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NEWSLETTER OF THE INSTITUTE FOR SOUTH ASIA STUDIES, UNIVERSITY OF CALIFORNIA, BERKELEY
KHABAR FALL 2018
S eeing
the
leading south asian art by Dr. Sugata Ray, Associate Professor of South Asian Art, UC Berkeley
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n retrospect, it seems inevitable that the Institute for South Asia Studies would launch a South Asia Art Initiative (SAAI). It is worth recollecting that, among all the universities in the United States, it is UC Berkeley that drew Rabindranath Tagore’s attention. Embarking on a world tour to gather support for Visva Bharati, his experimental educational center for the arts, Tagore arrived in Berkeley in 1929. Several decades later, in 1962, when the Indian modernist artist Syed Haider Raza was
Tagore with Indian students at UC Berkeley in 1929. Picture from "South Asians in North America" Collection, South/Southeast Asia Library, UC Berkeley
invited to teach in Berkeley as a visiting faculty for a semester, the experience proved to be transformative. Introduced to the work of American Abstract Expressionists by the Bay Area artist Sam Francis, Raza was not only drawn to Mark Rothko’s work but was deeply influenced by it. Seeking to transcend the realism of the Parisian School, Raza found a kindred spirit in Rothko and an artistic path to a very different kind of interiority. This happened. Here. In Berkeley. This is our history; this is our genealogy. Over the past several years, the Institute for South Asia Studies has built a comprehensive art program and promoted conversation around the visual cultures of South Asia through talks, conferences, and exhibitions. With the inauguration of the South Asia Art Initiative in April 2018, the SAAI moves onto the next level with local, national, and international collaborations that
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visual culture in the bay area
combine creative energies with insights drawn from scholarly research. The SAAI works closely with the Department of History of Art and the Department of Art Practice. Both departments offer excellent undergraduate and graduate training in the history and practice of the visual arts. The SAAI also works closely with museums such as the Berkeley Art Museum and Pacific Film Archive and research centers such as the Arts Research Center. Community partners include the Asian Art Museum of San Francisco, the Society for Art and Cultural Heritage of India, the Montalvo Arts Center, The San Jose Museum of Art, and Stanford University among others to build close collaborations across the Bay Area. UC Berkeley has a long history of teaching the arts of South Asia and its diasporas. Starting in 1967, Professor Emeritus Joanna Williams was the Department of History of Art’s preeminent professor of South and Southeast Asian art for over four decades. Williams supervised and trained a generation of scholars whose work has focused on topics ranging from stone portrait sculptures of the Pallavas and the Cholas and modernism in Indian art to Buddhist palm leaf manuscripts from South and Southeast Asia. More recently, the university has hired four faculty specializing in the arts of South Asia and its diasporas. Sugata Ray who joined the Department of History of Art in 2012, teaches courses on early modern and colonial South and Southeast Asian art and architecture. Trained in both history and art history, Ray’s research and teaching focuses on early modern and colonial artistic cultures, transterritorial ecologies, and the natural environment. Atreyee Gupta, who joined the Department of Asma Kazmi History of Art in 2017, focuses on modern and contemporary art and its diasporas. Her research and teaching clusters around visual and intellectual histories of twentieth-century art; the intersections
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The Institute's New Campaign
THE SOUTH ASIA ART INITIATIVE AT UC BERKELEY
With the support of the University and the Indo-American community, the goal of the Institute in the coming years is to create a research center dedicated to the study of art and visual culture of South Asia. Fundraising plans for this initiative include: • Endowed annual lecture series on the arts of South Asia and its diasporas • Endowed Artist and Scholar Residency Program • Endowed fellowships for graduate and undergraduate students • Collaborations with museums and universities in South Asia • Endowed biennial international conference at Berkeley • Curating exhibitions with Bay Area partners
Support us by giving to southasia.berkeley.edu/
GIVE-BIG-SOUTH-ASIA among the Cold War, the Non-Aligned Movement, and art after 1945; new media and experimental cinema; and the question of the global more broadly. In the Department of Art Practice, Allan deSouza works across different disciplines, including photography, text,
Dr. Sugata Ray
Allan deSouza
Dr. Atreyee Gupta
performance and pedagogy. His photography, installation, text and performance works restage historical evidence through counter-strategies of fiction, erasure, (cont'd on page 3)