THE DAILY
MISSISSIPPIAN
Friday, February 24, 2017
Volume 105, No. 95
T H E S T U D E N T N E W S PA P E R O F T H E U N I V E R S I T Y O F M I S S I S S I P P I S E R V I N G O L E M I S S A N D OX F O R D S I N C E 1 9 1 1
WHAT’S INSIDE...
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President Trump is targeting the wrong fake news source
Who’ll be taking home Oscars Sunday night?
Batter up: UNC-Wilmington comes to Oxford
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Grove unplugged holds Throwback Thursday Professor receives award for diversity efforts KIARA MANNING
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PHOTOS BY: ARIEL COBBERT
With the plaza under construction, students moved Union Unplugged to the Grove. NPHC hosted “The Ultimate Throwback Thursday,” celebrating hip-hop and R&B music and fashion from the ‘80s and ‘90s. Best-dressed winners received $25 gift cards.
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Ole Miss religion professor Willa Johnson was one of the many honorees in this year’s diversity awards being recognized for the work they do to bring more inclusion to every type of student on campus. Johnson, as well as Hamed Benghuzzi, professor and chair of clinical health sciences at UMMC, was recognized at the ceremony, which took place Feb. 16 in Jackson. Honorees include faculty from various schools in Mississippi. Each recipient was presented with a plaque by Shane Hooper, IHL trustee and chair of the diversity committee. Chancellor Vitter was also in attendance. “This is an award given by the governing board of all eight public universities. We nominate someone from UM, and the other schools nominate someone from their institution,” Assistant Provost Donald Cole said. Requirements and crite-
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Southern studies professor asks students to ‘mix’ things up BLAKE ALSUP
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An Ole Miss Southern studies and sociology professor is bringing history to life with a collection of culturally relevant songs. Professor Brian Foster is teaching an honors Southern studies course this semester titled “The Southern Protest Mixtape.” “I would argue that music oftentimes reflects our everyday realities,” Foster said.
“So what better way to walk through Southern history than to interrogate the ways in which Southern music has or has not reflected what was going on from enslavement and the plantation system to Jim Crow to civil rights to now?” Foster said the class format came about organically while writing the syllabus. Each song corresponds to a piece of the historical narrative of the South in some way. “As it developed, it just kind of worked out that we’re
going to have three different sections and each section will have its own mixtape,” Foster said. “Each class meeting, we’ll listen to a song. We can talk about the artist, the song or the context of the song.” Foster said he thinks of music as another space to learn about people and life and to engage ideas. “That’s why I was so in love with Three 6 Mafia, Playa Fly, La Chat, Gangsta Boo and Memphis rap, because they were rapping in some
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Brian Foster
PHOTO BY: TAYLOR COOK