October_ November 2011 by SJS Group

GALLERY ARGAN: Qurum Shopping Area, Al-Bustan Palace, Bareeq Al Shati Soon at Shangr-la-Barr-Al-Jissah, Muscat Grand Mall PRIMA GOLD: Muscat City Centre, Qurum City Centre, Bareeq Al Shati OPENING SOON: OPERA MALL www.galleryargan.com

ROYAL REFLEX. The reflective glass fronts of the furniture, the sensuously shaped washbasin and the illuminated mirror cabinets transform every bathroom into a special showpiece â&#x20AC;&#x201C; a place where designwww.keuco.com orientated living exerts a magical allure. Available at: Bespoke Design ALSHAYA HOME

Oman Saudi-Arabia, Kuwait, Dubai, Abu Dhabi

Contact: Hussain Ahmed Mohsin Contact: Fadi Jamal

hmohsin@amtoman.com fadi.jamal@alshayed.com

QUALITY FURNITURES LLC P.O. Box: 3082, P.C. 112, Ruwi, Sultanate of Oman Tel.: +(968) 24700935, Fax: +(968) 24700934

For further details contact: Mr. Redha, GSM: 92800749

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Inside

Trailblazer At BASELWORLD 2011, the big names of the watch industry introduced many exquisite timepieces. A look at these classic picks.

extravaganza The wait is finally over. The Royal Opera House is finally open bringing to Oman astounding world class performances

Exclusive Opera’s grand master, Placido Domingo was in Oman for the opening of the Royal Opera House. The renowned composer shares moments from his fascinating musical journey

Business & Finance

Profile Jannat Mirza shares the success principles of the businesses run by the enterprising young lady and her husband, Hani Mirza

Catering to the tastes and interests of antique collectors is Royal Treasure Gallery, a brand new antiques gallery in Dubai

Advertorial BankDhofar’s Al Riadah is a new luxury banking service launched to cater to the bank's discerning customers

Automobilia

DRIVE Cadillac's 2011 Escalade is a powerful beast on the road, combining exceptional performance with luxury

First Look Ferrari marries four wheel drive with a four-seater in an iconic move. And what ensues is the powerful, enigmatic Ferrari FF

Luxe Wheels Porsche raises the temperature with the new Panamera Gran Turismo Speed

Art & Design

Banking National Bank of Oman has launched a special deposit scheme for its privileged customers – Sadara Elite Account

Asset Investing in antiques is a time tested hobby for many.

October / November 2011

Impressions Baluch rugs are designed to be tough and hardwearing. A look at the beautiful rugs of nomadic Baluchis Architecture The Chanel Mobile Art Pavilion designed by Zaha

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Hadid reflects the design sensation’s artistic flair

been the drive force of the mother-daughter duo who are behind the veritable, Sherie

Gourmet & Hospitality

Culinaire Grand Hyatt Muscat brought Bavaria's famous Oktoberfest to Muscat recently giving guests more a real feel of the festival

Travel & Lifestyle

Fashion The second edition of Omani Women’s Fashion Trends brought together seven designers who created beautiful designs based on the theme – rainbow

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Bling Precious jewels and breathtaking designs are the highlights of the Turkish luxury brand - Gilan

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Destination Singapore is a year-round shopping paradise and mecca of entertainments and cultural surprises. A journey to discover this pulsating city-state Escape Africa is always a wonderland of wildlife and rustic nature. Take this unforgettable, enticing account of a Serengati safari through the natural beauty of Tanzania

Tourism Oman Air, Munich Airport and Upper Bavaria Tourist Board come together to promote Germany’s picturesque region of Bavaria

Beauty File Aqua Radiance combines the refreshing and rejuvenating properties of water and air. The unique facial from Kaya Skin Clinic is like none other Advertorial Mouawad takes inspiration from the centre of the earth to create a beautiful jewellery collection - Lva

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Horology A. Lange & Söhne becomes the first watchmaker to create an acoustic signature with the pioneering timepiece - Lange Zeitwerk Striking Time

Melange

Luxe Swarovski's forecasting team predicts jewellery trends will be inspired by vintage design, cinema and celebrities. We present a sneak peak on the jewellery trends for 2012.

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Style & Beauty

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Showcase Passion and lifelong love of Jewellery design have

Sailing Oman Sail’s new and unique sailing programme exclusively for women draws inspiration from the Sultanate’s rich maritime past Simply musts Why don't you jot on a notebook even though you are a mobile freak? We find answers to many such simple questions by unveiling a range of must-have accessories from magical brands. October / November 2011

Reflections Royal. Splendid. Unique. There are many more terms to describe what is most definitely one of the crowning glories of not just Oman but Arabia – the Royal Opera House. The most anticipated launch in Oman this year, the Royal Opera House, has been worth the wait, and more. Opening with some of the best operas and musicals, the opera house has the Sultanate abuzz with excitement and fascination. And while the first season is still on, there is much anticipation from audiences regarding the second season’s programme. In this Lifestyle Issue of Crème de la Crème we explore a variety of interesting subjects – from high-end watches to jewellery trends to the latest super cars to premium banking and more. The special report on selected men’s luxury watches that were launched at Baselworld 2011 is a quick guide for all watch lovers. Swarovski has the perfect guide for women – jewellery trends for the upcoming year, which is presented by the luxury brand’s wing, Gem Visions. We pitch two auto giants next to each other – both winners in their own rights. Porsche’s Panamera Gran Turismo Speed and Ferrari’s FF show you why you need to seriously consider having either or both of these beauties in your home garage. No Lifestyle issue is complete without features on dining and travel, among others. We bring you interesting write-ups from different parts of the world. From Germany, there is the famous Oktoberfest. In Singapore we go on a shopping spree, while in Serengeti we decide to kick back our shoes and be one with nature and also manage to take a quick detour to one of Turkey's famed luxury jewellery brand. Next month is special for we celebrate Crème de la Crème's Third Anniversary. And not surprisingly, though there is much excitement, the Third Anniversary Issue will be different. So make sure you reserve a copy early on. Till we meet again….

Editor anne@sjsoman.com

October / November 2011

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Suite 20-21, Assarain House, Greater Muttrah, Muscat PO Box 2058, Ruwi, PC 112, Sultanate of Oman Tel.: +968 24789680, Fax: +968 24751019 Advertising & Sales Enquiries: +968 99822501 Subscriptions: +968 96781712 E-mail: helpdesk@sjsoman.com www.cremedelacremearabia.com

Crew

October / November 2011 Vol - 3 Issue - 35

EDITOR-IN-CHIEF ABDULLAH AL TAIE

CHIEF EXECUTIVE OFFICER AUSTIN D’SILVA

PUBLISHER AL ROYA PRESS & PUBLISHING (SAOC)

EDITORIAL Editor ANNE KURIAN

DESIGN & PRODUCTION Art & Design NEIL VICENTE CASTILLO

SALES & MARKETING BEATRIZ PEREIRA

Senior Writer MADHULIKA MOHTA

Senior Designer SEBASTINE SILUVAI

Features Writers ANTOINETTE SILVEIRA LEELA NAIR

Web Design SHERWIN .D PRAKSH

International Correspondent VAILIA FERNANDES

EVENTS MUSTAFA ABDEL RAHMAN SEEMA AL BALUSHI

PHOTOGRAPHER ELVIS FERRAO

SUBSCRIPTIONS AMINTA D’SOUZA

ADVERTISING Oman HAARIS ASLAM KALPANA D’SILVA NAVEED SHARIF UAE AUDREY ALMEIDA International NUPUR TRON DISTRIBUTION ARUN DAS ABDULLAH AL BALUSHI

DISCLAIMER All rights reserved. No part of Crème de la Crème or any part of the contents there of may be reproduced, stored in a retrieval system or transmitted in any form without the permission of the publishers in writing. The publishers regret they cannot accept liability for errors or omissions contained in this publication, however caused.

The opinions and views contained in this publication are not necessarily those of the publishers

October / November 2011

PLEASE RECYCLE THIS MAGAZINE AFTER YOU HAVE ENJOYED READING IT

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Trailblazer w Extravaganza w Exclusive October / November 2011

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Trailblazer

Luxury timekeepers 2011 introduced many exquisite timepieces to watch lovers and collectors. The big names of the watch industry showcased the new collections at BASELWORLD 2011. CrĂ¨me de la CrĂ¨me picks some of the timepieces that stood out from the rest. Magnificent, intricate and detail-oriented, these timepieces are some of the must-have choices.

October / November 2011

The Yacht-Master II’s case, stamped from a block of 904L steel extremely resistant to corrosion, offers all the qualities of waterproofness that have made the reputation of Oyster watches. Not least thanks to its TRIPLOCK winding crown, which screws down tightly against the case like the hatch of a submarine. The pink gold of the bezel and the bracelet’s centre links is 18 ct EVEROSE gold, an exclusive alloy developed by Rolex and manufactured in its own foundry. The blue CERACHROM bezel insert, virtually impervious to scratches, corrosion-resistant and nonfading is also patented and manufactured by Rolex.

ROLEX - Oyster Perpetual Yacht-Master II The Oyster Perpetual Yacht-Master II embodies all of the intense emotion a regatta arouses. By its impressive size, evocative power and sleek design, this unique regatta chronograph echoes directly the Maxi Yachts built to brave the oceans. The new version is the first Professional watch in the Oyster collection to be available in EVEROSE ROLESOR – an exclusive combination of the 904L steel superalloy and 18 ct EVEROSE gold. Equipped with a programmable countdown with a mechanical memory, the Oyster Perpetual Yacht-Master II is an innovative and pioneering watchmaking complication, based on interaction between the movement and the bezel. It allows the skipper to programme a regatta countdown sequence from 1 to 10 minutes. Once the countdown has been launched, the skipper can, if necessary, synchronize his chronograph to the official race countdown. Thanks to the Yacht-Master II, experienced sailors and yachting enthusiasts have at their disposal an efficient tool to assist in crossing the starting line at the very moment the horn sounds. The model’s 4160 movement, entirely designed and developed by Rolex, is fitted with a PARACHROM hairspring, 10 times more resistant to shocks and insensitive to magnetic fields. The countdown is operated by a column wheel and a vertical clutch. A number of microcomponents in this unique movement are produced by UV-LiGA – a new technology, entirely mastered in-house by Rolex, which enables the production of components whose fineness or geometry makes them impossible to manufacture by traditional means.

PATEK PHILIPPE - Ref. 5270 The Ref. 5270 is the latest interpretation of a Patek Philippe model that scripted horological history throughout the past 70 years: the classic two-pusher chronograph wristwatch with a perpetual calendar. The archetypal face itself is an icon with in-line aperture displays for the day and the month at 12 o’clock as well as an analog date with a moonphase aperture at 6 o’clock. The chronograph counters, slightly shifted down from the horizontal centerline, reveal the secret of its heart: the manually wound caliber CH 29535 PS Q movement with column-wheel control and a horizontal clutch. These are developed and crafted entirely in-house by Patek Philippe. It took two years to design the new perpetual calendar mechanism with 182 parts and a height of merely 1.65 mm and to perfectly adapt it to the manually wound chronograph movement. The entire caliber is housed in an elegant 18K white gold case with a concave bezel and gently flared lugs. It also features the same rectangular chronograph pushers as the legendary predecessors from the 1940s and 1950s that kept fetching record prices at international auctions.

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the crouching tiger and the genbu (a blend of precious snake and tortoise) respectively evoke wood, fire, earth, metal and water. The last three dials feature a peacock, a red fish and the jungle. Each meticulously painted and unique model reveals a wealth of original details imbued with a deep sense of poetry.

CHOPARD – L.U.C. Urushi A Japanese artist proclaimed as “Living National Treasure” by the authorities of his country, Kiichiro Masumura has supervised the creation of unique dials for Chopard based on the time-honoured Urushi techniques. These admirable works of art are magnificently showcased within the understated lines of the L.U.C XP, an ultra-thin model equipped with the mechanical self-winding L.U.C 96HM movement. The watches feature the traditional Urushi and Maki-e techniques, enviably highlighted by the pure, understated design of the ultra-thin L.U.C XP model. The “Living National Treasure” concept was developed in 1950 by the Japanese government and used to define all those to contribute to preserving a heritage, a culture and ancestral skills such as Urushi. Urushi is the ancestral Japanese art of lacquering. The varnish is made from the sap of the Urushi tree, also known as the “lacquer tree” or the “Japanese varnish tree” – and which mainly grows in Japan and China. The L.U.C XP Urushi is the first timepiece with a dial adorned in this way. In 2009, a few initial models were crafted and presented exclusively in Japan. Chopard presents a collection of nine different dials technically supervised by Kiichiro Masumura and designed, painted and adorned with gold dust by the Yamada Heiando Company, an official supplier to the Emperor of Japan. These works represent the five basic elements of the universe, according to the ancient philosophy of Chinese natural science. The five legendary creatures – the dragon with a blue horn, the phoenix, the qilin in the moonlight,

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PERRELET - Seacraft In a field so far not explored, Perrelet is plunging into the aquatic world with three instruments of measurement; its new collection comprises the 3 hands- date, the GMT and the Chronograph. All three are proposed in a robust stainless steel case with elegant contrasting polished and brushed surfaces. A 4mm thick sapphire crystal with antiglare treatment on both sides, and a stamped, screw-down case back, guaranteeing water-resistance to 777 metres, complete the case features. The main model featured here, the Chronograph, has a screw-down crown and two push-pieces encircled with aluminium rings, which contribute to the smooth functioning of the mechanical movement. An automatic helium valve, a vital element when the watch is being used in a diving chamber, is located at 9 o’clock. The fluting, which is the Brand’s aesthetic, is clearly recognizable on the one-way, notched, rotating bezel, showing a 60-minute scale and featuring a luminescent marker at 12 o’clock. The extreme demands imposed by this sometimes very dark environment necessitate a clear legibility of its displays. The symmetric indication of its counters on the white, black or blue dials, the applied indexes and the hands containing luminescent material produce wonderful contrasts.

LONGINES – Twenty-Four Hours In the 1950’s Longines supplied watches to the Swiss national airline, Swissair. These timepieces, which had been developed specifically from the brand’s aviators’ watches, had a very distinctive 24-hour dial. This technical characteristic met the needs of navigators who, at the time, had to determine the position of the aircraft and set up a flight plan. Longines has now re-issued this watch for both historical and functional reasons, as well as for the aesthetic attraction it still holds. The new version has been given the name Longines Twenty-Four Hours. HUBLOT - MP-02 Key of Time With the advent of digital civilisation, the abundance of information has in a sense taken over from material abundance. In today’s world with all these sources, not always legitimately ordered, we are faced with a constant barrage of information. We go from fascination to concern, from joy to disappointment or to sadness within a fraction of a second… In this limitless abundance, what is the ultimate intangible object, the one becoming ever scarcer? It is Time itself. Often defined as the true luxury of our age, Time remains no less an abstraction: sometimes passing too quickly…. sometimes never-ending. Hublot innovates technology to manage time the way one would want. The mechanism driving the MP-02 Key

of Time, thanks to a three-position crown, enables you to ‘modulate’ the speed at which the hours and minutes pass, according to your wishes. Position 1: If you want to savour every second of the passing of time: you can slow down the speed of the watch hands, dividing time by 4, whereby 1 conventional hour is represented as quarter of an hour on the MP-02 Key of Time display. Position 2: If you want “real” time: select normal hand speed, to retain “standard” time, whereby one conventional hour equates to one hour on the MP-02 Key of Time. Position 3: If you want time to pass quicker: you can accelerate the hand speed, multiplying time by four, whereby a conventional quarter of an hour is represented as one hour on the MP-02 Key of Time display. Hence with Key of Time, the wearer can make happy moments last four times longer or make difficult moments four times shorter, while retaining the option to “return” to real time at any moment. Three different indicators in a star arrangement on the dial each indicate the current speed of time, to avoid any confusion. You can leave this complex mechanism in position 1 or 3 indefinitely, and then, simply by returning it to position 2, watch the hands readjust to conventional time display. This performance is made possible by a genuine “mechanical memory” built into the movement. In addition to this exceptional complication,

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the MP-02 Key of Time boasts a vertical flying tourbillon cage, with the particularity of a seconds indicator on its edge. BREGUET – 5177 Red Gold Version The 5177 watch is among those models steeped in the classicism and tradition of which only Breguet holds the secret. Formerly existing only in 18-carat yellow and white gold, it is now being introduced in a red gold version. Newly clad in this warm-toned precious substance, it naturally preserves all of the sophisticated elements expected in a timepiece from the Breguet Classique collection: a fluted case middle with a transparent back; soldered strap lugs; a silvered solid-gold dial that is available with handengraved guilloché in a cross weave motif or in grand feu enamel; and blued steel Breguet hands decorated with the characteristic “eccentric moon tip.” Technically speaking, this watch still has simple, useful functions such as a seconds in the centre and the date, which are driven by the 777 self-winding mechanical calibre with silicon lever and escapement wheel. It cannot fail to remind us of the point to which Breguet remains the perfect union of traditional beauty and advanced technology. ORIS - BC3 Air Racing Limited Edition 2010 marked a historic milestone for the Oris Big Crown Air Racing Team, as it saw them competing at the legendary Reno Air Races in Nevada, USA, for the very fist time. Team pilot Don Vito Wypraechtiger was the first ever Swiss man to qualify for this prestigious event and placed 2nd in the Formula Gold Race at his first attempt. To honour this great achievement, Oris have created a special BC3 watch limited to 1000 pieces. The design of the Oris BC3 Air Racing Limited Edition is inspired by the team’s race plane the “Scarlet Screamer”. The case is made of light titanium and weighs

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40 percent less than steel. It has an additional 24 hour hand to show the time in a second time zone, another important feature for pilots. The red airplane shaped pointer for the second time zone hand also relates to the colour and design of the “Scarlet Screamer”. The watch features a practical screw down crown and water resistance to 10bar/100m, making it a real watch for real pilots. The covetable watch comes as a set including a special BC3 Air Racing box, a replacement rubber strap, tools for the bracelet change and a limited edition certificate. The Oris Big Crown Air Racing Team has conquered the skies of Reno and the BC3 Air Racing Limited Edition is set to win over pilots and watch aficionados alike. BELL & ROSS – BR 01 Airborne II The BR 01 AIRBORNE sports an aged steel case, giving the original model the character and appearance of a watch which has acquired a patina over time. This ‘rifle barrel’ finish is achieved by repeated random rubbings. This technique, which in no way alters the material, makes each piece unique.The crystal, marked with a ‘jaw’ index transferred onto the underside, and the brown leather strap, tanned like old leather with tone-on-tone stitching, gives this watch its inimitable style. The new BR 01 AIRBORNE and BR 01 Tourbillon Airborne are both distinguished by their finishes, but are also consistent with the Airborne’s military symbol. They share the same inspiration, shape and expression: • The watch’s bezel and screws delineate a skull with crossbones that is perfectly integrated into the square shape of the brand’s iconic case. • The single-color ‘phantom black’ dial conjures up the symbolic colour of death and sports the face of a seemingly - defiant skull and crossbones.

CHARIOL - Parisii Parisii by Charriol features the latest steel watch collection. The term PARISII originally referred to Celtic people that lived on the site of what is now the city of Paris and gave the latter its name. The PARISII watch features a round steel case framed by a deep and harmoniously designed cabled motif interrupted only by four Geneva lugs. The crown itself is enhanced by a slender cabled motif. Available in two highly contemporary sizes measuring 42 mm for the Large model and 33 mm for the Small counterpart. The steel case is topped by a bezel in either steel or black ceramics, while the sapphire crystal is glareproofed for enhanced readability. All models are powered by a Swiss-made quartz movement with central second hand and the date. Resolutely understated despite an abundance of original yet unostentatious details, the finely crafted and exquisitely finished PARISII watch admirably reflects an era distinguished by a quest for reliable values and for authentic, affordable and enduring luxury. SWAROVSKI - Piazza Grande The Piazza Grande for men is inspired by the bestselling â&#x20AC;&#x2DC;Piazzaâ&#x20AC;&#x2122; style, which was introduced when the first Swarovski watch collection was launched at Baselworld 2009. This distinctive watch, with its large 42 mm diameter, exemplifies purity of line. Perfectly circular and featuring a sunray pattern, the silvercolored heart of the dial bears faceted hands that count each hour, minute and second. On its right side, the hand-polished cylindrical case is adorned with decorative elements in scratch-proof black ceramic, which is faceted using true Swarovski expertise. The crown is also created in ceramic and features 24 facets, a real feat of technical prowess when working with such a tough material. For those appreciative of modern elegance, the watch is available with a dark brown strap in genuine leather complete with a crocodile embossed structure. It is tastefully completed by a stainless steel ardillon buckle featuring the Swarovski name. Alternatively, for a sportier, casual look, there is also the brushed and polished stainless steel bracelet which naturally extends from the faceted lugs. The bracelet features a push-button clasp. An outstanding timepiece, the automatic model features a 43 mm stainless steel case to protect its precious movement. Rounded and refined, this piece once again allows us to truly appreciate the sobriety of the design. Its black dial, with sunray-patterned center and opaline edging, serves to highlight the Arabic numerals. A striking satin polished finish is applied by hand at 3, 6, 9 and 12 oâ&#x20AC;&#x2122;clock, alternating with polished and faceted indices. The highly technical halfskeleton hour and minute hands are luminescent, making

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the watch perfectly legible during both the day and night. Particular attention has been paid to the two decorative elements and crown situated at 3 o’clock on the stainless steel case. Encased in scratch-proof, faceted black ceramic each of these elements is a true example of Swarovski’s technical prowess. Their unique design conveys an avant-garde style combining timeless classicism and modernity. RAYMOND WEIL – Moon Phase One of the foremost independent luxury watch brands in the industry, Raymond Weil, unveiled its all new Moon

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Phase timepiece for its Maestro collection. The captivating watch belongs to the Maestro collection from Raymond Weil that was unveiled in 2010. The Maestro series is among the brand’s most successful and fascinating watch collections. The all new Moon Phase from Raymond Weil for the Maestro collection features a RW4500, 28,800 A/h movement with complication module along with automatic winding. The watch comes with a 38 hours power reserve as well as a black leather alligator strap and an Ardillon buckle. This sensational new time piece is also water resistant to up to 140 meters.

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extravaganza

An Opera House The moment everyone has been waiting for is here. The Royal Opera House was unveiled featuring a feast of concerts and performances. Peter Joy takes a tour of what lies ahead…

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t has been a long wait, but it has been worth it. The Royal Opera House (ROH) opened its doors on October 14th when Giacomo Puccini’s last masterpiece, Turandot, opened a season, which offers a feast of delight for lovers of both music and dance. Placido Domingo sang on October 18th and the Marinsky Ballet ends the year with a performance of Swan Lake. There are many other world class performances on offer and the full programme appears on Page 34. The building of an Opera House for Oman was an endeavour, which was being planned about a decade ago, but the intention from the start was that it should be an outstanding project, involving international architects and the staff at existing opera houses around the world. The ROH Oman is very much a creation conceived and planned in Oman. In one sense it is a further development of the Royal Oman Symphony Orchestra (ROSO), which has for many years been a musical ambassador for Oman both abroad and at home, making it clear to the world that music matters. Every now and then a first time visitor has been very pleasantly surprised to be invited to a first class concert, often with international artists joining Oman’s now famous ROSO.

for Oman

The first opera season in Oman will certainly make it internationally famous in the world of art. Lately, ROH Oman have crossed a new milestone by welcoming Teatro alla Scala, one of the Europe's pre-eminent ballet companies, with the timeless and endearing ballet `'Giselle". Classical dance aficionados got a rare chance on three nights from November 10-12 to enjoy "Giselle", the quintessential romantic ballet. International opera lovers have been flocking to travel agencies to book a flight, and hotel room linked to the night at the opera. So the opening of the Royal Opera House will have very considerable commercial implications. It is certainly very good news both for Oman Air and the Ministry of Tourism. Already the talk around the town is of linking visits of friends and relatives to a ‘Night at the Opera’. Even more important in the long run however will be the impact the ROH will have on Oman’s reputation and standing. Music and Dance are not a minor preoccupation amongst those, who have both money and influence in the world. When international travellers become aware of the delights they are offered such as the American Ballet Theatre Group's performance of Don Quixote on October 27th and 28th, they make think it worthwhile visiting Oman even in these tough financial times.

Also to look forward to is the new mall being developed as part of the ROH environment. This will, it is expected, add a new dimension in terms of eating out and luxury shopping. Puccini died before Turandot was completed, and the work was performed first at the most famous opera house in the world, La Scala, Milan. The orchestra was conducted by Toscanini, the most famous maestro of his generation, the title role being interpreted for the first time by Rosa Raisa. Turandot’s masterpiece was performed also at the opening of the Barcelona Opera House in 1994. The original building had been badly damaged by fire, and Barcelona, like Oman, chose to celebrate the new Opera House with a performance of Turandot.

Turandot and Puccini Most Italians will tell you that Verdi is the greatest Italian composer of opera, while in other parts of the world Puccini is often given the first place. Certainly Turandot, chosen for the opening of Muscat’s Royal Opera House, has a high ranking in the world of opera although it has often been surrounded in controversy.

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When Puccini was putting the final touches to his masterpiece he was dying of cancer, and went to the famous conductor Toscanini and said: ‘Do not let my opera die’. When it was first performed in 1926, two years after the composer’s death Toscanini is reported to have put down his baton declaring ‘Here the opera ends because here the Master died.’ By coincidence its first performance in opera loving Vienna was October 14th in 1926 and it is on October 14th 2011 that it was first performed in Muscat. In the intervening years it has been staged around the world from Rome to Buenos Aires. At one time it caused great controversy in China beause until the late 1990’s it was regarded by the Communist Party as politically incorrect. The legendary story was set in Beijing in ancient times and it was seen until the late 90s as an insult to the Chinese people. By 1998 however the opera could be performed in Beijing with opulent sets as soldiers from the People’s Liberation Army were employed as extras in the supporting cast, but the original antagonism was understandable. Up to eight of the musical themes chosen by Puccini were based on traditional Chinese music and melody. The legendary story has a Prince of Persia beheaded because he was not judged to have given the correct answers to three riddles, put to those, who sought the hand in marriage of the Chinese Princess.

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Royal Opera House will have very considerable commercial implications. It is certainly very good news both for Oman Air and the Ministry of Tourism. Already the talk around the town is of linking visits of friends and relatives to a ‘Night at the Opera’ 34

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”

The theme became mixed into European tradition and history when the German writer, Schiller produced a German version of the story in ‘Prinzessin Von China', which was directed by Goethe in Weimar in 1802. Placido Domingo Placido Domingo is described by many as the most famous singer still performing in today’s world. The King and Queen of Spain recently supported a concert in honour of his 70th birthday and the range and depth of his voice retains its full richness and vigour. He has performed at all the major opera venues in the United States, at London’s Covent Garden, Berlin,Italy and Beijing. He is also a conductor and administrator, in his role as the director of the Washington National Opera.He can count up to 3,500 performances in the course of his career. It is an incredible feat in the cultural history of Oman as the country got Placido Domingo, one of the greatest singers of all time, to celebrate the creation of a new Opera House, an important event for the whole world of music. It is a fitting tribute and a recognition of the work that has been put into a project over the course of a whole decade by so many people. He is also a conductor and a general director of two opera companies, both Los Angeles Opera and Washington National Opera. As a singer he has performed 134 different roles and has a history, unmatched by any other, of 3,500 performances. Placido Domingo also enhanced his reputation in the 1990’s when he toured the world with Jose Carreras and Luciano Pavarotti in a series known as the “ Three Tenors” concerts, which were widely acclaimed in many parts of the world. Franco Zefferelli It is not in fact an exaggeration to say the opening of the Royal Opera House in Oman was of global significance in the world of the arts, and has been recognised as such in many different ways. For Franco Zefferelli, the most renowned conductor in the world, the opening night symbolising a tribute by the world of music and the arts to what is a well planned and strategic endeavour . It has taken approximately a decade to bring this whole project into being. Oman has of course a reputation over many years of encouraging the arts. His Majesty Sultan Qaboos bin Said has been the driving force behind the Royal Oman Symphony Orchestra, encouraging young Omanis to take up a career in the Royal Oman Symphony Orchestra .

A World Summit at the ROH The first season of the Royal Opera House offers a feast of opera and ballet, but it also has another important world dimension. A creative Arts World Summit is to be held there from November 28 to November 30 in co-operation with the Aspen Institute, an international organisation of high reputation throughout the world, The Aspen Institute has over the years inspired creative thought bringing together the brightest and the best from many nations. While starting in the United States it has brought together the young and talented from many nations. With conferences and forums which seek to build consensus , it has established a worldwide reputation for creating confidence and constructive dialogue The idea of linking the Royal Opera House with an already highly esteemed international organisation is thus an inspired decision. Aspen’s seminars, programmes and leadership initiatives offer the opportunity of reflection on the meaning of the good life, enlightened leadership and ways to formulate sound public policy based on nonpartisan principles and timeless ideas. In other words it seeks to educate the leaders of tomorrow, whether they be in business, adminstration, the arts or taking part in public decision making. The core mission is to foster enlightened leadership and open-minded dialogue So the ROH will in its first programme be associated with a programme designed to create world leaders of the future in business, industry and politics. For many of the delegates it will be a first visit to Oman and these future leaders will not only carry back to their countries a vivid impression of the Royal Opera House. Many will be first time visitors to Oman, and will hopefully carry back memories beyond a beautiful opera house. They will hopefully be able to form a memorable image of Oman - of its beautiful mountains, its well planned capital city and the genuine smiling hospitality offered to guests and visitors.

Royal Opera House Muscat Inaugural Season October 14 and 15th Puccini’s last masterpiece ‘Turandot’ October 18th Placido Domingo sings to Oman October 21st Celebrated Soprano Renee Fleming sings with the Royal Philharmonic Orchestra October 26th to 28th American Ballet Theatre presents ‘Don Quixote’ November 1st Andrea Bocelli accompanied by the State Hermitage Orchestra November 5th Cellist Yo Yo Ma accompanied by London Philharmonic Orchestra November 10th to 12th Teatro alla Scala Ballet Co§mpany presents ‘Giselle’ November 17th Umm Kulthum – The Legacy with Riham Abdul Hakim November 23rd The world of Magida El Roumi November 28tth to November 30th Aspen Creative Arts World Summit November 28th The Blindman’s Daughter -Universal Ballet of Korea November 30th Jazz at Lincoln Center Orchestra December 17th,19th and 21st Bizet’s Carmen December 27th-30th The Mariinsky Ballet presents Swan Lake December 31st New Year’s Gala by Mariinsky Ballet

October / November 2011

platinum club

EXCLUSIVE

The Master’s Act Placido Domingo came, performed and captivated. Dr. Patricia Groves talks to the maestro about music, Royal Opera House and his passions

man was fortunate indeed to have Plácido Domingo not only conduct the inaugural opera, Turandot, in cooperation with the Arena di Verona Foundation, but give the first vocal concert of the inaugural season at the Royal Opera House, Muscat. The connections between the conductor, the opera and the company were auspicious. In 1969 at the age of twenty-eight, Plácido made his opera début in the role of Calaf in Turandot at the Arena di Verona, an ancient Roman amphitheatre. And it was at the Arena di Verona that Domingo made his début as a conductor in 1993.

Placido Domingo

October / November 2011

The moon that shone on Turandot in Roman Ruins Forty-two years after he first played Prince Calaf in Turandot, Plácido conducted the same opera with Arena di Verona in an exotic venue that could not have

been imagined in Verona almost two decades ago – the Royal Opera House Muscat. The program brochure put it perfectly: ‘Plácido Domingo faces the orchestra on the other side of the podium, and leads Prince Calaf, under another moon, under another star’. Domingo reminisced about his 1968 début with Arena di Verona: “We were singing Turandot during the week of the first moon landing, so the Chorus to the Moon seemed particularly appropriate. I well remember the feeling of amazement, as the moon shone over us in that nineteenhundred year old Roman ruin, that people were up there walking on the moon”. Those who were lucky enough to experience Plácido Domingo’s concert at the Royal Opera House Muscat last month no doubt felt weightless - as if walking on the moon, when they heard the compelling sound of this tenor’s voice and its singular ringing and dramatic tone. He shot to fame Born in Madrid in 1941, Plácido grew up in Mexico where his family ran a zarzuela (Spanish operetta) company. Although he studied piano at the National Conservatory of Music in Mexico City, the young prodigy often took baritone roles in his parents’ productions. It was the Mexico National Opera that gave Domingo his first real start – as a tenor comprimario (secondary role) in 1959. His rise to prominence was swift. In 1961, Plácido Domingo played opposite Joan Sutherland in Gaetano Donizetti’s Lucia di Lammermoor; and in 1968 he made his debut at ‘The Met’ – New York’s renowned Metropolitan Opera. Domingo shot to world fame and became a global household name when, in 1990, he sang with Luciano Pavarotti and José Carreras as one of The Three Tenors. Having performed 135 roles in his operatic career since his first professional concert in 1957, Domingo has surpassed all other tenors in the history of Opera. “I love it all – from beginning to end ” The specially commissioned production of Turandot may be remembered predominantly for the historic importance of the inaugural occasion, for the glory of the sets, the magnificent costumes and the breathtaking

“

venue, but all of this was given life by the invisible yet tangible force of the music. Asked what he thought were the most beautiful passages in the music, Plácido Domingo commented as follows: “It would be impossible for me to choose favourite passages from this extraordinary opera. I love it all, from beginning to end. Of course, as a tenor I have a particular attachment to Nessun dorma (No-one shall sleep) and the other parts written for Calaf. “Think for instance of the moment when Calaf poses his own enigma to Turandot. “Il mio nome non sai, dimmi il mio nome e all’alba morirò. (You do not know my name. Tell me my name and by dawn I shall die). And as a conductor, I think of the Chorus to the Moon. It is magnificent.” “Music is always with me” Plácido Domingo is said to be the world’s most famous living tenor. This legendary star is also known to be caring and altruistic as a person. He worked with his own hands to help rescue victims of Mexico City’s terrible earthquake in 1985 and performed benefit concerts for the survivors. I asked Plácido if he always lives with music in his heart – and if he thinks that music has the power to make a more peaceful and harmonious world than we have seen for much of the past two millennia. “Music is always with me – I live in it and with it every day of my life. I think that it has the potential power to help make the world a better place, but unfortunately there are too many people in the world - in every nation and culture - who care more about conflict than about creating or becoming familiar with beauty.” True as this may be, Plácido Domingo certainly enriched the lives of all who came to the concert. He gave the audience everything they could have hoped for – rising in song from deep within with all his strength and virtuosity and taking the trouble to engage intimately with the entire auditorium. Here is a man who loves music with all his heart and soul and is passionate about sharing it with all his might. “Music is definitely my passion, but without passion you cannot create great music. I have always said that once the passion is gone, I will stop... but I am still far from that.” Plácido came to Muscat with his wife, Marta, and their son, Alvaro, whose forty-third birthday happened

Since I have now inaugurated both the Opera House and the Concert Hall, I know that it is an engineering work of art. But the most important and valuable asset this House has is the people that run the day-to-day operations

”

October / November 2011

a mistake.’ I simply cannot conceive a world and a life without music.”

“

Music is definitely my passion, but without passion you cannot create great music. I have always said that once the passion is gone, I will stop... but I am still far from that

”

to occur during their stay – on the eleventh of October. They had dinner in a restaurant at the Chedi and the great tenor stunned and thrilled the other diners by standing up to serenade his son. Tenor, Baritone, Conductor Asked how his roles as a singer and a conductor fit together and interact, Domingo said that he thinks of music-making as one single activity. “Whether I am singing as a tenor, or now, occasionally, as a baritone; whether I am singing opera or concert music or zarzuelas or lighter music; whether I am conducting or coaching or even just listening to others perform – all of these things are part of a whole. Of course singing and conducting require a lot of mental, physical, and spiritual commitment. You have to put all your skill and also all of your inner being into your work all the time, otherwise you can’t do your best.” When asked about the value of music, Plácido replied: “Nietzsche said it best: ‘Without music, life would be

October / November 2011

“A marvellous gem” The last question I asked Plácido was perhaps the most important - What advice to you give to Oman as we embark on this momentous new phase in our cultural development? “You now have the means and the tremendous potential both for further developing your own wonderfully rich Arabian culture and for taking what is best from the cultures of other parts of the world, which are so great and varied. “The Royal Opera House in Muscat is a marvellous gem with the proven capacity to mount the biggest Operatic production anyone has ever seen, as well as to present the highest level of classical music. It possesses fabulous acoustics also when transformed into the Concert Hall. “Since I have now inaugurated both the Opera House and the Concert Hall, I know that it is an engineering work of art. But the most important and valuable asset this House has is the people that run the day-to-day operations. You have built a tremendous team of individuals, local and expatriate, who have found the perfect harmony that this wondrous Royal Opera House deserves. “I have the highest wishes, and I hope to be able to come back soon to continue to participate in this development”. Memories are made of this No-one who was at Plácido Domingo’s concert will ever forget singing the chorus Bésame Mucho, (Kiss me again and again) with him. The great maestro was in superb form throughout the concert, culminating in not one, but three encores in a voice that can equally well roar in the thunder of passion, purr in gentle love, or ring out with the pure joy of being alive. As we stood on our feet time and time again shouting bravo with great emotion, Placido came on stage for the last curtain call in a formal black and gold Omani robe (bischt) in which he looked like the King of Opera that he is. Fittingly, he had been awarded the Order of Oman. Placido stood beaming arm-in-arm with those who performed with him, sopranos, Angel Blue and Micaela Oeste and Spanish dancer Nuria Pomares, radiant in their gowns of pure yellow, red and green. Then the conductor, Maestro Eugene Kohn, the first violinist and cellist joined the line on stage – and they were one with the audience in the euphoria of a peerless evening. No-one wanted the concert to end, but when it did, we went out of the Royal Opera House on wings, hearts filled with song.

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Dress Code: Black Tie/National Dress October / November 2011

Business & Finance

Profile Banking w

Asset w

Advertorial October / November 2011

Business & finanace

PROFILE

In the business of success Nando’s, Second Cup and BreadTalk are household names in the country. Jannat Moosa, Marketing Director of Bin Mirza International, the company that established these brands in Oman tell us the company’s success journey

Jannat Moosa

in Mirza International has attained enviable success in a short span of time. Set up in 2004 by Partner and Managing Director, Hani Mirza along with his wife Jannat Moosa, Marketing Director, Bin Mirza International has been successful in bringing to Oman three top global brands – Nando’s, Second Cup and BreadTalk. The brands have garnered tremendous popularity and have held on steadfastly to their grounds despite the presence of larger commercial chains. Jannat Moosa takes time off from her busy schedule to share with Crème de la Crème the success mantra of Bin Mirza International and the brands they represent in the Sultanate. How excited are you about the new Nando’s outlet in Muscat City Centre? We are very excited. The Nando’s outlet in Muscat City Centre (MCC) sets a new standard with new quality and decor that will shortly be introduced in the other outlets around the Gulf. We are the first to open Nando’s with the new design. We are also very happy with the location. Nando’s is

October / November 2011

in the new section where we have Toys R Us, Marks & Spencers, Lakeland, Noodle House and many other great brands. A variety of outlets caters to different age groups and needs in the area. We have had a great response so far; MCC is a good place to be. What took Bin Mirza International so long to open a second Nando’s outlet? We were particular about opening our second outlet at a good location. We had always wanted our second outlet to be located in Seeb and when we got a good site in MCC, we did not hesitate. The next Nando’s outlet planned to open at Muscat Grand Mall and we are hoping for the best. We were set back when we had to close and reopen the Qurum outlet a few times due to natural calamities. Unless we got a good site, we did not want to open another outlet. Once the opportunity came about, we grabbed it. How was BreadTalk chosen by Bin Mirza International? When we introduced Second Cup, food was a big challenge. We had different suppliers and a result there was no consistency. Our best supplier was Al Bustan but then they had to close for renovation. We also had the challenge of serving desserts at Nando’s.

Hani is a perfectionist and will not offer something that is not good. We decided at that time that we needed our own bakery where we could control what comes out and maintain high standards. That’s how we chose Breadtalk. Through BreadTalk we have been able to not just cater to our needs in Second Cup and Nando’s but a larger audience with a wider variety. How important is social media to your business? The response we have received on social media is unbelievable. I really did not expect there would be so much activity, both on Twitter and Facebook. We are always getting recommendations and suggestions from our customers, which is great as this helps us improve not just our service but our products too. We take every suggestion or comment that come our way seriously. It is good to have this free flow of communication with our customers. We get to know any problems or suggestions they may have directly. At times, we are able to solve or attend to issues right away. We also make sure to pass on the positive comments from our clients to our staff. What would you attribute the success of the international brands that Bin Mirza International has brought to Oman despite the competition you face from larger hospitality chains? Our advantage lies in the fact that the business is run by an Omani company; many of our competitors’ businesses are not. We have been lucky to work with brands that are good at listening to us and understanding our market. For instance, in the new Nando’s outlet we have given it a local flavour by including Omani pots in the decor, which has been with combined with African art that is typical of the design followed by the brand internationally. Even in the menu, we have included peri peri hummus and olives, which have been introduced to suit local tastes. During Ramadan, Second Cup offers drinks that have been developed especially for the region. At BreadTalk we have a selection of products that have been developed by our team and approved by the chain’s main office. I feel our success lies in the fact that we have a very good relationships with every brand we ahve chosen to work with. They have seen our working pattern. They know all about us. What they appreciate the most is that Hani and I are involved in every aspect of our business. With both Hani and you being involved in all aspects of the business right from

the beginning, is it difficult to separate work from personal life? It is very hard to separate work and personal life. In fact, even our kids are involved in the business even though they are small. Our kids are often at the outlets with us. Our youngest son is only a year and half but he was always on the site when the Nando’s outlet at MCC was being set up. As a result, he knows the brand. Our older son who is five sometimes takes orders at the Second Cup drive-thru and customers love him. Even when we are home, work does not stop. When it’s your business, it’s your life. But we are happy with what we have been able to achieve so far. It has been eight years since we started but it feels like we have been in business always. Is it difficult working with your husband? No, not really. Since the boss is my husband, there is a lot of wasta there. I do, sometimes have the advantage of getting things go my way but Hani trusts me and knows I would suggest something only if it is good for the business. No decision is taken without either one of us agreeing; we need to be convinced about each other’s ideas and suggestions. How do you keep your employees motivated? Our employees are our biggest strength and we make sure to keep them happy. Only if your employees are happy will your customers be happy. Bin Mirza International employees are rewarded regularly. Many employee benefits’ systems have been put into place. We have annual trainings sessions, assessments, rewards, staff parties and year end parties as part of employee motivation. Each team within Bin Mirza International have internal celebrations every month. There is a set budget given to the manager of every team every month. It is the discretion of the manager to use the budget as he or she deems fit – whether it is to reward deserving employees or split between the team members or take them out. What does the future hold for Bin Mirza International? We plan to expand BreadTalk and have new outlets shortly. Cinnzeo is still in the pipeline. We are looking at different locations like Sohar and Salalah. We hope to be in these two locations in the next two years. The head office is also expanding, so there is work to be done there too. We started with just four to five employees and today we have different departments handling various aspects of the business.

October / November 2011

Business & finanace

Banking

Exclusively yours National Bank of Oman takes exclusivity to new heights with the launch of Sadara Elite Account aimed at high net worth individuals. A Crème de la Crème report on the special deposit account for the bank’s clients

a tional Bank of Oman (NBO) recently unveiled a special deposit account for high net worth individuals that pays interest as high as 2.75 per cent. The ‘Sadara Elite’ account is a special deposit account for NBO’s Sadara customers. An interest-bearing account which will be credited every month based on a monthly minimum balance, the account has been created to cater to the needs of the bank’s discerning customers. Harsh Munjal, General Manager, Retail and Private Banking, NBO, said ‘Sadara Elite’ offers a better interest rate than most fixed deposit schemes in the Sultanate. A minimum deposit of RO 40,000 is required to open the account. According to the bank’s officials, unlike fixed deposits, ‘Sadara Elite’ account customers will earn up to 2.75 per cent interest without a lock-in period. Other features include, annual auto-renewal of the deposit, 12 leaf cheque book, daily free SMS on account balance and free monthly account E-statement. Moosa al Jadidi, Head of Wealth Management at NBO, said, “The account has been designed keeping in mind the unique banking needs of the high net worth individuals. It has been tailor-made to provide our most privileged customers with personalised attention, preferential services as well as the widest range of exclusive banking products.”

October / November 2011

Gold rush Shortly before the launch of Sadara Elite Account, National Bank of Oman unveiled another premium offering – Gold Savings Account (GSA). This offers investors a safe and innovative way to access the gold market. Sadara customers can open an NBO Gold Savings Account where they can deposit an amount that will be converted to gold at the prevailing market rates as quoted by its treasury. The gold will be transacted in units of Troy Ounce (31.103gm) and customers will have to maintain a minimum of 10 Troy ounces in the account. The major benefit of the investment, among others, is that the customer does not need to take physical possession of the gold. The troy ounce units of gold will be held in the customer’s account and they will have a claim on the bank against the value of these ounces just like any other currency that is kept with the bank. Additionally, the customer can, at any time, convert the gold into cash by selling it to the bank and crediting the cash proceeds into their normal account.

Finance & Investment

Asset

Investing in the treasures Bringing opulent lifestyle statement pieces to Dubai, the Shroff brothers have opened their first antiques gallery in Dubai. Through Royal Treasures Gallery, the owners and founders hope to capture the fancy of collectors in the region

ollo wing the overwhelming response from UAE’s antique enthusiasts and artifact aficionados, after two very successful exhibitions in 2008 and 2009, Indian siblings Dinsha and Munchi Shroff, recently launched the Royal Treasures Gallery in Dubai. Aimed at collectors who have the most discerning tastes, the Royal Treasures Gallery brings to the region an exclusive range of antiques and artefacts collected from all over the world. “Dubai is a success story on its own and with a discerning, affluent population. Their palatial homes and palaces need one of a kind collectibles. Our aim is to change the mindset of people and introduce them to an opulent lifestyle,’’ said Munchi Shroff. Dinsha and Munchi Shroff, owners and founders of the renowned Ancestry store in Mumbai established in 1995, enjoy a wealth of experience in the Antiques world arena, having supplied the finest chandeliers and artefacts to a myriad of pedigree homes, elite hotels, and palaces throughout India and the Gulf for over the past 20 years. Showcasing an exclusive range of the finest F&C Osler crystal chandeliers, Baccarat chandeliers, as well as a vast collection of Oriental and European crystal artifacts and antiques, the Royal Treasures Gallery offers the most opulent and rare antique items yet to be seen in the region. Catering to all antique lovers, the gallery hosts a wide

October / November 2011

“

We have the best of Osler in one showroom. At any given time we have about 40, whereas the average dealer will have three or four

”

The Shroff brothers

collection of pre 1936 antiques with genuine pedigree lineage, ranging from opulent crystal Oud bottles and Oriental wooden furniture to the finest crystal chandeliers in the world. Better known as the ‘Osler Twins’, the Shroff brothers pride themselves as the regions only specialists in the world-renown F&C Osler crystal chandeliers, holding the world’s largest collection under one roof. “We have the best of Osler in one showroom. At any given time we have about 40, whereas the average dealer will have three or four. Now, if anyone wants to sell an Osler chandelier they contact us directly thus cutting out several middlemen,” Munchi Shroff. First established in Birmingham in 1807 by Thomas Osler and his two sons, Follet and Clartson, the F&C Osler firm were manufacturers of great prominence in England during the 19th century and created the purest and finest quality crystal chandeliers, fountains and furniture. With a very strict apprentice regime, F&C Osler produced master craftsman who tailor-made each crystal masterpiece for elite families and royalty alike. The Maharajas of India in the mid-19th century were the main patrons of the factory, and almost all the leading palaces of India carried the Oslers’ handiwork. Thomas Osler won accolades for his pristine glass creations, and received world wide acclaim for his crystal fountain made for The Great Exhibition of 1851 in Hyde

Park, which was over eight metres high and contained four tons of crystal. In 1862 Thomas Osler and his sons exhibited at the Paris Exhibition, and took the art of ‘Brilliant Cut Glass’ to new heights. This involved covering the glass surface with intersecting cuts that created innumerable and fragmentary shapes making up larger patterns such as stars, diamonds and fan scallops. This complex mastery of glass sculpting and shaping made F&C Osler leaders in their field, and further reinforcing their name as the ‘King of Glass’. In 1920 however, faced with increasing competitive pressure, F&C Osler were forced to retire, and since then have become the most sought-after crystal in the world. John P Smith, Chairman of the Glass Circle of London, and a glass and lighting consultant for major museums of the world, has attended previous Royal Treasure exhibitions in Dubai in 2008 and 2009, verifying and authenticating various Osler pieces displayed by the Royal Treasures Gallery; “I consider a chandelier still authentic if no more than 10% of the parts have had to be replaced, and this has been done in a skilful manner,” says Smith. Further emphasising on the historical relevance of such pieces and how they became Royal favourites in the 19th century, Smith continues, “All the big maharajahs vied with each other, they loved things that sparkled”. We know where antique collectors are making a beeline for now.

October / November 2011

Advertorial

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October / November 2011

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teppi ng into the dedicated Al Riadah Branch of BankDhofar at Azaiba is like entering a luxurious world. You are greeted by a professional and welltrained team who have expertise in areas spanning personal banking, investment, consultancy, foreign currency and insurance. The sole purpose of this beautifully designed Centre is to enable premium customers to conduct their banking transactions with utmost ease and privacy. Al Riadah Priority Banking provides its customers with the highest level in customer satisfaction. Aptly named, Al Riadah, which means elite, this is a priority banking service which combines total financial and investment solutions with exclusive privileges and benefits that add a whole new dimension to banking. A day in the life of an Al Riadah customer is truly made easier by everything that the bank offers them. It has worked hard to enhance the overall customer experience and to ensure the highest level of customer satisfaction. Each valued customer receives a dedicated relationship manager who fosters familiarity with the customer and works hard towards ensuring all their unique needs are attended to with satisfactory results. The relationship is governed by high ethical standards characterized by trust, confidentiality and speedy delivery of services. This ensures a hassle free luxurious experience, which lies at the core of the banks ethos. An Al Riadah customer also enjoys a dedicated Priority Banking Center, a specially designed Cheque book and Special Debit and Credit Cards which are loaded with special benefits including access to the priority lounge at the airport. They have at their fingertips Investment Consultant Services, which help them to grow their wealth rapidly with the assistance of expert advice and to develop a portfolio

of financial investment products, based on individual risk preference returns. Specialised Brokerage services and integrated financial solutions help them to achieve their financial goals. They can also avail special offers and discounts on a range of the finest and most luxurious hotels, restaurants and shops, locally and globally. The icing on the cake is a dedicated round the clock customer service call center to make their banking experience as seamless as possible. Customers can of course also access their accounts through secure online and mobile banking. BankDhofar seeks to compliment the investment strategies of its customers and with Al Riadah it enables them to bank with confidence and convenience. At the bank, the customer is king. It is constantly researching ways to improve its offerings to them. The bank saw a need for a service to meet the lifestyle needs of its premium customers who are often too busy to queue at counters or make special visits to a branch, customers who require that little bit extra; thus Al Riadah Priority Banking was born.

October / November 2011

Automobilia

Drive w First Look w Luxe wheels October / November 2011

automobilia

DRIVE

Luxury on wheels

The 2011 Cadillac Escalade is a stylish, powerful vehicle that outshines much of its competition. Anne Kurian test drives the powerful and luxurious SUV

October / November 2011

ty lish, reliable, spacious, and luxurious, the Cadillac Escalade is a fine example of American automotive engineering. The classy and large SUV sure has a commanding presence on the road with large frame as well as striking design. But then again, Cadillac has never shied away from bold designs. We decided to take the Cadillac Escalade for a spin recently following a discussion on SUVs that are the rage in Arabia. The Escalade sure has a loyal base in the region. This can be attributed to a variety of reasons – the Cadillac lineage, the luxury aspect, impressive performance and of course, the sheer size of the vehicle, among others. After all, people in Arabia do have a penchant for large vehicles. Since we had heard so much about the Escalade and had not reviewed the model, we decided to head out with the SUV beyond the city. We headed out to Mussanah one fine morning with the 2011 Escalade to discover the SUV. As like most weekdays, the roads were traffic logged especially since we were late in setting off for the drive. Without breaking the law, this proved to be a good opportunity to test out the 6.2 L Vortec v8 engine that promised 403 hp. Smooth and responsive the Escalade sailed pass the traffic, though there never was a moment to

show the SUV’s aggressive side. Although, the same cannot be said about the Escalade’s design. The grille sports the assertive design familiar to the Cadillac line-up. The headlights are completely crafted in an eye catching design. The exterior is moulded in the perfect Cadillac contour and this is exactly why the Escalade commands attention on the road. The Escalade is definitely one of the best looking SUVs in town and the vehicle’s vitals only add to its imposing stance. With a wheelbase of 2946 mm, the Escalade is surely among the longest SUVs around and makes a lasting impression.

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The headlights are completely crafted in an eye catching design. The exterior is moulded in the perfect Cadillac contour and this is exactly why the Escalade commands attention on the road

”

October / November 2011

“

Unexpected curves and turns are dealt with assuring confidence by the Escalade. There is not a moment of doubt about the SUV’s capabilities when behind you are behind the steering wheel

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October / November 2011

The interiors are just as classy as you would expect going by what you see on the outside. Leather is the catchword here and wraps a large part of the interiors accentuated with wood trims. Often large vehicles tend to give off the impression of having large, cluttered dashboards. Thankfully, the Escalade’s dashboard is aesthetically designed making it easy for the driver to navigate between the controls. The Escalade is equipped with impressive features such as a large LCD in the dash for the Navigation, LCDs in the headrests, rear view camera system and for those who love to be pampered, heated and cooled cup holders. The audio leaves nothing to desires for its BOSE 5.1 Surround sound system with 10 speakers and Bluetooth functionality. Among the other features worth highlighting are memory driver to automatically adjust to the position of the driver, Xenon, and setting 10 for the front seat adjustment including lumbar support, heat and ventilation. The Escalade seats up to eight people and when the second and/or third rows are folded down, what you get is sheer volume of space that might just want to make you live in the SUV. The lightweight third row can be folded, tumbled forward or removed. On the road, the Escalade is a driver’s dream. Powered

by a Vortec 6.2L 403HP V8 under the hood with flex-fuel capability, the Escalade is a beast on tarmac. For a vehicle of its size, the SUV holds its ground even when thrown around the bends at fairly high speeds. Unexpected curves and turns are dealt with assuring confidence by the Escalade. There is not a moment of doubt about the SUV’s capabilities when behind you are behind the steering wheel. The SUV seemed to have the magical power to ignore all potholes so that you don’t really feel any of the bumps and small pits when you are off the graded road. And can it storm when you floor the pedal! The Escalade picks up speed smoothly although not once did we feel the Cadillac could control the driver – the Escalade lets the driver be in control. The responsiveness and drivability factors are almost akin to that of a sports car. Easy to maneuver, control and move about, the Escalade does not feel heavy though it weighs nearly three tones. The Escalade gives off incredible torque on the roads and we were totally impressed by the SUV’s fuel economy. For a vehicle of its size, the Escalade’s acceleration time is impressive. We were left with little to wish for after the long drive to Mussanah and back.

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Thankfully, the Escalade’s dashboard is aesthetically designed making it easy for the driver to navigate between the controls

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There are many reasons we would go in for the Escalade but the top three are powerful engine, luxury interiors and drivability. The 2011 Escalade undoubtedly takes power and performance to new levels. The spaciousness and comfort for both passengers as well as the driver assures the Cadillac Escalade a place on top among luxury SUVs.

October / November 2011

automobilia

FIRST LOOK

Power of four

Four wheel drive in a four seater car. Ferrari breaks all moulds to create a model like no other with the brand new FF

October / November 2011

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Designed by Pininfarina, responsible for some of Ferrari’s iconic designs, the shape and proportions perfectly interpret the FF’s harmonious blend of sporting DNA and extraordinary usability

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October / November 2011

nnovation, performance and craftsmanship have been among Ferrari’s top characteristics. So when the Italian luxury brand known for its enviable range of supercars announced plans to unveil its four-wheel drive four seater, it was with much anticipation that motor enthusiasts waited. Ferrrari fans and car aficionados in Oman witnessed the launch of the eagerly awaited new FF, Ferrari’s most powerful, versatile four-seater ever, as well as its first ever four-wheel drive car that was held at the Ferrari dealership in presence of the officials from Ferrari Middle East and Africa and Shanfari Sports Car LLC, the official importer of Ferrari in the Sultanate of Oman. The FF - an acronym for Ferrari Four (four seats and four-wheel drive) - ushers in an entirely new GT sports car concept. A decisive break with the past, the new car represents not so much an evolution as a true revolution. This new V12 melds to an unprecedented level an extremely sporty, high-performance character with incredible versatility, superb comfort and sophisticated elegance, guaranteeing both driver and passengers an absolutely unique driving experience. Designed by Pininfarina, responsible for some of Ferrari’s iconic designs, the shape and proportions perfectly

October / November 2011

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The FF - an acronym for Ferrari Four (four seats and four-wheel drive) - ushers in an entirely new GT sports car concept

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interpret the FF’s harmonious blend of sporting DNA and extraordinary usability. The FF features the company’s first ever four-wheel drive system. Ferrari’s exclusive, patented 4RM (four-wheel drive) weighs 50 per cent less than a conventional fourwheel drive system, maintaining perfect weight distribution (53 per cent over the rear axle). Completely integrated with the car’s electronic dynamic control systems, the four-wheel drive technology delivers record levels of performance on all terrains and in all conditions via continuous and intelligent predictive torque distribution to all four wheels. The FF is also equipped with the latest magnetorheological damping system (SCM3), as well as the most recent development in carbon-ceramic brakes from Brembo. Exceptional performance levels are courtesy of the new 6262 cc direct injection engine that develops 660 CV at 8,000 rpm. In tandem with its transaxle dual-clutch F1

gearbox, stunning acceleration figures (0-100 km/h in 3.7 sec.) are guaranteed. The new model’s class-leading weight-to-power ratio of 2.7 kg/CV, along with its ideal weight distribution, ensures exceptionally responsive handling. The result is that owners will be able to enjoy the FF’s prowess over a wide range of uses: city driving, on low grip or snow-covered surfaces and on the track. Performance aside, Maranello’s latest model also offers standards of passenger space, comfort, in-car spec and equipment previously heard of in such a highperformance car. It can comfortably accommodate four people and their luggage, thanks to the best cabin space and boot capacity (450 litres extendable to 800) figures in its category, including four-door cars. We hear the FF has raked in quite a lot of interest from Ferrari and auto enthusiasts in Oman!

October / November 2011

automobilia

luxe wheels

The Panamera Punch

Porsche revs up the speed with the new Panamera Gran Turismo Speed. Clocking 430 hp at 6,700 rpm, this is a Porsche model thatâ&#x20AC;&#x2122;s going to burn the tarmac

October / November 2011

f speed, performance and pedigree were, among others, three of the decisive factors of declaring an automotive a winner, then Porsche Panamera GTS is surely taking the cup home. The new model from the manufacturer of some of the best sports models in the world, Porsche Panamera GTS is rewriting the rules of motoring. Staying true its name, GTS which is Gran Turismo Sport, the upgraded Panamera steps up its performance ever than ever before. More power and upgraded brakes, a body lowered by ten millimetres and the sporty tuned chassis with air suspension and Porsche Active Suspension Management (PASM) are the major

technical modifications that make it the Panamera model capable of cutting it on the racing circuit â&#x20AC;&#x201C; without sacrificing practicality. The sportiest of all Panamera models also conveys this to occupants and the outside world by its striking sound. On the outside, the new Panamera GTS signals its independence by distinctive design features in the front-end, side and rear area as well as black highlights. The interior is rigorously tailored to the sporty personality with sports seats, SportDesign steering wheel with shift paddles, exclusive GTS leather interior and Alcantara surfaces. The power unit in the new Panamera GTS is

October / November 2011

a modified 4.8-litre naturally aspirated V8 engine, delivering 430 hp at 6,700 rpm, trumping the engine in its Panamera S/4S sister models by 30 hp. Maximum torque increased from 500 Nm to 520 Nm. The way in which at the push of a button the Porsche Doppelkupplungsgetriebe (PDK) transmits the engine output to the all-wheel drive (PTM) – thanks to the Sport Chrono package featured as standard – is especially dynamic. This collaboration enables the Panamera GTS to sprint to 100 km/h in under 4.5 seconds with a top speed of 288 km/h. With NEDC fuel consumption of 10.9 l/100 km – only 10.7 l/100 km with low-friction tyres – the Panamera GTS remains as much of an efficiency role model in its milieu as all Porsche models. The standard values for sprint and top speed do not do full justice to the sporty characteristics of the new Panamera GTS. Its chassis in particular makes it fit

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The standard values for sprint and top speed do not do full justice to the sporty characteristics of the new Panamera GTS. Its chassis in particular makes it fit for the racing circuit

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October / November 2011

for the racing circuit: The adaptive air suspension and PASM featured as standard connect the chassis and body, constantly adapting to the driving challenges by regulating levelling settings, adjusting height and spring rate as well as electrically regulating the damping system. The damping is designed to be tauter, which helps agility and further reinforces the new Gran Turismo’s sporty personality. Five millimetre thick wheel spacers between the wheel and the wheel carriers increase the rear axle track width, giving the Panamera an even more stable ride. The required grip is provided by 255/45 size 19-inch tyres on the front axle and 285/40 on the rear axle. Deceleration on the sporty Panamera is provided by the superlative braking system of the Panamera Turbo. If this beauty is what your heart is after, then it’s time to place the order. Deliveries start only in March 2012, but you sure do not want to wait longer than that!

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The power unit in the new Panamera GTS is a modified 4.8-litre naturally aspirated V8 engine, delivering 430 hp at 6,700 rpm, trumping the engine in its Panamera S/4S sister models by 30 hp

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October / November 2011

Art & Design

Impressions w Architecture October / November 2011

ART & DESIGN

IMPRESSIONS

Often, Persian and Oriental rugs and carpets are the preferred choices, be it as an accessory for the home or an investment. Rob Arnhem takes the less beaten path and shows why Baluch rugs are just as wonderful to own

Weaves of Warmth C hances are that if you like ‘Persian’ carpets, you fall into either of two categories: those who go for the splendid, mathematically perfectly designed city weaves of fine wool and part-silk, or those who are instinctively drawn to the earthy vigour of nomadic or tribal rugs. Let’s focus on the second for now. A dazzling range of choice and fraught decision-making awaits you. Just to mention a few nomadic hand-woven rugs, you could buy Afghan, Turkoman, Bakhtiari, Kurdish, Qashgai, Ersari or Afshar, and bales of others, but it’s Baluch or Belouch weaving that’s perhaps the easiest to begin with. One guide to tribal rugs describes the Baluch as “among the most prolific, accomplished and generally underrated of all tribal weavers”. The praise is well-deserved, and they are also reasonably priced, so where better to begin? And as we’ll see, there’s also a connection between Oman and the Baluch. The Baluch people, like the Kurds, share the generally unenviable position of being a minority scattered by political decisions not of their making. There are Baloch

October / November 2011

in Pakistan, where they live in the huge western region of Balochistan, and across the border in Iran there are more in Baluchistan. And yet more in Afghanistan and further afield. (And no, the late American actor, comedian and musician John Belushi wasn’t one of them – his father was an Albanian immigrant. You can’t always go by a name, as we will see.) They are a loose tribal confederation of more or less related people. Most of them speak dialects of the same Indo-European Baluchi language, somewhere between old Persian and Urdu. They have always wandered too, with little need or desire to respect modern borders. You will have noticed several variant spellings of the typical rugs unique to these people, to be expected of free and spirited nomads. In fact, the origin of the name is ‘wanderer’. Some tribes claim descent from Arabs who came from Syria at the peak of Muslim expansion into the old Persian Empire in the 700s. Others say they hark back yet further to Nebuchadnezzar and Babylon. They’ve certainly been known as a distinct group for at least a thousand years.

There’s an old saying that Allah made Baluchistan out of the bits and pieces left after creation. And theirs is a harsh home range – desolate, with punishing deserts and barren mountains, but a strange wild beauty too. The environment therefore made them semi-nomadic. Being individualistic, and resistant to centralised control, they haven’t always been in favour with the dominant ruling majority. The Baluch revolted several times against Persian rule from the times of the shahs and, more recently, the government of Pakistan. They might settle in villages for part of the year and move with their tents and livestock in search of grazing and water in kinder seasons. Flash floods, dust storms, steel-blue winters and summers like a furnace are the norm. As one of their popular traditional poems of the Pakistani Baloch puts it: ‘… the pathless gorges are our friends, Our drink is from the flowing springs, Our cup the dwarf palm’s leaf, Our bed the thorny brush, The earth we make our pillow.’ In these inhospitable surrounds of ochres and greys and fawns, a world of rocks and dust, their rugs are designed to be tough and hard-wearing. So the colours tend to be rather sombre too, but their charm lies in their design and colour schemes. The rugs come in rich deep reds, natural browns and beige, with occasional touches of white, cream, orange and midnight blue. They are knotted on a woollen warp, with a strong and often lustrous pile. Some tribes use goat’s hair, which looks and feels different to wool, being shinier and thinner, to finish off the selvages and strengthen the edges. Very occasionally, camel’s hair is used, but this is becoming rare. Another Baluch touch is using bands of pile and kelim flat weave, or having a fine strip of kelim at the top and bottom of the rug. There will be no cotton or silk mix in these rugs - they’re made for hard use, not just decoration! The designs are always geometrical, and women and children are the weavers. If you see an imperfection, don’t toss it aside - this is the mark of a genuinely nomadic rug. More than one weaver might have woven it at different times, and different batches of wool might be used, leaving a line of muted change in the colour of the pile, known as abrash in the carpet world. The designs are memorised and also improvised to an extent, making each one unique. A woman might include whimsical personal details. One tribal type is called Dokhtar-i-Ghazi ‘Daughter-of-the-Judge’. Sometimes there’s a tiny barely perceptible aberration, such as a red knot in the centre of a floral motif, perhaps, where a white one might be used elsewhere, to trick evil spirits. The idea behind this is that any bad jinn which enters the home will get confused

by the maze of the carpet’s design, and therefore unable to work any mischief on the family. Amuletic charms and very ancient symbols for good luck, fertility and protection may thus feature in a rug’s design. About a dozen Baluchi tribes make rugs, and they almost all originate from the Khorassan region of eastern Iran, bordering Afghanistan. The holy city of Meshed, in the north east, is their main marketing and distribution centre. Most rugs can be identified by their tribal name or place of manufacture, but with an area of origin as vast as this one, it is not easy to pinpoint a type exactly. The makers are often nomadic, to begin with, and subtle cross influences might complicate identification. A rug might be made in one area but sold in quite another, but Baluch rugs are stamped with originality and are usually very clearly called ‘Baluch’! It seems that the Baluch came later to rug-weaving and copied and adapted Turkoman and Persian designs, making them their own. The label ‘Baluch’ doesn’t necessarily indicate or prove that ethnic

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The rugs come in rich deep reds, natural browns and beige, with occasional touches of white, cream, orange and midnight blue. They are knotted on a woollen warp, with a strong and often lustrous pile

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October / November 2011

Baluch weavers made them – simply that they originated in the general area and feature characteristics of Baluch style. Each tribe has its own motifs and designs, but the range of colours is the same. Some of the names to help you in positive identification, although this is a field for the experts, are, in alphabetical order: Badgiz, Bahluli, Baisidi, Chichaksu, Dokhtar-i-Ghazi, Farah, Firdous, Ghurian, Haft-Boleh, Jan Begi, Koudani, Malaki, Maldari, Mushwani, Nishapur, Shirikhani, Timuri and Yakob Khani. Generally, though, there are three main labels of origin: Herat (or Afghan) Belouch; Meshed (or Iranian) Belouch; and Peshawar (or Pakistani/ Refugee) rugs. Specifically Iranian ones can be woven by the indigenous tribes of the area: the Ali Akbar Khani, Brahui, Salor Khani, Khodada’i, Husseinza’i and Rashin Khani among them. They make a unique statement of identity and ethnic pride, and once you are hooked, you will probably

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Baluch rugs are usually roughly up to 1.5 x 2.2 metres in size. Larger ones and runners are rarer. It’s easy then to start collecting a few, and their roughly standard sizes allow them to be used in many ways

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not even look at other tribal rugs! Baluch rugs have been popular in the West for at least fifty years, as they are moderately priced, hard-wearing and blend in well with contemporary interiors. Baluch rugs are usually roughly up to 1.5 x 2.2 metres in size. Larger ones and runners are rarer. It’s easy then to start collecting a few, and their roughly standard sizes allow them to be used in many ways. One attractive type is the prayer rug, easily identified by its characteristic prayer niche, the mihrab, which would be laid down facing Mecca. On either side of the narrow top panel, two hands indicate the position of prayer, and a stylised comb design, stressing the religious need for cleanliness and grooming before prayer, shows where the head would touch the rug. A stylised pine cone, flower or leaf motif with a characteristic curled tip, familiar as Paisley design in the West, arranged in alternating rows fills the

October / November 2011

centre panel. Another is the bold and very ancient treeof-life design, consisting of an upright central piece with ‘branches’ bearing two-toned ‘flowers’. Often, Baluch rugs have a series of many narrow borders, with repeated braided, zigzag, ‘tuning fork’ or ‘running dog’ patterns. The background may feature any number of eightpointed stars, hooked diamonds, tiny angular s-shapes, floral rosettes and stylised birds and animals. Baluch rugs never have the swirling arabesque designs common in so many other ‘Persian’ rugs – they are almost always totally geometrical. Knot density varies from 25 to 100 per cm2, and pile length varies too – long soft piles might look better, but won’t wear as well. When buying, turn the rug over and look at the back for fine detail and quality. Nomadic people don’t have the need for any heavy furniture, so many functional items are woven, easily packed up and transported. Rugs are not the only item to look for. Very attractive large bags called torba are used for grain storage and also as cushions, stuffed with wool or feathers. As they are made for home use, they are beautifully and finely-made, and formed part of a bride’s trousseau. They make wonderful floor cushions or wall hangings, and if you’ve always wanted to know what to do with those hundreds of bags you get after shopping, make sure they’re clean and pack them in as filling with a few mothballs or sachets of lavender. The cushions are much lighter to move then and it’s all very eco-friendly as well. Nomadic rugs in general are not popular with local people in the Middle East. They far prefer the fine complex mathematically accurate city weaves woven on permanent looms. ‘Rustic’, ‘tribal’ and ‘nomadic’ are not desirable labels! So, tribal rugs are almost all exported, or bought by resident westerners and tourists. The largest Oriental rug warehouses are in fact Hamburg and London, and the selection and prices there are often much better than in this region. The carpet souq in Sharjah is one place to look for, if you can’t get to Iran, of course. Buy one of those soft sports bags – Iranian ‘carpetbaggers’ have an uncanny skill in compact packing. I came back with four without any effort, and shipping is also an option. There are smart carpet shops in Qurm, of course, like Kazerooni and Partners and Tacki Bin Bhacker & Sons, but for an excellent chance to see a good range of city and nomadic rugs, go no further than Al Besat behind Home Centre in Madinat Al Qaboos. They also have an excellent repair and cleaning service. There’s another good place to explore in Muttrah, just before the souq –an Aladdin’s Cave always worth a visit. Now you might be curious at this stage and wonder whether there’s any direct connection between these attractive rugs and the name Al Balushi so often met

with in Oman. Well, er, yes. In the true spirit of Omani hospitality and tolerance, Baluch refugees from a failed revolt against the Shah of Persia in the 1700s were invited by the Omanis to settle in Oman. As a result, in Ibri, and the Sharqiyah, there are fully integrated people of Baluchi origin who have been completely Arabised to the extent that some are even Bedu. Like the Scots and the Swiss a few hundred years ago, coming from then poor countries which bred good fighting men, Baluch mercenaries were in demand throughout the Gulf. Their loyalty was unquestioned, and they were often allowed to stay on after their initial reason for being hired passed. As a result, the armed forces employed many Baluch. Before this, the Portuguese also made use of their services. Baluch's multilingual background enabled many of them to become successful traders and businessmen too, to contribute to the richly varied woven ethnic rug that is Oman.

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There are smart carpet shops in Qurm, of course, like Kazerooni and Partners and Tacki Bin Bhacker & Sons, but for an excellent chance to see a good range of city and nomadic rugs, go no further than Al Besat behind Home Centre in Madinat Al Qaboos. There’s another good place to explore in Muttrah, just before the souq – an Aladdin’s Cave always worth a visit.

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October / November 2011

to wear thin. Do watch for ‘woolly bears’, the tiny larvae of a beetle which love chomping wool. It’s unlikely you’ll get them unless the rugs are stored undisturbed for too long, but keep checking and changing naphthalene mothballs. (Traditional Omani weavings are especially prone to these infestations, as they smell richly of lanolin and goat, a dinner gong these insects can’t ignore.) If you spill anything on a rug, use a paper towel to absorb the worst, and never rub it in. Take it to a dealer to have it cleaned professionally every few years if you can’t be bothered to give it a gentle wipe down with a cloth moistened with a vinegar and water solution. It’s best not to risk washing it yourself, although if you see how roughly the rugs are treated before they reach the shops, you might be amazed at how much rough handling they can take. Animals and even vehicles are driven over them to break them in and then they’re given a good old wash and scrub ready for home or bazaar.

“ A few words about caring for your rugs: You could adopt the custom in Dutch homes of putting rugs on tables, seen in so many Renaissance paintings, or hang a good old one on the wall, but most of these durable rugs are more than happy on the floor. Pets and children need to be watched and trained. Puppies love chewing rugs and cats delight in sharpening their claws on them. A few precautions will ensure that your rug will probably outlive you, though. Don’t put heavy furniture on them for too long without moving the feet, or using protective coverings between the rug and the feet. Roll rugs up against the pile for storage, but always brush with the pile. Try rubbing your cat up the wrong way and you’ll soon learn which direction is most effective! Vacuum gently underfelt is always a good idea, and it’s easy to have your dealer sew on a protective strip under the top and bottom edges to secure the fringes, or to pass a rod through if you want to hang it. The fringes will generally be the first part

October / November 2011

If you spill anything on a rug, use a paper towel to absorb the worst, and never rub it in. Take it to a dealer to have it cleaned professionally every few years if you can’t be bothered to give it a gentle wipe down with a cloth moistened with a vinegar and water solution.

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The best way to enjoy your rugs is, of course, barefoot. It’s about the only time too anyone will ever get to walk all over any Baluchis! Their independence and strong character might make them tough customers, but Baluch rugs will be as longlasting, strong, warm and welcoming as relations with the people who inspired them. And wherever you are, like the nomads, the old Persian proverb is good advice: WHERE LIES YOUR RUG, IS YOUR HOME… make your acquaintance with a Baluchi today. You won’t regret it. It could be the beginning of a long and addictive relationship, and the number of friends you collect will soon grow….And if and when the caravan moves on and you leave one day, pack up, and roll those rugs out again in a new home full of old memories.

ART & DESIGN

ARCHITECTURE

Art that travels Tabanlıoğlu Architects are credited with creating some of the most outstanding architectural designs in the region. The associates tell Crème de la Crème about their journey over the past 50 years

ah a Hadid works are wonders and a pleasure to the senses. The Chanel Mobile Art Pavilion, a travelling art space designed by Zaha Hadid Architects, has opened in its first destination, Hong Kong. The pavilion, commissioned by Chanel head designer Karl Lagerfeld, hosts an exhibition of artworks inspired by Chanel bags by 20 artists and called Mobile Art. The project was unveiled at the Venice art biennale last year. The Mobile Art Pavilion for Chanel, initially inspired by Chanel’s signature quilted bag and conceived through a system of natural organisation, is also shaped by the functional considerations of the exhibition. However, these further determinations remain secondary and precariously dependent on the overriding formal language of the Pavilion. An enigmatic strangeness has evolved between the Pavilion’s organic system of logic and these functional adaptations arousing the visitor’s curiosity even further.

October / November 2011

In creating the Mobile Art Pavilion for Chanel, Zaha Hadid has developed the fluid geometries of natural systems into a continuum of fluent and dynamic space where oppositions between exterior and interior, light and dark, natural and artificial landscapes are synthesized. Lines of energy converge within the Pavilion, constantly redefining the quality of each exhibition space whilst guiding movement through the exhibition. The work of selected artists has been commissioned for the exhibition. Hadid created an entire landscape for their work, rather than just an exhibition space. Visitors will be guided through the space using the latest digital technology developed in collaboration with the artists. Hadid’s innovative architecture is the reason Karl Lagerfeld invited her to create the Mobile Art Pavilion. She is the first architect to find a way to part with the all-dominating post-Bauhaus aesthetic. The value of her designs is similar

to that of great poetry. The potential of her imagination is enormous, Karl Lagerfeld explained during the launch of the Mobile Art Pavilion at the 2007 Venice Art Biennale. Hadid’s architecture transforms our vision of the future with new spatial concepts and bold, visionary forms. I think through our architecture, we can give people a glimpse of another world, and enthuse them, make them excited about ideas. Our architecture is intuitive, radical, international and dynamic. We are concerned with constructing buildings that evoke original experiences, a kind of strangeness and newness that is comparable to the experience of going to a new country. The Mobile Art Pavilion for Chanel follows these principles of inspiration, states Zaha Hadid. Painting and drawing have always constituted an important experimental field for Hadid, as well as a suitable support for the exploration of her creations. Her reinterpretation of architectural drawing through unconventional floor plans with spatial configurations open to interpretation has profoundly influenced the fields of design and architecture. “There are 360 degrees, so why stick to one?” divulges Hadid. She adapted the warped and anti-gravitational space of Russian avant-garde painting and sculpture into her own architectural language. Important in her early career, painting is a design tool that allowed experimentation in both form and movement. Although computer software advancements have allowed her to experiment digitally instead, painting is still integral to her process, with her

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The Pavilion is a unique sensorial and intellectual experience as the exhibition is housed within the walls of the very structure she created

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Silver Paintings series acting as a commentary on her architectural and design work. The Pavilion is a unique sensorial and intellectual experience as the exhibition is housed within the walls of the very structure she created. Visitors may explore her works and thoughts while experiencing her architecture. “The fascination of the Mobile Art Pavilion is the challenge of translating the intellectual and physical into the sensual – experimenting with completely unexpected and totally immersive environments for this global celebration of the iconic work of Chanel. I see the Pavilion as a kind of total artwork that continually reinvents itself as it moves from Asia, to the USA and Europe,” said Hadid. Audiences are thus invited to enter Hadid’s world and examine it on three different levels: the discovery of the building, the exploration of the scenography (the flow and ease of orientation and movement through the exhibition space) and the appreciation of the exhibition itself.

October / November 2011

Gourmet & Hospitality

Culinaire October / November 2011

Gourmet & Hospitality

CULINAIRE

avarian

Festivities Regale Muscat

Great food, ambience and music made Oktoberfest at Grand Hyatt Muscat a lively event. Karen Green gets into the mood of the Bavarian festival held at Safari Rooftop Grill House

ktoberfest is a renowned festival held annually in Munich, Bavaria, Germany, running from late September to the first weekend in October. It is one of the most famous events in Germany and is the worldâ&#x20AC;&#x2122;s largest fair, with more than 5 million people attending every year. Oktoberfest is an important part of Bavarian culture, having been held since 1810 when Crown Prince Ludwig, later to become King Ludwig I, married Princess Therese of Saxony-Hildburghausen. The citizens of Munich were invited to attend the festivities held on the fields in front of the city gates to celebrate the happy royal event. Every year, other cities across the world hold Oktoberfest celebrations modelled after the Munich event. And here too in Muscat, we found that little piece of Bavaria created by Christoph Franzen, General Manager of Grand Hyatt Muscat, and his team on the Safari Rooftop Grill House.

October / November 2011

When Crème de la Crème asked me to do a food review at an Oktoberfest, my first reaction was no way did I want to spend my first evening off in two weeks at a food festival, eating Würstl (sausages) and Sauerkraut (red cabbage)! But when they said it was at my favourite hotel, the Grand Hyatt Muscat, I decided to give it a try and I must say I thoroughly enjoyed the evening. The Grand Hyatt being full with other functions elsewhere in the hotel, it was hard to find parking and so we arrived a little late, just as the event had been declared ‘open’. However, as we walked towards the hotel, we were filled with a sense of fun and anticipation as we heard the jolly tunes of the Oompah band playing on the upper level of the rooftop.

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The wholesome food, great beverages and the ambience at the Safari Rooftop Grill House will definitely keep folks going to the Oktoberfest every year I’m sure, but the stars of the event were the Hofbrauhaus Oompah band flown in especially from Munich to entertain us Muscateers

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October / November 2011

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Oktoberfest is an important part of Bavarian culture, having been held since 1810 when Crown Prince Ludwig, later to become King Ludwig I, married Princess Therese of SaxonyHildburghausen We were greeted, as always, like old friends by all the staff and that’s what I love most about the Grand Hyatt Muscat. From the jovial Mr. Franzen to the sales personnel and the wait staff, we were made to feel so welcome. Being such a foodie, I couldn’t wait to try the fare, some of which - the salads, cold cuts and meat roasting on a spit - were tantalizingly close to our table. But I showed some restraint while the drinks were being served and tucked into the fresh bread rolls and soft Brezn (pretzels), dipping them into an array of yummy sauces and mustard. Being a teetotaller, I stuck to water all night though the waitress did try and tempt me with fresh juices or mocktails, but as I tell my friends, “I’d much rather eat

October / November 2011

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my calories than drink them!” My dinner companions all drank huge steins of the famed brew that is among the main highlights of an Oktoberfest and according to them, it was so smooth and light, they just had to have at least two or three. And now to the part I live for, THE FOOD. Heading to the salad bar, it was a treat to sample such a spread of cold cuts including Black Forest ham, German salami, smoked sausage, cooked ham and liver sausage, I just had to try a bit of everything. There was even a sausage salad, but I opted for the potato salad and a small helping of the cabbage salad with bacon. This was obviously a meat lover’s paradise!

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Oktoberfest is an important part of Bavarian culture, having been held since 1810 when Crown Prince Ludwig, later to become King Ludwig I, married Princess Therese of SaxonyHildburghausen

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The main course was plated and served to us at the table. We were really spoilt for choice with choices ranging from veal meatballs with potato salad, meatloaf with mashed potato and onion sauce and braised pork knuckle with pickled cabbage and potato dumplings among other items listed on the extensive menu, but the clear favourite (judging by the number of us that chose it) was the Spit roasted suckling pig with pan fried potatoes and onion sauce. A few people chose the roasted half chicken with pretzel and the Traditional Bavarian sausage, sweet mustard and pretzel.I can’t speak for the others, though judging by the empty plates they seemed to have enjoyed their food, but I can honestly say I have never had meat so tender it just melted in my mouth. The mild flavour of the onion sauce with the fried potatoes was the perfect accompaniment to the succulent pork. Although by now thoroughly sated, I wouldn’t be doing my job as a food reviewer if I didn’t complete the meal with a dessert, right? Going down the list, I saw Apple strudel with vanilla sauce, Sweet yeast dumpling with red berry compote and Bavarian pancake with raisins and cherry sauce. Not being one for fruity desserts, I settled for the Plum cake and cinnamon ice cream. The cake was surprisingly light and fluffy and the ice cream a gentle flavour to end a hearty meal. The wholesome food, great beverages and the ambience at the Safari Rooftop Grill House will definitely keep folks going to the Oktoberfest every year I’m sure, but the stars of the event were the Hofbrauhaus Oompah band flown in especially from Munich to entertain us Muscateers. Dressed in traditional Lederhosen, they kept the guests amused not just with their music but also their crazy antics and capacity to drink while performing! Too full even for a cup a coffee after that enormous meal, we bid goodbye to our gracious hosts, thankful for the long walk to the car.

October / November 2011

Travel & Lifestyle

Destination w Escape

w Tourism w Luxe October / November 2011

Travel & lifestyle

Destination

hether it’s an exciting trip with the kids, a romantic getaway for two or a lonely sojourn for reinvention - Singapore offers the perfect ambience to soak it all up. A shopaholic’s delight, food aficionado’s paradise, a mecca of entertainment, the country is a fascinating mixture of all these and much more. A city that truly never sleep, Singapore has something for everyone. Singapore is a year-round shopping paradise. Shoppers can bust their baggage allowances in shopping meccas like Orchard Road and Suntec City. For shopaholics this modern city can lay a safe claim to being one of Asia’s most sophisticated yet diverse shopping destinations. To kickstart your Singapore shopping spree, there’s perhaps no better place than the much flaunted Orchard Road, where you can explore a bevy of shopping malls, conveniently

October / November 2011

stacked one after the other, all the way from Wheelock Place to Plaza Singapura. Walking is probably the best method to explore Orchard Road. If you can stand the heat and afternoon downpours just to bag that bargain, consider yourself a true Singapore shopping fan. Named after the bullock carts that used to supply fresh water to its residents, Singapore's Chinatown offers more than just a name when it comes to heritage. The history of this area can be traced as far back as 14th century when new immigrants – mostly, though not entirely from China – utilized this spot for sleeping and dining, while they were working on the nearby shores of Singapore River. This is where visitors can take a quick stroll and be able to experience the Chinese roots of Singapore at its best. When you walk past tiny bakeries in Chinatown the combined effect of the sugary toasted aroma from

The perfect getaway A country that offers myriad options for even the most intrepid traveller, Singapore is an amalgamation of fascinating sights, sounds and experiences. Anita Saimon goes on a journey to discover the pulsating city

the baking and that aromatic Singapore air can be overwhelming. There are sweet things to buy almost everywhere and they encompass most of the cultures in Singapore. Predominantly, you'll see Chinese, Malay, British and Indian bakeries or cake stalls. More recently, French trained or influenced pastry chefs are affecting the look and flavour of some of the local recipes. A personal favourite as well as a must buy when in Singapore are the durian cream puffs from Puteri Mas, situated in one of the restored colonial buildings in Joo Chiat Road, an area that is calm during the day and a bit more racy at night. You can indulge in everything from delicious Chinese custard tarts to delicate French macaroons at the pastry shops and cake stalls in China Town. If you are not a brand slave, then Bugis street is your heaven. Once a world famous nightlife location, Bugis

Street is now Singaporeâ&#x20AC;&#x2122;s largest shopping street, home to some 600 shops of funky fashion and lifestyle products. Here you would definitely pick up some wonderful stuff that will not break your bank It is best visited in the evenings when the alleyways come alive. Moving away from shopping, let's take a look at some of the most popular Singaporean sights to take in - Sentosa

October / November 2011

and Mount Faber. Conveniently both, Mount Faber and Sentosa, are linked by cable car - another iconic Singapore attraction. The cable car takes you over the sea to Sentosa Island. From above, you can see all the work that is being done on the island to make it 'Asia's favourite playground'. Sentosa Island has popular nightly entertainment set near the sea. You can relax in hammocks on the beautiful, sandy, sheltered beach. Many people choose to get married on Sentosa Island due to the beautiful tropical settings. Sentosa have a whole line of adventure summed up, from rope activities and 4D movie to cart racing and dolphin shows. And while in Singapore, if you are looking for a place to stay that is off the beaten track then try none other than luxury hospitality haven - Marina Bay Sand Hotel. It is the biggest hotel in Singapore, with three 55-storey towers, 2,560 luxury rooms. Its 230 luxury suites come with butler service and privileged access to VIP areas. The hanging gardens of bougainvillea that extend from every balcony that faces the South China Sea provide a magnificent backdrop. There is an iconic swimming pool on 57th floor (has to be the largest hotel pool I’ve ever seen!) and you will get an incredible view of Singapore. 84

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Many travellers grumble over Singapore's music scene as insipid. But at the Crazy Elephant, a popular live music bar on the Clarke Quay waterfront, you could experience a quirky music scene. Here novice musicians are invited to perform on stage in a weekly DIY music night.

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Now you can experience many changing flavours in the culinary landscape. At Secret Cook Club, a dinner club founded by Florian Cornu and Denisa Kera (two self-proclaimed nerds), you will definitely smell a new Singapore. This hotel tries to metamorphose Singapore from a cultural desert to a more edgy destination. Now it is not a secret that this hotel pushed conservative cultural boundaries by copying the Japanese practice of Nyotaimori by serving sushi on a naked woman's body. Many such dining clubs are leading an improvisation drive, chiefly culinary, and the results are rarely dull.

You can feast your eyes on Singapore’s magnificent cityscape from The Singapore Flyer, World’s largest giant observation wheel. Once experienced it is hard to forget in your life time. A one-of-a-kind experience and built over a three-story terminal building, the Flyer is 150 metres in diameter, 165-metre high ((it is some 30-metre taller than the famous London Eye!), and travels at 0.21m per second with breathtaking panorama views that are so radically different during the day and at night. Be dazzled and delighted sometimes at the Universal Studios Singapore, the Southeast Asia’s first movie theme park. You can enjoy many ride shows entitled Lost World, Ancient Egypt, New York, Hollywood, Madagascar and Far Far Away. In these rides you can revel in glamour of showbiz and rediscover the Hollywood in a different way. Many travellers grumble over Singapore's music and arts scene as insipid and still far from robust. But at the Crazy Elephant, a popular live music bar on the Clarke Quay waterfront, you could experience a quirky music scene, which is unheard of in this city-state yet. Here novice musicians are invited to perform on stage in a weekly DIY music night. It will help to let your hair down in its true sense. The Singapore Science Centre is a place where you can learn science and have fun. This is a perfect place for kids. It has over 1000 interactive exhibits depicting the wonder and beauty of science. Be prepared to spend a couple of hours here. Aviation Gallery, which demonstrates the principles of flight, gives children and adults an idea on how man first explored the skies. Don’t miss the latest offering at the Omni Max Theatre, which offers 3-D IMAX movies on

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More recently, French trained or influenced pastry chefs are affecting the look and flavour of some of the local recipes. The best place to buy durian cream puffs is at Puteri Mas, situated in one of the restored colonial buildings in Joo Chiat Road

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topics ranged from the great pyramids to life on the moon. You cannot afford to miss the Singapore Night Safari, the world’s first nocturnal zoo. This wildlife park offers tour inside to see the nocturnal animals during the nighttime in colorful shades and contrast. Singapore, as with many unique destinations, cannot be felt until you visit. So pack light, for there will be loads to take back home, and come over to Singapore for a unique, and exhilarating trip!

October / November 2011

Travel & lifestyle

ESCAPE

On the Wild Side

Take off to the wilderness of Africa. Rob Arnhem sets out on a Serengeti safari to discover the natural beauty of Tanzania

October / November 2011

anzania is now the hot destination for people who have already ‘done’ Kenya, and you can have everything from basic budget travelling and camping to ‘designer bush’ luxury lodge. The northern Serengeti is most easily accessible, but the south, home to the Ruaha and incomparable Selous Reserves, is more than worth the effort. Thanks to sensible conservation priorities, the 15,000 sq km area of the Serengeti plains of Northern Tanzania still hosts one of the biggest animal spectacles on earth. This phenomenon takes place annually, usually in November, when herds of more than a million Wildebeest, or Gnu, accompanied by Zebra and Gazelle, trek back south to the Serengeti plains from the adjacent Masai Mara Reserve in Kenya. Lured by the promise of rains and new grass, massive columns of animals collect and start moving instinctively. In periods of normal climatic change, the trek is predictable, but 2005 and early 2006 have seen troubled times. While a terrible drought has afflicted Northern Kenya and neighbouring countries, the rains have also come late further south in Tanzania. Instead of their inexorable progress on their ancient annual migration routes, the vast herds have this time milled backwards and forwards, as patchy rains fell in scattered areas. The migration is a fairly recent natural phenomenon, and not as ancient as was once believed. The ‘endless plains’ of the Serengeti – the Masai name is evocative – have seen many such migrations, dependent on prevailing seasonal rain patterns. Further east of the Serengeti, on the other side of the Great African Rift Valley which stretches from the Dead Sea to Lake Malawi, in the Tarangire National Park, it’s the turn of big family herds of elephants which tread their migratory paths to gather in the vast Silale Swamp for their ‘winter’ break.

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Those iconic images of Africa, the most characteristic common trees dotting the plains are the flat-crowned acacia or umbrella thorns, beautiful and immediately recognisable. Tarangire Treetops is quite literally ‘tops’ too- each luxury tent-cumtreehouse is built into your very own baobab tree

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This little-known paradise is home to over 500 species of birds and the rarely seen lesser kudu and fringe-eared oryx, and a number of camps and lodges cater for those who want more than a taste of wild Africa. As you approach the Park, its most noteworthy inhabitants, the baobab trees, stand guard. Their huge girth and advanced years are testimony of their dominance over the landscape, over which they loom like grotesque sentinels. Bare of leaves in winter, their bloated trunks looking like coppery wax which has melted in the heat and solidified again, and scarred by generations of elephants flaying

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their bark, they stand as ancient survivors. In summer, they put out a flush of glossy leaves and huge cream flowers. Night pollinators like moths, bats and galagos home in on their powerful scent. Months later, the green velvety hard-shelled fruit forms, relished by everything from baboons to elephants for the tart pulp around the seeds – one source of cream-of-tartar. In its branches buffalo weavers and vultures build their platform nests, and hordes of small creatures inhabit its folds and holes. Another characteristic tree is the sausage tree, whose deep red blooms mature into hard woody pods in turn eaten by animals clever enough to cope with them. And look out for the odd leopard often lying unseen along its overhanging branches, just as it favours the marula tree for its spreading crown, hidden for that deadly overhead ambush. Those iconic images of Africa, the most characteristic common trees dotting the plains are the flat-crowned acacia or umbrella thorns, beautiful and immediately recognisable. Tarangire Treetops is quite literally ‘tops’ too - each luxury tent-cum-treehouse is built into your very own baobab tree. You have several choices of route: fly to Nairobi in Kenya, or to Dar-es-Salaam in Tanzania, then pick up a flight to Kilimanjaro Airport or Arusha. These are the hubs for trips into northern Tanzania, and you can either stay over in Arusha at the idyllic Coffee Lodge, set in an old coffee plantation, or head for the Ngorongoro Crater and on to Seronera, the central airport serving the whole Serengeti. A bonus is flying over Lake Manyara and the magnificent extinct volcano of the Ngorongoro Crater, if you don’t have time to include them on your land route.

The local tribal Masai people have been lords of the East African plains for centuries, and they share this vast space with its wildlife. One of Africa’s immemorial sights is a column of dust raised by the hooves of the small but prized Masai cattle, their bells clanking as they amble along. Tending them is the invariable lone herdsman in his scarlet shuka, the toga-like robe so typical of the Masai. But this evocative sight pales into insignificance when the vast herds of wildebeest are on the move, or the bulk of a surly dark mass of buffalo stampedes at the hint of lion, muzzles up and great bossed horns glinting, or a myriad of red-billed quelea birds darken the sky. This is big sky, big game country, big time, and all on God’s big screen in Imax mode. Time is irrelevant in the great scheme of things here,

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Bare of leaves in winter, the bloated trunks of baobab trees looking like coppery wax which has melted in the heat and solidified again, and scarred by generations of elephants flaying their bark, they stand as ancient survivors. In summer, they put out a flush of glossy leaves and huge cream flowers

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Don’t be fixated on looking out only for the Big Five – although you will no doubt notch up at least three – Elephant (tembo), Lion (simba), Buffalo (nyati), Leopard (chui) and the poor persecuted Rhino (kifaru) are less likely. Concentrating only on spotting the larger animals can limit your enjoyment. The plains support 32 species of hoofed animals whose meat in turn feeds the carnivores, and getting to know how to identify them all is rewarding. The whole ecosystem would not exist without the humble grasses that cover the plains and provide food for all those grazers. The enormous biomass of animals begins with the countless unseen legions of small rodents, and progresses to the browsers and grazers ranging from the tiny pencil-legged monogamous dikdik through the gazelles - Thompsons and Grants - the larger antelope species, including the nomadic eland, the size of an ox, up to the biggest like giraffe and elephant. Understanding how the whole system works is fascinating in its own way. It’s also a good idea to chill out one day and just spend your time exploring the camp itself, or surveying the scene from a vantage point above a water hole. Often the smaller dramas of life are your reward – a column of raiding ants marching between protective walls, a clan of bright-eyed dwarf mongoose emerging from a termite mound, or the chatter of a feeding party of aptly-named Superb glossy starlings, hornbills, go-away birds and orange-bellied parrots. As the Romans said: Out of Africa, always something new. Your safari might well bring something rich and strange out of Africa for you!

and you should adapt to its slower rhythms. Ponder the fact that our remote ancestors walked these same plains in Pleistocene times before they moved out of Africa to populate the world , and left their early fossils here as evidence. This primeval urge to visit ‘Africa’ is a genetic deep-seated atavistic desire to return to Eden, our original ‘home’. After a spectacular sunset, savour the trance-like mood that sitting, watching the glowing embers of a campfire brings on, and have a little night cap before you turn in. The star-dusted night could keep you awake longer than you imagined, though: your dreams might be interrupted by grazing hippo, the maniacal cackle of hyenas crunching bones disturbingly close to you, or the roars of lion carrying far on the chill dawn air. Get enough sleep to enjoy sunrise to the accompaniment of the birds’ dawn chorus, down a steaming cup of good heady Tanzanian or Kenyan coffee and get out early on a drive or a walk, where guards are available.

October / November 2011

Travel & lifestyle

TOURISM

Beautiful Bavaria When three stalwarts from the travel and tourism arena join hands, there definitely is bound to be excitement in the air. Crème de la Crème attends a festive evening where officials from Oman Air, Upper Bavaria Tourist Board and Munich Airport come together for promoting tourism in one of Germany’s spellbinding regions

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Philippe Georgiou

Angelika Nuscheler & Corinna Born

avaria is one of the most picturesque regions of Germany. Beautiful and different from other parts of Germany, Bavaria is a popular travel destination as well. It’s no wonder Oman Air has flights to Munich, the capital of Bavaria. Oman’s national carrier together with Upper Bavaria Tourist Board and Munich Airport recently hosted a press evening at Grand Hyatt Muscat to highlight the attractions of the Bavarian region. Philippe Georgiou, Chief Officer - Corporate Affairs, Oman Air, said that the airline was working on its strategies to encourage more people to visit Germany, especially Munich. Oman Air has been flying to Munich since 2008.

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According to statistics, Munich Airport has seen a 40 per cent increase in the number of passengers to Germany from the Gulf region during 2010. Out of this, 59 per cent pass through Munich Airport

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Philippe Georgiou, Chief Officer - Corporate Affairs, Oman Air, said that the airline was working on its strategies to encourage more people to visit Germany, especially Munich. Oman Air has been flying to Munich since 2008 Germany has been a destination of interest for travellers from Oman. “There are many people from Muscat visiting Germany, but we would also like to increase the number of visitors heading to Upper Bavaria from Oman,” said Corinna Born, Marketing Manager, Munich Airport. According to statistics, Munich Airport has seen a 40 per cent increase in the number of passengers to Germany from the Gulf region during 2010. Out of this, 59 per cent pass through Munich Airport. Born acquainted the press fraternity with an interesting presentation of the Munich Airport that showcased the various facilities and highlights of one of the busiest airports in Europe. Incidentally, Munich Airport ranks 92

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seventh among the top 10 airports of Europe. Also present at the event was Angelika Nuscheler, Deputy Managing Director at the Upper Bavaria Tourist Board. She briefed the press about the region and described it as an all-year destination with various attractions and events taking place through the year. She also spoke in detail about the beauty of the region, its scenic attractions as well as events that take place annually. While Oktoberfest is one of the most popular annual events that attracts hordes of visitors to Munich from all over the world, that need not be the only reason to visit the beautiful city. There seems to be something for everyone at Bavaria. And that’s where we had headed next!

Travel & lifestyle

luxe

Jewels of the future

Swarovski’s forecasting team at Gem Visions has unveiled the jewellery trends for 2012. Here’s a sneak peak…

wa rovski Gems’ design forecasting service Gem Visions predicts jewellery trends will be inspired by vintage design, cinema, celebrities, nature and fiction. Titled Gem Visions 2012, the collaborative report is an annual trend and design book featuring design directions, themes and inspirations. The report has forecast five design directions for 2012 – studio, fantasy, fiction, luminescence and nouvelle vague. Studio: The Studio trend is informed by a rise in handmade yet simple, polished jewellery with an emphasis on a neutral colour palette and retro colour combinations. Jewellery under this trend will feature the use of pearls, brush–effect metalwork and vintage designs. The trend derives its name from studio pottery and draws upon designs of the 1950s.

Jewellery designs that fall under this trend will appeal to lovers of heritage brands and vintage jewellery. Fantasy: As a juxtaposition to ‘studio’, the ‘fantasy’ trend pertains to jewellery in a spectrum of deep, intense colours that correspond with gemstone shades. Flora and fauna are said to be the inspiration behind the embellished and intricate jewellery under this design direction, which includes greens, violets, orchid colours and bright pink.

Lovers of the ‘fantasy’ trend will be courageous consumers who are keen to express their individuality through one-off designs. Fiction: The rising popularity of the sci-fi genre and provocative celebrity jewellery wearers such as Lady Gaga have given rise to the ‘fiction’ design trend, according to Gem Visions. Jewellery under this trend will merge the themes of skeletal structures and bones, myths and legends as well as extra-terrestrial beings with bejewelled designs. Earthy colours of orange and red as well as night sky shades of glinting black and grey will be replete. Luminescence: Based upon radical minimalism – a revival of the 1990s techno era – the ‘luminescence’ trend will inspire the creation of modernised, industrial jewellery with architectural, abstract and geometric shapes. A new colour vocabulary of strong, clashing contrasts and fluorescent rainbow hues will feature across jewellery that draws upon this trend. Young consumers are likely to be the main demographic this jewellery trend caters to. Nouvelle vague: ‘Nouvelle vague’ draws upon the preserves of timeless cinema and music genres such as ‘Film Noir’ and ‘New Wave’ in a jewellery design trend that is centred around the use of cubic zirconia and black & white. This trend appeals to smart, classic dressers who aspire to wear statement diamond jewellery. Looking towards 2012, GEM VISIONS expects a watershed in the evolution of contemporary jewellery design. As the 20th century recedes, the industry turns its back on nostalgia and focuses on the future, as a new 21st century design language embraces and integrates past traditions through ingenuity, innovation and breathtaking creativity, all underlined by profound emotional values. In its compelling workbook-style design, spontaneous and expressive, with its own distinctive point of view, and a wealth of expertly researched visual references, sources and influences from around the world, GEM VISIONS 2012 opens up a rich treasure chest of design directions, themes and inspirations. October / November 2011

Style & Beauty

Showcase w Fashion w Bling w Beauty File w Advertorial w Horology October / November 2011

style & Beauty

showcase

A Box Full of

Treasures Soheyla Amoudeh and daughter Shahrzad Amoudeh Alireza

Sherie is the affectionate namesake of Shahrzad. The boutique is a veritable treasure chest that glows with an inviting light as small objects of carefully crafted jewellery and accessories wink at you through the boutique window, writes Toni Keunen

legant and chic, contemporary yet classical, Sherie is a new boutique in Bareeq Al Shatti that houses original jewellery, accessory and clothing creations by Jewellery and design professionals Soheyla Amoudeh and Shahrzad Amoudeh Alireza. They say ‘the apple doesn’t fall far from the tree’; well nothing could be more true of Soheyla and her daughter, Shahrzad. Both graduated from the Sir John Cass School of Art at the London Guild Hall University, both have a passion and lifelong love of jewellery design and both have had a desire to work side by side. As well as being business partners, they are also the best of friends.

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Although they are joined by their roots, the generation gap has brought in Shahrzad, a modern and eccentric flair to her designs which are vibrant and daring. Sohayla on the other hand, has a classic style of minimal elegance and simplicity

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'Sherie' is the affectionate namesake of Shahrzad. The boutique is a veritable treasure chest that glows with an inviting light as small objects of carefully crafted jewellery and accessories wink at you through the boutique window. One’s senses are aroused with the childhood innocence of peeking through the window of a toy shop at Christmas time. Their collections include original jewellery pieces, hand bags, a clothing line and home decorations, but above all, Soheyla and Shahrzad are jewellery designers. Life and travels in Europe, the Middle East and Far East have influenced and inspired much of Soheyla and Shahrzad’s work. Their Iranian heritage accounts for the

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Persian influence that is elegantly visible throughout their boutique. Shahrzad explains; “Yazd, is one of Iran’s oldest cities and producer of a unique and beautiful shade of turquoise that is used in traditional pottery. The same shade is recognized globally as native to Iran. We like to use this shade of turquoise in our jewellery. It also symbolises the uniqueness of our collections and for the same reason, we wanted to use it in our logo as well, which is a symmetrical hand of Fatima with the Persian sacred pomegranate inside”. When Soheyla and Shahrzad return to their workshop the essence of their travels in Capri, Istanbul and Paris (to name a few) come together in new and sophisticated designs. Their jewellery collections are representative of international styles of the moment and local appeal. Soheyla reveals about their new collection: “We are currently working on a new line of Omani style jewellery using beading and gold plated materials that are in demand right now”. Although they are joined by their roots, the generation gap has brought in Shahrzad, a modern and eccentric flair to her designs which are vibrant and daring. Soheyla on

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Soheyla reveals about their new collection: “We are currently working on a new line of Omani style jewellery using beading and gold plated materials that are in demand right now”.

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October / November 2011

the other hand, has a classic style of minimal elegance and simplicity. The temptation to purchase a little something for oneself is impossible to resist, not to mention the difficulty in selecting just one delightful gift for a girlfriend or family member. The combination of contemporary and classic is attracting buyers of wedding and occasional jewellery and is an irresistible attraction to women of all ages. For those special occasions or simply for individuality, Sherie offers bespoke design services. With this service Sherie’s clients are able to incorporate their own ideas in the creation of personal pieces of jewellery and clothing. As a member of the Society of Industrial Artists and Designers, Soheyla’s expertise guides their clients through the process of selecting jewellery that is most complementary. Soehyla and her family arrived in Muscat in 1997. Soon after she established her first boutique, Al Jawahir, in Qurum’s Al Asfoor Plaza. Soheyla was known among her clients for her simple use of easy wearing cottons and linens. The options for these types of garments were limited in Muscat at that time. so Soheyla quickly built a reputation for creating a blend of European casuals with chic and simple details. Soheyla explains: “we have always been inspired by the Mediterranean way of creating clothing lines that are cool, loose and modern and that appeal has not changed with our clients, over the years”. Shahrzad added “we like to create pieces that we ourselves feel good in and these are the items that are more in demand and we are complemented on most”. Staying on trend and providing high end, bespoke services are very much a part of Soheyla and Shahrzad’s business model and having relocating to Dubai in 2004, Soheyla and her family then returned to Muscat in 2010 at which time, Soheyla began her plans to establish Sherie. Soheyla’s experience of the Muscat market from her Al Zawahir days, has led to valuable research and development for the new boutique. Usually based in Saudi with her husband and two children, Shahrzad finds time to travel collecting new material and dedicating herself to developing their business on the international scene. Her plans for a new store in Al Khobar, Saudi are in full swing and she also finds time to promote their collections in London. The finesse and craftsmanship that are both inherent and trained in Soheyla and Shahrzad have been internationally recognized. As well as achieving her Bachelor of Arts in Jewellery and Design, Shahrzad chose to specialize in enameling (the craft of melting glass on to a metal surface) and she received the prestigious Goldsmiths’ Award 2005 in London for her work. Prominent public figures participated at the exhibition included former Mayor of London Ken Livingstone and

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Although they are joined by their roots, the generation gap has brought in Shahrzad, a modern and eccentric flair to her designs which are vibrant and daring. Soheyla on the other hand, has a classic style of minimal elegance and simplicity

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his wife Emma Beal, from whom Shahrzad’s received a request for commissioned work. From stunning jewellery collections to casual linens, from original hand bags to home furnishings, Sherie is a delight to behold. When asked to describe how they view their work, Soheyla and Shahrzad replied; “enjoyment, pleasure and work in equal measure”. Undoubtedly the trademark qualities of a true artisan. The official launch of Sherie will take place before the end of the year, with unveiling of their new home furnishing collection. October / November 2011

Style & Beauty

Fashion

Shades of a woman

The second edition of Omani Women’s Fashion Trends unfurled the colours of the rainbow as seven designers came together for a day of fun, creativity and charity. Crème de la Crème presents a report on the show

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The designers dipped their creative energies into contemporariness by incorporating cuts, elements and designs that seamlessly weaved into the Omani ethnic couture

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The designers chose modern silhouettes for many creations while ingeniously incorporating traditional design elements

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The ramp was resplendent with colours that seemed to burst onto the stage with every creation that was showcased, even on abayas

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olours of the rainbow took centre stage at the second edition of Omani Womenâ&#x20AC;&#x2122;s Fashion Trends 2011 (OWFT) that was held in October. Seven designers presented collections featuring the colours of the rainbow. The event, conceptualised and organised by Light & Shadow garnered much interest at its debut last year. The second edition of the show was held at Al Bustan Palace â&#x20AC;&#x201C; A Ritz Carlton hotel and was attended by ladies from top echelons of society. Her Highness Amal bint Turki bin Hamoud Al Said, the guiding force of the event, has become the brand ambassador of OWFT from this year. Among the designers who showcased their creations were Afaf Ismaili, Hala al Balushi, Hanna al Raisi, Hazar al Zadjali, Maitha al Harthy, Shibly Maksood Ali Nusrat and Wafa Basalwad. Each designer was given a colour as the theme. The garments were mostly influenced by Omani designs but with a twist. The designers dipped their creative energies into contemporariness by incorporating cuts, elements and designs that seamlessly weaved into the Omani ethnic couture. The garments were complemented with jewellery and fashion accessories from the acclaimed luxury brand, Piaget. The show took an exciting turn

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when the organisers gave out gifts to many ladies that were provided by the sponsors. There were many lucky ladies in the audience who went back home with vouchers and gifts. Yet, it was not just fun and mirth at OWFT. The show lends it support to a worthy cause every year and this year the organisation chosen was National Association for Cancer Awareness. Each designer gave away one of their designs to be auctioned after the show, which was conduced by Karen Green, renowned for her auctioneering skills.

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STYLE & BEaUTY

bling

Jewelled Temptations Turkish jewellery house, Gilan brings together the unbeatable elements of passion and luxury. Jewellery making gets a fresh new approach through the techniques and skills of the craftsmen from Istanbul

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he family story and its love affair with luxury begin in the town of Gilan, where two generations ago, the grandmother of the founders was head seamstress for the Ottoman pashas. It picks up again, in 1980 in the city of Bursa, where brothers Muharrem and Ferhan Gilan opened a 1.5 sq m jewellery store working as wholesalers. Their hereditary passion for design and luxury led them to move to Istanbul and to set the basis for Gilan which is today the marquee name in fine jewellery in Turkey.

Inspired by their Istanbul heritage in jewellery making, the brothers gathered a creative design team with the most skilled craftsmen in Istanbul, with the aim to create contemporary collections bringing the opulence of the Sultan Court to the 21st century. In 2001, Gilan opened its first international location in New York starting with exclusive “by appointment sales”. The jewellery house is now celebrating its 10th anniversary in the US and expanding its pesence, debuting at select Saks Fifth Avenue and Neiman Marcus locations in New York, Palm Beach Gardens, Beverly Hills, Atlanta and Naples. Today, Gilan designs are also available in exclusive locations such as Paris, Courchevel, Saint Tropez, Megève and Bahrain. The newest Gilan boutiques in Istanbul at Istinye Park and Four Seasons on Bosphorus Hotel in Istanbul were designed by the renowned interior designer Bruno Moinard to present an elegant and luxurious shopping experience, and will serve as a reference for the upcoming openings.

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Innovation, family values, and passion for beauty are some of the key words that can define Gilan

Thus Gilan’s journey from a small atelier in Istanbul to the international luxury House of the 21st Century is the pinnacle of a thirty year old journey of dreams, success, passion and timeless values. The driving force behind Gilan is a creative vision that brings a new and dynamic perspective to the rich jewellery-making traditions of Istanbul, the Queen of the cities that has been at the very heart of Roman, Byzantine and Ottoman empires and cultures. The House has introduced a new face of the artistic wonders and historic splendours of Anatolia by reinterpreting and reinventing them with a 21st century feel. This sets apart Gilan from its peers, opening a new era in the conventional market of Jewellery. Although the House is now international, the soul of its creations belongs to Gilan’s master jewelers in Istanbul.

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Gilan has its own workshop in Istanbul, which guarantees the total control of the creative and production process. Muharrem and Ferhan Gilan have always been committed to working with the finest artisans, and are proud to use the traditional techniques that have made the fine jewellery of Istanbul and its region distinctive and world famous. Through its innovation and creativity, the House continues to celebrate Istanbul’s rich heritage while creating for the woman of the 21st century: a jewellery connoisseur who seeks out one-of-a-kind striking design, flawless quality and strong emotion. Today Gilan captivates the world of Fashion, Cinema and Music and the most beautiful women. Following the

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example of Istanbul’s most stylish ladies, world-famous celebrities and leading members of international society now make Gilan their jeweller of choice. Nicole Kidman, Christina Aguilera, Salma Hayek and Penelope Cruz are just a few names to mention. Innovation, family values, and passion for beauty are some of the key words that can define Gilan. The two brothers have created a unique identity for their brand that inspires in its devotees a special sense of pleasure, ownership and belonging. Style is timeless and the Gilan's flair for design and innovation inspires collections that stand out: not just beautiful to look at, these creations have soul. Every year, Gilan creates a new collection. Each of them has become a classic that enhances the brand philosophy.

The House has introduced a new face of the artistic wonders and historic splendours of Anatolia by re-interpreting and reinventing them with a 21st century feel. This sets apart Gilan from its peers, opening a new era in the conventional market of Jewellery.

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Bosphorus Dreams Collection Bosphorus is the narrowest strait which connects the Black Sea with the Mediterranean Sea. When the Magic of East marries the Energy of West, Gilan pays homage to the duality of the great sea; Its banks so different and yet flowing together in harmony. Gilan emphasizes the duality and diversity of the banks with design, such as the use of asymmetry and visual effect of pure lines that complement each other although never meet. The diversity of cultures which spring fom the interaction of two continents, the mutual respect and enchanting surprises that result from this are symbolized by the fresh combinations of different precious metals and stones. The high jewelry creations recreate the life and emotion of the ever moving waters with exceptional craftmanship and know-how. Colors of Emotion A shimmering journey into the colors of the city… Istanbul’s colors and passions, its magic and its secrets, its fables and its inspirations…A new collection from

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Gilan inspired by Istanbul: Colors of Emotion. With this new collection, Gilan takes us on a journey that travels through Istanbul’s magical fables and glowing colors. The collection has four different themes that reflect the stories of passionate loves of Istanbul in different colors. Phoenix collection The Phoenix draws its inspiration from the ancient and mythical Phoenix legend of resurrection and immortality.

markings. Tribute to ancient cultures, this motif is also an ode to modernity and femininity for Gilan. Because the passion for beauty and hospitality is part of the Gilan DNA, the House has created a collection of decorative objects: champagne flutes or wine glasses made of crystal, white gold and diamonds, and whimsical objects born from a customer’s dreams are part of a lifestyle dedicated to ultimate luxury and craftsmanship.

Saressa collection Inspired by the eagle that, according to the legend, protected an ancient Hittite Queen and her subjects, the Saressa collection uses bold designs to create a dramatic and spiritual statement. Wings of emotions, delicate and strong, with dreams of flight- these symbols of freedom are timeless. Cintemani collection Of Buddhist origin, this symbol is composed of three circles along with two flowing lines. One of the most striking motifs in Ottoman Art, Cintemani was a symbol of power and strength, the three dots being compared to the leopard’s spots and the curving lines to a tiger’s

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STYLE & BEaUTY

Beauty file

Skin so radiant 110

October / November 2011

Aqua Radiance is Kaya Skin Clinic’s answer to fresh and glowing skin. Water and air are the main ingredients of this refreshing facial. Crème de la Crème gets to know more about this refreshing therapy

at er is undoubtedly the ultimate skincare ingredient. It is essential for glowing skin and shiny tresses as much as it is necessary for overall good health. So, it is not surprising that water is one of the main ingredients of the skin-invigorating facial – Aqua Radiance. Introduced by Kaya Skin Clinic to restore the vibrancy and moisture lost because of the extreme temperatures in the region and harsh sunrays, Aqua Radiance is the ultimate skin rejuvenating procedure. This unique facial from Kaya Skin Clinic combines the cleansing and refreshing properties of water and oxygen to bring visible glow to skin that has been exposed to harsh sunlight as well as the dehydrating effects of air-conditioner. The market is overflowing with facials of all kinds and there are a myriad options – from deep cleansing to gold to whitening and more. Yet, after trying what Kaya Skin Clinic has to offer, we can guarantee that there are few that offer instant and lasting results like Aqua Radiance. For first timers, Kaya Skin Clinic can seem a far cry from the cozy, zen atmosphere that most spas offer. It’s a skin clinic after all, complete with a dermatologist with whom you can have a consultation if required before going in to experience the facial. The process begins with filling out a questionnaire that gives the therapist a clear idea about the client’s skin, medical and other important details. The therapists are well trained and answer any queries clients might have. Once in the facial or therapy room, the therapist begins by cleansing the skin with Kaya’s own cleanser – a great product that we have tried in the past and been hooked on to. This is followed by a massage using a seriously cold gel. After this is wiped off the therapist then moves onto the first stage – exfoliation. This is done with the jet sprays

that penetrate the deepest layer of skin, thereby removing layers of dead cells and restoring vitality. The jet sprays are a combination of water and air that work together for amazing results. Another session follows with the jet sprays, this time to aid lymphatic drainage from the face. While the jet sprays are not uncomfortable, it could take a few seconds to get used to it while your face is being plummeted with water and air, although through a tiny nozzled handheld device. Blackheads and whiteheads are removed in the traditional manner but seemed to hurt lesser! Wonder if it has to do with the supersonic jetsprays. What follows next is hydration which the therapist explains as the process by which the jet sprays rejuvenate the skin by infusing it with vitamins – the jetstream forces the vitamins to penetrate deep into the skin. The final step is the application of a gentle, soothing mask that is left on for almost 20 minutes. As the mask works it’s magic, it could seem a tad difficult to not snooze especially after all that supersonic sprays! Often, results are not visible right after a facial. Yet, after an Aqua Radiance session, it is not tough to see the glow. Not only is skin cleaner and refreshed, there is a nourished radiance that lasts for more days than ordinary facial. While Aqua Radiance is ideal during summers to refresh our dull, tired skin, we would suggest in a hot country like Oman, this facial is a good choice any time of the year. For more details contact: Kaya Skin Clinic - 2460 1700 / 2460 4300.

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This unique facial from Kaya Skin Clinic combines the cleansing and refreshing properties of water and oxygen to bring visible glow to skin that has been exposed to harsh sunlight as well as the dehydrating effects of air-conditioner

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Advertorial

Molten brilliance Crafted from the depths of imagination, Mouawad introduces the Lava collection featuring 18 karat rose gold, citrines as well as black and white diamonds

ou awad is renowned for creating inspirational and beautiful jewellery that are pure brilliance. The international luxury brand adds to their veritable collection â&#x20AC;&#x201C; Lava, a specially designed range that captures the alluring moment when molten lava ruptures from deep within the earthâ&#x20AC;&#x2122;s core. What thus has formed is a collection of exquisitely hand-crafted pieces of 18k rose gold, citrines and black & white diamonds meticulously forged and randomly layered together to form a powerfully frenetic lava motif. Just as diamonds are shaped and formed for ages under great pressure to become perfect crystals of hardness and beauty, the Lava Collection has been wrought from the depths of imagination to capture the power and glory of the violent eruptions of hot rocks escaping from deep within their ancient vestibules. This extreme moment in time is what inspired the motif of this, the latest collection released by the 121-year old company. Lava features round-cut citrines and diamonds randomly set in 18k rose gold to form splashes of brilliance and movement. The Lava pieces are at once bold and beautiful â&#x20AC;&#x201C; fun and wonderfully frenetic with a classic style that sparkles with Mouawad charm. The Lava collection includes exquisitely detailed earrings, necklaces, pendants, rings and bracelets.

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STYLE & BEaUTY

Horology

acoustic hours

The pioneering Lange Zeitwerk Striking Time is the latest addition to the Lange Zeitwerk family, and the first A. Lange & Söhne wristwatch with an acoustic signature. A report...

asterful creations that command respect and showcase creative ingenuity are the two main characteristics of A. Lange & Söhne timepieces. The pioneering Lange Zeitwerk Striking Time is the latest addition to the Lange Zeitwerk family, and the first A. Lange & Söhne wristwatch with an acoustic signature. It strikes the quarter-hours with high-pitched tones and the full hours at a lower pitch, which played fast-forward, sounds out Beethoven’s Symphony No. 5 with its four-note fanfare opening. The watch’s innovative chiming mechanism is visible on its face. Two black-polished steel hammers are integrated into the dial layout; one strikes the hours and the other the quarter-hours. Two gongs are also discernible - suspended between the dial and the bezel. In quarter-hour intervals, a remarkable technically genius mechanism within the timepiece triggers a strike on one of the two gongs. A higher-pitched tone signals the quarter-hours and a lowerpitched one sounds at the top of the hour. The Lange Zeitwerk Striking Time combines groundbreaking acoustics with the incredible technical innovation of the Zeitwerk family, first launched in 2009 as the world’s only linear numeric time reading watch followed by the Zeitwerk Luminous in 2010. The large hour and minute numerals in adjacent apertures deliver unambiguous time reading. Accompanied by a soft click and hardly perceivable by the human eye, the numerals advance minute by minute, powered by the patented constantforce escapement. With its bold design and its exceptional quarterhour chime - a rare function in the world of fine watchmaking - the Lange Zeitwerk Striking Time takes centre stage as a resonant masterpiece and highlights A. Lange & Söhne’s dedication to surpassing expectations and pushing the boundaries of precision watchmaking. The timepiece comes in a 44.2 millimeter white-gold case with a black dial, or in a limited edition of 100 platinum-cased watches with rhodiumed dials.

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Sailing w Simply Musts October / November 2011

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MELANGE

SAILING

At the Helm

Oman Sail’s new sailing programme exclusively for women draws inspiration from the Sultanate’s rich maritime past. Priyanka Sacheti presents a comprehensive report on the programme that’s inspiring a new generation of Omani women sailors

ith due appreciation of Oman’s incredible coastline and waters and its rich maritime past, Oman Sail is actively working towards introducing and integrating sailing and water sports into the Omani lifestyle and community. Since 2008, Oman Sail has been committed towards consolidating the idea of sailing as both a stimulating leisure and competitive professional pursuit amongst the community. It has dedicated itself to introducing the community to sailing and encouraging them to pursue it through various means; for example, 7,000 Omani youngsters received the opportunity to learn sailing through Community Sailing programmes, which focus upon grass roots sailing training. “We would like to make sailing an integral part of Omani culture and hence, have set up several different

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The women can qualify as instructors as well being part of qualifying teams. They can alternatively pursue hospitality at the Mussanah Marina and have instructing opportunities at the Marina itself

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avenues where people can try the sport,” say Dawn Bridge, Sales Coordinator, Commercial Sailing, and Daniel Chamberlain, Mussanah Marina manager about encouraging as much as participation from the community as possible. They are also particular about children taking it up as a hobby with them potentially then perceiving it as a professional pursuit in the future. “It is important to identify and cultivate the talents of the youth at an early stage as it will eventually prepare and culminate into them becoming outstanding sailors in the future,” Chamberlain and Bridge emphasise. Having gleaned experience from the above community programs, Oman Sail launched Women’s Sailing Programme, aimed directly at Omani women on October 10th, 2011, in which every effort is being made towards ensuring that the women candidates are trained, coached, and qualified at optimum levels and given a high level of awareness as to the myriad options the future holds for them once having successfully completed the programme. “Oman Sail is dedicated to giving equal opportunities to all Omanis in sports and socio-economic aspects through the medium of sailing,” says Salma al Hashmi, Director of Marketing and Communications, Oman Sail, mentioning that their Community Sailing programme is in its fourth year. When the programme invited members of the community to try out sailing, it was seen that young girls were especially interested and enthusiastic about the idea of sailing. In the past three years, the boys have been successful in different competitions and regattas. “We decided to go to the next step and give the same opportunities to the girls, who showed interest in sailing,” says al Hashmi.

In July this year, Oman Sail welcomed 70 young women into its sailing centers at Mussanah and Marina Bandar al Rowdha for the Women’s Programme Open Days. During the day, the participants took to the water for the first time and played educational games when ashore, which tested their problem solving abilities and team-work. “The Open Days provided a feel of the sport and glimpse into the intensity, physical fitness, and stamina that it requires,” al Hashmi emphasizes. She adds that while they anticipated that they would get more of a turn-out from Muscat, there was considerable response from women of other areas of Oman as well. While families of Omani girls wishing to pursue sports may have hesitation in allowing them to do so, Oman Sail has been committed towards reaching out to them and making them understand that the programme is safe, appropriate, and will yield fruitful developments for the women. “In fact, some girls come from families where generations of men have been fishermen and the fathers and grandfathers have been hugely supportive,” says Al Hashmi. From the 70 women, 40 were selected to proceed to Phase One of the training: a three week assessment course held in September. This course was specifically designed

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to develop the women’s basic sailing skills while assessing their potential. Those who made it through Phase One immediately started their professional sailing training; this six month course will equip them with the comprehensive sailing skills required to qualify as instructors and become the latest additions to the race team. The women have distinguished mentors in form of Shirley Robertson, OBE, first British woman to win gold medals at consecutive Olympic Games, at Sydney 2000 and Athens 2004, and Samantha Davies, who has a host of sailing achievements to her credit, such as single-handed circumnavigation of the world in the 2009 Vendée Globe, one of the world's most challenging offshore competitions. “It is admittedly an intensive training programme; yet, it is the right environment for the girls in which to flourish and pursue the sport,” al Hashmi describes the programme. In March 2012, Oman Sail will populate their three operational sailing centers with teams of qualified female instructors. “The women have just begun their journey and come March, when the program concludes, they can pursue various different avenues,” says Chamberlain, pointing out that Oman Sail is dedicated to preparing the women sailors to international standards, where they can work all around the world, enabling them to be global ambassadors of Omani talent. “The women can qualify as instructors as well being part of qualifying teams. They can alternatively pursue hospitality at the Mussanah Marina and have instructing opportunities at the Marina itself,”

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say Bridge and Chamberlain, mentioning just a few of the opportunities available to the women. It is evident that Oman Sail has reposed much faith within these budding women sailors and they in turn are reciprocating it through their enthusiasm and determination to thoroughly master the sport. Twenty-year-old Seeb resident, Tahira Nasser Hamood al Yahyaee said that she had always wanted to achieve something big in her life and that participation in the programme has definitely been a significant achievement. “Sailing has become an integral aspect of my life and every day of the programme has been a learning curve,” she describes her journey so far. Shaikha Saif Abdullah al Mahrouqui, 25, also of Seeb, mentions that she intially did not realise that sailing would be so tough. “It looks a lot easier than it actually is, there is so much skill involved,” she says, adding, “It has been challenging but great fun nonetheless and I plan to pursue it.” Apart from enjoying the process of mastering the sport, she says that she also appreciates discovering and being part of a sisterhood of sailors. “Meeting women from all over Oman really motivated me to become part of the sailing world,” she says. “There are so many enthusiastic women willing to push themselves.” Both Al Yahyaee and al Mahrouqi credit their families for greatly encouraging them and say that they have gained many positive lessons from training program. “I have discovered my inner strength: I have made it so far in the programme and I will keep on pushing myself higher,” says Al Yahyaee. Both nurturing future aspirations of representing

When the programme invited members of the community to try out sailing, it was seen that young girls were especially interested and enthusiastic about the idea of sailing

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In July this year, Oman Sail welcomed 70 young women into its sailing centers at Mussanah and Marina Bandar al Rowdha for the Women’s Programme Open Days

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their country in sailing at international venues, they also greatly encourage the future generations of Omani women to embrace the sport. “There are so many possibilities in the world of sailing: you can be an accomplished sailor, instructor and teach the next generation, or you can even help establish a new industry in Oman by getting into the technical aspects of sailing including boat building, sail making and even supporting your team by being part of the shore crew,” al Mahrouqi says in detail, demonstrating the extent to which the immersion in the program and the sport has made them aware of the potential it holds for the future. Oman Sail’s Women’s Sailing programme is thus an admirable and dedicated effort to integrate women into contemporary Oman’s maritime scenario, intent on providing equal opportunities for them to discover, pursue, and excel in the sport. However, it is also crucially allowing these women sailors to view sailing as part of their larger professional picture in the future, indicating that it certainly be both a passion and vocation for life.

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MELANGE

SIMPLY MUSTS

Classy with Bugatti

Get styled by Bugatti. The Italian luxury brand’s SoftCase for phones, made of durable SoftTouch Neoprene, is stylish and practical. Bugatti SoftCases are available in four smart designs - classic black and in three other fashionable colours: blueberry, olive and raspberry. The soft microfiber inner lining with the EasyCleaning effect is innovative. It functions as a cleaning cloth when the phone is removed from or stowed in it. In this way sensitive touch screens always remain clean, without annoying wiping. The cases can be opened with a smoothly operated zip fastener. A matching carrying strap is included with the SoftCase, which can be attached with a small snap hook onto the zipper. All new SoftCases are available in the sizes M and SL(standard length), and are suitable for devices up to 3.5” and 4.3”, respectively. www.bugatti-fashion.com

Stylish notes

Harrods lets you keep your jottings, thoughts and scribbles in top style. The Harrods Signature A5 notebook and Jotter Pad are perfect companions for those who still prefer to write than key into a note pad. Featuring a sleek design and embossed cover, the A5 notebook is handy enough to carry around while the Jotter Pad is perfect next to the phone or even to be given as a gift. Also forming part of the collection is the Harrods Signature memo block with the logo embossed on the sheets of paper. Available exclusively from Harrods

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Very Vertu

Combining extensive work in design, engineering and craftsmanship, Vertu’s accessories collection has been developed to complement both the customer’s handset and their lifestyle. Phone cases have been developed specifically for each product collection, with design cues and colour combinations chosen to directly mirror that of each phone variant. Desk stands have been developed for Signature and Constellation Quest featuring leather and complementary metals. Vertu’s V Collection includes a Bluetooth headset and ballpoint pen together with a collection of small leather goods. The headset has six hours talk-time which increases to a full 15 hours talk-time on the move, simply by reconnecting the headset to its fully charged base. For more details contact Khimji’s Watches

Arm candy

The La Montre Hermès recently launched the new design of the H-our watch, first created in 1996 by Philippe Mouquet. Revolution is a term that applies to the hands as they sweep around the dial, but when it comes to aesthetics, it is more appropriate to speak of a calm and discreet evolution. The case thus remains the same, but now frames a revised dial that is subtly writing this new chapter in the history of the H-our. The numerals have been redesigned in a highly readable, more graphic style, and are arranged facing the centre. In the jewellery versions, apart from at 12 o’clock, diamond hour-markers replace the hour numerals. The hands are now dagger shaped. A simple tool supplied with the watch enables the wearer to easily change the straps that will be available in sets of two. The traditional alligator and calfskin straps will be complemented by an entire line of Jacquard woven silk straps in the finest tradition of the fabric-making art, with a herringbone motif combining navy blue and black, etoupe and ebony, bright red and Hermès red, ecru and dark beige. www.hermes.com October / November 2011

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Built to last

Parmigiani has developed a watch concept perfectly suited to accompany the skipper Bernard Stamm on every extreme challenge, the Rivages monohull, a real hub of naval engineering technology. Directed by Bernard Stamm, implemented by the Swiss shipyard Décision SA and supported by the Sandoz Family Foundation, the Rivages project was created to surmount the technical, scientific, sporting and human challenges involved in global navigation. The Transforma Rivages is light and comfortable for ease of movement. The materials - titanium and carbon - were quickly selected during the study phase. The Transforma collection, with its classic round form and ergonomic curved lugs, could be adapted in many different ways for various uses. Like a jaw gripping and clamping the main body of the watch, the titanium “bonnet” is released by simply pressing the two side push-pieces positioned on the two lower lugs. The main carbon fibre element – machined directly from the same material as the Rivages monohull - then clips together naturally in the support of the steel fob watch. Asymmetrical, its shape makes it easy to access the chronograph push-pieces and the crown, even when flipping back the dial. Fitted with a steel chain, the Transforma Rivages is transformed into a grand watchmaking classic. For more details contact Gallery Argan

Luxury notes

Thierry Mugler has unveiled a new limited edition of Alien, the sensual, vibrant, and mysterious Eau de Parfum. This collector’s item, designed by Thierry Mugler and available exclusively in the Middle East, includes a lavish gold case, sunlit to display the limited edition stunning feminine fragrance. A woody-ambersolar floral fragrance, Alien was created in 2005 by Dominique Ropion and Laurent Bruyère of IFF. The bottle resembles a sacred stone is the same that originally enclosed the classic fragrance. It is an olfactory treasure of hope, revealing the brilliance and beauty of every woman, and metamorphosing her into a generous and sensual solar goddess. For more details contact Capital Store LLC

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Make conversation

Lladro’s Conversation vases created by Jaime Hayon borrows an object that has been a constant presence down through Lladró’s trajectory, to create an original vase inspired by seminal pieces from the beginning of the 20th century and vases from the age of splendour of porcelain. Given its size, one could well say that this vase is a sculpture in itself. The expressive strength is transmitted by the faces of the vase, in which four faces communicate among each other as they tell a story of fantasy, magic and splendor. www.lladro.com

Framed in creativity

A creative genius, Mukul Goyal is the creator of an iconic range of products for home and office use that are quirky, funky and eclectic. This aweinspiring crumpled photoframe in forged brass is one of his fascinating designs. The frame that comes in gold and chrome can be wall-mounted and also be used on table top. Available at Easy Life, Bareeq Shatti

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