Corey Denny's Portfolio

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COREY DENNY 4214 RAMPART ST. ENID,OK 73703 580-478-3488 corey.denny@okstate.edu OBJECTIVE:

HONORS AND AWARDS:

AN ENTRY LEVEL JOB AS AN

ARCHITECTURAL INTERN WHERE I UTILIZE EXISTING SKILLS AND LEARN NEW SKILLS IN THE PROCESS.

EDUCATION:

OSU SCHOOL OF ARCHITECTURE

ASSOCIATES DEGREE GOLD ON WORKKEYS TEST HIGH SCHOOL DIPLOMA

2013 2013 2011

LEADERSHIP ACTIVITIES:

-TREASURER EXECUTIVE POSITION FOR

SIGMA LAMBDA BETA, INC

-LEADERSHIP INSTITUTE 2015

2014-2018

-100+ COMMUNITY SERVICE HOURS

AUTRY TECHNOLOGY CENTER

-SKILLS USA

2013-2014

NORTHERN OKLAHOMA COLLEGE SPECIAL SKILLS:

2011-2013

-MONEY HANDLING AND MANAGING

ENID HIGH SCHOOL

-LEADERSHIP ABILITIES

2007-2011

EXPERIENCE:

CASHIER AT GIT N’ GALLUP

2014-2017

FINANCE MANAGER AT JACKSON’S OF ENID

2013-2014

ASSISTANT MANAGER AT STARPLEX

CINEMAS, INC

2012-2013

REFERENCES:

ELOY JACKSON-JACKSON’S OF ENID -FINANCE MANAGER (580)484-2582 ALEXANDER PETTY-N.O.C. -I.T. COORDINATOR (580)402-3522 SHANE JACKSON-JACKSON’S OF ENID -OWNER/CEO (580)402-1580

REVIT

RHINO

AUTOCAD

MAX 3DS

GOOGLE SKETCHUP

CHIEF ARCHITECT

PHOTOSHOP

INDESIGN

01 02 03

EXTRUSIVE CONNECTIONS CONTEMPORARY MODULES PARAMETRIC REFLECTIONS

TABLE OF CONTENTS

01 EC XO TN RN UE SC I T V I EO N S

LEFT ATRIUM

RIGHT ATRIUM

CONCEPT

ARTWORK BY FRANK STELLA

STUDIO 3116 DURATION: 6 WEEKS SITE: STILLWATER, OKLAHOMA

AORTA

INDIVIDUAL PROJECT

THE HEART OF THE MATTER

SEPTUM

LEFT ATRIUM COLLECTS THE OXYGEN-RICH BLOOD

SEPTUM SEPERATES THE TWO SIDES OF THE HEART

LEFT VENTRICLE

RIGHT ATRIUM RECEIVES THE DEOXYGENATED BLOOD

LEFT VENTRICLE A POOL FOR BLOOD BEFORE IT IS PUMPED TO THE REST OF THE BODY

RIGHT VENTRICLE

AORTA THE LARGEST ARTERY IN THE BODY

RIGHT VENTRICLE A CHAMBER THAT PUMPS OXYGEN DEPLETED BLOOD TO THE LUNGS

THE HEART HAS MANY DIFFERENT FUNCTIONS. IT PUMPS BLOOD TO OUR BODIES TO KEEP US ALIVE WHILE ALSO HELPING US FEEL EMOTIONS. HOWEVER, AMONGST THESE COMPLEX PROCESSES WE OFTEN FORGET THE REAL HEART OF THE MATTER: TO NOT ONLY LIVE, BUT TO BE EXTRUSIVE.

RIGHT ATRIUM

AORTA

01.1A

01.2A

01.3A

01.1B

01.2B

01.3B

01.1C

01.2C

01.3C

CONNECTION

EXTRUSION

SHAPE

LEFT ATRIUM

AFTER THE ARTWORK IS PERCEIVED AS SEPERATE PARTS OF THE WHOLE, EACH INDIVIDUAL SHAPE IS EXTRUDED IN TWO PLANES. THE FIRST EXTRUSION IN THE X-PLANE AND THE SECOND EXTRUSION IN THE Z-PLANE AND WHERE THESE TWO EXTRUSIONS CONNECT, A FORM IS CONCEIVED.

SEPTUM

LEFT VENTRICLE

RIGHT VENTRICLE

01.4A

01.5A

01.6A

01.4B

01.5B

01.6B

01.4C

01.5C

01.6C

DEVELOPMENT

TWO FORMS WERE SELECTED, THE LEFT ATRIUM AND THE RIGHT ATRIUM, BECAUSE OF THEIR ABILITY TO MOVE BLOOD AND THEIR POTENTIAL TO MOVE PEOPLE FROM ONE BUILDING TO ANOTHER. THESE TWO FORMS BECOME ONE AND ARE EXTRUDED ONCE MORE TO CREATE A CONNECTION BETWEEN THESE TWO BUILDINGS. A THIRD FORM WAS THEN SELECTED, THE SEPTUM, WHICH GIVES STRUCTURE TO THE HEART AND HAS POTENTIAL TO GIVE STRUCTURE TO THIS CONNECTION. THE END PRODUCT CREATES A SPACE FOR PEOPLE TO BE EXTRUSIVE AND CONNECT WITH EACH OTHER OR TO SIMPLY PASS THROUGH AND CONNECT TO A SEPERATE BUILDING.

EXTRUSION

CONNECTION

02 CM OO ND T U E L ME P S O R A R Y

CONCEPT

CLOUD CITY BY TOMAS SARACENO

STUDIO 3216 DURATION: 10 WEEKS SITE: OKLAHOMA CITY, OKLAHOMA GROUP PROJECT PARTNER: ERIC KING

IN THE CONTEMPORARY ARTWORK SHOWN ABOVE, THE USE OF PENTAGONAL SHAPES AND MIRRORS CREATE A UNIQUE EXPERIENCE. WHEN A PERSON CLIMBS INTO THIS FORM, THEY ARE SURROUNDED BY IMAGES OF THE SURROUNDING SKYLINE. WE DECIDED TO TAKE THE SHAPE OF A PENTAGON AND CREATE A FORM TO OFFER THE PEOPLE USING THIS CONTEMPORARY ART MUSEUM A SIMILAR EXPERIENCE. THE FORM IS CALLED A PENTAGONAL DODECAHEDRON AND IT CONSISTS OF TWELVE REGULAR PENTAGONAL FACES WITH THREE MEETING AT EACH VERTEX. THE CONTEMPORARY MUSEUM REQUIRED MULTIPLE SPACES ALL WITH DIFFERENT FUNCTIONS. THIS COMPELLED ME TO DUPLICATE THIS FORM AND SCALE IT TO CREATE MODULES THAT FIT THE SPACE REQUIRED.

DEVELOPMENT

THE PLAN OF EACH OF THESE MODULES IS A CENTRALIZED PLAN REVOLVING AROUND A CENTRALIZED ELEVATOR SHAFT. HOWEVER, THERE ARE ALSO STAIRS WHICH REVOLVE AROUND THE PERIMETER OF THE MODULE. THIS ALLOWS THE PEOPLE USING THE SPACE TO START AT THE TOP AND AMBULATE THEIR WAY DOWN THROUGH EACH DIFFERENT GALLERY EXPERIENCE.

MAIN GALLERY SPACE

CHANGING EXHIBIT

ADMINISTRATION

SERVICE

ANCILLARY

RENDER

THE AXONOMETRIC ABOVE DISPLAYS THE STRUCTURE USED FOR THESE MODULES. THE PERIMETER OF THE PENTAGONS CONSIST OF LARGER MEMBERS CONNECTED BY SMALLER INTERMEDIATE MEMBERS WHICH SUPPORT THE SKIN.

THE HUMAN EXPERIENCE WAS A HUGE FACTOR IN DESIGNING THIS PROJECT. THE BOTTOM HALF OF ALL THE MODULES ARE TRANSPARENT AND THE TOP HALF IS COVERED BY A UNIQUE SKIN WHICH LIMITS THE AMOUNT OF DIRECT LIGHT THAT ENTERS INTO THE SPACES. IN RESPONSE, THERE IS A LARGE REFLECTION POND THAT SPANS BETWEEN THE MODULES WHICH NOT ONLY REFLECTS INDIRECT SUNLIGHT UNDERNEATH THE SKIN BUT ALSO SERVES AS A CONSTANT REMINDER OF THE SKYLINE.

DURATION: 1 WEEK MATERIALS: BASS WOOD

MODEL

WHITE CANSON PAPER

03 P R AE R F A L ME EC T T R I I O CN S

MASTER PLAN GROUP PROJECT

PARTNERS: MADALINE LAYLAND, KELLY EDWARDS

END OF THE LINE THE FIRST PART OF A TWO PART PROJECT LOCATED IN OLD SAN JUAN, PUERTO RICO. THE OBJECTIVE: TO DESIGN A TRAIN STATION AND SUNKEN PLAZA DISTRICT.

STUDIO 4116 DURATION: 8 WEEKS SITE: OLD SAN JUAN, PUERTO RICO INDIVIDUAL PROJECT

GROUND LEVEL | 0’-0”

BELOW GRADE LEVEL 1 | -15’-0”

BELOW GRADE LEVEL 2 | -25’-0”

BELOW GRADE LEVEL 3 | -35’-0”

THIS PROJECT MAY BE THE END OF THE LINE, BUT GETTING TO THE END DOESN’T MEAN IT HAS TO BE SO LINEAR. THIS MOVEMENT HAS FLOW. JUST LIKE THE RAIN WATER IN PUERTO RICO. THIS WATER IGNORES ALL PREEXISTING EDGES AND CREATES ITS OWN EDGES; SOMETIMES OVERPOWERING THOSE EDGES TO MAKE CURVES. THESE CURVES CAN MOVE FORWARD AND BACKWARD, THEY CAN SWIRL AND SPIRAL IN ALL DIRECTIONS, AND THEY CAN EVEN FLOW IN THE OPPOSITE DIRECTION.

THE CURVES IN THIS DESIGN SERVE A DEEPER PURPOSE. THESE CURVES DEFINE THE MOVEMENT OF PEOPLE AND THE NATURAL FLOW OF LIFE. THEY NOT ONLY DEFINE THESE TERMS, BUT THEY IMPROVE THEM. THEY GIVE PEOPLE A SENSE OF MOVEMENT, EVEN IF THE END OF THE LINE MAY NOT BE CLEAR; MOVEMENT THAT NOT ONLY DRIVES THEM, BUT ALSO GIVES THEM A PLEASANT EXPERIENCE.

THESE CURVES ALSO SERVE A SECONDARY OBJECTIVE. THEY HELP WITH THE MOVEMENT OF THE DAILY RAINWATER THAT SAN JUAN RECEIVES. IT LEADS THIS RAINWATER TO A COLLECTION TANK ON THE NORTHERN SIDE OF THE SITE WHERE A WATER PUMP MOVES THAT WATER THROUGH A WATERFALL FEATURE AND EVENTUALLY OUT INTO THE OCEAN. THIS ELIMINATES THE FLOODING PROBLEM IN THE SUNKEN PLAZA WHILE ALSO GIVING PEOPLE A PLEASANT EXPERIENCE. THIS FLOW THAT MY PROJECT INSTILLS IN PEOPLE ALSO TEACHES THEM AN IMPORTANT LESSON IN LIFE: SOMETIMES IT’S THE JOURNEY THAT TEACHES YOU A LOT ABOUT YOUR DESTINATION.

THE SECOND PART OF THIS PROJECT WAS TO DESIGN AN AQUARIUM AND CRUISE TERMINAL.

PART II

CONCEPT

STUDIO 4116 DURATION: 7 WEEKS SITE: OLD SAN JUAN, PUERTO RICO INDIVIDUAL PROJECT

CASSIOPEA AQUARIUM IS DERIVED FROM THE NATURAL BEAUTY OF PUERTO RICO AND THE WILDLIFE THAT ENHABITS THEIR WATERS. MORE SPECIFICALLY, THIS AQUARIUM IS MODELED AFTER THE SHAPE AND MOVEMENT PATTERNS OF THE UPSIDE-DOWN JELLYFISH. EACH POD, OR JELLYFISH, REPRESENTS ITS OWN UNIQUE FUNCTIONALITY WHILE ALSO ADHERING TO A SPECIFIC FORM. JUST LIKE A SCHOOL OF JELLYFISH, PEOPLE WILL MOVE THROUGH THIS AQUARIUM WITH EASE WHILE THEY EXPERIENCE THE NATURE AND WILDLIFE PUERTO RICO HAS TO OFFER. IN THE END, THIS AQUARIUM WILL NOT ONLY EDUCATE PEOPLE, BUT ALSO MAKE THEM PART OF THE WHOLE.

FROM GROUND LEVEL, THIS AQUARIUM APPEARS TO BE MULTIPLE SEPERATE BUILDINGS. HOWEVER, BELOW THE GROUND PLANE A LOT MORE IS HAPPENING. THE PLAN ACTUALLY BECOMES A SINGULAR PLAN THAT ALLOWS PEOPLE TO AMBULATE DOWN THE HALL, AROUND THE AQUARIUM TANKS, AND RETURN BACK TO THE BEGINNING. THE MAIN AQUARIUM TANK IS LOCATED AT THE END OF THE HALL AND CONSISTS OF A MANGROVE EXHIBIT FEATURING A PORTAL TO THE SKY FOR NATURAL DAYLIGHT AND MULTIPLE CASSIOPEA JELLYFISH. IN SECTION, THIS AQUARIUM OPERATES AT MULTIPLE LEVELS WHICH CONTROL THE HUMAN EXPERIENCE BY OPENING UP IN SOME AREAS AND CLOSING OFF IN OTHERS.

SECTION

EPDM MEMBRANE 1:12 CONCRETE SLAB 1/8” METAL DECKING 8’ STEEL JOIST 6” STEEL JOIST 1’ STEEL JOIST

4” PLEXIGLASS CEDAR

1’-6” CONCRETE PIERS 6’ X 6’ FOOTING 8” CONCRETE PIERS

RECTANGULAR HSS TRUSS STRUCTURE

4’ X 4’ STEEL PANEL L.I.C. #14 SCREWS

1/2” LIMESTONE

CRAFTMANSHIP

ARCHITECT’S OFFICE

CUBE PROJECT

BRIDGE PROJECT

SANTA CATERINA MARKET

GROUP PROJECT:

ABIGAIL WILSON ABBY BRANDVOLD