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FREE EVERY WEDNESDAY | MAY 11, 2016 | DAILYPUBLIC.COM | @PUBLICBFLO | TRUE LOVE LIVES ON LOLLIPOPS AND CRISPS

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NEWS: JUDGE MICHALEK’S “UNBLEMISHED RECORD”

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INVESTIGATIVE POST: HOW OTHER CITIES PROMOTE WORKFORCE DIVERSITY

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ART: STANZI VAUBEL’S UNKNOWABLE WORLDS

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FOOD + DRINK: FARM TO PINT, PLUS FOOD NEWS FROM LOUPE


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THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM


LOCAL NEWS

THE PUBLIC RECORD

MICHALEK’S BLEMISHES

M&T Third Friday presents

BY GEOFF KELLY

None of these sources want their name attached to their assessments, because lawyers and other habitués of the legal system are careful that way: They must do business before the courts, and the courts don’t forget. Even if Michalek—as far as we can tell, accused of accepting some sort of a bribe, with Pigeon as an intermediary—resigns or is removed from the bench, other judges will cast a wary eye on the lawyer who compromised one of their own. The one guy in town who has never seemed to give a damn about such niceties is Art Giacalone. Over four decades, Giacalone has run his own practice, specializing in environmental and zoning law. He is a hero to local environmentalists and good government advocates, one of the last sincere champions of state and local environmental assessment statutes; he has likewise been a thorn in the side of local developers and the elected officials who service them, mislabeled for his efforts as an obstructionist, subjected to threats of personal and professional injury. Giacalone will always go on the record. And he’s no fan of Judge Michalek.

When Giacalone offered Michalek’s prejudicial behavior as reason that the judge should

In the end, Giacalone’s objections to Michalek’s treatment of his clients and himself were upheld. The order of protection that Michalek placed on Giacalone regarding outside communication about the case was lifted. The project apparently died under the weight of unreasonable ambition and neighborhood objections, though its status is unknown. Last Saturday, May 7, the Buffalo News ran an article by reporter Dan Herbeck about the investigation into Michalek, headlined “Judge Michalek, facing ‘very serious’ investigation, has unblemished record.” In that article Herbeck broke the news that this week a grand jury would begin to hear evidence that Pigeon and Michalek were involved in a bribery scheme. (The story goes that Michalek solicited a favor from Pigeon while a close associate to Pigeon was involved in a multimillion-dollar lawsuit in front of the judge.) Herbeck also offers testimony to Michalek’s heretofore “unblemished record.”

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In the piece, Herbeck writes: John A. Michalek has been a State Supreme Court judge since 1995. And over the past two decades, he has handled hundreds of complex cases, earning the respect of many in the legal community. In 2005, he received the Outstanding Jurist Award from the Erie County Bar Association’s Matrimonial and Family Law Committee.

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Herbeck’s article goes on to quote three local attorneys—Steven M. Cohen, John J. Molloy, and Daniel J. Henry—all of whom express surprise that Michalek should be the subject of a criminal inquiry. Prior to writing the piece, Herbeck spoke with Giacalone about his negative experience with Michalek. According to Herbeck’s subsequent email correspondence with Giacalone, Herbeck included that negative experience in the article he submitted to his editors at the Buffalo News. But that balancing narrative apparently was removed by Herbeck’s editors. In that correspondence, Giacalone noted for Herbeck that Michalek’s “willingness to do virtually anything Dennis Vacco asked him to do in this case—no matter what the law said—was inexplicable. Something—beyond the search for justice—was motivating his handling of the case.”

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Over the course of three years, from 2011 to 2014, Giacalone represented a group of homeowners who objected to a development plan for several parcels at the corner of Forest and Elmwood. Michalek’s behavior toward Giacalone personally and his clients in general during that case was beastly. He upbraided Giacalone and his clients in open court. At the urging of the plaintiff developer’s attorney, Dennis Vacco, he ordered Giacalone to cease communications regarding the case and the developer, Chason Affinity, with other parties outside the courtroom—specifically Kaleida Health, which was considering a bid from Chason Affinity for redevelopment of its Gates Circle hospital—in clear violation of Giacalone’s First Amendment rights. In the course of the hearings, Michalek made various rulings that Giacalone felt were motivated by animosity toward Giacalone or preference for Vacco.

(You can read correspondence and court documents regarding the spat at dailypublic.com.)

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WHEN YOU POLL downtown attorneys about the state and federal investigation into New York State Supreme Court Judge John Michalek—and possibly into several of his fellow justices, all tied into the ongoing investigation into the informal political cabal of Steve Pigeon, Steve Casey, et alia—one gets several species of answer. Some lawyers have told us they’re surprised that he’d be implicated in any wrongdoing. Other roll their eyes and tell us stories of what they consider horrible judgments he’s rendered. One source, not a lawyer, said simply, “Of course he can be bought. Everyone knows he can be bought.”

recuse himself from the case, Michalek refused to do so.

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THE BUFFALO NEWS SAYS THE JUDGE’S RECORD IS SPOTLESS, BUT ITS REPORTERS KNOW BETTER

Coincidentally, Vacco is now one of the attorneys representing Steve Pigeon in the investigation that has led to the grand jury inquiry P into Michalek’s behavior. DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC

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NEWS LOCAL

POST-MORTEM: SCHOOL BOARD ELECTION BY GEORGE SAX

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been without a new contract for 12 years and is locked in stalemated negotiations with the system. (It’s also pursuing a complaint at the state’s Public Employee Relations Board about the school board’s alleged bad faith.) The new majority won’t be likely to share the old one’s enthusiasm JUST PRIOR TO LAST WEEK’S Buffalo school for using the state’s standardized student tests to board election, the Buffalo News very helpfully evaluate teacher competence, a bitterly contestpublished a facsimile of a ballot on its editorial ed application around the country. (“The tests page, along with an urgent appeal to West District weren’t designed to test teachers,” Williams said. voters to write-in board president James Samp“They’re made to compare students with each son’s name at polling stations. Sampson had been other. They’re being misused.”) removed from the ballot by the county election In some important respects, both the board conboard and state Supreme Court because his nomiservatives and the newspaper have seemed out of nating petitions lacked the required 500 valid sigtouch with informed opinion, social science findnatures. ings, and national and state developments. After years of trying to tie teachers’ employment to stuThe prospect of Sampson losing his board seat, dent test results—particularly those that are part and the probable loss of a five-member conserof the national Common Core Curriculum—both vative majority, seemed to produce a high degree the Obama administration and New York State of dismay at the News, which several days earlier have been walking this back, decoupling the tests had warned of “a calamity” if this were to happen. and teacher evaluations. The board’s old majority, School district “reform” would be placed in critical and its journalistic ally, usually seemed oblivious jeopardy, readers were told. to these controversies and developments, and to As things turned out, the results were even worse educational writing and research in general. Opt than the News feared. The voters not only retired Out, the national mass movement to keep chilSampson, they voted in Hope Jay to replace North dren from having to take the mandated standardDistrict member Jay McCarthy, thus producing a ized tests, with millions of resisting parents and MESSAGE TO ADVERTISER 6-3 majority weighted against very important children, only drew grouchy complaints from the Thank you for advertising with THE elements of the “reform” program of the present News and virtually no apparent attention from the PUBLIC. Please review your and five-member majority, which has ad been supported board majority, even when member-at-large Barcheck for anyzeal errors. Thenewspaper. original layout with ideological by the The fact bara Seals Nevergold brought it up. is,instructions last week’s election resulted in a sharp reboothave been followed as closely “There is research on good teaching,” Williams ingasofpossible. the schoolTHE board, and, inarguably, a shift to PUBLIC offers design noted, and he said that there are promising meththeservices left. It also seemed to reflect a recognition of with two proofs at no charge. ods for improving teaching and education without educational policyischanges and challenges on both THE PUBLIC not responsible for any the raft of tests, including Formative Assessment, theerror stateifand Much has been notnational notifiedlevels. within 24 hours of said a methodology using regular spot monitoring of a about the disharmonious, sometimes acrimonious receipt. The production department must student’s achievement. tone of board deliberations, but this amounts to have a signed proof in order to print. more than a prospective change in tone. We’re not The majority bloc on the board had set its sights Please sign and fax this back or approve looking at an infusion of a Bernie Sanders-style on more charters and the expanded use of test by responding to this email. IF YOU APPROVE ERRORSandWHICH ARE PROOF, socialism, only a more or less conventional liberresults, this was soldONas THIS “reform” ratherTHE than PUBLIC CANNOT BE HELD RESPONSIBLE. PLEASE EXAMINE AD al � positioning, but that means a redirection from privatization and corporatizing of the THE public CHECK COPY CONTENT the rightist tilt and agenda of the present one-voteEVENschool system. THOROUGHLY IF THE AD IS A PICK-UP. � CHECK DATES majority. “It’sIMPORTANT a re-creation of the board,” said The very able former veteran Buffalo school adKevin Williams, a professor of exceptional educaministrator and � interim CHECKsuperintendent COPY CONTENTAmber TO ADVERTISER �atCHECK NAME, #, tion Buffalo StateADDRESS, College, PHONE and aMESSAGE student of the Dixon published a News editorial-page essay this Thank you for advertising & WEBSITE Buffalo school system. “It’s exciting.” CHECK IMPORTANT DATESshe week in which, � among other better advice, with THE PUBLIC. Please warned new members against bringing personal The newly constituted majority will � soon-to-be PROOF OK (NO CHANGES) CHECK NAME, ADDRESS, review your ad philosophies and checkto � their board roles. 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THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

PHOTO COURTESY OF THE BUFFALO HISTORY MUSEUM

LOOKING BACKWARD: OHIO STREET HARBOR MASTER’S OFFICE Ohio Street, parallel to the Buffalo River, once ran clear to Main Street. In this photograph, taken sometime between 1912 and 1914, the Harbor Master’s Office is seen at 135 Ohio Street, built in the right-of-way of Columbia Street. Two boys walk by. A passenger ship is docked at Kelly Island. The Michigan Avenue Bridge, a jack knife bridge constructed in 1897 and replaced in 1929, is visible to the left. Behind the bridge is the Kellogg Elevator, built by Spencer Kellogg & Sons in 1910. The elevator is connected by overhead gantry, erected in 1912, above the now-buried Kellogg Slip to what was, from 1879 to 1961, one of the country’s largest vegetable oil plants. The Commissioner of Public Works appointed two Harbor Masters, one on duty in the day and the other at night, tasked with supervision and control of the harbor, directing bridge engineers and bridge tenders, and keeping records on the condition of bridges, docks, and other city property on the harbor. This office and the foot of Columbia Street were replaced with the construction in 1914 to 1915 of the DL&W Terminal. Ohio Street now terminates at the Fire Department slip west of Michigan AvP enue. -THE PUBLIC


LOCAL NEWS

INTERNATIONAL BUFFALO:

RON RIENAS, PEACE BRIDGE AUTHORITY BY THOMAS CHRISTY

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THE INTERNATIONAL business community is just that—a specific community with its own network, language, and idiosyncrasies. It’s not a difficult community to find, and once you do you discover it, there are many people anxious to share knowledge and experience. But, like any specialized group, you’ve got to go looking for it. It’s easily overlooked.

When you consider how much business is conducted on a global scale these days—right here in Buffalo—you wonder why you don’t hear more about it. Hundreds of people are passionate about international business in Buffalo, and hundreds of millions of dollars are churned through the economy by their actions. There’s no better icon of this hidden-in-plainsight economy than the Peace Bridge. It’s right there—huge and a part of our visual landscape for 90 years. At its most rudimentary, it’s a gate that swings both ways, allowing Canadian traffic into the US and vice versa. But it’s also an economic engine to this region. Ron Rienas, general manager of the Buffalo and Fort Erie Bridge Authority, helped me understand the operation and economics of the bridge. “We own and operate not only the Peace Bridge itself, but we’re the landlord for customs and immigration services on both sides of the border,” he says. “So we own the buildings, we own the inspection booths, the commercial warehouse, and administration facilities. We’re responsible for about 20 acres on the US side and 75 acres on the Canadian side. The authority does this with about 75 employees. But the total amount of employees connected to what is commonly called the Peace Bridge community would be close to 1,000.” One thousand jobs directly tied to inert steel and concrete. These are jobs that cannot ever be poached by a Southern state with lower taxes. This might be the most solid anchor-in-theground building-block Buffalo has. “We’re going to be 90 years old next year,” Rienas says. “We’re undertaking a $100 million rehabilitation of the bridge. It’s going to be a major conduit between Canada and the United States for 50, 100 years. So we’re planning improvements in that 100-year timeframe.” In this xenophobic day and age, it’s an understatement to say America has good relations with our trading partner to the north. “We have a bi-national workforce,” Rienas says. “I don’t consider myself a Canadian Peace Bridge employee, but simply a Peace Bridge employee. When I do orientation for new board members, I say to them, ‘Don’t consider yourself a Canadian board member or a US board member, consider yourself a Peace Bridge board member, and that the border doesn’t really exist.’” Seems like California, Arizona, New Mexico, and Texas might be jealous of such an arrangement.

Ron Rienas, Peace Bridge GM

What’s the economic value of good international relations with your border partner? “The Peace Bridge—just goods transportation—accounts for $40 billion annually,” Rienas says. “The Lewiston-Queenston bridge handles $30 billion. So the Niagara River crossings—goods coming into and leaving Western New York—is worth about $70 billion each year. Additionally, Canada is the number one export market for New York State goods. The total export value of goods from New York State to Canada is $35 billion each year. Most of that, between 55 and 65 percent, crosses by bridge, by truck, with rail being the other primary mode. 650,000 New York State jobs depend on Canadian exports and Canadian investments.” In any business, time is money, and it’s no different when a bridge is your business. Getting product and travelers over the bridge in the quickest possible time, while factoring in safety, is the goal. And technology plays a large role. “NEXUS is a huge time-saver to moving people through the bridge footprint more quickly,” Rienas says. “Right now about 24 percent of our traffic utilizes the NEXUS pass, and we’re encouraging everyone to utilize that system. It gets you through customs 50 to 75 percent quicker. That’s significant. After NEXUS, we have enhanced driver’s licenses and the passport cards, which both utilize RFID technology. These allow customs officials to scan a document and significantly speed verification. The slowest document to process is the standard passport book, because the agent needs to enter that information into the computer. By far the gold standard for swift passage is a NEXUS card.” Of course, anything international implies government involvement, and that can be both good and bad. “Post 9/11, we had what was called the Trade Act, which required the filing of electronic manifest documents for all trucks. In terms of speeding transport and not having trucks idle on the bridge, this was a step forward. As good as it was, there was also a shortcoming. The legislation did not require empty trucks to file a manifest, and 30 percent of trucks entering the US from Canada are empty. This requires the booth operator to enter that data manually, and even if that only takes a minute, you then have truck traffic backing up and adding minutes here and there. That’s an oversight that could be corrected.” What traffic volume does it take to generate $70 billion in commerce annually? “Let me give you some perspective: 1.3 million trucks cross the Peace Bridge annually and five million cars. That works out to 16,000 vehicles per day. The Grand Island Bridges have 60,000 vehicles per day. So if you see traffic backups on the Peace Bridge, what that demonstrates is that there isn’t a lane capacity issue on the bridge, but it’s dealing with the plazas on either side and the customs process in both countries.” To hear more from this week’s subject, follow the International Buffalo podcast on dailypublic.com P and at internationalbuffalo.com.

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- Craft Beer Tasting with Hamburg Brewing Company - Wine and Chocolate Pairings with Wine Enthusiast Dan Palumbo - Specialty Cocktails by Black Squirrel Distillery - Food by Giancarlo’s Sicilian Steakhouse and Pizzarea - Dance with Music By DJ Sean Heidinger RSVP by May 23 at www.theestablishmentbuffalo.com under the classes and events page When: Wednesday, May 25, 2016 | time: 6:00 to 9:00 pm Where: The Establishment - 5110 Main St. Suite 100 Williamsville, NY 14221 For more information on this event visit our website or contact The Establishment www.theestablishmentbuffalo.com | info@theestablishmentbuffalo.com | (716) 276-1174 The Establishment is a “doing business as” name for MML Investors Services, LLC when offering the classes and financial events detailed on this ad. Our financial advisors are investment advisor representatives and registered representatives of MML Investors Services, LLC and are licensed insurance agents or brokers of Massachusetts Mutual Life Insurance Company and/or other affiliated or unaffiliated insurance companies. Classes and financial events are general in nature, and not personalized for any attendee’s specific situation. Financial advisors will not recommend specific securities during classes or financial events. CRN201804-201711

DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC

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NEWS INVESTIGATIVE POST

PROMOTING WORKFORCE DIVERSITY

Kevin Lindsey, human rights commissioner for Minnesota, which exceeded workforce diversity goals in the construction of the new Vikings stadium.

Advocates say grappling with the entrenched problems behind racial disparities always seems impossible—until it isn’t. “We want to get the word out,” Cornejo said. “It is possible to apply this model in other places.”

WORKING WITH UNIONS

BY CHARLOTTE KEITH

IN BUFFALO, WORKFORCE DIVERSITY GOALS CAN SEEM ARBITRARY AND UNENFORCED. BUT OTHER PLACES ARE GETTING IT RIGHT. WHEN MINNESOTA LAWMAKERS agreed to put millions of dollars toward building a new football stadium for the Minnesota Vikings, contractors were told they had to do what some thought impossible: ensure that minorities accounted for a third of the construction workforce. Work on the $1.1 billion stadium is wrapping up, and contractors, despite their initial skepticism, have not only met the 32 percent goal but exceeded it, reaching 36 percent minority participation. This kind of ambitious goal-setting has been absent on major projects in the Buffalo area. The minority workforce goal was just 13.2 percent on the $130 million renovations to Ralph Wilson Stadium. The goal on construction of the $750 million

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factory being built and equipped for SolarCity at taxpayer expense was dropped from 25 to 15 percent after contractors and unions said the higher goal was unachievable. In Niagara Falls, community groups have been pushing for change after discovering that African Americans make up less than one percent of the workforce building the new Amtrak station. The region’s construction boom has resurrected concerns about racial disparities in the local construction workforce. Here and across the country, cities and states are grappling with the same questions and facing the same obstacles: inadequate training programs, structural racism, and a disconnect between labor unions and communities of color. Unlike Buffalo, however, some communities have found solutions. “We were able to change the rules of the game,” said Jackie Cornejo, who directed a campaign, 12 years in the making at the LA Alliance for a New Economy, a non-profit organization. The group achieved a string of successes in persuading local government agencies to adopt am-

THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

bitious diversity goals—and, for the most part, meet them. Los Angeles is often cited as the gold standard in creating a pipeline to help people of color find good-paying construction jobs. In Los Angeles, a coalition organized by activists pushed for change; in Minneapolis, government was the driver. In each case, strong leadership was the catalyst for change. Advocates emphasize the importance of building relationships between community groups, unions, contractors, and elected officials; setting ambitious diversity goals and demanding transparency about whether they’re being met; and developing a pipeline of qualified workers through pre-apprenticeship programs. “These goals don’t get achieved in isolation,” said Minnesota Human Rights Commissioner Kevin Lindsey. “There has to be a conversation with the local schools, with training groups, with unions, with the bid-awarding entities, all pulling together in the same direction.”

The first step, experts agree, is finding common ground between construction unions and communities of color. “Getting the building trades involved is almost always a struggle,” said John Goldstein, a former head of the Milwaukee County Labor Council and now a national expert on workforce diversity. Despite this, he said, it’s crucial for success, because “coalitions are strongest when they include the trades.” Cornejo agreed. The starting point in LA, she said, was persuading the different parties— construction unions and community and faith groups—to recognize their common interests. This coalition then set out to learn when requests for proposals would be issued, contractors selected and work would begin. They then lobbied elected officials and bureaucrats at the city’s Department of Contract Administration to embrace diversity initiatives. They also organized “Construction 101 Seminars” to show residents how to apply for union construction jobs. “We kept hearing the myth of ‘There aren’t enough minority workers’,” Cornejo said. “But there’s tons: They just don’t know how to access apprentice programs and make sure they’re successful in them.” Almost immediately the group ran up against what Cornejo described as a “formidable barrier” in the form of an amendment to California’s con


INVESTIGATIVE POST NEWS stitution, in place for more than 20 years, which bans racial or gender preference in employment. That means goals explicitly encouraging the hiring of minorities or women weren’t an option. Instead, the group examined socioeconomic barriers and crafted language to give priority to residents of high-poverty zip codes, as well as “disadvantaged workers”—a category that includes the homeless, former offenders, welfare recipients and the long-term unemployed. Progress was gradual but unmistakable. In 2010, the LA Department of Public Works adopted a Project Labor Agreement including goals that 30 percent of the construction workforce be residents of high-poverty city ZIP codes, an additional 10 percent disadvantaged workers, and another 20 percent apprentices, with priority given to city residents. The PLA allows unions to prioritize workers from these categories when dispatching members and requires contractors to document their efforts to contact community groups in search of workers. The city’s school district and port and transportation authorities followed suit a year later. Now, LA is widely regarded as the gold standard in leveraging public investment to benefit low-income residents.

PLANNING AND PRE-APPRENTICESHIP After getting everyone on the same page, experts say the next step is identifying upcoming publicly funded construction projects early in the planning stage. “Once there’s a shovel in the ground, it’s almost always too late—but that’s often when communities get engaged,” Goldstein said. And while experts agree that there’s no “magic number” for diversity or local hiring, “the biggest mistake folks make is aiming too low,” Goldstein said. “If contractors have to do it, frankly, they figure out a way to do it.” Although workforce development has become the buzzword of choice for many local officials in Western New York, existing policies aren’t being implemented properly. Buffalo doesn’t know whether it’s meeting its own diversity goals for public works projects because the data that’s collected isn’t analyzed. A city law requiring contractors to hire apprentices and city residents, which union leaders say would encourage diversity, has gone largely unenforced. In Milwaukee, by contrast, local hiring laws have proved so successful that a goal to hire unemployed and underemployed city residents on public works projects was increased from 25 to 40 percent in 2009. At the same time, hiring standards are meaningless without qualified workers. When Labor Secretary Thomas Perez spoke at Bennett High School in March, he emphasized the importance of “investing in apprenticeship” and “working with our friends in organized labor to make sure there are pre-apprenticeship opportunities and they’re open to African Americans, that they’re open to women, they’re open to Latinos, they’re open to former offenders.” Buffalo’s pre-apprenticeship offerings have been sporadic, however. Community groups offering construction training have struggled to place their graduates in union apprenticeships; the trades’ pre-apprentice program, meanwhile, which is targeted at high school students, has only been offered twice in the past five years. Successfully completing the program means participants can go straight into union apprenticeships, bypassing the sometimes onerous recruitment processes. A version of this is currently underway at Burgard High School. Still, Paul Brown, president of the Buffalo Building Trades Council, said he was disappointed at the number of applications the program received—evidence of the disconnect between the unions and community groups.

MISTRUST, MISSED OPPORTUNITIES The long history of mistrust between unions and community groups is one reason changing the makeup of the construction workforce in Buffalo has proven difficult. In 2012, 11 percent of local union members were minorities. That figure has barely changed since 2005, despite ambitious goals to diversify union membership that were included the schools reconstruction project. Minorities account for around 18 percent of Erie County’s total workforce, by contrast.

Some local unions have, nonetheless, made progress. The Carpenters Local 276 has increased minority membership from nine percent in 2012 to around 17 percent at the end of last year, according to union representative Chris Austin. Working with Jomo Akono, an African-American union member, “we’re trying to hit as many places in the city to recruit as possible,” Austin said. He added that Akono has encouraged meeting with groups like the Buffalo Urban League and We Are Women Warriors that hadn’t traditionally been part of the union’s outreach. One particular challenge, Akono said, is the mandatory math test for prospective apprentices, so he’s been working with Erie County Legislator Betty Jean Grant to hold remedial math classes. “There’s like a wall of perception” about what it takes to get into the union, Akono said. “And so we’re trying to explain to people what’s happening on the other side of the wall.”

TRANSPARENCY AND CONSISTENCY Advocates also stress the importance of transparency in the way diversity goals are set and participation is reported. In New York State, workforce goals are set on a contract-by-contract basis, which allows for greater flexibility—but also less consistency. Construction at the state level, for example, is handled by a bewildering array of agencies, each with slightly different goal-setting processes. Those state goals aren’t typically aligned with whatever local goals might exist. To observers, the goals can seem arbitrary. For example, HarborCenter, the rink and hotel complex built by the Buffalo Sabres, had a minority workforce goal of 25 percent. The goal was 15 percent on the SolarCity project, even though both took place in the city and drew mostly from the same pool of workers. It’s a common complaint among African-American community leaders that the goals aren’t set high enough because contractors and government agencies don’t want to risk falling short. That’s not the case in Minnesota, where the Minnesota Department of Human Rights in 2012 increased the minority hiring goals from 11 to 32 percent for state-funded projects in the two counties covering Minneapolis and St Paul. Those counties have similar demographics to Erie County, according to US Census data. Cue grumbling from contractors. Kevin Lindsey, the state’s commissioner of human rights, acknowledged that the change met with some resistance—in particular from contractors and developers who feared they wouldn’t be able to find enough minority workers to meet the higher goal. But he said raising the goal was a way to “force people to think long-term and to think strategically about how to create a pipeline” for getting people of color into construction jobs. The change has been followed an increase in minority workforce participation across state-funded construction projects. Contractors have another incentive: Minority and female participation figures for all ongoing projects are available on the department’s website. One key difference with New York is that the goals in Minnesota are consistent for all state projects in a particular region, something Lindsey says is key to their success, as it sets a clear standard and makes enforcement easier. Since the goals are always the same, contractors know long in advance what they will be and have more time to plan how to meet them. In the context of Minnesota’s changing demographics, upping the goals was important for the state’s economy, he said, pointing out that more than half of the children in Twin Cities’ public schools are minorities. “If half of workforce don’t have access to certain opportunities, that doesn’t bode well for the economic viability of the state,” Lindsey said. Investigative Post is holding a workshop May 25 aimed at educating the community, contractors, unions, and policymakers on how to promote diversity in the construction trades. Charlotte Keith will recap her extensive reporting on the topic for Investigative Post. John Goldstein, a national expert in workforce diversity, will then discuss the key steps in building a pipeline to connect low-income residents and construction jobs. The event starts at 7pm at the Theodore Roosevelt Inaugural Site, 641 Delaware Ave. Admission is free; pre-regP istration is requested on our events page.

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5/9/16 2:28 PM


ARTS INTERVIEW

PHOTO BY PAUL HOKANSON

MOVING THROUGH THE FIRE: EXCURSIONS INTO UNKNOWABLE WORLDS BY GALIA BINDER

AT HI-TEMP THIS WEEKEND, STANZI VAUBEL ORCHESTRATES AN IMMERSIVE ARTISTIC EXPERIENCE “IF YOU’RE GOING TO LIVE WITH unknowing, you have to really

follow your gut and instincts. But it is not possible to live instinctually if you’re not actually being honest with yourself. I’m talking about the kind of not knowing that is the result of rigorous and constant inquiry—do you know where you’re going, I turned off the GPS—it’s a result of constantly asking yourself the difficult questions, and then asking new questions.” I’ve forgotten the camera. We are too late, and the site is closing. Stanzi Vaubel is telling me about Excursions Into Unknowable Worlds, the performance she is conceptualizing and directing, happening on the evening of May 12 and 13 at Hi-Temp Fabrication on Perry and Illinois streets. I don’t yet know that I’ll join a collective of more than 30 artists working on this immersive journey. Vaubel will invite me to dance, even though I haven’t done so professionally since I was a teenager in Buffalo, but she assures me I can do it. The plan was to record the interview at Hi-Temp and take photos there in one shot. We don’t know each other too well, and we’re both trying to be polite, but we really don’t know where to go from here. We start driving. As we get onto the 33, we pass my iPhone back and forth, talking into its tiny microphone as the city falls away. “Something collective and experiential happens when you’re finding the direction in an honest way that doesn’t pretend to have more knowledge than it does. You’ll feel that in both shows—there’s going to be this feeling that people don’t know quite what they’re supposed to be doing, but that’s what is supposed to be happening. If a structure creates a permissiveness to not always know, it makes a safe space for experience.” Since recently returning to Buffalo after years away, I have thought about growing up in this place—where people wore struggle like diamonds, suffered with grace, worked harder than ever until the day they died, were loyal to those who both did and did not deserve it. Where people defined themselves by living in a past they could

8

THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

not stare in the face. Where young, mad, brilliant friends tried to find the future and, crumbling under too much trauma and inequity, overdosed instead.

you, you can dance the structure, but you may not be present. You have to desire to be present. If you aren’t automatically engaged, you have to continue to try to find a way in.”

The capacity to endure is what stayed with me. To accept, with humility and gratitude, whatever occurs as part of a fabric of ultimate truth: These are working people’s ethics. This is a place that is bonded to its own fate. That can bury itself or birth itself.

The musicians will perform Terry Riley’s “In C.” Jonathan Golove, a collaborating artist on Excursions, cellist, and UB professor of music, says, “‘In C’ is a piece that asks you to be an individual and also to be part of a collective. The ensemble members of ‘In C’ don’t play in fixed relationships with each other the way they would in a traditional string quartet. Instead, the piano plays a basic pulse throughout the entire piece, and all of the musicians are listening to and basing decisions about their parts around this pulse. When they first start playing, they’re tuning each other out because they’re trying to listen to the piano. But as they get better at doing that, they begin to listen to each other, creating a collective whole out of these individual parts.”

In this particular moment, we have a choice. In this moment, when Buffalo is experiencing a “renaissance,” we must ask: Who is benefiting and who is being disenfranchised? What communities do we want to create? These are the kinds of questions we must ask in order to define our intentions in this creative process. We can only act with agency when we are aware of who we are as individuals and what our city has meant to us, historically and in the now. We as citizens are rebranding this city, intentionally or unintentionally. When we take ownership of our intentions, we take ownership of our creative actions. I ask Vaubel what she means when she says “rigorous.” “Being rigorous is about a very, very tight correspondence between action and intention. What is interesting about dancers and weight-sharing exercises in particular is that intention and action are in direct relationship, so if you’re lying, it immediately shows up. The structure of this system depends upon honesty. “Other structures hide that; they can hide if you’re playing without feeling, or if you don’t mean what you say. You can be an actor or a liar. It all depends upon the self that you really are, and how you bring that self to the moment you’re in. We as people do ourselves a disservice unless we work to walk that line, to delineate the difference between false enactment of ritual and honest ritual.” At Hi-Temp, audience members will navigate a maze of scrims where footage of dancers will be projected. The same dancers will also perform live, moving in relationship to an ensemble of musicians and a sound engineer who will mix a multi-channel system. Upon arrival in the space, the audience will be given an audio guide to download on their phones, a poetic meditation on the experience that is unfolding before them as they walk through the room. They will listen to this voiceover on headphones. Melanie Aceto, movement choreographer for Excursions and a professor of dance at UB, says, “A better word than meditation, for me, is presence. If the people around you or the music aren’t feeding

“If you don’t know yourself you can’t know another, but without the other, you can’t know yourself,” Vaubel says. “You’re nothing without the other, but without the self, you can’t know where the other starts and ends. By learning yourself, you learn individuation. Currently, we live in a culture where people perceive themselves as hyper-individualized. So individuation isn’t perceived as a problem because we feel we know we’re individuals. However, the kind of individuation I’m talking about is different. It’s not about putting yourself at the center of the equation and counting yourself as more important than anything else.” While the performance, a blend of improvisation and meticulously planned elements, “manifests in a way that might seem spontaneous,” Vaubel says, “It’s only able to be so because there’s been a year—two years’ worth of commitment to a process and relationship-building. The bonds between the aesthetic elements of the piece, the artists, the lighting, and the space, are strong. The intention is to create a non-hierarchical relationship between the elements, which allows the audience to become fully immersed in the experience by being genuinely included. “There are people like John McKendry who owns Hi-Temp, Rick Smith who owns Silo City, and Jim Watkins who lives in Silo City, who exist in Buffalo,” Vaubel says. “John opens up his floor to artists and performers at a minimal rate. When I first went to Hi-Temp, I liked about it what I liked about Silo City: There was a chaotic feeling that things were happening, that life had been invited in instead of kept out. Neither space is claiming to be a polished, finished work. In wealthier cities, with theater or warehouse spaces, the in


INTERVIEW ARTS stinct is to clean it up, polish it, finish it. But my concern is that it’s in the gaps, in the spaces of randomness and unfinishedness that you create. Creativity happens in the cut, in the leap in the person’s mind. The more things are commercial or big business or not run by financially small people, we lose that feeling.”

and all I can tell you is this:

Carlie Todoro-Rickus, lighting designer for Excursions, adds: “I spent a lot of time in theaters in the first half of my career, but I also enjoyed going to a space whose architecture had a story to it. I like to call myself a light stenographer because I want my light to create a space. But it’s also what is already in the space itself that will direct the light. I’m no longer interested in trying to create a false space, or taking an audience in a theatre to a different place by using light to manipulate space. Now I want to take an audience to a site and create light that is truthful—allowing them to see the elements and history that are actually there.”

or lost, or never had.

its time to go home. not to a place or a city or a new destination but the home you’ve forgotten the home you will have to carve out from inside yourself in a way that will be painful, like you’ve just stepped right into the fire, instead of walking around it the way you were before kind of skirting it, but playing with it.

“Place is only place as much as you keep it, and allow the references to bubble back up,” Vaubel says. “If the references aren’t there to be picked up upon, there can be a collective amnesia; a community can forget its history. A place that is hygienic and wiped of pastness; it’s likely that it will evoke nothing for a person. It’s an anti-inspirational environment because it’s entirely referencing this idea of a non-memory oriented present. This is a present that is not remembering its past, not interested in the way the past creates the future, and not acknowledging that the future, past, and present are really one In Silo City, the past is living in the present, and that’s so much a part of the graffiti and the things that stay. “The more you’re conscious of what you have, the more you can safeguard it. Silo City and Hi-Temp, their senses of self have been protected by individuals who get it and so are tapped into the power of place and site. I felt like John is like Jim and Rick: individuals who are beacons of protecting a place. That’s why these places have these feelings, because it’s a choice they have made as people: to believe.” We pull into the driveway, watching Lafayette High School students walk by, members of the immigrant, refugee, and asylee communities that make my neighborhood one of the most diverse in America. I think of my West-Side born Sicilian, Native American, Puerto-Rican god-daughter, who bears the combination of my brother’s name and my name. She was unplanned, like every great city. This city has marked me. When I feel the past inscribed upon my body, I begin to move through the fire. Now I know that I never stopped dancing. “The healing is not in burning down the past we have built, but in a sort of collective re-kindling,” Vaubel says. And then she reads me a section from the audio guide:

walking through fire is radically different. it requires fierce bravery, a kind of selfless courage as you consciously and intentionally walk into something you know will permanently change you make you into something other and the inability to plan ahead and determine what that might be what it might look like and feel like to live after such an occurrence. but this, is the beauty of living as a choice,

Stanzi Vaubel at Hi-Temp Fabrications. PHOTO BY GALIA BINDER

through the fierceness of agency the assertion of self

EXCURSIONS INTO UNKNOWABLE WORLDS

as something meaningful and willfully alive.

THURSDAY, MAY 12 & FRIDAY, MAY 13

something will change I tell you.

DOORS AT 7PM / SHOWS AT 7:30PM HI-TEMP FABRICATIONS / 79 PERRY ST, BUFFALO BRING YOUR OWN HEADPHONES

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if you choose to walk through the fire if you pay attention, here, deep within this wooded hell

Excursions into Unknowable Worlds will be performed at Hi-Temp Fabrications, 79 Perry Street, on May 12 and 13. The doors open at 7pm, the show begins at 7:30pm. Bring your P own headphones.

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9


ARTS REVIEW

SHAKESPEARE EVERYWHERE Silver Creek Shakespeare Club, circa 1890.

UNIVERSITY AT BUFFALO LIBRARIES LOCKWOOD MEMORIAL LIBRARY PUTNAM WAY, BUFFALO MUSIC LIBRARY / 102 BAIRD DR, BUFFALO SPECIAL COLLECTIONS / 420 CAPEN HALL, BUFFALO BUFFALO AND ERIE COUNTY PUBLIC LIBRARY 1 LAFAYETTE SQUARE

SHAKESPEARE, SHAKESPEARE, EVERYWHERE BY JACK FORAN

AT UB’S LIBRARIES, A HOST OF EXHIBITS COMMEMORATE THE 400TH ANNIVERSARY OF THE BARD’S DEATH THE UB LIBRARIES ARE AWASH with Shakespeare-related displays commemorating the 400th anniversary of his death this year. Two areas in Lockwood on science in Shakespeare’s day; a vitrine on Shakespeare and medicine in the Heath Sciences Library; music of his time and/or inspiration in the Music Library; and four First Folios in Special Collections, Capen fourth floor. A display in the Lockwood lobby on science in the Elizabethan age, including what might be called pure science—a component on Francis Bacon (1561-1626), father of the scientific method based on observation and induction versus deduction—and practical uses of science to the state—a quotation from Queen Elizabeth I about

IN GALLERIES NOW = ART OPENING 640 Gallery (640 Ridge Road, Lackawanna, NY 14218, 716-823-5124): Mandalas by Barbara Comerford. On view through May 16. Mon-Fri 10am-4pm. Albright-Knox Art Gallery (1285 Elmwood Avenue, Buffalo, NY 14222, 882-8700, albrightknox.org): Erin Shirreff monographs, on view through May 8. Joan Jonas: Good Night, Good Morning, on view through May 1. Torey Thornton: Sir Veil, through May 29. Tue-Sun 10am-5pm, open late First Fridays until 10pm. Art 247 (247 Market Street, Lockport, NY 14094, theart247.com): Joseph Whalen exhibition from the collection of Paul Hunt. Wed-Fri, 10am-5pm, Sat & Sun 11am5pm. Ashker’s on Elmwood(1002 Elmwood Avenue, Buffalo, NY 14222, ashkersbuffalo. com)Echoing Echo, an exhibit complementary to Echo Art Fair. Work from Gerald Mead collection by Bruce Adams, Robert Blair, Susan Copley, Julian Montague, Kathleen Sherin, and Gary Sczerbaniewicz. On view through May 30. Betty’s Restaurant (370 Virginia Street, Buffalo, NY 14201, 362-0633, bettysbuffalo. com): Annual staff show on view through May 22. Tue-Thu, 8am-9pm, Fri 8am-10pm, Sat 9am-10pm, Sun 9am-2pm.

“all good sciences and learned inventions tending to the benefit the commonwealth of our Realm and Dominions, and serving for the defense thereof.” Other components on economic benefits to the state, regarding exploration and trade, colonization. And four vitrines—on maps, cosmology, alchemy, and the weather—in the Government Documents area (accessible via the architectural afterthought stairway from the lobby—oh wait, we’ll need a way to get into that area—part of the worst entranceway complex ever into a great university library). Maps at the time were mostly state secret matter for military purposes and aiding and abetting exploration and exploitation of new lands. (The first English explorations of North America and semi-permanent settlement in what was to become Newfoundland, Canada, occurred in the 1490s, under King Henry VII; the first English colonization attempt in what is now the United States—Walter Raleigh’s mysteriously ill-fated Roanoke settlement—occurred in 1584, under Elizabeth.) A map of North America from 1593

Benjaman Gallery (419 Elmwood Avenue Buffalo, NY 14222, thebenjamangallery. com): Draw Near: Love Lessons at the Art Institute of Buffalo; paintings by Robert Noel Blair, Jeanette Blair, James Koenig, and Catherine Koenig. On view through May 14. Thu-Sat 11am-5pm. Big Orbit (30d Essex Street, Buffalo, NY 14222, cepagallery.org/about-big-orbit): Civics, an exhibition of sculpture and photographic work by Joseph Bochynski on view through May 29. Fri-Sun 12-6pm. Box Gallery (Buffalo Niagara Hostel, 667 Main St, Buffalo, NY 14203): Splinters and Seams, furniture design by Adam Ianni and textile design by Mary Kate Morrison. On view through May 31. Mon-Fri 5-8pm. BT&C Gallery (1250 Niagara Street, Buffalo, NY 14213, 604-6183, btandcgallery.com): Jack Drummer survey exhibition on view through Jun 11. Fri 12-5pm or by appointment. Buffalo & Erie County Central Library (1 Lafayette Square, Buffalo, NY 14203, 8588900, buffalolib.org): Annual exhibition of Buffalo Public School art: Celebrating Art 2016. Opening event and awards reception Tue, May 10, 4-6pm. Milestones on Science: Books That Shook the World! 35 rare books from the history of science, on second floor. Mon-Sat 8:30am-6:00pm, Sun 125pm. Buffalo Arts Studio (Tri-Main Building 5th Floor, 2495 Main Street, Buffalo, NY 14214, 833-4450, buffaloartsstudio.org): Dorothy Fitzgerald, Committed to Memory and Tri-

10 THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

cia Butski, Semblance on display through May 6, 2016. Tue-Fri 10am-5pm, Sat 10am2pm, fourth Fridays until 8pm. Burchfield Penney Art Center (1300 Elmwood Avenue, Buffalo, NY 14222, 878-6011, burchfieldpenney.org): Furniture From the Darwin D, Martin House, Fluidity in Form: Selections from the Dean Spong Collection, on view through Aug 21. Artists Seen: photographs of contemporary artists by David Moog. Roycroft from the Collection, on view through Jun 24. Collected Memories: Docents as Curators, through Jul 24. Sequel, on view through Aug 14. The Birthday Party: A Community of Artists, on view through Sep 25. The Effects of Time, paintings by John E. (Jack) Drummer, on view through Jun 12. Finding Aid: Making Sense of the Charles E. Archives on view through Jun 19. 10am-5pm & Sun 1-5pm. Admission $5-$10, children 10 and under free. Castellani Art Museum (5795 Lewiston Road, Niagara University, NY 14109, 2868200, castellaniartmuseum.org): Max Collins: Natural Processes through Sep 11. Opening reception Sun May 15, 2-4pm, artist’s talk at 3pm. Buffalo Society of Artists120th Catalogue Exhibition on view through Jul 31. Tue-Sat 11am-5pm, Sun 1-5pm. CEPA (617 Main Street, Buffalo, NY 14203, 856-2717, cepagallery.org): Shane Farrell: Proxyself; Hans Van Den Broek: Landscapes; Joseph Bochynski: Civics; Caroline Doherty: Basic Furnishings for Unequal Spaces; all on view through May 29. MonFri 9am-5pm, Sat 12-4pm.

shows mountain ranges running east/west across the continent, the Appalachians stretching from what was to become New England to about Southern California, the Rockies reaching to about where Chicago would be located, but no noticeable Great Lakes, and no Mississippi River. Under cosmology, components on mathematician and astronomer Thomas Digges (1546-1595), who first translated Copernicus’s De Revolutionibus into English, and added several ultimately key insights not in Copernicus: the idea that the stars were not fixed— that is, immobile—and most provocative idea of the infinite universe, that the stars were not located in a ring or sphere around the planets, but at varying distances—stretching to infinity—from the solar system. Alchemy materials suggesting how the original search for the “philosopher’s stone,” with the dual functions of turning base metal into gold and securing personal immortality, transmogrified into the science of chemistry. And a segment on Isaac Newton’s dabbling in alchemical practices. On the weather, considerations about climate change in the age of Shakespeare. The possibility that the period was undergoing a “little ice age.” With not inappropriate credit to the UB geologists who pioneered ice-coring on Greenland as a chief means of paleo-climatological data collection. In the Music Library, a song score that may have been part of an actual Shakespearean production—that is, that Shakespeare himself was involved in—an accompaniment to “It was a lover and his lass” from As You Like It—by Thomas Morley from Morley’s First Book of Ayres, published in 1600. And later incidental or adaptation music ranging from Felix Mendelssohn’s Overture to A Midsummer Night’s Dream, to Iannis Xenakis’s Sea Nymphs, based on Ariel’s song from The Tempest: “Full fathom five my father lies…Nothing of him that doth fade, But doth suffer a sea-change Into something rich and strange…” Also, Four Movements from West Side Story, original music by Leonard Bernstein, based on Romeo and Juliet, arranged for solo piano by long-time UB music professor Leo Smit. In the history of medicine collection in the Health Sciences Library, a vitrine largely about Dr. John Hall (1575-1635), who set up medical practice in Stratford-upon-Avon and married Shakespeare’s daughter Susanna, and whom Shakespeare may have consulted on medical matters in the plays. Hall was also a writer. The vitrine includes a copy of the English version—the original was in Latin—of his Select Observations on English Bodies of Eminent Persons in Desperate Diseases. With added appendix (no pun apparently intended) by physician H. Stubbs on “Directions for drinking of the Bath-water, and Ars Cosmetica, or beautifying art.” (Not clear from the title page on display whether drinking of the bathwater and Ars Cosmetica are one and the same thing or different procedures/ pursuits. Or for that matter, just whose bathwater.) And in Special Collections, viewing by appointment of the university’s four First Folios. (But without an appointment you can view the Buffalo and Erie County Public Library’s First Folio and variety of other English books of the era in the main floor exhibit room. And upstairs, the library’s nonpareil collection of historical science P volumes, starting with Copernicus, De Revolutionibus.)

Collect Art Now (Virtual gallery, collectartnow.com): Featured spring show with work by Polly Little, Matt Grote, Rita Argen Auerbach, Evan Hawkins, Peter Fowler, Patrick Willett, Chuck Tingley, Maria Pabico LaRotonda, Bruce Adams, Candace Masters, A.J. Fries, and Mark Lavatelli. Daily Planet Coffee Company (1862 Hertel Avenue, Buffalo, NY 14216, 716- 551-0661): Photography by Setlur, on view May 2-May 30. Dana Tillou Fine Arts (417 Franklin Street, Buffalo, NY 14202, 716-854-5285, danatilloufinearts.com): The Old and the New: 180 Years of Painting and the Arts. Wed-Fri 10:30am-5pm, Sat 10:30am-4pm. Eleven Twenty Projects (1120 Main Street, Buffalo, NY 14209, 882-8100, eleventwentyprojects.com): Taper, sculptural installation by Scotty Bye in front window through May 15. Rodney Taylor: Grey, through May 29. El Museo (91 Allen Street, Buffalo, NY 14202, 464-4692, elmuseobuffalo.org): A Conversation in Conflict, documentary images from Marten Czamanske and Courtney Grim. On view through May 28. Tue-Sat 125pm. Enjoy the Journey Art Gallery (1168 Orchard Park Road, West Seneca, NY 14224, 6750204, etjgallery.com): Universal Meditations, John Merlino. Tue & Wed 11-6pm, Thu & Fri 2-6pm, Sat 11-4pm. Fargo House Gallery (287 Fargo Avenue, Buffalo, NY 14213, thefargohouse.com): David Schalliol: Telescope Houses of Buffalo. Open by appointment.

Indigo Art Gallery (47 Allen Street, Buffalo, NY 14202, 984-9572, indigoartbuffalo. com): I Walk the Line, mixed media by Jozef Bajus on view through May 15. Wed & Fri 126pm, Thu 12-7pm, Sat 12-3pm, and by appointment Sundays and Mondays. Karpeles Manuscript Library (North Hall) (220 North St., Buffalo, NY 14201): The invention of the telegraph and the railroad. TueSun 11am-4pm. Karpeles Manuscript Museum (Porter Hall) (453 Porter Ave, Buffalo, NY 14201): Maps of the United States. Tue-Sun 11am-4pm. Margret E. Bacon Gallery (Upton Hall, SUNY Buffalo State College, 1300 Elmwood Avenue, Buffalo, NY 14222): Experimental Matters: dual show by Melissa Ash and Tiffany Rohrback, on view through May 14. Meibohm Fine Arts (478 Main Street, East Aurora, NY 14052, 652-0940, meibohmfinearts.com): “Mutotones” by Howard Beach. On view through May 28. TueSat 9:30am-5:30pm. Native American Museum of Art at Smokin’ Joe’s (2293 Saunders Settlement Road, Sanborn, NY 14123, 261-9251) Open year round and free. Exhibits Iroquois artists work. 7am-9pm. Niagara Arts and Cultural Center (1201 Pine Avenue, Niagara Falls, NY 14301, 2827530, thenacc.org): Jonathan Rogers, retrospective. On view through Jun 5. Mon-Fri 9am-5pm, Sat & Sun 12-4pm.Niagara Arts and Cultural Center (1201 Pine Avenue, Niagara Falls, NY 14301, 282-7530, thenacc. org): Mon-Fri 9am-5pm, Sat & Sun 12-4pm.


IN GALLERIES NOW ARTS

ARTISTS SEEN: A PROJECT BY DAVID MOOG

RACHEL ADAMS Rachel Adams is a writer and curator based in Buffalo. She received a BFA from the School of the Art Institute of Chicago and an MA in exhibition and museum studies from the San Francisco Art Institute. In March 2015 she became associate curator of the University at Buffalo Art Gallery; before accepting that position she worked for as an independent curator based in Austin, Texas, planning and executing exhibitions with nationally and internationally known artists at venues throughout Texas and California. In addition to publishing essays in a number of exhibition catalogs, she is a contributing writer for several publications including artforum.com, Art Papers, Modern Painters, and Texas Architect. She is married to artist Nicholas Conrad Miller. For more information on Adams’s career, visit burchfieldpenney.org and racheladamsprojects.com. -THE PUBLIC STAFF Artists Seen: Photographs of Artists in the 21st Century is an ongoing project by photographer David Moog in partnership with the Burchfield Penney Art Center at SUNY Buffalo State. Moog has set out to make portraits of every self-identified working artist and arts professional in Western New York. To be included in the project, call David Moog directly at 716-4726721 or contact the center at 716-878-4131. Artists working in all media are welcome; visit P burchfieldpenney.org for more information.

Nina Freudenheim Gallery (140 North Street, Buffalo, NY 14201, 8825777, ninafreudenheimgallery.com): Photographs by George Woodman on view through May 11. Tue-Fri 10am-5pm, Sat & Mon open by appointment only, and closed on Sundays. Paper Moon Gallery (497 Franklin Street, Buffalo, NY 14202, 9496604): Richard Gubernick: Drawings. On view through May 28. WedFri 12-5pm, Sat 12-3pm. Parables Gallery & Gifts (1027 Elmwood Avenue, Buffalo, NY, parablesgalleryandgifts.com): Works by Jill Gustafson Glunz, Susan Liebel, Scott Matheny, David Fehrman, Donald Jackson, Teresa Alessandra, Debra Orrange, Jane Marinsky, Paul Chlebowski, on view through May 29. Tue-Thu, 11am-6pm, Fri 11am7pm (11am-9pm on first Fridays), Sat 11am-5pm. Prism (MyBuffaloPride, 224 Allen Street, Buffalo, NY 14201): Natural Narratives, sculptures by Brian Dickenson. Thu & Fri 4-8pm, Sat & Sun 3-7pm. Queen City Gallery (617 Main

Street, Buffalo, NY 14203, 8688183, queencitygallery.tripod. com): Neil Mahar, David Pierro, Candace Keegan, John Farallo, Chris McGee, Tim Raymond, Eileen Pleasure, Eric Evinczik, Barbara Crocker, Thomas Bittner, Joshua Nickerson, Susan Redenbach, Barbara Lynch Johnt, Kristopher Whatever, Michael Mulley. Tue-Fri 11am-4pm and by appointment. River Gallery and Gifts (83 Webster Street, North Tonawanda, 14120): Work of 20 artists who are member artists at The River Art Gallery and also members of The Buffalo Society of Artists on view through Jun 4. Opening reception Sat May 14, 4-6pm. Wed-Fri 11am- 4pm Sat 11am- 5pm. RO (732 Elmwood Avenue, Buffalo, NY 14222, 240-9387, rohomeshop. com): Woven Through the Sun: A reflection by Hayley Carrow and Issa Mars, on view through May 30. Tue-Sat 11am-6pm, Sun 11am-4pm, closed Mondays. Sports Focus Physical Therapy (531 Virginia Street, Buffalo, NY, 14202, 3324838, sportsfocuspt.com): Images

of WNY on loan from the Buffalo Museum of Science. On view through May 31. Mon-Fri 9am-5pm, 6-9pm on first Fridays. Studio Hart (65 Allen Street, Buffalo, NY 14202, 536-8337, studiohart. com): Flower Burst Group Invitational: Rita Argen Auerbach, Ani Hoover, Polly Little, Kate Parzych, Dale Schwalenberg, and Carol Case Siracuse, on view through May 28. TueFri 11:30am-3:30pm, Sat 12-4pm, and open every First Friday 6-9pm. Sugar City (1239 Niagara Street, Buffalo, NY 14213, buffalosugarcity. org): Open by event. UB Anderson Gallery (1 Martha Jackson Place, Buffalo, NY 14214, 8293754, ubartgalleries.org): Cravens World: The Human Aesthetic, on view through Dec 31, 2016. On the Front Lines: Military Veterans at the Art Students League of New York and Cracked Open, paintings by David Schirm, on view through Aug 7. Wed-Sat 11am-5pm, Sun 1-5pm.

To add your gallery’s information to the list, please contact us at P info@dailypublic.com.

Artist Talk: Mark Bradford Tuesday, May 24, 2016 PS 192 Buffalo Academy for Visual and Performing Arts Free Talk 6–7 pm Free Community Reception 7–8 pm FREE AND OPEN TO THE PUBLIC Mark Bradford is one of his generation’s most celebrated artists and the cofounder of Art + Practice, an arts and education foundation based in Leimert Park, Los Angeles. Bradford’s work is the subject of an exhibition at the Albright-Knox Art Gallery, Shade: Clyfford Still / Mark Bradford, which has a free public opening on Wednesday, May 25, from 7 to 9 pm. The artist will give a free talk at 7:15 pm.

Albright-Knox Art Gallery 1285 Elmwood Avenue Buffalo, New York 14222-1096 albrightknox.org Shade: Clyfford Still / Mark Bradford has been made possible through the generosity of the First Niagara Foundation, Mr. and Mrs. Charles W. Banta, Jay Goldman, Hauser & Wirth Inc., Deborah Ronnen, and Amy and Harris Schwalb. The First Niagara Foundation is proud to serve as the official Education Sponsor of this exhibition. Their sponsorship will underwrite free admission to the exhibition for all K–12 students in Erie County during the months of July and August. Education programming for Shade: Clyfford Still / Mark Bradford is presented in partnership with the City of Buffalo. Image: Mark Bradford (American, born 1961). Photograph courtesy the artist.

DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC

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12 THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM


BRENDAN BANNON recently completed an artist residency at Hilbert College. The resulting series, Untold Stories, seeks pockets of Western New York life. Check out a slide show at dailypublic.com. DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC 13


EVENTS CALENDAR Faizon Love 8pm Helium Comedy Club, 30 Mississippi St. $18-$30

PUBLIC APPROVED

[COMEDY] Actor and comedian Faizon Love is best known for roles in the films Friday, Elf, The Replacements, Made, and Couples Retreat. Love also co-starred in the sitcom The Parent ‘Hood, and made guest-appearances in The Real Husbands of Hollywood and on It’s Always Sunny in Philadelphia. His brand of comedy mixes his own charismatic personality with his observational wit to discuss racism, women, and pop culture, amongst other things. Catch Faizon Love at Helium Comedy Club on Thursday, May 12 through Saturday, May 14. -KELLIE POWELL

FRIDAY MAY 13 Foreigner 7pm Seneca Niagara Events Center, 310 4th St. $45

PETER KIRSCH Free Music Zone album Recommended if you like: Mac DeMarco, Ariel Pink

Combining lo-fi recordings with dream pop aesthetics, Peter Kirsch puts together some strange pop riffs on the new record Free Music Zone. The self-proclaimed “home recordist” released the record through the New York City-based not-for-profit music label OSR in March. Highlights include the Mac DeMarco-esque “Because of Me,” which boasts a (presumably purposefully) cringeworthy video of a middle-aged hula-hooper hooping in an infinite loop.

LOOSEN THE BIBLE BELT TOUR THURSDAY MAY 12 7PM / ASBURY HALL, 341 DELAWARE AVE. / $12-$15 [COMEDY] Kristen Becker’s Loosen the Bible Belt show is truly a one-of-its-kind experience. Last year, comedian Becker (an out-and-proud lesbian and activist) and pastor Jay Bakker (son of televangelists Jim and Tammy Faye Bakker) teamed up to create a tour which combined standup comedy and preaching, mixed with a little music, in a traveling tent revival style show bent on promoting not just tolerance but love and acceptance between Southern evangelicals and the LGBTQ community. Becker and Bakker are back at it this year, and they're kicking off the tour at Babeville's Asbury Hall this Thursday, May 12. Accompanying Bakker and Becker on this tour are Buffalo’s the Heavenly Chillbillies, Louisiana singer/songwriter SarahRose Marie, and comedian Duane Duke. Catch this curious blend of down-and-dirty comedy, newfangled old-time religion, music, and good will before the troupe trundles onto the Chillbillies' vegetable-oil-fueled tour bus and departs for point south. -EVAN JAMES

WEDNESDAY MAY 11 Parkway Drive

THE JEALOUS UNKNOWNS “Hard Way Off” video RIYL: Chumped, Weezer, Foo Fighters

This week alt rock band the Jealous Unknowns released the music video for their single “Hard Way Off.” The song will appear on their upcoming EP Say Yes.

7pm Town Ballroom, 681 Main St. $10-$12

[METAL] Parkway Drive is an Australian metalcore band signed to the popular punk label Resist Records. Since their inception in 2003 the band has released five studio records including their latest, 2015’s Ire, which marks a move away from their signature metalcore style into straight metal territory. They’ll come to the Town Ballroom on Wednesday, May 11. -THE PUBLIC STAFF

[INDIE] “New York singer-songwriter writes the most depressing songs EVER…and you’ll love him for it,” reads one headline for an interview with artist Mishka Shubaly. Another reads “Mishka Shubaly on forgiveness, authenticity, and life as a sober artist.” Needless to say, the young musician takes his art seriously and he’s got plenty of serious life experiences to pull from, including recovering from teen alcoholism. The award-winning songwriter, who has toured with some high profile bands including the Yeah Yeah Yeah’s and the Decemberists, comes to the Town Ballroom’s Leopard Lounge on Thursday, May 12 with Seattle-based singer/ songwriter Star Anna. -CP

7pm Tralf Music Hall, 622 Main St. $16-$18

Battling this week for the chance to open for Charles Bradley & His Extraordinaires:

n CRITT’S JUKE JOINT n THE HEAVENLY CHILLBILLIES n VIN DEROSA & THE VITAMIN D CREW To vote, go to: DO YOU MAKE MUSIC? dailypublic.com/thepublicchoice HAVE RECOMMENDATION? Voters A must log in to Facebook to vote. Voting for week one begins on May 11 and ends on May 16. CONTACT CORY@DAILYPUBLIC.COM Check back here next week to see TO BE CONSIDERED IN OUR the winner and to see the next WEEKLY PUBLIC PICKS. batch of contestants.

[POP] Essentially the project of singer-songwriter Zach Schwartz (a.k.a. Zach Rogue), Rogue Wave has persevered through all the music industry tumult over the past decade-plus, having launched a career with a promising Sub Pop Records contract only to get dropped after a pair of releases. Since then, vacillating between a duo (with Schwartz's ongoing creative partner Pat Spurgeon) and a fullsized touring band of various configurations, they've released four more full-length discs, culminating with Delusions of Grand Fur, out on the Easy Sound Recording Company label (Vetiver, Marianne Faithfull) last month. Far from the dance-pop of 2010's Permalight, the disc picks up where 2013's Nightingale Floors left off and takes a dark-side detour, bathing the band's trademark shimmering pop melodies in sentiments of uncertainty and boredom. The restless tone at the disc's core is palpable, but Grand Fur refuses to take the plunge into depressive territory. Hear for yourself Wednesday, May 11 at the Tralf Music Hall with openers Hey Mar-

seilles. -CJT

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J@zz on the Edge 10pm Nietzsche's, 248 Allen St. $5

[JAZZ] Local jazzist Adam Bronstein will present a performance titled J@zz on the Edge this Friday, May 13 at Nietzsche’s accompanied by his band, the Freehand Band. The performance is billed as a celebration of 20th-century American improvistional music and its influence on pop music, and will also feature Michael McNeill, a debut performance by the Vendo Llamas, Tom Stahl and the Dangerfields, and MELA. -CP

Mishka Shubaly

7pm Town Ballroom, 681 Main St. $20-$25

Rogue Wave

BATTLE OF THE BANDS

THURSDAY MAY 12

[ROCK] Whether or not it's really Foreigner is a matter of perception—only Mick Jones remains from the original 1976 lineup, which went on to sell more than 35 million records in the US alone. Still, the band's shows have been well received with current frontman Kelly Hansen (since 2005), consisting of an all-hits setlist. Catch them as they promote their new acoustic/unplugged release, which brings them to the Seneca Niagara Casino Events Center in Niagara Falls this Friday night, May 13. -CJT

Excursions Into Unknowable Worlds 7:30pm Hi Temp Fabrications, 79 Perry St

[ART] Stanzi Vaubel, a media studies professor at the University at Buffalo, wears many hats. In addition to being a classical cellist and radio show host, Vaubel is an artist who whose collaborative work will be performed this Thursday, May 12 and Friday, May 13 at Hi Temp Fabrications. Excursions Into Unknowable Worlds is a truly immersive experience, featuring music, installation, and live performances—the product of more than 30 artists, all orchestrated by Vaubel. Read an interview with Vaubel on page 8. -EJ

Consider the Source 9pm Buffalo Iron Works, 49 Illinois St. $10-$15

[FUSION] Consider the Source plays progressive rock and jazz-fusion with a touch of intergalactic shimmer—all drenched in a Middle Eastern glaze. The results could easily sound like an overwrought mess, but instead it’s earthy, original, and hypnotic. Dubbed “Sci-Fi Middle Eastern Fusion,” the sounds of Consider the Source have captivated millions by way of a relentless touring schedule that’s put them in front of a wide range of fans across the country and beyond. Catch Consider the Source with Intrepid Travelers at Buffalo Iron Works on Friday, May 13. -KP

SATURDAY MAY 14 Born Ruffians

5pm Mohawk Place, 47 E Mohawk St. $13-$15

[INDIE] Toronto-based indie-rock quartet Born Ruffians returns to Buffalo in support of 2015's Ruff (and the new companion EP, Extra Ruff, out last month), perpetuating the post-punk revival sound that's always been at their core—raw, scrappy anthems that exude frustration cloaked in an anthemic wash. This Western New York show comes in between recurring gigs in Las Vegas, where our friendly northern neighbors seem to have taken up a sort of fascination and residency. (They'll be playing dates in Las Vegas throughout the year.) See bornruffians. com for more. It's unclear if there's intended irony in their "Las Vegas residency for an indie band" concept, but we're all for it! Doors are at 5pm for an EARLY SHOW at Mohawk Place this Saturday, May 14. -CJT


s ’ e e i g k n l u i Lo

CALENDAR EVENTS Buffalo’s Premier Live Music Club ◆ WEDNESDAY, MAY 11 ◆

PUBLIC APPROVED

Dreamy California psych:

Sugar Candy Mountain + Stunde Null, Chevron Bloom 8PM ◆ $5

◆ THURSDAY, MAY 12 ◆

Small Houses

+ Sonny Baker & Alex Berkley, Tough Old Bird, POET CAYLI ENDERTON 8PM ◆ $5

◆ FRIDAY, MAY 13 ◆

Happy Hour: The Jony James Band ◆

5PM ◆ FREE!

The Barksdales + Dead Lounge, Seven Thirty Seven, OLD GHOSTS 8PM ◆ $5

Mlmwood E

its, &

spir food,

WEEKLY LIVE ENTERTAINMENT

May 13

Rinse 716 presents

ZOMBIE WHITEOUT WE ARE CALLING OUT THE INFECTED ONCE AGAIN FOR A NIGHT OF ELECTRONIC MUSIC

@ 10 PM / $12

◆ SATURDAY, MAY 14 ◆

Born Ruffians

6PM ◆ $13 ADVANCE/$15 DAY OF SHOW

late show / record release

Governess

+ The Cheats, Rotten (UK), Commando 10PM ◆ $5

◆ SUNDAY, MAY 15 ◆

From San Diego

For The Win

+ Abandoned By Bears, Arrow Trail, Settle Your Scores, So Far So Good, One Less Today, The Last Sentry 6PM ◆ $10 ADVANCE/$13 DAY OF SHOW

◆ MONDAY, MAY 16 ◆

SMALL HOUSES THURSDAY MAY 12

Girly glam-punk from Hollywood

The Fabulous Miss Wendy + from seattle Crazy Eyes + Big Classic, THE SPAGHETTI BOYS

7PM / MOHAWK PLACE, 47 E MOHAWK ST. / $6 [INDIE] Jeremy Quentin may come from Flint, Michigan, but he’s spent quite a bit of time in Buffalo. He’s also spent a lot of time not really having a home, living the nomadic existence of a troubadour—perpetually touring (200 shows last year), living out of his car, and couch-surfing. But all that changed recently when he decided to sprout roots in Austin, Texas. “It’s the first time I’ve done this in my adult life,” he said over the phone from Burlington, where his musical project, Small Houses—which comes to Mohawk Place on Thursday, May 12—was performing at a festival. “I wasn’t even really thinking about the music scene when I made the decision. Austin, to me, is like a dream—I can ride my bike, have my coffee shop and grocery store right nearby, I have a piano right in my house, it’s summer all the time. It’s so calm there. I never wake up thinking that the day is gonna suck.” Quentin says the new living arrangement has impacted his writing because of having the keyboard at his disposal, allowing him to compose songs on the piano and then re-work them for guitar. On his current trek, he’s joined by his vocalist friend Sophie who flew in from Amsterdam to sing with him, putting a softer feminine touch on his trademark gravelly tone during her first trip to the States. He’s been working on a follow up to 2015’s Still Talk; Second City and ran a pledge campaign to raise funds, which he’s now supplementing with hours at that coffee shop near his home. While Quentin readily admits that having a label to help fund the process of recording and releasing music would be a welcome change, he’s committed to making it happen by whatever means necessary. “If it bugged me, I wouldn’t do it. But there’s something exciting about it—you love packaging it and receiving your test pressing. Every time you do it, you want it to be better than the last, so it feels like a new experience each time. “I’m working seven days a week right now to buy studio time for the fall,” he continued, noting that while funding is necessary for obvious reasons, it needn’t run the show. “If you’re on the road all the time and you’re broke, when all your friends are broke and you’re living that existence with one another, money leaves the conversation pretty quickly. I hear these complaints about insane licensing issues and problems with Spotify—if we get fed and have a place to sleep, I don’t understand what the argument is about.” Doors are at 7pm with an early poetry reading from City Honors freshman Cayli Enderton and sets from Tough Old Bird and the Sonny Baker/Alex Berkley duo. -CHRISTOPHER JOHN TREACY

Marco Benevento 7pm Tralf Music Hall, 622 Main St. $15-$18

[JAZZ] Marco Benevento strikes the ivory of his upright piano, meticulously calculating each note’s effect on the one that precedes it. Filling his piano lines in with rich textures and tones, his songs grow into their own atmospheric soundscapes that are as creative as they are harmonious. Through five albums, Benevento wrote, arranged, and played his largely instrumental anthems, leading a band from behind his piano and army of drum machines, sequencers, keyboards and pedals. The only instrument missing from this medley was his voice, until his 2012 release, Swift, which found Benevento’s earnest vocals sitting comfortably atop his colorful compositions. Benevento continues playing with his

8PM ◆ $5

◆ TUESDAY, MAY 17 ◆

May CAN’T GET 14

ENOUGH DANCE PARTY

AN EVENING OF THE BEST INDIE AND ELECTRONIC DANCE MUSIC BEING PLAYED BY BILL PAGE FROM TRANSMISSION

@ 10 PM / 21+ / Free

Every Tuesday

@ 9 PM

Indie folk-blues from Boston

+ Lonestar Sailing, The Good Neighbors 8PM ◆ $5

47 East Mohawk St. 716.312.9279

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@ 9 PM Free

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vocals on his 2016 release, The Story of Fred Short. While he has always had a flair for penning unique yet accessible music, the album opener, “In the Afternoon Tomorrow,” is a pinnacle of gentle pop, kicking off an album that’s less experimental than past albums but by no means less powerful. Benevento’s latest work is an excellent demonstration of his capacity for tuneful songwriting, and he deploys a wide array of sounds to create something that’s boldly enthusiastic, from the echoey, chamber music sounds of “I Intro: The Story of Fred Short” to the smooth classic rock vibes of “Heavy Metal Floating Upstream.” Catch him at the Tralf Music Hall on Saturday, May 14. -KP

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PUBLIC APPROVED Can’t Get Enough 10pm Milkie’s, 522 Elmwood Ave Free

[DANCE PARTY] Transmission Dance Party’s Bill Page returns for a new dance party, Can’t Get Enough, this Saturday, May 14 at Milkie’s. Expect a mega-mix of indie dance electronic music. No cover. -CP

THIS WEEK'S LGBT AGENDA

SUNDAY MAY 15

FRIDAY MAY 13

Max Collins: Natural Processes 2pm Castellani Art Museum, Niagara University

INAUGURAL WESTMINSTER FRIENDS OF MUSIC GALA 7:30PM at Saturn Club, 997 Delaware Ave.

An evening of fine dining, brilliant music, and fun to benefit Westminster Friends of Music, which provides quality music to enhance the cultural life of Buffalo and the worship life of Westminster Presbyterian Church. Hors d’oeuvres, dinner, open bar, and a string quartet accompanying Matt Alber, well-known performer and LGBT advocate. Black tie optional. Tickets available at wpcbuffalo.org: $75, presale; $100, at-the-door.

FRIDAY MAY 13

BURCHFIELD PENNEY SECOND FRIDAY FRIDAY MAY 13 5PM / BURCHFIELD PENNEY ART CENTER, 1300 ELMWOOD AVE/ FREE [GALLERY NIGHT] This Friday’s monthly open gallery event at the Burchfield Penney Art Center provides its usual pairings of art and music, but with a few added bells and whistles. No one should deny themselves the chance to check out some of the late Jack Drummer's work now on view at BPAC and Niagara Street’s BT&C Gallery, whether you’ve seen it already or not; the large works on rubber sheets have a hypnotic presence in person that neither pixels nor newsprint can convey, and an unforgettable smell, too. There’ll be live music from Bill Sacks and Will Redman at 5:30pm, a musical perfomance by Corner & Reisch at 6pm, and a drop-in art-making class, 5:30-7:30pm. At 8pm, there’ll be a special classical music concert courtesy of A Musical Feast. While gallery admission is free all day, the nightcap concert is $20 for the public and $10 for members of the gallery. -AARON LOWINGER

UNDERGROUND BURLESQUE 10PM at Underground, 274 Delaware Ave.

A night of burlesque entertainment hosted by Trixi Firecracker, with a special set this month in tribute to Prince. Shows at 11pm and midnight. No cover, and drink specials all night.

PUBLIC APPROVED

[ART] Max Collins is a visual artist whose art you’ve likely seen in local galleries and even on the streets of Buffalo, as he’s know for his striking wheat-pasted street murals. His next show, titled Natural Processes, will open at the Castellani Art Museum in Lewiston on Sunday, May 15. The exhibition consists of photography, installations, and a film that considers life cycles in nature—or, as Collins puts it, “wilderness therapy.” -TPS

MONDAY MAY 16 The Fabulous Miss Wendy 8pm Mohawk Place, 47 E Mohawk St. $5

[ROCK] Only a lady punk rocker from Hollywood could have a name as glamorous as the Fabulous Miss Wendy. Inspired by the Misfits, Dead Kennedys, and the Ramones, the glam-punk band comes to Mohawk Place on Monday, May 16 with support from Crazy Eyes and Big Classic. -CP

TUESDAY MAY 17

SATURDAY MAY 14

Radiator King 8pm Mohawk Place, 47 E Mohawk St. $5

[INDIE] This is not a plug for your uncle’s shitty radiator repair company, though the folk/punk band from Boston might have been inspired by the side of his truck. No, this is Radiator King, a.k.a. singer/songwriter Adam Silvestri, a student of the school of Dylan and maybe one who spent a little too much time in detention listening to the Clash. The poetic-punk comes to Mohawk Place on Tuesday, May 17 in support of his latest album Document Untold with local openers Lonestar Sailing and The Good Neighbors. -CP

THE MAIN DRAG 8PM at The Grange Theater, 22 Main St., Hamburg

Drag in the suburbs is such a hit, they added another monthly show! Robotika 2Kay presents a 2.0 of The Main Drag, this time featuring the Queen City Queens: Keke Valasquez-Lord, Chevon Davis, Alicia Michaels, Leigh Da Riot and Fy’a Colby-Valentino. Tickets available at buffalochrysalistheatre.com: $10, must be at least 16.

SATURDAY MAY 14

ECHO ART FAIR FRIDAY-SUNDAY MAY 13-15 6PM / OSC MANUFACTURING & EQUIPMENT SERVICES, 1001 EAST DELAVAN ST. / $50 ON FRIDAY, $5 ON SATURDAY & SUNDAY

IMPERIAL COURT CORONATION 26: THE IN-TOWN SHOW 9PM at Q, 44 Allen St.

Emperor and Empress 25 of Buffalo Thomas Branscum Carrington Sugarbaker and Jayme Cadelle Coxx command your presence at the official start of Coronation 26, with performances from the Royal Family. It all leads up to The Grand Ball: A Night of Illusions and Delusions, Heroes and Villains on Saturday, May 21.

LOOPMAGAZINEBUFFALO.COM

[ART FAIR] For five years, the Echo Art Fair has provided the region with a big tent event for its art makers and collectors. Part exhibition, part marketplace, the fair has evolved into a welcome staple on the arts calendar, filling the void for fine arts created as more and more commercial and nationally established vendors have moved into the Allentown Art Festival. Echo is not a place where you can find handmade salad tong; it’s a place to enter the ongoing and universal human conversation that art countenances. This year’s installment will occupy the OSC Manufacturing & Equipment Services, formerly the American Axle plant and before that General Motors. Designed by the incredibly prolific architect Albert Kahn and situated on Buffalo’s railroad beltway, the fair's venue offers a rare peak at a piece of living Buffalo history. Paying homage to the venue, UB architecture professor Jordan Geiger is curating a special feature on Buffalo architecture dubbed Light Industry that will include full-scale architectural installations, and real-time, audience-driven performances integrated into the site. Adding to the space the work of dozens of individual artists and galleries from throughout the region and beyond, as well as site-specific installations, will certainly create a special experience this weekend. The affair kicks off with a ticketed preview reception on Friday ($50), and the fair is open 11am-7pm on Saturday and 11am-6pm on Sunday for $5 admission, with children 10 and under getting in gratis. -AARON LOWINGER

16 THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

WEDNESDAY MAY 18 Blue October 6:30pm Rapids Theatre, 1711 Main St. $25-$30

[ROCK] Alternative rock band Blue October hits Niagara Falls next weekwith a can’t-miss all ages show. Best known for their platinum hits "Hate Me" and "Into the Ocean" off 2006’s Foiled, Blue October is still making music, releasing their eighth studio album Home last month. This band prides themselves on having a fan base that is diverse and spans all ages. From young to old, Blue October’s fans love their music which promises “inspiring reflective moments, joy, hope, self-healing, and self-empowerment.” Catch them at the Rapids Theatre on Wednesday, May 18 . -EJ


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wsg Bobby & The Love, The Beer Hall Philosophers, Poppins Escape, The Colin & Steve Macdonald Duo, Silence of the Llamas, Sean Kelly 9PM $5

Reggae Happy Hour w. the Neville Francis Band FRIDAY

MAY 13

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10PM $5 � CHECK COPY CONTENT TO ADVERTISER [ELECTRONIC/DANCE] What has become one ofMESSAGE the area’s more consistent underground parties, IF YOU APPROVE ERRORS WHICH ARE ON GLASS LAMPWORKING SCENE Thank you for advertising with Strange Allure, continues with their third edition on Saturday, May 14 at an undisclosed THIS PROOF, THE PUBLIC CANNOT BE THE PUBLIC. Please review your ____________________________ location. This time through they’ll welcome New ad Yorkand City-by-way-of-Chicago techno-lord HELD RESPONSIBLE. PLEASE EXAMINE THE AD check for any errors. The � PaCHECK IMPORTANT DATES THOROUGHLY EVEN IF THE AD IS A PICK-UP. tricia, known for releases on labels including L.I.E.S., Opal Tapes, Ghostly Intl. and collaboraoriginal layout instructions have SATURDAY been followed as closely as possible. Gathered in Their Masses: THIS PROOF MAY ONLY BE USED FOR tions with Jahiliyya Fields, Terekke, and more. As shadowy as techno producers come, Patricia has Date _______________________ MAY ADDRESS, PHONE2nd#,Annual THE PUBLIC offers design services � CHECK NAME, PUBLICATION IN THE PUBLIC. made a habit out of releasing tape-damaged, basement-ready club bangers, specifically on records 14 with two proofs at no charge. THE & WEBSITE Black Sabbath Tribute like 2013’s Body Issues—released on the UK-based label Opal Tapes—and more 2015’s PUBLIC is not responsible forrecently, any Y15W22 10PM $5 Issue: ______________________ (PROCEEDS FOR PAWSITIVE FOR HEROES) error if not notified within 24 hours of Bem Inventory. In a review of Bem Inventory, electronic music magazine Resident Advisor noted Thelive. production department WEDNESDAY the techno producer’s love for analogue gear and receipt. performing Patricia will be joined by Opal CHANGES) MAY must have a signed proof in order � PROOF OK (NO Jon Lehning Sextet Tapes rostermate Prostitutes, who’ll come in from Cleveland, along with ambient music artist 18 to print. Please sign and fax this 9PM FREE THIS PROOF MAY ONLY BE USED FOR Echelons, as well as DJ Obsidian Direct. Location will be by released the day to of the show back details or approve responding PUBLICATION IN THE PUBLIC. � PROOF OK (WITH CHANGES) thismore email.info visit the Strange Allure Facebook via email for ticketholders and email subscribers. For page. Redux:Prelude, an official Strange Allure preparty will take place starting at 4pm at the Tap House on Chippewa and will feature DJs Alex Morrison and Rufus Gibson. -CORY PERLA THURSDAY

MAY 13 & 14

MAY 19

Mulberry Soul,The Observers, The Brothers Blue 9PM $5

happy Hour w. jony james PUBLIC APPROVED

FRIDAY

MAY 20

6PM FREE

Can I Kick It?: A Musical Tribute to Phife Dawg

featuring Emcees: Tommy Too, Short Moscato, Truey V and instrumentalists: Big Slaps, Candice Thomas, Jared Tinkham, Declan Miers 10PM $5

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FARM TO PINT SUNDAY MAY 15 12-8PM / HAMBURG BREWING COMPANY, 6553 BOSTON STATE RD. [BEER] The Buffalo Niagara Brewers Association and Hamburg Brewing Company present their third annual Farm to Pint (F2P) celebration of beer created exclusively from locally sourced ingredients. The event features 20 beers by Western New York breweries and showcases local farmers, maltsters, and hop farmers like Niagara Malt, NY Craft Malt, East Prairie Hops, and Domoy Farms. Locally raised meat and vegetarian grilled skewers available for purchase throughout the day. The event is free and open to the public. At Hamburg Brewing Company on SunP day, May 15 from noon to 8pm. -BRIAN CAMPBELL

PROJECT 308 GALLERY 308 OLIVER STREET N. TONAWANDA, NY 14120

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Ease Dew Frito G-Check Tammy Baller Aaron Brown Bubba Dublin’s Toy Factory Dave Park Baker Chase from Toro Jesse Hastings Sean Foley Joey Trankina Reedo Geoff Platt Tyler Glassman Derek Camper

Tammy Lynch Bradford Rick Fantrazzo C-Train Epix Glass Scott Griffin Pete Hess Matt Lazaro Sugar Shack Glass Krankez Glass Karl Termini Grade A Glass Worx Ricky “RekArts” Pops Cicero ELC Glass Phil Sundling and more!

18+ Only for Entry DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC 17


FOOD + DRINK NEWS

PERKS AT THE BEST LOCAL RESTAURANTS

AL FRESCO ‘Tis the season for outdoor dining (ahem, drinking), and no one knows how to do that better than Western New Yorkers. We brave such a long, gray winter that many of us eagerly convince ourselves it’s perfectly normal to put the grill on and don a pair of shorts once forty-degree weather arrives in late March. But now that it’s May, al fresco dining is officially here. Download Loupe and get perks while visiting the best local patios, like these!

From Final Straw: Yoshikazu Kawaguchi at his Akame Open Farm School in Nara, Japan.

WATCH, EAT, HELP BY KEVIN THURSTON

ON MAY 29, SOLE OF BUFFALO WILL SCREEN THE 2016 DOCUMENTARY, FINAL STRAW: FOOD/EARTH/ HAPPINESS SOLE OF BUFFALO WILL SCREEN the 2016

documentary, Final Straw: food/earth/happiness. Before the film, the directors, Patrick Lydon and Shuee Kang, will have a special message for SOLE’s supporters, so be certain to arrive early. After the screening there will be a deliciously diverse salad bar, predominately made up of fruits and vegetables and other foodstuffs as well as beverages produced here in Buffalo. The fundraiser will be at Sewing Souls Studio (356 S. Elmwood) on Sunday, May 29 from 1 to 4pm. Tickets are $25 through brownpapetickets.com ($30 cash at the door) and all profits from the event will be used toward SOLE of Buffalo’s goal of opening the Dharma Kitchen and Prana Pantry Center, which will:

• operate an annual series of classes on cooking, baking, food preservation (canning and drying), gardening, seed saving;

FINAL STRAW: FOOD/EARTH/HAPPINESS

• introduce nutrition, health, and wellness coursework;

SEWING SOULS STUDIO

• operate a pay-what-you-can restaurant, using regionally and in-house sourced foodstuffs;

356 S. ELMWOOD, BUFFALO

• and operate a pantry and garden, offering regionally sourced and in-house grown foodstuffs from regional farms and food producers, the centers aquaponic ponds and hoop garden/ grow towers.

SUNDAY, MAY 29 / 1 -4PM

There will be door prizes and a couple raffle baskets including tickets to a guided tour of Forest Lawn Cemetery. Additionally, the Veteran Tickets Foundation is providing two tickets to active military and their families. SOLE of Buffalo is a nonprofit that focuses on the right to access seasonally, organically, locally, and ethically produced foodstuffs for all. If they aren’t currently teaching a class on

THE BLACK SHEEP

blacksheepbuffalo.com Known for its nose-to-tail ethos, incredible wine list, killer baked goods, and Midnight Mass dinner events, Black Sheep’s back patio is nestled among a large urban garden. Featuring bold art by Andy Sharpe, the combination of Sheep’s food and this setting make it the sort of place where you have to occasionally remind yourself that yes, you're actually in Buffalo.

$25 ADVANCE / $30 CASH AT THE DOOR

something you want to learn about, they’ll help you get in touch with someone who can. If you need emergency food services, but have an allergy or sensitivity (gluten, egg, nut, etc.) or are an ethically motivated eater (vegan/vegetarian), they can help you find a way to fill your unique needs. More information about both the fundraiser and the organization can be found at soleofbuffalo.org. P

BUFFALO BEER BUZZ

HYDRAULIC HEARTH hydraulichearth.com

Hydraulic Hearth has an insanely fun beer garden, replete with games, live music, and plenty of tables at which to enjoy its woodfired pizza and the beer Community Beer Works brews on premises. Open to folks of all ages, HH’s beer garden is one of the coolest places to hang out on warm, sunny days.

FARM TO PINT! Sunday, May 15 / 12-8pm Hamburg Brewing, 6553 Boston State Rd, Hamburg / hamburgbrewing.com In advance of the third annual Farm to Pint event, which takes place Sunday, May 15, 12-8pm, at Hamburg Brewing (6553 Boston State Road, Hamburg), let’s examine some of the locally sourced beer that will be available: n Hamburg Brewing Blackberry Gose (3.8%): A traditional German-style sour featuring primarily New York State-grown wheat and two-row malt from NY Craft Malt, brewed with blackberries, coriander, and Mediterranean sea salt. n CBW Frank American Pale Ale (4.6%): A mellow malt base consisting of a portion of malts from Niagara Malt and hops from the Pacific Northwest. n Resurgence Brewing Cucumber Saison (4%): A saison dry-hopped with Sorachi Ace, aged on cucumbers—made with wheat and Munich malt from NY Craft Malt.

n Flying Bison Seneca Saison (5.3%): Made with 100% NY Craft Malt (two-row, malted wheat and rye), homegrown Chinook hops and Newport hops from Niagara Vines and Bines. n 42 North Brewing F2P Berliner Weisse (3.5%): An all-New York State beer made with wheat and barley malt from NY Craft Malt and Erie County-grown Newport hops. n Four Mile REAP Vol. III Wheat Ale (4.4%): A hoppy wheat ale brewed with locally sourced red wheat. n Old First Ward Therapy Session Pale Ale (4.8%): This aggressively hopped pale ale features cascade hops and malt from Niagara County.

18 THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

n 12 Gates Brewing Sweet Orange Summer Ale (4.7%): Made with 90% from NY Craft Malt, Sweet Orange Summer Ale features orange peel that adds a refreshing splash of citrus. n Woodcock Brothers North 425 Pilsner (5%): A light pilsner made with locally grown Newport and Czech Saaz hops. n Ellicottville Brewing Sky High Rye IPA (5.5%): Rye IPA featuring rye from NY Craft Malt that utilizes a variety of hopping methods to obtain a juicy, Mosaic-forward blend. n Rusty Nickel Hard Red French Saison (6%): French saison using a blend of wheat from Niagara Malt and NY Craft Malt as well as pilsner malt from Niagara Malt. n Southern Tier Brewing Back Burner Barleywine (10.5%): A

barleywine-style ale made with local blackstrap molasses and maple syrup. n Big Ditch Brewing Niagara Wild (4%): Belgian-influenced wild ale featuring local pilsner malt and hops from Niagara Malt and as well as wild yeast and bacteria collected from WNY. n Five and 20 Spirits and Brewing Rye Pale Ale (5.2%): Brewed using rye malt for a spicy grain character with moderate hop additions using American hop varietals for a spicy, citrus flavor and aroma. n New York Beer Project Saison With Cherries: A saison crafted with malt from Niagara Malt and sour cherries. n Gordon Biersch Pilsner (Cask): Czech-style pilsner dry-hopped with Cascade hops from Niagara Hops. P

RESURGENCE BREWING COMPANY resurgencebrewing.com

Located off an otherwise quiet stretch of Niagara Street, the West Side’s Resurgence Brewery features a fire pit, communal tables, lawn games, and beautiful lighting. Pair its incredible vibe with its Blood Orange Saison and you'll be in patio summer heaven!


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OLIVIA SCHMIDT BY NATHANIEL SWEETMAN

ALL-TIME HIGH POINTS SCORER IN HOLLAND HIGH SCHOOL WOMEN’S BASKETBALL HISTORY IT’S HALFWAY THROUGH the second quarter.

Holland High School basketball player Olivia Schmidt catches a pass from a teammate. She’s outside the arc and shoots the three— swish! The game is stopped; celebration ensues.

An milemark was hit this high school basketball season in the Town of Holland, when Olivia Schmidt scored her 2,000th career point in a home win in front of all of her family, friends, and fans. Only 11 other local women high school players have hit that mark. The school and Town of Holland celebrated her milestone as soon as she hit the shot, stopping the game and giving her a commemorative game ball. “I felt extremely blessed, honestly, because I had so much of my family and friends there, and people that have helped me succeed,” Schmidt says. “Some of my best friends are on the team now, and I got to do it beside them, which was awesome.” Schmidt led the team to the Far West regional championship game, which they lost to the eventual state champions, South Seneca. Schmidt scored 44 points and dished out five assists. She ended her career with 2,263 points. Coach Dan Parker, Schmidt’s coach of six years, touches on her leadership, and how it helped her and the team go so far this season. “Her leadership and skill set have helped her mature into a player who knows how to win,” he says. Parker says her leadership was exemplified in her play in a game against Allegany Limestone. “She was double-teamed through-

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out the second half, but she was skilled and experienced enough to use the double team to get her teammates shots.” Schmidt ended that game with eight assists, which followed a 10-assist outing the previous game that gave Holland its first ever sectional championship title. Most basketball points isn’t the only record Schmidt holds at Holland. She also holds the record for most soccer goals, with 173. “Just to pass the people that were there to begin with is really cool, because I remember watching them when I was little and growing up. It’s a great feeling,” Schmidt says. Next year, Schmidt will play soccer at Division II Indiana Wesleyan University. “For the first year I’m just going to play soccer and see if [basketball] is even a possibility. If I have enough time, I’ll definitely consider it, but if I can’t, I’ll just stick to soccer,” she says. “I think sports have so much to do with your mentality. To mentally not get frustrated, and keep yourself focused in the game is the biggest part.” Schmidt and Parker have been a player-coach tandem for six years. Although their basketball relationship has ended, the memories and success each has brought to the other’s life endures. “It has been a pleasure to coach Olivia for the past six years,” he says. “Her skill set would make any coach look smart, but to see her continue to develop those skills, work with her teammates and work to fully understand the strategy and mental aspects of the game have made the experience truly enjoyable.” When asked what she will miss most about high school sports, Schmidt replies, “Playing for the town…I’ve been playing [sports] with the same girls since we were all 10 years old. Playing beside those girls all this time feels amazing.” P DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC 19


FILM REVIEWS like. By the same token, it’s possible that the long list of plot holes I noted are answered in ways that more careful audiences than I will notice. But I don’t think so. For as entertaining as most of it is to watch—it’s 110 minutes but feels a half hour shorter— Nichols builds expectations only to frustrate them. A little of that is okay, but there’s a fine line between ambiguity and obscurity, and he comes up on the wrong side. Opens Friday at the North Park. *** Before the internet, a “widget” was something business school instructors used when discussing a principal or procedure in which the nature of the physical object was not relevant. Higher mathematics functions in somewhat that way in The Man Who Knew Infinity, a biopic about the great Indian mathematician Srinivasa Ramanujan (1887-1920): You don’t have to know anything about the subject or Ramanujan’s contribution to it to watch the movie, which only occasionally lets discussions of his work intrude on the drama. That’s not likely to be much of a surprise—a movie about mathematics inevitably brings to mind the phrase about dancing about architecture. But you can’t help but wish that writer-director Matthew Brown had been able to find some way to impart to viewers the nature of Ramanujan’s importance other than having his Trinity College sponsor ( Jeremy Irons) rhapsodize about his brilliance. Irons takes the acting honors as a mostly fictionalized character who, having lived in world of numbers, is unable to be the friend the young Indian needs. As Ramanujan, Dev Patel is hamstrung by the twin demands of biography and inspirational drama. It opens Friday at the Eastern Hills Mall Cinema. ***

Michael Shannon and Jaeden Lieberher in Midnight Special.

LEARNING CURVE MIDNIGHT SPECIAL / APRIL AND THE EXTRAORDINARY WORLD THE MAN WHO KNEW INFINITY / SING STREET BY M. FAUST A LOT OF PEOPLE FEEL who have been watching his career feel

that writer-director Jeff Nichols is in the place now where Steven Spielberg was in 1974, after Sugarland Express and Duel on his way to Jaws and Close Encounters of the Third Kind. Nichols’s three films—Shotgun Stories, Take Shelter, and Mud—show a craftsman consciously developing his skills with the goal of becoming the kind of filmmaker who can helm studio blockbusters. This isn’t interpretation: It’s exactly the way Nichols talks about himself in interviews. There’s no denying that he is both gifted and able to learn. Combine that with an authentic point of view for stories set in the South, where he was born and raised, and you have a potentially unique talent, on a level with if not specifically comparable to the Coen Brothers or John Sayles. That’s why Midnight Special is finally such a disappointment. While his technical skills drive most of the movie along smoothly and smartly, in the end this modestly budgeted studio movie is all too clearly a calling card showing how willing he is to sign up to make lucrative summer comic book franchise movies. For most of its running time, Midnight Special is a pleasure to watch. Nichols knows how to tease out his story, giving us just enough information to keep us involved without front-loading it. (It’s a skill that makes for engrossing viewing while making it difficult for the conscientious reviewer who wants to tell you about

AT THE MOVIES A selective guide to what’s opening and what’s playing in local moviehouses and other venues

BY M. FAUST & GEORGE SAX

OPENING THIS WEEK France, an animated steampunk adventure about a young girl carrying on the scientific experiments of her parents in a world where all the famous scientists have disappeared. Directed by Christian Desmares and Franck Ekinci from the graphic novel by Jacques Tardi. Reviewed this issue. Amherst (Dipson) THE DARKNESS—Scary stuff about a family that picks up an evil force after a trip to the Grand Canyon. Starring Kevin Bacon, Radha Mitchell, and Jennifer Morrison. Directed by Greg McLean (Wolf Creek). Maple Ridge, Regal Elmwood, Regal Niagara Falls, Regal Quaker, Regal Transit

the movie without giving away too much.) We recognize that we’re in a familiar 1980s sub-genre, about a child with special powers on the run with his parents while being chased by the government and other nefarious figures. Think Firestarter with dollops of Starman and E.T. It’s set in Texas and Louisiana and (for valid plot reasons) largely takes place at night, on desolate roads and run-down motels. The boy’s father is played by Michael Shannon (who has been in all of Nichols’s films), and he fits the definition of a movie star: Whenever he’s on screen, you’re eyes are drawn to him, even if he’s not doing anything. He is aided by an old friend, a state trooper played by Joel Edgerton; Kirsten Dunst joins them as the boy’s mother. Sam Shepard and Adam Driver round out an above-average cast for a story that is more concerned with issues of family and faith than special effects, though Nichols uses those sparingly and tastefully. So what’s not to like? As satisfying as it is to be drawn into a slowly revealed story, the time comes when you have to show your hand. And in the final reel, sad to say, we find that Nichols has been bluffing. It’s possible that he knows how the final combination of science fiction and Christian parable fit together; on the other hand, it seems just as likely that he’s throwing out a lot of options hoping that viewers will extract something from the stew that they

THE MAN WHO KNEW INFINITY—Biopic about the Indian mathematician S. Ramanujan (Dev Patel), whose self-taught theories brought him to Cambridge university in the years before World War I. With Jeremy Irons, Toby Jones, Jeremy Northam, and Stephen Fry. Directed by Matthew Brown. Reviewed this issue. Eastern Hills (Dipson) MIDNIGHT SPECIAL—Indie director Jeff Nichols (Mud) sets a foot into the mainstream with this sci-fi thriller starring Michael Shannon as a man trying to save his young son from a cult and government agents who want to harness his mysterious powers. With Joel Edgerton, Kirsten Dunst, and Adam Driver. Reviewed this issue. North Park MONEY MONSTER—Jodie Foster returns to the director’s chair for this real-time thriller about a financial TV show taken hostage by an irate investor. Starring George Clooney, Julia Roberts, Jack O’Connell and Dominic West. Flix, Maple Ridge, Regal Elmwood, Regal Niagara Falls, Regal Quaker, Regal Transit SING STREET—Writer-director John Carney (Once) returns to Dublin for a movie about boys

20 THE PUBLIC / MAY 11 - 17, 2016 / DAILYPUBLIC.COM

I can’t claim to be knowledgeable about the genre, but the French animated film April and the Extraordinary World (adapted from the graphic novel by Jacques Tardi) is the first steampunk movie I’ve seen that gives a basis for its alternative history. In 1870, Napoleon III is killed while overseeing an experiment designed to produce invincible soldiers. A side effect leads to the disappearance of important scientists over the next seven decades, leading the world to develop not by creating new technologies but by refining existing ones, primarily steam-driven engines. So in 1940 the world was exhausted its supply of coal, and the need for charcoal sends countries to war over land with heavy forests. That’s the background for a story involving a young girl, April (voiced by Marion Cotillard), trying to carry on the work of her parents and grandfather, who are among the disappeared scientists. In the manner of this kind of thing, the story is too complex to spell out, but it’s as entertaining as the design of the film is compelling to look at: As befits a sooty world, it’s primarily grey and black with splashes of primary colors—quite elegant. The animation style openly references the work of Hayao Miyazaki (look for that walking castle), though the story is equally French (there’s a cop who could well be named Javert). Opens Friday at the Amherst. *** I wasn’t expecting to like Sing Street, the new film from writer-director John Carney, whose 2007 Once charmed audiences around the world before doing the same on Broadway. His 2011 follow Begin Again was an obvious attempt to repeat that success, so the news of a third music-based film from the Irish filmmaker sounded dead in the water. To my surprise, it’s one of the most appealing movies of the year, especially if you were a teenager in the 1980s who knew every British band on MTV. Ferdia Walsh-Peelo stars as a boy, pulled out of private school because of his parents financial problems and sent to a rough local school, who copes by forming a band. The fun comes from watching them try out different musical styles of the era, alternately imitating Duran Duran, Spandau Ballet, and the Cure, with as much attention to making videos as to writing songs. It’s sugar-coated but not saccharine, and the songs (co-written by Carney) cleverly mimic what a bunch of precocious but imitative teens might have done. As 1980s nostalgia goes, it’s purely delightful. Opens Friday at the P Amherst and Eastern Hills.

who form a band in the heady musical days of the mid-1980s. Starring Ferdia Walsh-Peelo, Maria Doyle Kennedy, and Aidan Gillen. Reviewed this issue. Amherst (Dipson), Eastern Hills (Dipson)

ALTERNATIVE CINEMA THE ADVENTURES OF PERICLES—From the Stratford Festival, a production of Shakespeare’s rarely-performed drama. Starring Evan Buliung, Sean Arbuckle, Deborah Hay, Claire Lautier, and Brigit Wilson. Thu 7pm. Screening Room ALIEN (1979)—The original, often imitated but never equalled. Starring Sigourney Weaver, Tom Skerritt, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. Directed by Ridley Scott (Gladiator). Sat 7:30pm. Screening Room AS YOU LIKE IT—Shakeaspeare’s comedy from the National Theater in London. Starring Rosalie Craig, Patsy Ferran, and Mark Benton. Directed by Polly Findlay. Sun noon. Amherst (Dipson) BATTLESTAR GALACTICA (1978)—Precursor of the 1970s TV series about a spaceship searching for

the lost planet Earth. Starring Richard Hatch, Dirk Benedict, and Lorne Greene. Directed by P Richard A. Colla. Sat-Sun 11:30am. North Park THE 100-YEAR-OLD MAN WHO CLIMBED OUT THE WINDOW AND DISAPPEARED (Sweden, 2014)—An enormous hit in its native Sweden, part road movie, part comic crime caper, and an episodic Zelig-like history of the title character, who takes French leave from his retirement home to avoid his 100th birthday party and becomes involved in an improbable adventure (though not his first, as we see in flashbacks that show him dancing with a drunken Stalin and helping Robert Oppenheimer solve his bomb problem.) This whimsical, genially mordant comedy is managed with impressive facility, and star Robert Gustafsson’s performance is an underplayed little tour de force, with touches of Buster Keaton and W. C. Fields. Directed by Felix Herngren. Sun 4pm. –GS Roycroft Film Society, Parkdale School Auditorium, 141 Girard Ave., East Aurora RANGO (2011)—Animated comedy with Johnny Depp as the voice of a lizard who becomes the sheriff of a wild West town. Directed by Gore Verbinski (Pirates of the Caribbean). Sat 10 am. Eastern Hills (Dipson)


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fellow Avenger, Iron Man (Chris Evans, Robert Downey, Jr.), at odds over the government’s decision to regulate and limit heroes following ciHALLWALLS vilian casualties caused during previous battles. 341 Delaware Ave., Buffalo / 854-1694 All of the supers are forced to choose sides, and hallwalls.org half the fun is in seeing who aligns with whom. The character interplay is strong, the emotional HAMBURG PALACE underpinnings of the story surprisingly powerCONTINUING 31 Buffalo St., Hamburg / 649-2295 ful, and the action scenes spectacular, especialBARBERSHOP: THE NEXT CUT—Sequel. Starring hamburgpalace.com ly the epic set piece in which the heroic factions Ice Cube, Regina Hall, Cedric the Entertainer, square off against each other. The smart script Common, J. B. Smoove, and Anthony Anderson. not only introduces Black Panther and re-inLOCKPORT PALACE Directed by Malcolm D. Lee (The Best Man Holitroduces Spider-Man, but manages to give the 2 East Ave., Lockport / 438-1130 day). Regal Elmwood, Regal Quaker, Regal Tranmany characters some of their best moments, lockportpalacetheatre.org sit, Sunset Drive-In, Transit Drive-In and directors Anthony and Joe Russo’s use of BATMAN V SUPERMAN: DAWN OF JUSTICE—Asking the 3D format is often breathtaking. To be conMAPLE RIDGE 8 (AMC) one film to serve as a sequel to Zach Snyder’s tinued. —Greg Lamberson Aurora, Flix (Dipson), dreary Superman kickoff Man of Steel, a re4276 Maple Rd., Amherst / 833-9545 Maple Ridge, Regal Elmwood, Regal Niagara boot of the Batman franchise, a cinematic inamctheatres.com Falls, Regal Quaker, Regal Transit, Regal Walden troduction to Wonder Woman (among others), Galleria, Transit Drive-In and a setup for the upcoming two-part Justice MCKINLEY 6 THEATRES (DIPSON) EYE IN THE SKY—Modern communications techLeague film puts a lot of weight on this tent3701 McKinley Pkwy. / McKinley Mall nology bring military and government leaders pole project that is rumored to have cost $400 Hamburg / 824-3479 into the decision process of a proposed drone million. The good news is that as overlong and strike against a terrorist leader. In what feels mckinley.dipsontheatres.com grim as it is, it’s at least more intriguing and like real time, we watch the operation from the suspenseful than its direct predecessor. Viewperspectives of its various participants, mostly ers unfamiliar with the DC Comics universe may NORTH PARK THEATRE British and American, linked from around the often have little idea what they’re watching in 1428 Hertel Ave., Buffalo / 836-7411 world. It comes down to a single chilling quesSnyder’s heavy-handed treatment. Fans, on the northparktheatre.org tion: Is the life of a single innocent young girl a other hand, will recognize images and entire seprice worth paying to prevent an attack likely quences reproducing the work of writer/artist REGAL ELMWOOD CENTER 16 to kill scores of other equally innocent people? Frank Miller. Henry Cavill and Ben Affleck are Different viewers may react differently to what 2001 Elmwood Ave., Buffalo / 871–0722 fine as the titular heroes, though Amy Adams they see here. But the script by Guy Hibbert regmovies.com as Lois Lane and Gal Godot as Wonder Woman gives you all sides of the argument, clearly, are the best thing about the movie. With Jescompellingly, and without prejudice. If you don’t se Eisenberg, Diane Lane, Laurence Fishburne, REGAL NIAGARA FALLS STADIUM 12 like to have your opinions challenged and testJeremy Irons, Michael Shannon, and Holly 720 Builders Way, Niagara Falls ed, this is not the movie for you. With univerHunter. –Greg Lamberson Four Seasons, Regal 236–0146 sally strong performances (including Alan RickElmwood, Regal Quaker regmovies.com man in his last film) and tense direction from THE BOSS—Melissa McCarthy is as bankable a Gavin Hood (Tsotsi). With Helen Mirren, Aaron star as there is in film comedy at the moment, Paul, and Jeremy Northam. –MF Four Seasons, REGAL QUAKER CROSSING 18 but she really needs to stop working with her Regal Quaker, Regal Transit 3450 Amelia Dr., Orchard Park / 827–1109 husband Ben Falcone. Their last collaboration regmovies.com THE FAMILY FANG—Adapted from Kevin Wilson’s (he directed, the two of them co-wrote) was novel about a most unusual dysfunctional famthe abysmal Tammy. This one is a hair better if ily: the parents are performance artists who, only because it’s not simply a series of fat jokes REGAL TRANSIT CENTER 18 when their two children were young, used them about its star. But that aside, it’s as tired as an Transit and Wehrle, Lancaster / 633–0859 to stage public pieces designed to provoke bySNL skit dragged out to feature length. Bouncregmovies.com standers into an experience of chaos. As adults, ing lazily and arbitrarily between bad taste and the children (Nicole Kidman, who also produced sentiment, the movie has one funny moment, REGAL WALDEN GALLERIA STADIUM 16 the film, and Jason Batemen, who directed it) with McCarthy and Kristen Bell discussing bras. One Walden Galleria Dr., Cheektowaga struggle to lead normal lives, but are thrown a With Peter Dinklage and Kathy Bates. –MF Flix 681-9414 / regmovies.com curve when the parents (Christopher Walken (Dipson), Four Seasons, Maple Ridge, Regal and Maryann Plunkett) disappear. The police Quaker, Regal Transit, Regal Walden Galleria, suspect foul play; they suspect it’s another perSunset Drive-In, Transit Drive-In RIVIERA THEATRE formance. Bateman and Kidman are too old for 67 Webster St., North Tonawanda BROOKLYN—Multiple Oscar nominee starring their parts but are otherwise clearly involved Saoirse Ronan as an Irish girl who emigrates to 692-2413 / rivieratheatre.org with these characters. The film has its comic the US in the 1950s, only to find that the auld moments but is primarily dramatic and surprissod still has a pull on her. Emotionally rendered THE SCREENING ROOM ingly relatable. –MF Eastern Hills (Dipson) by an attractive cast and crafted in the best 3131 Sheridan Dr., Amherst / 837-0376 traditions of mainstream filmmaking, this is a FRANCOFONIA—From Aleksandr Sokurov (Russcreeningroom.net captivating and rewarding moviegoing experisian Ark), a free-ranging essay film about Parence, the kind that at best comes along once or is’s famous Louvre museum, centering on its SQUEAKY WHEEL twice a year. And in a time when so many peosituation under the German occupation during ple around the world are being forced to leave 712 Main St., / 884-7172 World War II. ENDS THURSDAY Amherst (Dipthe lands of LISTINGS their birth, it’s&also a tremendously son) VISIT DAILYPUBLIC.COM FOR MORE FILM REVIEWS >> squeaky.org important film in providing some empathy for GREEN ROOM—A self-conscious throwback to the the émigré experience. Co-starring Emory Cowho-will-survive horror movies of the 1980s, SUNSET DRIVE-IN hen, Domhnall Gleeson, Jim Broadbent, and Juwhen realistic carnage had to be provided by 9950 Telegraph Rd., Middleport 735lie Walters. Directed by John Crowley ( Closed make-up artists instead of computer operators. 7372 / sunset-drivein.com Circuit). –MF McKinley (Dipson) A punk band fights to get out of a backwoods CAPTAIN AMERICA: CIVIL WAR—At this point it’s bar that they didn’t realize was the headquarTJ’S THEATRE evident the superhero movie boom is no fad, ters for a neo-Nazi group (headed by, of all peo72 North Main St., Angola / 549-4866 but a full-blown cinematic genre akin to the ple, Patrick Stewart, who is fun but not in the newangolatheater.com VISIT DAILYPUBLIC.COM FOR MORE FILM Civil LISTINGS & REVIEWS >> star billing). Up-andAmerican Western. Captain America: War, movie enough to justify which could have been called Captain America coming director Jeremy Saulnier (Blue Ruin) TRANSIT DRIVE-IN v. Iron Man, is the latest and best of the Marvel avoids the played-out excesses of the torture Universe films. It’s a film so jam packed with su6655 South Transit Rd., Lockport porn and found footage genres, and the proper-powered beings you’ll be forgiven for keepduction is realistically grungy. His biggest flaw 625-8535 / transitdrivein.com ing a scorecard even if you’ve followed all of the is in storytelling: there’s a line between not getprevious films. This “issue” finds Cap and his ting bogged down in details and simply ignoring THE RAINMAKER (1956)—Katharine Hepburn as a small town spinster whose life is changed by a con man (Burt Lancaster). With Wendell Corey and Lloyd Bridges. Fri 7:30pm. Old Chestnut Film Society, Philip Sheridan School, Community Room, 3200 Elmwood Ave., Kenmore

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them. With Anton Yelchin, Imogen Poots, and Alia Shawkat. –MF Regal Quaker, Regal Transit HELLO, MY NAME IS DORIS—It’s been a long time since Sally Field has had any kind of a leading role, much less one that used her particular comic skills. She does panicked befuddlement better than most any actress since the screwball era. So it’s a delight to see her back in this offbeat comedy as a Manhattan office drone emerging from the Staten Island house where she spent her life caring for her now-deceased mother into a seemingly impossible crush on a young new co-worker. Directed by Michael Showalter, members of whose college troupe The State have produced some of the most distinctive indie comedies of the last few decades, Hello, My Name Is Doris isn’t a standard feelgood movie; it’s off-base enough that you’ve never sure just where it’s going, though it never strays too far down any of its potentially painful tangents. With Max Greenfield, Beth Behrs, Stephen Root, and Tyne Daly. —MF Eastern Hills (Dipson) ENDS THURSDAY, Amherst (Dipson) OPENS FRI A HOLOGRAM FOR THE KING—In a role you can’t imagine any other contemporary actor playing, Tom Hanks stars as a businessman trying to regain his footing after personal and professional disasters. Working in sales for an IT company, he is sent to Saudi Arabia to sell a new product to the king. It will be used in a city the king is trying to build from nothing in the middle of the desert, and when Hanks gets there he discovers it’s a project that no one expects to see finished (though a lot of people are making a living from not working on it). Adapting the acclaimed but somewhat sour novel by Dave Eggers, writer/ director Tom Tykwer (Run Lola Run) adds a substantial measure of sweetness and even optimism. The result may mostly be a shaggy-dog story, but it’s a pleasing, occasionally delightful one that leaves you feeling that humanity may yet be able to rise above its sectarian divisions. Don’t be late: The opening is the best part of the film. —MF Amherst (Dipson), Eastern Hills (Dipson) ENDS THURS KEANU—Keegan-Michael Key and Jordan Peele’s Comedy Central show, which recently ended after five seasons, was such a gold mine of inventiveness that you would think they could easily flesh out a feature film. Alas and alack, the result plays like a single skit padded out with action film production values that add little. The stars play milquetoasty cousins who try to pass themselves off as badass gangstas in order to retrieve Peele’s beloved kitten from a drug lord. It’s a preposterous juxtaposition that they try to make plausible instead of exploiting its silliness. And their talent for playing multiple characters goes unused. With Method Man, Tiffany Haddish, Will Forte, Nia Long, and Luis Guzmán. Directed by Peter Atencio. —MF Flix (Dipson), Maple Ridge, Regal Elmwood, Regal Niagara Falls, Regal Quaker, Regal Transit, Regal Walden Galleria, Sunset Drive-In, Transit Drive-In MOTHER’S DAY—The latest of veteran director Garry Marshall’s holiday-themed ensemble movies (after New Years Eve and Valentine’s Day) continues to follow the blueprint set by the British hit Love, Actually. But where that one played as if it was condensed from a half-dozen fully fleshed rom-coms, this American line uses the multiple character format in the laziest way, with obvious situations and clichéd characters. Still, it’s hard to summon up the bile so many critics are directing at it: It’s wholly undemanding in pandering to an audience seeking the equivalent of comfort food. Starring Jennifer Aniston, Jason Sudekis, Kate Hudson, Timothy Olyphant, and Julia Roberts. —MF Maple Ridge, Regal Elmwood, Regal Walden Galleria, Flix (Dipson), Regal Niagara Falls, Regal Quaker, Regal Transit MY BIG FAT GREEK WEDDING 2—Long-in-coming sequel. Starring Nia Vardalos, John Corbett, Michael Constantine, Lainie Kazan, and Andrea Martin. Directed by Kirk Jones (Nanny McPhee). Four Seasons, Regal Quaker, Regal Transit PAPA: HEMINGWAY IN CUBA was filmed from a screenplay by the late Denne Bart Petitclerc based on time he spent with Ernest Hemingway in Cuba in the late 1950, a few years before the writer’s suicide. As directed by Bob Yari (whose Yari Film Group is also distributing it), the low-budget film benefits from having been shot on locations in Cuba, including Hemingway’s house (now a museum). But in most every other way it’s godawful, with trite dialogue, poor performances, and painfully bad editing. Starring Giovanni Ribisi, Adrian Sparks, Joely Richardson, and Minka Kelly. —MF North Park RACE—Biography of the track and field star Jesse Owens (Stephan James) focusing on his performance in the 1936 Olympics, held in Berlin under the rule of Adolph Hitler. Co-starring Jason Sudeikis, Jeremy Irons, and William Hurt. Directed by Stephen Hopkins (The Ghost and the Darkness). McKinley (Dipson), Amherst P

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CALL FOR WORK ARTPARK & COMPANY, INC. is pleased to announce auditions for their upcoming original Artpark Mainstage production of HANSEL AND GRETEL which will start rehearsals July 2016 and will run from August 4 -August 8, 2016. Auditions will be held on Saturday May 15 from 11-6 PM at the Lewiston Opera Hall. Casting both children and adult roles: Hansel, Gretel, Woodcutter, Wife, Witch, and Narrator. We are especially interested in actors with experience in immersive and site-specific theatre. For character descriptions, sides, and to schedule an audition slot, please email susan@artpark.net. -------------------------------------------------MARSHALL FILM CASTING We are currently CASTING EXTRAS for a motion picture entitled Marshall, a period piece set in 1940, about the early legal career of Thurgood Marshall, the first African American appointed to the Supreme Court of the United States. The film will star Chadwick Boseman (42, Get On Up) as Thurgood Marshall and Josh Gad (Wedding Ringer, Pixels). Directed by Reginald Hudlin (Serving Sara and House Party). The tentative dates for filming are May 24th – June 25th in Buffalo, NY. Extra roles are paid. SAG/ AFTRA accepted. If you are interested, please submit the following to be considered: - Headshots (photos), General Sizes, Resume (optional) Email address: marshallfilmscasting@ gmail.com -------------------------------------------------VALLEY COMMUNITY ASSOCIATION is looking for arts and crafts vendors for the 16th Annual Buffalo River Fest 6/176/19 at Buffalo River Fest Park, located at 249 Ohio Street. Events include Saturday’s Rigidized Metals River Regatta and the Bill Potts Father’s Day Fishing Contest on Sunday, softball tournament, kid’s area, waterfront photo and memorabilia display, “I Got It” Bingo, live musical entertainment, food and refreshments. More information at http://thevalleycenter. com/wp-content/uploads/2016/05/ BRF-nonfood-Vendor-ApplicationFood-2016-1.pdf

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32 “... butterfly, sting like ___” 33 “And that’s the way ___” 34 Mars Pathfinder launcher 36 Oceanic 38 Prefix before space 40 Had pains 41 Ivies, particularly 47 Bit of progress 49 “Fists of Fury” director Lo ___

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2 High-rise support

28 High-altitude monster

3 Corrupt ruler of sorts

51 AOL giveaway of the past

30 Bout-sanctioning org.

4 Frightened outbursts

53 “___ of Two Cities”

33 King Atahualpa, for one

5 Like some ash

54 Canasta combinations

35 Rocky’s opponent in “Rocky IV”

6 Almost identical

55 Fence feature

7 Cone-bearing tree

56 It’s so hot

PLEASE EXAMINE THIS PROOF CAREFULLY

37 Chocolate substitute (or so they say...) 39 Result of a giant cheddar spill at the airport?

8 Constantly

9 Iron-fisted ruler

10 “The House at Pooh Corner” author

57 Legal tender since 1999 58 Sphere intro

59 Civil rights figure Parks 11 Actor Stonestreet of 42 IF “Foundation” YOU APPROVE author ERRORS WHICH ARE ON THIS PROOF, THE “Modern Family” Asimov PUBLIC CANNOT BE HELD RESPONSIBLE. PLEASE EXAMINE THE AD 60 Peach part

MESSAGE TO ADVERTISER

. YOURSPCA.ORG . 205 ENSMINGER RD. TONAWANDA 875.7360

31 Anjou relative

25 Metal container?

Dashboard dial, for THOROUGHLY IF THE PICK-UP. 43 Candy barEVEN made withAD IS A12 short toffee

see, Shadow The SPCA is full of cool animals , including rabbits! As you can and 2) for home new her into adopted be to is ready for two things: 1) the SPCA! at friends her of all and her meet some fun in the sun! Come

30 Do some major damage

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LAST WEEK’S ANSWERS


FAMOUS LAST WORDS BACK PAGE

THE GRUMPY GHEY:

with multiple layers of quilting, I mean…you can really let go in one of these. Enjoy your stay in Oxford!” Above and beyond the misleading headline, though, are the consequences revealed in the article. The Oxford, Alabama law is the first to specify a punishment: a $500 fine or six months in the pokey if you are caught relieving yourself in whichever facility doesn’t match your physicality. Tinklegate just got mighty expensive.

TINKLEGATE AND THE GEORGIA PEACH

Who will enforce this law, and just how will they go about doing it? I am reminded of South Park’s Season 16 premiere, in which the TSA (Toilet Safety Administration) begins confronting people in public restrooms (and at home!) about proper use of the facilities. Flashlights are used to examine crevices, gloved attendants in uniforms administer additional wiping when deemed necessary, etc. Is this what lies up ahead—demanding people to expose their genitals for ‘specially trained’ officers at the restroom entrance? And what if you refuse… does an assault ensue? When you play the tape all the way through, the possibilities are unimaginably humiliating.

BY CHRISTOPHER JOHN TREACY IT’S ALWAYS UPLIFTING when we see people stick their necks out for what’s right, especially when they play for the other team.

We should all be playing for Team Humanity. But that sort of utopian thinking is usually met with a loud, catty, “Surrender, Dorothy,” and perhaps rightfully so. Still, when Georgia governor Nathan Deal vetoed HB 757, it illuminated what’s really wrong with the majority of right-wing thinking about what I’ve come to call Tinklegate. “As I’ve said before, I do not think we have to discriminate against anyone to protect the faith based community in Georgia of which my family and I are a part of for all of our lives,” Deal said in a statement about his decision. “Our actions on HB 757 are not just about protecting the faith-based community or providing a business-friendly climate for job growth in Georgia. This is about the character of our State and the character of its people.” You’re damn right it is, Nate. His inclusive tone nailed it: We needn’t rule one thing out in order to protect the other. And it must be noted that Nathan Deal is a Southern Baptist as well as a Republican. Granted, part of the reason things went the way they did in Georgia is because the right people got to Deal in time. Was he pressured? Indeed he was. The Atlanta Convention and Business Bureau heard from no less than 16 corporations planning conventions in the state that would take their business elsewhere should HB757 get signed into law. Time Warner, Viacom, Disney, and AMC all weighed in similarly. Naturally, LGBTQ organizations also leveraged what they could. Pressure or no pressure, Deal made his views on the topic pretty clear weeks earlier, using logic that goes above and beyond the state’s fiscal bottom line.

MAP

“What the New Testament teaches us is that Jesus reached out to those who were considered the outcasts, the ones that did not conform to the religious societies’ view of the world…We do not have a belief in my way of looking at religion that says we have to discriminate against anybody. If you were to apply those standards to the teaching of Jesus, I don’t think they fit.” Compared with the din of folks yelling “Foul!” over North Carolina and Mississippi, however, we didn’t hear a whole lot about this noteworthy development. I guess it’s just no fun anymore to give credit for a job well done.

It stinks of “Get to the back of the bus.” Have we really progressed so little in over a half-century? I find myself wondering if this is all a joke designed to distract democrats from the impending election, wearing us down so that folks like Drumpf and Cruz (who, by the way, thinks trans folks should take care of all bathroom needs before leaving the house…so big of him to still allow them the right to venture out, ay?) can slither into office. Stranger things have happened.

Especially not when there’s so much left to complain about. Tinklegate continues to astound. Last week, scrolling through my Facebook feed, I was taken aback by the wording of a report about Oxford, Alabama. In a link to an article at the Occupy Democrats website, the heading read, “Pee At Home: Alabama City Bans Trans People From Using ALL Public Bathrooms.”

Believe me, I’d rather write about something else. But as Tinklegate continues to permeate social media (and, in turn, our national consciousness), it demands more examination. We seem to keep getting caught with our pants down in states where we’re not actively represented in government. Sometimes allies just aren’t enough. Let’s face it, if they’re not living with the reality of somehow being part of the LGBTQ community, they don’t really understand. And therefore, they’re too susceptible to outer pressures. Conformity still reigns supreme.

So, this is a tad misleading. According to the article, trans folks would still be able to use the bathroom that matches whatever sex is noted on their birth certificate. The headline skips over this detail, making it sound like an alarm will go off somewhere if your equipment doesn’t match that associated with the stick figure on the bathroom door. However awful, it conjures some amusing thoughts. When you drive over the border into Oxford, does an officer greet you at your vehicle with an adult-sized pull-up and a kidney shaped urine bottle? “It’s your choice,” they might tell you, being careful not to use any pronouns. “But most people just go with the diaper since it’s all inclusive. That way, you’re covered, you know? And they’re super absorbent

We need more of our own people seated in government, spread out more evenly through the country if we have a chance at nipping these euphemistically titled “religious freedom acts” in the bud. Not that we couldn’t figure that out on our own, but a study published recently by the Victory Fund and Institute breaks down the numbers in ways that really illuminate how having more of our own in office makes the difference. Their site also introduces candidates we might want to consider—a handy tool for those unable (or unwilling) to wade through all the other information to find folks that can be counted on to have our best interests at heart. Check them out at victoryfund. org. They may hold the key to the future of restroom politics. P

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ECHO ART FAIR

1 DR. BIRD’S CARIBBEAN CORNER / 842 E DELAVAN AVE On your way to or from Echo, pop in for a bite at Dr. Bird’s, purveyor of some of the finest Jamaican food in Buffalo.

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Some local spots near the Echo Art Fair on Buffalo’s East Side…

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East Side greasy spoon with a soul food twist on breakfast and lunch, proudly owned and operated by Mattie and George Holt. Ain’t no stopping them now…

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Whenever you find yourself thinking, “Barbecue must get better than this,” you need to get yourself to Lee’s and remind yourself how it’s supposed to be.

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7 LEE’S BBQ & LOUNGE / 1269 + 1261 FILLMORE AVE

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The site of many questionable police checkpoints in recent years controlling BMHA’s Donovan Drive homes. Many traffic summonses issued.

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5 MATTIE’S / 1412 FILLMORE AVE

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Designed by the famed “architect of Detroit” Albert Kahn, the sprawling plant is on its third life after General Motors and American Axle, and home to this weekend’s Echo Art Fair.

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4 OSC MANUFACTURING / 1001 E DELAVAN AVE

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It’s not just a place to pick up salvaged building materials; it’s a place to consider a new, greener, saner economy.

It was the largest aviation company in the country when it was founded here in 1929. Look at it now.

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2 REUSE ACTION / 980 NORTHAMPTON ST

3 FORMER CURTISS WRIGHT FACTORY / NORTHLAND AVE BTWN DUTTON + GRIDER

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DAILYPUBLIC.COM / MAY 11 - 17, 2016 / THE PUBLIC 23


a canvas?

metal made better in buffalo Artists do extraodinary things with our metal. Shasti O’Leary-Soudant was able to cut, bend, and paint our deep textured metal into a beautiful vision. Our fabricators were happy to help the artist scale her vision to a room-sized experience that is now installed at the 500 Seneca second floor atrium space.

for more on our part on the Weeping Wall visit http://www.rigidized.com/shasti.php


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