Camila Segura · Rivera Design Portfolio

CAMILA SEGURA RIVERA

DESIGN PORTFOLIO

CAMILA SEGURA RIVERA

camila_segriv@icloud.com · email (817) 797 · 5780 · phone issuu.com/csrdesign/docs/csr_design_portfolio · website

Education 2021 · M. Arch Kansas State University

2017 · BA Urban Planning & Design University of Missouri-Kansas City

Accomplishments 2025 ·

Kansas City Business Journal Capstone Award: Retail: Humanette

2020 ·

Kansas City Architectural Foundation Scholarship

2019 ·

Kansas City Architectural Foundation Scholarship

2018 ·

Kansas City Architectural Foundation Scholarship

2017 ·

Zimmer Internship Award

2016 ·

Joy D. Swallow Scholarship

2015 ·

Chancellor’s Historically Underrepresented Minority Scholarship

Software Proficient In

Still Learning

Revit Adobe Suite Archicad Enscape Lumion Microsoft Office Suite Hand Modeling

Autocad 3DS Max Sketchup Vray Rhino Grasshopper

Hobbies Singing in my Band Watercoloring Writing Biking Photography Soccer

Career 2 02 3 · Hermanos Design + Build Studio - Kansas City, MO Architectural Designer - Commercial Studio I am most grateful for the opportunity to work in this studio. It is a true studio in every nature of the word. At Hermanos we value craftsmanship and design. I have been able to design my projects from shell to interiors. I have worked in Historic preservation and have even designed and am currently building an art installation. I have found my strength as a designer in this firm and look forward to developing my strength further in Austin.

2 02 2 · Page, Southerland, Page - Austin, TX Architectural Designer - Commercial Studio I appreciate the work-life balance at Page as well as the support in order to pursue licensure. Here I was supporting in CD’s for a 20 story tower next to our soccer stadium.

After expressing my interest in residential, I was placed on a team currently in SD for a multifamily project. I appreciate the open communication between designers and principals as well as the variety of information I learn on a daily basis.

2 02 1 · Breckstudio Architecture - Austin, TX Architectural Designer - High End Residential Studio The emphasis was on the process of the team. I loved working in a high-end residential studio. The smaller team (6 total) allowed for me to take leadership over a $4mil house and $1.5mil athletic court. As I led these projects, I was put in charge of bringing the teams vision to fruition via drawings and client presentations. I loved the direct communication with the client. I believe high-end residential is an excellent way to embody a client in order to create a space for their needs with the studio’s high standard and developing expertise.

2 02 0 · HOK Tampa, FL Student Architectural Intern At HOK, I was quickly put on a team and was one of three women on this team. We worked on a project for a cruise line, working on the construction phase on the project. This was heavily Revit oriented for hard deadlines and revision with quick turn around. I also executed renderings on other projects.

2 019 · Corgan, Dallas, TX Student Architectural Intern Here I was able to learn how an architectural team works. With an established hierarchy, I learned to be an asset as an intern by making myself available to whatever team needed assistance. Our focus was primarily Data Centers, and Revit was preferred.

2 01 7 · Gould Evans, Kansas City, MO Urban Design Intern 2 016 · Unified Government of Wyandotte County, KS Urban Planning Intern

CONTENTS I got lucky. I always thought I was going to go to college to break my family’s cycle of poverty; find a well paying job to bring my generation up. In the journey, I found architecture.

Illustrated in Juhani Pallasma’s Eyes of the Skin and Peter Zumthor’s Atmospheres: architecture sings.

My designs are driven by embodiment, empathy, philosophy, music, law, policy, mathematics and writing.

We design Human habitat which influences human habit.

This portfolio is my attempt to dignify humans with great designs.

WAREHOUSE ON BROADWAY

Concert Venue + Restaurant

4

HUMANETTE

Moms Third Place + Childs Play Area

14

LOGANS HOLLOW

High-End Residential

22

HIGHPOINT

Multi-Family Development

32

A WOMAN + A WILLOW

Art Installation

38

WAREHOUSE ON BROADWAY Concert Venue + Restaurant

4

Location: Kansas City, MO Completed in 2025 Level of Involvement:

Schematic Design Design Development Code Analysis Construction Documents Construction Administration

Since I have my band in Austin, my team thought it was appropriate to place me on this project: a black box concert venue with an upscale restaurant in the back.

We wanted the restaurant to feel like a different world.

I was involved in every phase of this project and commissioned an art installation for the venue that I designed and built.

5

THE BAR

When I was selecting the material palette for the bars, there were a number of considerations: the occupancy alloted by the code analyses, a floor that was easy to clean, but with enough grip to prevent tripping, affordability, and a punchy design. By making the bar pink and punchy, it creates an attraction to allow relief from the black box venue. By backlighting the baffles we were able to draw the patron to the bar and create a stark distinction from the bars and the black box.

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MSI Floor Tile - Black Galaxy

SW6840- Exuberant Pink MSI Quartz Countertop - Sparkling Black Black Steel Metal Sheet

Pink Neon Throughout Bar

Material Palette 7

Material Palette Every material selected was based on the following criteria: design goals, client budget, lead time, safety, and quality. What I love about this scale is that these clients have an urgency to open so we know the project get done. On top of that, this is their hard-earned money so that care about great design. I do not take selecting these finishes lightly.

The floor of the dance floor was left with its original concrete, but it was treated to have some grit in case of drink spillage. The bar is to serve as a pink beacon of relief from the black dance floor, that is why even the baffles are backlit in pink. In covering the bar in sheet metal, it creates an alternative to an expensive tile but still makes it beautiful and easy to clean. We went with a sparkling black countertop so that the pink light bounced off of it and to complement that, a black galaxy floor tile with a matte and bumped finish to prevent falling.

8

The Code Analysis created a lot of constraints for the project which allowed for us to get creative in achieving high quality design while confirming to the code. The venue came with its own restrooms, and because the client had to spend $250k on new rooftop units, we wanted to make sure to be mindful of their budgets. Thereby, in order to not change the restrooms too much, we had to conform to an occupancy of about 650 patrons.

This 650 occupancy dictated the size of the stage, the bar, and space in front of the bar. This also created a natural circulation on the outside of the black box to allot space for retail merch sales, and ticketing. By constraining all standing room to directly in front of the stage we were able to only have that 1 person per 5 square feet of space in a limited Assembly area.

The success was in the clear zones of bar, versus black box, versus merchandising. By creating these zones, we were able to have 650 people in the venue comfortable as people are able to spread out and have a good time.

Code Analysis 9

THE WAREHOUSE ART INSTALLATION

I just returned from a lighting trip in LA and was inspired. I wanted to add a niche, standout piece in The Warehouse.

I was allowed to do a mock-up and create a set of drawings in order to pitch this idea to the client.

10

Initially the design was freestanding but because of the roudy nature of a black box music venue I made it a box for durability. Since it is a box, I decided to make it an infinity box.

After communicating with consultants, pricing the lights, steel, glass, and carpentry I was able to price the project and was given a green light to move forward.

11

I had 6 weeks to have this project complete for the grand opening. The lead time on the lights was my greatest challenge. I found these beautiful lights from LIGEO in Germany that are color changing with the ability to communicate and change the color of every diode. This allows for the piece to match any holiday or band theme. It was a labor of love, after coordinating with the glass manufacturer, light manufacturer, electrician, and light coordinator for the venue, we were able to make our deadline, and we came in under budget.

12

13

HUMANETTE Mom’s Third Place + Indoor Childs Play Area

14

Location: Kansas City, MO Completed in 2025 Level of Involvement: Schematic Design Design Development Construction Development Construction Administration

At Hermanos, we use a lot of raw materials for our projects. Being that this place is for mothers and children, my team thought I could soften it with my femininity.

Being the oldest of 6 children, I have learned that new mothers need a certain softness that brings peace and does not pander. So that was my goal, to achieve a peaceful and dignified femininity for new mothers and children.

15

Material Palette The color palette was inspired by this carpet tile.

The shades of oranges and blues in this carpet was perfect for our design goals. This carpet allowed us to soften the space while tying all of the colors together.

Shaw - In Common Carpet Tile

SW6348 - Reynard

SW7009 - Pearly White

16

LightArt - Pendant

The carpet and the light pendant is where we splurged in the budget. This pendant allowed for a show stopping moment that drew the eye from the storefront windows.

SW6383 - Golden Rule

Teen Area

Concept Rendering

Final Product

17

Material Palette We limited the quartz countertop to the bar and added a solid surface to the condiments station. The color we selected complemented the carpet and color palette for the rest of the space. In this space I leaned more towards the blue, and I thought a soft green tile would soften the bar area.

Bluff Pendant

White Painted Tambour Avalanche Melange Surface

Zella Asmi Quartz

Aloe Matte Wall Tile

SW6487 Cloudburst 18

Moms Bar

Concept Rendering

Final Product

19

Play Area

When I got to Hermanos, this beautiful play are was designed by the previous interior designer. I was able to take her design, create the Revit model, shop drawings, and coordinate with the carpenter to get it built. It was a great exercise to develop some design-build experience before moving onto large projects.

Concept Rendering

20

Final Product

Final Images

This was a great first project at Hermanos. I was very proud when we won a capstone award for this project in the Kansas City Business Journal. I loved exploring a more diverse color and material palette for new moms and children. Humanette allowed me to discover my softness as a designer.

21

LOGANS HOLLOW High-End Residential Project

22

Location: Austin, TX Completed in 2025 Level of Involvement: Schematic Design Design Development Construction Documents

This was my first big project out of school and I am extremely proud of the final product. I helped make decisions regarding a lot of the big moves of this project, and learned a lot about how to communicate and sell ideas to clients in this project. I helped get this project to permitting and learned the couple and two children who now call this their home, love it. That is always my goal, to create a place that people love.

23

After we get to know the client a bit, and analyze the site for strengths and weaknesses, we are able to discuss design principles that are found in both lifestyles presented to the client. If they agree with A or B, we proceed, If not, we Shady create a Oasis C option.

Our client initially wanted an infinity pool, but with West facing sun, a 25’ drop, and small children, Breck thought it would be a better idea to tuck the pool in the back, so we pitched the idea of the Shady Oasis. After Breck drew this beautiful section, I pitched the idea of creating bedrooms underneath the house since we had such a great amount of cut and fill. We ended up moving forward with that idea and putting the childrens bedrooms downstairs. With floor to ceiling windows, it allowed the area downstairs to feel as open as the living areas upstairs.

24

Site Analysis When I got to Breckstudio, I had just left a pedagogy where I learned that I perceive space best in 3D. Instead of just creating 2D rectangles and moving them around, I work best if I can do quick 3D volumes to perceive not only relationships of square footage but also relationships of adjacent volumes. Our clients wanted offices and a casita in addition to their program so by doing this exercise I was able to conclude that the casita should be placed above the garage to grant privacy. I also concluded that the primary area should be taller than the adjacent areas to provide that ceiling with some drama. By raising this ceiling, it allowed for a dropped ceiling in the surrounding areas so then I decided to design the HVAC around the living area in order to keep the ceiling uninterrupted. This created a clerestory that allowed us to Opportunities Challenges move break up the glass. Thereby, instead of paying Solar Exposure Panoramic Views for custom 15’ glass, we paid for more standard 9’ glass and 6’ glass pieces which reduced the Drainage Long Buildable Areas glass budget drastically.

Extreme Terrain Processional Approach

25

Shad

ARD

Processional Approach

This opportunity presented itself because of the extreme terrain of the site. In order to make this site drivable we had to cut a long curve on the site and situate the house on the sliver of topography that was most manageable. Still, a large roman brick wall was necessary and created ENTRY the beautiful procession to the main entrance.

26

Design Decisions

ENTRY TOWARDS KITCHEN

Stunning Views while Controlling Exposure In Austin, our West facing sun is brutal, but to not maximize views in Hill Country would be such a waste. In order to embrace these views while not baking our clients, we dropped the soffit and carried it into the space by dropping the ceiling in a small portion of the great room.

This way we could get air ducts into the space without interrupting the ceiling which adds to the grandeur of the great room.

KICHEN TOWARDS LIVING

27

Design Decisions Soffit & Clerestory

LIVING TOWARDS KITCHEN

LIVING TOWARDS COURTYARD

28

Software Rendering Process Working at smaller firms like Hermanos and Breckstudio presented certain financial realities that made things like Revit with Enscape plugins not feasible at the time. So, we had to get creative in our renderings processes. At Hermanos we exported Revit vignettes and collaged them in Photoshop. At Breckstudio, I made these quick sketches out of Archicad to present them to the clients.

Pool Area

COURTYARD TOWARDS LIVING

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Floor Plans

After the plan sketches and quick renderings are approved by the client, it is time to bring the teams vision to the next level. In Archicad, a 3D modeling software, I set up and drew the floor plans. After these floor plans are approved by the client we send them to the engineering team and builders for pricing.

#DrgID/#LayID HVAC 5'-5" X 4'-5"

DN

BATH 6 5'-5" X 10'

LOUNGE 13'-1" X 12'-5"

1:12 SLOPE BATH 5 5'-5" X 10'

COPYRIGHT © 2020 BRECKSTUD

Architect / Registration: Breck L Craparo #26450 Date:9/8/21

Not for regulatory approval, permitting, or construction

GUEST SUITE BED 5 12' X 12'-10"

KAPLAN RESIDENCE

1:12 SLOPE

MEMBRANE ROOF

1/2:12 SLOPE

OPEN TO BELOW

1836 LOGANS HOLLOW DRIVE AUSTIN, TEXAS 78746

1/A2.01

GUEST SUITE BED 6 12' X 12'-10"

www.breckstudio.co

Roof Plan

ISSUED FOR:

ISSUED FOR REVIEW ISSUED FOR SEPTEMBER 07, 2018

REVIEW

1/2:12 SLOPE

September 08, 2021

ISSUES/REVISIONS:

#DrgID/#LayID

1

9/8/21

www.breckstudio.

COPYRIGHT © 2020 BRECKST

#DrgID/#LayID 2/A3.02

1/A3.02

2/A3.01

1/A3.01

9/8/21

Architect / Registration: Breck L Craparo #2645 Date:9/8/21

UPPER LEVEL Not for regulatory approval, permitting, or construction STORAGE 6'-6" X 7'-7"

1 BATH 2 8'-3" X 12'

UPPER LEVEL FLOOR PLAN SCALE: 3/16" =

1'-0"

GUEST BED 2 14' X 12'

A1.03

D

GARAGE 39'-9" X 28'-8"

YARD

W

POOL 10' X 34'

LAUNDRY 6'-6" X 10'-4"

UP

BENCH

FULL HGT

1/A2.01

OWNER ENTRY

UTILITY 7'-10" X 3'-8"

POWDER 8'-11" X 3'-8

www.breckstudio.com

#DrgID/#LayID PATIO 40'-0" X 17'-6"

LANDSCAPE

Architect / Registration: Breck L Craparo #26450 Date:9/8/21

24" WINE

PRIMARY BEDROOM 12' X 16'

HVAC 6'-4" X 4'-11"

PANTRY 11'-2" X 6'-2"

LANDSCAPE

24" 24" WINE COFFEE

36" FRZ DN

24" REF

STUDY 14'-7" X 8'

First Floor Plan

Not for regulatory approval, permitting, or construction

ISSUED FOR:

ISSUED FOR REVIEW ISSUED FOR SEPTEMBER 07, 201

REVIEW

GREAT ROOM 48'-7" X 23'-3"

1/A2.01

1836 LOGANS HOLLOW DRIVE AUSTIN, TEXAS 78746

COPYRIGHT © 2020 BRECKSTUDIO PRIMARY WARDROBE 13'-4" X 12'-6"

PRIMARY BATH 15'-3" X 12'-6"

ENTRY 14'-4" X 8'

KAPLAN RESIDENCE

LANDSCAPE

FLOOR LINE ABOVE

BALCONY 15'-0" X 10'-3"

FLOOR LINE ABOVE

September 08, 2021

BAR

ISSUES/REVISIONS:

#DrgID/#LayID

1

2/A3.02

1/A3.02

2/A3.01

1/A3.01

9/8/21

MAIN LEVEL FLOOR PLAN

UP

MISC CLOSET 4'-10" X 4'

PATIO 12'-1" X 12'-3"

BEDROOM 4 11'-8" X 12'-6"

BATH 4 6'-2 X 12'-6"

HVAC 4' X 4'

GYM 14' - 7" X 13'

W/D 4' X 4'

BATH 3 6'-2 X 12'-6"

BEDROOM 3 11'-8" X 12'-6"

LOUNGE 10'-8" X 22'-3"

9/8/2

1836 LOGANS HOLLOW DRIVE AUSTIN, TEXAS 78746

KAPLAN RESIDENCE

POOL ABOVE

1

MAIN LEVEL FLOOR PLAN PATIO 8'-2" X 18'-9"

SCALE: 3/16" =

1'-0"

A1.02

ISSUED FOR:

Basement Plan

ISSUED FOR REVIEW ISSUED FOR SEPTEMBER 07, 2018

REVIEW September 08, 2021

#DrgID/#LayID

30

STUDY 10'-2" X 8'-9"

ISSUES/REVISIONS: 1

9/8/21

(

Final Renderings

The cover image as well as these two images were created by exporting the Archicad model, importing them into sketchup, stripping away all of the materials, creating the vignettes, adjusting the sun settings, rendering them using Vray Chaos Cloud, and then touching them up in Adobe Photoshop. I appreciated the creativity that came with different technological limitations.

31

HIGH POINT

Highpoint 2222 Multi-Family - Phase 1 Massing | Option 1 - ShedsMulti-Family Development

32

Location: Austin, TX Status: Unknown Level of Involvement: Schematic Design Design Development Code Analysis

In between working at Breckstudio and Hermanos I determined that I needed to strengthen my technical skills. So I went to work for Page for a year. I was planning on staying there more longterm but unfortunately my great-aunt was diagnosed with ALS so I went to Kansas City to spend the last two years with her. My experience at Page was exactly what I needed. I got a lot stronger from a technically and I learned about working on large scale projects with major developers on larger teams.

33

Site Analysis Mapping Adjacencies

Highpoint 2222 Multi-Family - Phase 1 Residential Adjacencies

1

1.

5.

Elwood Apartments

4.

Promesa Apartments

2 3 4

Bridge at Ribelin Apartments

Colina Vista Condominiums

5 6

3.

2.

7

Cardinal Points Apartments

8

Site

Bell Four Points Apartments

9 10

0.5 Miles

1.0 Mile

Site

Apartments

1.

2.

3.

4.

5.

Elwood Apartments Cardinal Points Apartments Bell Four Points Apartments Bridge at Ribelin Ranch Apartments Promesa Apartments

Schematic Design

Single Family Homes Project Highpoint 222 Mutli-Family

Colina Vista Condominiums

Client Karlin Real Estate Project Number 122062

My degree in Urban Planning & Design makes evaluating these marketing analyses, zoning restrictions, and creating these unit studies feel natural. I was able to do all of these iterations and documents in Revit, Adobe Photoshop and InDesign.

VARIOUS LCRA, ELECTRIC, WATER, & ACCESS EASEMENTS

PROPERTY LINE

12.5' ELECTRIC EASEMENT

UTILITY EASEMENT

Code Study

115 '-0 "

Highpoint 2222 Multi-Family - Phase 1 Zoning Setbacks and Buildable Area

28 ' 115' ROW RESERVE PER PLAT (NO LONGER APPLIES)

35' ELECTRICAL EASEMENT

0" 20 0' -

10 0' -

0"

DEED PLAT LINE (MEASUREMENT FOR ROW RESERVE)

53 'M AX BU MA IL D XB IN UI G LD HE IN IG G HT HE IG HT

VEGETATIVE BUFFER 1

SITE PLAN - ZONING SCALE: 1" = 60'-0"

Schematic Design

34

Project Highpoint 222 Mutli-Family

Client Karlin Real Estate Project Number 122062

SITE AREA: 435,055 SF (9.99 ACRES) REQUIRED NATURAL AREA (40% PER HILL COUNTRY OVERLAY): 174,022 SF (3.99 ACRES) ALLOWABLE IMPERVIOUS COVERAGE - THIS IS OUR TARGET FOR SDP (50% PER LAKE AUSTIN WATERSHED): 217,528 (5 ACRES) ALLOWABLE IMPERVIOUS COVERAGE (40% PER WATERSHED - WATER SUPPLY SUBURBAN): 174,022 SF (3.99 ACRES)

Iterations

Highpoint 2222 Multi-Family - Phase 1 Master Plan Overlay

Ve g

Site Slopes Down

eta

tiv

eB

Main Axis

uff

amily -Phase Phase11 amily B

In Context

B

Park

er

Schematic Design

Project

Client Karlin Real Estate

Highpoint 222 Mutli-Family

Project Number 122062

y -Phase Phase11 ly

Space Planning

UNIT LEGEND

UNIT LEGEND

A 1BD/1BA 651SF 102 Units

A.1 1BD/1BA 752 SF 15 Units

A.2 1BD/1BA + study 826 SF 101 Units

B 2BD/2BA 1076 SF

B.1 2BD/2BA 1152 SF 11 Units

B.2 2BD/2BA + study 1227 SF 40 Units

A 1BD/1BA 651SF 102 Units

A.1 1BD/1BA 752 SF 15 Units

A.2 86 Units 1BD/1BA + study 826 SF 101 Units C

B 2BD/2BA 1076 SF 86 Units

B.1 2BD/2BA 1152 SF 11 Units

B.2 1352 SF 2BD/2BA + study 24 Units 1227 SF 40 Units

3BD/2BA

379 Total Units

AMENITY AS NOTED

C 3BD/2BA 1352 SF 24 Units 379 Total Units AMENITY AS NOTED

TREE LEGEND

-Family -Phase Phase11 -Family n1B 1B-

19"+ Trees (Protected)

TREE LEGEND

24"-29" Trees (Heritage)

19"+ Trees (Protected)

30" + Trees (City Council Approval

24"-29" Trees (Heritage) 30" + Trees (City Council Approval

needed to move)

needed to move)

10,295 SF 10,295 SF

UNIT LEGEND

OPTION 2B

N 2B

REA: 182,083 SF182,083 SF TURAL AREA:

BUILDING 1 (PARTIALBUILDING 5 STORY) 1 (PARTIAL 5 STORY) LOW POINT: 1074 LOW POINT: 1074 HIGH POINT:1093 HIGH POINT:1093 AVERAGE:1083.5 AVERAGE:1083.5 MAX: 1136.5 MAX: 1136.5 LEVEL 1: 1076 LEVEL 1: 1076 LEVEL 2: 1087 ROOF (5 STORY): 1131 LEVEL 2: 1087

SERVIOUS COVERAGE: 217,528 COVERAGE: 217,528

GE

COVERAGE

33,750 SF 8,464 SF 33,750 SF

85,418 SF 8,464 amily -Phase Phase11 RKING SF amily 22,726 SF 85,418 SF 26,163 SF 22,726 A 26,163 SF SF 179,051 SF Zoning 179,051 SF

MAIL/PKG

TREE LEGEND

RETAIL

1/2 " 102 '-1

A.1 1BD/1BA 752 SF 7 Units

A.2 1BD/1BA + study 826 SF 96 Units

B 2BD/2BA 1076 SF 74 Units

B.1 2BD/2BA 1152 SF 0 Units

B.2 2BD/2BA + study 1227 SF 50 Units

C 3BD/2BA 1352 SF 24 Units AMENITY AS NOTED

2

44' - 0"

36' - 6"

RVIOUS COVERAGE

LEASE RETAIL 46,883 SF

1075' - 11"

1091' - 9" 1077' - 2"

3

338 Total Units

SD-19

1098' - 9"

SITE PLAN - OPTION 2B SCALE: 1" = 60'-0"

3 SD-19

TREE LEGEND 19"+ Trees (Protected)

2

24"-29" Trees (Heritage)

BUILDING 1 (PARTIAL 5 STORY) LOW POINT: 1074 HIGH POINT:1093 AVERAGE:1083.5 MAX: 1136.5

LEASE

46,883 SF

A 1BD/1BA 651SF 87 Units

1098' - 9"

SITE PLAN - OPTION 2B SCALE: 1" = 60'-0"

30" + Trees (City Council Approval

OPTION 2A WED IMPERVIOUS COVERAGE: 217,528

10,773 SF

1086' - 7"

1 1/ 2"

1076' - 0"

VIDED NATURAL AREA: 212,458 SF

needed to move)

102' -

B1 ROOF 1131' - 0" B1 - LVL 05 1120' - 0" B1 - LVL 04 1109' - 0" B1 - LVL 03 1098' - 0" B1 - LVL 02 B1 AVG GRADE 1087' - 0" B1 1083' - LVL -016"

BUILDING HEIGHT

COWORK

UNIT LEGEND

S: 71 X 4.5 = 319

UIRED NATURAL AREA: 174,022 SF

CLUB FITNESS

30" + Trees (City Council Approval

1086' - 7"

1091' - 9"

6,500 24 units

MAIL/PKG

COWORK FITNESS

24"-29" Trees (Heritage)

.5 = 319

80,000 303 units

CLUB

19"+ Trees (Protected)

8,334 / 950 = 71 UNITS PER FLOOR

6,500 24 units

1075' - 11"

303 Total Units

ROOF (4 STORY): 1137 ROOF (5 STORY): 1148

80,000 303 units

B.2 2BD/2BA + study 1227 SF

1075' - 11" 46 Units

AMENITY AS NOTED

ROOF (5 STORY): 1131

TIONS CY GESCALE:

B.1 2BD/2BA 1152 SF 0 Units

C 3BD/2BA 1352 SF 18 Units

BUILDING 2 (4 STORY) LOW POINT: 1092 BUILDING 2 (4 STORY) HIGH POINT:1097 AVERAGE:1094.5 LOW POINT: 1092 HIGH POINT:1097 MAX: 1147.5 AVERAGE:1094.5 LEVEL 1: 1093 ROOF (4 STORY): 1137 MAX: 1147.5 ROOF (5 STORY): 1148 LEVEL 1: 1093

50 =3D 71 VIEW UNITS -PER FLOOR1B OPTION

B 2BD/2BA 1076 SF 71 Units

A.2 1BD/1BA + study 826 SF 42 Units

30,000 SF

needed to move)

10,295 SF

FITNESS CLUB

1086' - 7"

MAIL/PKG

B1 ROOF 1131' - 0" B1 - LVL 05 1120' - 0" B1 - LVL 04 1109' - 0" B1 - LVL 03 1098' - 0" B1 - LVL 02 1087' - 0"

5/8 "

BUILDING HEIGHT BUILDING HEIGHT

A.1 1BD/1BA 752 SF 42 Units

COWORK

102 '-4

TURAL AREA: AREA: 174,022 SF174,022 SF

A 1BD/1BA 651SF 84 Units

1074' - 6"

1074' - 3"

27,784 SF

B1 ROOF 1131' - 0"

LEASE

35

22221Multi-Family - Phase 1 hase | Option 1

Diagrams Highpoint 2222 Multi-Family - Phase 1 Diagrams | Option 1

Evolution CE

LA RP VE

RI VD BL RI R VE EB AC PL D LV

HI

GH

W AY 2

22

2

HI

GH

W AY 2

22

2

rculation Trees

Access & Circulation

PROTECTED

19”+ TREES

HERITAGE 24-29”+ TREES

Trees

PROTECTED

Trees

PROTECTED 19”+ TREES

Program

Program

RETAIL

RETAIL RETAIL

19”+ TREES

HERITAGE 24-29”+ TREES

HERITAGE 24-29”+ TREES

GARAGE

GARAGE

GARAGE

CITY COUNCIL APPROVAL TO MOVE

CITY COUNCIL APPROVAL TO MOVE

CITY COUNCIL APPROVAL TO MOVE

Highpoint 2222 Multi-Family - Phase 1 Massing | Option 1 - Sheds Schematic Design

Courtyards

Program

RESIDENTIAL

RESIDENTIAL

RESIDENTIAL

AMENITY SPACES

AMENITY SPACES

LEASING + MAIL AMENITY SPACES

LEASING + MAIL

LEASING + MAIL

Schematic Design

Project Highpoint 222 Mutli-Family

Schematic Design Project Highpoint 222 Mutli-Family

Massing

36

Courtyards

After determining entries, setbacks, immovable trees, establishing our program, and courtyards, we were able to conclude massing studies.

ProjectClient Karlin Estate Highpoint 222Real Mutli-Family Project Number 122062

Courtyards

Client Karlin Real Estate Project Number 122062

Client Karlin Real Estate Project Number 122062

High Point

Schematic Design

Project Highpoint 222 Mutli-Family

Client Karlin Real Estate Project Number

37

A WOMAN + A WILLOW Art Installation

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Location: Manhattan, KS Completed in 2021 Designed & Built

This project changed my life. Before this studio I would have never called myself an artist, after, I learned art is the only way I can organize my thoughts. I loved doing this art installation. I learned to appreciate the art of failing and growing. My new mantra is if I new how many failed attempts it would take to reach the final, when would I start on iteration one?

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The Willow Possibly my favorite studio project. Tasked with an art installation to do with our hands to appreciate the craftsman.

Art installations are site specific, so I chose site first. A willow tree I became acquainted with in my first year resonated with me. I did try to give other spots a chance but this was the spot.

Upon revisiting the willow, I learned that it was wounded. Split in half. From there, my project presented it self: the missing half of the willow.

Stick Enclosure 29 Stakes 596 Branches 1312.5 ‘ of Twine

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The Woman The branches of the willow are reminiscent of a woman’s mane moving in the wind. Inspired

by Diego Rivera’s piece, she is Woman Controller of the Universe.

Art is everything to the artist until it is realized, then it belongs to whomever experiences it.

The woman is a metaphor for the willow, she is also the part of myself that will always be here, working on this project. A self portrait, and a part of myself to give to the person experience the installation.

Woman Sculpture

5.5’ Tall Steel tube and round Willow Branches 41

Inspired by the stickwork of the master, Patrick Dougherty and the way humanity is exemplified by the work of Alberto Giacometti, my stick enclosure and woman came to life.

After a few failed iterations, welding 29 custom stakes, tying 596 branches together with 312.5ft of twine, A Woman + A Willow came together.

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I saved the fallen willow branches to weave through the Woman’s welded frame so as to have the woman seem as she is made of the tree itself. The goal was to transcend the material, and in achieving that goal, atmosphere was created.

The opportunity to be this expressive for a studio project was a gift. To see the final product after working like a craftsman, with only my hands, in the sun, rain, and snow, was gratifying, but seeing others in it, that was the magic.

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With Confidence & Persistence,

CSR