Dana Shores Portfolio - 2023

Page 1

DANASHORES

DanaMatthewShores

Artist/Designer

Architecture&Sustainability

damshores@gmail.com

561-324-2799

Experience

PerkinsandWill

SummerInternship-DesignerII(Denver,CO))

May2022-August2022

FairfaxandSammons

ArchitecturalDesigner

January 2020-August2021

PerkinsandWill

Designer II(DenverandMiamioffices)

October 2017-December2020

Sink Combs Dethlefs

Architectural Intern

September 2016 - October 2017

Brush Design DesignInternship

Summer 2016

TrendWest Inc.GeneralContractor

GeneralLabor

2013 Skills

5yearsofprojectteamexperienceinHealthcare, Education,Sports/Rec,Residential,&Landscape Architecture.Dealingdirectlywithclientsand consultantsinallphasesofdesignfromconceptto construction.

2-D Software:

Autodesk Auto-CAD, Bluebeam, AdobePhotoshop, Illustrator,andIndesign,Affinity Suite,and Microsoftofficesoftware&Teams.

3-D Software:

Autodesk Revit, Rhinoceros 3-D, Grasshopper Plugin, DiaLux, GoogleSketchup, Maxwell, Enscape, Lumion,andVray.

Education

University ofFlorida

Mastersof ArchitectureCandidate

w/CertificateinSustainableArchitecture

School ofArchitecture: Gainesville, FL

GPA: 3.92

ExpectedGraduation April 2023

University ofFlorida

Bachelor ofDesign inArchitecture

School ofArchitecture:Gainesville, FL

GPA: 3.72/4.0 (Cum Laude)

GraduatedApril 2016

Alexander W. Dreyfoos Schoolofthe Arts

West PalmBeach,FL Graduated June 2012

Awards

CBAGraduateStudioPrizeRecipient

Spring 2022

University ofFlorida/ University Scholars ProgramRecipient

2015-2016

Architecture in EastAsia

UFSoAStudy AbroadCandidate

Summer 2015

University ofFlorida

College ofDesign,Construction andPlanning

DeansList2015

College Drive Scholarship Award Recipient 2012

School oftheArtInstitute ofChicago(SAIC)

Scholarship Recipientfor Oil Painting

Summer2011

“ 10x10” ACuratedInstallation ArtShow

Lake Worth, FL2010

“Thestriveforarchitectsseekingspacesforpeoplebeyondthefunctionalandphysicalleveliscontinuous.All seekessence.Thepowerfulworddescribestheintangiblesthroughthetangibles.GreatArchitectureencompasses this,thespacehasaconversationwiththebodyandmindthroughtheexperience...”

Contents FilteredConnectivity EngagedSequence FloridaFabrication&PhenomenaLab AtlantaTimberCompetition SunnyIslesBeachPedestrianBridge (PerkinsandWill) SinkCombsDethlefs BrushDesignInternship BridgingTime UrbanArtery MuseumRd.BusStop 3 7 12 16 19 22 23 24 28 30

FilteredConnectivity:AdaptingCoastalSoundscapes

UniversityofFlorida

Fall2022

Prof.MartinGold

FortLauderdale, FL.

Buildingan ecology thatallowssoundswewanttoattracttofoldintowalkable experience. Diffusing and reflecting trafficnoise,providing naturalbuffer sounds, and focusing througharethemainacousticstrategiesimplemented.Themovement ofusersthroughouttheprojectallowsprogramtobeactivatedatmultiplelevels layeringitselftoprotectresidencesabove.

ThesitelocatedbetweenIntracoastalandOceanisataunique junction to encourage pedestrian experiencesbutthenoiseanddisruptionoftrafficruinsthe beachessence. Re-Integrating thewater’s soundscape backintothesitebecomes thegoalwithnature’sconnectionactingasa datum causingresponsesand reactions.unwantednoise.

Speakingtothe urbanlanguage ofFt.Lauderdale’shydrologybyconnectingwith water,also shiftingintegratedlandscape alongthe
3. alongthe livingedge torespondtofuturesealevelrisewhileallowing soundscapes to nest within. SITE

VicinitymapshowsthecontextandconnectiontoIntracoastalwaterway,beach,andpark.Speculatingonpossibleprograms andconditionsalongtheprojectthatwouldinfluencethesoundscape.

EastElevation 5.
6.

SequencingtherockettogivemoredynamicviewswhileopeningupthethenaturalsiteprovidingadualityandcontrastofEarthandSpace.

UniiversityofFlorida Spring2022

Profs.JasonAlread&MarkMcGloughlin Gainesville, FL.

NASAisnestledwithintheMerritIslandNationalWildlifeRefuge.Thissiteisanecological preservationareaandprovidesaninterestingbackdroptotheactivitiesofNASA.The importanceofthesiteandwaterisvitalintherocketoperationsandshouldbeprotectedin howweviewandexplorethejourneytospace.TheSaturnVrocketisasymbolforthis historicbreakofouratmosphereintoarealmofinfiniteexplorationandwonderofouter space.TheaccomplishmentofreachingthemooncontinuesonandtheSaturnVCenter becomesavesselforgroundingtheunimaginablewithourknownworld.Thedisassembly oftherocketandit'ssequencebeginstopropelonethroughthespaceanddiscover throughthiscuriosity.

7.
EngagedSequence NasaSaturnV&LaunchViewingCenter
SequencingtherockettogivemoredynamicviewswhileopeningupthethenaturalsiteprovidingadualityandcontrastofEarthandSpace.
LEVEL03 LEVEL01
8. LEVEL05 LEVEL04
CrossSection03_FacingSouth CrossSections01&02_FacingNorth
BuildingSection_FacingWest
ProcessSketches

TheUniversityofFloridahasaproposedsiteforanoff-campusfabricationspace.Thesite housesanexistingwarehousethatsitswithinaforestedareawithalargeoaktreetotheNorth andsomewetlandstotheEast.TheprogramcallsforalargefabricationspacetohouseKuka Robotarmsandalargerailcraneaswellasaphenomenalabfortestingwithacousticsand light.Thespaceisforinnovatorsandbuilderstolearnandexperimentwhileimmersedinviews ofthesurroundingFloridalandscape.Theapproachtothebuildinggivesthevisitoranoptionto explorethelandscapeonwindingpathwaysthatconnecttotheparkinglot.Thisconnectionto naturealsogivesthebuildingitsdirectionalityandpunctures/foldsaperturesintotheroof, allowingfornaturallighttofillthespace.Thespacesallhavebridgingviewstoeachotheras wellastotheexteriortoallowforincreasedcollaborationandwellbeing.

Thesiteprovidestheinspirationforhowawarehousecantransformto suittheflexibleneedsofacreativespacewithoutboxingoutaconnection tothecontext.

12.
FloridaFabrication&PhenomenaLab
UniversityofFlorida Spring2022
Profs.JasonAlread&MarkMcGlothlin Gainesville, FL.

Allowingthesitetopermeateintothebuildinggeneratesformsintheapproachoptionsactingasnaturewalksandin thefoldingoftheroofbringingnaturallightintothespace.

13.
BuildingSection01 BuildingSection02 OakCourtyard/OutdoorFabricationSpace LookingdownintotheFabricationLab
14.
FabricationLab

CrossSection03

CrossSection01

CrossSection02

15.
Classroom&MakerSpace

TimberPorch-Passing

UniversityofFlorida

Fall2021

Atlanta, GA.

ACSATimberCompetition2022-TimberintheCity

Themidtowndusthassettledandtheofficesareclosedfortheday.Thepedestrianisacar, spacesmovebyquicklywithnocueforexploration.Atlantaissuchavibrantcommunityandthis siteinMidtownoncehousedalineofQueenAnneVictorianresidences.Thehomeywarmthof thewoodenwrappingporchpullsyouintothespaceservingasacatalysttorreunion,new interaction,andeducation.Themovementoftheporchcanvarywiththespeedoftheuser providingpocketsofprograminacontinuouscirculation.Exteriorstructureallowstoranopen floorplateforviewstodictatedirectionaldiscovery.Theassemblyofthecommunitybringsa collectionofspecialspacesdesignedforinclusivityandconnectiontopublictransport.

SitePlan
16. SWExteriorview
BasketballCourt-RecreationCenter CrossSectionFacingSouth CrossSectionFacingNorth

MARTASTATION

18.
CrossSectionFacingNorth NEExteriorView

SunnyIslesBeach

PedestrianBridge

PerkinsandWill

Date: 2018 -Present

Team:PatBosch,JoseBofill,DamianPonton,DanaShores

Location: Sunny IslesBeach, FL.

From North toSouthdownCollins Ave. thestreetscape ofSunnyIslesBeach islined withMedjool Date PalmTrees. Thearticulated trunk ofthesepalmscontains an organicdesign composedofalayered diamond pattern. This conceptevolvedtobecome theparametricgeometryofthe sculptural tubedesignforthebridge, spanningfrom Government CenterEastwardtothe beachaccesswalkway. Thepatterning opens andclosesasrequired for and theamountofopeningsalongthelength ofthe sideswill promotenaturalventilation,daylightwithin thebridge, andviewstothe oceaneastward. The Projectis currently in theConstruction DocumentPhase.

PalmTrees. This spanningfrom the security

thebridge,

19. OrganicParametrics

CollinsAve.

Creating alogictothe designprocesstakes theexerciseofinstilling aconceptinto somethingthat canbe actualized. The ‘skeleton’ ofthe bridgeisdesignedinequalmodulesthat are sized foreasier shipping requirementsandstructural necessity. Thisstructure usesabox-beamsupportedby arms fromthe cores, andisenvelopedin ahelical frameforthepanelswhich‘sandwich’ thepipe framing. The panels and thehighcomplexityofthe3Dgeometryrequires usingdifferent waystoconveywhat isgoing on toour consultants.To do soIutilized 3Dprintingtophysically connect theconsultants tothe idea atmeetings (pre-covid)which constantly managestheDesign intent in theConstruction DocumentPhase(hardtask). Thisprojecttaught metheresponsibilities/ managementskills neededin asmallteamprojectsand the importance ofcommunication.

CurrentProjectunderPerkinsandWill, all content shown ofthe bridgewas createdby me.

PW Project Team:Jose Bofill PM,DamianPonton,Dana Shores.

BeachAccess CollinsAve.

Starting todevelop conceptdetailsfor attachmentmethods tothe helicalsupport.

studyingthestructural geometry andpanelconnection.

20.
ToScale3Dprints
21.

SinkCombsDethlefs

Architectural Intern

Date:2016 -2017

Team:Sioux Falls Amphitheater(above) -Don Dethlefs, RichardPitts, DanaShores

MTSCentreRenovation(right)- Mike Harvey,JamesVanHorn, Dana Shores

Location: Sioux Falls,SD.

Winnipeg,Manitoba. Canada.

Beginning myprofessionalarchitecture career in Denver,Coloradowith Sink CombsDethlefs I wasableto workon projectsofall sizeswith afirm that specializedinEntertainment andSports/Rec. Here I learned theimportanceof program,codes,andtheuser. Involvedheavilywith projectsgoingthroughschematic design,I wasabletolearnproject teamprocessesas well as beingableto provideinput.Thisis seenin the SiouxFalls Amphitheater andMTS Center Signage projects wheremydesignoptionpresentedtothe directors/team managerswaswell liked andchosen.Bothprojects are currently builtandtoseethesketches, models,andthendrawingsbecomestone,metal, andconcretemademerealize the importanceofprocess.

22. thesketches,

Luminarc&VoxelCloud

Brush Internship

Date: Summer 2016

Team:Brian Brush, Alex Beaudouin, DanaShores&Internteam

Location:Sterling,CO

San Jose, CA.

AtBrushdesign competition winningartinstallations areblurring the lines of architecture and art. Unique Parametricgeometriesplaceanemphasis ona myriadof componentscoming togetheras awhole.Working theinstallation process forLuminarch we used hundredsof acrylic tubeswith LEDS tocreateaninteractive entrytoalocal college.The parametric installation requiredaclearsequenceforthe clustersthetubeswere organized by. The installationtookaround 4 days andwas later connectedtolighting

VoxelCloud wasaninstallation atopofthePierceBuilding in San Jose,California. The building boardersthe highwayoverpassgivingdrivers aclearviewofthis cloud oflightas theydriveby. The cloud iscomposed ofoneopen three-sidedcubeduplicated bythehundredscreatingamass.We constructed these aluminum cubeclustersriggedwith programmedLEDSonandoff siteto compose a3D-cloud grid. The project requiredproperstructure andcareful coordinationandexecution in it’s installation process. Photos with lighting are fromBrushDesign.

23.

AXIS

BridgingTime

Universityof Florida,School ofArch.

Date:Summer 2015 -Study AbroadW/ Xi’anUniversityof Tech.& Arch.

Location: WeiRiver Bridge ArchaeologicalSite,Xi’an,China.

The siteis locatedontheNorthwestoutskirts ofXi’an,in China’s Shaanxiprovince.The city is deeply rooted in historyandtradition as Xi’anwasthecapital city forancient Chinesedynasties,andwasa vital partofthe Silk Road’sflourish. The transformationofthe city’s gridcausedthelandscape toalso change during eachdynasty. In theQinDynasty palaces werebuiltonbothsidesofthe Wei River,and connectingthemwasthe880-meter longMiddle WeiBridge.The bridgeisalso significantin marking Zhang Qian’sstartto hisjourneywhichexpandedtheSilk Roadinternationally into theWest. Concurrent with the citythroughtime, theaxisofthe WeiBridge becomesthedatumcreating curious spaceswhileframing historicalsignificance.

Importance ofhistory,context, and theindividual. Storytelling throughspaces.

Site DATUM

Ink andpencil generative sketches exploring interstitial spacesblendingwith landscape.

24.
RAIL CONNECTION ARCHAEOLOGYPITS

Themuseum isjustasmuchabout exhibitingthelandscapeasit isexhibitingthe artifactsleft behind in time. Strategies include designingtointroduce water andcreatingtransparencybetweenintervention and landscape byallowingmultiple approachesinto theproject. Recognizingthedatum in spacialprogressionand circulation. The circulation throughouttheprojectisdrivenby theNorth-Southaxis, it isactivatingmovement andchangesofpacewithelevationshifts, pulling you into spacesthat are more flexible andfreetoexplore

NORTH APPROACH SOUTH APPROACH
NORTH-EAST APPROACH 25.

The progressionthroughthe circulation allowsformultiple waystoviewthelandscape,water, and exhibits. Experiencingthemuseumfromabove,below,andateyelevelchangesthe scalerelation with the columns.Theformallowsnaturallightinto thegalleryspaceswhileproviding diffusedlight toprotect the ruins.

CrossSectionfacing North Bridge level GalleryandGarden

MainGallery

26.

Thankyou

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