Hamiinat Issue 4

In Loving Memory

George “Boy” Murillo

August 23, 1966 - May 13, 2022

There are no words that can express the passing of our baby brother, Boy. There is an empty place in our family’s hearts, but the memories of Boy and his legacy will live on forever and never be forgotten.

Our brother was on the Business Committee in the late 1990s and was a great man with a big heart. His personality had a sense of humor that would make people smile and laugh. Boy was so kind and generous to everyone and always willing to lend a helping hand. Our family will always remember our brother’s smiling face and the words of wisdom from our mother and grandmother that he would always preach: “Never forget who you are or where you came from and treat people like you would want them to treat you, with respect.”

Boy, we will always remember the good times we all had with our family. Words cannot express our loss and we miss you greatly. You will always have a place in our hearts. We love you, Boy.

- Your sister, Nay

The passing of our brother has left a void in our family that will never be replaced but we will carry on his legacy through his memory by making sure that his growing family does not forget what he has taught them. His smile, personality and his free spirit made him one of the most loved people by everyone that crossed his path.

I write this in his honor of his children and his grandchildren. May they find peace and comfort with the memories that he left with them. I will always remember my brother as a wild horse that couldn’t be tamed… I love you, Brother, all the way up to the sky where I can’t touch.

-Your sister, Audie

I am delighted

the magazine of the San Manuel Band of Mission Indians. The title translates to “hello” in the Maara’yam (Serrano Indian) language, and that is just what we want to extend to you – a warm hello.

Serrano Indians are indigenous to the San Bernardino Mountains and valleys, as well as the High Desert regions of Southern California. The people of San Manuel are the Yuhaaviatam Clan of Serrano Indians, whose rich culture and history are reflected throughout this wonderful magazine. We are most happy to offer you a glimpse into our Tribe and enterprises.

This issue provides insights into our Tribe’s ancestors and culture, which are honored during the Tribal Unity Retreat, as well as the creativity of three young tribal citizens who designed custom Pendleton blankets. We also proudly introduce two young women who, along with many others, are learning what it takes to preserve important cultural traditions like the San Manuel Pow Wow.

The Tribe embraces some of the various talents that shape the community, both on and off the Reservation. From the tribal elder with a musical flair, to the San Manuel team member who has dedicated more than three decades to creating a unique experience for guests.

After celebrating the opening of Yaamava’ Resort & Casino at San Manuel, a vision that was years in the making, we are excited to turn our attention to the reopening of Palms Casino Resort in Las Vegas. Owned and operated by the San Manuel Gaming and Hospitality Authority, Palms offers new levels of service and luxury to guests seeking something above and beyond. We also take a look at the final addition of the Yaamava’ expansion: the Yaamava’ Theater –and the iconic rock band that played the inaugural event: the Red Hot Chili Peppers.

We thank you for being our guest and can’t wait to share our many new and exciting offerings as well as our culture with you.

Chairwoman Lynn “Nay” Valbuena San Manuel Band of Mission Indians

to share the Fall 2022 issue of Hamiinat,

Setting goals and chasing dreams, two young

Puyu’houpkcav

46

PHILANTHROPY

Nourishing the spirit of generosity and compassion, San Manuel honors the organizations that help others improve their lives.

50 EDUCATION

California curriculum is steeped in misconceptions about Native Californians. Assembly member James Ramos seeks to correct this with Assembly Bill 1703.

52 GIVING BACK

Encouraging Native students to pursue opportunities in STEM fields, AISES supports kids from start to finish throughout their educational career.

54 ACTION

As the Rose Bowl stadium hits the century mark, we look back at what it means to the fans and what they can look forward to in the next 100 years.

60 ON TREND

Find menswear, a variety of gifts and sweet treats that embrace the essence of fall at Yaamava’ Resort & Casino at San Manuel.

64 COVER

The reopening of Palms Casino Resort heralds a new era in Las Vegas, bringing a higher standard of service to the desert.

72 SAVOR

After a two-year wait, brunch is back and lovers of the lavish late-morning meal will love to enjoy the mouthwatering options that await them at Yaamava’ Resort & Casino.

78

ENTERTAINMENT

The new Yaamava’ Theater at San Manuel opened its doors this spring – signaling the final phase of a multi-million-dollar expansion – and welcomed the Red Hot Chili Peppers as the first band to ever take the stage.

82

Preserving Native culture and launching artists’ careers, the Santa Fe Indian Market turns 100. Here’s

58

HELLO

From gaming newbie to a career in cards, Karen Knight remembers her first day on the job and shares why she still loves working for San Manuel.

BENEFITS

One club, two resorts, all the rewards thanks to reciprocal benefits at Palms Casino Resort in Las Vegas and Yaamava’ Resort & Casino.

84

LAST BITE

Amy Denet Deal of 4Kinship

Quick, easy and delicious, this trendy breakfast favorite traces its roots back to Bavaria. Learn how to make the elevated version at home.

Protecting

Fall 2022

H amiinat

BUSINESS COMMITTEE

CHAIRWOMAN Lynn Valbuena

VICE CHAIRMAN Johnny Hernandez, Jr. SECRETARY Audrey Martinez

TREASURER Latisha Casas

MEMBER AT LARGE Laurena Bolden

MEMBER AT LARGE Ed Duro

MEMBER AT LARGE Karina Torres

CONTRIBUTORS

Kyle Anderson

Jennifer Anthony

Peter Arceo

Lee Clauss

Jacob Coin

Raul Daniels

Brenda Decker

Drew Dixon

Tim Evans

Christopher Fava

Andrea Ferguson

Megan Garcia

Kevin Glass

Gabriel Gomez

Darcy Gray

Alyssa Guerrero

Celena Haas

Serena Harper

Juan Herrera

Heather Jackson

Bertran Jacobie

Alberto Jasso

Jennifer Johnson

Cynthia Kiser Murphy

Cathy Knowles

Dan Little

Chelsea Marek

Jorge McConnie

Marcus O’brien

Alejandro Placeres

Tina Ramos

Maithripala Ranasinghe

Jared Rapier

Crystal Robinson

Krystle Schenk

Ryan Sharpe

Ken Shoji

John Silva

Frank Sizemore

Matthew Smith

Missy Stanisz

Lisa Torres

Kelley Tucky

Brandi Vega

Milla Voloshkina

Oliver Wolf

A VERY SPECIAL THANK YOU TO THE FOLLOWING:

Melonie Calderon

Presley Calderon

Raul “Beanie” Chacon

Natahny Chacon

Shila Chacon

Carolann Duro

Malaina Duro

Anabella Hernandez

James Ramos

Shawnee Ramos

Tom Ramos

EDITORIAL

MANAGING EDITOR Laurena Bolden

MANAGING EDITOR Karina Torres

VP TRIBAL BRAND MARKETING Jessica Stops

TRIBAL BRAND MARKETING Julie Lopez

PUBLISHER Peter Gotfredson

CREATIVE DIRECTOR Lauren Clulow

EXECUTIVE EDITOR Jessica Villano

Thank you to the San Manuel Band of Mission Indians and the entire tribal community for sharing their stories: past, present and future.

OUR HERITAGE

Pümia’ čakimiv: what we came with. The phrase describes our heritage, traditions, culture and all the songs, dances and special things our people have passed down over many generations.

In this section we look at initiatives on the November ballot that threaten exclusive Indian gaming rights, and the potential impact on all Califronia tribes and the communities that surround their lands. We highlight two young women who are setting and exceeding goals through hard work and discipline as well as an elder who actively pursues his passions. We also dive deep into art and style with a profile on a Native designer whose focus is sustainability; three youths who designed their own Pendleton blankets to share their heritage; and the Santa Fe Indian market where Indigenous people have been showcasing their art for a century. Finally, we explore the San Manuel Pow Wow, and all the hard work and dedication it takes to put on the event, as well as the bond-building Unity Retreat.

(puh-mee-ah chah-kee-meev)

BONDS Forging

Tribal Unity Retreat builds relationships and bolsters cultural knowledge among the San Manuel Band of Mission Indians community.

BY RICHARD ARLIN WALKER | PHOTOGRAPHY BY ONYX DIGITAL MEDIA

Each summer, families from the San Manuel Band of Mission Indians, the Yuhaaviatam people, abandon the distractions of daily life for a week of cultural activities and time spent together. The week is called the Tribal Unity Retreat and it’s a time when close and extended family members can establish or strengthen relationships and delve deeper into Yuhaaviatam culture.

“Spending time together – that’s the main goal,” said Ed Duro, a Business Committee member and coordinator of this year’s retreat. “The retreat gives everybody an opportunity to spend quality time together without work and other distractions getting in the way.” He said that’s how it was back in the day, before the pressures of the modern economy crowded out traditional lifeways.

Each retreat is replete with activities and outings, but culture is the focus of the week. The location is often another Indigenous homeland, and the retreat features a cultural exchange with the local Indigenous nation.

Tribal citizens learn about the experiences and resilience of other Indigenous peoples. “No matter where we go, it’s Indigenous land,” said Melonie Calderon, a past retreat coordinator and former Business Committee member. “It’s home to Indigenous people – and they’re still there and we thank them for welcoming us into their lands.”

Calderon talked about the empowerment of the retreat, within the homeland of the Confederated Salish and Kootenai Tribes of the Flathead Nation, when Yuhaaviatam people of all ages shared bird songs accompanied by gourd rattles. They then joined their hosts for dinner and experienced Salish-Kootenai songs and dances.

“A couple of our boys wanted to take part in the singing, but they didn’t have a gourd rattle,” Calderon said. “I brought extras that our youth had made here at home and they sang the songs, some of them for the first time. It was so heartfelt to see the youth and adults teaching the other youth to sing the songs. They were not only sharing our culture and our songs with another tribe, but our youth were teaching our other tribal citizens. It was amazing to see how much pride they had. They were embracing their culture the very moment they picked up the gourd. That flame inside of them ignited – that inherent ancestral identity – and it was a beautiful sight to see.”

The annual retreat emerged from the Tribal Unity and Cultural Awareness Program, which began in the mid-1990s led by David Manzano. Since then, retreats have taken place in several states and in two countries. This year’s retreat took place in Santa Fe, New Mexico, homeland of 23 tribal nations and pueblos. The 2023 retreat will be in Colorado, in the homelands of the Arapaho, Cheyenne and Ute peoples.

Calderon said the retreat is one way to call everybody home. “We’re not only a Tribe, we’re a family,” she said. “That’s important to know. Like anything, we all get busy throughout the year. Kids are going to school; we all have different work schedules. The Tribal Unity Retreat reaches tribal citizens who aren’t always able

to participate in cultural events on the Reservation. It enables them to get away and spend time with each other, establish relationships or strengthen relationships and share our stories, our culture, our language and our knowledge. This unity is truly a gift from our Creator.”

Duro has attended six retreats and his favorite memory is of spending time with his younger cousins. At the 2018 retreat, a cousin he didn’t know well had the hotel room next to his. “I got to know him really well and I can honestly say he’s my best friend,” Duro said. “We speak almost daily. To know that our relationship was built on the Unity Retreat makes me so happy.”

In addition to building and strengthening relationships, the retreat also is inspiring a new generation of leaders. Duro is one of those emerging leaders who was inspired to get involved in “the ever-growing, changing landscape of politics.” He credits this to being a participant in the retreat as a youngster and is now coordinating it, in addition to his responsibilities on the Business Committee.

“I like representing the Tribe,” he said. “And being so young, I set an example for other young individuals that want to step up and learn about government. Most of the past Business Committee members have been doing this for 10 or 20 years, and it’s our time to step up and learn how the government works, how the business works and evolve.”

REFLECTIONS

BY ROBERT

Tell us more about your band.

How do you feel about being a citizen of the San Manuel Band of Mission Indians?

Proud. When we were growing up, there was nothing around, no structures, no lights. We had dirt roads. My mom, Martha Manuel Chacon, started getting electricity on the Reservation in the late ‘50s. She’s the first one, our Chairwoman, who brought electricity. We didn’t have what we have now and I’m glad I’m alive to see it happen.

What are some of the things you remember about those days?

We had spring water, good water, but the pipes would get plugged up, so we had to follow the line all the way up to the spring – a good three, four miles to find where it was plugged. Sometimes it would take us a few days. In the meantime, we went to the York family to get buckets of water to use at home. We had to watch it all the time, take care of it. All the men helped make sure everybody on the Reservation had water. And we were poor, but we never starved because we had cousins and family that hunted deer on the hill. Oscar Manuel and Kenny Barajas were both good deer hunters, and every time they went hunting, Oscar would come down with two deer. We divided the meat with everybody on the Reservation. Everyone got some.

Can you share any memories about your elders?

I was named after my Uncle Benza. I followed him all over the Reservation when I was about seven or eight years old. We had an apricot grove by where the casino parking structure is now. It was about four or five acres, and it was divided up to tribal members. And we would go down there and clean out the flume line and the ditches. He always had a shovel over his shoulder, was always pulling weeds or hoeing. And I was right behind him. I was by his side when he passed away at the rock house. That was the heart of the Reservation at one time.

My aunt Weesha cooked for everybody that was in the house, no matter who came around. We had a lot of people come from different reservations, and they would stay a few days to visit. She always cooked for anyone who came around. She cooked on the ground, and I’d get the wood to keep the fire going for her. She made tortillas that would flop over her arm. Really big – and they were good, fresh. I stayed with her on weekends and, in the summer, we’d sleep outside. One night – I’ll never forget – a dog was snapping around our bed. I was scared and I jumped on her back. Then she started talking to it in Serrano and the dog ran away.

You helped your uncle in the apricot groves, have you done any more farming?

I had a big garden with chillies, asparagus, tomato, navel oranges... I thought, make your own garden instead of going to the store all the time. I met a man who became a good friend of mine, John Parks. He came over and helped me with my garden. He had the touch. He knew what to do. Every year I had a few rows of peanuts and I’d take gunnysacks full to the pow wow and give them to the singers and emcees.

How did you start playing the drums?

When my brother Roy was in seventh grade, he started playing saxophone. He’d bring it home from school on the weekends to practice and one time I took my mom’s old sewing kit and a fork and was keeping time with him. That’s when my dad and mom realized I could keep the tempo. It just came naturally. When I went into seventh grade, I started playing drums and my teacher let me take them home on the weekends to practice. That’s when my brother and I had a little band and we played in a bar. But my dad had to be there with me. I’ve been playing a good 40 years with the band I have now: Best of Everything; we play music from the ‘50s and ‘60s and we play all over. We even played Route 66 last year.

Our singer, Rosie, was in a band called Rosie and the Originals and she was the singer of “Angel Baby” and, in the early ‘60s, my band was the intermission band during a James Brown concert at Pacific Ocean Park in Long Beach. We also played backup for Bo Diddley, Bobby Day, The Penguins and The Coasters. And we’re still playing! We play the Tukut Lounge at Yaamava’ Resort and Casino at San Manuel.

Most everyone has heard of Route 66 but not everyone was able to experience it. Tell us what it was like at its height. Me and my buddy, Louie Sandoval, would go every year to Route 66 in the late ‘60s. We cruised around the circle and, if you had a nice car, they would open the gate for you to make the circle. We took the red 1936 Ford Coupe or the green 1929 Ford Model A. We always had them in shape too. That was when it was really going good. There were thousands of cars from all over. There were even helicopters flying overhead. They would block off the streets and the cars would park on the side and have their own little picnic, you know? Then, when they felt like it, they would get in the circle and just cruise for a bit and then come back and park. But it started tapering away. They moved it to Ontario and it wasn’t the same. I have the cars in storage now and a buddy takes care of them.

What advice would you give to the younger generation?

Respect goes a long way. Respect your elders, respect one another. Stay healthy and realize what you have and where you came from.

Lifelong musician, father of three and tribal elder, Raul “Beanie” Chacon shares memories of growing up on the San Manuel Reservation, cruising Route 66 and the family members who cared for him and served as role models.

PHOTOGRAPHY

JOHN KLEY

FUTURE The of the PAST

What began as an idea to create a gift for dignitaries visiting the San Manuel Reservation became beautiful works of functional art –and a way for three teens to share their culture.

BY CHRISTIE MOELLER

Every Native American blanket has its own story, one that is told by the weaver, or creator, of the blanket. They decide which symbols, colors and designs to put into each blanket, or mantas, as they are traditionally called. These mantas are used for trade, as gifts and as a key part of ceremonies.

The idea to design Pendleton blankets – a company with more than a century-long history of producing culturally significant blankets for tribes all over the country – as dignitary gifts, gave members of the Youth Committee a chance to tell a story of their own through their design.

Three teens accepted the challenge and set to work designing something that spoke to their connection with family and their culture. We sat down with Presley Calderon (14), Annabella Hernandez (15) and Shawnee Ramos (16), to talk about the process, their inspiration and what this experience meant to them.

PRESLEY

Q: What was the inspiration for your blanket design?

I bead a lot of jewelry, so I went through my beading book for inspiration and saw a design that really spoke to me. I began with that design as a foundation and then added my own elements to create something unique.

Q: What was the design process like? Once we turned in our designs, we worked with a graphic designer to tweak them a little and make sure we had the right scale and colors.

Q: Blankets have a very rich cultural heritage for First Nation peoples. What did designing this mean to you?

It meant so much to me to be a part of this and contribute to our Tribe’s history. I really love how there’s a tag on each blanket with our Tribe’s name. That means a lot.

Photo by Steven Robles, Hair and Makeup by Tiffany Carrol

Q: What was the inspiration for your blanket design?

My inspiration was San Manuel and its culture. The San Manuel logo is in the center of my design and is surrounded by arrowheads, which is a very important symbol in our culture.

Q: What was the design process like? The design process took a lot of time! We started this a couple years ago!

Q: Blankets have a very rich cultural heritage for First Nation peoples. What did designing this mean to you?

I wanted the blanket to tell a story, to symbolize the importance of our culture and to help it continue on through future generations!

ANNABELLA

Photo by Robert John Kley, Hair and Makeup by Krystle Randall, Styled by Christie Moeller

SHAWNEE

Q: What was the inspiration for your blanket design?

When my grandmother passed away, my mom got a tattoo of a medicine wheel with red, black, yellow and white colors. It looked like a dream catcher. So, I decided to use those colors but with a feather instead of the whole dreamcatcher.

Q: What was the design process like? It was difficult to draw the feather! I didn’t realize how much detail feathers have until I started! We have to stick to a specific number of colors and there were limited fabric options because we started this process during COVID.

Q: Blankets have a very rich cultural heritage for First Nation peoples. What did designing this mean to you? For me it meant so much to add a piece of art I designed to our culture. I want them to be a talking point. Maybe someone will look at it and ask a question and we can use it as an opportunity to explain our stories. Maybe more people will become more interested in our Tribe, our history and what we do.

Photo by Robert John Kley, Hair and Makeup by Krystle Randall, Styled by Christie Moeller

tradition

RESILIENCE of

BY RICHARD ARLIN WALKER | PHOTOGRAPHY BY ROBERT JOHN KLEY

Shila Chacon sees parallels between the San Manuel Band of Mission Indians, or the Yuhaaviatam people, and the San Manuel Pow Wow.

For two centuries, the Yuhaaviatam endured displacement, land loss, diseases and federal assimilation policies. And yet, today the culture is thriving, and the Tribe is an economic force in the Inland Empire.

Likewise, the San Manuel Pow Wow has been pummeled by Santa Ana winds, torrential rains and, lastly, a global pandemic that postponed the event for two years. And yet, today this great cultural gathering survives.

“It shows again our resilience – we’re not going anywhere, we’re still here, and this pow wow is going to be one of our most powerful that we’ve hosted because of that,” said Shila Chacon, a tribal citizen.

The San Manuel Pow Wow is scheduled for September 16-18 at California State University, San Bernardino – and there is no doubt it will be powerful medicine.

“There are people who help us with the pow wow who live as far away as Canada and we haven’t seen them for a long time,” Shila said. “One of our emcees, Charlie Tailfeathers (Blackfeet/Cree), passed away in 2020 due to COVID. It’s going to be very difficult without him and it’s going to make seeing others so special because of all that has happened in the last two years.”

Natahny Chacon – Shila’s sister and tribal citizen – added, “Times have changed. We don’t live

in the same circumstances that our ancestors did, but COVID made us realize anything can happen. It’s going to be emotional – and rewarding to be able to come together again. The pow wow is something that bonds us and keeps us connected.”

Both Shila and Natahny said some of their

with kindness and respect. That’s how they treated each person involved in the pow wow. They taught us that who you’re working with is a person, not just someone who can help you get what you want.”

Shila added, “The pow wow wouldn’t be what it is without the friends they made. They led with love.”

Today, the San Manuel Pow Wow is one of the largest in Southern California. It is free and open to the public. Some 475 dancers from the Southwest, Midwest and Canada will compete for $250,000 in cash prizes; more than 100 Indigenous art and food vendors are expected, some from as far away as Alaska; and several thousand visitors are expected over the three days.

Planning the pow wow is a logistical feat, which the Pow Wow Committee begins months in advance: pulling together all the support staff, promoting the pow wow and confirming food and arts and crafts vendors.

earliest memories are running errands at the pow wow and tagging along with their dad, Cruz – who founded the event with his cousin (and the young women’s godfather) Tommy Ramos – as he promoted the event. They also observed how their father and Ramos grew the pow wow.

“My father was humble and kind and made such great friendships,” Natahny said. “I was always in awe of him and my nino, the way they worked together and how they took the lead to make it happen. They recruited emcees and friends to help them put on the event. They did radio shows. And they led

And – in keeping with Native tradition to honor guests by feeding them – singers, dancers and vendors are treated as family and fed for the duration of the pow wow. As far as the food goes, expect Native American dishes like Indian tacos but, Natahny said, “We cater to all tastes, so you might see Filipino, Hawaiian, Mexican and barbecue as well.”

At 5 p.m. on the first day, the pow wow floor will be blessed with prayer and sage. The image of Santos Manuel, for whom the San Manuel Band of Mission Indians is named, looks out from a place of honor.

The future is secure for one of San Manuel’s most culturally significant events.

My father was humble and kind and made such great friendships. I was always in awe of him and my nino, the way they worked together and how they took the lead to make it happen.

Then the grand entry: fancy dancers, grass dancers, jingle dress dancers and more will take the floor, all wearing beautiful and elaborate regalia that reflect their families, traditions and cultures. Contest, exhibition and intertribal dancing will take place on the pow wow floor until midnight.

The next day continues with gourd dancers, bird singing, traditional dance and drum contests, and intertribal dancing. And, if time permits between contests, all audience members are invited onto the floor for the audience participation dance.

The final day of the pow wow will feature bird singing ahead of grand entry, followed by the last opportunity for the pow wow dancers and singers to impress the judges during the contest, exhibition and intertribal dancing; the final dance will be Cruz Chacon’s Sweetheart Dance contest. Then the judges’ votes will be tabulated, the winners announced and prizes awarded. The pow wow will conclude with a closing, which includes the retreat of the colors, or flags, and prayers for a safe journey home.

Throughout the weekend, Shila and Natahny will join others to judge the dancing and drums, make the rounds to ensure vendors and staff members have what they need and answer questions from guests. After the pow wow concludes, the committee will take a couple of months off and then begin planning the 2023 event.

“Our pow wow committee is young and very proud. They understand it is without egos or personal pride that they must lead our Yuhaaviatam generations into the future,” said Tommy Ramos. “Shila and Natahny carry their father’s spirit inside them and in their words. I can hear his voice and feel his heart. They make me proud knowing they know who they are: Yuhaaviatam!”

The cycle, like the seasons, continues.

Those involved in the pow wow say the event is spiritual nourishment for Indigenous people. Many pow wow dancers say dance is a form of prayer. But the San Manuel Pow Wow also builds relationships and bridges between Indigenous and non-Native people.

For thousands of people, the pow wow is their introduction to yawa’, the Yuhaaviatam tradition of giving or “acting on one’s beliefs.” At the pow wow people are fed, needs are met, visitors are welcomed and embraced.

“It’s a platform to show who the San Manuel Band of Mission Indians really is, besides the casino and the developments,” said Alyssa Guerrero, Shila and Natahny’s cousin, who also designs the T-shirts and graphics for pow wow. “It’s about staying humble and sharing our beliefs. I feel like when you’re there, you feel the love. When you’re there, you see everyone connecting.”

Many visitors have told Guerrero they were touched by their pow wow experience –and are excited to return.

“After attending once, people always want to come back,” she said. “They tell me they felt a connection: ‘When I hear that drum, I feel something.’ And I say, ‘You know, that drum is the heartbeat of our people.’ That is a feeling you have to be there to experience.”

2022 SAN MANUEL POW WOW SCHEDULE

California State University, San Bernardino

The event is free and open to the public. Face masks are not required, but pow wow coordinators ask that guests be considerate of others. “People are encouraged to wear a mask if they would feel more comfortable,” Shila said. “And of course, if you are not well, we ask you to stay home and get well.”

Friday, September 16

5 p.m. Blessing of the grounds

6 p.m. Bird singing; contest and intertribal dancing

8 p.m. Grand entry

Midnight Retreat colors

Saturday, September 17

11 a.m. Gourd dancing

Noon Bird singing; contest and intertribal dancing

1 p.m. Grand entry

6 p.m. Bird singing; contest and intertribal dancing

8 p.m. Grand entry

Midnight Retreat colors

Sunday, September 18

11 a.m. Gourd dancing

Noon Bird singing; contest and intertribal dancing

1 p.m. Grand entry

6 p.m. Winners announced; Retreat colors

Set and Score

Tribal citizen Malaina Duro kicked off her soccer career at the age of five. Starting in a regional league in Yucaipa she has worked her way up to play not only varsity at her high school but also on an Elite Clubs National League team. Malaina knows what it’s like to put her all into an endeavor and encourages others to find something they love and commit to it.

Q: You made the varsity team as a freshman. Tell me about the dedication it takes to reach this level. Were there times you didn’t want to stick with it?

A: I’ve had many of those moments, but then I’ll have a good six months and think, this is my calling, I’m meant to do this. When I was younger, it was hard because we drove an hour and half to practice three times a week. And I wasn’t the best on my team, so I felt like I was putting in all this work and I wasn’t getting the result I wanted. But once I found where I was meant to be, it was like all the hard work paid off.

Q: Did you have to push yourself physically and emotionally to get to this level? Or did it come naturally?

A: I had to push myself. When I was little, I was always on good teams, but I was never the best. I felt like everyone was a step ahead of me. I always needed to work a little bit harder and put in the extra effort to get to where I am.

Q: How do you inspire yourself?

A: I make small reachable goals to boost my confidence. If I’m in a game and I want to do a move that I’ve been working on but I’m nervous to try, I’ll set the goal to do it in the game and, when I execute it well, I’ll be super excited.

Q: What has it been like to be part of a team?

A: It has boosted my confidence because everyone is working together and we’re there because we genuinely like being around each other. It also keeps me accountable because your friends tell you when you’re doing well – and when you’re not.

Q: Do you want to play college soccer? Pro?

A: I definitely want to play college, preferably Division 1. And I want to major in biology.

Q: Do you have advice for kids who may have times when it seems too hard to pursue their goals?

A: The main thing is to have fun. When it gets hard and I want to quit, I think about when I had the most fun and ask myself if I’m willing to push hard enough to get back to where I’m scoring goals and playing at my best. Could I give up that feeling or am I burnt out? Think about it before you quit because, in the end, it pays off. Even if you don’t reach your original goal, you’re still going to learn a lot along the way.

A tribal youth shares how making goals on the soccer field has helped her reach her goals in life.

Photo by Steven Robles

From Passion to Profession

Using

If you pick something you love, that spirit will come through,” said tribal community member and founder of Quiet Quail Books, Carolann Duro.

In summer 2020, Carolann shared a list of Indigenous-authored books she planned on reading during quarantine to her YouTube channel. A friend wondered if she was starting a book club and Carolann mulled the idea over before gauging interest on Twitter. With more than 500 positive responses, she started the Indigenous Book Club.

The group, now more than 600 strong, reads poetry, history, horror, fiction fantasy and more. Once word got out, publishers and authors began to reach out to Carolann to get their books into her members’ hands. “So many opportunities fell into my lap. And I was getting more into books because of it.”

Carolann credits her father for her love of reading. “My dad is a prolific reader. I have so many memories of him

reading – in the playroom, tucking me in at night, at the breakfast table,” Carolann remembered.

She’s also grateful for the people at the Education Department at San Manuel who taught her the value of an education. “It was like, here’s the tools, here’s the resources.” It was when she got to college that she gained on her father, due to the sheer volume of reading required for her degree. But the notion of a bookstore didn’t cross her mind until she met Lee Francis from Red Planet Books and Comics. “Lee was a big fan of what I was doing,” Carolann explained. “He’s a huge reason why I got the confidence to start a small bookstore.”

Based on the success of her first pop-up bookstore at UC Riverside, Carolann will do a second at the San Manuel Pow Wow. And beginning summer 2022, Quiet Quail Books will have a permanent location at a friend’s boba shop in downtown San Bernardino where she’ll showcase Indigenous-authored children’s books, comics, literature, memoir fiction and Quiet Quail stickers, totes and t-shirts.

When asked if she had advice for young entrepreneurs, Carolann said there will always be naysayers, but there will also be those who cheer you on. “Make those people the louder voice in your head,” she said. “Commit to the vision and put in the hard work, because it doesn’t happen overnight.”

CAROLANN’S TOP 5 PICKS:

1. The Seed Keeper by Diane Wilson

2. We are Dancing for You: Native Feminisms and the Revitalization of Women’s Coming of Age

Ceremonies by Cutcha Risling Baldy

3. The Nightwatchman by Louise Erdrich

4. Bringing Our Languages Home: Language Revitalization for Families by Leanne Hinton

5. An Indian Among Los Indígenas by Ursula Pike

creative thinking, commitment and the cheers of support from loved ones to turn interests into a business.

Photo by Robert John Kley, Hair and Makeup by Krystle Randall, Styled by Christie Moeller

ART+CULTURE

Santa Fe Indian Market, the world’s largest and most prestigious Native American art event, celebrates a century of creativity.

BY ROSEMARY DIAZ

he first Santa Fe Indian Market – sponsored by the Museum of New Mexico under the directorship of archaeologist Edgar Lee Hewett and his assistant, Kenneth Chapman – was held in 1922 to exhibit traditional Southwest Indigenous Native arts and culture, which Hewett believed were heading toward extinction.

This summer, as the event turns 100, the arts are flourishing.

Nearly 150,000 art lovers from near and far are expected in New Mexico’s capital city to partake in the centennial celebrations, including the Native American Clothing Contest, the market’s most popular – and most photographed – event; a runway presentation of the Indigenous Fashion Show; live dance and music performances as well as art-making demonstrations; and a curated selection of moving pictures produced by Indigenous filmmakers.

A gala and silent and live auction round out the weekend’s art billings, all benefiting the year-

round arts and education programming offered by Southwestern Association for Indian Arts (SWAIA), the nonprofit that produces the market. Originally guided by a preservation-of-cultures perspective, SWAIA’s Executive Director Kimberly Peone (Colville Confederated Tribes/Eastern Band of Cherokee Indians) explained the market has evolved into an entity that now actively sustains and supports thriving cultures.

While the inaugural indoor event featured a small number of artists who displayed basketry, Navajo weavings, Plains beadwork and ceramics, today, it’s an expansive outdoor affair that encompasses more than 15 city blocks in and around Santa Fe’s historic Plaza.

SWAIA estimates its juried Native American art market hosts approximately 1,000 Indigenous artists from more than 200 federally recognized tribes throughout the United States and First Nations (Canada). Featuring both traditional and contemporary arts, artists submit work for

Tira Howard, Orlando Dugi’s 2020 Collection

Marian Denipah (Ohkay Owingeh/Navajo), photo by Kitty Leaken

Tammy Garcia (Santa Clara Pueblo), photo by King Galleries

consideration in eight categories: beadwork; textiles; pottery; diverse arts; jewelry; sculpture; painting, drawing, graphics and photography; and wooden pueblo figurative carving.

Top prizes have elevated artists’ careers to new heights overnight.

Over its century of operation, Santa Fe Indian Market has been responsive to the ever-morphing social and political landscape of the Native art multiverse – and has been instrumental in nurturing the creative evolution of Indigenous artists.

When the Institute of American Indian Arts (IAIA) was founded by Lloyd Kiva New (Cherokee) and Dr. George Boyce in 1962, a new era of creative freedom ensued. Along with the self-determination era of the late ‘60s, the institute is often credited with the birth of the Contemporary Indian Art movement, influencing what would be exhibited at the market and anchoring many of its faculty and

Pueblo Pottery

Grounded in time-honored methods, taking flight with creative vision.

Pueblo pottery has been a cornerstone of Santa Fe Indian Market since the event’s inception a century ago. In many regards, the innovations in Pueblo clay work over the last few decades have helped to inspire more daring departures from tradition-bound art-making customs in other genres.

Though Pueblo pottery today continues to rely on its 2,000-year-old historic foundation of materials and techniques – hand-gathered and hand-processed Native clay sourced by the artists themselves from coveted ancient sites, coil building, hand-burnishing with generationsold polishing stones and outdoor firing – the sky’s the limit when it comes to design and dimension, form and function.

alumni-faculty legacies to the market’s history.

Among them are renowned bronze sculptor Allan Houser (Chiricahua Apache; 1914-1994), painter Fritz Scholder (La Jolla Band of Luiseno Indians; 1937-2005), painter-printmaker Linda Lomahaftewa (Hopi/Choctaw) and fashion designer Wendy Ponca (Osage) – all of whom taught at the Santa Fe school.

Other notable graduates with Indian Market kudos include photo-realism bead artist Marcus Amerman (Choctaw), painters Tony Abeyta (Navajo), Shonto Begay (Navajo), T.C Cannon (Caddo/Kiowa; 1946-1978), Darren Vigil Gray (Jicarilla Apache/Kiowa Apache) and Mateo Romero (Cochiti Pueblo), jeweler Connie Tsosie-Gaussoin (Navajo/Picuris Pueblo), U.S. poet laureate Joy Harjo (Mvskoke), Project Runway finalist Patricia Michaels (Taos Pueblo), photographer Cara Romero (Chemehuevi), ceramicist Diego Romero (Cochiti Pueblo), sculptor Rose B. Simpson (Santa Clara Pueblo) and glass artist, sculptor and musician Adrian Wall (Jemez Pueblo).

Looking to the future, Peone said that Santa Fe Indian Market, which also produces an annual winter market, will continue its commitment to “foster personal and cultural sustainability for Native artists.”

SWAIA’s annual Santa Fe Indian Market is always free and open to the public. To learn more about the many talented artists who attend as well as its 100-year history, or to request an application for 2023, please visit swaia.org.

Native American pottery traditions from beyond the Southwest have also been represented at Indian Market, as in the work of award-winning Woodlands’ ceramicists Jane Osti (Cherokee), Pahponee (Kansas Kickapoo/ Citizen Potawatomi) and Richard Zane Smith (Wyandot). Closer-to-home notables in clay work include Frederica Antonio (Acoma Pueblo), Tammy Garcia (Santa Clara Pueblo), Steve Lucas (Hopi-Tewa), Autumn Borts-Medlock (Santa Clara Pueblo), Les Namingha (Hopi-Tewa/ Zuni), Russell Sanchez (San Ildefonso Pueblo), Jared Tso (Diné), Staphanie Tafoya (Santa Clara Pueblo), Al Qoyawayma (Hopi), Lonnie Vigil (Nambé Pueblo), Kathleen Wall (Jemez Pueblo), Nancy Youngblood (Santa Clara Pueblo) and Nathan Youngblood (Santa Clara Pueblo).

Cut from the Cloth

Contemporary Native American fashion takes center stage.

In the 1980s, Native designs began to hit the runways of fashion meccas around the world and led Indigenous labels into new territory. Helmed by the era’s fearless fashion visionaries – including Pilar Agoyo (Ohkay Owingeh), Marcus Amerman (Choctaw), Luanne Belcourt (Chippewa/Cree), Wendy Ponca (Osage), Marjorie Bear Don’t Walk (Chippewa/Salish) and Margaret Wood (Navajo/ Seminole) – the prolific decade brought broad innovations to Native couture, with many designers incorporating traditional materials and techniques into work that was otherwise more aligned with modern, cutting-edge design principles.

Today’s Native haute couture continues to showcase the seemingly infinite creativity of Indigenous aesthetics in wearable art. Among its most illustrious ambassadors stand Loren Aragon (Acoma Pueblo), Decontie & Brown (Penobscot), Orlando Dugi (Diné), Evan Ducharme (Métis), Sho Sho Esquiro (Kaska Dena/Cree), Patricia Michaels (Taos Pueblo), Jamie Okuma (Shoshone-Bannock/Wailaki/ Okinawan/Luiseño), Chris Oland (Líl’wat), Virgil Ortiz (Cochiti Pueblo) and Bethany Yellowtail (Northern Cheyenne).

Marian Denipah (Ohkay Owingeh/Navajo), photo by Kitty Leaken

Gia’s Pot by Kwani Povi Winder (Santa Clara Pueblo), photo by King Galleries

Dolores Curran (Santa Clara Pueblo), photo by King Galleries

From Then to Now

A look at the resilience and determination of the Yuhaaviatam to remain self-sufficient and sovereign.

Early to Mid-1900s

Tribe adapts and adjusts to reservation life. U.S. government continues to dictate what the Tribe can and cannot do.

1975

1700s-1820s

Spanish missionaries and military encounter the Yuhaaviatam (one clan of the Maara’yam), which they call “Serrano” or “highlander.” Many Maara’yam are forced into the mission system as slave labor for Spain.

1880s

Native American boarding schools are established in the U. S. with the primary objective of “civilizing” or assimilating Native American children and youth into Euro-American culture, while destroying and vilifying Native American culture.

1966

Articles of Association are adopted by San Manuel Band of Mission Indians.

President Ford signs the Indian SelfDetermination and Education Assistance Act, a federal policy of Indian selfdetermination, first declared by President Nixon.

Since Time

Immemorial

Maara’yam

people inhabit the mountains, valleys and deserts of Southern California.

1850s-1860s

American settlers invade Serrano territory. CA governor instructs militias to exterminate Native people.

Yuhaaviatam are killed and chased out of their territory.

TREATY MAKING

CREATION THE NEW DEAL

ASSIMILATION

1934

1866

Raids and bloodshed decimate the Tribe.

Kiika’ Santos Manuel makes a decision to courageously bring the remnant of his people from the mountains to safety on the valley floor.

1891

U.S. government passes the Act for Relief of Mission Indians, which recognizes the Tribe as a sovereign nation and establishes the Reservation. The Tribe chooses the name San Manuel Band of Mission Indians.

Indian Reorganization Act is enacted by U.S. Congress, aimed at decreasing federal control of American Indian affairs and increasing Indian self-government and responsibility.

1970

In address to Congress regarding the federal policy of terminating relationships with tribes, President Nixon states, “This policy of forced termination is wrong.” He then outlines a policy of self-determination rather than termination.

Photo courtesy of the Gerald R. Ford Presidential Library

A.K. Smiley Public Library, Gerald Smith Collection

1978

Indian gaming movement begins with Seminole Tribe of Florida.

1986

San Manuel Indian Bingo opens.

1987

California v. Cabazon: U.S. Supreme Court landmark decision affirms right of tribal governments to conduct gaming on their lands.

1990s-2000s

Tribe takes an active role in passing Proposition 5 and Proposition 1A.

1998

Proposition 5 is supported by 63 percent of voters in favor of gaming by Indian tribes in California. A lawsuit by a labor union causes the measure to be struck down by California Supreme Court.

SELF-DETERMINATION

1988

Indian Gaming Regulatory Act passes, creating statutory framework for Indian gaming.

1980s

SMBMI seeks new business opportunities to strengthen sovereignty and journey towards self-sufficiency.

1994

San Manuel Indian Bingo adds gaming operations and advances goal of economic selfsufficiency.

2017

Tribe transforms bingo hall into Rockin’ Casino area.

2021

Residence Inn by Marriott opens in Washington, DC. The project is from the Four Fires intertribal economic partnership, which includes San Manuel Band of Mission Indians.

2019

San Manuel Gaming and Hospitality Authority forms to explore economic growth opportunities.

2006

San Manuel Band of Mission Indians breaks ground on San Manuel Village in Highland, CA, a mixed-use, off-reservation, commercial development.

2007

Residence Inn by Marriott opens in Sacramento, CA. The project is from the Three Fires intertribal economic partnership, which includes San Manuel Band of Mission Indians.

2008

Hampton Inn and Suites Hotel opened in Highland, CA, at San Manuel Village, a development of the San Manuel Band of Mission Indians.

2000

Proposition 1A, supported by 65 percent of California voters, changes the state constitution and provides exclusive right to Indian tribes to operate a limited scope of casino-style gaming on Indian lands, in accordance with federal law.

San Manuel Casino becomes Yaamava’ Resort & Casino at San Manuel.

Yaamava’ expansion project opens including gaming spaces, new restaurants, lounges and hotel tower, as well as retail, spa and pool amenities.

STRENGTHENING OUR FUTURE

2018

Opening of the Autograph Collection, The Draftsman Hotel, in Charlottesville, VA, a joint venture that includes the San Manuel Band of Mission Indians.

2016

SMBMI acquires sacred lands in San Bernardino Mountains with purchase of Arrowhead Springs Hotel.

2022

San Manuel Gaming and Hospitality Authority opens the Palms Casino Resort in Las Vegas.

Designing a Better Future

Can fashion save the world? Designer Amy Denet Deal thinks it can help –as long as the process honors ancestral wisdom.

BY CHRISTIE MOELLER

s more people are waking up to the environmental impact of fast fashion, sustainability has become a major topic of conversation. Now Amy Denet Deal of 4Kinship, a Native Diné designer, is leading the way to a more sustainable future by creating one-of-a-kind pieces using repurposed and upcycled vintage textiles. Deal returned to her mother’s land – after being adopted away from her tribe as a child – and found herself ready to create conscientiously. Here she shares why she’s encouraging other designers to do the same.

Q: Where did the name 4Kinship come from?

In Navajo there is a word that means kinship, the connectivity we have through our plants and our communities as Navajo people. As someone who was adopted out, it’s not only reconnecting with my people, but also finding a way to connect the non-Native way that I was brought up with and this new Native life that I’m in. It’s a bridge of kinship between both communities and how we can work together to create positive change.

Q: Sustainability is a prominent theme with most First Nations designers, but most especially with your designs. Why is sustainability so important to you?

I’m a mom and I want to leave this place better than where it is now. I also want to live in harmony with the land, the people of the land, the four-legged relatives of the land and the plants of the land. And I want to have a deeper connection with who I am as an Indigenous person. I always lived a sustainable life, but in coming home, I realized it was innate – from this culture that I’m rediscovering.

Q: What inspired you to start this journey of upcycling clothing?

I’ve never connected with things made in the new ways and, in fact, struggled in the fashion industry because the process didn’t seem ethical. Anyone who wears vintage knows it has a different energy and a joyfulness. That’s where it started for me: a passion for textiles, collecting vintage and hoarding vintage [laughs]. It became a way for me to share that with more people.

Q: Your pieces are like wearable art; no two are the same. What’s your process when you’re repurposing and customizing vintage pieces?

It’s like color therapy and a reflection of the nature I’m in on Navajo nation. In New Mexico

I’m surrounded by exquisite high desert, the sun, the monsoon seasons, the crazy blue clouds that are like no place else in the world. All those shades of red rock and neutrals of sandstone, Juniper and Kenyon and all the things that whiz by as you’re driving around. I don’t express my indigeneity by taking patterns from our rugs and putting it on things, but through color and pattern. I have this connection with my ancestral land and I process that love and emotion and infuse it in our clothes.

Q: What is your biggest challenge as a sustainable designer?

There’s not enough time in the day to do as much as I want to do. There are endless supplies of clothing: disposable clothing, clothing from other eras and dead stock fabrics. I could be doing this for the rest of my life and not even make a dent. How can we get more people going in this direction versus buying, buying, buying without any idea of where it comes from?

That’s where I’d like to see the shift occur at a consumer level and on a fashion level. There are so many ways people could be doing this within their own organizations. My hope is that people look at ancestral wisdom, how we lived in harmony with the land, and rethink how they operate their businesses.

Q: You’re dedicated and active in many community-based causes such as the Diné Skate Garden, Chizh for Cheii, Voices of HWQtDZIL and Sheep for Life. Tell us why these causes are so important to you and your brand?

The heart of the brand is based on how we can help our community. Succeeding in business allows me to raise funds for mutualaid organizations. Right now, we’re raising awareness for missing, murdered Indigenous relatives. We tell things in a way that is very understandable for people from the outside to see how they can help and to see who they’re helping; they can watch the money go into action almost immediately. I’m trying to be a bridge from Natives to non-Natives, so they understand how they can help.

Q: What’s your next big project?

Workshops with the kids. I’m going to be doing a fashion entrepreneurship program and designing the first-ever skate guard collection by the kids, with the kids, to teach them what I know about how to design, how to market and how the whole creation process happens. See some of Amy Denet Deal’s one-of-a-kind upcycled vintage designs on pages 28-37.

Crush Bootie Western Boot by Durango Boots available at durangoboots.com

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

Upcycled Vintage ‘50s Brocade Cocktail Dress and Coat by 4Kinship available at 4Kinship.com –All profits support Missing and Murdered Diné relatives to provide support to families and empower Navajo communities to be proactive in prevention, awareness and mobilization in recovering missing relatives.

Upcycled Vintage Brocade Sash Belt by 4Kinship available at 4Kinship.com

GREAT OPEN wide

Bridging the gap between summer and fall, we find layers that are feminine yet fierce, romantic yet resilient – perfect for independent spirits and strong wills. Shot at Joshua Tree National Park and Coyote Ridge Stable.

Photography by Robert John Kley

STYLED BY CHRISTIE MOELLER

STYLE ASSISTANT BY TIFFANY WEEKES

HAIR & MAKEUP BY KRYSTLE RANDALL

MODELED BY ASHLEY CALLINGBULL (NEXT Toronto)

Ginew Medel Bandana Indigo + Cream by Ginew available at ginewusa.com

Smoked Midi Dress in Poppy by B.Yellowtail available at byellowtail.com

Crush Bootie Western Boot by Durango Boots available at durangoboots.com

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

OPPOSITE PAGE:

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

Upcycled Vintage ‘50s Military Jacket by 4Kinship available at 4Kinship.com, designed in collaboration with Diné artist Jay Smiley – All profits support Stronghearts Native Helpline, providing lifesaving tools and immediate support for Native Americans to find safety from violence and abuse.

Vintage ‘70s Velveteen and Gaucho Set and Navajo-Made Juniper Bead Six Strand Yoo’ (Necklace) by 4Kinship available at 4Kinship.com

West Fork “Red” Jean and Mohican Crew Shirt in Chambray by Ginew available at ginewusa.com

Crush Bootie Western Boot by Durango Boots available at durangoboots.com

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

Upcycled Vintage Remnant Sash Belt by 4Kinship available at 4Kinship.com

OPPOSITE PAGE:

Crush Bootie Western Boot by Durango Boots available at durangoboots.com

Upcycled Vintage Pendleton Blanket Coat, Upcycled Vintage ‘80s Crochet Top and Limited-Edition Ribbon Pant by 4Kinship available at 4Kinship.com

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

Vintage Lace ‘80s Rodeo Pearl Snap Top, Vintage ‘80s Velvet Devoure’ Corset and Vintage ‘80s Norma Kamali Velvet Skirt by 4Kinship available at 4Kinship.com

OPPOSITE PAGE: Ginew Medel Bandana Navy + Cream by Ginew available at ginewusa.com

Off-The-Shoulder Maxi Dress in Mountain Wildflowers by B.Yellowtail available at byellowtail.com

Crush Bootie Western Boot by Durango Boots available at durangoboots.com

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

Crush Bootie Western Boot by Durango Boots available at durangoboots.com

Upcycled Vintage ‘80s Crochet Dress Set, Upcycled Vintage Mid-Century Military Jacket and Upcycled Vintage Lace Hat by 4Kinship available at 4Kinship.com

OPPOSITE PAGE:

Signature TVHC Custom Hat by Thundervoice Hat Co. available at thundervoicehatco.com

Vintage Lace ‘70s Prairie Top and Upcycled Vintage ‘50s Cropped Jacket by 4Kinship available at 4Kinship.com

ALL IN ON TRIBAL SOVEREIGNTY

The ongoing struggle to protect tribal sovereignty and its latest battle front – online sports wagering

BY WALTONA MANION

That has been the history of the Yuhaaviatam. From the days of welfare trucks, powdered milk and government commodities, the San Manuel Band of Mission Indians has leveraged the promise of tribal government gaming into a self-sustaining economic development engine.

The trouble is the tribe’s progress is built on a promise in the California state constitution. One that says tribal government gaming is to be operated exclusively by the state’s tribes. A promise that is now under challenge.

Indian Country’s twin challenges have always been not only to find and adapt new resources, but to keep them once they were established. Having life’s essentials taken away is integral to American Indian history – land, natural resources, language, family, culture. There is a long list of things stolen, denied or suppressed. But at the very top of the list is tribal sovereignty. The word sovereignty evokes a deep, heartfelt resonance that is difficult to convey to someone not familiar with Indian Country.

Which brings us to now, and the current battle about sports wagering in California. On the face of it, it would seem to be a fight about gaming. And it is. But at the very heart of this high-stakes struggle is the protection of tribal sovereignty.

This is the behind-the-scenes story of how and why San Manuel brought together Indigenous leaders from 34 diverse California tribes, in the largest statewide tribal coalition since the historic Prop 5 and Prop 1A ballot measures, to combat outof-state, mega-corporations attempting to invade the California market.

THE DOORS OPEN

The story begins in 1992. Congress passes the Professional and Amateur Sports Protection Act (PASPA), which bans legalizing sports gambling in all but a few states.

But then, In 2018, as the result of a New Jersey legislator’s lawsuit, the U.S. Supreme Court overturns PASPA. The sports wagering industry and state lawmakers immediately recognize this major, gamechanging milestone.

Before the Supreme Court’s decision, sports betting was illegal in the majority of states. The American Gaming Association (AGA) estimates a staggering $150 billion was spent annually on illegal sports betting in the U.S.

So, in 2018, the Supreme Court’s decision opens the doors. And many states made a rush to legalize sports betting in their jurisdictions. But not California.

The Golden State has lagged behind as legislators wrangled over who could operate sports books. With 40 million residents, another 40+ million annual tourists, and more professional sports teams than any other state, California has remained the elusive Holy Grail for legal sports betting in the U.S. Gaming research firm Eilers & Krejcik projected California could generate some $3 billion in annual revenue with on-property sports betting and online wagering combined, at market maturity.

The Supreme Court decision signaled to tribes that they would need to be pro-active. Tribal leaders could see the oncoming wave of sports wagering, both on-site and online, was inevitable. It would be crucial to get out front and ensure tribes had a place at the table as California tried to navigate the issue. But the question was how to proceed.

THE PLAYERS TAKE SHAPE: TRIBES, SPORTS BETTING CORPORATIONS AND CARD ROOMS

In 2019, four tribes – Pechanga, Agua Caliente, Yocha Dehe Wintun and Barona – file the Tribal Sports Wagering Act, a ballot initiative to allow Indian tribes to offer sports wagering, roulette and craps in-person at casinos on their tribal lands. It does not allow for mobile betting and, in a new development, partners with California’s racetracks. (Due to a pandemic-induced delay, this measure – now called Prop 26 – is scheduled for the November 2022 ballot.)

Seeing these new developments unfold, California’s card rooms announce they will have a measure as well. But they never move forward and instead announce they will attack the Pechanga initiative with an aggressive NO campaign.

In August, 2021, an alliance of seven sportsbook operators – DraftKings, FanDuel, BetMGM, Bally’s,

“The out-of-state sports wagering operators aim to break tribal exclusivity and undermine everything we have worked for. Prop 27 would accelerate the legalization of online gaming by non-tribal interests and threaten the existence of Indian gaming as we know it.”

– Pala Tribal Chairman Robert Smith

You start with nothing and build from there.

Barstool Sportsbook, WynnBET and Fanatics –size up California and jumped in with their own ballot proposal. Unlike the Pechanga measure, this initiative – now named Prop 27 – calls for online mobile wagering.

But this new measure is deceptive. The outof-state operators promise funding to solve the homelessness problem and to work with tribes. But the fine print reveals only a 3% increase in assistance on the homelessness program and, even more seriously, requires tribes waive their tribal sovereignty if they wish to participate in offering sports wagering.

California Nations Indian Gaming Association

Chairman James Siva warned, “Don’t be fooled, this measure is not a fix to homelessness, but rather a massive explosion of gaming that will directly undercut tribal sovereignty and self-sufficiency.”

“The real goal of the commercial interests is clear: full online casino gaming. The playbook is to open up new states with online/mobile sports betting and then expand into online casino gaming,” said Enterprise Rancheria

Tribal Chairwoman Glenda Nelson. “That’s why expansion of outside gaming corporations into California would damage tribal gaming. Ours is a sovereign right affirmed by California voters.”

At the end of 2021, there was now one tribal initiative and one corporate sports betting initiative. Looming is the card room group pledging to spend millions to oppose one tribal

measure. Voters would be seeing “YES” campaigns from two entities and various “NO” campaigns from opposing camps as they strive to compete for support. As of now, 2022 is promising to be a confusing year for California voters.

A NEW OPTION

Meanwhile, leaders from California’s other tribes, both large and small, deliberated their best options.

Clearly it would be essential to bring down the sports wagering juggernaut. But what about the 2021 tribal proposal? Was there another option to Pechanga’s Tribal Sports Wagering Act measure? Some tribal leaders felt it set a dangerous precedent by including California racetracks in its provisions. Others felt there should be more input by a broader spectrum of California tribes. Tribal leaders met, discussed and debated. Out of these discussions, a new larger, diverse tribal coalition took shape led by San Manuel, Rincon and Wilton Rancheria.

“There was a lot of debate but we were all unified on a couple of very basic tenets – gaming exclusivity, tribal sovereignty and inclusiveness,” said Rincon Tribal Chairman Bo Mazzetti. “We agreed to oppose any proposition that had the potential to take something away from the tribes. We agreed it was critical to put tribal sovereignty first in all of our considerations. Lastly, we felt it was crucial to work with as many tribes as possible to ensure the widest sharing of benefits.”

“This is an effort to educate Californians that this ballot measure doesn’t just harm tribes. It’s a serious threat to all Californians. We are partners in our communities. And we are thankful to be able to give back. But we need to make voters aware of what we contribute.”

–

Enterprise Rancheria Tribal Chairwoman Glenda Nelson

Nick_Nick / Shutterstock.com

Wilton Rancheria Tribal Chairman Jesus Tarango, who has become a TV spokesman for the campaign, asserted, “The main fight for us is to ensure we keep the out-of-state corporations from coming in. That’s the best thing for all tribes here in California. If the betting platforms prevail, tribes may get a piece of it, but it would not be the same as if it was safely and responsibly operated.”

The 2022 countdown to November was ticking and the tribes needed to move fast. San Manuel moved quickly to assemble a top-flight team of political strategists, campaign experts, pollsters and lobbyists for the newly formed tribal coalition. What became evident immediately was there would need to be two efforts – one to combat the out-of-state corporate alliance and one to create a new ballot option. In January, 2022, the group filed the Tribal Online and In-Person Initiative with the state and launched the necessary campaign to collect signatures to qualify for the ballot.

MAY, 2022 BRINGS A SHIFT IN STRATEGY

From the beginning, the 34-tribe coalition led by the San Manuel, Rincon and Wilton tribes engaged a campaign team that used survey data more extensively than any other campaign to date to develop its strategy. This would prove to be invaluable.

In late May, that polling feedback made it apparent that California voters were showing little enthusiasm for sports wagering measures. The current economy, COVID, war and other factors had cooled citizen interest. Clearly not a good time to be on the ballot.

Defeat of Prop 27, the corporate measure, needed to take priority.

“Make no mistake – they are not coming for sports wagering alone,” said Rincon’s Mazzetti. They are coming for full gaming so this is a battle, not for this immediate issue, but for our economic future. “

“If DraftKings/FanDuel’s Prop 27 measure passes in November 2022, tribes would lose their exclusivity to class III gaming in California,” said San Manuel Vice Chairman Johnny Hernandez. “Passage would accelerate the legalization of online gaming by non-tribal interests, threatening the existence of Indian gaming as we know it.”

In an astute move, tribal leaders unanimously resolved to concentrate on the critical “NO” campaign against the out-of-state operators, and are committed to pushing a tribal-led initiative in 2024.

In the meantime, this pivot allows the campaign to focus on continuing to build the tribal coalition and turn its sole attention to the defeat of the sports wagering cartel.

“Defeating Prop 27 means we have to educate Californians that this ballot measure doesn’t just harm tribes,” said Enterprise Rancheria’s Nelson. “It’s a serious threat to all Californians. We are partners in our communities and we provide funding and support for education, health services, fire and safety services and so much more. And we are thankful to be able to give back. But making voters aware of what we contribute will be important.”

The campaign moved forward. Polling showed that every week San Manuel and its partners were delivering fresh damage to the Prop 27 campaign. With TV advertising in aggressive, statewide media buys along with print and social media, the coalition’s messages resonated with voters. Survey data revealed a steady decline of public support for the corporate sports betting measure.

The original commitment to tribal unity by San Manuel, Rincon and Wilton is paying off. Thirty-

“The

over the past two decades. Right now the debate is over sports wagering

gaming landscape in California has changed dramatically

because it promises such great potential. But there will always be the new next thing. In weighing new options, we must guard against any possible infringement on tribal sovereignty.”

– San Manuel Vice Chairman Johnny Hernandez

CQ Researcher Library

four California tribes now make up the largest tribal coalition in the state on this issue. In addition, the Northern California Tribal Chairpersons Association (NCTCA), California Nations Indian Gaming Association (CNIGA) and the California Tribal Business Alliance (CTBA) have all voiced their opposition and endorsed the “NO” campaign. Tribes across the state are stepping forward with donations ranging from Elk Valley’s $6,000 contribution to Pala’s $3 million donation.

“We understand every tribe’s ability to give will be different based on their economic realities,” said Pala Tribal Chairman Robert Smith. “The campaign to stop the out-of-state sports wagering operators’ Prop 27 will cost upwards of $100 to $140 million dollars. To date, the San Manuel, Wilton and Rincon tribes have generously given $38 million so we are continuing to appeal to tribes to give what they can. If this destructive measure passes, it would forever break open tribal exclusivity and undermine everything we have worked for.”

Major groups across the state are endorsing the coalition’s campaign. Elected officials, county and city governments, Chambers of Commerce, health care organizations, veterans groups, non-profits and local governments are coming forward in support of the “NO” campaign. In May, groups like the California Teachers Association (CTA), the largest public sector union in California; the Communications Workers of America; and the civil rights leadership of the NAACP voted to support the “Protect Tribal Sovereignty” campaign against Prop 27.

LOOKING TOWARDS NOVEMBER

November 8 is decision day for California voters and the culmination of months of arduous work

SO, WHO ARE THE PLAYERS?

THE PLAYERS: DraftKings, FanDuel, BetMGM, Bally’s, Barstool Sportsbook, WynnBET, Fanatics

GROUP NAME: Californians for Solutions to Homelessness and Mental Health Support

BALLOT MEASURE NAME: Prop 27 –California Solutions to Homelessness and Mental Health Support Act

PREPARED TO SPEND: $100 million+

BALLOT STATUS: Confirmed for November 2022 ballot

CAMPAIGN: Active

by thousands of advocates, both tribal and non-tribal, and the commitment of millions of dollars by the tribes. The election will decide whether Prop 27 will undermine tribal gaming or whether the tribes will prevail in defending their sovereignty against invasion.

The campaign will be active throughout the summer, building in intensity toward November’s vote. There’ll be an upswing in news coverage on this issue, and both the Internet and TV airwaves will be saturated with advertising.

Three tribal leaders summarized what lies ahead in what is a new fight, and also a very old one.

San Manuel Vice Chairman Johnny Hernandez reflects, “The gaming landscape in California has changed dramatically over the past two decades. Right now, the debate is over sports wagering because it promises such great potential. But there will always be the new next thing. At every turn, we must guard against any infringement on tribal sovereignty.”

“Defending tribal gaming exclusivity as put into law by California voters – that’s the whole ball game right there,” said Bo Mazzetti. “We are facing a serious battle to keep what we have – gaming is the first serious economic tool for California tribes in a century. It’s no secret that sports wagering is simply a crowbar for corporate operators to gain entry into the California market. Once in, they will not hesitate to undermine what has taken California tribes years to build. The biggest difference is that now we have the strength and resources to defend our rights. The biggest gift of gaming has been the blessing and strength of self-sufficiency.”

“Tribal solidarity is more important than ever,” said Cahuilla Tribal Chairman Daniel Salgado. “Just like our people, our land and our culture, we were always told that someday they will try to take it from us. But just like before, it won’t be without a fight.”

THE PLAYERS: Pechanga, Agua Caliente, Barona, Chumash, Wintun

GROUP NAME: Coalition to Authorize Regulated Sports Wagering

BALLOT MEASURE NAME: Prop 26 –Tribal Sports Wagering Act

PREPARED TO SPEND: $100 million

BALLOT STATUS: Qualified to be on the November, 2022 ballot

CAMPAIGN: Two active separate campaigns. One for this year’s 2022 initiative. One to defeat the Draft Kings/ FanDuel measure

THE PLAYERS: San Manuel, Rincon, Wilton and 31 other California tribes

GROUP NAME: Californians for Community Safety, Equality and Reinvestment

BALLOT MEASURE NAME: The Tribal Online and In-Person Initiative

PREPARED TO SPEND: $100 million

BALLOT STATUS: Pending submission for 2024

CAMPAIGNS: Two active separate campaigns. One in favor of a 2024 initiative. Second campaign to defeat Prop 27 – the DraftKings/FanDuel measure

THE PLAYERS: California card rooms and card room city elected officials

GROUP NAME: Taxpayers Against Special Interest Monopolies

BALLOT MEASURE: None

PREPARED TO SPEND: $50 million directed against Prop 26 – the Tribal Sports Wagering Act

CAMPAIGN: Active

NYCStock / Shutterstock.com

NOVEMBER 2022

In November, Indigenous communities across the United States celebrate Native American Heritage Month. We remember the values, struggles, and triumphs that define our shared history as Native peoples.

The San Manuel Band of Mission Indians are proud of our deep-rooted Serrano culture and history in the Inland Empire.

Join us this month in reflecting of what we have done together to make this region and country a stronger place for all future generations.

(poo

-yoo-hope-k-chahv)

Puyu’houpkcav

TOGETHER

Puyu’houpkčav: together. When all are together as one, we accomplish more. We strive each day towards unity of purpose and spirit.

Learn how AISES making it easier for Native students to get into STEM fields as well as new legislation that aims to give all California students the true history of our state’s Indigenous people. Hear about the iconic Rose Bowl stadium as it turns 100, and what we can expect in its next century. And meet a team member who creates wonderful experiences for guests at Yaamava’ Resort & Casino at San Manuel.

FORGING

HOPE

BY STEVE BORNFELD

Aguiding principle of the San Manuel Band of Mission Indians is to do good whenever possible so that others may be lifted up. To use a Serrano term, this belief is called Yawa’.

“Yawa’ is a Serrano cultural concept that has been passed down through generations since our creation,” explained Lynn Valbuena, Chairwoman of the San Manuel Band of Mission Indians, addressing the crowd at the 12 th Annual Forging Hope Yawa’ Awards on

Valbuena added.

And, as explained in the event’s program: “Yawa’ is a simple word that describes a complex concept: a smile, a hearty handshake, a kind word. These are the building blocks from which Yawa’ springs forth. Yawa’ also comes from the heart, from actions and intentions, from beliefs held since time immemorial.”

This year the Forging Hope ceremony recognized The Cheyenne River Youth Project, Assistance League of San Bernardino, Time for Change Foundation and Victor Valley College

its recent history, the Tribe experienced Yawa’ from others through periods of hardship on the Reservation.

“Our Tribe saw this in the early 20 th century when Dr. Lyra George from Loma Linda Health would journey to the Reservation by horseback to help deliver our babies,” Valbuena pointed out. “We also saw Yawa’ in the ’60s when then-San Bernardino Mayor Al C. Ballard worked with our tribal elders to help repair the pump to our only source of drinking water.”

May 13 at the Yaamava’ Theater. The ceremony celebrates organizations that exemplify the altruistic nature of Yawa’ in their own communities.

“Yawa’ is a Serrano term meaning ‘to act on one’s beliefs,’” she said, and giving back is certainly one of those beliefs. “Giving is a part of who we are as a people and a nation,”

Foundation. It also marked the return of the awards ceremony, which had been cancelled in 2020 and 2021 because of the COVID-19 pandemic.

Elaborating on the true spirit of Yawa’ – the cornerstone of the Tribe’s giving program in surrounding communities and across Indian Country – Valbuena explained that for much of

Such demonstrations of Yawa’, she explained, heal and create a stronger community.

“These acts of human kindness that our family experienced from our neighbors, together with our tribal values and beliefs, has led San Manuel to carry on the traditions of giving back,” Valbuena said. “We are

San Manuel Band of Mission Indians honors those who help others in their own communities.

We are committed to fulfilling our legacy by being leaders to make positive changes. With the help of everyone in this room and beyond, we focus our resources on services, programs and initiatives that will yield positive economic, cultural and social impacts.

committed to fulfilling our legacy by being leaders to make positive changes. With the help of everyone in this room and beyond, we focus our resources on services, programs and initiatives that will yield positive economic, cultural and social impacts.”

Turning toward the day’s honorees, the Yawa’ Award – an encased Serrano gourd rattle created by San Manuel youth – was presented to the recipients. Each award represented one of the Tribe’s Giving Pillars: Inspiring Communities Through Education; Empowering Lives; Reinforcing Healthy and Resilient Communities; and Preserving Cultural Traditions and Empowering Indian Country.

Each of the organizations, and the work they did, were highlighted in a video before representatives came onstage to accept the award. Valbuena and SMBMI’s Vice Chairman

Johnny Hernandez Jr., Secretary Audrey Martinez and Business Committee members Edward Duro and Laurena Bolden greeted each winner, all who expressed gratitude for their partnership with San Manuel.

Addressing the award winners collectively, Valbuena praised them as partners who answer the call of Yawa’ to care for the basic needs of at-risk groups, inspire students onto the path of education, support indigenous communities and address healthcare disparities,” Valbuena said.

“The diverse groups gathered here today demonstrate that it takes all of us – nonprofits, governments, public safety agencies and businesses – working together to make a better tomorrow,” Valbuena said. “We challenge you to never stop acting for the benefit of others.”

SMBMI’s strategic philanthropy program has donated more than $300 million to the local region, Indian Country and beyond since the early 2000s. In the last two years, with focus on relief from the impacts of COVID, the Tribe has been able to give back to the community with the following:

• Hosted seven blood drives, collected 757 pints of blood, impacting 771 lives.

• Provided 8,368 meals to Loma Linda University Hospital, SAC Health Center, Mary’s Mercy Center and the Highland Senior Center.

• Collected 3,600 pounds of food for the Family Services Association.

• Donated 80,000 pounds of food and supplies to Feeding America Riverside.

• Gave 21 pallets of food to three Southern California tribes.

• Gave 8,986 masks to local hospitals and clinics.

• Donated $1MM to small businesses.

• Raised $350,000 for nonprofits at SMBMI’s annual golf tournament.

Meet the honorees of the 12th annual Forging Hope award:

Cheyenne River Youth Project: Founded in 1988 in Eagle Butte, South Dakota, this is the community development organization on the Cheyenne River Sioux Reservation. The grassroots initiative is designed to meet the needs of the Lakota community, with a campus including youth and teen centers, family services, arts education, a teen internship program, public art park, a 2.5-acre organic garden, farm-to-table café, seasonal farmers’ market and public events.

Assistance League of San Bernardino: Established more than 70 years ago, the league has provided critical services to the city’s most vulnerable children. Through programs such as the Children’s Dental Health Center and the Dental Sealant & Fluoride Varnish program, more than 900 San Bernardino City United School District students, as well as uninsured/underinsured patients from ages 5 to 25, have received preventative dental services. A kindergarten oral health education program provides 1,500 students with dental education and oral hygiene kits.

Time for Change Foundation: Headquartered in San Bernardino since 2002, the foundation empowers disenfranchised, low-income individuals and families by building leaders through their programs, plus offers housing opportunities that lead to self-sufficiency and thriving communities. The goal is to break intergenerational cycles of poverty, homelessness and incarceration through their myriad programs. To date, the organization has reunited 311 children in foster care with their mothers and helped more than 2,600 homeless women and children reach self-sufficiency.

Victor Valley College Foundation: The Fire Technology Accredited Regional Training Program, headed by the foundation, is the premier destination for training all-risk firefighters. The program educates more than 600 students annually in entry-level and wildland firefighting, apparatus operations, truck company operations and urban search and technical rescue. Students can earn certificates of achievement in firefighting or an associate degree in fire technology. Those who complete all required courses can earn a position on one of eight federal urban search and rescue teams throughout California.

Setting the Straight Record

An education bill to teach students the truth about the Indigenous people of California.

BY HEATHER JACKSON

Generations of Native Americans have reached adolescence facing an identity crisis, caught between two cultural forces: the depiction of Native Americans taught in schools and the cultural heritage passed down from their ancestors – and woven into their very being.

San Manuel Vice-Chairman Johnny Hernandez Jr. remembers vividly the battle he faced as a student. “I remember the feeling of betrayal towards my own family when I listened to a teacher minimize the horror that took place within the walls of the California missions and the plight of Native Americans in this country,” he recalled. “When the curriculum challenges the reality at home, an internal struggle often leads to the child yielding to the teacher.”

Youth want to believe their teachers because they are the trusted guides who can lead them to a

brighter future, but this trust leaves the adolescent vulnerable. To make sure future generations do not share the same pain, in early 2022 Assembly Member James Ramos (D-Highland) introduced Assembly Bill (AB) 1703, the California American Indian Education Act. The bill is currently on track to passage with significant bipartisan support and is expected to be signed into law.

AB 1703 will ensure all students in the state have an opportunity to learn the factual history of Indigenous people of California. It will delete incomplete stories and add accurate accounts. The measure also creates California Indian Education task forces between tribes and schools to advise schools on Native American affairs and help the schools adopt culturally appropriate and historically correct curricula.

To learn the true story of California’s tribes, the pain and suffering they endured must be

acknowledged but so must the diverse languages, rich heritage and honored customs of each of the 109 federally recognized tribes in the state.

The distortion of history can lead to intolerance or insensitivity. Last fall, a math teacher from Riverside, CA made headlines by mocking Native Americans during a lesson. Additionally, Native American students have been prohibited from wearing Indigenous regalia during graduation ceremonies.

Things are beginning to change, and Governor Gavin Newsom took a major step in the right direction by offering a public apology for the mistreatment and genocide of the state’s Native people. AB 1703 is another positive step as it will provide accurate historical context to current social issues, creating a better educational future not just for Native American students, but all California children.

San Manuel Vice-Chairman Johnny Hernandez and Tribal Youth Committee members traveled to Sacramento to speak in support of AB 1703 when it was heard in the Assembly Education Committee in March. Tribal Members accompanied Assemblyman Ramos on the Assembly floor for a group photo.

FOR THE STARS REACHING

For the nonverbal fourth-grader who uttered not a syllable in self-expression, but lit up in class as something clicked during a math and science lesson, the moment heralded something huge.

“I was talking to her and, even though she wasn’t verbally responding to me, she was nodding and I saw a spark in her eyes and she was having so much fun with the robots,” said Stacy Smith Ledford, upon witnessing the academic awakening.

Smith Ledford is a program officer for American Indian Science and Engineering Society (AISES), the national nonprofit devoted to increasing Indigenous representation in science, technology, engineering and math, also known as STEM education.

“She was brilliant with them,” Smith Ledford said. “She just found her niche, someplace she was comfortable and could shine. She could display all of her smarts in one session, and it was amazing. It brought us to tears.”

I had access to,” Smith Ledford said. “I didn’t have many educators who pushed me to be my best beyond my graduation date in high school. It takes having passionate people involved.”

Those passionate people include the San Manuel Band of Mission Indians.

As one of the significant AISES donors, San Manuel has given over $500,000 since 2008 to support the mission in Southern California schools with majority Native student populations.

“Continuing to invest in the education of our children and youth is important for the future of the next seven generations,” said Laurena Bolden, Business Committee Member. “AISES works towards equipping and preparing our kids to be the next generation of scientists who can use science, math and technology to continue to be good stewards of our lands.”

BY STEVE BORNFELD

Through student classroom introductory sessions, on-site teacher training, career fairs, panel discussions, supplies/resources, internships and other events tailored to students from preschool all the way through college, AISES has been promoting STEM-centric careers among Indigenous people since 1977 – long before the term STEM was even coined.

“I grew up on the Reservation and I never really understood that STEM careers were something

San Manuel’s donation funds the AISES Pre-K through 12th-grade program in a half dozen Southern California schools, providing robotics and computer programming instruction, training, hands-on robotics and supplies, plus Bluetooth-ready tablets for students.

The Tribe’s donation makes a massive difference in what AISES can offer. “It’s a huge expense, if you think of how much these robotics supplies cost, how much tablets cost, how much travel and training and continued education costs,” said Smith Ledford.

In the program, dubbed “SPRK-ing Interest,”

The nonprofit organization helping to put Native children not only in space, but also on the map – for their contributions in the fields of math and science.

AISES partners with the toy company Sphero to use its spherical robot named BOLT, allowing even the youngest students to learn programming, bridge technology and the arts, while enjoying creative discovery.

“The robotics program is an introduction to coding. We’re showing the kids how important programming is to our day-to-day lives, showing they can do it at a very young age and take it to a different level if they need to,” said Smith Ledford. “I can sit down with a preschooler and do coding by drawing, and I can go all the way up to a 12th-grader

who wanted to change their under-representation in science, technology, engineering and mathematics fields – for which, historically speaking, they should be well-qualified.

“Indigenous people are the first scientists of this land, of this country,” said Montoya Whiteman, Senior Director of Marketing at AISES. “Our generations were the first to know about the land and the animals and the environment. I think that was part of the interest of these visionaries. It’s part of our DNA – so how can we make STEM even more successful for

Another accomplished AISES alum is Aaron Yazzie (Navajo Nation), a mechanical engineer for NASA’s Jet Propulsion Laboratory. Yazzie and his team created the drill bits and other hardware on the Mars Rover.

“These people came up through the ranks of AISES and came to our science fairs. They got feedback as children about their interest in space,” said Whiteman. “They decided in high school they were going to college and major in a STEM field and it turned into a career. Aaron will literally give kudos to AISES

and do java script coding or text coding. The neat thing about the robotics program is that it’s flexible, so I can meet kids where they’re at.”

Schools are vetted for participation by AISES, with the goal of serving those whose student populations are at least 75% Native, and preferably 100%.

“We never say that non-Native students are not allowed to participate,” said Smith Ledford. “But we want to know the resources are making it into the hands of our target audience.”

Now in its 45th year, and operating throughout America and Canada, AISES traces its beginning to a handful of college-educated, Native engineers

future generations of Indigenous people? We’ve always been in that arena, just not as recognized.”

Critical to the AISES mission is educating students about successful STEM-focused Native professionals, many who come to AISES events to inspire the kids, such as Dr. John Herrington (Chickasaw Nation).

Herrington became the first Native American in space by rocketing to the International Space Station via the Space Shuttle Endeavour in 2002, carrying the Chickasaw flag with him. During the mission, he performed three space walks. And in 2004, he commanded the NEEMO 6 Aquarius Lab, working underwater for 10 days. Herrington also

because it helped him realize his dream. We gave him scholarships in the beginning. He’s one of many.”

Key to the success of AISES is that the organization accompanies the kids all the way through their education. “At any stage in your career you can be involved in AISES and that is something I take pride in,” said Smith Ledford.

“We plant the seeds early. Seeing the work that we do from preschool all the way up to careerfocused individuals, it is amazing. If you get into one of these tracks, we have all the resources you would need. We have networking opportunities, education, scholarships, internships – you name it. We can help you get there.”

served on the AISES board.

We plant the seeds early. Seeing the work that we do from preschool all the way up to career-focused individuals, it is amazing.

The beloved Southern California stadium celebrates a century defined by historic moments – while fans of the arena help to ensure a century more.

BY MATT JACOB

BOWL STADIUM

IMAGES PROVIDED BY THE ROSE

Nestled in the Arroyo Seco at the foot of Southern California’s majestic San Gabriel Mountains, folded into a quaint city whose population remains south of 150,000, sits a structure that is so iconic that those who pass through its gates admit to getting chills as they harken back to the people and moments responsible for creating the history over the past 100 years.

That includes the man who was in charge of the building for nearly a quarter century, until his retirement earlier this summer.

“Legendary college football broadcaster Keith Jackson was a friend, and he used to talk about how when you walked into the stadium, and it was empty

and quiet and you looked around, you could just feel it,” said Darryl Dunn, whose 27-year tenure with the Rose Bowl Stadium, including a 23-year-run as General Manager/CEO, ended June 30. “You can’t put your finger on it. It’s like Fenway Park, Wrigley Field, Lambeau Field and Augusta National – there are just a handful of venues that make you feel that way. And the Rose Bowl Stadium is one of them.

“So, yes, I still get chills.”

The saying, If these walls could talk, is thrown around hyperbolically. But in the case of the Rose Bowl Stadium, if only these walls could talk, just imagine the stories they would tell.

Stories about sports legends, hundreds of whom have made their mark on the Rose Bowl’s hallowed emerald field. Everyone from Knute Rockne and Jackie Robinson to Troy Aikman and Terry Bradshaw to Diego Maradona and Brandi Chastain.

Stories about unforgettable sporting events, the highlights of which include: two Summer Olympics, two World Cup Finals (men’s and women’s), four college football national championship games, five Super Bowls and, of course, a certain annual college football clash that kicks off every New Year’s Day, the Rose Bowl Game®

And stories about A-list music acts, spanning multiple genres, that have performed through the years under both a canopy of stars and lights that

were installed during FDR’s first term. Rolling Stones, Coldplay, Pink Floyd, Guns N’ Roses, Metallica, U2, Jay-Z, Beyoncé, Justin Timberlake (with and without *NSYNC), Kenny Chesney, Taylor Swift, One Direction, BTS – all have played the Rose Bowl.

Collectively, these legendary figures and memorable moments are forever part of the 100-year-old stadium’s DNA. Moreso, though, the venue itself is what has inspired reverence among multiple generations around the world – both those who have been fortunate enough to walk into history and those who have witnessed it from afar.

Just ask Dedan Brozino.

“You talk to people and they’re like, ‘Yeah, I was at the Rose Bowl Game in 1963 between USC and Wisconsin, and the popcorn vendor was so loud. But it was delicious popcorn, and my seats were right on the 38-yard line and the sunset was so beautiful,’” Brozino said. “The memories of this place are so vivid for people.”

As Chief Development Officer, Brozino is charged with corralling donations for the Rose Bowl Stadium through the nonprofit Rose Bowl Legacy Foundation. The foundation’s straightforward mission: to preserve, protect and enhance the future of the Rose Bowl as a National Historic Landmark.

Since it was founded in 2010, the Legacy Foundation has raised a little more than $50 million from roughly 5,000 donors around the country. That money has been used for much-needed upgrades.

As with any philanthropic endeavor, it’s not always easy for Brozino and his team to secure a signature on the dotted line. But getting the proverbial foot in the door? That’s a different story.

“It’s a conversation starter for everybody,” Brozino said of the stadium. “Whether I’m playing a round of golf or on vacation with my family, when it gets to the point of people asking what I do and I tell them, ‘I raise money to protect the Rose Bowl Stadium,’ it makes everybody childlike –from celebrities to ordinary individuals. Because everybody has a Rose Bowl story or moment that resonates with them.”

As it begins its second century, the Rose Bowl Stadium, which is owned by the City of Pasadena, is still going strong as an active venue, one that

completed a multiyear, $183 million renovation in 2016. Its primary tenant remains UCLA football, and its marquee event remains the annual New Year’s Day Rose Bowl Game. Dunn said partnerships with both are secured through the mid-2040s.

In all, Dunn said the stadium hosts about 300 events per year, including wildly popular international soccer matches, concerts and music festivals, community gatherings (including job fairs and cultural celebrations), and a monthly flea market that has been a stadium staple for more than 50 years.

Yet even as they prepared for a star-studded 100year Party of the Century gala – the first and only fundraising event hosted by the Rose Bowl Legacy Foundation – Dunn and Brozino acknowledged the multilayered challenges of operating the beloved venue in modern times. The only game in town when it was built with a 57,000-seat capacity in 1922, the Rose Bowl Stadium now faces stiff competition from sports and entertainment venues throughout Southern California.

Of course, the structure that was carved into the arroyo in little ol’ Pasadena has one thing its competitors can’t match: a storied history cherished by millions young and old. That history continues to be celebrated through Legacy Foundation-funded statues of icons such as Keith Jackson (whose voice soundtracked dozens of Rose Bowl Games®); Jackie Robinson (who played at the Rose Bowl for UCLA

years before breaking baseball’s color barrier); and Brandi Chastain (whose penalty-kick goal for Team USA won the 1999 Women’s World Cup).

Additionally, the Rose Bowl Stadium soon will be home to the California High School Football Hall of Fame. There’s also a plan to erect various historical markers, including naming tunnels in honor of key individuals and moments from its first century.

“Ultimately, the goal is to get to a point where regardless of what tunnel you walk through or what gate you enter, you learn something about our history,” Brozino said. “It’s important to embrace our future, which is going to continue to be UCLA football, the Rose Bowl Game® , international soccer matches and music festivals. But we can’t forget where we came from, and a lot of the projects around the property support that mission.”

Adds Dunn, “Ultimately, the Rose Bowl brand is our biggest strength, because of the great history and great events and what our venue has meant to sports entertainment in this country, if not the entire world. There’s no doubt this is one of the most iconic stadiums ever. Sometimes I have to pinch myself to realize I’ve had a front-row seat to it for the last 25 years.”

For more about the Rose Bowl Legacy Foundation –including celebratory testimonials, video dedications and details on how to donate – visit rosebowlcentennial.com.

HERE FROM THE

When Karen Knight was hired to work at the new San Manuel bingo hall, she knew nothing about gaming. Today, she’s three decades into a career at the tables – going from dealer to table game supervisor. Here’s a look at how Karen got her start with San Manuel.

By Lissa Townsend Rodgers

Start

Could you tell us a bit about some of the things you do now on a typical day?

“It’s unbelievable the way we’ve grown – and continue to grow.” From a humble neighborhood bingo hall to the luxurious Yaamava’ Resort & Casino, Karen finds the transformation astounding and is so grateful to have been a part of it.

How did you begin working in the bingo hall?

My friend told me there was a new bingo place that was hiring. I didn’t know anything about bingo – I had never played! But I went with her to the interview thinking, it would be great if I could get a second job. We both got hired. I’ve been here 36 years!

What was your first position?

I was a Pull Tabber – that’s what they called it. I walked around the bingo hall selling these little tickets. They were 50 cents or a dollar and there were about 10 kinds. People playing bingo could buy them for a chance to win money. They could win $75 or $100. Some were $250, $500. We even had one that paid $1,000. I sold those all night long.

Are there any memories of that time that stand out?

When someone won the big jackpot, they would bring the money out –straps of money – all piled up on a big silver platter. The head manager would bring it out and hold it up in the air. It was crazy to see money like that.

As a supervisor in table games, I’m on the floor with the customers and dealers. It’s perfect for me because I like to be around people. I usually watch four tables – either blackjack or carnival games. I make sure everything is going according to the rules, that players are playing by the rules, the dealer is making payouts correctly. I know what’s going on with the racks – where the purple chips are, where the black chips are. I fill the racks when they need chips, call surveillance for a $5,000 or higher payout and call the cage to let them know someone’s coming to the window with money. I also change the cards every few hours on all games.

What was your journey from selling tabs at the bingo hall to supervisor on the floor at Yaamava’?

While I was doing pull tabs, the manager told me they were thinking about opening a poker room. I didn’t know anything about poker because I hadn’t played that either! [laughs] But he said they would hire someone to train me. The deal was that I would pay for the training but if I liked it, and stayed with the job for six months, they would reimburse me. I liked it so much I was a poker dealer for 25 years.

What has kept you at San Manuel for 36 years?

There are so many opportunities here and the Tribe treats everyone with respect. Every time I talk to people who’ve worked at other casinos, they all say this is the best. The Tribe lets us know we’re important to them. And I like all the people I work with, it’s fun to come to work every day. Working here is like being a part of a family.

“It’s like night and day,” table games supervisor Karen Knight said about the changes she has seen while working with San Manuel.

(muh-chish-chk)

FAVORITES

Müčisck: your favorite things. A word to acknowledge all those things in life you find yourself drawn toward.

This section explores all the things you might be daydreaming about: lavish brunches – and the to-die-for Bloody Marys that go hand in hand, shopping at high-end boutiques and epic entertainment events. We also explore how you can earn points toward perks at both Yaamava’ Resort & Casino at San Manuel and the newly reopened and revamped Palms Casino Resort in Las Vegas, which is brimming with dining, entertainment and relaxation experiences.

COOL

collected

As triple-digit temps give way to shorter days and crisp nights, we’ve found a collection of apparel, gifts and treats to help you embrace the change of seasons, all available at Yaamava’ Resort & Casino at San Manuel.

colors season OF THE

Torino Leather Wallet

John Varvatos Sunglasses

Mistral Bourbon Vanilla Marseille Hand Soap

Bulova

Marine Star Mens Stainless Steel Watch

Torino Leather Braided Belt

Bugatchi Olive Jacket

Fundamental Coast Andy Reversible Vest in Oxblood

Fundamental Coast Andy Henley in Yukon Gold

mood season OF THE

After a few months of living life to its fullest during the glory of summer, fall signals a time to turn inward and recharge. Here’s a few things from Serrano Spa to nourish your body and soul.

BABOR Spa Energizing Body Lotion and Salt & Sugar Oil Scrub

VitaJuwel Via Forever Young Glass Water Bottle

Karma and Luck Renewed Optimism Ombre Emerald Evil Eye Wrap

Karma and Luck Burst of Courage Tiger Eye Feng Shui Tree

Wild Air Skincare Eucalyptus & Mint Body Butter and Body Lotion with Shea Butter

Taste season OF THE

There’s more to the world of chocolate than white, milk and dark. In fact, there’s a galaxy of gourmet flavors waiting to be discovered at the gourmet candy and chocolate store, Decadence.

Norman Love Confections Signature Gift Box

Hammond’s Assortment of Chocolate Bars

Hammond’s Chocolate Vanilla Caramel Treat

Neuhaus Belgium Dark Chocolate Collection

Neuhaus Belgium Classic Pralines Assortment

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BEGINNINGS

The reopening of Palms Casino Resort heralds a fresh era of entertainment and service in Las Vegas

BY MELINDA SHECKELLS

The saying goes “It starts at the top,” and the newly reopened and re-envisioned Palms Casino Resort in Las Vegas is a shining example of this leadership philosophy. At the helm, General Manager Cynthia Kiser Murphey has been the guardian of the history-making resort – the first in Las Vegas fully owned and operated by a Native American tribe.

Located just west of the Las Vegas Strip, Palms, under the leadership of the San Manuel Gaming and Hospitality Authority (SMGHA), swung open the doors on April 27, 2022, just four months after receiving approval from the Nevada Gaming Commission.

Machines on, tables packed, restaurants cooking, rooms neatly made up and powered by a staff of more than 50% former employees – after having been closed for 25 months – we see a true testament to the allure of the storied resort.

If they had taken other jobs, they were waiting to come back. We have approximately 78 day-one employees from 2001. There's a real passion for the property,” said Kiser Murphey. “There's a love of the Palms and each other and a commitment to the customers, which matches the ethos of the Tribe –a family that's very committed to people.”

Having received a $690 million remodel in 2018 by its previous owners, Palms Casino Resort by all accounts is a Ferrari waiting to be driven. And Kiser Murphey gladly grabbed the keys.

Encompassing two towers – the Fantasy and Ivory towers – with 766 hotel rooms and suites, at every corner of the boutique-size resort there are engaging bars, restaurants, live entertainment venues and lifestyle experiences across a 95,000-squarefoot reimagined casino.

All the restaurants received menu redesigns. In addition to the Serrano Vista Cafe and steakhouse Scotch 80 Prime, guests find Mabel’s BBQ by Chef Michael Symon; Send Noodles featuring Peking duck, house ramen and Singapore noodles; A.Y.C.E. Buffet with its popular theme nights such as lobster and prime rib; and legendary Michelinaward winning dim sum palace Tim Ho Wan, among others. In late summer, the legendary Ghostbar returns to top off the Ivory Tower.

As for what to eat, everyone has their favorites.

“Wednesday is lobster night at the buffet. It’s crazy. We go through 4,000 whole lobsters, so around 8,000 tails,” said Marcus O’Brien, Palms Executive Chef.

“Palms Pizza features 22-inch New York-style pizzas with dough made in house, filled with air bubbles and a good crunch.”

O’Brien, who opened Palms and stayed for 12 years, only to return for this new era, said his team is working on secret specials for each restaurant. The concept launched with Send Noodles, which now has an off-menu oxtail soup available on Sundays.

Another Palms alum, Kevin Glass, returned as Vice President of Hospitality. He started in December 2001 and, after working on and off The Strip, said there’s something magical about what happens at Palms for both guests and employees.

“People love this place, and we love to serve, and we're continuing to evolve our training program to provide the best guest experience. When you walk into this building, it just feels different,” Glass said. “For the guest, free parking is a big factor, and we also have a buffet, which is unique now for a Vegas property.”

In re-envisioning the casino floor, Kiser Murphey said the team strove to create key excitement points, highlighted by dynamic entertainment offerings from dancers to live music to art. The casino floor features redesigned slots and table games areas as well as high-limit wagering. There is also a William Hill Sportsbook and Lounge.

“The layout is intended to be very comfortable, very inviting and have open sight lines. When you come in any of the doors, we are very deliberate. We want you to see the bars and restaurants along the path. And in the casino, if you are playing slots with friends, you can sit and

play, order drinks and talk. In this era, people want smaller gathering spaces. The casino is set up so it builds energy for the players and each area has its own music and bars.”

The accommodations have a reputation for being some of the most well-appointed in the

“It’s the best of the best – the design, the amenities, the square footage, the attention to detail.”

city at 460 to 620 square feet for standard and deluxe rooms, 650 to 1,000 square feet for suites, and the crown jewels, six 6,0009,000 square-foot villas.

Palms recently launched a “Guest of the Day” program, where a customer is randomly picked to receive a handwritten note from Kiser Murphey, a VIP check in and room upgrade.

“It’s the little, and the big, things that make a difference,” Glass said.

One of the big attraction points are the remodeled themed specialty suites, which have been popularized in television and film including the basketballinspired Hardwood Suite, the bowling-lovers Kingpin Suite

and the Cinema Suite. The all-pink Revolve suite is ideal for bachelorette parties and the penthouse suites with shuffleboard tables are perfect for bachelor parties.

“It’s the best of the best – the design, the amenities, the square footage, the attention to detail,” Glass said.

The resort also includes over 190,000 square feet of meeting, convention and event space; the Pearl, a 2,500-seat theater; a pool and spa area; wedding chapel; the Brenden Theatres, a 14-screen cinema; and nearly 600 units at Palms Place condominiums.

“Everything in this building is entertainment – even the check-in process can be entertaining if you’re having a good time. It’s all about providing an experience for guests where they feel like they must return,” Glass said.

The Don’t-Miss List

With its grand reopening, Palms Casino Resort brings playful exuberance and unexpected twists to all its offerings from dining to entertainment to relaxation. Here are a few more reasons to check in.

SERRANO VISTA CAFE

With five casual dining options to choose from, this one draws its name from the signature cafe at Southern California’s Yaamava’. The desert version of this popular all-day eatery features the comfortable coffee shop classics such as the Club Sandwich and juicy Wagyu Burger but for those who want a little spice, try the Hummus and Tabbouleh, Spicy Thai Salad, Cauliflower Tika Masala and Pho’Rench Dip, which all add a multicultural culinary kick. Choose from breakfast, all-day dining or late-night menus.

PALMS POOL

A whole new way to cool off, this multi-level pool complex is one of the largest in Las Vegas with two glistening main pools and 39 cabanas, many with their own private pool and jacuzzi. Lounge in a daybed or swim up and mingle with new friends, just don’t forget the shareable Spring Rolls, a platter of Wings and Things or a pitcher of Pink Senoritas –made with tequila and prickly pear.

UNKNOWN BAR

There’s no other bar in Las Vegas quite like Unknown, as this is the only space that features a major work from top contemporary artist Damien Hirst. Positioned in the center of the Palms, the focal point is the artist’s 1999 piece The Unknown (Explored, Explained, Exploded) featuring a 13-footlong tiger shark sliced into three parts. The cocktail selection is equally as intriguing. For those who need a little kick, the Night Shark pairs cold brew coffee with Jägermeister.

BRENDEN THEATRES

After a two-year hiatus from catching a movie on the big screen, it’s time to relax in a leather recliner, buttered popcorn in hand, and watch the latest release at the six-story IMAX theater. The recently renovated 14-screen movie-plex features Dolby Atmos sound and a location right off the casino floor. And if you’re into art, ISI Group, a Las Vegas artist collective, commissioned 40 graffiti artists to tag the theaters into a street art gallery.

THE SPA AT PALMS

Serenity awaits at the tri-level spa with 15 treatment rooms, including two tailored for couples. A variety of rejuvenating treatments engage the mind, body and soul and a co-ed social space invites you to relax with friends before heading into the same-sex sauna, steam, whirlpools and heated lounges. For those who remain dedicated to their fitness no matter what outside temptations they face, find a gym with state-of-the-art equipment including Woodway Treadmills, Ellipticals, StairClimbers, Peloton Bikes, a Water-Rower and Zen Studio for yoga, meditation and wellness retreats.

Hottest

ADDRESS IN TOWN

Named in homage for Las Vegas’ historic luxury neighborhood, Scotch 80 Prime is more than just the signature fine-dining experience at Palms, this space also is an institution for both guests and locals. Not your average steakhouse, this restaurant has been a focal point for more than two decades with countless celebrities partying the night away at its bar and within its banquettes. In its new chapter, it continues to be the type of room where you never know who you’ll see and where everyone wants to be seen.

The entrance moment is punctuated by an impressive floor-toceiling glass enclosed wine room stocked with thousands of bottles. Guests glide down the long hallway, flanked by artworks of holographic orchids, and into the lounge with contrasting tones of black marble, geometric chandeliers, textured white walls and mustard-colored seating.

In the lounge, discover a large statement window overlooking Flamingo Road and a hedgeenclosed outdoor patio. Scotch 80s’ U-shaped bar serves as the equator between the lounge and dining room, providing two environments, one focused on imbibing, flirting and revelry and the other on tableside culinary extravagance.

Scotch 80 is only one of a handful of restaurants in Las Vegas to offer real Kobe beef, which comes from Tajima black cattle born, raised and harvested in the Hyogo Prefecture of Japan. Given that the product is highly allocated, there is no telling how much will be available, making it the crown jewel of the menu. But even if it’s not available,

Chef de Cuisine Marty Lopez is bolstering the steak program with multiple types

of Japanese wagyu from olive-fed to snow beef. Lopez is also bolstering the theatrical tableside presentations for every section of the menu. Start off with a Bjork Oscietra Caviar presentation with all the accoutrement and two shots of chilled Belvedere vodka – the perfect pairing for these luxurious bites. Then, move on to the towering seafood display stacked with lobster, crab, shrimp, oysters and a variety of sauces to kick up the chilled delicacies. For the main course, fine cuts such as the Snake River Farms Wagyu strip steak and Duroc

triple bone pork chops take a starring role, and Lopez loves to finish them tableside au poivre or doused in bourbon applesauce. The Long Bone Marrow makes for a great photo op when turning into a chute for your favorite liquor. As an added touch, Scotch 80s' premium steak knives are handmade by Town Cutler, a shop in Reno, and you can choose yours based on handle color and style.

Even if you’re not a millionaire, the Millionaire’s Maccheroni – with prosciutto, black truffle, poached egg, Parmigiano-Reggiano cream and gold leaf –lives up to its name as the ultimate side dish. Live action desserts, like the decadent Bananas Foster, round out the experience with lots of fire and smoke.

The signature steakhouse experience.

MOMENTS Memorable

Whether planning a wedding, conference or unique gathering that brings like-minded individuals together around a common purpose, where you meet and what you eat is nearly as important as why. For almost two decades, Raul Daniels, Vice President of Event Sales & Catering, has lived this motto at Palms Casino Resort.

With its meetings, conference and ballroom spaces measuring 60,000 square feet – including Pearl Concert Theater – Palms comfortably hosts boutique events, but Daniels said the resort’s venues really shine when they act as an event destination for larger groups who want to go off-site from their host hotel.

“We want to be the destination event resort,” he said. “We have intimate and unique spaces that really create a stand-out experience for gatherings, and we can do a gala dinner at Kaos or a cocktail party at Ghostbar. Why would you want to throw a party for 2,000 people in a giant ballroom instead of Kaos, where you’ve got $5 million in audio-visual equipment?”

Other non-traditional event spaces include Moon with its retractable roof, the View with panoramic views of the city and the legendary Ghostbar, perched on the 55th floor. While known for its celebrity guestlist, Ghostbar is famous for the stunning view of the entire Strip, enjoyed from either the chic indoor lounge or the rooftop deck.

“Ghostbar is probably the best place in town for a wedding. If you get married on the patio, we can accommodate 100 people, overlooking the city with an incredible photo backdrop. Then inside, you can do about 150 for the reception. People have memories of those venues from other times they were in Vegas, and there’s a certain amount of nostalgia.”

Palms is also best in class when it comes to the culinary offerings. “Interactive food stations are part of the entertainment. We have chefs onsite making custom dishes and finishing them off. You don't have to spend a ton of money on decor if you're having an event in Moon for example, the view is your decor,” he said. “Also, every single venue on property has a full-size catering kitchen, which is an enormous advantage.”

In terms of trends, the pendulum has swung to individually plated dishes and live stations. Paella and empanada presentations are all the rage, while doughnut walls have been replaced with ice cream and cannoli stations. Cocktail carts are appearing more and more, as are tequila- and mezcal-based drinks. Also, Daniels said groups want a taste of the Palms, and he is happy to give it to them.

“I challenge my chef to spend a few weeks in each restaurant and learn the signature items that they have and then bring that into the catering environment so we can execute it in high volume,” said Daniels. “We serve restaurant quality food in a catered environment.”

Since Palms controls all its venues, the process to secure a restaurant or bar space is streamlined. “We have the flexibility to book any restaurant, any nightclub, any unique space, anything on property,” he said.

There are so many elements to creating an epic event, and Palms makes it easy to hit each one.

LET THE MOVE YOU Music

Take groundbreaking performers like Pat Benatar and then add top touring acts in several genres and you begin to get a feel for what Pearl Concert Theater, one of Las Vegas’ top music venues, brings to the table.

This storied venue is once again welcoming performances to its stage this fall and Crystal Robinson-Wesley, Vice President of Entertainment and Activation, said they are creating a lineup that will showcase both up-and-comers and legacy acts.

“We’re bringing in acts that align with our core demographic,” she said.

Accommodating up to 2,500 ticket

holders and featuring a stage just four feet from the floor, every show at Pearl is an intimate experience. For those who want the VIP treatment, skyboxes line the venue and come with access to your own private bars, lounges and restrooms. Even when the Pearl isn’t rocking, there’s always entertainment popping up in every corner and Robinson-Wesley, a Las Vegas native who performed in various acts on and off The Strip herself, said she loves to incorporate local talent into the mix. And in her role at Palms, she’s able to use those deep industry connections.

“It’s great to be able give those

who’ve been staples in the city a stage on which to perform and also to discover new talent, to help them share their creativity and get their music out there,” Robinson-Wesley said.

Mabel’s BBQ comes alive with music at 7 p.m. while a pianist scores a memorable meal at Scotch 80. Mid-week, live entertainment featuring different formats – including saxophonists, guitarists and duo and trio combinations – sets the tone at Unknown Bar. Then on the weekends, DJ sets carry the energy to the next level. Guests will find a DJ at the pool complex as well. Kaos also serves as a space to host music, comedy or other production shows due to the advanced technological capabilities of the space.

On the weekends, the west end of the resort, which Robinson-Wesley characterizes as the locals’ spot, features a party pit with pulsepumping DJ sets and dancers who hit their marks as the night progresses. And throughout the property, guests can even see special performances and events supporting the professional teams in the city: Raiders, Vegas Golden Knights and Vegas Aces.

“Throughout the resort, you’re taken on a journey, and music is a key part of that,” said Robinson-Wesley.

From local acts to big name headliners, there’s live entertainment beaming from every corner of Palms.

BRUNCH is BACK

Yaamava’ Resort & Casino at San Manuel is bringing brunch back in a big way. Here’s a look at the extravagant options awaiting you.

Brunch is all about relaxed decadence, and Yaamava’s Vice President of Food and Beverage, Chris Fava, knows just how to deliver that vibe: creative menus built by the brilliant culinary minds at Yaamava’, top-notch produce from California farms and unexpected ingredients – all served up in atmospheres worth a post on your social. But Fava isn’t just delivering an unforgettable guest experience. In fact, he’s shooting for the stars: “We want to be the number one destination for brunches in Southern California,” Fava stated.

BY DANNY PALUMBO | PHOTOGRAPHY BY JAIME BIONDO

Grilled Prime Filet & Sunny-Side Up Egg with red wine demi, slow roasted tomato, wilted spinach & micro greens

Daytime Decadence

At Pines Modern Steakhouse, guests have come to expect luxurious food and drink in the evening. But the sophisticated brunch, only available on Sundays, sets a new standard for luxury when the sun is still high in the sky. Beef and pork from Snake River Farms and Brandt Beef, produce from local farmer’s markets and extravagant plated and buffet offerings that manage to strike a balance between fine dining and old favorites make this the destination for a high-end brunch experience.

Chef-attended stations – like HandCarved Prime Rib, with au jus and horseradish créme fraîche, and an omelet station, featuring extravagant items like buttery lobster, Nueske’s Canadian bacon, pungent truffle gouda and creamy comté cheese –sit next to a seafood display mounted with king crab, poached shrimp, oysters and saffron tartar sauce. You’ll also find plated options like a Lobster Hash with fingerling potatoes and hollandaise, Jumbo Lump Crab Cake Benedicts with a Ritz cracker crust and classic steakhouse Petite Filet of Beef, served with creamy spinach, confit cherry tomato and a cabernet demi glace.

Sophisticated, Signature COCKTAILS

Lobster Hash with fingerling potatoes, poached egg, sautéed spinach & hollandaise

Pines Modern Steakhouse offers a world-class, thoughtfully curated wine list and top-shelf cocktails like the Smoke & Mirrors, made with Partida Tequila Blanco, fresh lime juice, Giffard Orgeat and El Silencio Mezcal; the Better Together — featuring Figenza Fig Vodka, muddled fresh blueberries, fresh lemon juice and white cane sugar — is sweet, but not too sweet and bruised to perfection by Pines’ talented mixologists; the Gold Rush is a take on a classic cocktail, that’s made with Bulleit Rye, Amaro Montenegro, honey, lemon, acidulated pasteurized egg whites and finished with a fleur de list made from Angostura bitters.

A Tropical Paradise

At Radiance Cafe, immerse yourself in a tropical poolside environment and enjoy an exquisite brunch featuring Polynesian and Southeast Asian flavors with a Southern Californian influence. The best part? You’ll enjoy it all while soaking up the rays on Yaamava’s beautiful pool deck –with a curated playlist in the background. If you have a sweet tooth, the Ube Halo Halo Pancakes celebrate all the best of Filipino dessert with a parade of candied components. And good luck trying to pass up the Ultimate Berry French Toast, made with a deliciously perfumed Grand Marnier batter, seasonal berries, Tahitian vanilla syrup, sweetened mascarpone, candied orange and 100% pure, unadulterated maple syrup.

As much as Radiance nails the sweet stuff, it also hits a homerun with an enticing variety of savory options. The Sope Benedict is an absolute flavor bomb made with conchita pibil pulled pork (a traditional Yucatán preparation), poached eggs, cilantro-lime hollandaise, smashed avocado, crispy onions, cilantro and frijoles negros. You can also simply settle down with some flavorful Chilaquiles or a stacked Avocado Toast with poached eggs and briny feta cheese.

Berry French Toast with seasonal berries

Furikake Seared Hawaiian Ahi Salad with avocado ginger-lime vinaigrette

An International Experience

At Serrano Buffet, guests get to travel around the world while sampling over 100 different brunch items with both Eastern and Western influence. This is the true, international, all-you-can-eat dining experience that we’ve all missed the last few years.

In addition to buttery crab claws and sumptuous Chicken and Waffles, you can also choose between several stations like the made-to-order omelet station and a prime rib carving station. Sushi is available too on Saturdays and Sundays. And if you’re into salad bars, be sure to check out the salad station, which offers dozens of salad options and housemade dressings.

Serrano also offers a special, secluded VIP section that includes special teas, condiments, white tablecloths and warm towel service. The great American buffet is an institution of culinary excellence and innovation, and nowhere is that spirit celebrated alive than at Serrano Buffet.

Breakfast Quiche, Bacon, Biscuits and Sausage

Drunken Short Stack with caramelized bananas & bourbon caramel sauce

Down by the Bayou

At Rock N’ Brews, enjoy Cajun and Creole classics alongside craft beverages and a live blues band for a one-of-a-kind brunch experience. The food at Rock N’ Brews is best described by Fava as “the Cajun bayou meets the French Quarter.” Think chicken gumbo, a loaded Andouille Sausage Omelet and creamy, buttery Shrimp Grits. All the Cajun classics come loaded with the signature flavor of Louisiana home cooking. Where else in Southern California can you enjoy elevated New Orleans pub fare with a live blues band playing in the background?

Brunch + Booze

Why eat your breakfast when you can drink it instead? Rock N’ Brews taken the Bloody Mary and turned it into a hearty meal – enjoyed entirely through a beef stick straw. Case in point: the Surf and Turf, with five shrimp skewers, two slices of bacon and a chili pepper, lime and cilantro garnish. The Caprese is stocked with garlic cheese toast, fresh mozzarella and basil, lemon and lime. And for the ultimate bar experience, get the Ain’t No Wing Butta Chicken Thing, garnished with three chicken drummettes, celery, carrot and cherry pepper. And if you prefer your breakfast with beer, all of Rock N’ Brews are available as Micheladas.

And, if you’re looking for more brunchcentric items, Rock N’ Brews has a Brioche Pain Perdu – egg-dipped bread, golden raisins, mixed berries, whipped cream, powdered sugar and maple syrup. The Breakfast Pizza – served with sausage gravy, applewood bacon, caramelized onions, parmigiano, mozzarella and sunny side up eggs – is a deliciously decadent riff on brunch pies. The real standout at Rock N’ Brews though is the Gastropub Burger – a thick patty with double-melted Swiss, baconcaramelized onions, baby greens, tomato, garlic aioli and a sunny-side up egg. Wash it all down with one of the many delightful craft beers on tap.

Nearly 40 years into their career, the Red Hot Chili Peppers embarked on a first-ever North American stadium tour this summer, proving the band has reached scorching new heights.

BY MELINDA NEWMAN

The trademark blend of vocalist Anthony Kiedis’ often stream-of-consciousness lyrics and the unrelenting groove informed by the members’ love of funk, rock and jazz has allowed The Red Hot Chili Peppers to carve out its own space in the rock pantheon.

And now the band’s recently released Unlimited Love, a vibrant and wide-ranging album, has debuted at No. 1 on the Billboard 200 in April, making it the Rock & Roll Hall of Famers’ first chart-topper since 2006’s Stadium Arcadium – and the best-selling rock album by any act in more than a year.

Additionally, guitarist John Frusciante, who has cycled in and out of the Red Hot Chili Peppers over the years, returned after a decade-long absence for the new set and to join the band as they embarked, unbelievably, on their first-ever North American stadium tour in July.

“We’re in a good place right now,” drummer Chad Smith said to Hamiinat. “We’re firing on all cylinders.”

Photo courtesy of Getty Images

Lead singer Kiedis and bassist Flea formed the band in 1983, with guitarist Hillel Slovak and drummer Jack Irons. Following Slovak’s death and Irons’ departure, Smith and Frusciante joined the Chili Peppers in time for 1989’s Mother’s Milk, the band’s commercial breakthrough.

With 1991’s Blood Sugar Sex Magik, which spawned such hits as “Under the Bridge” and “Give It Away,” the quartet rose to superstar status and launched a relationship with legendary producer Rick Rubin, which now spans more than 30 years. The group’s most beloved album, 1999’s classic Californication, has sold more than 15 million copies worldwide, bolstered by melodic hits like “Otherside” and “Scar Tissue.”

In late March, the band received a star on the Hollywood Walk of Fame, just blocks from where Kiedis and Flea met at Los Angeles’ Fairfax High School.

“We started out playing dive bars up and down the street and making a handful of people dance and come to life,” Kiedis said at the ceremony. “But as time went on, we stuck together as a team and as a band and now we can make everybody dance and feel joy, and we’ve been connected to this life and this experience.”

In April, the band, renowned for its infectious, frenetic shows, brought that joy to a packed house to open the all-new 2,500-seat Yaamava’ Theater, the final piece of Yaamava’ Resort & Casino at San Manuel’s $760 million expansion.

“We were honored,” Smith said of inaugurating the new venue at the private event. “We don’t do too many of those type of shows, but we thought this was a special occasion and we were very happy to come down and play our songs.” He gives the new venue his stamp of approval. “It was a really nice place. The sound was great, and the people were friendly. Hopefully, everyone enjoyed it.”

Drew Dixon, Vice President of Entertainment at Yaamava’ Resort & Casino, said the Red Hot Chili Peppers was the perfect first band – and an example of the top entertainment guests and the community will find at Yaamava’ Theater. “We’re proud to have built a venue that provides an intimate and thrilling experience that can’t be replicated,” Dixon said.

The band is playing much bigger venues as it continues its global summer tour. Of headlining stadiums for the first time in the U.S., Smith said with a laugh, “If you stick around long enough…” But the truth is, it was a huge achievement for the band.

“This is a big thing for us. I feel great we put a great package together with St. Vincent, Beck, The Strokes, Thundercat and others…. People spend their hard-earned money, so we want to put on a great night of entertainment. That was important to us.”

Smith admitted there was the smallest nagging doubt they could pull off the huge venues – a notion quickly dispelled as several dates sold out quickly. “We’ve played festivals in stadiums in North America, but never have we done our own stadiums in North America,” Smith said. “So, I have to say, we wondered if we could pull it off.”

But the excitement about returning to the road after a 2½-year pandemic hiatus, Frusciante rejoining the band and the fact that Smith would happily play to four, 40 or 40,000 people because “to them, it’s sacred” led the band to say, “Let’s get our balls out there and do it.”

Smith said Frusciante‘s return brought a needed energy back to the band. “We were feeling a little stagnant, but once he came back, it was invigorating,” he said. “He brings up everyone’s game. He makes me a better drummer, makes Flea a better bass player. It was kind of new again because he hadn’t been in the group in 10 years, so it had this dual effect of familiarity, but fresh. He’s an incredible artist. To have him in our group again has been just great. He’s an integral part of the chemistry.”

Unlimited Love received rave reviews from outlets like Rolling Stone, which called the album, “vintage RHCP: a jammy, melodic effort…. More than anything, this record feels like a coming home. There’s a certain magic that happens with these four musicians,” and England’s NME , which wrote, “On their 12th album, Red Hot Chili Peppers not only

“MOST BANDS LAST FIVE OR SIX YEARS AND MAKE A COUPLE OF RECORDS, IF THEY’RE LUCKY...WE’RE SO GRATEFUL THAT WE GET TO DO WHAT WE LOVE TO DO. MAKING MUSIC IS FUN.

Photo courtesy of Getty Images

get comfortable with their own impressive legacy but prove there’s plenty more to come.”

The No. 1 debut – with the opening soulful single “Black Summer” – was a welcome reminder that the band’s music still resonates with its millions of fans, even if rock music in general isn’t as dominant a force as it once was on radio airwaves.

“You want people to love what you do,” Smith said. “We’ve been a rock band for a long time and

positive energy out in the world. We need it more than ever now in the world we live in.”

Working with Rubin for the first time since 2011’s I’m With You, Smith said Rubin knows how to bring out the best in the quartet. “He can push us. That’s important because you want to grow and change as an artist to get better. He’s really good at that in the right way,” Smith explained. “He doesn’t put his stamp on it. If anything, he gets out of the way.

ecstatic about Frusciante’s return.

“He wasn’t in producer mode; he wasn’t talking about song arrangements. He just walked around the room, smiling. He was so happy to see us together again and making that special sound that only the four of us can make,” Smith said. “It just warmed his heart so much, he told me he left, and he cried. It was heavy.”

As the band approaches its 40th anniversary, Smith finds the milestone both unimaginable and reassuring.

“Most bands last five or six years and make a couple of records, if they’re lucky,” he said. “I know I can speak for the other guys, when I say we’re so grateful that we get to do what we love to do. Making music is fun. This is beyond my wildest dreams that I ever had as a little kid looking up at my Kiss and Led Zeppelin posters on my wall.”

now rock music is kind of a niche in the big world of popular music culture, so for a band like us to get a No. 1 record after all these years, it’s pretty awesome. It gives me hope that people still love something that’s real and authentic – just four guys in a room playing their instruments.”

Smith attributed the band’s longevity and relevance to “people connecting with the humanity of what we do.” When writing and recording the album, as the title implies, the impetus was to “put

There is a kind of unspoken, musical telepathy thing that we have with him. He’s not a man of a lot of words, but when he does say something, it has merit and weight.”

The Peppers’ friendship with Rubin is so deep that Smith said Rubin is “as close to the fifth member of a band as you can get.” Fittingly, the producer, known also for his work with Weezer, Johnny Cash, Tom Petty and Adele, was the first to hear the new music for Unlimited Love – and was

Smith looks toward veteran acts like The Who, The Rolling Stones and Paul McCartney – all of whom are still thrilling fans with their live shows – and sees a similarly long road ahead. “I don’t have a crystal ball, but I see us doing it as long as everybody’s happy and healthy and wants to do it for the right reasons. You reach people and play that music and it brings joy to them – that’s a real gift to be able to do that,” Smith said. Then he added with a laugh, “Besides, what else am I going to do?”

“WE’VE BEEN A ROCK BAND FOR A LONG TIME AND NOW ROCK MUSIC IS KIND OF A NICHE IN THE BIG WORLD OF POPULAR MUSIC CULTURE, SO FOR A BAND LIKE US TO GET A NO. 1 RECORD AFTER ALL THESE YEARS, IT’S PRETTY AWESOME...”

Photo courtesy of Getty Images

JOIN THE CLUB

There are a myriad of reasons to become a Club Serrano member. And now those reasons just doubled.

BY DAKOTA KIM

Two Resorts; One Membership

If there’s one thing Club Serrano members are experts at, it’s getting the most out of their experience at Yaamava’ Resort & Casino at San Manuel, the Inland Empire’s newest luxury resort. With each bet, poolside cocktail, spa service or dinner, they earn points toward luxurious benefits.

And with the reopening of Palms Casino Resort in Las Vegas, being a Club Serrano card holder just got better. Members can earn and use points for dining, entertainment and more at both Yaamava’ and the Palms.

Perks at Every Level

Each Club Serrano membership tier – Classic, Emerald, Amber, Diamond and Turquoise – offers multiplied rewards and special offers such as invite-only card tournaments, access to new slots, private events, priority reservations and chances to win luxury cars. In fact, lucky members of Club Serrano regularly walk away with the keys to luxury cars such as Maserati, Range Rover and Mercedes during the weekly giveaways. Members also get retail and dining discounts, free self and valet parking and discounted movie tickets at Palms’ IMAX Brenden Theaters 14 and the 2,500-capacity Pearl Theater, as well as pre-sales for shows at the new 3,000-seat Yaamava’ Theater, which hosted Red Hot Chili Peppers as its inaugural private show, and hosts top-billed comedy, theater and music acts, such as Sammy Hagar & the Circle and Erykah Badu.

But once guests reach the Diamond and Turquoise levels, they reap rewards beyond anything they could’ve imagined. Turquoise tier members receive eight times the points on earned gaming rewards for dining, entertainment and hotel stays, while Diamond

tier members receive six times the rewards. Diamond and Turquoise members also skip the lines at check in for a VIP experience instead. And, if they wish, a casino host can arrange an evening of dining, gaming or entertainment – all while they sip cocktails in the VIP lounge.

Resorts That Stand Out From The Crowd

When listing the assets of the Palms, Vice President of Marketing Jennifer Johnson said, “We have a pool that overlooks the Vegas skyline, luxury suites – one even has a basketball court – multiple venues and we’re reopening the legendary Ghostbar, where Club Serrano members have a private entrance, VIP passes and reserved seating. We have everything the Strip has…and they get specialized attention.”

From slot ambassadors and environmental services staff to valet attendants, Johnson said every team member understands the importance of Club Serrano. “One-on-one attention from one of our fantastic casino hosts is the biggest perk,” Johnson said. “They’re your point of contact on property to be your personal concierge the entire trip.”

Casino hosts can arrange transportation, Vegas tours and dinner, spa and cabana reservations, as well as activities and itineraries for families with young children. On the gaming side, casino hosts work with the gaming team to ensure the players’ favorite games are available for play.

“Our program speaks to true care for our guests in a way that a lot of people in Las Vegas are missing,” Johnson said. “Guests miss having those team members who know their names, and those

interactions with people who know what they drink.”

Johnson said guests also love that the San Manuel Tribe is known for its community engagement and philanthropy. “We have the opportunity to bring that level of engagement and care for our community here.”

At Yaamava’, guests find an exceptional new spa, fine dining, an ambitious bar program and unparalleled gaming, with more slots than any casino in the West. “When you play with Club Serrano, you get access to a lot of things other players don’t have,” said Jennifer Anthony, Vice President of Marketing at Yaamava’. “As you go up, the perks get better – like access to The Vault, our premium high limit gaming room, for our Diamond and Turquoise members.”

The best way to make your Club Serrano journey the most enjoyable is with the mobile app. “It’s a great way to track your rewards while playing, because you can see how close you are to the next level, and it can almost become a challenge,” Anthony explained.

According to Anthony, the future of Club Serrano is filled with unexpected surprises. “We might have a wellknown band show up and surprise guests at a party at the Y Lounge, our VIP bar with sweeping views. Or maybe it’s a special poolside brunch at Radiance Cafe or an exclusive dinner at The Pines with an NBA legend,” Anthony said. “You never know what we’re going to come up with, but you know it’ll be great.”

BRUNCH AT YAAMAVA’

Four brunch experiences create a unique and unforgettable weekend. From our signature brunch buffet to a poolside dining experience at Radiance Café, there’s no better way to savor the weekend than at Yaamava’ Resort and Casino.

VISIT

A Quick CUP

Chef Oliver Wolf, VP of Culinary Operations at Yaamava’, began his career at an Alpine resort in Bavaria. It was here he first learned this version of Bircher Muesli, now commonly known as overnight oats. Grab a cup at Serrano Buffet and then make this effortless breakfast treat at home.

BIRCHER MUESLI

Serves four

2 cups Quaker Oats

¾ cup Vanilla Yogurt

¼ cup Golden Raisins

¼ cup Orange Juice

1 Apple (shredded with skin on box grater)

1 Banana (shredded on box grater)

½ cup Mixed Berries

2 tbsp Honey (sweeten to taste, add more if desired)

1 cup Whole Milk (Half & Half for extra creamy consistency)

Combine ingredients in a large bowl. Cover tight with plastic wrap and refrigerate overnight. Add more milk if needed (should be the consistency of oatmeal).

Divide among four glasses, garnish with berries. Serve cold.

Inspired by the unique properties of crystals and gemstones, Serrano Spa connects your spirit along an inner journey to peace and serenity. Our spa is a sanctuary in which to feel centered, at peace with nature, and provides a sense of strength and resilience.

Visit yaamava.com/spa to explore the various health journeys available.

Organic Healing

Crystal Energy Connection

Journeys to Wellness

Acting on our beliefs

Building a brighter future for all

For generations, our Tribe has answered to Yawa’—the call to act on one’s beliefs. It’s the reason we donated $300M over the last 20 years and why we continue to partner with communities across California. Because when we work together, we all prosper.