BARBADOS VISUAL ARTS
Cover Art by Alberta Whittle
All information correct at time of publishing. Please phone or email relevant galleries to confirm dates of events as they may be subject to change. Updates as news of arts events comes in each month may be viewed on http://corriescott.net/page28.htm Published by Corrie Scott
Welcome to Barbados Monthly Arts Events This is a completely free magazine created out of the need to inform so that we can get to exhibitions, artist talks, workshops and more, rather than hearing about events after they have taken place. I encourage anyone with a visual arts event to get in contact with me at firstname.lastname@example.org and I will add a free page for you. Letâ€™s get the arts out there! Please, pass this magazine on to others and so help the creative side of Barbados get all the exposure possible. Corrie
BARBADOS FINE ART EVENTS OPEN 24/7 UPDATED DAILY https://www.facebook.com/groups/175529135827747/
Alberta Whittle solo exhibition 'Business as Usualâ€˜ at Tyburn Gallery. Scotland. 30th May -27th July 2019. The 2018/19 winner of the Margaret Tait Award, Whittle is a filmmaker and visual artist who works between Barbados, Scotland and South Africa. Tyburn Gallery is pleased to present Business As Usual, a solo exhibition by Alberta Whittle. A multi-faceted artist whose practice includes film, performance, and various forms of collage and assemblage, Whittle is known for work which uses the body as a site of potential for transformation and resistance. Creating space to acknowledge the effects of history on the present, she envisions new models for the future, drawing on science fiction, decolonial knowledge, and the power of vulnerability. For this exhibition, the artist has conceived a series of large-scale digital collages which bring together elements of photography and painting, using performative self-portraiture to depict re-imagined histories and radical futures. She uses collage to reveal the mutability of narratives and encourage multiple ways of knowing. Accommodating various perspectives, images and texts, this practice allows her to disturb the constructed notion of a singular, objective history, and shed light on a wealth of stories and experiences which have been overlooked. These images show manifold alternative possibilities, overflowing in rich kaleidoscopic symmetry. Alberta Whittle was born in 1980 in Barbados, and currently works between Barbados, Scotland and South Africa. She was awarded her MFA from Edinburgh College of Art in 2011, after having completed her BA in Fine Arts at the Glasgow School of Art. She is currently a research associate at the University of Johannesburg. The artistâ€™s work spans film, sculpture, performance, photography, and digital collage, often incorporating multiple elements to create interactive installations. Rooted in the experiences of diaspora, her practice harnesses the values of radical self-love and collective care, using public and private spaces to confront colonial history and start important conversations about healing and reparations.
Selected exhibitions include Right of Admission Retrospective (with Farieda Nazier), University of Johannesburg Gallery, Johannesburg, South Africa (forthcoming, 2020); LUX London (forthcoming, 2019); 13th Havana Biennial, Havana, Cuba (2019), Without Tides, an invitation, Edinburgh Printmakers Workshop, UK (2019); Useless (with Emilio Bianchi), Pig Rock Bothy, National Gallery of Scotland, Edinburgh, UK (2019); Thereâ€™s something in the conversation thatâ€™s more interesting than the finality of (a title), The Showroom, London, UK (2018); Inner city, GOMA, Glasgow, UK (2018); TRANS, University of Johannesburg Gallery and The Bag Factory, Johannesburg, South Africa (2018); Self Service, CCA Glasgow, UK (2018); Johannesburg Pavilion, 56th Venice Biennale, Venice, Italy (2015); and Embodied Spaces, FRAMER FRAMED, Amsterdam, the Netherlands (2015). Selected performances include The Imagined New (or what happens when history is a catastrophe): Working through Alternative Archives: Art, History and the African Diaspora, University of Johannesburg, South Africa (forthcoming, 2019); Between a whisper and a cry: accumulating gestures, Gallery of Modern Art (GoMA), Glasgow, Scotland) (forthcoming, 2019); Corpus Callosum, RAW Material, Dakar, Senegal (2018); Right of Admission, The Apartheid Museum, Johannesburg, South Africa (2017); and Temple of Radical Self Love, Chale Wote, Jamestown, Accra, Ghana (2016). Whittle was a RAW Academie Fellow at RAW Material in Dakar in 2018, and the Margaret Tait Award winner for 2018/9. As part of the latter, she presented work in the exhibition Stalking the Image: Margaret Tait and Her Legacy at GoMA, Glasgow, UK. In 2019, she was nominated for the Paul Hamlyn Foundation Award. She has participated in residencies including Associate Art Residency, GOMA, Glasgow, UK (2019); Creative Lab, CCA, Glasgow, UK (2018); the The Bag Factory, Johannesburg, South Africa (2014). In 2019, the artist will also mount a solo exhibition at Dundee Contemporary Arts (DCA) titled How flexible can we make the mouth.
Sheena Rose was commissioned to do a twostory mural at the InterAmerican Development Bank Headquarters located in Washington DC.
Artists Alliance Barbados invites you to â€˜Manifesto-Artists Interrogating Societyâ€™, an exhibition on the grounds, walls and corridors of Parliament buildings. Saturday 25th May 9am-9pm (at 7pm Saturday Parliament will come alive with visual projections) Sunday 26th May 11am-5pm Over 30 Artists will be sharing their visions. Adrian Richards, Alison Chapman-andrews, Amanda Trought, Ann Rudder, Cher Antoinette, Chris Welch, Corrie Scott, Cy Hutchinson, Doreen Edwards, Gaily Pounder-Speede, Jason Hope, Jared Burton, Julia Seymour, Heidi Berger, Heshimu Akin-yemi, Kraig Yearwood, Lilian Sten-Nicholson , Loraine Klaiber, Lorna Wilson, Martina Pile Zahles, Margaret Herbert, Na La, Nats Hinds, Nick Whittle, Oneka Small, Russell Watson, Sian Pampellonne, Sonia Marie Tuleja, Stella L. Hackett, Tracy Greenidge, Walter Bailey, Ashanti Trotman. Curated by Oneka Small With thanks to The Parliament of Barbados and the Ministry of Creative Economy, Culture and Sport (thank you for seeing the vision Minister John King), and The Peter Boos Family Foundation. National Heroes Gallery and Museum of Parliament Museum will also be open to the public. There will also be guided tours available hourly of the parliament buildings at $10 per person.
BAJAN PRIDE (to be sung to a traditional calypso melody) Mia put them all outta their seats they suffer a record election defeat now they outside the parliament gate waiting to see what is their fate. Freundel Stuart lost for words All he saying is, “What the bird!” Donville Inniss gone to Miami he didn’t know the FBI looking for he Mia should have known when she smell a rat that is was time to bring back the cat. (Chorus) Is there any hope for we? we have plenty pride but no industry. They sell the sun the sand and the sea and we lose we integrity. First thing in she diary, “We better fix the economy.” So she gone to the central bank and find Delisle Worrell empty the tank. She see there was no money left so she say, “We better go to the I.M.F.” Mia say “Tough days ahead.” And people pulling money from under the bed they out there selling on the road and leaving their cars to sit at home.
(Chorus) Is there any hope for we? we have plenty pride but no industry. They sell the sun the sand and the sea and we lose we integrity. Mia say we all should plant a tree then there would be food for all-uh-we. One man raise some chickens to sell another plant some seasoning out by the well. we can live with the birds and bees eat coconut and drink bush tea. The preacher say, “The end is nigh! We all go to heaven up in the sky!” I give you my opinion for what it’s worth better work hard for what’s here on earth. (Chorus) Is there any hope for we? we have plenty pride but no industry. They sell the sun the sand and the sea and we lose we integrity. The young girls they catching their tails no more Remy or fancy nails. If we children have any future on this land we better take care of we sun sea and sand. They telling us “tourism is we ting” so you better dance limbo or sing. We have plenty pride but no industry So we gonna lose we integrity We sell out to Massy and Ansel Mccall So we working for Trini dollar or not at all
(Chorus) Is there any hope for we? we have plenty pride but no industry. They sell the sun the sand and the sea and we lose we integrity. All the ills of society we want government to fix for we when we should be looking to fix it ourselves ’cause the politicians will lead us to hell. Remember your grandmother tell you how when you don’t have a horse you ride a cow. We don’t have to look too far we got industry in we own back yard. (Chorus) Is there any hope for we? we have plenty pride but no industry. They sell the sun the sand and the sea and we lose we integrity.
WALTER BAILEY November 2018
Barbadian artist Adam Patterson's solo exhibition 'Things You Threw In The Gully'! in Rotterdam.
And the workshop ‘Maypole Braiding’ runs in relation to “Things You Threw in the Gully,” at Roodkapje Rotterdam. "How can maypole braiding enable us to think about the joys and pains of living together, the entanglements in which we find ourselves or the task of staying with the trouble? Weaving through readings of Donna Haraway, Audre Lorde and Rihanna, grab a ribbon and dance your way to surprising constellations, patterns and worlds. The maypole may offer a fruitful means of rethinking how we live and work together while emphasising the potentials of derangement, messiness and entanglement. The play of braiding and unbraiding, making and unmaking, hopes to encourage a greater openness and vulnerability to working through tricky, slippery and troublesome things.” • Adam Patterson • Adam Patterson is an artist and writer, currently one of the arists in residence of the Hamburger Community of Art. Adam investigates the processes of how stories, images and conditions of being gazed at affect the emergence of one’s selfhood, self-determinacy and right to opacity. He developed a practice of telling new stories or rethinking old stories in new recuperative ways, working across a variety of media including mask-making and masquerade, video, critical writing, poetry and performance. • Hamburger Community of Art • The Hamburger Community of Art (HCA) is a yearlong development program for emerging artists based on the principles of experimentation, collaboration and developing new artistic practices. What can artists learn from each other? How can (young) artists stimulate their development collectively? What can society learn from artists and vice versa? Roodkapje Rotterdam, Delftseplein 39 Photography by Lara Arnoldus
Artists Alliance Barbados invite you to the opening reception of 'Sweet Spots-The Art Of The Landscape’. Saturday June 8th, 6pm - 8pm. Hosted at The Embassy of Argentina. Viewing by appointment Mon - Fri, 10am-3pm. Please call 537 1800 or 8222 3694. Exhibition closes July 4th. Artists exhibiting: Alison Chapman-Andrews , Heather Dawn Scott, Julia Seymour, Lorna Rose, Oneka Small, Rodney Ifill Rommell Yearwood, Sheri AnnMarié Nicholls , Tracey Williams, Tracy Greenidge, William Cummins Curated by Oneka Small
Opening reception of the visual art exhibition 'Social Geometry: Expanded Drawing Practices by Barbadian Artists', Sunday May 5th, 2019, 6:30pm-8:30pm. Exhibition ends Saturday, June 15th, 2019. Presented by the National Cultural Foundation - Barbados (NCF) and Queen’s Park Gallery (QPG) See more here: https://bit.ly/2IQEX0U This show is guest curated by Barbadian artist and writer Katherine Kennedy, and features work by Simone Asia, Ewan Atkinson, Theresa Bailey, Ras Ishi Butcher, Alison Sealy-Smith, Adrian Compton, Annalee Davis, Henry Fraser, Mark Gajadhar, Versia Abeda Harris, Mark King, Rosemary Pilgrim, Kia Redman, Akilah Watts, Chris Welch and Kraig Yearwood. In sociology, the term ‘social geometry’ is a theoretical strategy which uses a multi-dimensional model to unpack and understand societal behaviours. Paired with the mathematical meaning of geometry as the properties and mapped relationships between points, lines, surfaces and even solids, Social Geometry: Expanded Drawing Practices as an exhibition explores a wider definition of the medium of ‘drawing’ as used by Barbadian artists as a reflection/deflection of their social space. Connections between drawings, objects and varied facets of historical and present-day Barbadian experiences are explored through both traditional and contemporary imagery and media. This multifarious approach expands the boundaries around what ‘drawing’ can mean as a practice, and how we can draw literal and figurative lines between works by different generations, their ideologies, and ways of questioning, perceiving and empathizing with our local communities. This exhibition proposes to be laid out in the following five sections, based on the five variables of Social Geometry: Morphological – The physical interactions Vertical – The inequalities Corporate – The organization/integration Cultural – The freedom of expression Normative – The extent of control Social Geometry: Expanded Drawing Practices engages with this model to interrogate, agree with or defy these variables, reflecting through multiple processes of drawing, the complexity of Bajan society. For more information, call 427-2345/429-3117 or email email@example.com. Gallery hours: Tuesday – Saturday, 10:00am – 6:00pm Images used in this magazine were taken from the Catalogue created by curator Katherine Kennedy. Catalogue may be view in full here https://socialgeometryexhibition.home.blog/
Artist Alliance Barbados and Contemporary Studio Ceramics presents 'Form & Fire' March 23rd - May 24th. Two locations. EMBASSY OF ARGENTINA OPENING RECEPTION hosted by Embassy of Argentina Sat Mar 23rd, 6pm-8pm. LECTURE ON CERAMIC HERITAGE OF Barbados by Kevin Farmer Sat March 30th, 2pm - 4pm. Viewing by appointment only 830 3420 or 822 3694 NORMAN CENTRE BRIDGETOWN OPENING RECEPTION Sun Apr 28th, 3pm - 6pm POTTERY MAKING 101 Sat Mar 11th, 11am - 2pm Interactive CERAMIC EXPERIENCES Ancel Daniel and Jamila Haynes will speak on their UK ceramic education. Jamila will display her work which will stay up until May 13th Featured artists; Ancel Ancel B Daniel, Gail Riley, Lynn Haynes, Martina Pile Zahles, Melanie D'Oliveira, Juliana Inniss Curated by Oneka Small
The Barbados Museum and Historical Society is inviting participants aged 16-30 to register for a free Summer Intensive in 3D photogrammetry, as part of the EU-LAC Museums project! 3D photogrammetry involves photographing objects and mapping the images to re-create the object in a 3D animated form. Currently, 3D images of artefacts in the Barbados Museum collection can be found on the platform Sketchfab: https://sketchfab.com/eu-lac3D/collections/barbados-museum- and- historical-society This free Summer Intensive aims to share the skills in 3D photogramming through training with participants aged 16-30. The Intensive is based at the Barbados Museum & Historical Society, with a combination of tutorials and hands-on practice, culminating in presentations of â€˜virtual exhibitionsâ€™. At the end of the programme participants will receive a certificate of completion. For more information and to register, contact Natalie Batson at firstname.lastname@example.org or 538-0201 Registration deadline: Friday, June 14th, 2019
BLACK ART STUDIOS Durants Village, Holder's Hill St. James www.facebook.com/oneka.small
Kenneth “Black” Blackman will rise again with a new workshop space. Let us all help make it happen. Please, if you can help in any way with woodcarving tools, building aids and supplies, wood and more contact Oneka Small. This is a time when we need to come together and help a fellow arts practitioner. ”On Thursday May 2nd the sculpture workshop of Kenneth 'Black' Blackman burnt. Although It is a great loss for us, Black is Giving Thanks to be able to see the rising of the sun and is "leaving it in the hands of the one most high". I know no matter how hard it seems it will work out as there is always a vision greater than our own.” Oneka Small
GROVE/ON THE WALL ART GALLERY At Limegrove, Holetown Mon - Sat 10am â€“ 6pm email@example.com 246 234 9145 Curator Vanita Comissiong firstname.lastname@example.org www.onthewallartgallery.com
BARBADOS PHOTOGRAPHIC SOCIETY The Barbados Photographic Society (BPS) is founded on an appreciation for and interest in photography. Website https://barphotosoc.wixsite.com/home Our Facebook Group is open to everyone with an interest in photography! You are welcome to join, share your thoughts on photography, post your work, follow the work of our members and participate in our discussions https://www.facebook.com/groups/Barbadosphoto/
BARBADOS PHOTOGRAPHIC SOCIETY May theme was "Fine Art Photography is photography created in accordance with the vision of the artist as a photographer. The goal is to express an idea, a message, or an emotion.“ "this is an example of what happens when you just leave all conventional rules behind and let creativity take you to an endpoint that you like. The result may not be everyone's cup of tea, but what matters most is that you are happy with what you have created." Hugh Walker
‘Six Degrees’. Studio Art BFA Portfolio 2019. May 8th - May 17th at Morningside Gallery, Barbados Community College.
it feels uncanny when recognising that in Dutch, "May I?" may be haphazardly translated to "Mag ik?" or magik / magic, given the turbulent, disarming and immobilising times in which we find ourselves, where magic seems like a logical consequence (given that nothing else seems to work). When asking, "May I?" or "Mag ik?", this may be read as a question or consideration of alternative expressions of possibility. Am I possible, is it / this / that possible, is possibility even viable or available? And if displacing the question mark, conjuring a performative statement or declaration, a prediction or prophecy is made: I may, ik mag, where possibility is indeed expressed and this consequence (magic) becomes performed and embodied in language. It wears a defiant, transgressive and supernatural tone, being response-able in the face of a world which generates and conditions ir-response-ability and incapacity as normative. And magic, in this sense, is not a hocus pocus kind of trickery conjured from nothingness but, rather, a keen sensitivity to the contingencies of the systems in which we are entangled and subjected. To cast spells in the vocabulary of such systems, then, is to rely on the results we have witnessed and experienced firsthand of its contingencies, feeling how these move, act and re-act, so as to input our own forces and wills into these channels (like ingredients in a cauldron), in the prediction, not of a future but, of something - anything - else. Where the cauldron, from its prior systemic form - a pot of hot water to which we are condemned to be boiled alive - is re-imagined as a cauldron of magic / alternative expressible possibilities, we MAY, indeed. Adam Patterson
NCFâ€˜s En Plein Air Heritage Painting Workshop 2019 This year's En Plein Air Workshop series has an added component in the form of Heritage and is centered around the theme of the 1937 Riots where Historian Mr. Trevor Marshall along with workshop tutor Mr. Neville Legall and guest tutors Mr. Ras Ishi Butcher and Mr. Kwami Hunte will work closely with Cultural Officer Visual Arts Mr. Rodney Ifill FineArt and workshop Coordinator Ms. Saunjean Cutting and driver Mr. Dale Nurse, to enhance the visual as well as tangible and intangible experience of more than fifty workshop participants. Despite the heat, today we started off the official workshop with a visit to the Golden Square/ Nelson Street area. Great history there to learn surrounding the 1937 riots and its impact on the city of Bridgetown, wondeerful people in the area who welcomed the presence of the workshop and expressed interest in the need to have their youth sign up for future workshops in art and fantastic architecture in this location.. A wonderful day all around!
Maria Stanford solo art exhibition Saturday May 3rd - July 4th. at Round House on the East Coast. Keen on art from her school days at the Christ Church Foundation School, Ms Stanford then pursued Fine Arts at the Barbados Community College, followed by her study of Interior Design at the International Fine Arts College in Miami. Having tutored with several Barbadian master artists, and with her particular interest in exploring various landscapes around Barbados - from River Bay in St Lucy to Nelson Street in Bridgetown Ms Stanford says feels she has now come into her own expressionistic style.
ICHIA TIYI DESIGNS
Books: Barbados Bu'n-Bu'n - Nyam Jamaica Culinaria: The Caribbean e-books: Shake Dat Cocktail, Cocktails & Hors d'Oeuvres, Barbados Bu'n-Bu'n (4 vol), Nyam Jamaica (2 vol) (see website) Gourmand World Cookbook Awards: Barbados Bu'n-Bu'n: Best Cookbook of the Year, Best Self-Published Book, Best Historical Recipes, Best Cookbook Design for Barbados (2014) 'Best Self-Published Book In The World' (2015) Nyam Jamaica: 'Best Design In The World' (20082009) - honoured 2015 at Frankfurt Book Fair for the 20 years of Gourmand World Cookbook Award - Best of the Best Design In The World (2015) Caribbean Tourism Award (2009)
Barbados Bu'n-Bu'n This amazing book by Rosemary Parkinson is on island. Two hard cover coffee table books, with a sleeve that encloses both, 656 pages and 1400 plus photos filled with history, tradition, culture, stories and recipes from Barbados.
ROSEMARY PARKINSON www.rosemary-parkinson.com www.facebook.com/BarbadosCulinaryJourney
Barbados Bu'n-Bu'n, a collector's item, has won 4 awards for Barbados â€“ Best Photography, Best Design, Best Historical Recipes, Best Self-published Book â€“ then against 5 of the best books in the world WON Best Self-Published Book In The World and honoured at the Frankfurt Book Fair 2015 with Best of the Best In The World by the Gourmand World Cookbook Awards 2015.
A Bajan Cultural Showcase Article by George Alleyne Published on March 28, 2019 In a chilly room of the Central Bank of Barbadosâ€™ Exchange Centre, one can be greeted by cultural characters of Barbados resplendent in the Caribbeanâ€™s warm colours, ranging from a classical masquerade get-up to a bubbling Mother Sally. For some viewers, the heat under the collar may increase as their eyes behold an array of the quintessential female Bajan derriere, offered up in views bound to tantalise the imagination while at the same time reminding one of the expansive freedoms of Caribbean lifestyle.
Sensuality is further pronounced in the candle-lit setting where a gentleman brandishes a less than gentlemanly countenance as he administers a bush bath to a pleasured female. Then there is the unmistakable portrait of the Master Blaster, a star among those who brought pride to the region as a collective, followed by booklets of cartoons of social commentary that once came to life in a Barbados newspaper. Such an exhibit covering the intertwined disciplines of artistic presentation on paper and canvas can belong to a few people, and one of them has to be artist, cartoonist, songwriter, and costume designer, the late Winston Jordan. The selected works of Jordan, who passed away in 2007, have been on display since the beginning of this month and will continue to be until April 4. It is part of the Annual Caribbean Fine Art Fair (CaFA). A gallery was set up for other Barbadian and regional artistes for five days, ending March 10, in the Courtney Blackman Grand Salle. But unlike that brief art show, Jordan’s work was given a month showcase, reflective of the lasting impact he made on Barbadian cultural life. CaFA director Anderson Pilgrim said the exhibition is not just about celebrating Jordan’s legacy “but it looks at what he has contributed overall to the various areas that he operated in – commercial art, visual art, festival art”. “He was one of the people who drove Crop Over,” the organiser said, hurrying on to make clear that the culturally imbued designs and promotions of Jordan in Crop Over are “well, not exactly what it has become today”. “He didn’t particularly like the direction Crop Over was going – the skin and feathers thing. He wanted us to portray our culture and to delve into history.” Pilgrim reflected that his attention was first drawn to Jordan as a cartoonist at the Nation Newspaper in the 70s. “It was a revelation to see Barbadian culture reflected in cartoons when all the cartoons that I knew of were done overseas. Winston captured the Barbadian essence.” Speaking of “a wonderful selection of art work that he left us”, Pilgrim added: “I believe that the national collection needs to have some of his works. He is a national icon and we need to remember him.” Within the annex to the Central Bank lay pieces of work ranging from creations done by pen, to crayon to acrylic, on which Barbadians could judge whether the images that capture aspects of Barbadian culture should be preserved for posterity as part of the island’s national collection. https://barbadostoday.bb/20…/…/28/a-bajan-cultural-showcase/
GINE ON MAGAZINE·Gine On?! is the online magazine brainchild of cultural practitioners DJ Simmons & Empress Zingha published every other Thursday on GineOn.com. The husband and wife duo developed the digital publication with artists, entrepreneurs, and all the persons who support them in mind. Too many times do we hear; “Where else does events like this happen?” “Where can I hear live music?” “Anything else going on other than fetes?” “I didn't even know that was happening”. This online, access anytime hub is here; so YOU can find your next favourite time! We broadcast bare Bajan culture to thousands of users to any device connected to the world through the web portal GineOn.com. Link with us for original video content highlighting various art personalities, new music, videos, blogs, podcasts, I mean a couple clicks opens a wealth of entertainment. We build an engaging experience for hundreds of our supporters on social media connecting the world to know wuh gine on with arts and culture right here at home. See you somewhere sometime soon... Sign up to our mailing list to make sure you always in de know at: GineOnMagazine@gmail.com Hosting or performing at a live entertainment event, or doing any activity progressing performing arts in the island? Forward us an email (GineOnMagazine@gmail.com) with more information so we can help push it for you. Let's help and support each other in the arts! Come and hear wuh Gine On! https://www.facebook.com/gineonmagazine/
Along with a constantly updated cool callendar of events, the site is basically set up in the categories Art, Crumbs & Rums, Follow Fashion, Community. Under Arts we tell the stories of powerful cultural influencers through video Features. Highlight strong up and coming talent in Artist Peeps. Digest the experiences of stalwarts in the industry in Craftsmen Of Our Men. We link you directly to Bajans producing quality content all over the web through the page New Brand. And coming soon you will be able to attend online workshops and masterclasses in Arts Training. Bajans love to eat and drink and through Crumbs & Rums we take you into the lives of our local farmers and vendors in Bridgetown Market. Share homegrown recipes and food & beverage blogs in Eat Bajan. Explore the diner things around here in Eating Out In Bim and link up with those street stalls who save our bellies in On De Side. Nuff content coming to fill these pages just now! Culture is only as strong its Community. Connect with some of the most engaging Bajans through our Features. See and hear the experience patrons and performers had at events under So How It Was. Discover new places to lime and truly treasure Barbados in Part You Carring Me. We are so fussy to announce Gine On TV. A variety of video specials with a Bajan flair. Be uniquely entertained by some of your favourite local personalities. Real Reactions, Ask Me Anything and Top Ten Talk already in production, with more right around the corner. You know Bajans know how to take care of ourselves and in Follow Fashion Features we direct you to some the local designers in the industry. Get tips and tricks in trends, hair and body care through Looking Like A Bajan and receive online masterclasses in hair and make up through Fashion Training. This page will be filled with vibrant content very soon so make sure you subscribe for the updates. Of course our official Gine On merchandise is also available. Hats and mugs; with fitted tees and tote bags coming soon! This site is building an archive documenting Barbadian culture to connect our passions and creativity. Make sure you hit that link to receive notifications when we post something good. Any questions, suggestions, queries or just want to send some love; contact us at email@example.com Enjoy your space to be a Bajan online and make sure you check regularly because we will be pushing out consistent content for you to enjoy. Join our social media community over at @gineonmagazine on Instagram and Facebook. Love all de time. See you somewhere sometime soon
Do you consider what you use and discard of regularly? What are you doing on a daily basis to minimize your consumption of single-use plastics?
EARTHWORKS POTTERY (246) 425 0223 m.me/EarthworksPotteryBarbad os firstname.lastname@example.org http://earthworks-pottery.com https://www.facebook.com/Eart hworksPotteryBarbados/
THE BARN ART CENTRE The Barn Art Centre. A new art space. "We are offering approximately 650 sq. ft. of space for short term rentals for art and craft related workshops, classes, events, summer camps, yoga, etc., in an old plantation yard at Small Ridge in Christ Church. Juliana Inniss - 231-0335 Jo Anne Johnson - 253-8702 Email - email@example.com
Created in 2016, The Barn Arts Centre is dedicated to the promotion and development of art-based learning. Our mission is to provide a unique learning environment for diverse audiences to experience a range of art based programs. The Centre provides a space for the community and local resource persons to offer and conduct classes and workshops in painting, drawing, pottery, and textiles. We are dedicated to providing an environment that is meaningful to the arts in Barbados. Located on the breezy Small Ridge Plantation in Christ Church, (just ten minutes away from Sheraton Centre. The Barn Arts Centre offers an escape from the quickening pace of life. Here you can be immersed in an environment that fosters your creativity. Our 570 square foot studio is equipped to provide more than adequate space to conduct a variety of classes and workshops. The studio is well lit and ventilated and can comfortably accommodate up to 15 persons. We offer a variety of opportunities for learners, including exhibitions, artist lectures, and single workshops, as well as adult and youth classes. Our artistic programming continues to be essential to our goal of inspiring creativity, fostering self-discovery, and nurturing an appreciation of the arts. The Founders of The Barn Arts Centre are Jo- Anne Johnson and Juliana Inniss. Jo Anne started doing ceramics as a hobby in 1982 and has operated a ceramics studio since 1987, providing services and supplies to people who wished to do slip casted ceramics as a hobby. She has taught many different finishing techniques to her students and learnt many more through experimenting, and trial and error. Juliana has been working with pottery and ceramics since 1992. She began by hand-painting local pottery with bold and colourful designs. After graduating University she made the decision to pursue her passion for art through the medium of ceramics. Juliana has worked with a number of techniques such as casted ceramics, handbuilding, surface decoration and raku firing. Juliana was first introduced to Raku in 2006 during a two week residency in St. Thomas USVI, with this exposure Juliana began mixing her own glazes, constructed her own kiln and has been Raku firing since then. https://www.facebook.com/thebarnartcentre /
PAINT & GROOVE WITH YASMIN VIZCARRONDO https://www.facebook.com/Paintandgroove
ON THE WALL ART GALLERY On The Wall Gallery at Champers Restaurant, located on Accra Beach Monday - Friday Noon-4pm and 7pm-11pm . Please call for weekend hours. 246 234 9145 On The Wall Gallery At Earthworks. Monday - Friday 9am - 5pm Saturday 9am - 1pm
On The Wall/Grove Gallery Mon - Sat 10am - 2pm and 4pm - 6pm email firstname.lastname@example.org Vanita Comissiong
tel 246 234 9145
GALLERY OF CARIBBEAN ART The Gallery Of Caribbean Art Galleries presents the works of a variety of artists Northern Business Centre, Queen Street, Speightstown, St. Peter www.artgallerycaribbean.com
Tel: (246) 419-0858
Tides Gallery Tides Restaurant Balmore House, Holetown, St. James Tel : (246) 432-2084 Email: email@example.com
Deebles Point Art Gallery & Cafe. Featuring artists Frank Cossey, Trudi Johnson, Hilary Armstrong, Clermont Mapp, Nancy Cole-O'Geest, Keisha Hinds, Joshua Simpson, Claire EvansonCeppi, Keren Evanson. Industry Hall. East Point, St Philip. Tel 423 7943
Fresh Milk would like to thank everyone who worked with us, supported us, or took an interest in our programming & the fabulous work being done in the Caribbean arts last year. We look forward to an exciting year ahead, and invite you to reflect on 2017 with us through our annual year in review newsletter! https://mailchi.mp/d52406dc901a/fresh-milks-2017-in-review
Fresh Milk supports excellence in the visual arts through residencies and programmes that provide Caribbean artists with opportunities for development and foster a thriving art community. Founded in 2011, the organization offers professional support to artists from the Caribbean and further afield. Fresh Milk seeks to stimulate critical thinking and cultivate excellence in contemporary visual art. Its goal is to nurture artists, raise regional awareness about contemporary arts and provide Caribbean artists with opportunities for growth, excellence and success. Website: http://freshmilkbarbados.com Facebook: http://facebook.com/FreshMilkBarbados Twitter: http://twitter.com/FreshMilkBdos Instagram: http://instagram.com/freshmilkbarbados Youtube: http://youtube.com/FreshMilkBarbados Tumblr: http://freshmilk-books.tumblr.com
QUEENâ€™S PARK GALLERY
Queen's Park Gallery
Our Mission To fuel the development of culture through training, research and the creation of opportunities in cultural industries. The Role of the NCF The NCFâ€™s two major roles are: developmental and commercial. In its developmental role, the Foundation uses culture as a tool for national development fostering and supporting the various art forms and new cultural products. In its commercial role, the Foundation is responsible for the promotion, production and hosting of cultural festivals and associated events that are considered economically viable or socially acceptable. A key part of this function now includes the responsibility for the staging and execution of major governmental and national events. In addition, as culture becomes more pivotal to national and international policy, the National Cultural Foundation continues to re-assess its responsibilities in light of all its functions. FUNCTIONS of the NCF are: To stimulate and facilitate the development of culture generally To develop, maintain and manage theatres and other cultural facilities and equipment provided by Government To organize cultural festivals Assist persons interested in developing cultural expression. OBJECTIVES of the NCF are: To provide opportunities for Barbadian artists/artistes to showcase their talents with the end result being an increased demand for local work To educate Barbadians concerning their heritage To offer Barbadians and visitors alike a high quality product that informs, educates and entertains To equip our cultural workforce with technological skills and training to excel in their particular art forms To strengthen the local cultural product and in the process increase profits to the shareholders To create high quality products that will be competitive on the local, regional and international markets To maximize the role of the cultural sector in the tourism industry Rodney Ifill, Cultural Officer Visual Arts 424-0909 ext.234 firstname.lastname@example.org www.ncf.bb Annette Nias Cultural Officer - Film and Photography 424-0909 Ext 238 email@example.com
Specialising in art supplies for the professional to student level. Offering a wide range of products OILS ACRYLICS WATERCOLOURS Golden Paints and mediums, Gamblin, Cotman, Liquitex, Reeves, Galeria, Sargent. Plus a wide range of drawing and colouring equipment. Prisma, Derwent, Reeves, Sargent, Charcoal and Pastels. Easels, Canvases, Watercolour paper, Drawing and Pastel paper. Screen printing and lino block printing supplies.Fabric paint and dyes. Waxes, pottery tools, stencils and more. Monday – Friday 8.30am – 5pm Saturday 8.30am – 3pm. Sunday Closed. Telephone/Fax (246) 436 2950 James Fort Building, Hincks Street, Bridgetown firstname.lastname@example.org
The Barbados Photographic Society held its AGM Sunday 20th January, 2018 at UWI, Cave Hill, Barbados. We would like to welcome the new Executive and officers (please see listing below). The new Executive looks forward to serving you, with the help of all our members. Do write to us and put your ideas for events, workshops, exhibitions and more. Please know that the BPS Executive gives of their time, expertise (in different fields and knowledge) for free so we ask that members be willing to step up to collaborate and work on their ideas. Write to us at email@example.com Within a few weeks we will have a draft for members of Field trips, events, monthly themes on our Facebook page for you to join into, exhibition ideas and much more. Members plus those who may like to join the BPS who could not make it to the meeting may contact our Treasurer, Sherlock Lord (231-5053) and make arrangements to pay. $65 for new members, $45 for annual renewal. Being a member gives you Open Wall with talks and workshops, Field Trips, exhibitions at galleries plus online exhibitions, competitions (with prizes), travel to countries with the BPS, percentages off at supporting businesses and more. BPS Facebook page https://www.facebook.com/groups/Barbadosphoto / BPS Website https://barphotosoc.wixsite.com/home BPS email firstname.lastname@example.org
TANDEM "where function, form and meaning coexist ". This cooperative project and design store showcasing contemporary design by Barbados resident designers and artists continues at The Colonnade Mall, 1st Floor, East Wing, Broad Street, Bridgetown, Barbados. Monday ( by appointment). Tuesday - Saturday 10AM - 4PM. https://www.facebook.com/tandemovement/
THE FRAME & ART COMPANY & GALLERY Millhouse, Canewood • St. Michael, BB 11005 • Phone (246) 271-6509 • Cell (246) 266-9432
BARBADOS ARTS COUNCIL BAC Gallery, #2 Pelican Craft Centre, Bridgetown (246) 426 4385 email@example.com
Barbados Arts Council Gallery Schedule 2019 (Subject to change. Please call the Gallery to confirm) Jan 27 - March 09 All Bajan Group show March 10 - April 06 Members Group Show April 07 - May 04 Members group show May 05 - May 18 Rental May 19 - June 22 Our Heritage [group show] June 23 - August 10 Crop Over Group Show Aug 11 - Aug 24 Rental Aug 25 - Oct 05 Little Gems Group Show Oct 06 - Oct 19 Rental Oct 20 - Dec. 07 Simply Barbados Group Show Dec. 08 - Jan 18, 2020 The Christmas Show Barbados Arts Council Gallery, # 2 Pelican Craft Village, Bridgetown, Barbados.
ICIL PHILLIPSâ€™ Theatre Eyes Very up to date on both local theatre and overseas happenings. Link here https://www.facebook.com/groups/354529934596080/964541386928262/
Museum of parliament The Museum is open on: Mondays, Wednesdays, Thursdays and Fridays from 10:00 a.m. to 4:00 p.m. Saturdays from 10:00 a.m. to 3:00 p.m. Guided tours are conducted subject to availability. Barbadian students with ID have free admission to the Museum. http://www.barbadosparliament.com/page.../show_conte nt/59
Purple Palm is a local business supplying homes and businesses with the highest quality Print and Mirror furnishings. Using the artwork of many local artists in Barbados and the Caribbean plus work from around the world. We have been supplying to the hotel and villa industry for ten years, including prestigious clients such as Sandy Lane, Coral Reef, The Crane Beach Resort, Sugar Cane Club and Sandridge among others. We have also supplied numerous private villas, and work closely with local interior designers. Being directly affiliated with a 40,000 sq ft framing factory our prices are very competitive. Appointments to view our gallery at Rockley Resort can be made through Paul Hoad or Karen McGuire. 246-2332173 firstname.lastname@example.org
THE ARTSPLASH CENTRE Paint * Draw * Create & Have Fun! email@example.com www.artsplashbarbados.com
To boldly and brilliantly pursue the adventure in everything artistic and to be a vital and uncommon cultural force in Barbados. www.artsetcbarbados.com
FRANK COLLYMORE HALL AND GRAND SALLE www.fch.org.bb
A monthly programme is produced of all lectures, music and theatre events . To receive it by email or post please email fchmail.com or tel 436 9083 or 84
BARBADOS MUSEUM AND HISTORICAL SOCIETY www.barbmuse.org.bb
BARBADOS MUSEUM AND HISTORICAL SOCIETY SHOP www.barbmuse.org.bb
Errol Barrow Centre for Creative Imagination, UWI For further information, contact De Carla Applewhaite at 417-4776 firstname.lastname@example.org www.cavehill.uwi.edu/ebcci
FRAMING YOUR ART FINE ART FRAMING LTD, Pelican Industrial Park, Bridgetown, Barbados - (246) 426-5325 FAST FRAME FACTORY, Dayrell’s Road, St Michael (246) 426 9994 email@example.comZ FRAMING STUDIO At the Best of Barbados Head Office, Welches Plantation, H’way 2A
THE FRAME & ART COMPANY Millhouse, Canewood • St. Michael, BB 11005 • Phone (246) 271-6509 • Cell (246) 266-9432 ART SUPPLIES THE ART HUB James Fort Building, Hincks Street, Bridgetown, St. Michael. Tel: 436-2950Monday - Saturday 8.30am - 5.00pm (Easy access to parking by the old Heliport Pad) LAURIE DASH, Bay Street, Bridgetown.
The quintessential guide to contemporary Caribbean chic. Caribbean travel, homes, cuisine, and people.
Published by Corrie Scott Barbados, West Indies www.corriescott.net
Free online magazine covering the visual arts in Barbados. exhibitions, workshops, features, news and more.