Architecture Portfolio Dominika Kłopotek 2022

PORTFOLIO

DOMINIKA KŁOPOTEK

DOMINIKA KŁOPOTEK

PROFESSIONAL EXPERIENCE

engineer architect

MJZ

May - Sep 2021, architecture design assistant Warsaw, PL Feb - May 2021, architectural intership, Opole, PL

Hello!

I am a master’s student, eager to gain valuable experience in architecture.

I am interested in an internship, which may be simultaneously conducted within erasmus+ traineeship funds.

born 12/04/1998 based in Eindhoven, Netherlands

CONTACT ME + 48 509 090 070 d.klopotek@icloud.com

MJZ is an international architectural office based in Poland known not only for combing architectural design with a social communication creative agency but also, for its own research institute located at the science and technology park in the city of Opole. I have started in MJZ as a Design Assistant in the branch office located in a tech park in the South of Poland in Opole only later to advance to the Junior Architect position in main headquarter in the capital of the country in Warsaw. Modules, blocks of data with their alterations repetition and smart scattering of elements with their evolution - all this found true use in our assignments in the innovative EU Grant program I had pleasure developing. Parametric design was used not as a decoratie empty gesture but a performative practical mechanism that contains and delivers important data. I could make full use of parametric design skills in the project of a small pavilion to be executed. What is important to stress out is that it would take place in an existing part of the urban tissue. In the times of climate change and dangers that originate from the building industry I found pleasure in using computer aided software to design a less CO2 emissive object that partially would be also constructed from reclaimed and recyclable materials.

STUDIO 412

Sep 2020 - May 2021, interior design, Gdańsk, PL

MAKA.STUDIO

Jul - Aug 2020, architecture intern, Gdańsk, PL CURRICULUM VITAE | 2

EDUCATION MA in Polish | Poland | 2020 - currently

Gdansk University of Technology | Master of Science - MS, Architecture

SKILLS Rhino 7 Revit Grasshopper

Master thesis title: Adaptive reuse strategies for heritage buildings: approach for the revalorization of post-war sacral architecture in Poland.

Supervisor: Ph.D., Eng. Arch. Justyna Borucka, Faculty of Architecture Vice-Dean for Development and Internationalization

MA in English | Netherlands | Erasmus + Exchange 2021 – 2022

Eindhoven University of Technology | | MArch, AUDE - Architecture & Urbanism Master Studio 1: A Future for Church Buildings, led by: Ph.D. Marcel Musch, Chair of Urbanism and Urban Architecture (UUA) Master Studio 2: Tectonic Exercises #COVID4, led by: Ir. Renato Kindt

SketchUp Lumion 10 Vray Photoshop

BA in Polish | Poland | 2017 - 2020 Gdansk University of Technology | Bachelor of Engineering - BE, Architecture Thesis title: Senior co-housing in the city center of Gdansk.

Supervisor: Ph.D., Eng. Arch. Jacek Popłatek

InDesign Illustrator

BA in English | Belgium | Erasmus + Exchange 2019 - 2020 Hasselt University | Bachelor of Engineering - BE, Architecture

Master Studio 1*: Architectural Driven Regional Development, led by: Arch. Nick Ceulemans Master Studio 2*: Studio Urban Policy Urban Design

CURRICULUM VITAE | 3

PUBLICATIONS Accelerating the Circular Building Transition: Necessary Changes in the Design Process. How could design processes be changed to accelerate the transition of building design towards a circular economy by 2030?

HONORS & AWARDS Jan 2022 Second prize for spatial and architectural design of entrance area to a Mercedes Benz factory in Poland Issued by Mercedes-Benz Manufacturing Poland Nov 2021 Third prize Brick Architecture Competition Issued by Związek Pracodawców Ceramiki Budowlanej, Association of Polish Architects Jun 2021 Special Recognition for sustainable product design "Photon-synthesis."

Issued by Polish Lighting Industry Association, Agencja SOMA Jan 2021 Top Shortlisted Project "Cohousing in Morocco" Issued by UNI Competitions Sep 2020 Winner of U-Design competition “U-Design for real people” Issued by Inter Toegankelijk Vlaanderen

Abstract: A transition towards circular building design would substantially reduce the negative ecological impact of buildings on the environment, decreasing the circularity gap of The Netherlands. While attempts have been made to investigate the design process of circular buildings, it remains an under-researched topic relative to other areas of circular architecture. This research recognizes the design process as a tool that allows the reduction of the circularity gap and investigates how the design processes could be changed to accelerate the transition of building design towards a circular economy by 2030. A series of surveys, case studies, and interviews with architects engaged in circular building design has been conducted to identify change areas in the design process.

Baars, P., Kirsten, S., Klopotek, D., Nossig, C., Szczepara K., 2022. Accelerating the Circular Building Transition: Necessary Changes in the Design Process., Eindhoven, TU/e

Smart City Transformation

Diederen, P. et al. Smart City Transformation. Eindhoven. TU/e

How the change of environment may affect the personal growth of an individual.

Erasmus Exchange 2020.

Course 3675 Project Participation | Auto - Ethnography | Supervisor: PhD. arch. Els Hannes Klopotek, D. How the change of environment may affect the personal growth of an individual. Erasmus Exchange2020., 2020, Hasselt, UHasselt

Social media and Parametric Architecture. The dynamic of social media and expression of movement in Architecture.

Course 2925 Research Training | Supervisors: prof. Jan Vanerie, PhD Maria Gil Ulldemolins Research published in Architecture and Social Media booklet at UHassselt Faculty of Architecture and Arts

Exhibition “Speculations” during Open House Gdynia 2021

Kłopotek, D., Majkowski, M., Spekulacje, 2021, Exhibition, [online access 12.04.2022 https://ohgdynia.org/program/2-wystawa-spekulacje-dominiki-klopotek-i-milosza-majkowskiego]

CURRICULUM VITAE | 4

SELECTED PROJECTS

06 | GDYNIA WATER FRONT

17 | TECTOSCAPE

25 | CONNECT

12 | SENIOR HOUSING GDANSK

22 | REUSE ITALY

GDYNIA WATERFRONT

Rhino 7 | Enscape | Illustrator | Photoshop

GROUP PROJECT together with Łukasz Zabolski SARP COMPETITION | „PIRS PRZYSZŁOŚCI” GDYNIA, POLAND

GDYNIA WATERFRONT | 2021 | gdynia | SARP competition | 6

Existing green areas

High- density Areas

Barrier

The axis

Car traffic

Historic buildings

The area is surrounded by lots of green areas, in close relation to Kamienna Góra and the Park of the Council of Europe.

The main axis of the city, remaining in correlation with the second, most important axis - Świętojańska street.

The concentration of people in area.

It usually takes place along Władysława IV and Świętojańska streets. The area of ​​the square outside the summer season is usually almost devoid of intensive car traffic

The existing tall greenery, cars and stalls disconect pier with the sea.

The Gdynia Passenger Station and Gdynia Aquarium, despite being under conservation protection, are disfigured with numerous souvenir shops and advertisements.. These facilities are deserving of proper restaurantion.

GDYNIA WATERFRONT | 2021 | gdynia | SARP competition | 7

Skwer Kościuszki Pier

Park Rady ParkEuropy

Muszla Hall Concert

„Kammienna Góra” Hill

Kamienna Góra Stone

Krajobraz Proponowane zagospodarowanie zieleni tworzy swego rodzaju gradient różnych rodzajów krajobrazu zapewniając bioróżnorodność, odpowiadając tym samym na potrzeby przestrzenii położonej nad terenem o wyskoiej wietrzności.

Sketchbook | Gdynia | PIRS Przyszłości

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Dominika Kłopotek | Lukasz Zabolski

Parking

The new facility will not only act as a car park, but also as a large cultural center with a observation deck.

Current situation

Scattered green areas.

Green belt

Connecting existing green areas into one broad landscape.

GDYNIA WATERFRONT | 2021 | gdynia | SARP competition | 8

connection

Open towards the sea

Current situation

Current situation The main promenade seems to be cut out of the beauliful surrundings The presence of water is hardly visable.

Landscaep Strategy Nowy obiekt będzie nie tylko pełnił rolę parkingu ale i dużego centrum kulturowego z wysokim, pięknym centrum obserwacyjnym, którego fasada ma oddawać tożsamość wieży obserwacyjnej przy Infoboxsie. deptak promenade

stocznia

shipyard

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Sketchbook | Gdynia | PIRS Przyszłości

Urban intervention The new pavilions refer to the idea of ​​a wave, creating a dynamic space with openings. The rooftop is accesible.

starestalls pawilony old

Dominika Kłopotek | Lukasz Zabolski

deptak promenade

stocznia

shipyard

natura nature

stare pawilony openings

natura nature

Połączenie Nowy obiekt będzie nie tylko pełnił rolę parkingu ale i dużego centrum kulturowego z wysokim, pięknym centrum obserwacyjnym, którego fasada ma oddawać tożsamość wieży obserwacyjnej przy Infoboxsie.

80

Sketchbook | Gdynia | PIRS Przyszłości

South pier Landscape emphasizing the attributes of the historic building

promenade skwer

public space publiczne

Dominika Kłopotek | Lukasz Zabolski

marina marina

beach plaża

„Stone Hill” kamienna góra

Połączenie Nowy obiekt będzie nie tylko pełnił rolę parkingu ale i dużego centrum kulturowego z wysokim, pięknym centrum obserwacyjnym, którego fasada ma oddawać tożsamość wieży obserwacyjnej przyGDYNIA Infoboxsie. WATERFRONT | 2021 | gdynia

| SARP competition | 9

GDYNIA WATERFRONT | 2021 | gdynia | SARP competition | 10

Masterplan Comprehensive urban design for one of the most significant places in the city of Gdynia Axometric view contains new manna building residential distric and car park The design takes into account the future development.

Amphitheater The view from amphitheater located in the corner of the South Pier One of the requirements indicate the need for an event space.

Pavilions Wooden pavilions with the accesible rooftops blend smorthly into the surroundings The design can handle various functions from a dining area to the place for admiring the view.

Open structure The marina building seems to be floating above the grind Pillar structure elevates the building so that the connection between the promenade and the sea still remains.

GDYNIA WATERFRONT | 2021 | gdynia | SARP competition | 11

SENIOR HOUSING GDAŃSK

Revit | Rhino 6 | Lumion 10

INDIVIDAL PROJECT under the supervision of Ph.D arch.. Jacek Poplatek BACHELOR’S DEGREE | GDAŃSK UNIVERSITY OF TECHNOLOGY | POLAND

SENIOR HOUSING GDAŃSK | 2020 | bachelor’s diploma project | 12

idea

In Poland, the problem of housing for older people is still treated marginally. The purpose of a project is not only to meet the basic needs of safety and comfort but also to contribute positively to the mental health of its the permanent residents. The key to the project was the creation of a space to stimulate the creation of new neighbourhood ties, for example by coincidental meetings in shared spaces, while respecting the individual’s identity and privacy.It was important to use a soft edge as a „smooth transition”. such as vertical garden, common kitchen, dining room and balconies.

In addition, there are spaces open to public like sensory garden on the top level, a restaurant and a mini-gallery in the ground floor.

Two different typologies - medival (vertical) form and modernist (horizontal) blocks The potential of location - water & green

SENIOR HOUSING GDAŃSK | 2020 | bachelor’s diploma project | 13

| 14

SENIOR HOUSING GDAŃSK | 2020 | bachelor’s diploma project | 15

graphics

SENIOR HOUSING GDAŃSK | 2020 | bachelor’s diploma project | 16

TECTOSCAPE

Rhino 7 | 3ds Max | Illustrator | Photoshop

GROUP PROJECT together with Paweł Andruszkiewicz VOLCANO ICELAND COMPETITION

TECTOSCAPE | 2022 | iceland | competition entry | 17

CONCEPT Vast grey surfaces with a rocky structure, interspersed with green mosses and lichens, which in the distance gradually transform into rough, irregular hills. Hverfjall, a high volcano in the form of a tephra cone, stands out among them. This is what the landscape of the Mývatn – region in northern Iceland – looks like. Its features were the inspiration and basis for the concept of TECTOSCAPE, a visitor centre with a coffee shop located at the foot of Hverfjall.

The shape of the building imitating parting tectonic plates is buried in the ground at the intersection of the access road and the path leading to the top of the volcano. The oblique, sharp form of the building and the use

of natural and commonly occurring materials in Iceland, such as turf or rammed earth, make TECTOSCAPE fit perfectly into the landscape at the same time referring to Icelandic vernacular architecture.

The designed building includes an external exhibition space, landscape stairs, a building with an exhibition, a workshop space, and a coffee shop with a great skylight overlooking the volcano. This makes TECTOSCAPE the perfect place for travellers visiting Hverfjall who want to learn more about the volcano’s history or enjoy a cup of coffee while admiring the impressive volcano and the beautiful landscape of North Iceland.

SITE SPECIFIC

GREEN ROOF

VENACULAR ARCHITECTURE TURF INTO RAMMED EARTH

TECTOSCAPE | 2022 | iceland | competition entry | 18

silhouettes

STRUCTURE The main element of the building’s load-bearing structure is thick and solid rammed earth walls placed along the outline of the building. They ensure a stable building placement in the ground while providing efficient thermal insulation. In turn, to ensure a free and adaptable plan, the structure inside the building is based on reinforced concrete columns. Their main task is to support a vast reinforced concrete slab with a green roof. Due to the sloping shape of the roof and the use of naturally occurring turf, proper thermal insulation from the top and effective water management is provided. The part of the building on the north and east sides has been glazed with the frameless glass system. Roof glazing was also used in the southern part of the building, supported by low iron glass beams.

LANDSCAPE STAIRS

WATER TANK

TECTOSCAPE | 2022 | iceland | competition entry | 19

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1. entrance 2. workshop 3. exhibition 4. volcano sandbox 5. projector 6. female restroom 7. male restroom 8. reception desk / office 9. open kitchen / bar 10. kitchen storage 11. closet 12. flexible storage 13. small projector

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TECTOSCAPE | 2022 | iceland | competition entry | 20

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SECTION FRAGMENT 1: 25

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1. entrance 2. workshop 3. exhibition 4. volcano sandbox 5. projector 6. female restroom 7. male restroom 8. reception desk / office 9. open kitchen / bar 10. kitchen storage 11. closet 12. flexible storage 13. small projector 14. dinning area 15. external exhibition

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Vegetation Turf Dimple mat Torvtaksmembran Waterproof membrane Attic galvanized sheet Mounting anchor Insulation – 15cm Asphalt membrane

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Reinforced concrete Glass double glazed facade Steel reinforcement Rammed earth Bituminous waterproof membrane Metal flashing Silicone Aluminium window assembly PVC

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Dimple mat Insulation – 10cm Concrete floor Reinforced concrete slab Reinforced concrete wall Granular capillary break Compacted earth

298 TECTOSCAPE | 2022 296 | iceland | competition entry | 21 300 288 300 298

REUSE ITALY

Rhino 6 | Corona | 3dsmax | Photoshop | Illustrator

GROUP PROJECT together with Hanna Adamczyk & Marcin Kulesza COMPETITION | ITALY

REUSE ITALY | 2021 | architecture competition | 22

FORM

CONCEPT Our sun is the universal. All living organisms longed for its warmth and radiance. Not without reason, prehistoric people already treated it as a deity.

This life-giving miracle will become a symbol of the alliance between hitherto contradictory concepts of culture and nature. A luminous sphere symbolizing the sun will soon beam light on a church that has been destructed by nature, yet, once was the center of unity, rigidness and beautify. It indicates the center of the life.

The theater, hidden under the dome, is home not only to art and entertainment but also to the flora that has inhabited the interior for years.

Here, the sun is guided by everyone, no matter if it’s planted on stone walls

In place of the former dome there will be a glass sphere with internal lenses directing the sunlight towards the interior during the day while reflecting the moonlight during the evening hours.

The auditorium will be illuminated in the form of a Greek cross, located at the intersection of the nave and the transept.

The building will be complemented with a discreet structure of horizontal beams and glass (transparent and opaque parts) inspired by the shutters popular in Italy. This emphasises the character of the building as a romantic ruin, with the only contrasting element being the glass dome towering above it.

The carefree character of the Italian Bella Vita is also expressed through the use of freely hanging fabrics as curtains to regulate the external lighting depending on the type of events taking place in the hall. The entire composition strives REUSE ITALY | 2021 | architecture competition | 23

+0.00

FUNCTION

+3.50

The building was designed as a multifunctional social and cultural center to the town. A total of 4 zones have been created: the foyer, the auditorium, and two service zones.

During cultural events, the foyer will allow the sale of tickets, souvenirs and a checkroom at a counter located under the southern wall, while the northern wall is intended for a bar.

experimental scene Floor plan | level +1

+0.00

Outside the time of cultural events, the hall will function as a café for residents The service area in the north wing contains the restrooms and utility/ storage rooms for the above functions.

Behind the glass wall dividing the main nave, there is an auditorium allowing for free arrangement of space for such purposes as: theatrical performances (classical and experimental), concerts, conferences, film screenings, workshops, exhibitions, but also, for example, physical activities. The staircase upstairs leads to boxes and viewpoints from the windows and terrace. Basic rooms for performers, office, and storerooms are hidden under the ground level.

exhibition

+0.00

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workshop

classic scene & orchestra

cinema / lecture

classic scene

conference

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+0.00

Floor plan | level 0

- 3.94

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Floor plan | level -2

REUSE ITALY | 2021 | architecture competition | 24

THE BRIDGE

Rhino 6 | Grasshopper 3D

INDIVIDAL PROJECT under the supervision of prof. ir. arch. Stefan Devoldere, dean of the Faculty of Architecture and Arts.

MASTER’S STUDIO (during bachelor’s degree) | UNIVERSITY OF HASSELT | BELGIUM

THE BRIDGE | 2020 | ostend | master’s studio | 25

1. The The Circle is to break the boundaries 1. The aim ofaim Theof Circle is to break the boundaries of the of the waterbody and provide a better connection between waterbody and provide a better connection between to sides.

The project expands equally towards four directions to sides. The project expands equally towards four which is more than linking point A to point B. directions which is more than linking point A to point B.

The circle providesa adirect direct connection between places that 2. The2.circle provides connection between may benefi t from closer collaboration. such places that may benefit from closer collaboration. suchas Yacht Park and Water SportSport Center. as Yacht Park and Water Center.

4

The circle actsa as a quiet alternative to a car3. The3. circle acts as quiet alternative to a carorientated The experience of crossing the water it’s orientated bridge. bridge.

The experience of crossing the water more pleasant. it’s more pleasant.

This creates shape creates a longer exposition the openness of 4. This 4. shape a longer exposition to thetoopenness the Spikom waterbody.

When walking on a footbridge, of the Spikom waterbody. When walking on a footbridge,one can a slightly different atmosphere than when one canexperience experience a slightly different atmosphere thanwalking onshore. when walking onshore.

It was critical to include the island intodesign. the design. To 5-6. It 5-6. was critical to include the island into the enhance what has been given and highlight it the way.. The To enhance what has been given and highlight itrigt the ringThe frames parkthe andpark the water - with great- respect rigt way.. ring the frames and the water to both.

The space inside the circle is dedicated to the brandwith great respect to both. The space inside the circle new activity in the Ostend wakeboarding.

It takes the greatest is dedicated to the brand-new activity in the Ostend advantages from the unique closed waterbody, that - wakeboarding. It takes the greatest advantages fromnow can serve closed as a wakeboarders the unique waterbody,paradise.. that now can serve as a wakeboarders paradise.

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THE BRIDGE | 2020| master’s | ostend |studio master’s studio.| 11 THE BRIDGE | 2020 | ostend | 26

The circle consists of four main elements on the footbridge.. All parametrically designed to create wave-shaped shading.. The forms are designed in the way to point users’ attention inside or outside the circle.

The circle as a project of the pathway can attract visitor only by its iconic shape.. When seen from the bridge nearby, it can invite one to simply experience the walk around. .The footbridge can serve as a destination for Sundays’ walks..

The steel structure has been included to follow the path of the circle, not only for aesthetics but as support for the ziplines, to introduce a new activity in Ostend - wakeboarding.

THE BRIDGE | 2020 | ostend | master’s studio | 27