"Significant Other" program

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Assistant Director: Kassie Howard

Production Stage Manager: Justin Silva

Choreography: Kiana Owens

Intimacy Choreography: Amanda Rose Villareal*

Scenic Designer: Andre Polo

Costume Designer: Kieran Tierney

Prop Master: Sophia Beeles

Lighting Designer: Crystal Shomph

Makeup & Hair Designer: Kieran Tierney

Sound Designer: Jordan Benitez

Technical Director: Isaiah Huntsinger

March 6–15, 2025 • Hallberg Theatre

*Faculty

RONALD S. ROCHON

President, California State University, Fullerton

AMIR H. DABIRIAN

Provost and VP for Academic Affairs

ARNOLD HOLLAND, EDD

Dean, College of the Arts

FULL-TIME FACULTY | Theatre

Acting

Maria Cominis

Svetlana Efremova*

Eve Himmelheber

John Short

Design and Technical Production

Scott Bolman^

Hyun Sook Kim

Fred Kinney

JR Luker

Omar Ramos

Jamie Tucker

Kathryn Wilson

Directing

Mark Ramont*

Musical Theatre

Josh Grisetti

Marty Austin Lamar*

Theatre Studies

Dr. Heather Denyer*

Amanda Rose Villarreal, PhD

Voice and Movement

Anne James

David Nevell*

FULL-TIME FACULTY | Dance

Muriel Joyce

Lisa D. Long

Debra Noble

Alvin Rangel-Alvarado*

KATHRYN WILSON

Chair, Department of Theatre & Dance

ALVIN RANGEL-ALVARADO*

Vice Chair, Department of Theatre & Dance

FULL-TIME STAFF

Department of Theatre & Dance Administration

Denean Dyson

Technical and Production Staff

Michael August, Production Manager

Lois Bryan, Master Electrician

Matt Connelly, Amanda Horak

Staff Scenic Lab Forepersons

Heidi Enzlin Cole, Charge Scenic Artist

Jen Frauenzimmer

Business/ Production Coordinator

Terri Nista, Costume Lab Manager

Lori Koontz, Costume Lab Techncian

Carson Julian, Costume Coordinator

Eric Sheehan, Video & Projections Technician

Jeff Lewis, Production Sound Engineer

William Lemley, Audio/Lighting Technician

Bob West, Properties Master

Brigitte Bellavoine, Jennifer Schniepp & Ben Rempel, Accompanists

Stephanie Tancredi

Box Office Manager & Safety Coordinator

Josiah Sanchez, Night Mgr./Lead House Mgr.

Charlotte Bouck

Audition Coordinator and Production Assistant

* denotes area coordinator | ^denotes graduate coordinator

Land Acknowledgement: The Department of Theatre and Dance acknowledges our presence on the traditional, ancestral and unceeded territory of the Gabrielino/Tongva Nation. We pay our respects to the Indigenous land caretakers past, present, and emerging. For more information please visit the Gabrielino-Tongva Tribe website.

Resources: https://native-land.ca/ • https://gabrielinotribe.org/ http://nahc.ca.gov/cp/tribal-atlas-pages/gabrielino-tongva-nation/

Welcome to the College of the Arts Spring 2025 Season. As we come together to enjoy incredible art, dance, music and theatre programming from across the college, I know we are all still reeling from the recent fires that tore through the communities of Altadena and Pacific Palisades. In many ways, we are all Angelenos and when our city breaks, we break. Many of our students, faculty, and staff are finding comfort in processing complex thoughts and emotions the only way we know how: through the arts. It is our calling and what ties us to our community. Through our programming, we hope to provide a bit of respite to all of you during this time of regrouping and rebuilding.

In the College of the Arts, every note, every movement, and every word spoken on stage brings opportunity for discovery and connection. Whether you are a fellow Titan, family member, or community supporter, we are thrilled to have you here. You are now part of something much larger than this single performance. You are joining a vibrant and diverse collective of artists and technicians working together to push the boundaries of their craft.

Spring 2025 brings us a season of fresh programming to challenge our perceptions and immerse us in new perspectives. Later this month, the School of Music presents “Hajar,” a contemporary opera synthesizing ancient Jewish and Islamic stories into a modern immigration tale. Theatre begins their season with “Significant Other,” a heartfelt tale of love and longing in 21st century New York City. If you haven’t yet seen our spectacular new gallery building, make time to see “Chris O’Leary: Gravity Well” – an exploration of the cosmic phenomena of gravitational waves using video, sound, and images. In May, our dancers and choreographers return to the intimate Hallberg Theatre in “Spring Dance Theatre: From All Sides,” where viewers will experience a variety of dance forms from every angle of the stage.

It takes more than just the emotional support of friends, family, professors, and mentors to enable students to take creative risks of expression. As a college, we remain committed to providing these aspiring arts professionals with scholarships, financial assistance, and the industry-ready equipment, facilities, and opportunities to further develop their skills outside the classroom. Our resolve is steadfast, but we need your continued support to sustain and expand our educational mission, ensuring our students have the tools necessary to succeed. Please consider a donation of any amount to the Dean’s Fund for Excellence today.

I thank you for being here, for your ongoing support, and for your conviction in the power of the arts. Together, we can accomplish the extraordinary.

Sincerely,

Director’s Note | Tyler Garcia

I first read “Significant Other” shortly after it was published, when I was about 18 years old. At risk of getting too sentimental, this play hit me like a freight train on my first read and I couldn’t stop thinking about it for years after. Almost ten years after my first read, I’m getting the opportunity and privilege to put up a show that means so much to me, with a whole group of people that I love.

I grew up in probably what is the closest thing that Southern California has to a small town: Hesperia, California. If you’re unfamiliar with the area, as is expected with a small town, it’s very conservative. In high school, I was one of two openly gay kids, and everyone knew who I was. Like Jordan, I wondered at the possibility of love—could I have what was seemingly so easy for straight people? Like many gay kids and teens, I found coming out to be unbelievably terrifying: what if everyone I loved rejected me, shunned me, wanted nothing to do with me again?

Discovering “Significant Other,” and by association Josh Harmon, was unbelievable. This play showed me that not only did other gay people exist, but they were adults with lives, friends, careers. Not only that, but I also met someone who felt and thought like me. I saw so much of myself in Jordan. The first time I read it, I knew this was a story that I needed to tell.

When talking about the creation of “Significant Other” in an interview with Playbill, Harmon noted that he was surprised when people found it funny. He thought he’d written an incredibly depressing piece about a single gay man. I’d be lying if I said I didn’t cry when I first got to experience this play. This idea of the dichotomy between loneliness and romance ended up fueling much of my process of creating the show, leading us to what would eventually become our central idea and concept for this production.

I can’t express in words how much this play means to me—”Significant Other” got me through not only my first breakup, but additional breakups after. It’s an unbelievable gift from Cal State Fullerton to be able to put up a show that’s so precious to me, with a cast and team that I adore. I think this is the part where I’m supposed to be witty and quote Celine Dion, Lee Ann Womack, or Whitney Houston, but rather than come close to selling out, I’m choosing to reconsider.

Student Production Staff

Assistant Stage Managers: Cory Smith, Bridget Hughes

Assistant Scenic Designer: Jenna Scordino

Assistant Lighting Designer: Sarah Arizaga

Assistant Costume Designer: Mickey Narez

Assistant Hair/Makeup Designer: Gaily Garcia

Lighting Programmer: Isaac Stewart

Lighting Board Operator: Eliane Moenho

Sound Board Operator: Malyssa Castillo

Costume Crew: Andrea Haro, Devlyn Novelli, Dulce María Tovar, Alyssa Manzanares

Costume Maintenance Crew: Mariia Tumasova, Cameren Foley

Hair & Makeup Crew: Evelyn Escudero, Kimberly Montiel, Grace Diaz Torres, Fiona Marie Formaran, Annabella Grasso

Scenic Crew: Riya Roy, Gian Noble, Jakob Shelley, Brandon Kim

Costume Lab Student Assistants: Ryn Heier, Makayla Finn, Haven Hanson, Julianna Barlow, Alyssa Gauss, Caroline Lovett, Alicia Robles, Lilian Andrada, Mickey Narez, Getz Bayardo

Prop Assistants: Avis Constantino, Sierra Campoy, Anthony Casas, Henry Esteva

Lighting Assistants: Miranda Carpenter, Conner Hyman, Neroli Pruett and the students of THTR 286

Scenic Lab Carpenters: Lily Andrada, Alexa Aure, Logan Ayala, Nat Bull, Kate Checkwood, Isabella Cruz, Kiran Desai, George Diaz Mejia, Elizabeth Doubrovski, Cole Johnson, JJ Lopez, Henry Passo, Georgia Rau, Elliot Rosenthal, Julissa Tucker, Madison Williams, and students from THTR 276 &THTR 372.

*Special thanks to Caitlyn Nguyen as fill-in ringer carpenter, stitcher, and all-around lifesaver

Charge Scenic Artist: Yanira Loera

Assistant Charge Scenic Artist: Mickey Narez

Lead Scenic Artists: Diego Banda, Kyle Hayes, Alizée Carlson, Mariia Tumasova, Nev Bumgarner

Scenic Artists: Gina Kim John Corde, Savannah Gregg, Ella Davis, Miles Guiditta, Malyssa Castillo, Kathryn Harbauer, Eric Rodriguez, Nathan Camacho, Breanna Lange, Isabella Moll, Paige Oberholtzer

Box Office Staff: Avery Ackerman, Anais Barron, Jonathan Bass, Charlie Duval, Cole Johnson, Josiah Sanchez, Rhylee Smith, Cash Wheeler, Dylan Magallanes

Faculty Production Mentors

Costume Design Mentor:

Dianne Graebner

Directing Mentor: Mark Ramont

Hair/Makeup Mentor: Dianne Graebner

Lighting Design Mentor: Omar Ramos

Prduction Management Mentor:

Renee Duron

Props Mentor: Fred Kinney

Scenic Design Mentor: Fred Kinney

Sound Mentor: Hunter Moody

Stage Management Mentor: Shay Garber

Technical Director Mentor:

JR Norman Luker

Department Notes & Policies

Proceeding Safely: Clayes Performing Arts Center will match all current COVID-19 recommendations and guidelines provided by local health agencies. When purchasing a ticket to a Clayes Performing Arts Center event, you agree to adhere to all COVID-19 safety entry requirements in effect at the time of the event.

Commitment to Diversity: The Department of Theatre & Dance affirms its commitment to inclusiveness in student learning and success in all areas of theatre based on merit and achievement, and will not discriminate on the basis of race, color, ethnic origin, national origin, creed, religion, political belief, gender, gender identity, sexual orientation, physical appearance, mental or physical disability, marital status or age.

Cell Phones & Electronic Devices: Cellphones and other electronic devices must be turned off prior to the start of the performance and at the beginning of the second half to minimize disruptions in the theater and ensure the enjoyment of all patrons in attendance.

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited, and any recordings will be asked to be deleted.

Food & Drink Policy: Food and drink is not allowed in the venue, with the exception of bottled water.

If you do not follow these guidelines, you may be asked to leave.

Professional Artist Unions

Faculty, Staff and Guest Artists of the Department of Theatre & Dance are specialists in their respective disciplines. Within these groups, the following professional artist unions are represented:

AEA (Actors’ Equity Association)

AGMA (American Guild of Musical Artists)

AGVA (American Guild of Variety Artists)

IATSE (International Alliance of Theatrical Stage Employees)

SAG-AFTRA (Screen Actors Guild/American Federation of Radio and Television Artists)

SDC (Stage Directors and Choreographers Society)

USA (United Scenic Artists)

The Kennedy Center American College Theater Festival, part of the Rubenstein Arts Access Program, is generously funded by David M. Rubenstein.

Special thanks to The Harold and Mimi Steinberg Charitable Trust for supporting the John F. Kennedy Center for the Performing Arts’ Kennedy Center American College Theater Festival.

Additional support is provided by The Honorable Stuart Bernstein and Wilma E. Bernstein; and the Dr. Gerald and Paula McNichols Foundation.

Kennedy Center education and related artistic programming is made possible through the generosity of the National Committee for the Performing Arts.

This production is entered in the Kennedy Center American College Theater Festival (KCACTF). The aims of this national theater education program are to identify and promote quality in college-level theater production. To this end, each production entered is eligible for a response by a regional KCACTF representative, and selected students and faculty are invited to participate in KCACTF programs involving scholarships, internships, grants and awards for actors, directors, dramaturgs, playwrights, designers, stage managers and critics at both the regional and national levels.

Productions entered on the Participating level are eligible for invitation to the KCACTF regional festival and may also be considered for national awards recognizing outstanding achievement in production, design, direction and performance.

Last year more than 1,500 productions were entered in the KCACTF involving more than 200,000 students nationwide. By entering this production, our theater department is sharing in the KCACTF goals to recognize, reward, and celebrate the exemplary work produced in college and university theaters across the nation.

shape the future of the arts

The College of the Arts at Cal State Fullerton is one of the largest comprehensive arts campuses in the CSU system. We proudly serve as an academic institution of regional focus with national impact that combines rigorous arts training with cross-disciplinary exploration to encourage the artistic expression and individual achievement of thousands of arts students daily.

Many of these students face personal and financial challenges that prevent them from continuing their education. You can help! The Dean’s Fund for Excellence provides students in need with funding for immersive, off- and oncampus experiences that contribute to their academic success, including CSU Summer Arts, conferences, and study abroad programs.

Shape the future of the arts! Consider making a gift of any amount to the Dean’s Fund for Excellence today.

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Ms. Susan Hallman in Memory of Ernie Sweet ‘77

Mr. Matthew Scarpino & Ms. Karyn Hayter

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Dr. Sallie Mitchell*

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$5,000-$9,999

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Continuing Life LLC

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Mr. William S. Cornyn

Dedicated 2 Learning

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Ebell Club of Fullerton

Friends of Jazz, Inc.

Dr. Margaret Gordon

DONOR APPLAUSE

Mr. Norm & Mrs. SandyJohnson

Ms. Teri Kennady

Mrs. Jill Kurti Norman

Morningside of Fullerton

Mrs. Bettina Murphy

Mr. David Navarro

Dwight Richard Odle Foundation

Dr. Stephen Rochford, DMA

Southern California Arts Council

Swinerton Builders

Mr. Framroze & Mrs. Julie Virjee

$1,000-$4,999

Mr. John A. Alexander & Mr. Jason Francisco

Mrs. Judy Atwell

Mrs. Lois Austin

Mr. Tod Beckett-Frank

Ms. Karen Bell

Mr. John &

Ms. Shanon M. Fitzpatrick

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Mrs. Marion Brockett

Dr. Vince & Mrs. Jane Buck

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Mr. Stephen Collier & Ms. Joann Driggers

Mr. William H. Cunliffe, Jr.

D Barry Schmitt Trust

Ms. Jeannie Denholm

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Dr. Anne Fingal

Fullerton Families & Friends Foundation

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Mrs. Margret Hoonsbeen

Mr. Mike Ibanez

Mr. Darren &

Mrs. Tatyana Jones

Ms. Michelle H. Jordan

Ms. Gladys Kares

*deceased

Very special care has been given to the prepartion of this donor list. For questions or concerns, please contact: Ann Steichen | 657-278-3347

Ronald L. Katz

Family Foundation

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Liqi Tong

Viet Tide

Ms. Verne Wagner

Dr. Sean & Dr. Tina L. Walker

Dr. Robert & Mrs. Teri Watson

Dr. Wayne & Dr. Ruth Zemke

Gifts received from July 1, 2024 to December 31, 2024

ONTIVEROS SOCIETY

The Ontiveros Society includes individuals who have provided a gift for Cal State Fullerton through their estate plan. We extend our deep appreciation to the following Ontiveros Society members, whose gifts will benefit the students and mission of the College of the Arts:

ANONYMOUS

JOHN ALEXANDER

LEE & DR. NICHOLAS A.* BEGOVICH

GAIL & MICHAEL COCHRAN

MARC R. DICKEY

JOANN DRIGGERS

BETTY EVERETT

CAROL J. GEISBAUER

& JOHN* GEISBAUER

SOPHIA & CHARLES GRAY

MARYLOUISE & ED HLAVAC

GRETCHEN KANNE

DR. BURTON L. KARSON

ANNE L. KRUZIC*

LOREEN & JOHN LOFTUS

ALAN A. MANNASON*

WILLIAM J. MCGARVEY*

DR. SALLIE MITCHELL*

ELEANORE P. & JAMES L. MONROE

LYNN & ROBERT MYERS

MR. BOB & MRS. TERRI NICCUM

DWIGHT RICHARD ODLE*

SHERRY & DR. GORDON PAINE

*deceased

DR. JUNE POLLAK

& MR. GEORGE POLLAK*

DR. STEPHEN M. ROCHFORD

MR. STAN MARK RYAN ‘75

MARY K. & WILLIAM SAMPSON

LORENA SIKORSKI

DOUGLAS G. STEWART

ANDREA J. & JEFFREY E. SWARD

RICHARD J. TAYLOR

VERNE WAGNER

RICHARD WULFF

DR. JAMES D. & DOTTIE YOUNG*

The College of the Arts Proudly Recognizes the 300+ Members of Our VOLUNTEER SUPPORT GROUPS

ALLIANCE FOR THE PERFORMING ARTS: The Alliance for the Performing Arts (formerly MAMM) benefits performing arts students through underwriting visiting artists; special theatre, dance, and music performances; and other unique experiences for members.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Judy Atwell

Drs. Voiza & Joe Arnold

Dr. Margaret Faulwell Gordon

Susan Hallman

Norma Morris Richard Odle Estate

Kerry & John Phelps

Jeanie Stockwell Verne Wagner

ART ALLIANCE: Art Alliance promotes excellence and enjoyment in the visual arts, and their fundraising efforts contribute to student scholarship, gallery exhibitions, opening receptions and sculpture acquisition on campus.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Fay Colmar

John DeLoof

Joann Driggers & Steve Collier

Loraine Walkington

MUSIC ASSOCIATES: Music Associates maintains a tradition of active involvement and community support, and raises scholarship funds for School of Music students through annual fundraising events and membership dues.

SPECIAL SUPPORT AND EVENT UNDERWRITING

Marilyn Carlson

Evelyn K. Francuz

Sandy & Norm Johnson

Marti & Bill Kurschat

Karen & George Mast

Thelma & Earl Mellott

Bettina Murphy

Grace & Ujinobu Niwa

Kerry & John Phelps

Mary & Jerry Reinhart

Ann & Thad Sandford

Dodo V. Standring

Carolyn & Tom Toby

John Van Wey

MORE INFORMATION: Haley Sanford • 657-278-2663

There are many ways to support the College of the Arts, the School of Music, Department of Theatre and Dance, and Department of Visual Arts

COLLEGE OF THE ARTS • SELECT EVENTS

College of the Arts Galleries Exhibitions

Vitae: A New Generation

Chris O’Leary: Gravity Well

Michelle Emami: Arcana Past Forward (Redux) Through May 17

Sergei Babayan, piano

February 16 • Meng Concert Hall

Sō Percussion*

February 20 • Meng Concert Hall

Hajar: Opera In Concert

February 21 • Recital Hall

University Symphony Orchestra feat. Music Associates’ Student Concerto/Aria Competition Winner February 23 • Meng Concert Hall

World Citizen Band with Fullerton Chamber Jazz Ensemble

February 26 • Meng Concert Hall

Advanced Vocal Workshop with guest Michael Schütze, piano

March 6 • Recital Hall

Significant Other March 6–15 • Hallberg Theatre

Collage: 18th Annual Benefit Concert Sponsored by Morningside March 8 • Meng Concert Hall

Dr. Joni Prado, soprano & Dr. Kerry Jennings, tenor, with Michael Schütze, piano

March 9 • Meng Concert Hall

Mela Quartet

March 12 • Meng Concert Hall

University Singers & Concert Choir

March 15 • Meng Concert Hall

Bill Cunliffe & Alison Edwards, duo piano

March 16 • Meng Concert Hall

Tuesday Matinée

March 18 • Recital Hall

Ralph Farris, viola, with CSUF Wind Symphony and Rodolfo Zuniga, percussion

March 18 • Meng Concert Hall

Spring Awakening

March 20–29 • Young Theatre

Talich Quartet

March 28 • Meng Concert Hall

University Symphony Orchestra with the Talich Quartet

March 30 • Meng Concert Hall

Inna Faliks, piano

April 8 • Meng Concert Hall

Brightwork New Music and HEX Vocal Ensemble*

April 9 • Meng Concert Hall

Ernest Salem, violin and Alison Edwards, piano

April 13 • Meng Concert Hall

Mozart’s The Magic Flute

April 17–26 • Little Theatre

Fullerton Jazz Chamber Ensemble and Fullerton Latin Ensemble

April 22 • Meng Concert Hall

Cello Choir

April 25 • Recital Hall

University Symphonic Winds

April 27 • Meng Concert Hall

CSUF New Music Ensemble and CSUF Contemporary Chamber Music Ensemble*

April 30 • CPAC 119

University Band

April 30 • Meng Concert Hall

Spring Dance Theatre

May 1–10 • Little Theatre

Fullerton Jazz Orchestra

May 2 • Meng Concert Hall

University Wind Symphony

May 3 • Meng Concert Hall

Jazz Singers

May 5 • Meng Concert Hall

Titan Voices & Singing Titans

May 7 • Meng Concert Hall

University Symphony Orchestra and Symphonic Chorus

Gustav Mahler’s Ein deutsches Requiem

May 10 • Meng Concert Hall

*Part of the 24th Annual New Music Series

March 27 – April 12, 2025 • Arena Theatre

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