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Epic comeback alert: Ex-InStyle

EIC Laura Brown and former WSJ.

Magazine EIC

Kristina O’Neill co-wrote your next must-read, All the Cool Girls Get Fired: How to Let Go of Being Let Go and Come Back on Top, out October 14. “The sooner you own your firing, the sooner you can get on with it,” Brown and O’Neill shared. “That scarlet ’F’ you think you’re wearing? It’s all in your head. Again and again, women told us getting fired was the best thing that ever happened to them.” Onward and upward!

SCENE • Welcome back, darlings! All the NYFW news to know, ahead… It’s that time of year again! The Daily’s 12thannual Fashion Media Awards will once again be held at the famed Rainbow Room, hosted by Bronwyn Newport, and will, as always, honor the most important names in fashion. Iman will take home the Fashion Legend award, with other honors going to Zac Posen for Fashion Innovator for his work with GapStudio, Oscar de la Renta and Monse’s Fernando Garcia and Laura Kim for Creatives of the Year, mgk for Style Icon, Cultured for Magazine of the Year, Pamela Hanson for Lifetime Achievement, and more! Last year, Rihanna shocked and delighted the crowd with a surprise appearance. Who will be there this year?

IN VOGUE!

It’s official: After much speculation, Anna Wintour has tapped longtime Voguette Chloe Malle as her successor. “Fashion is the art of embracing change, but some changes run closer to one’s heart than the rest,” Wintour told Vogue’s staff last week. “When it came to hiring someone to edit American Vogue, letting me turn my attention more intensely to Vogue’s multifaceted growth across its global audiences and publications and events like the Met Gala and Vogue World, I knew I had one chance to get it right.” Congrats, Chloe!

Throwback BASH!

Nicole Miller and The Daily Summer brought it back to the 1990s with an elegant party at Solé East. Guests like Candace Bushnell, Sam Vartholomeos, Anhelina Smith, Natalie Colwell, Sasha Troshchynska, Ellen Comitas, Mara Siegler, Angelica Morrow, Katya Tolstova, Aqua Parios, Ysaunny Brito, Melissa Vale, Séverine Keimig, and Yana Khan enjoyed Miller’s namesake wines and Upstate Vodka’s “Upstate Edit” cocktails, and a nostalgic soundtrack of the decade’s top tracks. Some guests donned archival Miller pieces, while Miller reminisced about partying with Cyndi Lauper at a Cher concert circa the ’90s. A perfect farewell to summer!

1. Parties, parties, parties! On Saturday, Usher performs at a Ralph Lauren Fragrances event at the Ralph’s Club New York pop-up. Yeah, yeah! Meanwhile, over in Los Angeles, the Emmy Awards will take place September 14, with major wins expected for Severance, which has the most nominations (27!) of any show

this season, plus ample noms for The Penguin, Adolescence, The Studio, and Hacks

3 More NYFW party intel: Marc Jacobs no longer closes the New York shows (RIP!), but the designer did make a cameo for the opening of Nordstrom’s Joy at the Corner pop-up shop, while SNL’s Chloe Fineman toasted her capsule with Mother jeans, and Saks threw a chic soirée at Le Chalet. Plus, we hear Edward Enninful is hosting a starstudded bash this week!

GLAM on the GO!

Since 2014, Glamsquad has eliminated bad hair days, chipped nails, and failed smoky eyes with a cutting-edge digital platform that conveniently delivers top-tier glam directly to your doorstep—home, office, or hotel suite. Available 365 days a year, the white-glove, on-demand beauty services include blowouts, hair styling, makeup, manis, and pedis in 14 U.S. cities, from 6 a.m. to 10 p.m. Use code FrontRow25 on the Glamsquad app or at glamsquad.com for $25 off your next appointment. Offer expires October 30, 2025.

4 The Venice Film Festival red carpet doubled as the launchpad for stealthy creative directors debuts. Alba Rohrwacher was spotted in a Jonathan Anderson–designed Dior getup, Julia Roberts wore two sleek looks by new Versace creative director Dario Vitale, while Roberts’ co-star Ayo Edebiri wore a layered red Chanel gown many are speculating to be the unofficial reveal of Matthieu

Chanel before his first show next month. Stay tuned.

5. The designer shuffles just don’t quit! Proenza Schouler’s new creative director is Rachel Scott of Diotima; she’ll continue to helm her own label, which makes its runway debut at NYFW on Monday.

Blazy’s

Iman

Rihanna at the 2024 FMAs mgk

Zac Posen

Chloe Malle

Anna Wintour

Louis Vuitton Fall 2025

Kristina O'Neill and Laura Brown

Usher

Alba Rohrwacher

Julia Roberts

Ayo Edebiri

Proenza Schouler Fall 2025

Chloe Fineman

Candace Bushnell and Nicole Miller

Marc Jacobs

The all-important September issue covers are always a highlight of fall’s arrival, and this season, there’s plenty to love and discuss. Some shoots highlight dream teams (Gigi Hadid and Gabriella Karefa-Johnson for V, and Grace Coddington putting Emma Stone in custom Nicolas Ghesquière for Vogue), while others feature surprise duos (Travis Kelce styled by… Law Roach?) or left us thirsting for more (shirtless Austin Butler!). What’s your fave?

GIDDY UP!

ARIAT debuted its new store in Studio City in Los Angeles last month with a party for the books! Actor and creative director Andrew Matarazzo hosted the bash, which welcomed Zane Phillips, Michael Cimino, Adelaide Kane, Gavin Leatherwood, Skye Aurelia, Spencer Neville, and even a live pony (!) for jams by DJ Natalina and drinks courtesy of VYBES and Luna Nueva Tequila.

SCENE • Last season’s designer moves are this season’s must-see shows! Keep an eye out for debuts by Matthieu Blazy at Chanel (btw, still dreaming about the house’s recent Couture looks, shown above), Demna at Gucci, Pierpaolo Piccioli at Balenciaga, Jack McCollough and Lazaro Hernandez at Loewe, Miguel Castro Freitas at Mugler, Duran Lantink at Jean Paul Gaultier, and Jonathan Anderson’s womenswear debut at Dior.

HOME CHIC HOME!

Dee and Tommy Hilfiger’s new book, Hilfiger Homes, offers an intimate look inside the stylish couple’s most distinctive residences. From a retroglam 1970s Miami escape, to a bespoke Greenwich manor, to a breathtaking Mustique retreat (pictured right), each abode reflects their signature blend of fashion, interiors, and lifestyle, where classic design meets bold personal expression.

Executive

Editors-at-Large

Contributing

AUGHTS NOSTALGIA! WITH PARIS HILTON

Imaging

Fashion

Manufacturing

You’re a Y2K fashion icon! What’s an early 2000s trend that should stay in the past?

“Chunky” phones! The Razr Ultra is classic and sleek. I’ve been obsessed with the Razr since it first came out, so when Motorola teamed up with Swarovski for the Brilliant Collection, I knew I had to be part of it. An A24 series is in the works about your aughts era. Who’s playing you? There are so many talented actresses I’m fortunate to call my friends. We’re actually working through casting the series; there are some strong contenders. You’ll just have to wait and see!

You and your sis, Nicky, are so close. Do you borrow from each other’s closets? Nicky has such classic, chic taste, but she keeps all her best pieces at her place in New York, so I don’t get to raid her closet that often! Whenever I’m here, I definitely sneak a few things, though.

Claudia Schiffer and Nicholas Hoult, photographed by Glen Luchford for Tommy Hilfiger.

Zane Phillips and Andrew Matarazzo

Chanel Haute Couture Fall 2025

Michael Cimino

HAMPTONS STYLISH MOST

Last month, The Daily Summer’s annual Hamptons Most Stylish party gathered a fashionable crowd at actress and YSE Beauty founder Molly Sims’ chic East End home. Hosted by Sims, the affair was presented by MILLY, Blacklane, Ject, and YSE Beauty.

Throughout the event, guests floated through lavender gardens and snapped poolside photos in MILLY ’s colorful, chic styles. Sims, Candace Bushnell, Mariah Strongin, Aqua Parios, Ysaunny Brito, Severine Keimig, Jackie Miranne, Keke Lindgard, Dr. Lara Devgan, Sophie Sumner, Elizabeth Kurpis, Charlotte Bickley, and more made stylish summer statements in the brand’s latest collections while mingling and soaking up the sunshine. Attendees also had the chance to enjoy MILLY ’s vibrant aesthetic with a special blossoming photo opp crafted by Popup Florist. Guests sipped Casamigos cocktails, Summer Water rosé, and special espresso martini mocktails by Blacklane. Attendees included Rebecca Minkoff, Nicole Miller, Isaac Boots, Fern Mallis, Dria Murphy, Micaela Erlanger, Harvey Newton-Haydon, Zarina Yeva, Luann de Lesseps, Melissa Gorga, Chantel Waterbury, Stephen Savage, Marc Rozic, Noble Black, Billy Folchetti, Ally Shapiro, Greivy Lou, Katie Robin, Dan Mills, Nick Barrotta, Dr. Dendy Engelman, Robert Reus, Ryan Schocket, Cody Belew, Ryan McErlean, Genie Parada-Fishman, The Daily’s Eddie Roche, Nandini Vaid, Aaron Royce, Monica Forman, and more.

Keke Lindgard, Sophie Sumner, Molly Sims, Caroline Fiss, and Mariah Strongin

Harvey Newton-Haydon

Stephanie Convington wearing MILLY Aqua Parios wearing MILLY

Zarina Yeva

Mariah Strongin wearing MILLY

Ysaunny Brito wearing MILLY

Severine Keimig wearing MILLY

Photography by SEAN ZANNI

Molly Sims wearing MILLY, Luann de Lesseps, and Melissa Gorga

Noble Black, Marc Rozic, Andy Shoulders, Stephen Savage, Cody Belew, Eddie Roche, Corey Reese, Timo Weiland, Robert Reus, and Ryan McErlean

Jackie Mirrane wearing MILLY

Micaela Erlanger

Dan Mills and Nick Barrotta

Dria Murphy

Charlotte Bickley wearing MILLY

The gift bag contained goodies from MILLY, JECT, Banana Republic, Blacklane, and more!

JECT products were on hand at the event.

Greivy Lou

Elizabeth Kurpis wearing MILLY

Katie Robin wearing MILLY and Ben Laird

Summer Water Rosé

HILFIGER CLUB Racing

Tommy Hilfiger’s campaign for Fall takes the brand to the races!

Supermodel Claudia Schiffer makes a welcome return to the fashion world opposite Superman star Nicholas Hoult in images lensed by Greg Luchford. The campaign will be amplified by highenergy activations for global Tommy fans. From bespoke branded experiences to creative collaborations and racetrack-inspired events, the program will showcase how this version of prep is less about rules and more about reinvention.

“Reimagining prep has been at the heart of my creative vision for 40 years,” Tommy Hilfiger explains. “From the beginning, I’ve blended classic American style with vibrant cultural influences, and

Photography by GREG LUCHFORD for TOMMY HILFIGER

I’m excited to continue that legacy of gate-crashing tradition. This season marks the start of a new chapter with ‘The Hilfiger Racing Club’ opening our latest campaign series and bringing a fresh twist to a celebrated moment in the preppy social calendar.”

It’s the first major campaign for Schiffer in years after recently signing with IMG Models. “Tommy has an extraordinary talent for creating collections that feel timeless and playful,” Schiffer says. “It’s that joyful spirit of self-expression that he’s encapsulated with this campaign; he invited us into his world, and it was wonderful to be a part of it.”

Hoult, fresh off of playing Lex Luthor, was a natural choice for the campaign as the 35-year-old actor is a trained race driver with a passion for vintage motorsports. “Tommy’s take on this collection has the same energy I love about the racetrack,” Hoult says. “There’s tradition, but it’s full of life and a sense of fun. It reflects the classic American prep style he’s known for—timeless and effortlessly cool.”

The campaign marks the first chapter of “You’re Invited, No RSVP Required”—a new style statement inspiring the coming seasons that reimagines prep with defiance, freedom, and individuality. It began 40 years ago in 1985, the founding year of the brand, when a bold billboard in New York’s Times Square placed Hilfiger’s name alongside Ralph Lauren and Calvin Klein. And the rest is history!

LIFE AFTER MAGAZINES

Ever wonder what your favorite former top editors are up to these days? Ditto! So we checked in on some media fixtures’ current whereabouts. By ALEXANDRA ILYASHOV

Adam Moss

Former New York Magazine editor-in-chief, 2004–2019

Latest project: Wrote The Work of Art: How Something Comes from Nothing in 2024. Spurred by his own (“agonizing,” in his own words) foray into painting after leaving New York mag, Moss decided to write a book about how artists of all stripes work, interviewing 40-plus creatives in the process. Post-media office space: A small painting studio on the LES, dubbed “a den of torture” by Moss in his tour of it for NPR.

Ariel Foxman

InStyle editor-in-chief, 2008–2016

Now working on: “I oversee placemaking and branding for Boston’s newest neighborhood: Boston Seaport. And I continue to write for Architectural Digest.”

Media diet: “Amy Poehler’s podcast, “Good Hang,” “Crime Junkie” podcast, anything by Blakely Thornton.”

I still can’t believe my media job a decade ago involved… “Weeks-onend travel in Europe…and assistants.”

Now-defunct publications I miss most: “Dynamite and Details.”

This fall, I’m most excited to… “See the Wicked: For Good press tour.”

Jessica Giles

Former Cosmopolitan editor-in-chief, 2018–2024

Latest project: Works at Code and Theory, a “technology-first creative agency” as managing director, media and publishing.

Hard launch of the new gig on IG: “I’m joining an all-star team of tech and creative talent who are just as excited as I am to make cool s**t with cool people. If you’re a creator, brand, or media disrupter and you want to change the game, I’m your girl.”

Post-Cosmo field trip: Guest speaking at Oxford University’s debate society, The Oxford Union.

David Granger

Former Esquire editor-in-chief, 1997-2016

Now working on: “I’m a literary agent with Aevitas Creative Management, working mostly on nonfiction. Stephen Starring Grant’s book this summer, Mailman, was lovingly reviewed everywhere and is selling nicely. It’s a paean to the good government does in a time when the government is being torn down. Massive books from Scott Eden, Paul Kix, and Jacqui Detwiler-George are coming soon, too.”

Media diet: “NYT in print, and digitally, WSJ and WaPo; Matthew Belloni of Puck; Marya Hornbacher and “This Week Paul Likes” on Substack; Court Theory, an excellent tennis newsletter; NY Mag in print; Mountain Gazette; and books. Lots of books.”

I still can’t believe my media job a decade ago involved… “Several million readers every month for…a print publication. Plus, having people at my office for drinks.”

In 10 years, the media industry will probably… “Be at the start of a new golden age.”

This fall, I’m most excited to…“Self-publish my memoirs about how fantastic everything was when Graydon Carter, Keith McNally, and Barry Diller were young.”

Adam Moss

Ariel Foxman

David Granger

Jessica Giles

Anne Fulenwider

Former Marie Claire editor-in-chief, 2012–2020

Latest project: “Alloy Health, the company I left Marie Claire to launch with Monica Molenaar. We’re reinventing how women navigate perimenopause and menopause. After years of editing stories about women’s lives, it felt natural to rewrite one of the biggest untold stories myself. We’re flipping the script on one of the last taboos in women’s health, helping women feel strong, confident, and informed, because this life chapter deserves more than whispers and outdated advice. While it’s deeply personal, it’s also smart business; the women we serve are powerful, ambitious, and long overdue for better options.”

Media diet: “The New York Times and The Wall Street Journal are my daily anchors. Bloomberg keeps me honest on business, Fast Company sparks ideas, and New York Magazine is my not-so-guilty pleasure. I love Town & Country—[EIC] Stellene Volandes has a way with headlines— and Women’s Health is my new bible. And, of course, The New York Post because it’s just part of the ritual, and how can you not? Then, there’s the scroll: Instagram for culture, LinkedIn for industry chatter, and Substacks for the sharp voices that keep me on my toes.”

I still can’t believe my media job a decade ago involved… “Filming Project Runway, jetting off to Paris for Fashion Week, then hosting a Golden Globes party back in L.A. It was slightly surreal, especially compared to my current nights, which are less champagne-soaked and more focused on growing a business that actually changes women’s lives.”

Now-defunct publications I miss most: “Jane, because it had such attitude, such a strong voice, and was so stylish; Details, which was so ahead of the culture; Wallpaper, the cool kid of design media; and Vitals, which was like an encyclopedia of trends.”

In a decade, the media industry will probably…“Feel like a chooseyour-own-adventure. Everyone will have a hypercurated mix of feeds, newsletters, Substacks, and podcasts, while legacy outlets try to hold their ground. The differentiator won’t be volume, it’ll be trust.”

Lucy Danziger

Former Self editor-in-chief, 2001–2014

Latest projects: “I’ve always loved real estate, so when my consulting business had a lull last winter, I studied and got my real estate license. Now, I go to open houses and think about the stories that these houses can tell. These days, I’m writing, consulting to media companies, and selling houses in Bellport, Long Island. Come visit!”

Media diet: “I read a lot of business newsletters, and of course political news, all online. The Information, Reliable Sources, Air Mail, and my favorite, The Atlantic. I do some political fundraising and communications consulting for local elected officials, so I read pretty much everything I can!”

I still can’t believe my media job a decade ago involved… “Helping women advocate for their own health and wellbeing. Who would’ve thought we would be again fighting for our own reproductive rights? The laws about men are the same in every state, but women can’t determine their own healthcare and reproductive choices equally across the country and there’s no telling when this will be rectified.”

Now-defunct publication I miss most: “7 Days. It had a bold irreverence we need right now.”

In 10 years, the media industry will probably…“Be owned and operated by Elon Musk.”

This fall, I’m most excited to…“Welcome my first grandchild. It gives you perspective on what’s important, the values you cherish, and what you want your legacy to be. I want my grandson to be kind, empathetic, and courageous—and stand up for what he believes in, like social justice for all.”

Linda Wells

Cindi Leive

Former Glamour editor-inchief, 2001-2018

Latest project: Co-founder and CEO of The Meteor, a media outlet that creates “groundbreaking events, audio, video, and digital media—all around issues of gender equity,” per LinkedIn.

Recent spotted on IG: In Gloria Steinem’s living room, co-hosting an event for The Meteor, and at the UN, for the Global Women in Law & Leadership forum.

Former founding editor-in-chief at Allure, 1991–2015

Now working on: Graydon Carter’s post-Vanity Fair publication, Air Mail, as a columnist and editor of its beauty and fashion focused offshoot newsletter, Air Mail Look

Bona fide beyond media: Launched her own beauty brand, Flesh Beauty in 2018, during a two-year stint as Revlon’s CCO.

Anne Fulenwider

Cindi Leive

Linda Wells

Lucy Danziger

And the honorees are…

IMAN’S WORLD

Very few models are so famous that they’re known only by their first name, but Iman has always been in her own league. As a trailblazer and one of the most beautiful faces we’ve ever seen, she’s also intelligent, hysterically funny, and doesn’t hold back. Having recently celebrated a milestone birthday and a major anniversary in fashion, we can think of no better time to celebrate this legendary powerhouse. Just don’t call her a supermodel! By EDDIE

How was your summer?

deprivation. No Kid Hungry is a big deal for me because I can’t imagine a country this rich and this big could have a child go hungry. What? With all the kids [needing help] in Gaza, Doctors Without Borders is another I support. Anyone who is doing the best that they can without any politics involved is a good thing. We saw on Instagram that you wrote “Bitch, 70 is the new 70” when you had your birthday. People always say when they turn 80 they’re going to age gracefully. I always say I’m going to be aging grate-fully. What’s the option? Dying! That’s the difference in where I come from. We’re grateful to be alive. Every day is a celebration if you’re healthy. This is also your 50th year in fashion. How does it feel to reflect on that?

I feel like a f**king landmark! What am I? A statue? [Laughs] I’ve seen everything come and go. Once you’re in fashion, you’re always in fashion. You pay attention to all of that. As women, fashion is an armor. What you’re saying when you show up in a room is really what you’re saying about yourself. I see trends come and go. In a world full of trends, I want to remain a classic that never goes out. Now they call it quiet luxury, but that’s a classic. You can change the wording to anything, but classics never go out of style. I don’t believe in the idea of having a signature look. You have to move forward with the times. I incorporate trends here and there, but nothing too trendy. I don’t want to be an influencer; I want to influence. What do you think about influencers? They have their time and place. Some of them are good at what they do and others are imposters, but so are fashion people. We’ve seen them come and go. Everybody has become an influencer! It’s a lot. Is there anything you’d still like to do in fashion?

instant people will judge you one way or the other. Bill Cunningham once said, “Fashion is the armor to survive the reality of everyday life.” We use it to protect ourselves from the outside world, to show who we are when we walk into a room.

We saw you commented on journalist Robin Givhan leaving The Washington Post.

I’m heartbroken Robin is leaving. I have such regard for her. She’s so good at what she does. She pays attention to every detail. That is going to be missed.

I’ll go wherever she goes!

Same! How does it feel to be honored by The Daily as a Fashion Legend?

I’m honored. I think legend is better than an icon. Everyone is throwing around the word “icon.” People say, “You’re a supermodel!” I say, “No. Supermodels came after me.”

How are your grandchildren?

David’s son Duncan has two children and my daughter has a kid. Every grandparent will tell you it’s so much fun. You send them back home when you want to. I find it’s a second chance. They can listen to you in a different way than when you’re doing it with your own kid. Your own kid always feels like you’re lecturing them.

And you’re wiser!

Definitely! Hopefully!

We’re sure you’re a fun grandma.

Would you encourage your grandchildren to have a career in fashion?

No. First of all, there’s the compare and despair.

ROCHE

Summer has been good. Lots of first-time things because in July I turned 70. Being an African, we don’t really celebrate birthdays. When you’re born, it’s a celebration all the time. That yearly birthday thing is not a thing, so I’ve never had a birthday party. My husband [David Bowie] would always say to me, “We’ll go out and celebrate your birthday!” And I’d say no. Donate some money to a charity. Did things change this year?

No! [Laughs] The world is upside down. I’ve asked all my friends to donate whatever they can to charities. What charities?

Charities that deal with refugees because I was one. Charities that help women and girls specifically. America has adopted me, so [I support] charities in the states that have to do with poverty and food

You haven’t walked in shows in decades.

I retired in 1989, and I haven’t been to a show since then. It started with two things. I was going into business in creating IMAN Cosmetics, so I was divorcing myself from one industry and moving into another. I wanted to be looked at as a businesswoman. When I retired, I had worked with every designer at that time, so who would I go to and who would I say no to? If you say yes to everybody, you’re overstaying your welcome and we don’t like you. No, bitch. You’re not gonna see me. I’m leaving on my own terms. You follow fashion closely, though!

I’m a total fashion girl. Once a fashion girl, you’re always a fashion girl. There’s nothing that I don’t know that’s not going on. I know what designer is going from house to another house. I know who everybody is. I know every trend going on. I’m interested as a woman. How you walk into a room says a lot about you. In an

It’s not fair. Unless a profession is chosen, you never succeed in it.

If somebody encourages you, they don’t know.

You have to be breathing, living, and wanting it badly to do it. We always forget—only fashion people know this—not every top model is a beauty. To be a top model you don’t have to be beautiful, you have to be something else. Some people say everyone says they were the beauty of their village. Nobody cares. In fashion, it’s a different thing. A lot of the time the ugly ducklings are the beauties in our industry. The general public don’t understand that fashion and beauty are two different things.

Iman in 1994

Iman

FASHION LEGEND

Iman

GQ

Men of the Year event in 2024

wearing American rodeo–inspired ensemble with a Louis Vuitton belt

2025 wearing a butter yellow shirt and matching

WILDLY STYLISH

Kelly’s

Nobody rocks a red carpet like mgk (formerly known as Machine Gun Kelly), who always brings a rock star look wherever he goes. The musician and actor embodies a fearless style and isn’t afraid to wear bold, colorful looks and work with new designers. Peruse some of our favorite moments from over the years!

2022 wearing a cropped, “popcorn”-textured Chet

Lo mock neck top with a swirling pattern of pink and blue

Art x Aesthetics event in 2023 wearing a navy top and cream pants

Premiere of Good Mourning wearing a hot pink floral Dolce and Gabbana suit

Premiere of Machine Gun

Life in Pink in

Street style in 2025 wearing Gucci

I realized when [David] Bowie and Prince died that as entertainers, we owe the fans that superstar look. You should walk in a room and people should be like, “Who the f**k is that?” —mgk tells The Daily

Hollywood Walk of Fame Star ceremony celebrating Avril Lavigne in 2022 wearing a purple hat and Kidill acid-wash graphic gray T-shirt and pink high-water pants

Time 100 in 2022 wearing Dolce & Gabbana

Premiere of The Last Son in 2021 wearing a custom double-breasted suit adorned with pearl pendants

Premiere of Bupkis in 2023 wearing a red tank top and white floral pants by Kidill

MTV Music Awards in 2021 wearing Dolce & Gabbana

Fashion Los Angeles Awards in 2023 wearing a Dolce & Gabbana textured floral jacket

What a Life!

LIFETIME ACHIEVEMENT

Pamela Hanson

With her recently released Rizzoli book The ’90s just out and an exhibition at the Staley-Wise Gallery of her work opening this month, Pamela Hanson is finally getting her flowers. The legendary photographer has shot some of the greatest images of our time and now it’s her moment to look back on her incredible career—albeit reluctantly! By

EDDIE ROCHE

How did you pick up a camera?

I was really, really young. My sister was into photography, and I always wanted to be like her. I just remember getting a [Kodak] Brownie camera when I was a teenager from my parents. I have all these pictures I took of my friends in seventh, eighth grade, and then I just really got into it. I built a dark room in the basement, then I went to high school, to a boarding school, and did the high school yearbook and all that stuff. I never thought of it as a profession. You ended up assisting photographers and learned about fashion photography. How did you start with Arthur Elgort?

I reconnected with my closest friend, Lisa McCormick Love, and she said she was modeling to make money and I told her I was working for a photographer. She was living

in Paris and I ended up going to visit her. At the time I had responded to Arthur Elgort’s pictures. I loved his energy and thought maybe I could assist him. She knew him and thought we should meet. He took me out for lunch, and he went through my book, which was a mishmash of pictures, and said, “This is good, this is bad.” He said I probably wouldn’t be a good assistant, but I speak French and I should move to Paris, and that’s a good place to start and when he’s there I can assist him.

When did things start to shift?

I brought my book to magazines and they thought it stood out because it was uncontrived. I would go to magazines every day in Paris and say, “I’m in the neighborhood, if you need anything.” And they would say, “Well, there’s this woman in her garden, we need a little photograph for the front of the book.” I would go do that. And then I assisted Arthur, like four or five times. I was more like his driver, but I got to go on shoots. I got to see how it worked, and I got to hang out with him while he edited. It was helpful. Then I just was always available in Paris. Someone canceled some big job for Marie Claire and I ended up getting 10 pages, and then suddenly all the people I had been knocking on their doors for two years were like, “Why isn’t she working for us?”

What have been some of the highlights for you of your incredible career so far?

Working for Arthur was a turning point. When I started working with Brana Wolf, who was an editor at Italian Vogue, that entrance into that world was incredible. Obviously shooting Beyoncé was huge. But before that, there were so many incredible trips; it’s just a fun time. I keep asking Brana and my friends, “Was it better then, or are the same things happening now and we just don’t know it?” It just felt very free and creative, especially being in Paris. That was a great place to start.

A book of your images, Pamela Hanson, The ’90s, is just out.

Over the years, people and assistants of mine have been saying, “You should do a book.” They would say, “You were like the first one to do the girls in a bedroom at a hotel.” I don’t know if that’s true or not, but I know what they meant. It was a kind

Self-portrait of Hanson by Hanson

of intimacy, and it was a woman and not a man. Finally, one of my studio managers said I was spending all this money on storage. I started cleaning out my archives. Do I need this lingerie shoot from some weird catalog? I started looking through everything and based it on pictures I loved. I thought, “Wow, some of these pictures are great.” Sometimes when you look back at things, it’s different. That’s how it kind of came together. Part of me was like, “Who’s going to care? Nobody’s going to care about this.” Then I thought, “Maybe someone will care.” I have some friends who are young photographers. I asked what they thought. They were like, “Oh, my God, yes.” You have an exhibition of your work in New York this month!

It’s going to be at Staley-Wise, which is the gallery that has a lot of fashion images, and it opens on September 18th. It’s images around the book, and I’m looking forward to it. I’ve never had a show of my own, so I’m excited. Everything just kind of fell together. What everybody says is, which I think is interesting, that it’s not really fashion. Why do you think there is such affection for the 1990s in fashion?

I don’t know. I’ve been thinking about that a lot. That was the era that I was in. My career was taking off at the beginning. I think Vogue is doing a ’90s book. It feels like it’s a perfect storm; it was pre-iPhones. It was pre-digital cameras. Everything in there is film. There’s, like, two images from one model who requested retouching, but nothing’s retouched. And maybe that was the last time that actually happened. What’s your take on retouching?

I’ve struggled with it, when it first started. I look at images as I was doing then. I was like…I hate retouching. Unfortunately, I think our eyes are now trained to it. I was looking at some old issues of Vogue and I loved Helmut Newton pictures and I knew him, and he was amazing and incredible and it was like a beauty shot, and the girl’s eyes were bloodshot. Honestly, I struggle with it. What’s it like for you to have the spotlight on you right now?

Really hard.

Why?

I’m used to being on the other side. When my mother died, I started recording things. I guess somewhere it’s always like a buffer; I prefer to be an observer of life, and I love, obviously, to participate in it, but it’s been…we’ll see how it goes. I want to enjoy it! How do you want to be remembered?

I want to be remembered as being an empathetic, kind person who took some good pictures.

CREATIVES of the YEAR

Fernando Garcia and Laura Kim

CREATIVE SPACE

It’s a major year for Fernando Garcia and Laura Kim as their Monse line turns 10 and the Oscar de la Renta brand, which they’ve led since 2016, turns 60. The designers also had a buzzy extracurricular activity after creating the uniforms for the Blue Origin trip to space with Lauren Sanchez, Katy Perry, and Gayle King onboard. How do they do it all? By

EDDIE ROCHE

It’s difficult to make it as a fashion brand. Why do you think Monse has been able to survive?

Laura Kim: We’re still trying to survive! We survived COVID, which I’m so proud of. We still believe in Monse. We have a good network of people who want to support and help us.

Fernando Garcia: Having the drive is the No. 1 thing you need in this industry to prevail, then comes the hard work and talent. What we’ve been grateful for in the 15 years for me and 20 years for Laura in the industry is you garner a network of people who are able to give you advice or support you in some capacity. Every challenge that comes our way every year is different, and it helps when you have garnered a network of people for as long as we have. Why do you two work so well together?

Kim: [Laughs] Do we? Do we work well together? We knew we’d get some sarcasm.

Garcia: What else can you expect from being together for so long? It’s never perfectly smooth, but Laura and I thrive on not just competitive designing but on challenging each other. If we propose something for a collection, it’s a sounding board. It requires to pass that person’s opinion for the product to get to the highest quality and level for both of us.

Garcia: There was a pinch-me moment. We were taken to El Paso in a bus with close friends of the crew, so it felt like we were in an intimate setting being driven to the middle of nowhere without knowing what to expect. It was a tent in the middle of the desert. The rocket explodes going up, and we feel the gust of wind in our faces. I was nervous and thrilled when they landed. It was exciting for all of them and for us. You’ve had some incredible celebrity moments over the years.

Garcia: Selena Gomez, Sarah Jessica Parker, and Taylor Swift from the very beginning. Lauren Sanchez was quite a remarkable moment for us. She sold [Blue Origin] to us in an unexciting way. She texted and it sounded like she needed some help for something from space and it became this out-of-control moment for Monse.

Kim: For me, it was Michelle Obama and Blackpink. I’m Korean. I can’t skip that. Let’s talk about the milestones this year. Why do you think Oscar de la Renta has endured for so long?

Garcia: The lesson he taught us is to know your customer and find something in the market that isn’t already existing. And to know yourself at the end of the day and know what you’re good at. Those are key pieces you need to have in order to have longevity.

It’s impossible for us to escape our first teacher. It’s always there and present in our aesthetic. I really do miss the person the most.

Kim: He’s someone who never looked back, and I also move forward and think about how our clients are evolving and their lifestyles are changing. I think about how he managed his team a lot. When I was his assistant, I didn’t appreciate it.

How do you stay creative and keep those juices flowing after all these years?

Garcia: Laura and I are innately looking to one up what we did the prior season. Everything inspires us. We’re constantly jotting down ideas. We share our ideas with the team. There’s a constant text message chain that has one idea flowing every day for a collection. It keeps going and going.

Kim: I’m going to quit the day I’m not excited about it anymore. I’m still excited about what we create. What are you still hoping to accomplish professionally?

Garica: Expanding Monse with the store we just opened on Rivington Street in NYC.

Kim: Martha Stewart has always been my muse. How she built her company is something I can’t imagine us doing, but that’s my ultimate. I look up to what she’s built!

Kim: We have fun together! That’s the most important part.

How long did you have to create the looks for the Blue Origin flight?

Kim: It was during Christmas time. Fernando was back home and I was in Canada. We started sketching and sent it to Lauren over text. I just wanted her to look and feel good. That was my goal for the project. Did you go to Texas for the launch?

Kim: Our CEO [Alex Bolen] has been there for 20 years, and he’s part of Oscar’s family. He did a good job maintaining the brand. If it was sold to someone, I don’t think it would have necessarily done well. He did something to keep it going. The family is protective of the [brand] image and every single picture that goes out there. I give him credit for that.

Do you still think about Oscar every day?

Garcia: I think about how hilarious he was. I definitely see him in our clothes that we design for the brand.

Laura Kim and Fernando Garcia

Lauren Sanchez, Katy Perry, Gayle King, and the all-female crew of Blue Origin wore a custom look from Monse for their space mission in April.

KIM:

Looks from Monse

What were you working on before Cultured?

CULTURE

CLUB

Around since 2012, Cultured magazine is very much a mustread these days for its irreverent, surprising covers and eclectic editorial mix. For founder and editor-in-chief Sarah Harrelson, it’s about slow and steady growth, being unafraid to fail, and staying perpetually curious. By ALEXANDRA ILYASHOV

Through my mid-thirties, I worked at various magazines in New York, Los Angeles, and Miami, covering fashion, design, home, and architecture. A few years before I started Cultured in 2012, I began covering the art world for the first time, and that was a significant spark, being exposed to this fascinating world. I certainly didn’t dream of starting my own magazine as an editor. It’s a hard business! But learning about the art world and spending time with artists gave me so much creative energy and enthusiasm; that made me start the magazine, a deep passion and editorial desire, versus a business decision. How did you go about creating the mag?

I’d been an editor in chief in several scenarios, but it’s different to launch a magazine. I hadn’t had true creative and editorial freedom. A lot of people I was deeply intrigued by weren’t being covered in traditional media at the time; it felt formulaic and flat. We were just coming out of the [2008] recession, and in those times, I think people feel slightly more creative freedom. I started Cultured with the mindset of, “Okay, I might not make money anyway in magazines, so might as well just do what I want.” I don’t think I told anyone except my husband that I was starting a magazine. I’m sure people would’ve told me, “Whatever you do, don’t do it!” But I just did it quietly; I just wanted to make the best next issue I could, filled with the people inspiring me, simple as that was. How has Cultured evolved since then?

We grew slowly, but we were always growing. We probably made the magazine with three people for the first five years, plus freelancers, obviously. But I grew cautiously. I didn’t have outside investment; I was taking it slow. The biggest surprise and delight of the journey is how much I love running and growing Cultured as a business. It’s a lot of intuition, ability, and willingness to fail, to fall off a cliff, to get it wrong. I think the secret sauce is trusting your gut—and having a small, close-knit team of highly creative, inspiring, brilliant minds. Culture can mean a lot of things. How do you decide who and what to cover?

Because I’m not an art world insider, I find whoever’s doing something fascinating— artist, fashion designer, architect are all equally interesting to me, and they coexist in this landscape in my head. When Cultured started, it felt like magazines were just covering famous people all the time, but I had the guts to cover people who weren’t being covered elsewhere. It’s about not being afraid to say, “I like this person. I believe in this movie or actor. Maybe they’re not the most famous, but there’s something to them.” Any examples?

Mia Goth is an example of that, and it’s a cover that did well for us. An underdog story is so fascinating to me, and I love playing a small role and supporting that journey. Our Walton Goggins cover was a highlight, because it went viral and broke the Internet, but also because he was so game, nice, and fun to work with. How often do you publish nowadays?

We do six big print issues a year and four supplements. It feels like we’re on deadline every minute! But we’re just so lucky we get to do print; it’s a privilege.

How do events factor into the Cultured brand?

I strongly believe that print alone isn’t enough to create an emotional relationship with your readers, so I’ve been doing lots of events at Cultured since the beginning. The scale of the events has changed, but not the frequency. Our Cult 100 event at the Guggenheim was definitely a big moment for me; to have 1,000 people in the room celebrating the issue felt like a real milestone.

How do you strategize for print versus digital?

I’ve gone through phases of looking at the resourcing for print and digital separately, but I don’t anymore. It’s an age of digital dominance, so it’s a huge priority. Digital is certainly the thing I think about most. You put a lot into a story, then wait and see how it does; there’s a lot of emotional energy in that. We’re all navigating huge shifts of how people consume media, and it takes guts, emotional resonance, and endurance.

MAGAZINE of the YEAR

CULTURED

Sarah Harrelson

Sarah Harrelson

ADMEN

Advertising genius Trey Laird has created some of the most iconic fashion campaigns over the years but went to a new level with this year’s Boss bodywear campaign starring David Beckham in an unforgettable shoot by Mert & Marcus. When the images dropped of the 50-year-old sports icon in his knickers, women and men around the world couldn’t get enough. How did it all come together? Laird fills us in!

By EDDIE ROCHE

How did you and Hugo Boss come together? And what’s your approach been to the brand?

[Hugo Boss CEO] Daniel Grieder joined the brand in 2021, and I had previously worked with him when he was CEO of Tommy Hilfiger. He called me and said, “I’d love for you to come onboard and help me do a

big transformation.” It’s obviously this iconic brand that has a big awareness, but it had just been kind of floating along for a while without a lot of engagement. One of the first things we did—which at the time just seemed like the most obvious thing in the world, but they’d never done it—is put the spotlight on the word “Boss.” It was always called Hugo Boss, and we decided to let Hugo be the secondary younger line, and Boss to be the main brand. And I kept thinking, “Why do you want to be called Hugo Boss when you can just be called Boss?” The logo got updated, and we connected the brand values and the brand vibe to that word. We came up with the tagline, Be Your Own Boss, and brought on ambassadors who represented that statement across sports, fashion, film, and music. I’ve been lucky enough to work with them for the past few years on different campaigns and different initiatives, and there’s still more to do. In some ways, I think we’re just getting started.

Is this kind of opportunity to rebrand a dream for somebody like you?

Totally, especially at this scale. A lot of people knew Hugo Boss. Its been around forever, and certainly had a history of quality and certainly tailored clothing for men. And a lot of men had a Hugo Boss suit in their closet, but I don’t know that there was a lot of brand emotional connection to it. It’s been a dream project. How did David Beckham come into the picture?

I watched the Beckham docuseries on Netflix, and I called Daniel and said you have to watch this. If there is ever anyone who symbolizes Be Your Own Boss, it’s Beckham. He has always sort of paved his own way. He was the player, but now he’s the boss. Culturally he rewrote the rules in terms of men and style and taking risks and finding your own identity. Daniel watched it and said we’ve got to meet David immediately to try to work out a partnership and develop a brand together, a Beckham Boss brand, and have him be a long-term partner. He’s an entrepreneur and businessman and obviously super successful in that way. We felt he was a perfect embodiment of what that meant to live your own life on your own terms, create your own destiny, manifest your own reality.

Why do you think David Beckham is so captivating? He’s been around forever, and people are still interested in him as a cultural figure.

If I go back to the documentary for a second, I think there’s an authenticity and openness. He was open about his triumphs and also his challenges. And you see this kid who has this dream, then it comes true, and there are all these twists and turns, but then it becomes even bigger and bigger and bigger. He navigates that all with such grace and authenticity and his own point of view. He’s always been true to himself, and he’s living his dream still. That’s why people respond to him still to this day. He’s beloved. He’s transcended sports to become a cultural icon. Beckham turned 50 this year. Did his age play a factor in this at all? It didn’t seem to be the headline.

I don’t think it was meant to be the headline. It wasn’t age, or a campaign, or a statement on age, or anything like that. He’s obviously in phenomenal shape. When I presented the concept to him, he kind of grinned at me and said, “I need about six weeks.” He likes to joke about it, that “If I’m going to be the oldest guy

in my pants, I want to be the hottest.” He’s an athlete, so when he commits to something, he trains. He’s disciplined beyond anybody’s imagination. Were you surprised by the reaction to the campaign? People have said it was the sexiest underwear ad in a decade.

I was so excited to get it out there. We were all super proud of it. We just wanted to make it richer and deeper and more sophisticated, like a little mini movie, and the music added a lot to it. I was surprised and excited, and happy when it took off and did so well. The beauty of working with Beckham is that it’s everywhere in the world. There’s nowhere in the world that doesn’t respond to him.

David Beckham

Trey Laird

CAMPAIGN of the YEAR

BOSS | Trey Laird

IMPACT INNOVATION

GOOD PERSON

GLAM4GOOD founder Mary Alice Stephenson and her team have helped millions of people over the years with the belief that fashion can be more than meets the eyes. They’ve enlisted brands over the years to use fashion and beauty to serve those in need. How did she come up with the idea to use her impressive connections to use glam for good? By

EDDIE ROCHE

How did the idea for GLAM4GOOD come about?

GLAM4GOOD was born from my belief that fashion holds the power to heal, not just inspire trends. After decades in the fashion and beauty industry, I saw how something as simple as a new outfit can restore dignity, reignite confidence, and spark hope. I wanted to harness the creativity, beauty, and resources of this industry and direct them toward people and communities who need them most, especially survivors of trauma and individuals facing hardships.

What has the mission been?

Our mission is to turn fashion and beauty into a lifeline. By repurposing and redistributing unused clothing, shoes, personal-care products, and essentials, we’re not only keeping millions of items out of landfills but also placing them directly into the hands of those experiencing adversity. In doing so, we meet urgent needs, honor human dignity, and show that sustainability is about more than protecting the planet; it’s about building systems of dignity, compassion, and equity that honor people and uplift the human spirit.

Talk to us about the work GLAM4GOOD has done over the years.

GLAM4GOOD has empowered recipients nationwide by harnessing fashion and beauty to serve those in need. We’ve repurposed more than $75 million in unused clothing, personal-care products, and essentials—keeping them out of landfills and redistributing them across 33 states. Through free pop-up shops in shelters, hospitals, schools, and disaster zones, we’ve supported women rebuilding their lives, families in crisis, and patients in need of care and dignity. At its core, GLAM4GOOD is about more than style; it’s about restoring dignity, building confidence, and delivering hope.

What fashion and beauty brands, as well as the organizations and institutions, have partnered with GLAM4GOOD?

GLAM4GOOD has been fortunate to partner with some of the most iconic names

in fashion and beauty, along with organizations that believe in the power of style to transform lives. Brands like Calvin Klein, H&M, Net-a-Porter, Tommy Hilfiger, Reformation, American Eagle, Zadig & Voltaire, Estée Lauder, Clinique, L’Oréal, Ulta Beauty, Fenty, Olaplex, and Dior Beauty have donated clothing, accessories, and personal-care essentials to support our work. We’ve also collaborated with institutions such as the United Nations, the Met, MIT, Montefiore Medical Center, and New York’s Administration for Children’s Services, as well as countless schools, hospitals, shelters, and community groups nationwide. Partnerships with icons like Michelle Obama and Oprah Winfrey have further amplified our mission. These collaborations have kept countless items out of landfills and placed them into the hands of people rebuilding their lives.

You’ve had an incredible career in fashion. What is your professional background?

My career has been fueled by a passion for style and its power to inspire and transform. I began in editorial with Vogue and Allure, later serving as fashion director at Marie Claire and Harper’s Bazaar, where I collaborated with iconic photographers, designers, models, and celebrities to shape the global conversation on style and beauty. I also brought fashion to a wider audience as a TV commentator and red-carpet correspondent on Good Morning America, CNN, E! News, and the Today show. Yet my heart was always set on merging fashion with humanitarian work, which led me to launch GLAM4GOOD—to deliver dignity and empowerment to communities in need while partnering with global brands to drive meaningful change.

What have been some of the most memorable milestones for GLAM4GOOD since you founded it?

The milestones I hold dearest aren’t the big stages, but the personal moments—a young person beaming with confidence because they finally have what they need, a mother in tears because she can provide essentials for her children, or a survivor who tells us GLAM4GOOD made them feel seen and celebrated. At the same time, launching our first large-scale free pop-up shop and later redistributing millions in unused fashion, beauty, and personal-care products across 33 states showed how excess can be transformed into empowerment and sustainability. Partnering with Michelle Obama further amplified our mission, but at the heart of every milestone— big or small—remains the same purpose: restoring dignity, building confidence, and delivering hope.

How can people who want to help get involved?

You can get involved with GLAM4GOOD by donating, partnering with us to repurpose unused merchandise, volunteering at our free pop-up shops, and spreading the word through your social platforms. Follow us on Instagram @glam4good; this helps spread our mission! Every act of support helps us deliver dignity, confidence, and hope while advancing sustainability and serving communities in need.

Mary Alice Stephenson

Stephenson (center) at a GLAM4GOOD event

Mary Alice Stephenson

BREAKTHROUGH beauty BRAND

GENTE TOUCH

After a successful career in modeling, Marianne Fonseca had entrepreneurial pursuits on the agenda. The Brazilian-born beauty saw an opening in the market and launched Gente beauty, a range of bodycare products with a fresh angle. She tells THE DAILY how she came up with the idea, what differentiates them, and which ones you should be ordering ASAP. By

EDDIE ROCHE

Tell us about your professional background before you developed the Gente brand. I started my career as a model at the age of 15 and began working internationally shortly after. I lived in Asia for a couple of years, then moved to Europe, where I spent time in every major fashion city. At 21, I received my first American contract with Elite Models, which allowed me to obtain a work visa. I then moved to New York City, where I spent nearly seven years modeling. The modeling industry gave me not only exposure to incredible brands but also insight into what was missing. I have always been fascinated by rituals of self-care, and coming from Brazil, bodycare has been part of my lifestyle from the beginning. Lymphatic drainage was my ally before big photo shoots and runway shows, long before I ever considered starting a brand related to the treatment. It has now been almost 20 years since I began my modeling career, and over time, my desire to change paths has continued to grow. How did you come up with the idea for Gente?

The idea came from noticing how, in Brazil, bodycare comes first. It’s cultural; we don’t see it as an afterthought to skincare, but as the very foundation of beauty. When I began thinking about what my brand would represent, I saw a gap in the market. Here, so much focus was placed on the face, while the body was often overlooked. I wanted to create a brand that not only brings the richness of Brazilian ingredients but also integrates innovation through biotechnology, caring for the skin on our bodies with the same dedication we give to our faces. Lymphatic drainage is

a perfect example of this cultural connection. In South America, it’s deeply rooted in our beauty and wellness rituals. I was first introduced to it by my mother at the age of 13; it’s truly a generational practice for us.

What’s your day-to-day role in the company?

As founder and CEO, I’m deeply involved in product development, ensuring that every formula truly delivers results. I also oversee creative direction, manage partnerships, and stay closely connected with our community.

At the same time, I’m very much a startup founder—my role shifts daily between strategy, operations, and, on occasion, even packing PR boxes myself.

What products are the most popular?

Our Bye Bye Cellulite cream has quickly become a cult favorite, selling out every time it’s restocked. The Lymphatic Drainage Effect cream is our all-time bestseller— and together, they were the first products we launched. We started strong with formulas that deliver real results, and these two products remain our core drivers of sales, both individually and as a bundle.

What differentiates your line from other brands?

Two things set us apart—ingredients and intention. We combine native Brazilian ingredients sourced straight from the Amazon rainforest with advanced biotech molecules, so every product is grounded in both nature and science. On the cultural side, bodycare has always been a priority in Brazil, and lymphatic drainage is a common, accessible treatment that’s part of everyday life. Our goal is to show people how they can maintain that professional treatment at home—performing their own lymphatic drainage “on the go,” anywhere, with formulas designed to support the lymphatic system. It’s about educating, sharing, and bringing this philosophy to a wider audience.

We love the packaging. How was the design created?

Thank you! We wanted something modern and clean, but still vibrant enough to reflect our Brazilian roots without leaning on obvious stereotypes. I wanted to highlight the Brazil that people don’t always see; we’re not only about Carnival, samba, and soccer. Our culture is incredibly rich and diverse, and that’s what I aim to showcase.

On the packaging, for example, you’ll find the iconic sidewalks of Rio de Janeiro, the same ones the “Girl from Ipanema” walked on. We also included patterns inspired by sidewalks from São Paulo and Curitiba. The green used is the exact shade of our Brazilian flag. Overall, the design is meant to feel like something you’d proudly display, not hide away in your bathroom cabinet.

How can people find the products?

We’re available online at gentebeauty.com, Amazon, and Revolve, and soon at Nordstrom. We’re expanding quickly, so you’ll be seeing us in even more places soon. We hear you’re getting married later this year. How’s that coming along?

Yes! I’m so excited. [Fonseca will be tying the knot with Drew Taggart of The Chainsmokers.] Planning a wedding while running a business is definitely a lot, but I feel so grateful. This is such a special season in my life, being able to build a brand I love while also building a family at the same time.

FONSECA: HOLLY PARKER; ALL OTHERS COURTESY

GENTE

Marianne Fonseca

All About ASHWIN

Rapper and producer Ashwin Gane is breaking new ground in the hip-hop world. We catch up with the rising artist on his musical inspirations, signature sound, and dream fashion picks.

By AARON ROYCE

Tell us about your musical journey! When did you realize you wanted to do music full-time?

I knew I was either going to do science or I was going to do something in a creative field, whether that be film or music. There’s ways of expressing what’s in your head and creating a world. That’s what draws me to art, to music. As a young creator, I wanted to do something where I could do it by myself. Music is a powerful form of communication. More importantly, it’s portable. You can take it anywhere you are. As soon as you pop those headphones on, maybe you’re going to feel a different way, and that’s the least music can do for you. The most it can do for you is take you somewhere else.

Was there a moment when you realized your career was taking off? When I first started, I had a lot of music on my hard drive, and I never put it out. It only took off when I put it out. I’m not going to tell you when I did some of this music; some of the songs are probably four years old, and you wouldn’t know. You’ve got to put the work out, that’s step No. 1. Then things started taking off. People can feel any way they want about it, but that’s going to create momentum. I’m not saying just dump out whatever you have; it still needs to be good. It doesn’t have to be perfect. Whose musical career would you like to emulate?

I try not to emulate; I try to be inspired. I think early Kanye [West] was inspirational. He didn’t care about genre. Genre was something he played with.… You can call it hip-hop, but in my mind he went beyond hip-hop. I was inspired by how Ye was able to draw from multiple genres and create his own sound, and his sound kept evolving. I’m like Ye in that sense; I don’t stick to one sound, and I evolve over time. If I were to emulate anyone, it would be The Weeknd, because there’s a storyline, there’s a new character every time, there’s a new sound every time. I emulate The Weeknd in that sense. How would you describe the sound of your music?

Hip-hop is the skeleton driving the whole thing. There’s some elements of pop and R&B. I have a few sounds, and I like some of my sounds more than others. My voice, a lot of people compare it to Pop Smoke, Future, Travis Scott, and it’s probably because of the baritone bass. A lot of people think it’s very Barry White. I always try to make sure this is something where you end up feeling powerful listening to it. I’m also a producer. What people know me for as a producer is my inclination to combine film score, classical music, and hip-hop. I did an album for Lil Reese. I wanted to create a contrast, so I combined it with symphonic orchestras. That’s my signature sound as a producer, but I also do R&B. There’s a lot of R&B on my EP, Got It, and you can also find cinematic sound on my latest EP, Twilight Tales. On that one, I incorporate

EMERGING ARTIST

Ashwin Gane

a bit of that 2020s-era SoundCloud rap, grunge-inspired vocal inflections. But in the coming few months, you can expect my true sound to be coming out. It sounds like Pop Smoke and Future had a kid, over a Mozart-meets-Hans Zimmer score. That’s how I would describe my sound going forward.

What’s your autumn looking like? Any new projects or plans in the works?

My original plan was, I was going to be a director when I was 45, and I just said, “Why don’t I just do it now?” I’ve always been involved to varying capacities, but I directed my first music video, and I can say this, it’s unlike any other music video I’ve ever done before. It’s for a song called “Flip Dat,” which is hopefully coming out within two months. It was a very Don Juan type of instrumental, so I wanted to write a song that was like a Don Juan character. The way I did [the video] was Wes Anderson cinematography combined with Agatha Christie “whodunit” mystery. If you think about it, there’s some meta commentary, but I don’t want to give it away. You’re also active on social media. How do you use socials to promote your music?

The way I see it is, it’s a new-age marketing tool. When I was growing up, we had infomercials. Now we have social media. They play the same role, so that’s how I operate. When I first started, I saw it as, “People want to invade into my personal life,” but that’s not what it is. It’s really a form of marketing. Let’s talk fashion! How would you describe your personal style?

My personal self and my artistic self are very different. I like to keep it simple. I don’t like to be the loudest person in the room, because I believe silence is power. That’s how I like to dress personally, and that’s how I would put it. I try to follow color theory. Teal is a good color for me, so I take that into consideration. It’s simple, but effective. When it comes to artistry, it’s different. I’m not always portraying my life. I try to make it clear that this is a fantasy. There’s a heavy fantasy backdrop to most of my music. When it comes to wardrobe, I may want to dress up as a knight, and I did that in one of my videos called “Outside.” I’m

willing to go the extra mile to portray the character I’m playing.

What brands or designers do you like?

I’m not a big brand guy, but I respect the works of several designers. When the time is right, when I have the right project out, I definitely want to have an Armani Mafia-style suit. That would be cool. If you look at it as pure art, I think Raf Simons is very artistic. Rick Owens is something I don’t know if I would wear every day, but I appreciate his world-building

CENTER OF IT ALL!

Rockefeller Center has long been a landmark in New York City, and this season it’s once again celebrating New York Fashion Week with some special moments. EB Kelly, senior managing director, Tishman Speyer and head of Rockefeller Center, tells THE DAILY how it’s bringing some of the biggest shows on the calendar to the general public and what’s new at this iconic location. By EDDIE ROCHE

Tell us about your partnership with the CFDA! Rockefeller Center’s partnership with the CFDA, NYFW Live at Rockefeller Center, is returning for its second year. This streaming partnership brings the American collections at New York Fashion Week to consumer audiences. Historically, the general public hasn’t been able to view NYFW shows, so we’re excited to continue to bring these shows to New Yorkers.

How will Rockefeller Center become an integral part of New York Fashion Week this year?

NYFW Live at Rockefeller Center is a mixture of livestreams and recorded runway shows, streaming from Thursday, September 11, through Tuesday, September 16. Rockefeller Center will be the only place—physical or digital—where the general public will be able to view NYFW shows, and all showings are free and open to the public. What shows will be showing for the general public, and where can people watch them?

There will be two viewing screens on The Rink and a

third in the Channel Gardens. A few of the shows we anticipate being livestreamed include Michael Kors, Christian Siriano, Alexander Wang, Coach, and Tory Burch.

Why did Rockefeller Center want to be a part of NYFW?

New York Fashion Week and Rockefeller Center are two quintessential New York experiences, so this continued partnership with CFDA is a natural fit. The Center is also home to the best of New York City’s art, design, dining, and retail, so fashion is the natural next ecosystem to be celebrated and have its moment on campus.

There’s a lot of great fashion shopping at Rock Center these days. What are some of the stores people will find there?

You’ll find a mix of legendary brands and buzzy new retailers, everything from Tiffany & Co. and Brooks Brothers to Hill House Home and Todd Snyder. Visitors can shop heritage luxury and emerging cool in the same afternoon, which is pretty unique.

Clue us in about the food scene there!

The dining scene at Rockefeller Center has really expanded; it’s not just office lunches anymore.

We’ve got everything from fine dining to quick grab-andgo, plus bars and cafés that

have become hangouts in their own right, so the campus feels alive all day and into the night. If you’re looking for grab-and-go, check out Ace’s Pizza, Black Seed Bagels, and Daily Provisions. If you’re looking for a sit-down meal, don’t miss NARO, Jupiter, and Le Rock.

The Rainbow Room is the crown jewel of Rock Center and the most stunning room in New York City. You’ll be hosting The Daily’s Fashion Media Awards again this year. What makes this venue so special?

The Rainbow Room has hosted some of the most legendary moments in New York City’s history. With its sweeping city views, iconic crystal chandelier, and Art Deco design, it has an atmosphere that feels both historic and extraordinary.

Tell us a little something about the history of the Rainbow Room or something we don’t know!

The Rainbow Room opened in 1934, right in the middle of the Depression, as a place where people could escape and celebrate. The revolving dance floor is original to that era, and when the space was restored in the 1980s, they actually tracked down the grandson of the original builder to refurbish it.

For New Yorkers who may have never been to the Top of the Rock, what’s the ideal time to pay a visit there?

In my opinion, sunset is unbeatable. As the sun sinks, the skyline ignites in hues of gold and rose, casting the city in a warm, radiant glow. You’ll witness New York suspended in that fleeting magical moment, when day melts into night. For New Yorkers wanting to avoid the masses, after sunset is a great option; the city lights twinkle like a sea of stars, and you can take in the view while sipping on a cocktail at The Weather Room.

What else does Rockefeller Center have on tap for the rest of the year?

Our world-famous ice-skating rink, The Rink at Rockefeller Center presented by Chase Freedom, reopens this October, followed closely by the arrival of the Rockefeller Center Christmas Tree and the rest of the holiday season.

The Lachowski family models in the new campaign at Top of the Rock.

EB Kelly, Steven Kolb, Anna Wintour, and Thom Browne attend the NYFW ribbon-cutting ceremony at Rockefeller Center in September 2024.

StarMAKER

The ONLY WAY

As the founder of The Only Agency, Kent Belden has helped create some of the most talented players in the fashion, entertainment, and beauty industries. Names like Law Roach, Frederic Aspiras, and Brett Alan Nelson are managed by this unstoppable executive, whose personal touch is making stars. He tells THE DAILY how he’s doing it all and what’s in store! By EDDIE ROCHE

How did you end up starting The Only Agency?

I held positions in the music industry for years before I started The Only Agency. Through working with some of the most cutting-edge and chart-topping artists, I learned and mastered the nuances of the industry. At the same time, I was witnessing how fashion and music were starting to intersect with musicians starting their own fashion houses and hiring glam teams. I was starting to hire the people that I now represent. So starting, The Only Agency was a natural progression, and provided so much more opportunity to expand beyond music into actors, actresses, commercials, films, sports, you name it.

What’s your day-to-day role now?

I’m still CEO of The Only Agency, managing the day-to-day goings on of the company overall, but I’m also still an agent. I’m on the ground and in the weeds with clients, working to support their work and rise to being a superstar in their own right. At the same time, I have an unquenchable thirst for wanting to create something new, so I’m constantly looking for new avenues to champion, like our new sports department. What do you think differentiates The Only from other agencies?

We meet the artist where they are and help them to grow to achieve the goals they set out for themselves. We understand that no two creatives are the same, and we have a white glove approach with each. If you look at our roster, so many of our artists started out

The agency has grown so much over the past decade. Where do you have offices now, and how do you divide

We have four offices now—New York, Los Angeles, London, and Nashville—and we’re in the process of expanding our international presence in India and the Middle East. I’m still trying to master the art of dividing time. Sometimes, I wish there were three of me, but I’ve been able to build a network around me to support the high-touch care we’ve built our reputation on. I’ve always believed that having close personal relationships with each client is a key to success.

Who are some of your star clients?

It’s honestly tough to say because we’re fortunate to have such a versatile roster that has stars within their own lanes. Law Roach, Dani Michelle, and Maeve Reilly are not only known for their cultural shifting aesthetics in street style and red carpet fashion, but they have also become celebrities in their own right. We have Brett Alan Nelson, who has undoubtedly taken over the pop music styling scene; Courtney Mays and Brittany Hampton, who have mastered the art of athlete styling; Wayman and Micah, who style multiple award winners throughout award season; Etienne

Chappell Roan and Genesis Webb at The Daily’s 2025 Fashion Los Angeles Awards.

Kent Belden

Ortega, who has touched the face of every pop star; and Keita Moore and Nikki Nelms, who have a full day of clients for events like the Met Gala.

You’re also known for developing talent. Who are some of the rising stars at the agency?

The future is looking bright for us with Genesis Webb and Andrew Dahling, who create art with Chappell Roan; Chaise Dennis, who had an amazing award season with Tramell Tillman; Maren Taylor, who was a longtime assistant of Dani Michelle; Kasey Spickard, working with Jenna Lyons and Ciara Miller; and Sky Kim, working with Lola Young and Peyton List.

What’s your working relationship like with Law Roach?

I’ve been his agent for 10 years and have seen various iterations of the fashion and entertainment industry. Together, we’ve worked to break boundaries and make space in the world that’s allowed him to flourish the way that he has.

What’s your approach with your clients?

It’s all about surveying the work they’ve done that’s led them here, and understanding what has and hasn’t worked to create a better understanding of the path that will allow them to do what they do best, achieve their long-term goals, and impact culture.

The fashion industry is always evolving. How do you see your side of the industry growing?

The entertainment industry is full of opportunities, and we saw a huge change in the industry postpandemic. There was an increase in live in-person gatherings, whether it’s sports, red carpets, or press events, the demand for glam teams increased. We’re witnessing the rise of streaming platforms, and influencer culture creates more opportunities for our creatives to become bigger personalities and take advantage of new media, whether it’s the YouTube world or with podcasts.

How do you define “a good day” at the office?

A good day at the office is securing new opportunities for our artists that allow them to not only succeed but also have new experiences and diversify their scope of work, and expand the opportunities available to them. Brand partnerships and press opportunities allow our clients to showcase their talent in an exciting way, so in recent years, both avenues have contributed to making a “good day at the office.”

What’s your advice for someone who wants to break into the world of styling or as a makeup or hair artist?

My best advice is to assist and to learn at every moment and from everyone. Work to find a way to assist some of the established artists in your chosen field and be intentional in learning on the job. Soak

in the knowledge of everyone around you. If you’re on set, listen to the lighting team, the photographer, the art department, and anyone you can to get a better comprehensive understanding of how each department plays off one another. It can be tough, but it’s worth it. You have other projects going on as well. What is the Residency Experience?

The Residency Experience is a VIP showroom that I co-founded alongside creative director and stylist B. Åkerlund, whose boundary-pushing aesthetic helped shape the pop industry and made her a go-to for some of pop music’s most iconic superstars, like Madonna, Beyoncé, Lady Gaga, Rihanna, and Katy Perry. The goal is to further connect cool, unique brands with opportunities to increase their visibility to the world and to be able to help connect the dots within the industry at large. We represent brands like SEKS, Alexis Bittar, Handsome Stockholm, Lily Phellera, and Namilia.

You also created School of Style with Law Roach. What can you tell us about that?

Law and I acquired that and just relaunched this year. It’s a tech-based educational platform for aspiring creatives to learn from those with realworld experience. We wanted to do our part in lowering the barrier to entry for anyone looking to get into our business, and some of the graduates have already had the opportunity to assist established stylists. We currently have Law’s styling course, and we just announced Brett Alan Nelson’s music styling course. We plan to touch every aspect of the industry, including beauty, business, and modeling.

The Daily has proudly honored some of your incredible artists over the years. Why has it been important for you to see the behind-the-scenes artists get their moment to shine?

Only recently did the world start to understand the importance of these creatives, who are the ones building images and trends behind the people at the forefront. It’s rewarding for them to finally get the visibility they deserve and not be seen as solely behind the scenes anymore, and become stars in their own right. For my team and me, for them to finally get the credit they deserve, it’s something I’ve always pushed for.

Front Row was always ahead of the curve in honoring and supporting talent with your incredible fashion awards, and we’re honored to be part of the event year after year.

You mentioned you just launched a sports division. Tell us about that.

We’ve always been involved in the sports world and understood the importance and power of athletedriven artists. However, we’ve recently seen an uptick in the conversation around sports and fashion, with brands dedicating more resources to supporting the influence that athletes have, especially in the WNBA. It only made sense for us to build out a space for us to reflect the demand while maintaining our well-known white glove service.

What’s next for you and the agency?

We’re working on building out our presence internationally, especially in India and the Middle East. I love to create or find new avenues to explore,

Frederic Aspiras and Lady Gaga

Brett Alan Nelson and Doja Cat

RAISE

A GLASS

Fizz, a gorgeous new LAGOS collection for fall, interprets the brand’s signature Caviar motif with natural, brilliant diamonds, bezel-set in warm 18K yellow gold. Created by Kate Lagos, the designs are sculptural and organic, meant to mimic little bubbles rising in a coupe of champagne. “I designed Fizz as a tribute to those moments that feel effervescent, like the first sip of champagne, or the quiet glow before a celebration begins, and I wanted to interpret the elegance of caviar in diamonds, but with a sense of movement and joy,” Lagos explains. “Fizz was created to fit your lifestyle, whether you’re dressing up or just showing up. It moves with you. It shines with you.” From smaller bubbles (see: a pair of delicate stud earrings) to bold dimensional hoops, the Fizz collection includes earrings, rings, pendants, and bracelets that feel celebratory and full of joie. Cheers!

FIZZ DIAMOND

Kate Lagos

$6,700

$6,800

FIZZ DIAMOND CLUSTER STUDS

$3,600

FIZZ DIAMOND HOOPS $12,500

FIZZ DIAMOND TENNIS BRACELET

$22,500

FIZZ DIAMOND LINEAR NECKLACE

FIZZ DIAMOND NECKLACE

Blonde AMBITION

Not all shades of blonde are created equal, but Redken knows how to deliver the most buttery results, thanks to its Shades EQ professional line, which can be custom blended for the most gorgeous golden tresses. Ahead, Redken Artistic Ambassador Philip Foresto talks us through the Expensive Blonde trend that he’s loving most this season.

What exactly is the Expensive Blonde trend?

Expensive Blonde is all about softness, dimension, and shine. It’s not a single shade of blonde. It’s a curated blend of tones that look seamless and naturally luxe. Think creamy highlights with barely there transitions and a glossy finish. The goal is to make a blonde color look healthy and effortless, as if you were born with it. No harsh lines. Why do you think Expensive Blonde is having a moment?

After years of high-contrast blonding and bold money pieces, people are craving something that feels elevated but low-key. Expensive Blonde fits right into that quiet luxury aesthetic. It’s polished, but never overdone. I love it because it lets me personalize every client’s blonde. It’s about enhancing what’s already there rather than covering it up.

Are any specific hair textures, lengths, or hues best suited to the trend? This look works on almost anyone, but it really shines on medium-to-long hair with some natural movement, such as waves, layers, or texture. If your base color is a natural dark blonde or light brunette, it’s a dream to work with because we can build soft contrast without overprocessing. That said, I’ve done Expensive Blonde on every texture, from straight and sleek to coily and voluminous; it’s about customizing tone placement to the hair’s natural pattern.

Who are some famous exemplary Expensive Blondes?

Think Margot Robbie’s lived-in golden blonde, Sofia Richie’s effortless sun-kissed look, and Rosie Huntington-Whiteley’s creamy dimensional tones. They all embody that understated elegant blonde that looks healthy, natural, and expensive.

Philip Foresto

Any tips for nailing the Expensive Blonde look?

First, bring reference photos but always trust your colorist to personalize your blonde to your skin tone and natural base. The magic of Expensive Blonde is in the details—fine diffused highlights, shadowed roots, and glossing treatments to keep the hair reflective.

For the cut, think soft layers or lived-in edges so the color has movement. Maintenance is about keeping the blonde bright without losing tone—use a sulfate-free shampoo, incorporate color-depositing treatments if needed, and always protect your hair from heat. Regular gloss appointments every six to eight weeks will keep your blonde looking fresh and rich.

MORE COIF TREND INTEL!

Expensive Blonde isn’t the only blonde on the block of note. Here are two more of-the-moment blonde trends Redken’s seasoned pros are loving most!

Suede Beige Blonde: This supple-sounding hue is a favorite of Redken Artistic Ambassador Sara Botsford. She achieves the perfect suede beige blonde by blending shades 09NB and 06NCH, plus Shades EQ Clear. “I love the pairing of the red violet reflect of the NB with the blue mahogany of the NCH. You can achieve a natural result that’s not too warm,” Botsford explains. “Shades EQ gives us the tools we need to create any shade of blonde, so everything is customized for our clients. No two manes are alike, so why should their formulas be?”

Cool Blonde: Redken Artistic Ambassador Adrienne Dara is a fan of the cooler blonde shades. One of her favorite formulations is the blend of Shades EQ families 09V + 09GI + 010NB + Shades EQ Clear. “When it comes to blondes, I can customize each head of hair to ensure that every client stands apart from the next,” Dara says of her never brassy, classy, and cool blonde creations using Shades EQ. “Whether I’m seeking a warm, cool, or neutral blonde, Shades EQ has a wealth of series to choose from and puts my clients’ hair health at the forefront.”

Sara Botsford

Adrienne Dara styling a model’s Cool Blonde tresses.

Foresto perfects the Expensive Blonde look.

The Lavazza Era

Italian coffee leader Lavazza is everywhere you want to be these days! Not only is the brand celebrating a major anniversary this year, it has been seen at the US Open, partnered with our beloved Casa Magazines, and is coming to New York Fashion Week at the Fashion Media Awards. Daniele Foti, the company’s VP of Marketing for Lavazza North America, tells THE DAILY what’s ahead and why coffee is more than just a beverage to them. By

EDDIE ROCHE

Tell us a little bit about the history of Lavazza! Lavazza was born in Turin, Italy, in 1895, and in 2025, we proudly celebrate 130 years of coffee passion. From a small family business to a global brand in more than 140 countries, Lavazza has always believed coffee is more than a beverage. It’s a cultural ritual that brings people together. Guided by Italian tradition and fueled by innovation, we have been

blending quality, creativity, and flavor for more than a century. Think of us as the original coffee disruptors, constantly reimagining how a cup can spark joy, fuel conversations, and connect the world.

How has Lavazza been able to stay relevant for so many decades?

It’s never about showing up, but doing so in ways that matter. For us, relevance means aligning coffee with

culture. From a decade-long love partnership with the US Open, to collaborations with top chefs, to popping up at Art Basel, and even on America’s Got Talent on TV, Lavazza has built a legacy of partnerships that resonate with people’s passions. 2025 is especially exciting. It’s our moment to celebrate everything we have built while spotlighting the bold next chapter we are brewing.

What’s the brand’s approach to coffee?

We like to think of it as an art-meets-science approach. Every step, from sourcing premium Arabica and Robusta beans to perfecting the roast, is about flavor, consistency, and respect for the planet. We want coffee to be both extraordinary and accessible. Whether it’s your morning K-Cup, a rich whole-bean espresso, or a cocktail-inspired creation, our mission is the same: Deliver a coffee experience that makes every sip memorable and every moment a little brighter.

Lavazza has a range of options. What are some of the most popular roasts?

We love giving coffee drinkers choices because every cup is personal. Some people crave a lighter roast with smooth balanced notes, while others want that bold dark intensity. Our portfolio covers the full spectrum. In retail, our Dolcevita line celebrates the Italian lifestyle and makes everyday coffee feel like a little ritual. In food service, our Classic, Specials, and La Reserva de ¡Tierra! collections deliver the premium taste and consistency that partners rely on. For the office crowd, Flavia makes authentic Italian coffee easy to share. Online, Super Crema espresso is still a star with e-commerce fans. Wherever people enjoy Lavazza, the goal is the same: Give them the right coffee for the right moment.

Explain the brand’s option to get a subscription to Lavazza!

The My Way subscription is designed for coffee lovers who never want to run out of their favorite blends. It is flexible, simple, and comes with perks like 25 percent off every delivery, free shipping on orders over $50, and the freedom to choose your schedule. It’s also a great way to discover seasonal flavors and new blends without leaving home. Think of it as the easiest way to keep your kitchen stocked with great Italian coffee, while still leaving room for surprise and delightful moments.

Any new products we should know about?

We’re always tuned in to what coffee fans want next. Recently, that has meant expanding our approaches to cold brew and cold foam, as well as creating flavored Keurig K-Cups inspired by classics like Tiramisu,

Lavazza’s most recent campaign.

Daniele Foti

Vanilla Affogato, and Caramel Biscotti. These blends bring together nostalgia, quality, and convenience, making every cup feel special. At the end of the day, innovation for us is listening closely to coffee lovers and turning their cravings into delicious reality. Lavazza has taken on the world of AI with Luigi! Who is this character and where will we be seeing him?

Luigi is Lavazza’s coffee-making robot mascot, created to engage coffee lovers in playful and innovative ways. He made his debut appearance in our global “Pleasure Makes Us Human” campaign last year alongside celebrities Steve Carell and John Krasinski, helping illustrate the brand’s message that coffee is more than a drink; it’s a shared joyful experience. Since then, Luigi has been featured at major events, like the US Open, through photos and campaign activations that highlight his presence and engage audiences in fun, shareable ways. You’ll be seeing a lot more of Luigi in the coming months, including the next iteration of our campaign, so stay tuned!

You were a sponsor for the US Open for the 10th year. What was Lavazza doing at the Open? What a journey it has been so far! Our partnership with the US Open has grown into much more than a logo on the court. For our 10th anniversary as an official partner, we’re fully immersing guests into La Dolce Vita. Fans could visit the Lavazza bar in the main food village to explore our menu, including specialty cocktails like the Iced Tiramisu and the Espresso Martini. At the Court 6 lounge, Luigi entertained guests with tennis-themed photo ops and souvenir selfies. Visitors at our booth spun a custom 3D prize wheel, picked up exclusive merchandise, and mailed postcards directly from the event.

We also shined a spotlight on Jannik Sinner, current World No. 1 player in men’s singles tennis, who has been part of our family since his early days on the court. And beyond the stadium, our collaboration with Casa Magazines brought courtside culture into the heart of the West Village. From cocktails to culture to community, the Open became a playground for coffee lovers, proving once again that Lavazza knows how to serve up more than just great espresso.

Lavazza has had a strong presence in North America lately. What are some of the places you’ve been popping up? Lavazza has been on quite a tour, bringing Italian coffee culture into some of North America’s most exciting cultural spaces. This year, we returned to the America’s Got Talent judges’ desk for the second year, keeping Lavazza front and center in prime time. We launched a three-year partnership with the Montauk Yacht Club in the Hamptons, curating a Dolce Vita Summer that brought coffee into the relaxed, stylish rhythm of the coast. We have also shown up at film, music, and art events across the United States and Canada, including the Film Independent Spirit Awards in Los Angeles, TIFF and the IncluCity Festival in Toronto, and FIJM in Montreal. And we’re heading back to Art Basel with a bigger activation than ever to celebrate our anniversary with a mix of art, creativity, and, of course, coffee. Most people in fashion start their day with coffee. Why is Lavazza the perfect accessory for the fashion crowd? Lavazza is more than a coffee, it’s a statement. Just like a designer bag or the right pair of shoes, it elevates an outfit and a mood. We share the same values as fashion—craftsmanship, elegance, and timeless style. Every Lavazza cup is precise in its balance of flavors, sleek in its presentation, and intentional in its details.

Backstage at a runway show, at an early breakfast, or in a creative studio, Lavazza adds energy and flair. It’s an accessory that never goes out of style. It’s something I would recommend to anyone who wants to stand out during such a cool moment like NYFW! You also collaborated with Casa Magazines. Tell us more! Our partnership with Casa Magazines connected two cultural icons. Casa has long been a trendsetter in New York, and together we brought the Lavazza US Open spirit to the West Village. Guests enjoyed specialty drinks, custom latte art, and immersive photo moments. It was less about sipping coffee and more about celebrating style, culture, and community— a memorable experience that showed how Lavazza elevates everyday moments. And it was, of course, an extra great moment to meet our consumers! We activated in one of the most vibrant neighborhoods of New York, and it was amazing how the neighborhood people embraced our brand. It was so much fun! What else does Lavazza have on tap for the rest of the year?

We can’t spill all the beans just yet, but there is plenty brewing. Fans can look forward to new blends and seasonal flavors, along with immersive experiences across entertainment, lifestyle, and culture. Luigi will also be back, starring in our next digital campaign with celebrity friends and keeping the coffee fun alive. And this December at Art Basel in Miami, we will unveil the 2026 Lavazza Calendar with a renowned American photographer. Above all, we’re excited to keep sharing coffee moments that surprise, delight, and bring people together across North America. 2025 has been a great year so far, but wait till you see 2026 raising the bar even more. Stay tuned!

Lavazza’s products are rooted in Italian tradition.

ChicMUSTS VANISHING ACT

Soma, the intimates brand by women, for women, is where sexy meets comfortable. They design perfect-fitting bras and panties, along with the best sleepwear ever (if you’ve never tried their cool-to-thetouch PJs, you’re truly missing out!). The brand’s philosophy is when it comes to your intimates wardrobe, you shouldn’t ever have to compromise or sacrifice style for comfort.

This month, they are putting their stamp on NYFW in a big way. With a takeover of the Iconic Magazine newsstand downtown and a Wild Postings campaign across the city, Soma is getting the word out about the newest member of their famous Vanishing collection: the Lace Back panty. In tons of fabrics and silhouettes, Vanishing panties are the undies everyone should know about. They’re the no-show wonders that completely disappear under clothes and (thanks to patented stay-put technology) do not budge. The tagline says it all: No ride. No roll. No show. No, really.

Because here’s the thing to remember when you’re getting dressed this fall: Pants are only as good as the undies under them. So go VANISHING, OR GO HOME. For more information, visit soma.com.

Soma’s Wild Postings campaign can be seen around NYC this month.

The Lace Back Panty

Step It UP

No matter the occasion, Schutz has you covered for fall when it comes to the most covetable kicks! See: Boots galore— be it a fold-over silhouette, classic moto, or slouchy style, available in both statement-making prints, like cheetah and cow-patterned ponyhair and versatile neutrals. Plus, for nights out on the town, choose from glossy patent heels or slides with chic detailing, such as peep toes and oversize buckles.

RUDY BOOTS $298

LENA SANDALS $158

SABLE BOOTS $298

RUDY BUCKLE BOOTS

$258

KEIRA CLOAK BOOTS

$238

MARYANA SLOUCH BOOTS

$238

MARYANA WILD BOOTS

$328

Going COASTAL

This season, Simkhai’s show includes a covetable accessory relying on smell, not sight, with Moroccanoil as his hair and fragrance partner. Ahead, creative director Jonathan Simkhai explains the beachy-cool vision, clothes, coifs, and all. By ALEXANDRA ILYASHOV

What inspired your show this season?

There were a few things: I was inspired by the coast and the idea of coastal living in California, with some surf elements. Very early in my career I created a collection inspired by the movie Lords of Dogtown, and I wanted to revisit it and design a new refined version of the collection that I wanted to create then. It’s a gift to my younger self to show how far I’ve come. I remember the previous show at Milk Studios and now I’m planning this incredible show. Who knows, maybe I will visit this inspiration again in the future and see how far I have come from this moment. How did you get involved with Moroccanoil?

I love the brand and the products, and when I was thinking about the theme of the collection it seemed so seamless, so we reached out to see if they might like to work together. The rest is history!

How do you ensure the tresses complement the collection?

In general, Simkhai hair and makeup is always about having a simple healthy glow. I wanted to use Moroccanoil products to give a healthy shine, while still keeping the look clean and pared back. I always want my girl to look effortless.

Where did you find inspiration for the hair looks this season?

Lords of Dogtown, archival photography, previous

Simkhai shows. I always love a minimal ’90s reference! How did you incorporate coastal references in the styling?

I’m partnering with [stylist] Camilla Nickerson again this season. We have some amazing shoes and bags with coastal details and nods to the ocean. In general, we don’t like to overaccessorize.

As an avowed fan of Moroccanoil, what are your favorite products?

I love using the Moroccanoil Dry Body Oil after I

shower to leave my skin looking glowing and nourished. Moroccanoil recently launched a fabulous fragrance, L’Originale Eau de Parfum. Do any particular scents inspire your creative process?

Scents are hugely important to me; with this collection, I was thinking about all the smells you encounter by the beach—the salt air, the coastal plants. There are also smells that are special to me, like the way the top of my kids’ hair smells when I’m hugging them, and the fragrance my husband and I wore on our first date.

Where’s your favorite beach in the world?

Sandy Island in Anguilla is heaven.

What does a perfect beach day look like for you?

Drinking LALO Tequila with tons of ice and fresh lime, a cooler full of my favorite JonnyPops freezer pops, my husband, my parents, my kids, reading fashion magazines, listening to some of my favorite artists like Blackpink, Charli XCX, and Chappell Roan. What are you looking forward to for the rest of the year?

The CFDA Fashion Awards are coming up in November, and as a former CFDA/Vogue Fashion Fund winner, back in 2015, I love supporting other designers. Other than that, I’ll be in New York and Paris selling our Spring ’26 collection. On a personal level, we just had our third child, a beautiful baby girl, so I’m looking forward to spending time with her this fall.

Jonathan Simkhai

L’Originale Eau du Parfum

Concrete JUNGLE

From uptown to downtown, MILLY’s latest styles are made for girls on the go. Look to the brand’s wild spots, rich florals, and chic leather for any autumn outing. By AARON ROYCE

Haddy pleated mini dress in Plum, $395

Wells vegan leather jacket, $495

Boucle mixed media midi dress, $595

Otha leopardprint pleated skirt, $325

Yasmin rose mosaic mini dress, $425

FOUNTAIN of YOUTH

JECT is known for its innovative cosmetic practices. Take a dive into the brand’s latest fall treatments from founder Brooke Morton, FNP-C. By AARON ROYCE

Moxi

What it is: This resurfacing device quickly polishes the face to reduce signs of aging.

Benefits: This treatment, which is safe for all skin tones, notably smooths facial scarring, enlarged pores, and uneven skin textures.

Cost: $800; $720 with JECT membership

BBL

What it is: Broadband light (BBL) is used for skin brightening and soothing.

Benefits: Different wavelengths are used to treat redness, hyperpigmentation, and rosacea. Throughout one week, pigmentation will darken and flake off, which should be followed by a Moxi laser session for resurfacing.

Cost: $650; $585 with JECT membership

Microneedling + PDRN

What it is: Microneedling uses controlled micro trauma on the skin to kick-start collagen production, plus reduce fine lines, dullness, and enlarged pores. PDRN (polydeoxyribonucleotide) uses innovative salmon gonad DNA to reduce inflammation.

Benefits: Microneedling softens fine lines and reduces pore size and acne scars. Meanwhile, PDRN improves skin hydration, texture, and fine lines, while also decreasing post-microneedling downtime. If PDRN is applied after microneedling, the treatment improves the skin’s smoothness and vibrance while supporting cell regeneration and hydration.

Cost: $900, $810 with JECT membership (treatment); $500 with JECT membership, $450 for regular microneedling

CO2

What it is: This skin-resurfacing laser treats deep wrinkles, texture, sagging, and sun damage on your skin.

Benefits: CO2 treatments vary in intensity, which can lead to different results. Less intense treatments treat uneven textures, dullness, and prevent signs of aging for a refreshed look. Meanwhile, more intense treatments use powerful lasers to promote collagen production, while addressing long-term skin damage and aging, which is only medically advised for lighter skin tones.

Cost: $1,005; $905 with JECT membership

Moxi resurfaces skin for a smooth finish.

BBL’s wavelengths can treat multiple skin concerns.

Microneedling targets fine lines and collagen production.

CO2’s deep lasers can provide various skin benefits from two different intensities.

Sweet ESCAPE

Montauk resort Solé East has become a true oasis Out East! We caught up with co-founder Dave Ceva about the space’s origins, luxe amenities, and more. By AARON ROYCE

Just keeping it cool and super simple—surfer chic meets bohemian shabby chic. Luxury where it counts—Frette linens and incredibly comfortable beds. We took all the minibars out of the rooms to create the heart and soul of the property at our backyard restaurant, Seasalt. No attitudes! We want people to think of us as their home away from home. This is our 20th season. We love welcoming guests back year after year.

What are your favorite amenities on the property? Yoga in our hidden garden area, the chill firepit, and our bountiful hammocks.

Tell us about the Seasalt restaurant and what’s on the menu!

We serve super fresh seafood with a Mediterranean twist. Also, some favorite dishes we have found in our travels. Is Solé East open all year long? Unfortunately not, [only] May 1–October 31. Why is it called Solé East?

We came up with the name when developing our property in Miami, Solé on the Ocean. “Solé” means “sun” in Italian, [so it was a] logical choice for a name with our next project Out East in Montauk.

What are your favorite things to do out here?

Mountain biking the endless trails in Hither Hills [and] surfing.

What does Solé East have lined up for autumn?

Our restaurant will be featuring a special fireside fall menu all season with reduced rates. We will be hosting weddings many weekends and corporate meetings midweek. The property sets up beautifully for corporate off-site meetings.

When will you start booking rooms for next summer? Once the season ends, we’re busy with bookings for next season.

Solé East in Montauk

The resort’s serene rooms are filled with luxe linens and light.

The Seasalt restaurant features coastal-inspired cuisine.

Take a dip in Solé East’s refreshing blue pool.

LUXE

This season, Grey/Ven is debuting its first menswear collection for Spring/ Summer 2026, designed by the brand’s owner and CEO, Scott Weissman. Crafted in Italy from the finest linens, cashmeres, cottons, and denim, the collection reflects the brand’s signature of understated luxury. While this marks Weissman’s first full menswear line, he has previously designed pieces for Grey/Ven’s womenswear since acquiring the brand in 2024. Also on tap this season? The brand is introducing a capsule collaboration with Ugo Mozie’s Eleven Sixteen, featuring tailored linen suits for men, available exclusively at Grey/Ven’s East Hampton flagship and an anticipated NYC pop-up location.

Scott Weissman

Skin SAVVY

Molly Sims’ latest endeavor, YSE Beauty, is a streamlined, pro-aging skin care line for Gen X. It’s also a deeply personal project, as the longtime model–turned–impassioned entrepreneur explains. By

ALEXANDRA ILYASHOV

How did this project come about?

I started YSE Beauty in 2023 because I couldn’t find skincare that truly worked for hyperpigmentation and uneven skin tone, without feeling clinical, complicated, or intimidating. Honestly, I felt like so many women, especially in our thirties, forties, and fifties, were being overlooked. It’s not about trying to reverse time; it’s about feeling confident and radiant right now. We’re all about “pro-aging” here, supporting your skin so it can glow at every stage of life. No antiaging nonsense. YSE is made for women who are busy, ambitious, and don’t have time for complex routines. Everything out there felt either overwhelming, or just didn’t deliver results. I wanted to create something effective, luxurious, and simple without downtime or 12-step routines. YSE stands for wisdom—the expertise behind our formulations, and also the collective wisdom of a community of strong, accomplished women. Instead of trying to fix what’s wrong, it’s about embracing and highlighting your natural glow at every age. Did any personal skincare struggles lead to launching YSE?

In my late thirties and early forties, my skin started changing in ways I wasn’t prepared for—cystic acne, dark spots, hyperpigmentation, dullness, and dry patches. I felt like I had nowhere to turn for real answers, and I didn’t feel seen or heard. The moment I realized I needed to make a change? When my husband leaned in to wipe something off my face, thinking it was dirt. Turns out, it wasn’t. It was a patch of discoloration. I tried all sorts of treatments—antibiotics, Accutane, lasers, creams— but many solutions felt too harsh, or just didn’t work. YSE is the resource I wish I had during my skincare journey.

What gaps in the skincare space did you hope to fill with YSE?

This isn’t a vanity project or a celebrity venture—it’s personal. As a woman in my forties, I saw a real gap: simple, effective products for women 35-plus that actually work. We want to help you get your glow back—without all the extra effort. I started YSE Beauty to help women feel confident in their skin without the fuss. This isn’t about putting my name on a product; it’s about creating things that genuinely make a difference.

How did decades of modeling help you launch a skincare brand?

With more than 30 years of modeling experience, I’ve made it my business to learn everything there is to know about good skincare. Your skin is your best asset—your résumé. Taking care of your skin is imperative in this industry. I’m such a tough critic in terms of payoff and performance, especially when struggling with my own skin issues. I became obsessed with learning everything about what dermatologists and makeup artists used on my skin and how they achieved that glow. I also gained a deep understanding of beauty products in general. That’s truly where Your Favorite Ex Exfoliating Pads originated. I noticed that my makeup applied as well as the skin preparation I did beforehand. Exfoliation is the most critical step and the magic behind achieving a natural glow. These exfoliating pads are gentle enough for everyday use, so you never have to worry about a textured makeup look ever again. How has this career chapter been fulfilling for you? Is it cliché to say you really can have it all? Life doesn’t end after kids; it can actually

begin. For me, becoming a mom was never going to be my only identity—though it’s by far my favorite. I had a deep drive to create something I felt was missing in the beauty world—and I had to go for it.

Any advice for fellow entrepreneurs?

Take the risk. Yes, you might fail—maybe 20 times. Yes, you’ll want to cry, scream, or pour a second (or third) glass of wine. But if you push through the hard moments, the reward is so much sweeter. When I read a customer review, or get a simple “this changed my life” text from a friend, I know it’s all worth it. That’s what success looks like to me.

What’s it like launching a business in your fifties?

Running a business at 52 while raising three kids aged 13, 10, and 8 is challenging, but I try my best. Balancing family life with the demands of running a business— like approvals, putting out fires, and making decisions—never stops. Still, you will find me at my kids’ sports, school pickups, and listening to their oftentimes longwinded stories because I know these moments won’t last. It’s a constant work-life balance, which I work toward everyday. Having a solid team you trust is key. I can’t be everywhere, so delegating to experts and reliable people makes all the difference. As a beauty business owner in my fifties, I understand what women my age want and need. I know the reality of what they’re up against; I resonate with what they feel they’re missing in the beauty market. With a network of experts and my inner circle of women who offer honest conversations, I’ve gained insight into what my community truly needs, allowing me to offer tailored, effective products for the Gen X demographic. Age has made me wiser, and my connections have enriched my understanding of what these women really look for.

Molly Sims

Beachfront BLISS

Once autumn is in full swing, the real estate scene in the Hamptons only gets hotter, even as the peak summertime crowds dissipate; just ask Kyle Rosko of the Eklund Gomes team at Douglas Elliman. Ahead, Rosko tells us about his buzziest listings Out East, and how he (sort of) unwinds come winter.

What’s the latest on the Hamptons real estate scene?

We’re having a great moment in the Amagansett and Montauk market, specifically in oceanfronts. I currently have five oceanfront properties for sale in Montauk, which is the majority of the oceanfronts available for sale in Montauk right now. It’s a beautiful thing, and it’s an active market.

Tell us more about your Montauk oceanfront coming to market.

It’s just a magical place. It took about five years to build, and it’s one of the most spectacular houses ever built in Montauk. It’s offered as a compound, which together will be $69 million. SAOTA Architects designed this home, and Rafael de Cardenas is the interior designer; it’s a once-in-a-lifetime chance to buy something that shouldn’t be for sale. It’s absolute perfection, and who’s involved with the project makes it so special and rare.

Any details you can share about Rafael de Cardenas’ interiors for the compound?

It’s just so vibey. Every bathroom has a different tile color, all Italian artisancreated tiles, and they’re beautiful. There’s character within each bathroom that’s memorable. It’s so cool. And there’s a sunken living room with 12-foot ceilings and sliding glass around the whole exterior of the middle of the house. The glass, the windows, every single thing is made of the best materials, and on top of that, it’s the best artisans and workmanship.

Kyle Rosko @nycsilversurfer

Who do you imagine the ideal buyer will be?

Certain people who collect homes. It’s for somebody who wants something that’s so special, it’s almost like you can’t buy it. Houses of this caliber are almost never for sale, and they’re built to be enjoyed for generations. It’s a rare opportunity that it can be purchased and enjoyed right after it’s finished.

How long has the project been in the works?

It took five years to develop and create this. It’s an incredibly long process and a special group of people to work with. For it to come to completion and be actually available is kind of a miracle. It’s just great to see when everyone puts their heads together what can be accomplished. It’s not only a design feat, it’s also an engineering feat, because this house was built into a sand hill overlooking the ocean in one of the most desirable places, Hither Hills. The most ambitious construction projects Out East are happening in this small area of Montauk. What’s the appeal of Hither Hills?

Ralph Lauren lives there. Robert De Niro lives just below these two houses. It’s a primo spot. Like, Ralph can live anywhere he chooses, and he lives four doors down from this house. Obviously, it has breathtaking oceanfront; the beach, views, and privacy make it special. The beach here is unbelievably beautiful, and there’s no public beach access nearby. Gurney’s is close, but it’s a private resort, so there’s no public parking lot or a whole bunch of people on the beaches. Such privacy is rare to come by out here.

Any other must-know abodes for sale on your roster?

I have two oceanfront properties in the Ditch Plains area of Montauk, 40 and 42 Deforest Road, co-listed with Erica Grossman; they’re just stunning. Also, 109 Hand Lane, which is the most beautiful house that’s ever been built in Amagansett Lanes, a hot neighborhood. This is the Hamptons house of Fouad Chartouni and his son, Philip, who own the Lowell Hotel in New York City. You see elements of the details and thoughtfulness of the beautiful Lowell Hotel in this house. It’s more than 10,000 square feet of remarkable finished space. What’s the unique appeal of the Amagansett Lanes area?

You’re literally right between the town of Amagansett and the ocean. You couldn’t be more conveniently located; it’s just the best. You don’t even need a car; you can literally walk or bike anywhere. This house is perfectly placed in one of the quietest, most exclusive lanes, Hand Lane. What’s on your plate this month, aside from selling gorgeous properties? September is the new June! It’s the nicest. I love being Out east in September.

Let’s be honest. It’s not a secret anymore! It’s beautiful. I love the fact that there are cooler nights, and you can enjoy the absolute beauty of the area; there are no wait times for almost anything. The traffic doesn’t dissipate, though!

What else is on tap for fall?

I’m working hard. In the fall, I have access to all my Hamptons properties again, that were either occupied by owners or rented over the summer. This is when I work with serious buyers, new inventory goes onto the market, stuff that was off-market last summer goes back on the market. It’s one of our busiest times of the year! It’s exciting when deals come together in the fall, with serious buyers and a lot of great things happen, as far as listings. It’s the prime time, when all the action happens.

Sounds like a busy time! How will you unwind come winter?

I’ve carved out some space in my winter to spend elsewhere; I’ll be going down to Costa Rica in January and February, in Santa Teresa, one of the most beautiful places in the world. I enjoy connecting with people from all over the world who also get down there in the winter. But also, I can easily get back to New York in less than 48 hours; if a client calls me on Monday and needs to see something on Wednesday, I’m there. But otherwise, I’ll be in Costa Rica, working all day, every day from the beach. I’m famously known for standing on logs and other big pieces of driftwood on the sand, doing my phone calls and my conference calls all day long.

109 Hand Lane, Amagansett

40 and 42 Deforest Road, Montauk

The NOBLE PURSUIT

With more than $3 billion in sales, Douglas Elliman’s Noble Black is consistently ranked among the leading residential brokers in the country. He has teams in both NYC and the Hamptons, and he works with some of the most coveted properties on the market. Over the years they’ve marketed and sold properties from penthouses at 520 Park Avenue, 785 Fifth Avenue, The Aman Residences, 15 Central Park West, Jean Nouvel’s 100 11th Avenue, One Beacon Court, the Sherry-Netherland, Hudson Yards, 111 Murray Street, and the Waldorf Astoria Residences. He tells THE DAILY what piqued his interest in real estate and what properties he’s passionate about right now. By

EDDIE ROCHE

How did you get your start in real estate?

I got into real estate more than 20 years ago, after first practicing law. I didn’t realize I was making a permanent switch as I actually left the law field for what I thought was a three-month consulting gig for Mark Burnett’s company for The Apprentice. I had always fantasized about selling real estate; as a kid I dragged my parents to open houses every weekend. So when the consulting job wrapped I decided it was now or never to give it a shot before returning to law or banking. I knew just how much I had in my bank account, and I gave myself six months to hopefully make it work or tuck my tail and trek back to the law firm. Thankfully it worked out! What was it about this industry that you were attracted to?

I love so many aspects of it; the variety of people we get to meet and then get to know quite intimately still fascinates me. I also love the deal-making side of things, as well as playing a key role in a journey

Situated on a serene street with enchanting views of Upper Sag Harbor Cove, this beautiful home is close to Main Street and features three bedrooms and three full bathrooms. $8,500,000

Noble Black

that matters a great deal to our clients as it involves things that are quite personal—their home, and often a sizable chunk of their net worth. We’re entrusted with so much and to be able to help them with something so significant is incredibly satisfying. You’ve built such a strong team over the years. What do you think they bring to the table that differentiates you?

We constantly focus on professionalism and servicing our clients above all else. When you put the client first, everything falls into place. This encapsulates everything from staying on top of market data to offering best-in-class marketing, proactive communications, and maintaining trust and strong relationships with our colleagues. What neighborhoods in NYC and the Hamptons are your personal favorites?

Of course I love the West Village like everyone else! But I’ve fallen in love with the Upper East Side. Once considered sleepy or stuffy, there’s so much going on there now, including great restaurants and clubs.

It’s so convenient and just beautiful. In the Hamptons, I’m partial to Sag Harbor. We live in the Village, and I love the history, charm, and convenience there. It’s pure Americana.

What’s the best part of your job?

Meeting great new people and helping them with what’s usually an important personal transaction. I also love mentoring the members of my team and watching them develop.

Where do you see the market going for the rest of the year?

What questions should sellers be asking?

I believe we’ll have a strong autumn and even stronger spring. There’s still too little inventory, and hopefully there will be rate cuts, which will help propel the larger market sentiment. There are both local and national political forces that created some pause; however, I believe we’ll work through these moments and that the market will continue along the robust trend trajectory it’s been following since fall 2024. What properties are you excited about right now?

We have a gorgeous townhouse on the market in the Village and are bringing on a special penthouse at 443 Greenwich Street. Both are spectacular. Our Hamptons team also continues to be busy. I love the most perfect waterview property we have in Sag Harbor by interior designer Bryan Graybill.

Sellers need to look at more than a broker’s record of sales. They need to have a firm understanding of who their broker is. It’s a personal relationship and one that they’ll be investing significant time and trust into. Ideally, sellers should start this process with someone they know possesses integrity, who will follow through on their word and carry out these actions in a way that represents them well.

A big part of buying or selling is getting along with your broker. What are you like to work with?

Ha! That’s a better question for my clients. I try to be knowledgeable and professional, approachable and friendly, yet not overly familiar. I often become friends with clients but always remember that’s not why I’m here. My job is to serve and represent them first and foremost. Ideally there’s a lot of fun along the way, too.

What do you like to do on your off time for fun?

I love gardening and tinkering with the house in Sag, or having a great dinner out in the city. But so much of my job is also fun to me. I’m fortunate in that.

This home at 20 East 10th Street offers five levels of luxurious living space, plus a basement, blending modern sophistication with the timeless charm of its historic roots. $29,995,000

Located at 20 East 10th Street, this impeccably renovated 25-foot-wide townhouse was originally built in 1864. It was once the residence of actors Sarah Jessica Parker and Matthew Broderick.

5 Green Street, Sag Harbor. The expanded main floor flows effortlessly, anchored by a spacious living room.

5 Green Street, Sag Harbor. The modern eat-in Boffi kitchen is a chef’s dream, equipped with an integrated Gaggenau appliance package.

FallFASHION BOOTS on the GROUND

Alexi denim multi studs mules, $110

Icon boots in Red, $200

Twain boots in Brown, $140

Riggs boots in Banana Leather, $200

Lisbon Mary Janes in Red, $120

SHOW TIME!

This year, COTERIE is overlapping with NYFW and bringing in exciting partnerships, brands from around the world, and new ways for retailers and buyers to experience the show.

Purvi Kanji, VP of COTERIE, and Edwina Kulego, VP of International Sourcing and Menswear, tell us what to expect at the Javits Center this season!

How is COTERIE redefining the trade show experience?

Purvi Kanji: COTERIE is shifting from being just a marketplace to being a true resource for the fashion industry. We’re redesigning the trade show model by blending commerce with curated discovery, education, and meaningful partnerships. It’s about creating an experience where brands and retailers don’t just transact but actually build long-term strategies together.

The September show always has so much energy. Why do you think it’s important for these brands to meet with retailers in person?

Kanji: Fashion is still such a relationship-driven business. There’s no substitute for seeing a collection in person, touching the fabrics, and having those candid conversations that spark ideas. The September show, with all its energy and faceto-face interactions, creates the perfect setting for those connections. It’s where future collaborations and strategies take shape. We’re excited to partner with Vogue Mexico and Latin America again this season to collaborate on the curation of our Destination neighborhood, which the community is excited to see return!

What’s the best-kept secret about COTERIE?

Kanji: It’s how much business actually gets done behind the scenes. Beyond the buzz and the beautiful booths, some of the most impactful partnerships and long-term brand trajectories have started at COTERIE. Many of fashion’s most celebrated labels first found their retail footing at COTERIE.

What’s your favorite tradition at COTERIE?

Kanji: For me, it’s that moment when the doors open on day one. Seeing months of planning come to life, with buyers and brands rushing in full of excitement, never gets old. It’s a tradition that reminds us why we do what we do, and I couldn’t be prouder of the collective effort it takes to make that moment happen. What are you personally looking forward to this year?

Kanji: I’m excited about the collaborations we’re building into the show, whether that’s editorial partnerships, elevated experiences on the floor, or new categories, like resortwear and night out. Each of these layers makes COTERIE feel fresher and more impactful every season. I’m also excited about our growing international presence;

every season, the mix of global brands adds new designs and energy to the marketplace. What comes next after COTERIE?

Kanji: Our goal is to extend the value of COTERIE year-round. That means continuing to grow our community beyond the in-person event, through partnerships, digital discovery, and new formats that keep the conversation going. We want COTERIE to be the industry’s go-to resource, whether in September, February, or any day in between.

How has the international presence grown at COTERIE?

Edwina Kulego: The international presence at COTERIE continues to expand each season, with prominent representation from Europe, Asia, South America, and beyond. This September, the Italian Trade Agency (ITA) returns with nearly 80 Italian designers, while the French Federation brings a strong roster of both established and emerging talent. Through our collaboration with Creative Africa Nexus (CANEX) established by the African Export-Import Bank, we’re especially proud to showcase 10 designers from across Africa, highlighting the continent’s creativity and innovation. Retailers come to COTERIE with the intention of discovering global voices, and we’re seeing exciting new growth from regions such as Morocco, Thailand, Brazil, South Korea, and Türkiye. This growing diversity is what makes COTERIE such a dynamic and truly international marketplace. Over the years, international participation at COTERIE has expanded significantly, and today, nearly 35 percent of our exhibiting brands come from outside the United States. This growth speaks to the power of COTERIE as a global stage where designers can introduce their collections to North American retailers and buyers.

Tell us about the new international brands you’re excited to see this season.

Kulego: This month, we’re thrilled to welcome an exciting mix of first-time exhibitors alongside established international names. From Latin America, we’ll see a wave of contemporary designers spotlighting sustainable materials and vibrant storytelling through their collections. European labels continue to bring their signature craftsmanship and timeless elegance, while African designers are introducing powerful narratives rooted in heritage, artistry, and modernity. From Asia, we’ll see an emphasis on innovation from brands that merge traditional techniques with forward-thinking design. It’s this wide-ranging mix that makes COTERIE so dynamic. Attendees can expect to discover both emerging talent and globally recognized brands all under one roof.

What are a few trends that the international brands are bringing to COTERIE?

Kulego: We’re seeing international designers bring incredible textures to the forefront this season; elevated crochets, natural fibers, and soft neutrals are especially strong. Flowy dresses remain a staple, but we’re also seeing the rise of lightweight tailoring with soft blazers, sheer overlays, and versatile layering pieces that move effortlessly from day to night. Beyond that, cultural storytelling and artisanal details are big across regions, with designers weaving heritage techniques into modern silhouettes. Across regions, sustainability continues to be a leading priority, but what’s exciting is how each region interprets it differently; from circular fashion models in Europe to artisanal small-batch production in South America and Africa.

How does COTERIE curate the international brands for the attendees?

Kulego: Curating our international roster is both strategic and intentional. We work closely with global trade associations, agents, and fashion councils to identify brands that are ready for the U.S. market and resonate with our buyers. Our team also travels extensively, attending Fashion Weeks and visiting emerging fashion hubs to scout talent firsthand. The goal is always to strike a balance—established international players who draw strong recognition alongside emerging designers who bring fresh energy. Ultimately, every brand we curate is chosen with our attendees in mind; we want them to leave COTERIE feeling inspired and with access to a truly global assortment of fashion.

ULTIMATE Italian Summer VIBES

Incredible craftsmanship, great design, and the finest materials define fashion that’s proudly “Made in Italy.” Allora, we’ve got the scoop on 79 Italian fashion and accessories brands showing at COTERIE this season from September 14–16 at the Javits Center that you absolutely won’t want to miss.

Andiamo, Alessio!

As head of the Fashion and Beauty Division at Italian Trade Agency (ITA), Alessio Nanni arrived stateside less than two years ago from ITA’s Rome HQ. Here’s how he brings ample strategy, passion, and, of course, serious style to the role.

What’s your personal and professional background?

I began my career at ITA’s headquarters in Rome, leading some of Italy’s most important national initiatives in the beauty sector—events that became benchmarks of excellence nationwide. I worked closely with companies embodying Italian craftsmanship, helping them expand globally while preserving their heritage. This dual mission of supporting businesses and sharing our culture has fueled my passion for international business. Now, in New York, I serve not only as a trade professional but as an ambassador for Italy’s beauty and fashion industries, fostering deeper, lasting ties between our countries.

How did your experience in Rome inform your current role?

ITA in Rome taught me that success in this sector relies on three pillars: heritage, innovation, and relationships. Having organized large-scale events bringing together Italy’s top beauty and fashion brands, I arrived in the U.S. with a profound understanding of what makes Italian products unique—and how to communicate that internationally. Here, I leverage that experience to transform tradition into compelling opportunities for American buyers, media, and consumers, ensuring every initiative reflects the quality, creativity, and authenticity of “Made in Italy.” How many Italian companies does ITA’s Fashion and Beauty Division work with?

Our ITA network is extensive and continually growing. We support around 300 fashion brands through platforms like Extraitastyle, Coterie, Chicago Collective, and Cabana, and we work with around 200 beauty and niche perfume companies. Including beauty, eyewear, and jewelry, our reach extends to hundreds more companies—each with distinct expressions of Italian style, craftsmanship, and innovation.

Since arriving in NYC, what are some projects you’re most proud of?

I’ve worked on three editions of Cosmoprof North America, showcasing Italy’s leading beauty companies on East and West coasts, reinforcing our role as a bridge between Italian innovation and the U.S. market at major U.S. trade shows. For our Italy on Madison event in May 2025, we hosted 600 guests engaging with more than 90 Italian brands at our New York headquarters. At our Fashion Showcase at the Boom Boom Room in June 2024, we featured more than 40 Italian ready-to-wear and accessories brands, attended by Olivia Palermo, followed by a Central Park shoot with renowned photographer Samantha Rapp. I’ve also worked on beauty events in Los Angeles and New York, curated celebrations of Italian beauty and wellness excellence in partnership with leading U.S. media and influencers. Plus, EXTRAITASTYLE.com, our exclusive B2B digital platform launched in 2020,

has doubled in size to feature 120-plus brands and 6,000-plus products, and COTERIE, a flagship event, is hosting a record 79-plus “Made in Italy” companies this year. The beauty initiative fostered significant trade, roughly $2 billion in annual U.S. imports.

Between 2023 and 2024, Italy saw the fastest growth among U.S. beauty import sources, increasing by around $54.9 million.

Impressive! Did you come to NYC with specific goals?

Absolutely. My mission was clear—to blend tradition with innovation and help Italian brands approach the U.S. market with an integrated B2B and directto-consumer strategy. ITA is focused on elevating content creation—like video storytelling, influencer partnerships, and on-location campaigns—enabling our brands to communicate with the U.S. market’s energy and pace.

How do you define innovation?

Innovation is the art of honoring tradition while embracing change. At ITA, I encourage our team to evolve every season—not only to engage American audiences, but to lead by example for Italian companies. We demonstrate the fast pace and creative agility necessary here, guiding brands to adapt without compromising authenticity.

Tell us about ITA’s many partnerships.

ITA has collaborated with major U.S. retailers like Bloomingdale’s and Mitchell’s, major fashion and beauty trade shows, media leaders, and influential creators. These alliances place our brands in trusted spaces and connect them with audiences that value style and substance.

What’s the global impact of the Fashion and Beauty Division’s projects?

The U.S. is the leading non-European market for “Made in Italy” fashion and a key driver of global trends. Italy’s fashion and beauty industry is the country’s third-largest manufacturing sector and a world leader in apparel, footwear, textiles, eyewear, cosmetics, and jewelry exports. Every initiative here strengthens Italy’s export performance while providing the U.S. market with unparalleled quality and design.

How have you furthered ITA’s reach in the U.S.?

We’ve expanded through a strategic mix of trade shows—Chicago Collective, Coterie, Miami Cabana, Cosmoprof—alongside beauty-focused road shows and curated cultural events showcasing Italian craftsmanship. EXTRAITASTYLE.com helps us sustain engagement year-round, connecting U.S. buyers and media to Italian brands beyond traditional trade shows.

What’s next for you?

Our focus remains on deepening the Italy-U.S. connection in fashion and beauty. We’ll continue to innovate how we showcase Italian excellence, blending immersive physical experiences with advanced digital tools to ensure our brands stay accessible, relevant, and inspiring to the American market. Additionally, I’m committed to supporting investment opportunities by organizing networking events online and in person, and expanding initiatives nationwide across the East and West coasts. My ultimate goal at ITA N.Y. is to build a stronger, more dynamic bridge between our countries—rooted in a shared appreciation for quality, creativity, and cultural heritage.

READY TO WEAR

Alessandro Enriquez Colorful, eclectic style is a hallmark for Alessandro Enriquez. The designer’s vibrant printed graphic T-shirts, sweeping midi dresses, sultry minis, and more pack a punch with allover prints and bright hues. (jacopo@jacopofoti.com; Booth 6129)

Alpha Studio Originally founded in the 1970s by Franco Rossi, Alpha Studio was launched with a focus on technologically advanced ready-to-wear. Today, the brand’s become known for its chic knitwear and mix-and-match styles. (gloria@alpha-studio.com; Booth 6162)

Andrè Maurice Atelier Since 1921, Andrè Maurice Atelier has been an established name in Italy’s fashion scene. The brand’s found a hallmark in its traditional knitwear, in addition to tonal outerwear and more. (anna.badino@andremaurice.it; Booth 6153

Anna Seravalli Anna Seravalli combines quality fabrics with sharp style. Founded by William Bianco, the Venetian brand offers chic knits, separates, and more. (julia.simon@edite.us; Booth 6563)

BACI and AMICI by Baci Founded by Batia Rutenberg, both brands place emphasis on innovative womenswear and relaxed Italian living with lightweight dresses, shirts, separates, and more. (annalisa@gyroitalia.com; Booth 6866

Bessi Vibrance is core to Bessi, which has created chic womenswear collections since 1950. The brand’s breezy pieces are boosted with swirling all-over prints and lighthearted colors for an optimistic feel. (antonella@averardobessi.it; Booth 6760

Biancalancia Casual luxury is key for this Manfredonia-born label, which specializes in neutral-toned attire like cozy sweaters and sharp coats. (nicoon5th@gmail.com; Booth 6767)

Bohemianvi The brand embraces nonchalant glamour with its ready-to-wear anf eveningwear, which are all “Made in Italy,” embracing a “slow fashion” mindset for more than six years. (amministrazione@ silencelimited.com; Booth 6923)

Bohemianvì

Alessandro Enriquez

BACI and AMICI by Baci

Anna Seravalli

Biancalancia

Bessi

Andrè Maurice Atelier

Chio Sister duo Stefania and Maria Cristina Di Simone launched Chio in 1999, bringing a couture design approach to resortwear and swimwear. Today, their feminine styles are known for versatility, especially their ability to transition from day to night. (sales@chio-online.com; Booth 6621)

Cinzia Rocca Cinzia Rocca’s quality outerwear is crafted with longevity in mind. This Brescia, Italy–based label’s array of elegant coats, jackets, and more are made with fabrics ranging from cashmere and wool to viscose, ensuring sharp style for years to come.

(nicole@cinziaroccausa.com; Booth 6159)

Decata Effortless style is top of mind at Decata, whose womenswear pieces merge classic dressing with a modern edge. The brand’s two-toned shirts, printed dresses, and more are beloved for their use of color, plus sustainable elements like raw materials and after-care services. (info@jdcstudio.it; Booth 6463)

Deha Deha combines sport and relaxation within its range of athleisure and loungewear collections. The label encourages customers to embrace a relaxed, uplifted mindset through its various separates, boosted by splashy patterns and bursts of color. (ulia.simon@edite.us; Booth 6445)

De Santis by Martin Alvarez Martin Alvarez’s designs for De Santis by Martin Alvarez embrace elegant style with fanfare. The brand’s tonal dresses, gowns, and lightweight separates are classically chic with a dash of drama from shimmering embroidery, tiered fringe, and more enchanting details. (vigevanosrllab@gmail.com; Booth 6146)

Di Bello by Fontani Crafted locally in Italy, Di Bello by Fontani’s collections are dynamic and modern. Established in the tailoring world since 1953, the brand’s pieces are unique combinations of leather, shearling, and waterproof fabrics. (dibello@dibello.com; Booth 6363)

Chio

De Santis by Martin Alvarez

Cinzia Rocca

Deha

Di Bello by Fontani Decata

READY TO WEAR

Don’t @ Me Twin sisters Victoria Penna and Virginia Penna launched Don’t @ Me during peak pandemic times with the goal of creating pieces rooted in self-expression and individuality. Over the years, the duo’s colorful and edgy collections have continued that ethos to empower the women of today. (info@dontatmelabel.com; Booth 6517)

Francescageraci Since 2020, Francescageraci has utilized refined textiles to create elegant womenswear. Smooth, silky blouses, skirts, dresses, and more are hallmarks of the brand, which merges artisanal craft with everyday dressing. (office@francescageraci.com; Booth 6562)

Gaiofatto Produced in Venice, Gaiofatto has been a fixture in the Italian fashion scene since its 2013 launch. The brand is known for lightweight silk shirts and dresses, each handmade by local artisans for a sustainable and quality touch. (michela@gaiofatto.com; Booth 6147)

Giadacurti Founded in 2010, Giadacurti has embraced Italian glamour with elegant eveningwear and resortwear since its debut, and founder Giada Curti is continuing

her family’s fashion legacy; their namesake brand’s bridalwear dates back to 1958. (commerciale@giadacurti.it; Booth 6145)

Giovanna Nicolai Strength and power are essential to Giovanna Nicolai, whose pieces embrace bold and feminine dressing. The label’s collections are handcrafted by Italian seamstresses, with an emphasis on dynamic style through elevated accents, swirling patterns, textures, and more. (info@giovannanicolai.it; Booth 6154)

Goodmatch First launched in 1964, Goodmatch was made with on-the-go dressing in mind. The Parma, Italy–based label specializes in elevated everyday pieces made with comfortable jersey, as well as stretchy fabrics ideal for today’s working women. (olgafd@o-dvision.com; Booth 6247)

Irreplaceable by Elisa Giordano Sustainability is essential at Irreplaceable by Elisa Giordano. Crafted with eco-friendly production and natural yarns, the brand originally launched as a children’s label before switching to crafting sophisticated womenswear in 2017.

(egiordano@irreplaceable.it; Booth 6667)

Irreplaceable by Elisa Giordano

Gaiofatto

Giadacurti

Francescageraci

Giovanna Nicolai

Goodmatch

Don’t @ Me

Isa Belle Since 1989, Isa Belle has created comfortable and elegant collections for women—all locally “Made in Italy.” The brand’s known for its dresses, swimwear, and kaftans, ideal for mix-and-match dressing with ease—especially when traveling. (info@isabelle.it; Booth 6945)

La Couverture

rooted in local craft, initially producing designer collections in 2004 before relaunching as its own brand in 2015. Produced entirely in Tuscany, the genderless brand specializes in luxe, breezy separates and coats crafted with virgin wool, cashmere, and more fine materials sourced from Prato Biella and Como, Italy. (lacouverture.it@gmail.com 6161)

Landi and Landi Fancy Since 1948, Landi Fancy has specialized in versatile outerwear and separates that are both stylish and practical. The label’s known for its waterproof trenches, jackets, and overcoats created in a range of colors for both men and women.

(tccolab@outlook.com Booth 6467)

Le Sarte Pettegole edge and classic femininity combine at Le Sarte Pettegole. The womenswear brand has been rooted in contemporary design since launching in 2007 with a penchant for prints from retro florals to classic nautical stripes. (loretta.schneider@gruppomatteinc.com; Booth 6166)

Melarosa Italy Luxury exudes from Melarosa Italy’s high-quality knitwear and separates. The brand’s cashmere, cotton, linen, and silks are all elevated by hand-painted patterns and a mix of colors, making each piece a true work of art. (eleonora.pavoni@me.com; Booth 6148)

La Couverture

Melarosa Italy

Landi and Landi Fancy

Isa Belle

Le Sarte Pettegole

READY TO WEAR

Mirabiliae Nature is the main inspiration for Mirabiliae, which highlights the beauty of the sea and foliage through its chic designs. Launched in 2023, the label made a splash with its lightly colored and all-over printed swimwear, dresses, separates, and more. (info@mirabiliae.com; Booth 6623)

Odi et Amo Edgy style is central to Odi et Amo’s womenswear collections. The brand’s become known for its printed dresses and subtly embellished suiting— plus an array of statement-making bags— over the years. (amministrazioneodietamo@ hotmail.it; Booth 7252)

Of Handmade Traditional design meets contemporary styles for this brand, first launched by Simona Guaini in 2006. Since then, Of Handmade has established its authority in knitwear with woven dresses, T-shirts, skirts, and outerwear. (commercialeof@gmail.com; Booth 7020)

Pho Firenze Pho Firenze embraces effortless style with its flowing dresses, jackets, shorts, and more. All the pieces are imbued with a lighthearted feel from a rainbow of shades and geometric striped patterns. (mef@pholya.it; Booth 6816)

Pietro Brunelli Milano This brand offers lots of chic dresses, tops, and jeans that are elevated with contemporary silhouettes and comfortable fabrics for a stylish and flattering finish.

(sales@studiobrunelli.it; Booth 6445)

Ploumanac’h Ease and relaxation are central to the Ploumanac’h label. The leisurewear and resortwear brand is known for its lightweight, effortless separates and staples across both womenswear and menswear. (olgafd@o-dvision.com; Booth 6247)

Pour Moi Maglieria Italiana Ease is central to this ready-to-wear label known for its effortless mix-and-match styles in an array of colors, especially its knitwear— though its skirts, trousers, shorts, tops, and denim are standouts, too.

(pourmoisrls@gmail.com; Booth 6762)

Mirabiliae

Pho Firenze

Pour Moi

Pietro Brunelli Milano

Odi et Amo

Ploumanac’h

Purotatto Since 2009, Purotatto has established its business with a focus on natural fabrics and textiles. The label’s sweaters, blouses, trousers, T-shirts, skirts, jackets, and coats are all made with materials like milk fiber, jersey, cashmere, cotton, silk, linen, and wool. (jacopo@jacopofoti.com; Booth 6123)

Queen Moda Positano Beach-ready style is core to Queen Moda Positano, founded by Maria Gentile and Lucia Casola in 1987. The label’s feminine, bohemian pieces embrace the seductive and relaxed state of a beach outing, as well as the rich culture of the Amalfi Coast. (gentile.maria1863@gmail.com; Booth 6716)

Rocco Ragni Cashmere Founded in 2005, Rocco Ragni Cashmere specializes in luxe, elegant layered pieces and refined knits. The brand is also committed to craft, with its roots and creative base established in Umbria, Italy.

(olgafd@o-dvision.com; Booth 6247)

Rosso35 Tailoring has always been top of mind at Rosso35, a family-run brand founded in 1973 and revamped by Luca and Paola Signorelli in 2006. In the decades since, the label’s contemporary pieces with subtle prints and jewel hues have become a signature—and a relaxed wardrobe for day-to-day wear. (jacopo@jacopofoti.com; Booth 6135)

Sandro Ferrone Elegance flows from Sandro Ferrone, which was first founded in the mid-1950s. In the decades since, the label has established itself through its versatile and timeless dresses, separates, and more. (jacopo@ jacopofoti.it; Booth 6131)

Purotatto

Queen Moda Positano

Rosso35

Rocco Ragni Cashmere

Sandro Ferrone

READY TO WEAR

Seventy Since 1970, Seventy has been a go-to for classic, timeless pieces. Founder Sergio Tegon drew from his fashion industry experience to found the company, which specializes in effortless suiting, dresses, and accessories that are ideal for year-round wear. (jacopo@jacopofoti.com; Booth 6130)

She’s So She’s So has established its business through a keen focus on luxe knitwear. Designed by sisters Nicola Nicolini and Daniela Nicolini since 2000, the brand’s high-end pieces and architectural silhouettes have made it a fixture in the Italian fashion industry. (nicoon5th@gmail.com; Booth 6766)

Simona Bonacci Playful elegance is a signature of Simona Bonacci. The brand’s all-over printed dresses, dynamic outerwear, and mix-and-match separates take direct inspiration from the Marche region of Italy, blending a sensible touch with a dash of whimsy and optimism. (simonabonacci@gmail.com

Stefano Ghilardi

Stefano Ghilardi’s DNA. The designer gained experience from his father’s leather goods business, established in the 1980s. Under his lead, the company has expanded into an edgy accessories label known for playful handbags. (emiliano. baccarini@ultramoda. com; Booth 6603

Suprema Suprema’s outerwear brings a luxe spin to practical layering. Since 1981, the brand’s gained traction through its coats and jackets, which make sharp style statements from fine leather and shearling. (olgafd@o-dvision.com Booth 6247)

She’s So

Suprema

Stefano Ghilardi Seventy

Simona Bonacci

Soniavilla Designed by Sonia Villa, this label merges craft and comfort. Soniavilla specializes in curated artisanal pieces with a bohemian flair, from draped overshirts to flowing maxi dresses, elevated by a selection of edgy free-spirited patterns. (antonio@ tuscanyandcompanynyc.com; Booth 7548)

Temptation Positano The optimism and bold nature of the Amalfi Coast are imbued in Temptation Positano. For 40 years, the label’s tailored separates, dresses, and beachwear have stood out for their high craftsmanship and nod to Positano’s oceanside culture. (angelatemptationpositano@ gmail.com; Booth 6823)

Tonet Since 1960, Tonet has created sophisticated designs that are both effortless and classic. The simple and refined ethos of the brand, originally founded by Lella Tonet, can be seen in its luxe blouses, knits, dresses, and trousers, all in versatile and tonal hues that can be easily worn through the seasons. (amministrazione@carella.eu; Booth 6144)

VLT’s by Valentina’s VLT’s by Valentina’s packs a punch with plenty of prints! The Italian label has become renowned for its patterned shirts and dresses over the years, elevated by prints from stripes to florals. (allegraatnicoon5th@gmail.com; Booth 6763)

YC WHYCI MILANO Known for a devotion to raw materials, YC Whyci Milano uses pure fibers across wool, cotton, silk, linen, and more to craft its contemporary designs. The brand’s pieces combine comfort and elegance, elevated by timeless embroidery, prints, and more. (elena@ycmilano.it; Booth 6158)

Barbieri

Soniavilla

Temptation Positano

VLT’s by Valentina’s Tonet

YC WHYCI MILANO

ACCESSORIES

Alta Moda Belt Cinch every outfit to perfection with Alta Moda Belt’s vast array of customizable belts for men and women, which include both on-trend styles as well as everyday classics. (commerciale@altamodabelt.it; Booth 5348)

Angela Caputi Giuggiù Angela Caputi made a splash in the jewelry world since her vibrant brand launched in 1975. The designer’s necklaces, bracelets, rings, and earrings, all crafted in Italy, feature a variety of intricately crafted pieces and luxe materials. (angelacaputi@ giuggiu.it; Booth 5546)

Athison Belts and bags from this 110-year-old brand feature quality leather hides dyed with waterbased tinctures, stitched with potato starch–waxed cotton threads. (athison@ manifatturadomodossola.it; Booth 5355)

Barbieri Since 1945, Barbieri’s become renowned for its artisanal silk pieces. The brand’s particularly known for its variety of colorful silk scarves, accentuated by a wide range of prints and patterns. (noemi@larioseta.com; Booth 5630)

Alta Moda Belt

Barbieri

Athison

Angela Caputi Giuggiù

Boldrini Selleria Dal 1955 Elegant yet sporty is the name of the game for Boldrini Selleria Dal 1955’s bags for women and men, which are beautifully constructed from vegetable-tanned cowhide.

(roberta@boldriniselleria.it; Booth 5649)

Cuoieria Fiorentina Tuscan artisan traditions underlie Cuoieria Fiorentina’s creative contemporary accessories, which pack a punch with strong, distinctive, and versatile pieces. (olgafd@o-dvision.com; Booth 6247)

De Marquet This bag brand boasts 100 percent Italian production and sourcing, and it won the silver medal for sustainability at Coterie February 2025. (galina@singledress.com; Booth 5555)

Filomena Amore Timeless and comfortable designs celebrating the beauty of Italian style—and female empowerment—are accessories company Filomena Amore’s luxurious M.O. (menaroma@hotmail.it; Booth 5352)

Francesca Bianchi Design Francesca Bianchi founded her namesake brand in 2013, with a focus on modern styles and smooth silhouettes. The label’s pieces include a range of unique details, from jewel-toned enamel to sculpted and twisted textures.

(francescabianchidesign@gmail.com; Booth 5832)

J’Essentia Handbags, scarves, and accessories translate J’Essentia artist and designer Francesca Jennifer Puzzo’s artworks, on display in various galleries and museums, into works of wearable art equally grounded in tradition and innovation.

(jessentia@jessentia.com; Booth 5553)

J’Essentia

Francesca Bianchi Design

Filomena Amore

De Marquet

Boldrini Selleria Dal 1955

ACCESSORIES

Le Daf Richly textured totes ready for the beach and beyond, plus structured shoulder bags and matching mules, are uniquely woven for a tapestry-like finish. (fernandopezzuto@dafdesign.it; Booth 5834)

Marco Masi Milano Technical capacities meld with a free-spirited sense of creativity in the clean-lined leatherwares from Marco Masi Milano. The brand was founded in 2010, but the Masi family has been in the business since 1987.

(jampelle@jampelle.com; Booth 5857)

Mariel Bags Handcrafted leather bags with simple silhouettes from Mariel Bags are meant to let their gorgeous materials and construction shine. The brand’s name is actually a mashup of its co-founders’ names, Marinella and Elena.

(c.ottaviani@ercangroup.it; Booth 5256)

Mela Free-spirited jewelry brand Mela was founded by Manuela Girone and Francesco Di Tommaso with an emphasis on organic materials. The pair’s designs are elevated by silk, natural pearls, and gemstones for elegantly bohemian statements. (vicmelafra@gmail.com; Booth 5830

Pasotti Since 1956, Pasotti has crafted a variety of sartorial accessories produced in Italy. High-quality umbrellas, shoehorns, and walking sticks are all core staples for this artisanal label. (nicola@pasottiombrelli. com; Booth 5259)

Pasotti

Mariel Bags

Mela

Le Daf

Marco Masi Milano

Post&Co Belt it out! Tuscan brand Post&Co works with leather that undergoes special washing treatments and detailing, like hand-stitching, laser micro-engravings, and studs for its belts and more. (antonio@tuscanyandcompanynyc. com; Booth 7546)

Pulicati Pulicati’s fashion-forward bags have been proudly “Made in Italy” of supple genuine leather for two decades. (civico93@civico93.com; Booth 5552)

Roberto Pancani Soft, strong, and stylish, Roberto Pancani’s woven leather and raffia bags are discretely roomy carryalls, with a style for every occasion and outfit.

(info@robertopancani.it; Booth 5254)

Tataborello Federica Borello launched Tataborello in 2001, focusing on refined jewelry with eye-catching glamour. Gemstones, beadwork, and mixed textures are incorporated into bold bracelets, rings, necklaces, and more. (info@tataborello.com; Booth 5249)

Visonà Italia 1959 Equestrian-inspired saddlery stitching is this secondgeneration Venetian brand’s signature, along with bamboo handles. While founder Plinio Visona sewed everything by hand through the 1970s, the brand now uses a patented special sewing machine. (roykean@aol.com; Booth 5651)

Tataborello

Post&Co

Pulicati

Visonà Italia 1959

Post&Co

Roberto Pancani

SHOES

Brador Handcrafted in Italy’s Emilia-Romagna region, Brador uses vegetable-tanned leathers and unique dye and wax processes to create shoes, particularly sandals, with a vintage and artisanal feel.(ja24252n@gmail.com; Booth 5205)

Brunate For nearly a century, Brunate has been known and loved for its high-quality materials and for turning out timeless styles with subtle flair. Think: classic block heels with animalprint detailing or ballet flats in quilted denim.

(roberto@theprivatedesign.com; Booth 5334)

Calò Rising footwear brand Calò is known for its attention to detail and artisanal quality. Operated by the second generation of its family-run business, Calò specializes in timeless boots, loafers, and sneakers made with comfort and endurance. (antonio@ tuscanyandcompanynyc.com); Booth 7544)

Cristina Millotti Founder Millotti Natalfranco opened his first shoe factory in the Tuscan city of Arezzo circa 1967 Almost six decades later, the Cristina Millotti brand continues to be a go-to for quality affordable footwear. (roberto@theprivatedesign.com; Booth 5332)

Discotex Inspired by nightlife, Discotex designs for after-hours regulars, like DJs, performers, and clubgoers. Founder Francesca Strigi Loddo merges fashion, music, and sustainability into dance floor–ready shoes made from recycled and deadstock materials. (francesca@ube-studio.com; Booth 5107)

Donna Carolina Casual elegance meets irresistible comfort when it comes to Donna Carolina’s chic booties, lace-up boots, ballerina flats, and low heels. (emiliano.baccarini@ultramoda.com; Booth 5330)

Calò

Donna Carolina

Brador

Brunate

Discotex

Cristina Millotti

Giovanni Fabiani Synonymous with quality, style, innovation, and tradition, Giovanni Fabiani has been producing luxe shoes since 1971. (pv.amministrazione@ giovannifabiani.it; Booth 5235)

Henry Beguelin Look for top-notch materials and distinctive hand-stitched detailing from this leather goods brand’s timeless handbags and footwear offerings. (jacopo@jacopofoti.com; Booth 6134)

Michele Lopriore This family-run label, now helmed by Michele’s son Mike, prides itself on the finest materials and expert craftsmanship made according to the Lopriore clan’s traditions of work, passion, and excellence.

(lopriore@icloud.com; Booth 6163)

Nerogiardini Based in Italy’s Marche region, Nerogiardini offers stylish designs in the accessories space— specifically footwear and bags—for men, women, and children. (stephanie.pena@nerogiardini.it; Booth 5328)

Patrizia Bonfanti Marrying rigorous craftsmanship and an avant-garde design approach, Patrizia Bonfanti’s pieces are all handmade in Tuscany.

(emiliano.baccarini@ultramoda.com; Booth 5326)

Giovanni Fabiani

Henry Beguelin

Nerogiardini

Patrizia Bonfanti

Michele Lopriore

Exclusively Agent R.E.D. International…

Master of Ceremonies at Agent R.E.D. International Genie Parada-Fishman, ushers in Spring 2026 fashion. “Style is knowing what suits you, who you are, and what your assets are. It’s accepting it all.” — Bianca Jagger

Agent R.E.D. International is the ultimate exclusive club… where for 24+ years, members have had access to highly curated, women’s contemporary brands. The showroom continues to celebrate iconic yet accessible labels such as XCVI, Wearables, Threads 4 Thought, and Tractr Jeans that outfit women’s for the real world and its adventures. The Showroom vision is to ensure its roster of brands are about fashion that that provide superpowers in your confidence. The philosophy is that women should only wear what works for them mentally and physically, despite what is “trendy”. Here, Genie shares her seasonal thoughts at the launch of Spring 2026.

into my seasonal conversations with them. The sheer

Fasten your seatbelts, fashion friends — the cycle begins again! A new year means a fresh season, and once more we’re swept into fashion’s endlessly fascinating rhythm. It’s the familiar sequence that dictates what we’ll be wearing next, in an industry that thrives on unpredictability. Designers are unveiling their visions for Spring 2026, and I can’t wait to dive into my seasonal conversations with them. The sheer creativity behind each collection never ceases to amaze me — the volume of beautiful product and the speed at which it comes to life is nothing short of astounding.

The Who’s Who at Agent R.E.D. International and why everyone needs these brands… XCVI creates endlessly versatile go-to pieces for a woman’s wardrobe and her life.. beautifully crafted pieces that a woman will love today, in two months, in two years, in five years. It’s not about trend, its about style. No matter what the occasion Tractr Jeans’ special denim pieces are the go-to. Tractr is epitome of sexy while secretly being stretchy and comfy. I love the concept and sustainable initiative of Threads 4 Thought as well as their wardrobe staples that have become the base of my daily uniform. What good fortune to have long standing relationships with the most incredible brands, run by families that have become family not only to be but to their loyal retailers.

loyal retailers.

state of mind — and life rises to meet you when you’re dressed for it. When life feels heavy, I always say — turn to the most uplifting

What’s out is the fleeting micro-trend that avoid “it’s in fashion”. What’s “in” is clothing that’s functional, sustainable, and empowering

and with confidence, and watch opportunities appear. Elevate your style,

Step inside the Agent R.E.D. International world where life is always as good as you dress! Style is a state of mind — and life rises to meet you when you’re dressed for it. When life feels heavy, I always say — turn to the most uplifting distraction. Call it frivolous, but the truth is undeniable: what you wear shapes how you feel and how the world responds to you. Dress with confidence, and watch opportunities appear. Elevate your style, and you’ll elevate your entire presence. Spring 2026 is about clothes that empower women to feel confident, and unstoppable.

party my

It’s Coterie season once again! My favorite high-octane insider party — a whirlwind of reconnecting, discovering, and celebrating. The schmoozefest is alive and thriving, and I adore every minute of it. Yes, fashion is unpredictable, but my goal is to create an atmosphere where its huge fun to do serious business. Tune into our adventures at @agentredintl — it’s part runway, part reunion, and always a good time.

My true passion? The people. Agent

My true passion? The people. Agent R.E.D. International is more than racks and samples. It’s all about the relationships that I have and continue to cultivate. Its not a job, its my passion and my purpose. This business is personal, and that’s what makes it magical.

This business is personal, and that’s what makes it magical.

What’s in and what’s out? Genie says… What’s out is the fleeting micro-trend that doesn’t enhance a woman’s figure. I look to avoid an unflattering silhouette just because “it’s in fashion”. What’s “in” is clothing that’s functional, sustainable, and empowering because it accentuates the best features of a woman’s figure and hence feels good to wear. I believe fashion should be a woman’s superpower, not her burden. Spring 2026 is about ease and authenticity — dressing for how you want to feel, not just for what’s “trending.”

wear. I believe fashion should be a woman’s about ease and authenticity — dressing for how

An unforgettable recent moment. As always, The Daily throws an incredible fete. At the “Hamptons Most Stylish” soiree, I found myself surrounded by creative industry legends — designers, models, editors, icons. The kind of moments where you consciously realize how lucky we are to work in a business that blends artistry with community.

There’s one thing you can count on, it’s that I’m all in — every season, every show, every box of newness that lands in the showroom. Call me over the top, call me intense…passion, positivity, and purpose are what drive me. Nothing thrills me more than ripping open a new box of samples to get that very first glimpse of a designer’s vision. That rush never gets old. The business of fashion is volatile, but my promise is constant: I’m at your service, ready to make this wild, beautiful business as fun and inspiring as it should be. With Agent R.E.D. International, the show always goes on — and trust me, you’ll want a front row seat.

@agentredintl

Female Founded and owned Tractr Jeans, is a dynamic, NYC based apparel company specializing in all things denim. Diane Kuczer, Creative Director, is the reason that TRACTR has garnered a cult following for her exceptional design, selection of premium fabrics and flattering fits all under $100 price tag at retail.

Tractr is all about style and comfort, incorporating the element of stretch in every design. For 2026, Diane envisions her girls in high rise wide leg jeans, utility and trouser styling is front and center, best selling French Terry Knit denim continues to be a must have, dramatic skirts and novel denim dresses are among the collection highlights! New and especially exciting are the innovative prints and textures on denim fabrics that create dimension. Tractr is the It-Girls’ go to daily wardrobe that has her covered from day to date night!

@tractrjeans

THE EPITOME OF “INCLUSIVE” IN THEIR APPROACH TO DEFINING A UNIQUE BRAND OF CASUAL, COMFORTABLE CHIC.

Since 1996 XCVI has garnered a cult following for their unique brand of casual, comfortable chic dressing. Together with designer Lilia Gorodnitski, the Zeltzer family manifested a shared vision of casual clothing that enrich women’s lives with joy and ease while addressing wardrobe needs meant for busy schedules in the face of “I have five places to be in one hour” challenges. Two divisions of the same company, XCVI and Wearables are well known for their extraordinary ability to effortlessly outfit a woman of any size, any age. The brand’s success is rooted in their ability to design clothing that looks polished and yet feels like you are wearing your sweats. The secret is XCVI’s ingenious use of stretch in its woven fabric as well as their strategic integration of knit

panels. XCVI is all about high quality fabrics, unique hand washes, exceptional details, and novelty that is fresh and new seasonally while staying true to the brands’ iconic signature style.

@xcviofficial

XCVI’s Wearables division is all about key staple-toyour-wardrobe pants, dresses, and tops that reincarnate seasonally in new colors and washes. At under $100 at retail, the price point is the sharpest on the market for this caliber of product. The incredibly successful CORE Wearables program features our best selling signature stretch cotton poplin and knit styles in neutral colors intended for reorder all year round. Notably, Wearables Athletic Fashion capsule takes the athleisure concept to a new level with exclusive four way “Whisper Stretch” stretch fabric. The Whisper Stretch fabric pieces has a long wait list of retailers eager to reorder these hard to get pieces! They are wrinkle resistant, elastic, weightless and perfect travel.

Wearables fashion + CORE + Athletic = the essentials you will wear on repeat daily to conquer all adventures in your life while looking spectacular.

Threads 4 Thought designs and produces apparel that has a positive impact on people and an innately smaller impact on our planet. T4T works hard to source sustainable raw materials for their fabrics and partners with ethical factories to make products. Threads 4 Thought is always striving to do better and elevate the ethical and sustainable standards within our industry.

SUSTAINABLE:T4T Sources the world’s most sustainable materials, including Organic Cotton, Recycled Polyester, and Tencel Modal.

ETHICAL:T4T Factories around the world hold the highest certifications in the industry, ensuring the best working conditions, and the highest level of sustainable production processes.

IMPACTFUL: Through partnerships with non-profits and continued commitment to long term sustainable initiatives, T4T strives to make sure that everything they do translates to lasting positive impact.

@threads4thought

BRANDS SHOWN: KARLIE, TRADELINK, BRIANNA CANNON, CV DESIGNS, ODDI, YOCHI NY, DAVI & DANI, FREYRS

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