Portfolio+CV

DANIELA ZERBINI PORTFOLIO

zerbini.dnl@gmail.com +393397141834

INDEX CURRICULUM VITAE

my education and my experience

REQUALIFICATION

from urban planning to architecture OPEN ENDED PLACES, Bologna,2012 +CULTURA/E, Bologna,2009 JARDIN GRIEGO X2, Barcelona, 2009

COMPOSING

from architecture to details THE PIANIST’S HOUSE, Barcelona, 2010 TOWARD THE ACCESSIBILITY, London, 2008

NATURE

from urban landscape to installation URBAN OASIS, Hamburg, 2010 SELINOIDE, Trapani, 2011

LIGHT from interior design to industral design CHANGING LAMP, 2010

CURRICULUM VITAE

EDUCATION EUROPEAN MASTER IN ARCHITECTURE september 2005_march 2012 Ferrara, Italy UNIVERSITA’ DEGLI STUDI DI FERRARA, FACOLTA‘ DI ARCHITETTURA “Biagio Rossetti” Graduation grade: 108/110 Graduation thesis : “Open ended places_usi temporanei per la città in transizione: Intervento nell’area Prati di Caprara Ovest a Bologna” / “Open ended places_temporary use for the cities in transition: Intervention in the Prati di Caprara’s area in Bologna” ERASMUS september 2009_june 2010 Barcelona, Spain ESCOLA TECNICA SUPERIOR DE ARQUITECTURA DE BARCELONA (ETSAB), UNIVERSITAT POLITECNICA DE CATALUNYA (UPC) HIGHSCHOOL GRADUATION september 2000-july2005 Liceo Scientifico “Enrico Fermi”, Bologna, Italy

WORKSHOP Summer School “Outdoor Design” by presS/Tfactory Associazione Italiana di Architettura e Critica 27th september 2010- 3th october 2010 Selinunte, Trapani, Italy “LAPIS”- Intensive Programme in Landscape Studies by Facoltà di Architettura di Ferrara, Lisboa, Barcelona (Lifelong learning programme of European Community) 2 may 2011-12 may 2012

CONTACTS Daniela Zerbini

22-05-1986 Bologna, Italy

zerbini.dnl@gmail.com +393397141834 Skype: danielazerbini

WORKS ESPERIENCES presS/Tletter march 2011-march 2012 Collaborator for the web architecture-magazine presS/Tletter (www.presstletter.com) Writer for the section “ATTACCHI URBANI”(“URBAN ATTACKS”), which deal with the topic of urban transformation

COMPETITION

june 2010, partecipation Internationale Gartenshau Hamburg project of a garden

INFORMATIC SKILLS

2D Autocad, Adobe Illustrator, Adobe Photoshop, Adobe Indesign 3D Sketch up, AllPlan, Cinema 4d Other Office: Word, Excell, Power Point

LANGUAGES

ITALIAN native SPANISH fluent ENGLISH fluent GERMAN in progress

OPEN ENDED PLACES

TEMPORARY USE FOR THE CITIES IN TRANSITION: INTERVENTION IN THE PRATI DI CAPRARA’S AREA IN BOLOGNA

course FINAL PROJECT year 2011/2012 site Bologna,Italy university Università degli studi di Ferrara professors N.Marzot team G.De Vita, F.Ferretti, D.Zerbini

The project starts from an urban scale to end in a careful designing of the interior of the homes and shops. The analysis of the city starts from the concept of the SHRINKING CITY, which is the parallel aspect of the more famous phenomenon of SPRAWL TOWN. The city of BOLOGNA, in Italy, presents the same characteristics of other cities as Barcelona, Marseilles, London and more, where a lot of areas have become “DISUSED AREAS”.

My project try to insert itself in this disposal, pointing at a fast, economical and istantaneous reuse of the adandoned buldings, through an URBAN TEMPORARY STRATEGY. THE TEMPORARINESS ensures the satisfaction of the popolation’s needs, of the city and the neighborhood, overturning the pyramide ADMINISTRATION-CITIZEN and creating a more active citizen, who has the possibility to work and live with low prices.

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[1] Urbanization of Bologna in the past years [2] Cities with similar characteristics of Shrinkage [3] Diagrams about the causes and dynamic of the shrinkage [4] Bologna and its neighborhood

in the past 20 years Bologna has knew a movement by the inhabitants towards the towns of the “second belt” due to the rise of life’s quality and of course due to the cost of life.

More and more often people can’t find a solution affordable and they move away along the mainly roads east-west, north-south.

The situation is caused by the movement of the factories outside the city and the incentive of tertiary, which it’s not connected with the place where is settled.

In the next page there’s the indentification of the disused areas, military, railway and industrial.

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[1]Areas in transition and in disuse according to the administration [2]Areas in disuse: military, railwaily, industrial [3]View of the new life inside “Prati di Caprara Ovest�, an ex military base

After an analysis of ll the disused areas we choose PRATI DI CAPRARA EST, a military base which can be used immediately and is near a new station of the train.

The project is based on the construction of shops, ateliers and a coworking on the groundfloor, all in wood and construible in 8 hour with less money than permanent bulding.

All these structures will be build inside the buldings in the military base, without changing it.

If the administration will find this project useful will keep it, if not, it will disassemble it. So the small buildings will be TEMPORARY.

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MARKET BOX

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[1]View of the “Market Box� inside the preexisting bulding [2]Section [3]Composition of the Market Box with the boxes of fruti [4] Mainly uses: -system of opening -Exhibition and Deposit [5]View of the new square in front of the Market

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PARASITE ARCHITECTURE

Temporary houses

Temporary ateliers and shops

Configuration 1: during the week

Configuration 2: events

Preexisting Structure

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[1]Exploded axonometric view [2]First ground [3]View of the public space inside the bulding between the ateliers

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[1]Exemples of the boxes inside the preesxisting bulding [2]View of the chill out zone [3]View of the coworking [4]View of the inside of a house [5]Trasversal Section

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+ CULTUR a/e

MULTICULTURAL CENTRE OF ARTS IN THE EX-MILITARY POST “CASERMA SANI” course LABORATORIO DI PROGETTAZIONE III/ ARCHITECTURAL DESIGN III year 2008 site Bologna, Italy university Università degli studi di Ferrara professors M.Molè, J.Gresleri, A.Gatti team A.Grandi, F.Venneri, D.Zerbini

The military post “SANI” has been abandoned for years, it has inside many ABANDONED BUILDINGS, some in very good condition.

Its vegetation is prosperous and the post is located in a prime location, between “Via Ferrarese” and “Via Stalingrado”, two of the city’s main arteries which convey traffic toward the north. This area is in the trasformation’s plan of the administration and its neighborhood is very MULTI-ETHNIC. The project aims to combine “THE OLD WITH THE NEW”, as aims to combine the ethnic group in the neighborhood, Italian and not Italian, within this bulding, making it a place where you can exchange point of views and you can exhibit your own art, or listen to concerts, or simply visit.

The buldings of the project are two and the distance between them is just few metres. The goal is to connect them keeping, the function separated.

[1]Sylos [2]Military Canteen [3]Military Area [2]

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SILOS Permanent and temporary exhibition

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The Silos was once used to convey food. Its verticality gives the opportunity to build an ART GALLERY inside and a museum, where the path to the top is made by RAMPS which pass between the pillars and enter in the open rooms without roof, which contain the works of art.

Keeping a portion of the existing building (the canteen and residences of the military), the concept of the second building is based on “throwing boxes� which contain functions. A large space in the middle of the stairs houses which distribute to various multifunctional areas: a kindergarten, a bar, a museum, a theater. The second floor is connected with the silos to make the experience of crossing continues.

The covering is made of perforated metal to counteract the surface of the old buildings.

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MULTICULTURAL PLACE Centre of the arts

[1]Silos [2]Scheme of the project [3]Exemple of one plant (2째floor) [4]View of the interior of the silos [5]General plant of the ground sero [6]Public Spaces [5]

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[1]Front South [2]Section South [1]

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JARDING GRIEGO X2 CENTRE OF ARTS AND CRAFTS

course PROYECTO IX/ARCHITECTURAL DESIGN year 2009 site Barcelona, Spain university University of Barcelona professors Alfredo Linares [1]

team D.Zerbini

“El jardin griego” of Barcelona is a garden that extends on a drop of nearly 40 metres and it’s located from the base of the montain Montjuic and Plaza de Espanya. The park was built in occasion of the International Exposition of 1929. This represents a piece of history of Barcelona, with the greek theatre dag into the rock, the pergolas and the gardens.

The main street which goes down is characterized by low cost housing typical of the district where it’s located, Poble Sec. The project aims to extend this GREEK GARDEN and it tries to extend the “garden” also in the street that goes down. Or else the hole of the theatre is extended trying to build an ARCHITECTURE DAG IN THE GROUND, on several levels, and each level contain a garden.

[1]CONCEPT -Greek garden -Ideal Continuation of the greek garden -Creation of the different leveles of the bulding/garden [2]Aerial view

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[1]Front West [2]Front North [3]Plant -2

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[1]Assonometric View of the 4 floor [2]Section [3]View of the volumes

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THE PIANIST’S HOUSE course PROYECTO VI/ARCHITECTURAL DESIGN year 2010 site L’ampolla, Barcelona, Spain university University of Barcelona professors Carlos Ferrater team A.Querci della Rovere, D.Zerbini

Near “l’ampolla”, a village near Barcelona, there are blankets of olive trees. The project aims to built a house for a PIANIST. The pianist has some wishes, and the house tries to answer these wishes: a contact with the OLIVE TREES, a contact with the LAND, but he also wants to see the SEA, not far away. He would like to accomodate some friends and give concerts, but he also would like to keep some privacy in this “public house”, where he actually lives.

The project is generated by the land, so he follows the counter lines that you can also see pretty well live, thanks to the terraces, and it go down along the slope.

The three parts of the bulding open themeselves on the short side and they inflect due to the steepness. It’s imporant the relation between them: in fact, the gardens serve as mediators between the various parts of the house, which is accessed from the top. In order to emphasize the relationship with its surroundings, there are three piers, which are no more than three opened corridors toward the view of the sea.

The piers exceed the limits of the building and look out to the olive field.

[1]CONCEPT: -the project follow the contour lines -this creates an ampty space between the buildings which become public -the buldings go down the downhill slope -the path towards the sea [2]View in the distance

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[1]Plant [2]View of the model [3]Draw of the view from the living room [3]

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GUEST ROOM Analysis of a guest room, furnished with bathroom. The bathroom comes out to build a shower which opens out directly on the olive trees.

The interpenetration of the two boxes is dematerialized when it gets out.

[1]Part of the front South-West [2]View of the model

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TOWARD THE ACCESSIBILITY HOUSING FOR THE PARAHOLIMPICS OF LONDON 2012

course CONSTRUCTION II year 2009 site LONDON university UNIVERSITA’ DEGLI STUDI DI FERRARA professors R.Di Giulio, A.Piancastelli, G.Felli team D.Zerbini, N.Lewanski

The project’s aim is to resolve ACCESSIBILITY problems for people bearing physical handicaps, by creating a space designed around them, while building a form of housing with a REDUCED POWER CONSUMPTION, putting to use all of the new and best known techniques and following the exposition rules.

The building starts from the 150 cm x 150 cm base MODULE, the minimum dimensions for wheelchairs to move. And then their multiples and sub-multiples. Both the plant and the volume are facing west, where the river on which these little buildings are located, to allow the gathering of light and heath.

South of the builging there is a greenhouse and beneath of that a water tank, to allow water to be reused. The GREENHOUSE is an important technological mean for the reutilization of the stocked heath that is then brought around the rest of the house by using a system of pipes.

The architectonic composition is made to allow the building to keep being used after the ending of the Olympic Games, and results in the compenetration of a trapezium and a square, both in plant and in height.

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[1]Section [2]Plant [3]View North-West [4]View North [5]View South-West

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The whole bulding is made using the prefabricated wooden panelsnand every size that is not standard is reported for the bulder.

The glasshouse connected with the rest of the bulding helps the photovoltaic panels on the roof to heat the whole house.

[1]Prefabricated wooden panels [2]Scheme of the panels [3]Technologic detail [4]Glasshouse

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URBAN ISLAND A GARDEN ABOUT WATER course LAND ART II year 2010 competition Internationale Gartenshau Hamburg university University of Barcelona professors MIguel Vidal

The project aims to build a garden inside an big park located in Hamburg. The theme is the “WATER”. The garden is intended as a filter between the lake and the river of the park.

The still water commemorates the lake and wants to create the necessary tranquility to accompany the journey inside the garden.

Instead inside the garden is created a gradient in order to increase the “isolation” of persons within the “URBAN OASIS” and to create a waterfall; in that way the SOUND of the water can isolate people from the city.

The sinuous shape is sought to remember something natural, while the trees are chosen for their shape: one for its shade, the other to create visual filters.

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[1]Views [3]Section [4]Scheme

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SELINOIDE INSTALLATION IN THE NATIONAL PARK

workshop OUTDOOR DESIGN site Selinunte, Trapani, Italy year 2010 professors Luigi Prestinenza Puglisi team D.Zerbini, N.Lewanski, C.Cannizzaro

Selinunte is a village in the province of Trapani, in Sicily. It was once a Greek city, for this reason is famous for the ACROPOLIS and the remains.

In addition to these architectural beauties, Selinunte has an interesting historic center and a river park almost UNTOUCHED. The project therefore born from the lines of the GROUND and tries to create an elementwith shapes that recall the broken lines, with a lightweight wood structure and coverings such as curtains or fabrics, so it can be manufactured at a LOW COST directly from local companies .

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[1]Analysis [2]Plant [3]View [3]

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CHANGING LAMP

DESING OF A LIGHTING FOR A AN ART GALLERY

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course ILUMINACION NATURAL Y ARTIFICIAL/ INTERIOR AND NATURAL LIGHT year 2009 university University of Barcelona professors Eduardo Folguera Caveda

The lamp, at first sight simple, born from the union of three famous lamps: the classic lamp tower, the classica lamp IKEA, multifunctional, the lamps of the new artists, at first sight cumbersome. This lamp fact four configurations and it’s ideal for the lightnign of an ART GALLERY, which can hoste events or exhibition or different situations: 1_TURNED OFF: the lamp is covered with mirrors which can reflect the light of the place where isf 2_3_LIGHT WIDESPREAD: Opening it out, the light is blocked by a frosted glass that spreads it more evenly in the environment. The light that can be modulated in the direction of opening one or two doors.

4_DIRECT LIGHT: Useful if you decide to illuminate paintings or other exposures. By turning the boxes present by 90 °, the lamp will be free from the container. The light of each box may be adjusted depending on the height of the framework in order to vary the luminance level and illuminate the eventual panel.

[1]Exploded axonometric [2]Front of the four configurations [3]Configuration 2 [4]Configuration 3 [5]Configuration 4 [6]Prototype [2]

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THANK YOU