature of the Danforth, making the art and artists accessible to the public.
In response to demand, we added Fashion Design and Comic Art & Illustration classes throughout the year for our middle and high school students. These genres are growing in popularity with this age group and the Danforth has enjoyed welcoming new students and families to our studios to provide exceptional study for these subjects.

In memorium: Wilber Blair

The Danforth community is grieving the loss of a prominent artist, beloved teacher and friend, Wilber Blair. Will started sharing his passion for visual arts after earning a B.F.A in painting at Boston University in 1974 and a M.F.A. in painting from the University of Michigan in 1978. He began teaching at Monserrat College of Art in 2003 and at the Danforth in 2006. Since then, Wilber has guided countless students in their artistic development, teaching a myriad of classes in figure studies, drawing and painting. His depth of knowledge of art history and artists was exceptional, and provided an invaluable resource to his students as they worked through an idea or technique.
Studio Assistantship program

The Danforth Assistantship Program welcomes up to 20 highly motivated young people annually in this leadership experience, providing opportunities to work in art studio and museum settings. Assistants train in the spring to work during the busy Summer Arts session, and return throughout the year to provide tours in the museum and help during public programming. Danforth Assistants often move on to study education in college and return year after year to work with us in building more impactful programming for youth. In FY24, the Danforth Assistantship Program continued to strengthen as we refined recruitment and training procedures.
Once again this year, we enjoyed the return of several assistants. At this point, each new DA cohort consists of some ‘veterans’ who serve as leaders within the group to help guide peers through the experience of working with children and leading tours in the museum. This is an incredibly fulfilling team to supervise, as they each bring their own brand of wisdom to the larger experience of Summer Arts and help us to serve the public with more effectiveness and impact.
Summer Arts
This year, our Summer Arts Program was bursting at the seams. We had wait lists in almost every class in every week and welcomed dozens of new children and families to the Danforth. As in years past, each Friday during the summer featured an exhibition of student work, demonstrating the elevated level of study across all ages. This was followed by a small reception in the Museum for families in an effort to connect our two entities and to allow children to show their grown-ups around in the Museum. Our young students tend to feel a great deal of ownership for ‘their’ Museum!









Collaborations with

Our 2023-2024 during the museums. permanent
Every piece death, joy, exhibition focusing Danforth Art made the to be active
This year, Katherine departments proved an in utilizing presentation for their students. Katherine students studying
In the spring, of Museum developed program for Brinkman funded workshop Katherine and exhibitions
the University
2023-2024 Curatorial Fellow was FSU student AJ Green. A sophomore fellowship, he had already developed a love of curating and museums. His primary project was the January installation of the Museum’s Eyre permanent collection Gallery, which took the form of “gritty expressive figuration.” piece incorporated a human figure in scenes depicting themes of life, despair, courage, and uncertainty. AJ also curated our Summer Arts focusing on the theme of Opposites, which was used weekly by the Art School summer program. His quick wit and quiet sense of humor time fly during his fellowship, and we are excited to have him continue active with the Danforth during the remainder of his time at FSU!
Katherine Tako-Girard continued to work with a growing number of departments at the university. The revision of RAMS 101, a first-year seminar, opportune moment to present various methods to the 29 instructors the resources in the Museum to augment learning. The outreach presentation inspired many instructors to request custom Museum lessons students. In addition to teaching RAMS 101 students in the museum, also provided instruction to classes of undergraduate and graduate studying Visual Communication, English, History, and Education.
spring, Katherine employed four FSU students as the inaugural corps Museum Ambassadors. After a series of comprehensive trainings, they developed their own unique Detours, a new Saturday afternoon drop-in tour for our visitors. Katherine also worked with FSU Professor Bart and the Center for Digital Humanities in contributing to their IMLS workshop series for High School Social Studies and English teachers. taught the educators various ways to rely on the Danforth’s collection exhibitions in their classroom teaching.
Danforth videos




videos & catalogs




Acquisitions to the Permanent
Meg Birnbaum, If Only, 2021. Archival pigment print on paper. Gift of the Artist, 2023.54
Louise Weinberg, Duck, Duck, Goose, 2014. Oil on canvas. Gift of David Weinberg, 2023.55
Ben Aronson, Albany, 20th Century. Charcoal, graphite on paper. Gift of Janet Buchwald and Joel Moskowitz, 2023.56
Leonard Baskin, Jacques Gamelin, n.d. Woodcut engraving on paper. Gift of Dr. Arthur and Mrs. Barbara Block, 2023.57
Mitchell Siporin, Judith and Rachel in the Forum, 1966-67. Oil on canvas. Gift of Judith and Rachel Siporin in Memory of their Parents, Mitchell and Miriam Siporin, 2023.58
Mitchel Gordon, Spring Snow, 1987. Oil on canvas. Gift of Martha Tepper Takayama in Honor of Janet and Arnold Levenson and Family, 2023.59
Olga Antonova, Garlic, 1995. Monotype on paper. Gift of Martha Tepper Takayama in Honor of Janet and Arnold Levenson and Family, 2023.60
Tomie Ohtake, Untitled, 1996. Monotype on paper. Gift of Martha Tepper Takayama in Honor of Janet and Arnold Levenson and Family, 2023.61
Renan Cepeda, Birosca, 2005. C-Print on paper. Gift of Martha Tepper Takayama in Honor of Janet and Arnold Levenson and Family, 2023.62
Laurent Elie Badessi, Petroleum I, New York, 1995. Photograph on paper. Gift of Martha Tepper Takayam in Honor of Janet and Arnold Levenson and Family a, 2023.63
Antia Pan in Honor of Janet and Arnold Levenson and Family tin, Untitled, 1992. Pastel on paper. Gift of Martha Tepper Takayama in Honor of Janet and Arnold Levenson and Family, 2023.64

David Headley, on paper. of Janet Sonja Tanae Archival Martha Tepper Arnold Levenson the artist’s Mary Macaluso, Becky Behar, Print. Museum Museum Boston bronze, is made Jessica Art Museum 2023.68.1-.18, Thaddeus media encaustic
This Bequest French and the Danforth University, Mireille Clap, Bequest
Recognition
Roscio’s Museum
Ruth Fields, graphite Bequest French and the Danforth
Permanent Collection
Headley, Finale Monotype I, 1992. Monotype paper. Gift of Martha Tepper Takayama in Honor and Arnold Levenson and Family, 2023.65
Tanae Fort, Home Range, 2018. Digital print on Hahnemule Buryata paper. Gift of Tepper Takayama in Honor of Janet and Levenson and Family. Dedicated in honor to artist’s big sister, Dianne Fort, and in memory of Macaluso, 2023.66
Behar, Kitchen Shelf, 2019. Archival Pigment Museum Purchase from the Danforth Art Museum Acquisitions Fund, 2023.67
Sculptors Box, 1972. Wood, rope, plastic. Bequest of Nan Tull. This Bequest in Recognition of Katherine French and Roscio’s work as Directors of the Danforth Museum at Framingham State University, 2023.68.1-.18, a&b.
Thaddeus Beal, Desert Storm 7, 2006. Mixed encaustic on panel. Bequest of Nan Tull. Bequest is made in Recognition of Katherine and Jessica Roscio’s work as Directors of Danforth Art Museum at Framingham State University, 2023.69
Clap, Wings, 1998. Mesh, steel sculpture. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.70 Fields, Drawing for a New Day, 2001. Ink, graphite on paper. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine and Jessica Roscio’s work as Directors of Danforth Art Museum at Framingham State
University, 2023.71
Judy Haberl, Traces B, 2017. Drypoint etching on Hahneumule Etching paper. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.72
Jane Goldman, Human Realm 11, 2007. Watercolor on paper. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.73
Maren Kloppman, Pillow Vessel VI, 2013. Glazed clay scuplture. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.74
Mary McDonnell, Tether, 2012. Oil on canvas. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.75
David Ortins, Couple, 1988. Oil, encaustic on linen. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.76 Greg Parker, Untitled, n.d. Graphite on paper. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.77
Acquisitions to the Permanent
Ellen Schön, Red Well, 2015. Burnished clay sculpture. Bequest of Nan Tull. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.78
John Walker, Untitled, 1994. Monoprint on paper. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.79
Yu-wen Wu, Full Moon II, 2018. Silver paint on Duralar. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.80
Yu-wen Wu, Constructed Drawings VII (Chichi), 2009. Pen, ink on rice paper. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.81
Yu-wen Wu, Midnight, 2010. Mixed media painting on canvas. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.82
Yu-wen Wu, Constructed Drawings XI (Taptap), 2009. Pen, ink on rice paper. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.83
Yu-wen Wu, Not All Alike XII, 2015. Gilded tea leaves on paper. This Bequest is made in Recognition of Katherine French and Jessica Roscio’s work as Directors of the Danforth Art Museum at Framingham State University, 2023.84
Jenna Billian, How Bad Could it Get?, 2023. MDF, wood, epoxy clay, enamel, acrylic. Museum Purchase from the Danforth Art Museum Acquisitions Fund, 2024.1
Torrance York, Untitled Archival pigment from the Danforth 2024.2
Eila Hershon, Untitled paper. Gift of Tom Blake Ogden, Botanical print on paper. Gift Jill Slosberg-Ackerman, Gouache on vellum. Steven Trefonides, Oil on canvas. Museum Art Museum Acquisitions Dan Dowd, Untitled 2017. Found rubber, from the Danforth 2024.7
Dan Dowd, Untitled 2020. Found and from the Danforth 2024.8
Edwin Andrews, aluminum, paint. Jessica Straus, The the Artist, 2024.10
Jessica Straus, On Gift of the Artist, David Ricci, Engine Type C Print. Gift David Ricci, Lawnmower, Type C Print on Dibond. 2024.13
Nathan Goldstein, Renee Rothbein Woodblock print Fishman and Nathan

Permanent Collection
Untitled #6293, 2021, printed 2024. print on paper. Museum Purchase
Danforth Art Museum Acquisitions Fund,
Untitled (Dog), c. 1960s. Etching on Tom Asher, 2024.3
Botanical 01, 2001. Photographic Gift of Tom Asher, 2024.4 Slosberg-Ackerman, Floating Object, n.d. vellum. Gift of Tom Asher, 2024.5 Trefonides, Through a Glass Slightly, 1979. Museum Purchase from the Danforth Acquisitions Fund, 2024.6
Untitled from Found Object Portraits, rubber, wool shirts. Museum Purchase
Danforth Art Museum Acquisitions Fund,
Untitled from Gifted Object Portraits, and gifted fabrics. Museum Purchase
Danforth Art Museum Acquisitions Fund,
Hacksaw Geegaw, 2020. Laser cut Gift of Murray Dewart, 2024.9
The Dance, n.d. Wood, paint. Gift of 2024.10 a,b,c
On the Verge II, n.d. Wood, paint. 2024.11
Engine Blocks, 1995. Archival Digital Gift of Lorraine Heidemann, 2024.12 Lawnmower, 2003. Archival Digital Dibond. Gift of Lorraine Heidemann, Goldstein, 2022.41.35
Portrait of an Old Woman, n.d. on rice paper. Gift of Harriet Nathan Goldstein, 2022.41.36


Michael P. Cannon +
Barbara Carter
Jasmine J. Chen
Selina Chow
Gary & Doris Christelis + City of Framingham
Debra A. Cleveland
Sara Cline
Merill Comeau
Leland & Felice Cott
Marie A. Craig
Danforth Art Alliance, Inc.
Charlotte Davidson
Matthew C. DeFronzo
Christine Devereux *
Katherine & Robert Eyre *+
Henry Field & Beryl Bergen
Foundation for MetroWest
Elizabeth Funk +
Dennis Geller & Catherine Bertulli
Jean Gibran
Rosalie Glovsky
James & Jeanne Gonthier
Robert Grady *
Eric P. Gustafson
Nancy Halpern
Tammy Harris
Katie Hebert
Antoinette Hopkins
David Hornfischer
Joel A. Hurwitz
Timothy A. Johnson *
Douglas Johnson *
Paula C. Johnson
Nina & John Jordan
Joseph Kasputys
Milly & David Katzman
Margaret E. Kauffmann *
Alicia Kim-Shen
William R. Kobertz
Susan Lapides
Roberta Leis
Lois B. Levick
Peter Lipsitt
Anna-Marie Lochiatto
Michelle A. Lord
Jean Maguire
Halcyon C. Mancuso +
Sandra Matthews
Susan Meeker
MetroWest Tourism & Visitors Bureau
Middlesex Savings Bank
William Miniscalco
Peter Mitchell
Eliott Morra & Kim Gurlitz
Julia C. Olander
Barbara Palefsky
Jane Paradise *
Carla L. Pepka
Richard & Margie Perse
Reed Pike
E. Linda Poras
Kristen Porter-Utley + Deborah Quitt
Judith E. Ravindra
Richard & Cheryl Roscio
Marcia Rosenberg (FT)
Gail Rosenberg
Sheila R. Rosenblatt
Karin Rosenthal *
Gail Samuelson *
Kathy Sastavickas
Robert & Mary Louise Schecter
Judy Schneider
Ruth Scotch *
Judith S. Scott
Rhonda M. Smith
Kurt T. Steinberg +
Sean Sullivan
Michael & Betsy Swartz (FT)
Jessica Sweet
Jodi Tucker
Christine Van Zadelhoff
Nadine Wallack
Karen Walter *
David Weinberg +
Susan Westerling
Karen & Craig Williams
Ellen Wineberg
Delanie Wise *
Evelyn T. Wolfson +
Kenneth R. Yelle
Ellen Zimmerman
* = Donors who are also members
+ = Danforth Volunteer leadership
FT = Founding Trustee
CC = Collections Committee member
Gifts of $10,000 - $100,000
Katherine & Robert Eyre *+
Middlesex Savings Bank
Kathy Sastavickas
David Weinberg +
Gifts of $5,000 - $7,500
Anonymous Donation
Antoinette Hopkins Foundation for MetroWest
Gifts of $1,200 - $4,550
Robert Alter & Lisa de Lima *
Danforth Art Alliance, Inc.
Peter & Hinda Drotch *
Diane & Milton Finch + City of Framingham
Jean Gibran
Michelle A. Lord
MetroWest Tourism & Visitors Bureau
Marcia Rosenberg (FT)
Michael & Betsy Swartz (FT)
Gifts of $500 - $1,000
Michael P. Cannon +
Gary & Doris Christelis +
Eastern Foundation
Patricia Epperly
Ruth Fields
Rosalie Glovsky
David Hornfischer
Joseph Kasputys
William R. Kobertz
Susan Lapides
Susan Meeker
Richard & Margie Perse
Gail Samuelson *
Ellen Wineberg
Gifts of $150 - $390
William Betcher
Mark Borreliz
Laura Soul Brown CC
Jasmine J. Chen
Marie A. Craig
Rebecca Feldman
John Foster
Elizabeth Funk +
James & Jeanne Gonthier
Robert Grady *
Eric P. Gustafson
Tammy Harris
Katie Hebert
Milly & David Katzman
Alicia Kim-Shen
Halcyon C. Mancuso +
Sandra Matthews
Peter Mitchell
Eliott Morra & Kim Gurlitz
E. Linda Poras
Deborah Quitt
Richard & Cheryl Roscio
Gail Rosenberg
Kurt T. Steinberg +
Susan Westerling
Evelyn T. Wolfson +
Gifts of $75 - $100
Eleanor F. Anbinder + Lisa A. Barthelson *
Nina Bohlen
Barry Burlingham *
Barbara Carter
Selina Chow
Debra A. Cleveland
Sara Cline
Gifts of $75-$100 (continued)
Leland & Felice Cott
Joanna Fink
Andrea M. Frank
Dr. John L. Fuller, Sr.
Dennis Geller & Catherine Bertulli
Timothy A. Johnson *
Roberta Leis
William Miniscalco
Jane Paradise *
Carla L. Pepka
Kristen Porter-Utley +
Judith S. Scott
Gifts under $75
Jeanne & Robert Adler
Susan Berkowitz
Doris Ann Birmingham
Margaret Birnbaum *
Steve Blossom
Irwin Blumer
Sally J. Brecher
Aileen L. Callahan
Merill Comeau
Charlotte Davidson
Matthew C. DeFronzo
Christine Devereux *
Carolyn Evans *
Henry Field & Beryl Bergen
John Fisher
Marion C. Foster
Richard Freeman
Nancy Halpern
Joel A. Hurwitz
Douglas Johnson *
Paula C. Johnson
Gifts under $75 (continued)
Nina & John Jordan
Margaret E. Kauffmann *
Lois B. Levick
Peter Lipsitt
Anna-Marie Lochiatto
Jean Maguire
Julia C. Olander
Barbara Palefsky
Reed Pike
Judith E. Ravindra
Sheila R. Rosenblatt
Karin Rosenthal *
Robert & Mary Louise Schecter
Judy Schneider
Ruth Scotch *
Nadine Wallack
Karen Walter *
Delanie Wise *
Kenneth R. Yelle
Ellen Zimmerman

* = Donors who are also members + = Danforth leadership FT = Founding Trustees CC = Collections Committee

Gifts in Honor & in Memory
In Memory of Anne Lambert
Kenneth & Gail Buie-Yelle
In Memory of Paul Rosenberg
Gail Rosenberg
In Memory of Barbara Marder
Barbara Palefsky
In Honor of Paul Lipsitt Brooke
Peter Lipsitt
In Honor of Jessica Roscio
Halcyon Mancuso
In Honor of Nan Hass Feldman
Rebecca Feldman
In Memory of Laura Riegelhaupt
Marcia Rosenberg
In Memory of Sinclair Korman
Gail Samuelson
In Memory of George Laiks
Jodi & Tim Tucker
The Paul G. & Elaine S. Marks Society
Established in 2023, the Marks Society was created to secure the lasting financial health of the Danforth Art Museum and Art School by building an endowment to supplement and support the operating budget. We extend our thanks and gratitude to the far-sighted individuals listed below who have generously remembered the Danforth in their estate planning or have contributed to Society member funds. In doing so, they have helped to ensure the fiscal vitality and mission of the Museum and Art School well into the future. We welcome our supporters to continue the Marks’ vision of providing art and art education to MetroWest by becoming a Paul G. & Elaine S. Marks Society member.
Zoe Gravitz
Paul G. Marks
Elaine S. Marks
Tracey A. Marks
Robbin S. Marks
Lynne K. & Richard T. Montross
Marcia B. Rosenberg
Dwight M. & Judith S. Scott

FSU Foundation Funds
Danforth Art Museum Acquisitions
Begun by the Weinberg Family in 2019, this fund
The Paul B. & Marcia B. Rosenberg
Established in 2020, this endowed fund helps to supplies, the popular Sunday Drop Into Art program, to the region.
Joan E. Murtaugh ’61 Art Conservation
This endowment was established in 2022 with
Betty & Ralph Funk Endowment for Given in 2022, this endowment was given to
The Lee A. & Stuart B. Bauer Family
Established in 2023, this endowment was created support all aspects of exhibition development
Nan Hass Feldman Art School Scholarship
Established in 2022, this endowed fund provides enrolled in classes at the Danforth Art School.
The Marks Family Endowment: $36,787
Established by the Marks family to provide Center at Framingham State University.
Katherine & Robert Eyre Endowment:
Established in 2024, this permanent endowment Museum and Danforth Art School.
Danforth Young Artists Scholarship:
Established in 2024, the purpose of the fund at the Danforth Art School. Scholarships
The Gail & John Samuelson Endowment:
Established in 2025, this endowment was operating budget of the Danforth Art Center
Funds and Current Values
Acquisitions Fund: $78,225 fund is not endowed, but is maintained by the family with the periodic addition of gifts.
Rosenberg Fund for Museum Education: $75,362 to underwrite Museum educational programming such as the purchase of educational program, and other areas of need related to the Museum’s mission to bring art education
Conservation Fund: $92,464 with the purpose of repairing and restoring existing and newly acquired artwork. for Curatorial Operations: $30,471 to serve a broad range of possible curatorial needs of the Museum.
Family Endowment Fund: $18,500 created to provide funds for the Danforth Art Museum. When fully funded, it will development and implementation of the exhibition program.
Scholarship Fund: $53,483 provides annual scholarships for students with demonstrated financial need, who are School.
$36,787 provide supplemental funds in support of the operating budget of the Danforth Art
Endowment: $167,100
endowment fund will provide general operating support for the Danforth Art
Scholarship: $25,000 fund is to support K-12 students, for any class session, through scholarships are utilized with a small family contribution towards the cost of the class.
Endowment: $11,833 was created for the purpose of providing supplemental funds in support of the Center at Framingham State University.
This year, the Danforth was thrilled to receive multiple generous gifts from Trustees Robert and Katherine Eyre, all of which greatly enhanced our programmatic and operational capabilities. Bob and Katie gifted $100,000 to establish an endowed general operations fund for the institution, an incredible investment that helps to ensure the long-term sustainability of the organization. In addition, they gifted $15,000 to fund an on-air and digital marketing campaign with Boston NPR station WBUR, which launched in spring 2024. We continue to receive positive feedback for our participation with WBUR as well as recognition that our marketing efforts are reaching a broader audience. Finally, the Eyres once again provided the funding to support our Curatorial Fellowship, which offers a year-long curatorial experience to an FSU student, and is currently in its fourth year of operation. We are so grateful for their support.
“We were both exposed to the power and lasting impact of art as college undergraduates. Colleges and universities are now incorporating art and museum collections as an integral part of the educational process across all disciplines, and we felt that the Danforth Museum and Art School should play an important role in that process. The staff are amazing and the exhibits and programs they offer are superb. Providing endowment funds helps to ensure the future of this important community resource, and we are pleased to offer our support to help the Danforth fulfill its mission...”
- Bob & Kate Eyre, Danforth Trustees
Danforth Corporate Members









Danforth Volunteer Leadership
Elinor Anbinder
Trustee, Danforth Art Alliance, Inc.
Gary Christelis
Vice President & Trustee, Danforth Art Alliance, Inc.
Michael Cannon
Trustee, Danforth Art Alliance, Inc.
Katherine Eyre
Trustee, Danforth Art Alliance, Inc.
Robert Eyre, MD
Trustee, Danforth Art Alliance, Inc.
Diane Finch
Member, Danforth Art Center Advisory Board
Betty Funk
Trustee, Danforth Art Alliance, Inc.
Member, Danforth Art Center Advisory Board
Eric Gustafson
Chair, Danforth Art Center Advisory Board
Halcyon Mancuso
Member, Danforth Art Center Advisory Board
Dr. Kristen Porter-Utley
Member, Danforth Art Center Advisory Board
Kurt Steinberg
Trustee, Danforth Art Alliance, Inc.
David Weinberg, MD
President, Secretary and Trustee, Danforth Art Alliance, Inc.
Member, Danforth Art Center Advisory Board
Evelyn Wolfson
Member, Danforth Art Center Advisory Board

Cover image and details throughout: Mitchell Siporin, Judith and Rachel in the Forum, 1966-67. Oil on canvas. Gift of Judith and Rachel Siporin in Memory of their Parents, Mitchell and Miriam Siporin, 2023.58
Annual Report Design Image Credits
Laura Gayton,
Marketing Communications & Design Manager
Danforth Art Museum