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Christopher Cerrone

Reading a Wave for nine instruments placed throughout the audience

(2008) full score


Instrumentation (the score is notated in C): Alto Flute* Violin Celesta (4-octave) Clarinet in B-flat (doubles Bass Clarinet)* Viola Percussion (Vibraphone and Glockenspiel) Baritone Saxophone (doubles Soprano)* Violoncello Piano *) Each of the wind instruments should be tuned approximately 1/8 tone flat. The effect should be accomplished by the loosening of each instrument's embouchure.

Instrumental Layout: Piano (lid up)

Sax

Vc.

Fl

Cl.

Celesta

Perc. Vla.

Audience

Vln.


Performance instructions: Reading a Wave is a piece for nine instruments; the instruments are composed of three antiphonally placed trios. The piece's three distinct parts are based on the varying degrees of synchronicity between the players. First Part: Trios enter, one by one, playing similar material, at similar tempi. As the first trio enters, it is conducted for exactly one system, at which point the next trio enters and the prior trio must proceed independently from the conductor, but remain metrically aligned (eg, on page 1, the onstage is conducted, on page 2, the left balcony trio is conducted while onstage remains independent, etc). In this first part, the pianist, percussionist, and celesta players are in charge of keeping their trios synchronized when not conducted by cueing the winds and strings of their respective trios. As the the first part continues, all of the instruments gradually become independent of one another (wind and string players proceed to independent parts with loops while the pianist, percussionist, and celestas are no longer cuing). The movement ends when the percussionist, pianist, and celestist independently finish their respective materials and should proceed without pause to the second part, where they coordinate with one another via a 30-second interlude. Second Part: The celestist, pianist, and percussionist remain independent of the conductor’s beat for the majority of the section, playing shifting loops while the rest of the ensemble is called back by the conductor, one by one, from their independent parts. The winds and strings are conducted and metered for the majority of this section, while the celestist, pianist, and percussionists are cued by the conductor to proceed from loop to loop. As the second parts continues, the keyboards and winds reverse roles one by one, and the movement ends with the conductor cutting off the strings and winds after a large crescendo. The winds, which are independent, remain. This is the beginning of the third part. Third Part: After a 30-second interlude similar to the one at thebeginning of the second part, the third part is metered and conductedthroughout. In this part of the work, the movement of the same musical material from trio to trio is most important; therefore, each trio must be totally balanced in dynamic.

Notation Guide = gradually change from one technique to another (e.g., sul pont to sul tasto)

h = 60 ! "

= primay tempo for each member of a trio, unless otherwise indicated.

$

= sustained sound (if it is a metered note, play the duration of the note and sustain)

= cresc./descrec. from/to nothing

String techniques:

! = cued by conductor " = pause #"$ = breath with no pause

s.p. = sul ponticello m.s.p. = molto sul ponticello: almost on the bridge; the tone should be very distorted and rich in overtones bow on bridge, no pitch = bow directly on the bridge while muting the string; the result should be an airy, unpitched sound

Wind techniques:

%

= cue from ensemble members.

!!! !!

$

= repeat figure inside the box independently of the ensemble

# !

= air sound, slightly pitched = sounding approximately 1/8 tone flat

Multiphonic choices are at the discretion of the wind players.


to the Red Light Ensemble

Reading a Wave

CHRISTOPHER CERRONE (2007-2008)

I.

Right Balcony

Alto Flute (ca. 1/8th tone flat)

Violin

Left Balcony

Celesta

Clarinet in Bb (ca. 1/8th tone flat)

Viola

Percussion

Baritone Saxophone (ca. 1/8th tone flat)

" ! &" !

(air, slightly pitched)

A. Fl &

!

On Stage

"p"

' ! #& " " ! &" ! + "!

! #& " q = ca. 40

" ! &" !

/ ! , )2 # " . " ! & " *---

Piano

&

repeat independently 3-5x and then cut off

! &"

pp

/ ! 5# " 7

" , "

! "

* - !! .

4! (sempre)

" *---" " 5*--

&"

*(

pp (ca. 1/8 tone flat) IV

2 ! " ,** 0) .

pp

4!

/"

senza vibrato, dĂŠtimbre sempre

" ) "

III

Violoncello

$(% ' *)

q = 50

! " *---

4 4

/

! " 5-

" , - !! .

# " 0

" ) " 0

# " 3-! .

4! 4!

" -*--

&"

!

"p"

p

pp

*5 " -"

" & " *)

(air, slightly pitched)

4 4

/

" "

# " *--- !!!

" "

# " 3-!

" "

2, ' 4 ,2

* 0+

q = 40

$ "

& !

p

1

repeat independently until cued by conductor

% "

"p"

q = 40

/ ** ) -

$ "

repeat independently until cued by conductor

III

$ *" * --

, * 0 !0 "' 6 4 "

$ "

" "

p

*0

$(% *)

p

% "

q = 60 3

' 4

pp

3,

SOST! 7

p

7

-

!!"# **5--!!"#

ppp

50

!! !!

repeat independently (4-6x) until cued by conductor

% " % "


2

Cl.

" ! %" !

$

q = ca. 45

" & (' !! " *

! " ()

" "

pp

Left Balcony

(1/8th tone flat)

/ "! & , 0*

" , "

III

V.la

pp

" % " ('(

Glockenspiel

Vibraphone (motor off, very soft mallets)

4!

! (''' #% "

(attack with piano)

Perc.

pp

5

Sax.

On Stage

Vc.

" ! %" !

$

" ! % " 4(''' !!! * ! 4' ! # " '! pp

5

pp

'' 6 " ' "

+ *

" , " )

! "

" (' " (

(l.v. sempre)

" "

)

$ "

"pp"

%

.

4

''

# " 2' !

" "

# "

" () () "

1 & 3 )1

3

p

# (''' "

4

! "

repeat independently until cued by conductor

"p"

q = 45

sul tasto

pp

4!

" (, "

pp

IV ! & ' ,1 " ') *

! (''' "

4

" "

& .1 )

" "

III

(attack with vibraphone)

Pno.

4

# "

(air, slightly pitched)

$ "

4

sul tasto IV = Bb

2'!

" 1 & " 3 ! " 3 ()0 () "

$ ('' !! " (' !

" "

'' ,'

pp

$ "

4

/

3

!!"$

3

p

!!"$

" "

.

III ord.

ppp

!!

q = 60

(( '' 6'

repeat independently until cued by conductor

6)

!!

pp

repeat independently (3-5x) until cued by conductor

! " ! " ! "

(al fine)

q = ca. 40

*! 0 # "

%-& (,

q = 45

dĂŠtimbre, senza vib. sempre

0! 0!

&

( ' !! )

(%

& && .2 ) 0 0

4(''' *

4' '

$ " -

, )

$ " 3'! )

pp

0 0

(' 4 # '' "

# '' % " ('

%

(. !

"pp"

p

# . " -

III

pp

" % " 4(''

# " +

pp

.

" ('''' "

*

0! 0!

$ " ('''

1 & +

(! -

+

p

$ " 3'

+

(.

"mp"

q = 40

" "

* && . '

repeat independently until cued by pno

III

( ( - !+ 2 3

+

+

" (' " ( ''

0

" "

0

3' (

SOST! 5

+

p

pp

p

*

%

repeat indep. until cued by pno

p

q = 60

! ( -'1

+

/

q = 40

" "

5

)

6

+

!!(('' 4' A

!!

ppp

B

4-

C

(-

!! !!

repeat varying permutations of A-B, A-C, A-B-C or A-C-B 3-4x and then cue sax and c to proceed


Right Balcony

A. Fl.

" ! $! !

$

( " % ))&' ! * (

q = ca. 50

! $ ! % +'!!!! ( III

Vln.

$

pp

2

Cl.

Left Balcony

Vla.

" ! &'

'( ! % '!! ! (

) ++++ " )+ !

0+ ) ! 0+++ !

/ "! +

III

& 0 *

Perc.

pp

5

Sax.

On Stage

Vc.

" $ ! #

*

" $

! $!

" "

# " 1' ! *

/

# "

" ! %

I $) , *! % ! )

#

*

*

! 0+ ! +

4

)+++

" ! 1

,'!

) &.

)&

''

) & )!& !/ * / !

/

p

sf

! !

( '& )

# "

+

$ (" $ "

2

'$

II &) ! % ! )

! ''++ ! ++

2

*!

! 0+ +

!!

% !

(-

+

1

$ "

3

# "

" ! +! )

" !

&) pp

'+ !

" 0+++ !!! $!

+

sf

+

!!

A

(( '' !! 1'

%% -'

" "

! ! &

# !

! !

# !

.

III

! !

((

' &%

& p

*!

!

2

1

C

()

!!

+) !

q = 40

$

q = 60 3

2

p

3+ (

SOST! 4

. 4

)

# "

2

" ('''

%"

3

pp

5

'& ''

s.p.

p

!!'3++ 0+ A

!!

B

&

C

'&

p molto rubato

.

D

0&

# "

" ! & %

ord

( & !& -

# "

III

& 0 *

repeat independently until cued by piano

',

$ !

ppp

# !

# "

"

2-3x and then cue clarinet and viola to proceed

q = 40

# '+ ! ' ++

" !

%"

repeat varying permutations of A, B, C

p

.

/" "

repeat independently until cued by percussion

p

!! 1B)

) +++ # )+ !

%"

q = 45

/

" !

"

repeat independently until cued by percussion

"p"

! " + ()0 () "

2

/

2

p

$ ('('' "

" ! 1

,'

+

pp

" "

# ' !

pp

( ) + " ++ $!

repeat 3-4x and then cue violin to proceed, flute remains independent

.

q = 45

" "

q = 60

*

pp

2

0&

pp

"pp"

# (' "

+

/

)) ++ !!!" 0+

III . " % $! ' (

p

q = ca. 60

3

()&4

('''

$

q = ca. 50

1

pp

p

1

p

# " (- !

+

pp

" $ ! 0'++

%,& 0' III

! !

.% /

pp

,

" '++++ !

# !

/

)

pp

Pno.

"p"

(air, slightly pitched)

+

# " ('

3

!

$

) ++++

pp

3

q = ca. 40

! '0++ ! 0++

-!+ !

# !

IV

sul tasto, poco vib.

'' " 1' "

3!

/ !"

3

# " ()

pp

! (''' % " #

" !

repeat 3-4x and then proceed to independent part

q = 50

pp

" & (' !! " *

" (' " (attack with celesta)

p

" ' !

pp

! %"

&

3

II

/

q = ca. 45

%,& # )' !

q = 50

" ! +! (

pp

pp

with vibraphone) ( ) (attack + + ! + 3 Cel. $ ! #

" ! %" !

( ! )& ! )'

!! !!

/

repeat 3-4x then proceed to independent part

repeat varying permutations of A,B,C,D 3x and then cue sax; cello proceeds independently

" ! " ! " !


4

Right Balcony

Fl.

Vln.

Cel.

" ! %" !

! "

! %" &

$' ) ( '

IV

% -, ! ,, #% "

.

" " (

" ! ) % " & (' *

q = ca. 45

Left Balcony

Cl.

Vla.

. "! ,

pp

Perc.

On Stage

Sax.

Vc.

// ! 0/ #% " ! ! &" !

" "

- ,,,

+

pp

+ + +

q = ca. 40

# "

0

! " ('

pp

% "! (/

# "

p

/

! " 0/ ! *

sul tasto, poco vib.

# "

-1

3

mf

+

/! " "

# (, "

! " (,

# "

! "

)

&

4

# 0),,

+

%

*(

q = ca. 60

*1

-- ,, !!"! *,

/

q = ca. 50

!!

1/!

-

(,

# "

! "

)( # *

! (// " (/

2

" + "

)$ p

! " 0),,, /

! 0, " ,

+

), 0 " ,, "

" ,,

&"

(' &

(' (!' 3

!!

+

!!

(( // !! 0/

2

0'

!!

('

p molto rubato

,# *

q = 40

-

1

# "

1

/#

"

$ "

/

)-

$

.

repeat independently 2x

q = ca. 45

%

# "

%

# (/// "

and proceed independently

2

p

4

repeat independently until cued by piano

& ! ( ( 3

+

+

'

! " (/

$ ' ), *

&% !

"mp"

p

// ! 0/ "

-1 mf

! "

# (/ "

+

# "

+

# )$ "

//

$ " $ "

# "

p

# "

q = 60 3

- 1)

$ "

repeat independently 3-4x and continue to independent part

p

& 0 (%2 ! (

! "

p

p

+

% $ s.p.

/*

%

+

# "

- ,,,

! "

$ "

ord

& 3

+

- ,,, -,

p

$ "

"mp"

q = 60

2

! " (

repeat independently 3-4x and continue to independent part

p

! "

(

p

q = 40

)

) ( '

III

, % - , , # , %"

repeat 2x and then cue violin

q = 45

% !

# %" &

repeat until cued by celesta

p

pp

+

"pp"

# (/ "

+

# ),,,, " &"

+

sf

p

Pno.

- 1 -!1 2 sf

/! " " ! ! ), & " )0,,,

! "/

/

('$)

+

//

'

- 1)

p

! " (/ ! "

q = 50

III

)),, 0, ppp

0(

q = ca. 40

)(

# )),, " 0,,

$ ),,,, %

), 0 ,, ' #"

# "

$ 0),, %

' #" ,),,

# "

pp

# "

&


Right Balcony

Fl.

Vln.

Cel.

Left Balcony

Cl.

Vla.

" ! &" !

5

q = 50

! &" $ !( #& "

3

)

! ! &" !

+ * +!* ,

On Stage

Vc.

q = ca. 60

++ -!! .-

(

sf

repeat 3-4x and continue to independent part p

.*

!!

p molto rubato

$ # &"

repeat 2x and proceed

+ *** $ +* "

+--p

! %

+ ***

/

$ "

*0

*

+ *0

+*

+ --# +"

! %

+ ***

/

$ "

*0

*

! %

+ **

$ "

/

+ *0

+* attaca

! &" #)

Sax.

'

&

(' (' & "! Perc.

III

('#)

('

-'

q = ca. 40

$! *

! + *#,

3

-

-

$ * .

!* sf

Pno.

)! " "

p

.

q = 40

('

1

q = ca. 50

$ (,,, "

p molto rubato

! ! &" !

! ! &"

$ "

*

(( ,, # -, "

! "& "

)! " "

q = ca. 60

# "

! (' "

# (' %

'' ! (' "

# %

''

+

! ') ' "

+

! "

) '

'

$ (, "

# (' %

,, $ (, "

# %

''

+

! ') ' "

# (' %

+

! "

# %

'

+

! ') ' "

+

! "

*

attaca

repeat 3-4x and proceed to independent part

"mp"

((+////

# (*** " (*

$ %

# "

$ %

( ***

0

# "

$

*,

*

*,

*

! (/(/// "

$ %

! "

$ %

( ***

0

# "

$, *

*

$ %

( **

0

$,

# "

*

*

p

1

# "

# "

$ %

# "

attaca


II.

6

Right Balcony

! A. Fl. " !

25 - 30"

"

Vln.

!

B

& & %. . . + + $ %* -$ $ ' ' $ $ " " p

C

& -$ !$ # & 3

repeat independently in any order

Vc.

. . . $ + $% ' ' +

$%*

Glock.

p

$ !$ &

Left Balcony

# #

repeat independently in any order

"

" !

-(% (

s.v. sempre

& & + %. . . + -$$ ' ' $%* $ B

,

!' ! #

)

A

h = 45

1!

1

! ""

mp

mp

-( (

( )

-/ pp

)

mp

C

& ! # $& $ 3

25 - 30"

!

Lo stesso tempo (q = ca. 40)

& &- $%* $ + %. . . + $ ' ' A

Pno.

#

3

#

Clarinet in Bb

C

! " ! "

mp

& -$ !$ # &

0! !

B

( )

'

3

h = 45

A

Sax.

$% &

25 - 30"

0

""

s.v. sempre

C

Lo stesso tempo (q = ca. 45)

Perc.

#

3

,

! " !

Vla.

B

& & + %. . . + -$$ ' ' $%* $ A

,

Cl.

#

"!

Lo stesso tempo (q = ca. 50) A

Cel.

On Stage

#

h = 45

p

,

B

& 3 $ !$ # & C

# %

/ )

s.v. sempre

mp

/ )

& &- $%* $ + $%. . . + ' ' A

repeat independently in any order

,

B

mp

& - $ !$ # & C

3

f


#)

Right Balcony

! A. Fl. " !

Cel.

Cl.

Left Balcony

"

Vln.

" !

'

On Stage

fp

(

senza vib.

mf

f

! " !

0

:

'

"

1

# '

/ )

:

-$

3

)

B

. . . + $% ' + * $% 8$ -' "" ! ! "! !

! ""

B

mf

2 !

:

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! # !

! # !

-$ )

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3

(loco)

-$ -$ # & 3

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ord.

)

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3 4

! !

3 4

:

-$

3 4

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3 4

! !

! !

C

#

3

$ $ & !

! !

Soprano in Bb 3

#

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C

,

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ppp

2 ! mf

f

* 9 #

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Pno.

8$ &

gliss.

& . . . & * + -$$% ' + % $$ '

Glock.

Vc.

#

))))))))))))))))))))))))))))))))))))))))))))))))) -( ( 9 # &

3 4

25256

slow, wide vibrato

%

A

A

Sax.

mf

! # !

3

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Vla.

Perc.

2 !

(

#

3

) ! -( -( ! -7 -7

7

&- $%* $ ,

'

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& . . . + $% ' ' + B

C 3

#

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s.p.

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(loco)

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8

! ! 9 # A. Fl. " ! & !

'

:

2 !

) -( -7

! ' !

) -(

Right Balcony

Vln.

Cel.

Left Balcony

Cl.

On Stage

3 4

f

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#

%

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ord.

)

! ! "! !

)

p

2 !

f

. . . + $% ' ' +

take Bass Clarinet

'

3 4

:

ff

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! ' !

ord.

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3

-(

)

f

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= "! <<<<<< $ $ ; ! &

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ord. ! !& 9 -( ! 3 ) ff

:

m.s.p.

3 4

#

3

sf

; !

; !

f

:

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! !

C

#

3

$ -$ & !

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repeat independently in any order

:

1! " ! / >

harsh tone

-( ( B

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" 8 <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< 2 ! -/ ! ! & 9 #

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A

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3

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ord.

+ %. . . $%* $ -$$ ' ' +

A

Vc.

ff

3

; !

:

(loco)

Glock.

Sax.

#

'

(loco)

f

Perc.

f

! # !

9 #

A

s.p.

Vla.

2 !

(

!! !&

3 4

-7

f

! "! '

25256

f

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9

Right Balcony

! ! ' A. Fl. " ! !

Vln.

Cl.

Vla.

#

! ! "! !

ord.

8$ &

Vc.

2 !

ff

:

0 !! #

! $%* "" ! -$ p

Sax.

! ! "! # !

1! " ! / ! fp

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ord.

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fp

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ff

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p

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1

Bass Clarinet in Bb

; !

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ff

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ppp

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p

ord.

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p

f

C

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3

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repeat independently in any order

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2 ! ff

ff

#

3

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ff

ord.

s.p.

/

/

fp

A

Pno.

#

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ff

ppp

3

9

-() -7

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Glock.

Perc.

&

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A

On Stage

2 !

ff

Cel.

Left Balcony

+",<<<<< s.p. ! ! "! & 9

()

-()

- $%*

$

,

ff

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Left Balcony

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3 !

repeat in any order

p

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B

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Perc.

On Stage

Sax.

Vc.

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Vln.

Cel.

3 "!

A

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f

$ 3 "" ! -(( -8((

Left Balcony

Vla.

Perc.

Sax.

On Stage

Vc.

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ff

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1

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f

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to independent part, as before

- ((

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(

-(

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@ ! -/ // @ -/ !

2 -//

ff

1!

!

1!

!


12

+ % ' ' -$ 8$$ ) p ) ) p

Right Balcony

! ! A. Fl. " ! !

Vln.

Cel.

Left Balcony

Cl.

Vla.

Perc.

$

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A

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:

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gliss.

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pp

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attaca

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ord.

? !

f

'

(

(

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to independent part, as before

Vibraphone

Glockenspiel (same mallets)

? !

sfp

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-8//

!' !

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(

(

sfp

p

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sfp

Glockenspiel (same mallets)

3 ! - //

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p

fff

attaca A

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$)

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On Stage

Vc.

p

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3 ! 3 !

- // attaca


III.

13

25 - 30"

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Right Balcony

Alto Flute (ca. 1/8th tone flat)

B

ord.

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A

A

ord.

%

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*' % ' 3$#) $# ( (

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B

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(non tremolo)

Violin

Celesta

!

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(

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q = 45-50 +

*+

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.

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pp

+

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very slow lift

25 - 30"

C " %# % 3 Bass ! # &$ $ ' &#( &#( Clarinet in Bb ! $# $# 1 (ca. 1/8th " " p p ! tone flat) " p " A

B

" % *% ( ( -# # ' ' &#1 &# A

Left Balcony

ord.

Viola

B

ord.

C

3

Absolute silence 7"

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2 ossia: mute vibe/glock with hands

Vibr./Glock)

Percussion

"!

Perc. !

0

(

0)

*+

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con sord. ord.

$/

s.p.

"

m.s.p.

p

+

+

+

very slow lift

25 - 30"

% C % # 3 " # $ ! ) # # $ ' ! $#( $#( ! " p "" p " p A

On Stage

Sropano Saxophone (ca. 1/8th tone flat)

Violoncello

Piano

ord.

B

"% * % -# # ' A

ord.

B

C

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B

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2

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.

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pp

44 ( p

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+


14

Right Balcony

A. Fl.

Left Balcony

!

Vln.

4" * +

*+

& "!

*+

! B. Cl. ! !

*+

Cel.

2

Vla.

Perc.

Sax.

On Stage

! ! !

Vc.

Pno.

"! ! ! !

"

2

! "!

+

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ord.

s.p.

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p

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+

+

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5 6

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, $# '

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5 6

+

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( & 6 44 3 4

6

p

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sempre pp 3

m.s.p.

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ppp (inside the cello)

.

5 6

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+

p

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s.p.

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, $#) '

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p

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ord.

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+

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5 6

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s.p.

ord.

5 6

6 . 6

, $#)

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+

6 4 6 44 (

s.p.

p

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.

p

m.s.p.

pp

+

5 6

5 6


Right Balcony

A. Fl.

15

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.

+

Vln.

Cel.

B. Cl.

+

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+

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+

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s.p.

5 !6

.

3

m.s.p.

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6 444 6 0

' ppp (as before)

.

+

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3

p

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+

36

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mp

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+

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.

p

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+

+

36

9 6

+

6 6

+

+

9 6

+

6 6

+

+

6 $/ "

9 6

Left Balcony

Vla.

Perc.

On Stage

Sax.

Vc.

Pno.

5 "! 6 ! 5 !6 !

25 " 6 ! 5 "! 6

+

6 6

+

+

+

6 6

+

+

$/

$/

s.p.

ord.

"

%

m.s.p.

+

9 6

*+

6 6

+

+

9 6

*+

6 6

*+

6 6

9 6

*+

6 6

9 6

*+

6 6

*+

6 6

!

p

p

+

444 (

.

+

p

$/

s.p.

6 6

+

# , , -# , , ' 1 1 <>

<>

9 6

II

2 65

*+

short

%

m.s.p.

p

+

+

short

0 sempre pp 3

+

6 ' 6

, $# .

+

6$/ 6

-/

<>

s.p.

+

+

%

.

m.s.p.

pp

6 6

+

( -4

+

3

, #1 ' , ' <>

( ' -#1 1 , . 3

p

% "

9 6

III

- ##)

+

.

ppp

0

+

9 6

+

+

6 6

take Baritone Saxophone

9 6

+

+

6 6

mp

+

6 6

+

+

+

+

+

+

% "

9 6

III

444 ( p

0

9 6

.

+

9 6

short

* mp

*+

6 6

6 6


hold until all sound has died away

16

Right Balcony

A. Fl.

Vln.

Cel.

Left Balcony

B. Cl.

Vla.

! 6 )!777777777777777777777777777777777777777777777 9 ! 6 ##/ 6 ! p

6 !6

+

& 6 3 " 6

+

! 6 !6

+

2 66

*+

+

+

*+

: ;

+

+

*+

: ;

+

+

6 6

+

9 6

+

6 6

+

9 6

+

9 6

+

3"

pp

9 6

+

+

+

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6 6

+

6 6

+

+

+

Glockenspiel

Perc.

6 "! 6

+

+

! 6 !6 ! $/ "

Baritone Saxophone

Sax.

9 6

+

9 6 mp

6 6

6 6

+>, 9= 6 "

+

.

- ##)

-4

ppp

Pno.

On Stage

36 " 6

+

! 6 "! 6 44( p

0

.

+

9 , '' 6

6 6

6 6 44 (

pp

0

9<5

.

+

: 6

+

: 6

+

: ;

+

6 6

+

: ;

+

6 6

+

: ;

9<5

+

+

*+

+

*+ *+ 4"

6 6

+

5 6

IV " 5 4' 6

5 6

5 6 ''

6 6

+

pp

+

+

*+ *+

6 6

6 6

+

*+ hold until all sound has died away

$# '

*.

6 6 pp

+

: 6

+

: ;

+

6 6

+

*+

5 6

+

6 6

+

*+

*+

" : ;

+

: 6

+

: ;

+

6 6

+

*+

5 6

+

6 6

+

*+

: '' ;

9<5

mp

mp

+

: 6

"p"

*+

: ;

*+

$/

: ;

6 6

+

+

4"

7777777777777777777777777 9<5 : =#)! : ) , '' 6 % ; (air only)

*+

3"

+

*+

:= ;

+

*+

: ;

III

Vc.

3" * +

: ;

9<5

$#

: 6

+

: ) , ; p

) : 6

III

9<5

$# '

0

.

: ;

6 6

5 6

+

6 6

+

*+

*+

5 6

+

6 6

+

*+

*+

5 6

+

6 6 44

p

) 6 6

III

: 6 44 (

*+ 4"

:= ;

p

hold until all sound has died away

+

p

6 6 44 (

0

.

ppp

0

.

*+


Appendix A. Part I independent part for all winds (notated here in C) B. Part I independent parts for all strings


Independent part - winds play the figures below. alternating between lettered to numbered figures, but otherwise in any order (including repetition) continue until the conductor cues the next section

q = 60 A

$ !! &% ! #'

% "

B

&% !

!( ! #'

ppppp (almost inaudible)

q = 40 1

$ !" +* ! #'

(air, slightly pitched sempre)

p

! !

2

)* ! #'

! &% %

C

"( ! #'

( ppppp (almost inaudible)

( )

" ! &% ! #'

ppppp

3

, " # ! *- *- *- *- +* #' p

D

. mf

&% !

ppppp

4

! !* / #'

%!

E

F

! !( #'

ppppp

6

5

*/

p

*/

*/

# )* ! #'

# &( ! "" #'

)(

1 0

1-2"

mf

" ! ppppp


Independent part - Strings

play the figures below. alternating between lettered to numbered figures, but otherwise in any order (including repetition) continue until the conductor cues the next section

q = 60 A

$ !! &% ! #'

sul tasto, flautando

% "

&% !

!( ! #'

ppppp (almost inaudible)

2

1

bow on bridge, no pitch

p

sul tasto, flautando

sul tasto, flautando

q = 40

* !" + ! #'

C

B

! +! ! #'

bow on bridge, no pitch

( ppppp

"( ! #'

ppppp

3 bow on bridge, no pitch

-+ +- +- +- "(.,+) ! #' p

! &% %

/ mf

D

E

sul tasto, flautando

sul tasto, flautando

" ! &% ! #'

&% !

ppppp

%!

F

! !( #'

# &( ! "" #'

)(

ppppp

4

! +0 ! #'

sul tasto, flautando

+0

+0 p

+0

#+ ! #'

ppppp

6

5

bow on bridge, no pitch

"

*!

bow on bridge, no pitch

mf

2 1

1-2"


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