Currier Museum of Art Annual Report 2024

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ANNUAL REPORT FISCAL YEAR 2024

44,000: that’s the number of people who visited the Currier Museum of Art in Fiscal Year 2024.

Every one of these individuals has a story. There are the families who made new memories at one of our free “Second Saturday” programs. There are the students who took their first step into the museum as part of a school tour, discovering moments of awe. There are the participants in the Currier’s signature Art and Wellness programs, tapping into the healing power of creativity. There are the community members who engaged with world-class artists at exhibition openings. I could go on and on. This museum is full of stories of impact, inspiration, and transformation.

As President of the Board of Trustees, I am proud of the many ways this museum changes lives.

a letter from leadership

This Annual Report provides a snapshot of the Currier from July 1, 2023 to June 30, 2024. Whether you celebrate the exhibitions we hosted, the great works of art we acquired, or the public programs we offered, you will rediscover what we all know to be true: the Currier is so much more than a museum. In bringing people together around the arts, we create a ripple effect of positive change that extends well beyond our walls.

You will also see how the Currier thrives in an ecosystem of generosity. As we look ahead to our goals for the future, I also encourage you to recognize your unique role as a champion for the arts. With Jordana Pomeroy as our new Director CEO, this is a pivotal moment of opportunity for the Currier. I invite you to be part of it.

aquisition highlights

ROMÉO MIVEKANNIN

African (Ivory Coast), b. 1986

Santa Casilda, after Francisco de Zurbarán, 2023

Acrylic and elixir bath on unstretched canvas

Henry Melville Fuller Fund

MARY GRIGORIADIS

American, b. 1942

Prairie Song, 1980

Oil on raw linen

Henry Melville Fuller Fund

JEFFREY GIBSON

American, b. 1972

If You Are Looking You Will Find It, 2023

Repurposed punching bag, acrylic felt, glass beads, plastic bone pipe beads, artificial sinew, and nylon fringe

Henry Melville Fuller Fund

ROMÉO MIVEKANNIN

African (Ivory Coast), b. 1986

Les Augures, after Jan Raes II and Peter Paul Rubens, 2022

Pigments, acrylic and elixir bath on free canvas

Henry Melville Fuller Fund

ELLA WALKER

English, b. 1993

Dream, Queen of the Night, 2022

Acrylic dispersion, pigment, chalk and pencil on linen

Henry Melville Fuller Fund

The Visitation, 2022

Acrylic dispersion, pigment, chalk and pencil on canvas

Henry Melville Fuller Fund

ANDREA BOWERS

American, b. 1965

We Are Part of Nature, Not Outside of It. What We Do to the Earth, We Do to Ourselves (quote by Petra Kelly, original illustration by Henry Justice Ford from the Pink Fairy Book, 1897), 2022

Acrylic on cardboard Henry Melville Fuller Fund

SANAA GATEJA

Ugandan, b. 1950

Home, 2021 paper, acrylic, stitched on barkcloth Henry Melville Fuller Fund

HEW LOCKE

English, b. 1959

Gravesend, 2019 wood and mixed media Henry Melville Fuller Fund

SHILPA GUPTA

Indian, b. 1976

Untitled, 2021 polymer resin, wood Henry Melville Fuller Fund

EILEEN AGAR

Argentine-British, 1899-1991

Self-Portrait, 1952 oil on board Henry Melville Fuller Fund

DAVID WOJNAROWICZ

American, 1954-1992

Untitled, 1987 (printed 2024) 3 gelatin silver prints

Ed and Mary Scheier Fund

GIFT OF SANDRA TORP STAFFORD

University of New Hampshire Class of 1962, a former student of the Scheiers

EDWIN SCHEIER AND MARY SCHEIER

American, 1910-2008 and 1908-2007

Two mugs with horse designs, c. 1960

Glazed redware

GIFT OF SUSAN STRICKLER

JOHN BADGER BACHELDER

American, 1825-1894

Amoskeag Falls, Manchester, N.H., 1856

Lithograph

GIFT OF THOMAS ADAMS

PAULUS BERENSOHN

American, 1933-2017

Bowl stoneware

ANONYMOUS GIFT

TOMIE DE PAOLA

American, 1934-2020

109 drawings for the following books:

An Early American Christmas (5)

Christopher, The Holy Giant (15)

David and Goliath (3)

Frida Kahlo: The Artist Who Painted

Herself (26)

George Washington’s Breakfast (1)

Get Dressed, Santa (8)

Haircuts for the Woolseys (1)

Hide-And-Seek All Week (18)

Jamie O’Rourke and the Big Potato (4)

Jamie O’Rourke and the Pooka (15)

The Holy Twins (10)

The Hunter and the Animals (3)

ANONYMOUS GIFT

TOMIE DE PAOLA

American, 1934-2020

21 drawings from the following books:

The Art Lesson

Christopher, The Holy Giant (2)

Francis, The Poor Man of Assisi

The Holy Twins: Benedict and Scholastica

The Hunter and the Animals: (2)

The Lady of Guadalupe

The Legend of Old Befana

The Legend of the Bluebonnet

Marianna May and Nursery

The Parables of Jesus

Petook: An Easter Story

The Quilt Story: (2)

Strega Nona Meets her Match (2)

Strega Nona Takes a Vacation (2)

Tattie’s River Journey

Tomie de Paola’s Book of Poems

GIFT OF CAROL PERERA WEINGEIST

JACK O’LEARY

American, 1918-1982

Shallow Bowl

porcelain

Vase

stoneware

Teapot stoneware

exhibitions

Distant Conversations 1: Ella Walker and Betty Woodman

JULY 15, 2023 – OCTOBER 22, 2023

The exhibition combines the work of British artist Ella Walker (b. 1993, lives and works in London, UK) and American artist Betty Woodman (1930-2018), who use art-historical references in their work to revisit a male-dominated history of Western art and subvert its dominant narrative.

Walker’s imagery, very much like Woodman’s, collapses conventional readings of time. Both artists blend multiple styles to develop a visual language that becomes uniquely their own.

The artistic dialogue between Walker and Woodman is recreated in the galleries by juxtaposing their work in a suggestive and poetic manner without rigid separations.

The exhibition features a dozen artworks by each artist, including ceramics, installations, canvases, and works on paper.

Fabricating Modernism: Prints from the School of Paris

SEPTEMBER 6, 2023 – JANUARY 7, 2024

The artworks in this exhibition constitute a small portion of an extensive collection of prints committed to the Currier Museum of Art. Most of these prints are dated from after World War II and created by artists working in the United States and Paris.

Given the vast breadth of the collection, we have selected objects illustrating the collector’s passion for artists working in his beloved Paris, such as Pablo Picasso, Henri Matisse, Joan Miró, Marc Chagall, Sonia Delaunay, and Georges Rouault.

We are delighted to share with our community this initial selection of works, introducing them to this important and previously unseen private collection.

The School of Paris

The School of Paris (French: École de Paris) refers to the French and émigré artists who worked in Paris in the first half of the 20th century. Considered by many as the cultural capital of Europe, Paris was also one of the first global cities.

Its multicultural and polyglot art community included many Americans, like artists Gertrude Stein, Sam Francis, Al Held, and Joan Mitchell, along with writers James Baldwin and Ernest Hemingway, to name a few.

Support by Tamar Krichevsky and Mike Rosen.

Sanaa Gateja: Selected Works

OCTOBER 6, 2023 – JANUARY 14, 2024

Prior to becoming one of the most prominent artists in East Africa, Sanaa Gateja (Ugandan, b. 1950) studied interior design in Italy and jewelry design at Goldsmiths in London. His intricate works oscillate between abstraction and figuration.

Each composition is a new exploration, a novel exercise in shaping forms or patterns with color and vice versa. Gateja’s art is primarily created using beads made from recycled paper, which he rolls, dyes, and affixes to bark cloth. This signature technique has earned him the nickname “the Bead King” in his home country, and for the last thirty years, he has taught it to local communities and across the entire region.

For his skill-sharing, teaching, and mentoring, which has resulted in the creation of new employment opportunities in rural areas, the artist was awarded the 2016 Bayimba Honors for philanthropic work.

This exhibition closely follows his inclusion in the 58th Carnegie International and his first solo show, at Karma in New York City.

Support provided by the Kimon & Anne Zachos Exhibition Fund.

Heart of a Museum

OCTOBER 19, 2023 – FEBRUARY 4, 2024

Saya Woolfalk’s (American, b. 1979) commission for the Currier Museum of Art investigates the history of the institution and revisits its iconography and original design.

The mosaics adorning the former main entrance of the Currier (designed by Salvatore Lascari in 1929–1930) constitute the starting point for this new installation by Woolfalk, which reimagines the Western art canon’s singular cultural perspective.

The artwork conceived by the artist for the Currier combines video projections, sculptural forms made of glass, wallpaper, and sound –creating an immersive environment where the viewer is invited to voyage, rest, and meditate as if in a sensorial temple.

About the Artist

Born in Japan and based in New York City, Woolfalk’s multimedia work investigates race relations, sexuality, and multiculturalism through the lenses of hybridity.

Generously supported by Pamela A. Harvey.

Toward the New: A Journey into Abstraction

NOVEMBER 16, 2023 – MARCH 31, 2024

In its enduring commitment to reinterpreting its museum holdings and proposing new perspectives, the Currier Museum of Art presents a new collection-based exhibition looking at the long journey toward abstraction that encompasses its many manifestations.

Many painters celebrated the physical properties of paint for its own sake – its thickness, texture, color – beyond its historic role as a transmitter of visual information, while sculptors used modern materials and industrial processes. Artists featured in this exhibition employed a variety of tools for inspiration, including complex compositional formulas, bold geometric forms, experiments in visual perception and arbitrary color, and the unconscious.

Many of the Currier’s all-time favorites are included in the show, such as Pablo Picasso’s Woman Seated in a Chair (1941), Josef Albers’s Homage to the Square: Early Rising I (1961), Alexander Calder’s Petit Disque Jaune (1967), and Joan Mitchell’s Cous-cous (1961–1962).

Generously supported by Carol Almeda-Morrow and Joseph Morrow II and by John F. Swope.

Stories of the Sea

FEBRUARY 1, 2024 – NOVEMBER 3, 2024

The Currier is thrilled to present Stories of the Sea, a new show that brings together a number of extraordinary loans with a wide array of artworks and objects from the museum’s permanent collection in order to explore various maritime themes.

The selection spans the 16th century to the present day, and includes dramatic seascapes painted in the Romantic tradition; images of steamers and transoceanic travels, referencing migration and tourism; representations of harbors and shipyards; and poetic tributes to the hardships endured by men working at sea.

Stories of the Sea also looks at the ways in which women have been conventionally depicted by the Western art canon in relation to the sea. Although at times seductive and mysterious, as in the case of mermaids and mythological sea monsters, women are more often presented as melancholic and pensive, waiting in anguish ashore for the return of their men. Georgia O’Keeffe’s Cross by the Sea, Canada (1932), one of the most beloved paintings in the Currier’s collection, stands out in this section.

Kara Walker: Harper’s Pictorial History of the Civil War (Annotated)

FEBRUARY 23, 2024 – MAY 27, 2024

Organized by the New Britain Museum of American Art and The Museum Box, Kara Walker: Harper’s Pictorial History of the Civil War (Annotated) features 15 works on paper by Kara Walker.

In 2005, Walker worked in collaboration with the LeRoy Neiman Center for Print Studies in New York to produce Harper’s Pictorial History of the Civil War (Annotated), a portfolio of 15 prints that considers experiences of racism toward African Americans that were absent or only alluded to in historical representations of the Civil War.

Each print in the portfolio is an enlargement of a woodcut plate from Harper’s Pictorial History of the Civil War (Chicago, 1862), overlaid with Walker’s silkscreen cutout figures rendered in solid black silhouette. She surfaces race and gender-based biases, highlights profound sociopolitical inequalities, and brings to the fore a silenced history of violence that complicate the initial narrative.

This exhibition constitutes an important opportunity to revisit the history of the antebellum South and the ensuing Civil War through the contemporary lenses of race, slavery, gender, and politics.

All works courtesy of the New Britain Museum of American Art. This exhibition is generously supported by Emily Leff in memory of James L Davis, III. Additional support by Benjamin and Karina Kelley.

I live a journey of a thousand years: Raphael Barontini

MARCH 7, 2024 – JUNE 23, 2024

The exhibition comprises about twenty works and is Raphaël Barontini’s largest presentation to date at a US institution. Closely following the commission entitled We Could be Heroes at the Panthéon in Paris – part of the Carte blanche series organized by France’s National Monuments Center – the exhibition at the Currier features La Bataille de Vertières (2023) as its centerpiece, a monumental 65-foot-wide painting that first premiered inside the Panthéon and will be on view in the US for the first time.

The exhibition title paraphrases a passage from the poem Calendrier lagunaire, published in 1982 by the late Martinican author and politician Aimé Césaire, which reads: “I dwell in a thousand-year journey.”

This is a journey that Barontini feels he is living, alongside those whose life experiences result from uprooting and displacement, and whose identities have been forged by encounters with other cultures through processes of creolization. These processes were described by Martinique-born French philosopher Édouard Glissant as a complex entanglement of different cultures forced into cohabitation, as in the case of the Antilles and other countries in the Caribbean.

La Bataille de Vertières is complemented by recent work from US private collections and several new pieces created specifically for the Currier Museum.

This exhibition is generously supported by M. Christine Dwyer and Michael Huxtable.

Distant Conversations 2: Filippo de Pisis and Robert Mapplethorpe

APRIL 13, 2024 – SEPTEMBER 2, 2024

Filippo de Pisis and Robert Mapplethorpe: A Distant Conversation is a new exhibition that pairs the work of painter Filippo de Pisis (Italian, 1896–1956) and photographer Robert Mapplethorpe (American, 1946–1989) as part of Distant Conversations, a series that features artists engaging in intergenerational dialogues across barriers of time and space.

The Currier brings together 42 artworks by de Pisis, between paintings and works on paper, in what is effectively the largest exhibition of his work ever staged on US soil. His artworks will be displayed in tandem with 38 photographs by Mapplethorpe.

This exhibition is generously supported by Jay Surdukowski. Additional support by the Kimon and Anne Zachos Exhibition Fund. Support by Tamar Krichevsky and Mike Rosen.

Elisabeth Kley: Cymodocea

MAY 16, 2024 – AUGUST 25, 2024

Elisabeth Kley’s new installation, titled Cymodocea – a sea grass that lives in warm water that is increasingly diffused due to global warming – combines her signature ceramic sculptures with wall paintings, effectively creating an environment rich with references that span classical times to the history of modernism. This striking black-andwhite installation will be interspersed with a selection of Kley’s bold works on paper, giving further insight into how the artist consistently explored the history of decoration and patterns throughout her career.

In 2019, Kley stated: “I spend hours in museums obsessively photographing anything I might use. […] I’ve found inspiration in sources including Coptic and Islamic textiles, Fortuny and Wiener Werkstätte design and South Pacific tapa cloth. Right now, I’m concentrating on Greece and Rome, mixed in with ancient Egypt.” Much of these influences will be incorporated into her installation at the Currier.

The exhibition is generously supported by Outer Space Arts in Concord, NH. Elisabeth Kley is represented by CANADA (NYC).

donors and members

CURRIER SOCIETY

COLLECTOR’S CIRCLE

DONATIONS

$15,000 AND ABOVE

Michael and Anna Costa

Andy Crews

Stephen Duprey

M. Christine Dwyer and Michael Huxtable

Bonnie and William Greiner

Pamela A. Harvey

Ben and Karina Kelley

Jim Knowles

Suzanne and Laurence S. Knowlton Jr

Patricia Sullivan Meyers

Peter and Robin Milnes

John and Françoise Morison

Michael E. Muller

Thomas Silvia and Shannon Chandley

John F. Swope

Anonymous

DIRECTOR’S CIRCLE

DONATIONS

$10,000 AND ABOVE

Carol Almeda-Morrow

Pamela Diamantis and Morey Goodman

David and Dorothea Jensen

Emily Leff

Anne Lovett and Steve Woodsum

Susan and John Lynch

Jessica McKeon

Greg Soghikian

Susan Strickler

Jay Surdukowski

CURATOR’S CIRCLE

DONATIONS

$5,000 AND ABOVE

Rick and Renee Botnick

Emily and Wilson Brunkhurst

Michael J. Duffy II and Stephen C. Cornish

Jonathan P. Formanek

Karen and Joseph Graham

Elizabeth and Ralph F. Holmes, in honor of the Educators at the Currier

Museum of Art

David and Susan Odland

Patrick and Kendra O’Donnell

Elizabeth Richter and Matthew Stover

Bill Stelling and William Siroty

William W. Upton

Patricia Wentworth and Mark Fagan

Anonymous

FRIEND’S CIRCLE

DONATIONS

$1,500 AND ABOVE

Douglas and Ellen Benjamin

Eleanor Briggs

Howard and Joan Brodsky

Leo and Eileen Brunk

Jeanine Chau

Jon Cohen

Peter Conrad and Janice Marchut Conrad

James and Ann Conway

Dan and Lisa Cronin

Harte and Ann Crow

Diane Davidson and William Weidacher

Roger Dignard

Patrick Duffy and Jaye Gibson

Denise D. Dyer

Ryan and Shannon Earley

Dr. Louis I. Fink and Dr. Pamela L. Grich, in honor of Elizabeth B. Richter

Meghan and Jason Fleming

Robert A. Hechtel

John David and Terry Heinzmann

Richard and Janice Higgins

Marilyn and Alan Hoffman

Pauline A. Ikawa

Randy and Tina Kinard

Alan and Ellen Korpi

Tamar Krichevsky and Mike Rosen

Robert and Dawne Litterst

Don Logan and Pat Howard

Robert K. Lord

Eric and Deanna MacDonald

Karen Matthews

Bruce McColl and Rane Hall

Andy and Linda McLane

Lawrence Morgan

David J. and Kathleen R. Murray

Peter Nelson

Richard Oedel

Robert Oot and Carol Robey

Mark and Kathryn Parenti

Thomas and Barbara Putnam

Judith and John Ransmeier

Leslie Richardson and Steven Lionel

Gary Samson

F. Doyle Skeels and Karen Wendell

Steven A. Solomon

Tom and Chris Stevens

Richard and Ann Thorner

Lori Tiernan

James E. Townsend

Judy Unger-Clark and John Clark

Lisa and Alex Walker

Todd Wheatley

Dr. Jim Wolcott and Mrs. Jocelyn

Jerry-Wolcott

Dov Zakheim and Deborah Bing

FOUNDATIONS

Arbella Insurance Foundation

The Benevity Community Impact Fund

Norwin S. and Elizabeth N. Bean Foundation

Bird Control Services, Inc.

The Brown Foundation, Inc. of Houston City of Manchester

Ray and Olga Cote Fund

The Currier Fund

Arthur and Olive Dobles Foundation

The Duffy Educational Fund

The Greenspan Foundation

E. Fay Jones Conservancy

Lincoln Financial Foundation

Henry Lord Scholarship Fund

Asbjorn Lunde Foundation

NH Charitable Foundation

NH State Council on the Arts

Oleonda Jameson Trust

Omron Foundation, Inc.

Pamela Diamantis and Morey Goodman

Swimming With a Mission, Inc.

TD Charitable Foundation

Town Fair Tire Foundation

Vermont Mutual Insurance Foundation

COMPANIES

3W Design Inc.

Art Bridges Incorporated

Baker Newman & Noyes

Bank of America Merrill Lynch

Bank of New England

Catholic Medical Center

CGI Business Solutions

Citizens Bank

Concord Public Library Consuelo’s LLC

Don Quijote Restaurant Inc.

The Duprey Companies

Eisenberg Vital & Ryze

Energy Controls of NH LLC

Fidelity Investments

Fiduciary Trust of New England

Fine Homes Group International

Granite State Poker Alliance, LLC.

The Gyro Spot Food Truck

Hannaford Supermarkets

Hitchiner Manufacturing Co., Inc.

Kelley Family Properties

M&T Bank

Milestone Engineering and Construction, Inc.

Northeast Delta Dental

Optisure Risk Partners LLC.

Outer Space

Prime, Buchholz & Associates, Inc.

Red Oak Apartment Homes, LLC

Red River Theatres Service Credit Union

Shaheen & Gordon, P.A.

Shaw’s

Sheehan Phinney Bass + Green

St. Mary’s Bank

Wieczorek Insurance

MATCHING GIFTS

Medtronic

HENRY MELVILLE FULLER SOCIETY

Robert and Nancy Baker

Warren G. Bender

Eleanor Briggs

Wayne Cardoza

Marston Chase

Peter Conrad and Janice Marchut Conrad

Raymond G. and Olga Cote

Pamela Diamantis and Morey Goodman

Patrick Duffy and Jaye Gibson

M. Christine Dwyer and Michael Huxtable

Tom and Peg Gaillard

May Gruber

Pamela A. Harvey

Donald Logan and Patricia Howard

David and Dorothea Jensen

Denise M. Johnson

Tamar Krichevsky and Mike Rosen

Irene R. Lover

Francis Mason, Ph.D.

John F. McCarthy

Jean P. McMillen

John and Françoise Morison

Thomas and Barbara Putnam

Ms. Emily J. Savery

Harry and Barbara Shepler

Steven A. Solomon

Susan Strickler

Jay Surdukowski

John F. Swope

Bill* and Jean Tallman

Richard and Ann Thorner

William W. Upton

Joan H. White*

Helen* and Sumner Winebaum*

Marjorie Milne Winston*

Dr. and Mrs. Harry Wollman

Kimon* and Anne Zachos*

*Deceased. Omissions possible.

trustees, staff, and guild

BOARD OF TRUSTEES

OFFICERS

Stephen Duprey, President

Jay Surdukowski, Vice President

Thomas Silvia, Treasurer

TRUSTEES

Carol Almeda-Morrow

Rick Botnick

Michael N. Costa

Pamela Diamantis

M. Christine Dwyer

Jeffrey D. Gilbert

Pauline Ikawa

David Jensen

Ben Kelley

Laurence Knowlton

Tracy Kozak

Emily Leff

Susan Lynch

Jessica McKeon

Peter Milnes

John H. Morison

Bill Stelling

William Upton

Patricia Wentworth

EMERITI

Patrick Duffy

Kendra O’Donnell

John F. Swope

STAFF

Nadiya Abdi

Kenneth Abrahms

Jeffrey Allen

Mustafa Alrais

Elisabeth Auffant

Larissa Bazarova

Jane Beaulieu

Corinne Benfield

Lauren Boisvert

Brad Bousquet

Hunter Boyce

Beth Brisson

Carole Caldwell

Caroline Cannata

Nathan Caryl

Alexandra Cave

Chris Chakas

Judith Chakas

Brendan Chatfield

Lucille Chmura

Matthew Dadmun

Esther De Hollander

Tami Despres

Pamela DiFloures

Kayla Doan

Shannon Dodge

Nicole Doherty

Emmett Donlon

Melissa Dunham

Kathleen Erkkila

Claire Fadness

Lorenzo Fusi

Camille Gibson

Nicole Goodwin

DAVID Goudreault

Ella Grablewski

Isaac Grablewski

Oliver Grablewski

Karen Graham

Daniel Griffin

Henry Griffin

Lauren Hellman

Jeanne Herz

Andrew Huang

Barbara Jaus

Alana Johanson

William Johnston

Donna Karolian

Samantha Kimball

Anushka Koirala

Valerie Laker

Molly Lastra

Anne Lederhos

Barbara Liesenbein

Charles Lippman

Corie Lyford

Matthew MacDonald

John Maguire

Eric Maille

Erin Manning

Megan Marcotte

Mark Martin

Bruce McColl

Eve McColl

Iris McColl

Patrick McKeown

Denise Monaghan

Rachel Montroy

Zachary Moore

Aubrey Mueller

Mark Nelson

Layla Neveu

Alexandra Nichols

Kristine Nyhan

John O’Shaughnessy

Rachael O’Shaughnessy

Ava Ostrander

Karen Papineau

Jessica Pappathan

Patricia Perkins-Wiley

Michelle Peterson

Kathryn Pritchard

Melissa Richard

Lori Rollason

Holly Rousseau

July Rubiano Madrid

Majed Sabri

Valeria Sakwa

Carolin Sanchez

Nicholas Signorelli

Ronald Sklutas

Holly Sloane

Nicole Snyder

Kashi Somayeh

Kaitlin Stanton

Mingyi Sun

Kurt Sundstrom

Cole Tortorice

Nya Trudelle

Tony Valentin

Kathryn Vozzella

Morgan Zick

GUILD

Arlene Amendolara

Dael Angelico-Hart

Scott Aquilina

Nancy Baker

James Bennett

Jane Bentas

Pauline Bogaert

Gloria Bouchard

Michael Chamberlain

Sarah Chamberlain

Sandra Chandonnet

Eleanor Chmiel

Donna Clougherty

Nancy Colageo

Mimi Crowley

Marilyn Davison

Roger Dignard

Julia DiStefano

Chelsea Donahue

Sally Douglass

Yvonne Dunham

Denise Dyer

David Feltus

Susan Feltus

Aletheia Fischer

Flo Fitzgerald

Michael Gfroerer

Frances Gray

Pam Harvey

Terry Heinzmann

John Herper

Jane Hills

Angela Hoke

Carolyn Hollman

Betsy Holmes

Pat Howard

Nancy Johnson

Saori Kanayama

Karina Kelley

Elizabeth Keroack

Tamar Krichevsky

Susanne Larkham

Kathi Levine

Barbara Liesenbein

Aline Lotter

Diane McEntee

Nancy McGaan

Judy McKenna

Josephine McMahon

Muriel McMillan

Chris McNamara

Pat Meyers

Heather Milliman-Phillips

Louise Monast

Daniel T Moran

Lawrence Morgan

Mary Morrison

Pat Morrison

Karen Moss

Peter Nelson

Suzanne Paquin

Pam Parrot

Ted Parrot

Hannah Perutz

Roland Pothier

Donna Potterfield

Geeta Prabhakar

Emily Preston

Judith Ransmeier

Patricia Reigstad

Ann Richardson

Ámbar Ruiz

Paul Sarcione

Dorothy Savery

Paula Schmida

Eileen Scullin

Sally Shea

Joan Sheldon

Barbara Shepler

Karen Smith

Jeanne Smith-Cripps

Jane Sobolov

Steve Solomon

Nancy Stewart

Dayna Talbot

Kate Thompson

Carol Tingleff

Jim Townsend

Sandra Townsend

Kimberlee Tyndall

Elizabeth Van Lauwe

Michelle Varga

Elizabeth Volpone

Harry Watt

Susan Woods

Nancy Zadravec

art &wellness programs

Expressions Through Art

Expressions Through Art provides a joyful and creative experience for people affected by cancer, in partnership with Elliot Hospital’s Solinsky Center for Cancer Care. Staff from the Currier and the Elliot facilitate discussions about art in our galleries and guide art-making. The program uses art as a conduit for respite and connection.

Art of Hope

Art of Hope program provides art and mental health support for people whose family members suffer from substance-use disorder. Art of Hope engages participants in a welcoming, open-hearted setting through guided conversation in the galleries and a special art activity, using art as a conduit for generating understanding, awareness, and healing.

Memory Café

Memory Café is a joyful and creative experience for adults with earlystage memory loss, along with their caregivers. Held once a month in the museum, the Memory Café provides a supportive environment to experience art in a safe, friendly, and inclusive space. Each program includes educator-led conversations around art and artmaking activities.

Making Art Accessible

The Currier Museum has worked with teens and adults with developmental disabilities for over a decade. Our signature program, Making Art Accessible is a multimedia studio art class designed for these deserving individuals. Working in a lively and fun studio setting, students make works of art inspired by the Currier’s collections and visit the Currier’s galleries.The goal of Making Art Accessible is to foster a sense of well-being in each student and to create a community of mutually supportive students who enjoy making art together.

Programming for Immigrant and Refugee Children

The Currier Museum works with many organizations who resettle and support immigrant and refugee families in Manchester. We provide after-school art instruction for children of these families during the school year and extend their learning into vacation weeks by offering free enrollment in our Vacation Art Camps. During our Art Camps the children are with us for 30 hours of instruction each week and are provided free breakfast and lunch each day. This program is sponsored by Rise Private Wealth Management, AmeriHealth Caritas New Hampshire, Pamela Diamantis and Morey Goodman.

Creative Connections

Creative Connections for Teens supports students suffering with anxieties related to the COVID-19 pandemic, and related societal harms that adversely impact our most vulnerable populations.  Each session provides students opportunities to connect through art-viewing, artmaking, and social time. Sessions are led by Currier educators and curators with the support of a school counselor, who emphasize personal creative development, respite, relationship building, and mindful awareness.  Creative Connections for Teens is supported in part by a grant from the New Hampshire State Council on the Arts and the National Endowment for the Arts.

Art for Vets

Art for Vets is an art-focused program that offers unique and FREE opportunities for veterans, active service members, and their families to come together and experience the benefits of the creative experience.

frank lloyd wright homes

The Currier Museum is the only art museum in the world with two Frank Lloyd Wright homes. Accessible by guided tour, they are the only Wright buildings open to the public in New England. Both were built in the 1950s when Wright’s domestic architecture reshaped American home design. The Usonian Automatic and the Zimmerman House express two equally beautiful visions through their closely related designs and contrasting materials.

The Zimmerman House was commissioned by Isadore and Lucille Zimmerman in 1949. The twobedroom home embodies Wright’s Usonian architectural concepts. The compact design contrasts narrow passages with dramatic, open spaces that blend different functions, in a manner which predicts today’s open-plan homes. The house is constructed of brick and Georgia cypress, and retains its original furniture and garden, both designed by Wright.

Designed in 1955, the Kalil House is one of only seven Usonian Automatics ever constructed. Wright termed the style “automatic” because they were intended to be easily and quickly built. Toufic and Mildred Kalil were inspired to commission the house by their close friends and neighbors Isadore and Lucille Zimmerman, who had commissioned a Wright house a few years earlier on the same street.

financial report

FY24 Revenue $6,215,875

The release of restricted funds from our endowment supported exhibitions, student scholarships, programs, and operations.

FY24 Expenses $6,607,026

70% Programming

15% General & Administrative

15% Fundraising & Development

total grants in FY24. Roughly 50% of grant funding was for Art & Wellness programming.

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