Memphis Flyer 9.21.17

NEW DEMS FOR COUNTY MAYOR? P8 • 12 ANGRY JURORS P28 • THE PIE LADY P30 • UNREAL FILM FESTIVAL P34

09.21.17 1491st Issue

WORST GIG EVER II FREE

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MEMPHIS MUSICIANS SHARE TALES OF WOE FROM THE ROAD.

Lorette Velvette

Dead Soldiers

Booker T. Jones

2

September 21-27, 2017

OUR 1491ST ISSUE 09.21.17

JUSTIN RUSHING Advertising Director CARRIE O’GUIN HOFFMAN Advertising Operations Manager JERRY D. SWIFT Advertising Director Emeritus KELLI DEWITT, CHIP GOOGE Senior Account Executives ALEX KENNER Account Executive ROXY MATTHEWS Sales Assistant DESHAUNE MCGHEE Classified Advertising Manager BRENDA FORD Classified Sales Administrator classifieds@memphisflyer.com LYNN SPARAGOWSKI Distribution Manager ROBBIE FRENCH Warehouse and Delivery Manager BRANDY BROWN, JANICE GRISSOM ELLISON, ZACH JOHNSON, KAREN MILAM, RANDY ROTZ, LEWIS TAYLOR, WILLIAM WIDEMAN Distribution THE MEMPHIS FLYER is published weekly by Contemporary Media, Inc., 460 Tennessee Street, Memphis, TN 38103 Phone: (901) 521-9000 Fax: (901) 521-0129 letters@memphisflyer.com www.memphisflyer.com CONTEMPORARY MEDIA, INC. KENNETH NEILL Publisher JENNIFER OSWALT Chief Executive Officer JEFFREY GOLDBERG Director of Business Development BRUCE VANWYNGARDEN Editorial Director MOLLY WILLMOTT Special Projects Director KEVIN LIPE Digital Manager LYNN SPARAGOWSKI Distribution Manager MATTHEW PRESTON Social Media Manager BRITT ERVIN Email Marketing Manager ASHLEY HAEGER Controller CELESTE DIXON Accounting Assistant JOSEPH CAREY IT Director KALENA MCKINNEY Receptionist

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What a week it was. The football Tigers beat UCLA using a combination of great offense, timely defense, and good ol’ Mid-South heat and humidity. Those California dudes never knew what hit ’em.

And the Memphis Redbirds won the Pacific Coast League championship, beating out all the other teams on the Pacific Coast, including the Nashville Sounds, El Paso Chihuahuas, Omaha Storm Chasers, and the fearsome New Orleans Baby Cakes.

To sum it up: Memphis 2, “Pacific Coast” 0.

It was a week where I found myself agreeing with Donald Trump, at least for a few hours. After a Wednesday night meeting with Democratic Congressional leaders, “Cryin’ Chuck” Schumer and Nancy Pelosi, Trump began his Thursday morning by tweeting: “Does anybody really want to throw out good, educated, and accomplished young people who have jobs, some serving in the military? Really!” Followed by: “They have been in our country for many years through no fault of their own — brought in by parents at young age.”

The paleo wing of the GOP went nuts. Ann Coulter tweeted, “Who doesn’t want to impeach Trump?” Sean Hannity blamed it all on Mitch McConnell for “forcing” his hero to “work with Democrats.”

Trump had seemingly done a complete flip-flop on DACA overnight. My guess is that Pelosi shook Trump’s hand and said, “Oh my, it’s so BIG!!” and Trump agreed to everything she asked, including a deal to save the Dreamers and turn the border wall into a cheery Tex-Mex restaurant.

Sadly, the “deal” only lasted a few hours, and Trump quickly deleted his tweets.

So it goes with this guy. Save DACA. Eliminate DACA. Build the wall, and the Mexicans will pay for it. The wall’s already being built, and we’ll bill Mexico later. Wall? What wall? Trump is a presidential pinball, caroming from one “decision” to another, depending on the last player who flips him.

So what else happened?

Oh yeah, Ted Cruz got caught watching porn, or better said, “liking” a porn video with his Twitter account. The New Yorker’s Andy Borowitz tweeted: “Porn Industry Irrevocably Damaged by Association with Ted Cruz.” Cruz blamed it on his staff, of course. His staff. Huh-huh.

The Emmys happened. Alec Baldwin won an award for his Saturday Night Live impression of Trump. Kate McKinnon won for her SNL impression of Hillary Clinton.

And America wept, thinking either of these two comedians would probably make a better president than what we’ve got. Then Sean Spicer got up and reprised his acting gig from the actual White House, and the already fuzzy line between reality and comedy was blurred beyond recognition.

What else? Oh yeah, Trump supporters held the “Mother of All Rallies” in Washington, D.C., on Saturday. About 800 people showed up. Which, as someone pointed out on Twitter, is what happens when you name your march after Mike Pence’s wife. The MOAR crowd was outnumbered by a marching contingent of Juggalos, who are fans of the band, Insane Clown Posse. Write your own Trump joke. You can’t make this stuff up. Though I kind of wish you could.

Back in Memphis, 130,000 people attended the Cooper-Young Festival. I heard a record 37,000 windchimes were sold. I also heard we’re supposed to call CooperYoung “Co-Yo” now. And I got this from a beardy guy drinking a craft beer, so it N E WS & O P I N I O N must be true.

THE FLY-BY - 4 Overton Park Conservancy director NY TIMES CROSSWORD - 5 Tina Sullivan went to the Co-Yo Fest and POLITICS - 8 tweeted: “Highlight of this year’s CY Fest EDITORIAL - 10 was the elderly gentleman asking my opinVIEWPOINT - 11 ion on public nudity & saying he might COVER — “WORST GIG EVER II ”

BY ALEX GREENE organize a Naked Bike Ride.” & CHRIS MCCOY - 12 First, I’d like to say that I’m not that “elderly.” And second, I think we should STE P P I N’ O UT WE RECOMMEND - 16 do it around the Nathan Bedford Forrest AFTER DARK - 18 statue as it’s being taken down.

CALENDAR OF EVENTS - 22 And in a final somber note to a weird THEATER - 28 week, British writer Kathy Lette wrote: FOOD - 30 “Sad news. I’ve just heard that the bloke SPIRITS - 33 who invented predictive text has pissed FILM - 34 away. His funfair is next monkey.”

C L AS S I F I E D S - 36 Bruce VanWyngarden LAST WORD - 39 brucev@memphisflyer.com

2 1 1 9 M A D I S O N AV E N U E MEMPHIS, TN 38104

(901) 207-5097

CONTENTS

BRUCE VANWYNGARDEN Editor SUSAN ELLIS Managing Editor JACKSON BAKER, MICHAEL FINGER Senior Editors TOBY SELLS Associate Editor CHRIS MCCOY Film and TV Editor ALEX GREENE Music Editor CHRIS DAVIS, MICHAEL DONAHUE MAYA SMITH, JOSHUA CANNON Staff Writers JESSE DAVIS Copy Editor JULIE RAY Calendar Editor

L A FAY E T T E S . C O M

3

THE

fly-by

f ly on the wall

September 21-27, 2017

CAM P4U The Nashville Post reports that former Tennessee legislator Stacey Campfield, is looking to get back into the political arena.

In one of his more reprehensible moments as state Senator, Campfield made fun of “assault pressure cookers” and Democrats who’d surely ban them following terrorist attacks on the Boston Marathon.

4

WI LD Your Pesky Fly likes to look at other publications from the Mid-South.

Take Click, which is both a North Mississippi-based magazine of Southern culture — and the sound guns make before they go “bang.”

Articles on a “survival instructor,” and a national not-for-profit organization for sharpshooters are rich in detail, while a column claiming to trace “the mysterious movements of cougars in the Mid-South” fails to mention Spindini and a number of other Midtown/downtown bars.

WI LD I I Last week, a Stanley crane made its escape from the Memphis Zoo onto North Parkway. Unlike Zimm, the monkey who previously eluded capture for days, Stanley was apprehended in a matter of minutes.

“Zoo staff were seen running up and down the busy Midtown street with nets,” WREG hilariously reports.

By Chris Davis. Email him at davis@memphisflyer.com.

Questions, Answers + Attitude Edited by Toby Sells

Hotel, Coliseum, & Racists {

W E E K T H AT W A S

By Flyer staff

Square hotel planned, Coliseum studied, & Unite the Right looks here.

LO E B P LAN S S Q UAR E H OTE L Loeb Properties wants to build a $24.2 million hotel in Overton Square to bolster the theater district, but the company said it can’t be done without taxpayer help.

The company’s plans emerged in an application late last week for a tax-break deal worth $3.3 million to the Memphis and Shelby County Economic Development Growth Engine (EDGE).

The project would be built on the surface parking lot north of Hattiloo Theatre and east of the Overton Square parking garage.

The hotel would have 100 rooms, a rooftop restaurant, and structured parking.

Loeb president, Bob Loeb, said in a letter to EDGE officials that a hotel was needed there to help establish a theater district.

The area includes Playhouse on the Square, Circuit Playhouse, Hattiloo, TheaterWorks, and Ballet Memphis.

To do it, Loeb is asking for a 15-year payment-in-lieu-of-taxes (PILOT) deal that would allow his group to forgo a bit more than $3.3 million in local taxes.

The hotel would support 65 jobs with annual average salaries of $22,690. All told, the hotel would pay about $1.9 million in wages here each year.

The hotel would yield about $5.4 million in tax revenues over the course of the 15-year PILOT and a $6.1 million “benefit to the applicant,” according to an EDGE staff report.

A P R O F ITA B L E C O L I S E U M The Mid-South Coliseum could make money if it were reopened as a multipurpose indoor facility focused on youth and amateur sports.

That’s the bottom line of a new business plan for the building from the Coliseum Coalition, a group that has been working for more than two years to revive the long-shuttered building.

The Coalition showed the plan to city officials and will

continue to meet with leaders, possible stakeholders, and public groups to “show it off and get people excited.”

U N ITE TH E R I G HT Tennessee led an informal Twitter poll last week that may help determine the location for the next Unite the Right rally like the one in Charlottesville last month that left one woman dead and many injured.

White nationalist blogger Bradley Dean Griffin posted the poll to Twitter. Hailing the event as “UTR 2.0,” Griffin asked followers if Tennessee, Kentucky, or Georgia would be more convenient.

1968 SAN ITATI O N WO R K E R G R ANTS Twelve additional sanitation workers have been identified to receive grants through Mayor Jim Strickland’s initiative aiming to provide financial support for these workers who went on strike in 1968.

Originally, 10 retirees and four active employees were identified and awarded $70,000 grants. Since then, 36 more people have come forward to claim funds, but only 12 of them have been deemed eligible. The new grants will cost about $1.1 million and come from city reserves.

C LE R GY U R G E FO R R EST WAIVE R More than 150 faith leaders from around the city signed a letter sent to the Tennessee Historical Commission (THC) last week in support of removing the Nathan Bedford Forrest statue from Health Sciences Park downtown.

The leaders, “Memphis clergy white and black, young and old, Christian and Jew, transcending every political party,” represent close to 90 congregations and institutions in the city and surrounding areas.

The THC will consider removing the statue on October 13th.

For Release Saturday, May 6, 2017

The New York Times Syndication Sales Corporation 620 Eighth Avenue, New York, N.Y. 10018 For Information Call: 1-800-972-3550 For Release Wednesday, March 8, 2017

Crossword

Crossword ACROSS 1 One of the Great Lakes 5 Menacing cloud 10 Sony offering 14 Saint’s home, for short 15 Place for a barbecue 16 Rich finish?

17 “Don’t give up” 19 Rather powerful ANSWER TO PREVIOUS PUZZLE engine 20 Brown 21 Some plants 23 Value 25 Spooky quality 28 Smoothie fruit 29 Popular cookie 31 Taking things for granted on April Fools’ Day and others 32 “Time ___ …”

33 Track, in a sense 34 Not wait for Mr. Right, say 35 Huuuuuuuuge

Edited by Will Shortz

Edited by Will Shortz

No.

No. 0201

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35 36 50 Hockey team, 7 Major Asian e.g. carrier 37 38 39 40 4 51 Words on a 8 Attire jacket 44 45 46 9 Like melancholy 53 Risked a ticket musical keys 47 48 49 Online subscriptions: Today’s puzzle and more than 7,000 past 55 Construction puzzles, nytimes.com/crosswords ($39.95 a year).

10 The poor staples … onoreach puzzle: nytimes.com/wordplay.

Read about and comment Crosswords for young solvers: nytimes.com/studentcrosswords.

50 51 52 a hint to this 11 Not go along puzzle’s theme 55 56 12 Prefix with lateral 53 54 59 Famous Amos 13 Bedevil 59 60 61 60 Rocker Steve 18 Girl’s name that 61 “Don’t go!,” e.g.

62 63 64 may precede Ann 62 Obnoxious one 63 Subject of some 22 One may be starting in sports PUZZLE BY HOWARD BARKIN codes 36 Actress Wilson of 43 Features of 54 Autho 23 What’s shaken 64 Scandinavian wrote Boston accents “Mrs. Doubtfire” when you say capital insan “Shake!”

45 Milieu of the 37 Sch. with the long ANSWER TO PREVIOUS PUZZLE FX series “The 24 Big letters in George W. Bush horrib Americans” electronics Presidential E P I C P O E M B R O W S E 46 Poetic stanza Library D E M O T A P E S H R E W S 25 Ones moving far 56 Burie 48 Like government from home 38 Corral K E P T A T I T C Y C L I C bonds O D E T S S H U S A L M A 26 Fifth in a group 39 Strips at 57 Pull ( Fo 49 German eight breakfast C E N A B O O Z E S I M P@MEMPllHoISwof FLYE on F c preposition ebook R & H E D P U D D I N G N E A Taw27 itterSaginaw-to-Flint 41 Tough, tenacious for 51 Oil qtys.

58 Noted t S I Z E S Q U O T E D dectoaniltsesdir. sorts pseud ADDRESS: 52 They burn J A C U Z Z I Q U I X O T E 29 Bit of beachwear 42 Wild blue in sh Cooper A L O N Z O G U I D O writin yonder 37 South 53 Racing letters 30 ___ way Memphis, TN 38104 N A V A F F A I R E B F F I K E A F U Z Z Y W Y L E 33 It may be added Online subscriptions: ONLINE:Today’s puzzle and more than 7,0 to alcohol puzzles, nytimes.com/crosswords T A R O S R E B C A G E S www.hattiloo.org($39.95 a year).

NOW O TICKETS Z A R ON K SALE S T O AT M TICKETMASTER.COM A T O E S 34 Pitiful Read about and comment on each puzzle: nytimes.com CHARGE BY PHONE: 800-745-3000 BOX OFFICE: R A G T O P T W O P E N C E Crosswords for young solvers: nytimes.com/studentc 35 Hit the gas pedal 901.525.0009 5 S M E A R Y E L M T R E E S hard C H E N I L L E O T T O

S T O O D K E T T L E

A R A L R O D E C A R G S O U Y T I M A T E L Z L I G H P E A E R Y X T M E E A S T L E E O X R N O

A S O S P N E N T A T N R E S S P U A S S H S I

C O H A B

E L I Z A

R E P I N

S I R B A R T O N

I N C O G

A G A Z E

I N V E E W

63 Lady of “My Fair Lady” 64 Where hogs go hog-wild?

65 Sapphic works 66 Luxury brand with a crown logo

DOWN 1 Buffoon 2 Kind of I.R.A. 3 Rooney ___, 2016 Oscar nominee for “Carol” 4 Mosque of ___ (Jerusalem shrine) 5 Clever comeback 6 James who voiced Ultron in “Avengers: Age of Ultron” 7 Prayer wheel turner 8 Places where spirits flow freely 9 Headwear for some rockers 10 Automated floor cleaner 11 Brightest star in the Eagle constellation 12 Vehicle in a drag race 15 Dallas sch.

20 Passionate, outgoing sort, astrologically 21 Beer blast purchases 25 Basic lunch sandwich, informally 26 Brazilian-themed Vegas hotel

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PUZZLE BY MATTHEW SEWELL AND JEFF CHEN

27 Japanese P.M. Shinzo ___ 28 Page in a Hollywood film 29 Cake coating 30 “Ri-i-i-ight …”

34 Certain high heel 35 Hit a home run, in baseball lingo 37 Number of emails sent by Warren Buffett in his entire life 38 Dickens’s “___ Mutual Friend”

39 And another thing, on a letter 41 Police dispatcher’s “A” 42 Noted gatekeeper 43 Mug shot subjects 44 “Western” or “Spanish” dish 45 “Not for self but for country” sloganeer 46 What doctors recommend that sick people get a lot of

47 It’s mostly nitrogen

52 Clairol product

53 Great Plains tribe 54 Janis’s partner in the comics 55 Billiards cushion

56 Carry-on concern 60 Not really enforcing the rules

m e m p h i s f l y e r. c o m

M A G I A B A S P U L S L E Q U A L U P N A F T F O R K F R Y E Y B O W S W E E I N A B D E V O E D E N

33 Follower of Hosea in the 31-Across 34 Cheese choice 36 Its diameter is roughly twice that of a basketball 40 No longer on one’s plate, say 42 Bedtime for a vampire 43 Countrymen who met in Philadelphia in 1787 48 Ambulance letters 49 ___-rock 50 Freshness 51 Shakespearean entreaty appropriate for 19-, 25- and 43-Across?

57 Nivea rival 58 Jacques who played Monsieur Hulot 59 Scout’s route 61 Campbell of “House of Cards” 62 Walked heavily

NEWS & OPINION

ACROSS 1 Exoskeleton, e.g.

6 One who’s slow to pick things up?

10 When repeated, zealous 13 “Likewise” 14 Leader of the Smurfs 15 Jam session highlight 16 Gym bag attachment 17 “You can say that again!”

18 Seneca Falls orator Lucretia 19 Friends who go to White Castle in a 2004 film 22 “Didn’t I tell you?”

23 Main squeeze, in modern lingo 24 Class teaching about DNA 25 Romans who protected the emperor 31 See 33-Across 32 Go to bed, informally

Creative Process

{

Q&A B y To b y S e l l s

Memphis Brooks Museum of Art leader talks about the decision to consider leaving Overton Park.

Memphis Brooks Museum of Art officials announced last week that they would consider relocating the museum from its 101-year home in Overton Park as one option to preserve its collection and plot its future.

Emily Ballew Neff, the museum’s executive director, said renovations to meet current standards have been projected at $84 million. The Brooks board, she said, has a duty “to make some very hard decisions” and are correct to “explore all options before we move forward.” — Toby Sells Memphis Flyer: You have a list of options for the Brooks, and you just recently added relocation to that list, right?

Emily Ballew Neff: Right. That’s all we’re doing.

Basically in the 1990s, the Brooks board decided that the 1973 [portion of] the building was not operationally sound. And that building is still standing.

It’s had structural problems pretty much ever since it was built. It was a pre-cast concrete building, and it is not [up to seismic code] and we are on the New Madrid fault.

It’s something that we have to address and want to address. We have to secure the collection in the way that it needs to be secured and preserved.

MF: You said the board has worked on the issue before.

EBN: The board was teeing up for a capital campaign to address the challenges of that building.

Then, in 2008, the Great Recession happened. So, those plans were mothballed.

My predecessor commissioned … a report from Cooper Robertson, a firm in New York, that was presented to the board in 2014.

Then, my predecessor accepted a job at the Cincinnati Art Museum and left. So, the plans, again, were put on hold.

MF: What did the report say?

EBN: It outlined several options for the board. The first option was to retrofit the 1973 building and bring it up to museum bestpractice standards. The second option was tearing down the 1973 building and adding 23 percent [more space].

The third option was to add about 70 percent to 75 percent additional space, by tearing down the 1973 building and expanding. That would have taken some precious space in our parking lot. That option had a conceptual budget of $84 million, and that is in 20132014 dollars.

MF: When did the board decide to add relocation to its list of options?

EBN: The full board determined this summer that we wanted to put all options on the table.

One of the reasons we decided to announce was simply that there were a lot of people making speculations and the word was kind of getting out. So, we thought it was better to be transparent about it and let our members know that this option was added to the list of pre-existing options.

MF: Is there a timeline for a decision?

EBN:There is no timeline. We are exploring some interesting possibilities. Our board is doing that work. We’ll know something when we know something.

Emily Ballew We’re the city museum, and we Neff want to be responsive. We have lots of people who are very positive and understand what our challenges are. We have others who are very concerned, and we respect that.

We knew that. That’s, in part, why we wanted to go ahead and let people know that we’re just putting all options on the table.

Read the full interview at memphisflyer.com.

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In October, meet our residents and party with history.

Saturday, October 14, Costume Twilight Tour, residents put on their best and tell their best stories, thanks to ArtsMemphis and the Tennessee Arts Commission.

Live, you might say.

Friday, October 27, Spirits With The Spirits, once a year, we party for all eternity, presented by Raymond James. Food and frivolity. Music and mystery. This is the party to die for.

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NEWS & OPINION

Visit select retailers to sample wine from around the world as we celebrate our 30th birthday!

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SATURDAY SEPTEMBER 30TH • 5–8PM

7

POLITICS By Jackson Baker

And in This Corner ...

GOP candidates spar, while surprise possibilities lurk in the Democratic race for county mayor, with names like Byrd and Flinn coming to the fore.

Last week, Shelby County Commissioner Terry Roland, speaking at a fund-raiser in his honor at Southwind Country Club, let loose with typically strenuous blasts against his two major Republican opponents in the forthcoming 2018 race for Shelby County mayor — characterizing County Trustee David Lenoir as basically a tool of the political/financial establishment and questioning Juvenile Court Clerk Joy Touliatos’ bona fides on de-annexation matters.

The Republican three-way battle royal is an open and settled proposition. It is on the Democratic side that intrigue (in every sense of that word) and potential surprise are major factors behind the scenes.

Sidney Chism, the ex-Teamster leader, former local party chairman, two-time county commission chairman, interim state senator, and political broker nonpareil, has long advertised his availability for the office, but, though Chism continues to preside over a well-attended annual political picnic, it is an open question whether and to what degree the major clout he once enjoyed in Democratic circles has been diminished.

Now employed by Sheriff Bill Oldham, Chism has had to weather criticism from party purists for this past elec-

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Harold Byrd and Shea Flinn Meanwhile, other Democrats continue to ponder the idea of running. Two possibilities are University of Memphis law professors Steve Mulroy and Lee Harris, who have long been supportive of each other’s political careers.

A liberal’s liberal in the manner of Memphis congressman Steve Cohen, Mulroy served two terms on the county commission and was a candidate for county mayor in the

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2014 Democratic primary, finishing second to eventual nominee Deidre Malone in a three-way race that also included Kenneth Whalum Jr. Until the surprise election of Republican presidential candidate Donald Trump last year drastically altered his prospects, at least for the immediate future, Mulroy’s chief ambitions concerned the possibility of an appointment to the federal judiciary. Now Mulroy’s options have once again become more expressly political.

Harris has always leaned in the direction of political office. As a political unknown in 2006, Harris was one of the also-rans in the 9th District congressional primary of that year, won eventually by Cohen. By 2011, he had enough name recognition to run for, and narrowly win, a Memphis City Council race against Kemba Ford.

Nor did Harris’ ambitions end there. He was active in pursuit of cutting-edge issues and was the chief sponsor of an ordinance prohibiting job discrimination against members of the LGBTQ commmunity. In 2014, he ran in the Democratic primary against another member of the Ford political clan, state Senator Ophelia Ford, and was able to unseat her.

Harris got himself elected leader of the shrunken fivemember Democratic corps in the state Senate and made the most of his position, becoming an active spokesman for the party’s issues, and meanwhile working across the aisle with Republicans like state Senator Brian Kelsey on

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NEWS & OPINION

nonpartisan matters.

Ever on the move, Harris meditated seriously on another race for Congress against incumbent Cohen but thought better of it, publicly dropping the idea in early 2016. His latest initiative, the Tennessee Voter Project, serves the dual purpose of revving up Democratic energy in general and keeping his name before the public.

And now opportunity beckons once more with the county mayor’s race. It seems almost inevitable that either he or Mulroy, still functioning as a mutually supportive duo, will make the race, and that coin flip will likely happen fairly soon.

Nor does the guessing game end there.

The latest rumors in Democratic Party circles concern the possible mayoral candidacies of two other big names — Harold Byrd and Shea Flinn.

A core member of the politically active Byrd family, Byrd is president of the Bank of Bartlett, essentially a family enterprise.

A longtime state Representative and a political broker in his own right, Byrd was the Democratic nominee for Congress in the 7th District in 1994, losing that year to Republican Ed Bryant.

He prepared a race for county mayor in 2002 but reluctantly withdrew when then Public Defender A C Wharton became a candidate for the nomination, transforming that year’s Democratic primary into a three-way affair that also included then state Representative Carol Chumney.

By 2010, Byrd’s reputation and popularity, both in Democratic circles and across the party line, were such as to make him an odds-on favorite to be elected county mayor that year. Pointedly, Mark Luttrell, the ultimate winner as a Republican nominee, had let it be known that he would eschew the mayoral race and seek reelection as sheriff if Byrd ran for mayor.

But a combination of a personal illness and a post-recession duty to see to the needs of the family banking business kept Byrd from running that year.

Now, the word is that Byrd, with both his own and the bank’s health in seemingly good order, is looking at one last chance at gaining the office.

Then there is the chance of a candidacy for the office by Shea Flinn, yet another former political figure with a high profile, both in Democratic Party ranks and in bipartisan circles. A prominent member of the city council after his election in 2007, Flinn resigned his seat in 2015 to become senior vice president for the Greater Memphis Area Chamber of Commerce.

That Flinn was considering a re-entry into political ranks was first signaled recently when his name was prominently featured in a telephone robo-poll of potential candidates for county mayor.

That was amid rampant speculation that Flinn had a hand in the sponsorship of the poll.

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450 MULBERRY ST. • MEMPHIS, TN 38103 • civilrightsmuseum.org

a healing course, it was no great surprise when on Monday the administration of Tennessee’s moderate Republican governor Bill Haslam announced that the time had come to end the waiver and to restore stringent work requirements for SNAP — except for 16 counties still regarded as being in some measure of financial distress.

While professing to be “awaiting more details about how the governor’s workforce requirement policy for food stamps will be implemented,” 9th District Democratic Congressman Steve Cohen expressed concern about the effects of the policy shift on Memphis, which, as he noted, has “the highest poverty rate of metro areas with at least one million people.”

Cohen made bold to suggest, “We need to be making nutrition assistance more available, not less.” Also skeptical was state House Democratic leader Craig Fitzhugh of Ripley, who said, “I want to make sure that we are not using an axe where a scalpel is needed in weeding out abusers of the system,” and insisted on “a targeted approach that ensures every Tennessean that needs help receives it.”

A cautious approach is certainly called for. The New Republic, in its current issue, surveyed some of the national consequences of overkill in the shift from welfare to workfare: “In 1996, nearly 70 percent of poor families received benefits.

Today it’s less than 25 percent,” the periodical found. Further: “Since 1995 the number of Americans living on $2 or less a day has nearly tripled, including some three million children.”

Something tells us the figures in Tennessee are at least that dreary.

C O M M E N TA R Y b y G r e g C r a v e n s

True Story:

Love one another. It’s that simple.

First Congregational Church

She wanted her retirement years to be her best years. As a volunteer at First Congo

she’s creating the legacy she dreamed of.

10

Nutrition Assistance Program (SNAP). It was a sensible decision; the state, like much of the nation, was hard hit by the recession, and jobs were hard to come by. Temporarily, at least, the restrictions imposed on the genuinely needy in Tennessee could be lifted, though a certain rhetorical bias against them, building ever since the Reagan era, continued to posit the existence of“welfare queens” and the unholy triad of “waste, fraud, and abuse.”

The predominant feeling of the nation’s ruling establishment could be summed up this way: “The current welfare system undermines the basic values of work, responsibility, and family, trapping generation after generation in dependency.”

It wasn’t Republican Reagan who said that, by the way, or even his GOP successor George H.W. Bush. It was “New Democrat” Bill Clinton, apropos his shepherding into law the Personal Responsibility and Work Opportunity Act of 1996, which is still the governing framework for federal aid programs. There had gotten to be a bipartisan consensus of sorts, characterized

by Clinton’s famous remark that “the era of Big Government is over.”

It really wasn’t, of course. The size and resources and perks of government simply were progressively redirected to the benefit of folks higher up in the national class system, to the point that spokespersons for the political left — including even the most genuinely revolutionary presidential candidate in modern American history, Bernie Sanders — habitually devote most of their verbal energy to solicitude for the “middle class.”

So, with the economy apparently still on

www.firstcongo.com Phone: 901.278.6786 1000 South Cooper Memphis, TN 38104 Sunday Worship 10:30 am

V I E W P O I N T B y Fr e d r i c Ko e p p e l

Moving Brooks The public deserves a clearer explanation of the museum’s plans. purity of the 1916 building, a task at which they only partially succeeded.

The 1955 building was demolished to accommodate the 1989 expansion.

In my role as art writer for The Commercial Appeal for 30 years, I frequently mentioned the inadequacy of the exhibition spaces in the museum, especially in the downstairs galleries, where ceilings are either so low and cramped as to be oppressive or so high that the art and the viewer feel lost. In fact, the part of the Brooks that retains its integrity and is still the best space to look at art is the 1916 building, which after all these years is, to me, a joy to be in.

The sudden announcement that the Brooks would like to move, an announcement made without providing alternatives or ideas about what to do with the museum, if it does relocate, had an air of rush to judgment, even desperation. Obviously, the museum requires better gallery and exhibition space, more storage for the permanent collection, and stateof-the-art security for the protection of valuable and fragile works of art, but museums nowadays also have community responsibilities.

In an interview with this writer when she first came to the job at the Brooks, Neff said, “Museums have a tremendous history as treasure-houses, but it’s also true that every museum struggles with the idea of demographics. A museum must be everybody’s museum, and we must respond to the city’s vitality and diversity.”

To embrace those democratic ideals, Memphis Brooks Museum of Art needs to stay in Overton Park.

Regardless, though, the public and the city government need a clearer picture of what the director and the board have in mind, as well as potential sources of funding for such a huge project — whatever that project is, Fredric Koeppel is a freelance journalist with interests in culture and the arts. He writes the wine review blog, biggerthanyourhead.net.

m e m p h i s f l y e r. c o m

In my role as art writer for The Commercial Appeal for 30 years, I frequently mentioned the inadequacy of the exhibition spaces in the museum.

NEWS & OPINION

The board of trustees of Memphis Brooks Museum of Art and the institution’s director, Emily Ballew Neff, surprised the city and the museum’s patrons by announcing recently that it would not be averse to leaving its century-old home in Overton Park, where expansion would be difficult.

What the possibilities are remain to be explored, whether building a new museum, renovating or rebuilding part of the present facility, or finding an existing building and repurposing it — each one an expensive proposition.

The museum opened in 1916 in a pavilion designed in the Beaux-Arts fashion by James Gamble Rogers, a nationally known architect. That white marble structure is still one of the city’s most beautiful buildings, worthy of the title “jewel box” usually bestowed on it.

An addition in an understated modern style was erected behind and connected to the original building in 1955, designed by local architect Everett Woods. This comprised the Brooks Memorial Art Gallery that I was introduced to when I was 11 or 12, and which I visited many times when I was in high school and college.

Needing more exhibition space, the Brooks commissioned another addition that was completed in 1973.

Designed in the Brutalist manner of exposed concrete and structural elements by Walk Jones and Francis Mah, this expansion was to the north, extending from the 1955 wing and not impinging on the 1916 building. The new exhibition halls were open and flowing, with a great deal of gallery space underground. However, a series of directors over the years became dissatisfied with the style and openness of the Jones-Mah building and gradually converted the interior to a warren of formal neo-classical galleries, an untidy fit with the architects’ intentions and the building’s function.

The final expansion, designed by Skidmore, Owings, and Merrill (with the local participation of Askew Nixon Ferguson & Wolf), opened in 1989, providing the museum with a new entrance, a rotunda, an auditorium, a restaurant space and adjacent terrace, loading docks, storage and offices — but an insignificant amount of gallery space. As anyone can see in its emblematic facade and profile, the architects attempted a sort of Postmodern classical design that would not detract from the chasteness and

11

WORST GIG EVER II COVER STORY BY ALEX GREENE & CHRIS MCCOY

MEMPHIS MUSICIANS SHARE TALES OF WOE FROM THE ROAD.

September 21-27, 2017

Dead Soldiers

Booker T. Jones Marco Pavé

On any given day, dozens of Memphis musicians are crisscrossing the country, bringing the diverse sounds of our city to audiences large and small. It’s a fun life, but things don’t always go as planned. It’s a tradition for musicians to swap stories of disaster, humiliation, and stiffed payments. Here are some prime cuts from Memphis musicians who were willing to go on the record about their worst gig experiences.

on us the whole time. They were swinging on the bill of my cap, hanging off of my guitar.

It was like somebody throwing softballs at you. I would kick a bunch of ’em out of the way to get to a pedal. Daryl said he was just playing and cringing, watching these cicadas climb on our backs. We did an hour and a half set. It was like that the whole time.

KRISTA WROTEN COMBEST — DEAD SOLDIERS

I was 15 years old and auditioning for a talent show in the Frayser High Gymnasium.

I had downloaded the beats from a site called Soundclick, and at the beginning of the beat, there was an audio tag that said I didn’t purchase the beat. I downloaded it from the internet so I could perform! I was 15 years old! I didn’t know!

So I came, I had my songs ready, I performed them, I rocked the songs. Then the guy was like, “Yeah, man, you had the tag on your beat. That means you’re not serious. We would have picked you if you had used a professional beat or a beat that you owned.”

Basically, they took my $50 submission fee as a 15-year-old and told me to go home.

We were on our way from Asbury Park to Brooklyn, and then to Staten Island. The guy at the toll booth told us the wheel on our trailer was smoking. This wasn’t surprising to us, because on our last tour, the wheel had fallen off as we were attempting to leave Sister Bay, Wisconsin.

That’s why we weren’t surprised when it happened again in New York. We pulled over and called a bunch of auto places, but no one was open, so we decided to take it easy and just get to the show. We limped into New York and somehow made it through the Staten Island tunnel, which is more than a little terrifying when you’re hauling a broken trailer behind a conversion van.

We finally made it to the venue and had a great time and got to party with a bunch of our Memphis transplant friends. Loading out after the show, Clay [Qualls] accidentally broke the key off in the lock on our trailer. It ended up being easier to just tear the trailer door off rather than deal with the locks and load all our stuff into the U-Haul we rented for the rest of the tour. All the while we were being harassed by a junkie who looked like an extra from The Nightmare Before Christmas. We had to make the tough choice to abandon our trailer there in the Big Apple. Another victim of the road. R.I.P. trailer, I hope you’ve finally found peace in some scenic New York junkyard — or as a Brooklyn hipster’s apartment.

JOEY KILLINGSWORTH — JOECEPHUS AND THE GEORGE JONESTOWN MASSACRE

My personal worst was the Hogrock festival in Illinois. It’s in the middle of a field that they used to use for the Gathering of the Juggalos. There are three big stages. You gotta follow trails in the middle of nowhere to get to them.

At first it was awesome, but it turned out that was the night the cicadas came out. Like, they were literally emerging from the ground. We were in an open area in the middle of 12 the woods. Me and Brian [Costner] were not wearing shirts, and Daryl [Stephens] from Another Society was playing drums. The cicadas were swarming all over us. They stayed

MARCO PAVÉ

BOOKER T. JONES

I drove from Memphis to Baton Rouge, Louisiana, not long after we had recorded “Green Onions.” I think they told the people that I needed an organ, so they went to the church and got a pipe organ. They didn’t tell them it needed to be a Hammond B3 Organ. It was a simulated pipe organ with stops — a spinet. It was like a church organ — the notes didn’t make a sound right away. It wouldn’t work. I ended up trying to play “Green Onions” on a pipe organ in this club in Baton Rouge. That’s got to be the weirdest sound I’ve ever heard.

LORETTE VELVETTE — TAV FALCOʼS PANTHER BURNS

It was 1986. We’d been up in NYC. “The Starvation Tour.” Bob [Fordyce] would just write “FOOOOOD” in his sketch book. So we were crowded in the car, and we had no money.

George [Reinecke] was sent into a country store somewhere along the way, and he bought white bread and some head cheese nobody else would touch. So all I was eating was white bread.

We went down to the Metroplex in Atlanta. We started our show, and I was on stage playing tambourine. During “Tina the Go Go Queen,” two policemen came up and told me to come off stage. And I said, “No! Wait till the end of the song!”

Then I went off stage into this other room with them. The Panther Burns kept playing.

And so the policeman wrote me up and said, “I’m giving you this ticket for playing

people came from the club, saying, “They’ve been trying to shut us down for a long time.”

There was a lawyer assigned to me who said, “Let’s try to settle this out of court.” He made a deal, that they would drop the charge of resisting arrest — and I probably weighed 105 pounds — if I agreed not to sue them. Of course, I couldn’t, because we didn’t have any money. And I didn’t want to ever go back to Atlanta again.

Lorette Velvette

tambourine without a permit.”

I was so mad I snatched the ticket from his hand, but he didn’t let go. He held onto the ticket. I just turned away from him, just looking at the heavens, going, “God, this is bullshit!” Then he grabbed me from behind in a big bear hug and ran me out the door, several yards, onto the sidewalk.

By then, the Panther Burns had gotten out there. Tav was begging him to not arrest me, but they said I had “resisted arrest.” This was the police officer who had bear-hugged me and his senior sergeant. The two of them conferred: “Well, should I take her in?” And the sergeant said, “Well, you’ve already laid your hands on her.”

Immediately, the paddy wagon was there. Back doors open, I get shoved in. And Tav was begging him, he was like, “Please, please, don’t arrest her!” And before the doors shut he said, “She’s been eating white bread for a week!”

They took me to the downtown jail, and I had to stand in line. I was dressed in my pink vinyl miniskirt, with a black half top and go-go boots. They all thought I was a prostitute, so they put me in the cell with a bunch of other ladies. When I walked in, they all wanted my cigarettes, so I gave out my cigarettes to make friends. There was a telephone in the room, and they’d get on the telephone and call their husbands and tell them not to press charges. Like, these women had beaten up their husbands. Several of them.

My bail was $1,500. Around daybreak, the Panther Burns came and I was like, “How did you make bail?” It turned out, the people in the club had chipped in, the club had chipped in, and the pizza place at Little Five Points had chipped in a bunch, and they got the money together and got me out. I had to go to court literally the next day. A lot of

I think it was 1992. We were on The Grifters a month-long tour with Flaming Lips and Codeine. We were in Atlanta at a club called The Masquerade, which was split into three levels. You entered mid-level into Purgatory. The bands played upstairs in Heaven. The sub-level was a red-lit, S&M-themed bar called Hell. Of course, we went down to Hell.

The bar was just opening, and the only other person in there besides the bartender is a guy playing pinball. Shirtless, muscular, black leather pants, black boots, black policeman’s hat, handcuffs. We ask if he’s a regular. Bartender says, “No, that’s Frank, the bouncer.”

Later, we play our set. Good show — hard not to have a good show on that tour. It was the biggest crowds we’d played to up till then. We’re sitting backstage having aftershow beers. There’s a knock on the door.

This guy peeks his head in and asks, “Grifters?” We’re like, “Yeah.”

He creeps in with two friends in tow. He tells us how glad they are we came back to Atlanta and that we killed it out there. Of course, we’re grateful and invite them to hang.

They sit down, and dude continues to blow smoke up our asses. “You guys are blowing up! Every song was killer! I bet you’re blowing Flaming Lips off the stage every night! Mind if we grab a beer?”

Dude grabs three beers, hands two off to his friends, and continues to ramble. “This new record man. It’s friggin killer!” Kills his beer. Grabs another one. “Man, you guys are gonna be fighting off the majors!” Kills that beer, grabs another.

Then I see him give a sideways glance to his friends and he asks, “Man, what’s the third song off of side two on the new record?” I say, “Encrusted?” He says “YEAH MAN! ‘ENCRUSTED’! The guitar solo on that song is friggin’ DOPE!” I say, “Okay, this has been fun. Time for you guys to go,” and they leave. I turn around and Scott and Stan are like, “What’d you do that for?” and I’m like “There isn’t a guitar solo on ‘Encrusted’! We don’t have guitar solos on any of our songs!” And it sinks in. We’d been grifted for backstage beer.

Stan says, “We’re not gonna let him get away with this are we?” I say, “Hell no!”

The club was packed, and the Lips were raging loud. We didn’t know what we would do. After casing the place, we decided to wait by the men’s room. It worked. Almost immediately, dude walked right by us, swigging beer and laughing and — I’m not kidding — he actually says, “I stole this beer from the Grifters! Haw Haw Haw!” So we’re thinking, “This guy’s going down!” But we only have moments to formulate a plan. We decide we would appear to be fighting each other when dude comes out of the bathroom, and then Stan would hurl me at him and I would either knock him down or knock the beer out of his hand.

Stan and I start shoving each other around and cussing at each other for what seemed like five minutes when finally the guy comes out of the men’s room. Stan grabs me by the lapels and throws me at the guy—who casually sidesteps me! As I’m falling backwards, I reach out and just knock his beer to the ground. It shatters on the floor, and he flies into a rage.

He screams, “That was MY beer!” Stan jumps to my side and points in his face and says, “A beer you STOLE from the Grifters!” He looks all kinds of confused and then goes into a Three Stooges, Curly kind of wind-up. continued on page 14

TAV WAS BEGGING HIM NOT TO ARREST ME, BUT THEY SAID I HAD “RESISTED ARREST.”

COVER STORY m e m p h i s f l y e r. c o m

, THE GRIFTE RS BY STEPH EN SWEET LORET TE VELVET TE BY RICHA RD DUMAS

TRIPP LAMKINS — THE GRIFTERS

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continued from page 13

Reigning Sound

We Saw You.

with MICHAEL DONAHUE memphisflyer.com/blogs/WeSawYou

September 21-27, 2017

kevin don’t

bluff

Stan and I plant ourselves, then suddenly Frank the S&M bouncer comes from behind us and hurls the guy into the wall and says, “GOD-DAMN-IT, BILLY! HOW MANY TIMES WE GOTTA DO THIS?” Frank shoves the guy’s arm into his back and gets him in a headlock and then drags him backwards down the stairs literally kicking and screaming. We looked down over the banister and Stan yells, “This is what happens when you fuck with the Grifters!”

HERMAN GREEN — B.B. KING

I played with B.B. King a couple years. He saved my life, man, ’cause he didn’t have a car, and I had a car. And so we’re coming back from Blytheville. They had those narrow bridges in Arkansas, and we was following this truck with a trailer. And he signaled, another one coming toward us, some kinda way they had a signal, and told them to come on, don’t stop. And it had been raining. I wasn’t driving, the piano player was. And he hit the brakes … no brakes. We hit that bridge and knocked up three concrete posts, and as fast as we were going, we couldn’t stop.

I felt something go across my chest, like someone was fighting me. It was B.B. and the way he did it, he took his left arm and went that way, and he balanced himself on the bench. So he wasn’t going no where. ’Cause they didn’t have seat belts back then.

That was back in the late ’40s, early ’50s. And he saved my life, because I’d a went through the windshield.

And then, you’ve heard of Ford Nelson at WDIA, haven’t you? He’s a disc jockey. He was with us. He weighed about 240 pounds, and after we hit those concrete posts, the car was laying right on the edge of the bank, teetering. Ford got out one way and the car went the other way. And we slid down and the hood got right in the mud down there. And I told Ford, I said, “Man, don’t you ever move! I don’t care where we at, just sit still!”

KELLEY ANDERSON — THOSE DARLINS

Those Darlins played the 2009 Americana Music Festival in Nashville and were scheduled to play before John Fogerty. Creedence Clearwater Revival was one of Jessi [Zazu]’s favorite bands, and she was excited to get to see him.

At the last minute, Fogerty decided he wanted to play earlier. The festival organizers accommodated his request (because he’s John freakin’ Fogerty) and shifted our scheduled time to be after his. All performers were supposed to play around 45 minutes, and he rocked for almost two hours. At one point, there were three guitars on stage — there were so many guitars.

After he completely rocked everyone’s faces off, we set up our ragtag equipment in front of theirs on the stage they just destroyed and basically played outro music for the waves of people filing out of the Mercy Lounge.

Their drums were still set up on a giant riser, so Linwood [Regensburg] set up his kit in front of theirs, and the rest of us kind of filled out to the side, with me playing behind a large column. With no soundcheck and a “Here goes nothing!” sigh, we took it in stride and played a good show for the 20 or 30 diehard Darlins fans who remained up front. So maybe it wasn’t the worst gig ever, but it was a little embarrassing to be playing to such a large room of people leaving. But hey, not everyone can say that John Fogerty opened up for their band!

JEREMY SCOTT — REIGNING SOUND

Kevin Lipe on the Memphis Grizzlies before, during, and after the game.

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memphisflyer.com/blogs/BeyondTheArc • @FlyerGrizBlog

The day after opening for the White Stripes at the White Blood Cells album release in Detroit, the Reigning Sound rolled into Columbus, Ohio, for a gig that night. It was at Bernie’s Distillery, a long-running local institution. We were under the impression, probably from the guy who booked the tour, that Bernie’s had a kitchen. The key word here is “had.” In fact, the whole place looked like it had been closed for at least three years. (Bernie’s soldiered on until the end of 2015, incredibly.) When we asked

to see a menu, the dude behind the bar said, “Um, our kitchen closed a few weeks ago, but hang on a sec,” and headed where we couldn’t see him. When he returned, he informed us, “Well, there’s a whole ham back there. The top part is green, but I could shave off the bottom for you and make sandwiches.” We all looked at each other and said “Nah, we’re good.” Add in the thoroughly disgusting bathroom which gave ’70s-era CBGB a run for its money, and a bunch of out-of-place Ohio State grads, and you have a fairly disorienting experience. That’s life, though. One day you’re playing with the White Stripes, the next day a random bartender is trying to kill you.

HAROLD THOMAS — THE MASQUERADERS

[In 1968, the Masqueraders hit the road to support their hit “I Ain’t Gotta Love Nobody Else.”]

Our first engagement on that tour was at the Apollo Theater. This was the craziest experience we ever had in our life. We got up there, we were just ol’ country boys.

We didn’t know. We really came from a capella, to the studio, and now we gotta have music. We didn’t know we needed charts!

We get to the Apollo Theater, and the bandleader goes, “All right, Masqueraders, let me have your charts.”

We go, “Charts? You know, we always just go, ‘Well, the music goes like this, dowmp dowmp dowmp!’”

They go, “Oh no, man … we need some charts.” Okay.

So one of those guys says, “Hey, I tell you what, I know the song. You all give me $50, and I’ll write the charts for ya. Tonight, when y’all come back, I’ll have ’em ready.”

That night, they call us, “Masqueraders, Masqueraders, you’re up next!”

We run out on the stage, waiting for them to play our song. They didn’t play nothing like it. It wasn’t nothing like it! We was looking at each other going, “What

The Masqueraders the … hell?”

And the people in the audience, they were starting to mumble, getting ready to throw tomatoes and eggs. You know how they did back in the day.

So one of our guys said, “Hold it, hold it, man, we don’t need no music! We don’t need no MUSIC. Stop right now!”

And then he headed out on that melody [a capella], “Up in the morning …” and we were like “Wooo-ooh.” “Out on the job … ” When we got through singing that song, they were standing up, you hear me?

COVER STORY m e m p h i s f l y e r. c o m

AND IT SINKS IN. WE’D BEEN GRIFTED FOR BACKSTAGE BEER.

15

steppin’ out

We Recommend: Culture, News + Reviews

Dream Dancers

Last year’s Memphis Renaissance

By Chris Davis

We wear the mask that grins and lies, / It hides our cheeks and shades our eyes, / This debt we pay to human guile; With torn and bleeding hearts we smile, / And mouth with myriad subtleties. — Paul Laurence Dunbar, “We Wear the Mask” Before he was assassinated, Dr. Martin Luther King wrote down a big question: “Where do we go from here — chaos or community?” It’s a question the Memphis Symphony Orchestra (MSO) and New Ballet Ensemble (NBE) look to address with Memphis Renaissance: Going on From Here, a free concert at Overton Park’s Levitt Shell, performed in conjunction with National Civil Rights Museum’s MLK50 commemoration.

Collaborations between arts institutions create their own kind of chaos. Plans for Going on From Here were laid while the MSO was rebuilding, rebranding, and going through changes with conductor Mei-Ann Chen leaving and Bob Moody coming aboard as her replacement. NBE’s founding director Katie Smythe describes the process as being more fruitful than frustrating. “It forced us into a kind of deep collaboration,” she says of her work with MSO engagement and inclusion manager/spoken word artist Steven Fox and assistant conductor Andrew Crush. The result is an original story about a young person’s search for identity, buoyed with the poetry of Paul Laurence Dunbar and music by Jimmie Lunceford, W.C. Handy, Duke Ellington, William Grant Still, Stevie Wonder, and Marvin Gaye.

“We have kids from Dunbar elementary featured in this piece,” Smythe says. “They’ve grown and are now juniors and seniors in high school, and they didn’t know Paul Laurence Dunbar poetry. Now they’re dancing it set to the most important African-American symphony historically in the repertoire.”

September 21-27, 2017

NEW BALLET ENSEMBLE & SCHOOL AND THE MEMPHIS SYMPHONY ORCHESTRA AND BIG BAND PRESENT “MEMPHIS RENAISSANCE: GOING ON FROM HERE” AT THE LEVITT SHELL FRIDAY, SEPTEMBER 22ND, 7 P.M. FREE

16

12 Angry Jurors Theater, p. 28

Meet the Pie Lady.

Food, p. 30

THURSDAY September 21

FRIDAY September 22

STRUT! 2017 Mercedes-Benz of Memphis, 6-8 p.m.

Annual fashion show benefiting the Community Legal Center. Includes a wine pull, a signature cocktail, a silent auction, plus the very popular celebrity servers.

Mid-South Fair Landers Center, 4-10 p.m.

The fair returns with all the rides, food, and entertainment, including Wolves of the World, camel rides, and more. It’s preview night tonight, and admission is free.

Through October 1st.

Stax @ 60 Stax Museum of American Soul Music, 7 p.m.

The celebration continues tonight with a concert by the MDs, a Booker T. & the MGs tribute band. They’ll perform the McLemore Avenue album, which was patterned after the Beatles’ Abbey Road. An artist conversation and Q&A precedes the show.

Repair Days 2017 Metal Museum, 10 a.m.-5 p.m.

Annual fund-raiser for the Metal Museum offering repairs on all things metal, workshops, an auction and dinner, and an artist’s reception for this year’s Master Metalsmith David Secrest. For a full schedule, go to metalmuseum.org.

Friday Night Dance Party Fourth Bluff, 6-9 p.m.

Weekly party on the promenade behind the law school. The parties are curated by c’beyohn and include a light-up dance floor.

Shakespeare in Love Playhouse on the Square, 8 p.m., $25 Based on the 1998 film about a young Will Shakespeare with writer’s block.

Unreal Film Festival Malco Studio on the Square, 2 p.m.

Annual sci-fi, fantasy, and horror film festival.

“Gimme Shelter” Rolling Stones Tribute Hi-Tone, 8 p.m., $10 Benefit for H.O.P.E. (Homeless Organizing for Power and Equality) and tribute to the Rolling Stones.

The lineup includes the 1970, Cassette Set, Faux Killers, the Subtractions, and many more.

Memphis Made Buckman Arts Center at St. Mary’s School, 8 p.m., $20 Tonight’s launch of this new Memphis-centric concert series features classical guitarist Lily Afshar.

Hep C

Jose Llana and Laura Michelle Kelly in Rodgers & Hammerstein’s The King and I.

Anna Unpacks British actor and vocalist Laura Michelle Kelly has been tasked with the impossible. When Disney’s stage adaptation of Mary Poppins opened in London’s West End, Kelly was tasked with taking on the role of P.L. Traver’s titular nanny who’s practically perfect in every way — a role indelibly stamped by Julie Andrews in the 1964 Academy Award-winning film.

“I used to tell people I wasn’t intimidated at all; I’m born to do this job,” Kelly says confidently, as she drives into wind and rain kicked up by Hurricane Irma, on the road to her next engagement as Anna in Rodgers & Hammerstein’s The King and I. “But actually I think I really was quite ignorant,” she adds. “Ignorant of what people want and the expectations they have. I had a lot of confidence in my abilities because I’ve done this my whole life. But I think what I wasn’t doing was realizing just how much of an impact these characters have had on people’s lives. I definitely do feel intimidated now.

And I have respect for the role that people have trusted me to play. I think it makes me a better actress now, knowing the level of honor there is to play something like this. It makes the role far more fun. It makes me look deeper into how I can portray it.”

If Kelly’s interpretation of Mary Poppins reset audience expectations, director Bartlett Sher’s done much the same with his fresh take on The King and I, the story of a widowed British schoolteacher who goes to Siam in the 1860s to tutor the royal children in English.

“The idea about a musical or a movie or a play is to help people escape to a whole new world, right?” Kelly says of Sher’s dedication to authenticity and detail-oriented work.

“THE KING AND I” AT THE ORPHEUM THEATRE THROUGH SEPTEMBER 24TH, $25-$135. ORPHEUM-MEMPHIS.COM

FREE IUDs

CHO CES

Memphis Center for Reproductive Health

1726 Poplar Avenue Memphis, TN 38104 901/274-3550 www.memphischoices.org

SATURDAY September 23

SUNDAY September 24

TUESDAY September 26

Tour de Brewer #2 Revolutions Community Bicycle Shop, 2-8 p.m., $10 A slow-paced bike tour of local breweries, Memphis Made, Wiseacre, High Cotton, and Ghost River.

Memphis Japanese Festival Memphis Botanic Garden, 10 a.m.-5 p.m.

Word on the street is that Pokemon will be at this annual festival.

Includes music, dance, martial arts, a roving Japanese Candyman, origami, food, and more.

Hansel & Gretel The Orpheum, 6:30 p.m. $15-$20 A rock-and-roll take on the Grimm Brothers story with inspiration from Roald Dahl and Lemony Snicket.

The Rippingtons Germantown Performing Arts Center, 8 p.m.

Concert by this innovative contemporary jazz group.

Big Bugs Creature Features Memphis Botanic Garden, 10 a.m.-2 p.m.

Held in conjunction with “David Rogers’ Big Bugs” installation with a focus on learning about one particular bug.

Dirty Dozen Brass Band Levitt Shell, 7 p.m.

Concert by the New Orleans-based brass band.

Farm Fest Loflin Yard, 5-8 p.m., $35 Annual fund-raiser for the Memphis Farmers Market with food, music, and a jewelry pull.

m e m p h i s f l y e r. c o m

Broken Darkness is one of the genre films invading Studio on the Square for Unreal Film Fest.

Film, p. 34

Kim Messer

Norvell Spray Tan Specialist

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Spray Tans 4 for $99.00

958 Reddoch Cove • Memphis, TN 38119 • 901.277.0175

ARTS & ENTERTAINMENT

MATTHEW MURPHY

By Chris Davis

Screen $50

17

DIRTY DOZEN BRASS BAND LEVITT SHELL SUNDAY, SEPTEMBER 24TH

LILY AFSHAR BUCKMAN PERFORMING ARTS CENTER FRIDAY, SEPTEMBER 22ND

MELVINS HI-TONE SATURDAY, SEPTEMBER 23RD

After Dark: Live Music Schedule September 21 - 27 7 p.m.; Brandon Cunning Band Sundays, 6 p.m., and Mondays, 7 p.m.; FreeWorld Sundays, 9:30 p.m.

Alfred’s 197 BEALE 525-3711

Gary Hardy & Memphis 2 Thursdays-Saturdays, 6-9 p.m.; Karaoke Thursdays, TuesdaysWednesdays, 9 p.m.-1 a.m., and Sundays-Mondays, 10 p.m.-2 a.m.; Mandi Thomas Fridays, Saturdays, 6-9 p.m.; The 901 Heavy Hitters Fridays, Saturdays, 10 p.m.-2 a.m.; Flyin’ Ryan Fridays, Saturdays, 2:30 a.m.; Memphis Jazz Orchestra Sundays, 6-9 p.m.

B.B. King’s Blues Club 143 BEALE 524-KING

Live Music WednesdaysSundays, 7-11 p.m.; Live DJ Wednesdays-Sundays, 11 p.m.; Third Floor: DJ Tubbz Fridays, Saturdays, 10 p.m.; The Rusty Pieces play Bike Night on Beale Wednesdays, 6-9 p.m.

Handy Bar 200 BEALE 527-2687

The Amazing Rhythmatics Tuesdays, Thursdays-Sundays, 7 p.m.-1 a.m.

Hard Rock Cafe

David Bowen Thursdays, 5:309:30 p.m., Fridays, Saturdays, 6:30-10:30 p.m., and Sundays, 5:30-9:30 p.m.

King’s Palace Cafe Tap Room

Blue Note Bar & Grill

Itta Bena

330 BEALE 525-8981

Blues City Cafe 138 BEALE 526-3637

Hillbilly Casino Thursday, Sept.

21, 9 p.m., Friday, Sept. 22, 9 p.m., and Saturday, Sept. 23, 9 p.m.; Blind Mississippi Morris Fridays, 5 p.m., and Saturdays, 5:30 p.m.; Brad Birkedahl Band Thursdays, Wednesdays, 8 p.m.; Earl “The Pearl” Banks Saturdays, 12:30 p.m., and Tuesdays,

145 BEALE 578-3031

Nat “King” Kerr Fridays, Saturdays, 9-10 p.m.

King Jerry Lawler’s Hall of Fame Bar & Grille 159 BEALE

Chris Gales Solo Acoustic Show Mondays-Saturdays, noon-4 p.m.; Eric Hughes solo/acoustic Thursdays, 5-8 p.m.; Karaoke Mondays-Thursdays, Sundays, 8 p.m.; Live Bands Fridays, Saturdays, 8 p.m.

Rum Boogie Cafe Blues Hall

162 BEALE 521-1851

Sonny Mack Mondays-Fridays, 2-6 p.m.; Cowboy Neil Mondays, Thursdays, 7-11 p.m., and Saturdays, Sundays, 2-6 p.m.; Sensation Band Tuesdays, Fridays, 7-11 p.m.; Fuzzy and the Kings of Memphis Saturdays, 7-11 p.m.; Chic Jones and the Blues Express Sundays, 7-11 p.m.; North and South Band Wednesdays, 7-11 p.m.

Big Don Valentine’s Three Piece Chicken and a Biscuit Blues Band Thursdays, Tuesdays, 8 p.m.-midnight; Delta Project Friday, Sept. 22, 9 p.m.-1 a.m.; Myra Hall Band Saturday, Sept. 23, 9 p.m.-1 a.m.

126 BEALE 529-0007

Sunday, Sept. 24, 7-11 p.m.; Eric Hughes Band Mondays, 8 p.m.-midnight; Plantation Allstars Wednesdays, 8 p.m.midnight, and Tuesday, Sept. 26, 8 p.m.-midnight; Gracie Curran Tuesdays, 8 p.m.-midnight.

King’s Palace Cafe Patio

Beau and Luci Thursday, Sept.

21, 7-9 p.m.; Camille Rae Friday, Sept. 22, 7-10 p.m.; National Brain Aneurysm Awareness Fund-raiser Saturday, Sept. 23, 1-4 p.m.; Eric Hughes Band Saturday, Sept. 23, 8-11 p.m.; Fingertrick Sunday, Sept. 24, 7-11 p.m.

341-345 BEALE 577-1089

September 21-27, 2017

152 BEALE 544-7011

162 BEALE 521-1851

The King Beez Thursdays, 5:30 p.m.; B.B. King’s All Stars Thursdays, Fridays, 8 p.m.; Will Tucker Band Fridays, Saturdays, 5 p.m.; Lisa G and Flic’s Pic’s Band Saturdays, Sundays, 12:30 p.m.; Blind Mississippi Morris Sundays, 5 p.m.; Memphis Jones Sundays, Wednesdays 5:30 p.m.; Doc Fangaz and the Remedy Tuesdays, 5:30 p.m.

Queen Ann and the Memphis Blues Masters Fridays, Saturdays, 8 p.m.-midnight.

18

Club 152

King’s Palace Cafe

182 BEALE 528-0150

Memphis Bluesmasters Thursdays, Sundays, 8 p.m.midnight; Vince Johnson and the Plantation Allstars Fridays, Saturdays, 4-8 p.m., and Sundays, 3-7 p.m.; Cowboy Neil Friday, Sept. 22, 9 p.m.-1 a.m.; Little Boy Blues Saturday, Sept. 23, 9 p.m.-1 a.m.; Brian Hawkins Blues Party Mondays, 8 p.m.-midnight; Chris McDaniel Tuesdays, Wednesdays, 8 p.m.-midnight.

168 BEALE 576-2220

Silky O’Sullivan’s 183 BEALE 522-9596

Dueling Pianos Thursdays, Wednesdays, 9 p.m.-1 a.m., Fridays, Saturdays, 9 p.m.-3 a.m., and Sundays, Tuesdays, 8 p.m.midnight.

Rum Boogie Cafe 182 BEALE 528-0150

Young Petty Thieves Thursdays, 8 p.m.-midnight; Jeff Crosslin Friday, Sept. 22, 5:30-8:30 p.m., and Saturday, Sept. 23, 5:30-8:30 p.m.; Sensation Band Friday, Sept. 22, 9 p.m.-1 a.m., Saturday, Sept. 23, 9 p.m.-1 a.m., and

130 PEABODY PLACE 523-8536

Songwriters with Roland and Friends Mondays, 7-10 p.m.

Dirty Crow Inn 855 KENTUCKY

Nancy Apple Thursdays, 8 p.m.; Bobbie & Tasha Wednesdays, 8-11 p.m.

Earnestine & Hazel’s 531 S. MAIN 523-9754

Amber Rae Dunn Hosts: Earnestine & Hazel’s Open Mic Wednesdays, 8-11 p.m.

Loflin Yard 7 W. CAROLINA

Electric Church Sundays, 2-4 p.m.

South Main Sounds 550 S. MAIN 494-6543

225 S. MAIN 529-4299

Michaela Compton, Mersaidee Soules, Will Stults, and Tony Hooper Friday, Sept. 22, 7-9 p.m.

Huey’s Downtown

36 G.E. PATTERSON 526-5747

The Halloran Centre JD Souther Saturday, Sept. 23, 7:30 p.m.

77 S. SECOND 527-2700

The Royal Blues Band Sunday, Sept. 24, 8:30 p.m.-midnight.

The Warehouse Mojo Medicine Machine CD Release Event Saturday, Sept. 23, 7 p.m.-2 a.m.

Mud Island Amphitheatre 125 N. FRONT 576-7241

The Avett Brothers Friday, Sept. 22.

Purple Haze Nightclub 140 LT. GEORGE W. LEE 577-1139

DJ Dance Music MondaysSundays, 10 p.m.

The Silly Goose 100 PEABODY PLACE 435-6915

DJ Cody Fridays, Saturdays, 10 p.m.

New Daisy Theatre Adventure Club Friday, Sept. 22, 10 p.m.; Andy Mineo Concert Saturday, Sept. 23, 7-10 p.m.; Tank Savage Tour Sunday, Sept.

24, 7 p.m.; ZZ Ward Wednesday, Sept. 27.

Flying Saucer Draught Emporium

The Peabody Hotel 149 UNION 529-4000

Little River Band Benefit Concert Wednesday, Sept. 27, 8-9:15 p.m.

South Main Ghost River Brewing 827 S. MAIN 278-0087

The Moon Glimmers Saturday, Sept. 23, 7-10 p.m.; Sunday Evening with Adam Brooks Sunday, Sept. 24, 5-7:30 p.m.

Bar DKDC 964 S. COOPER 272-0830

Goner Records’ 3rd Thursday Thursday, Sept. 21; DJ Dropout Boogie Soul Dance Party Friday, Sept. 22; Fiona Silver Saturday, Sept. 23; Joe Nameth Blue Dreamers Sunday, Sept. 24; Devil Train Monday, Sept. 25; Dave Cousar Tuesday, Sept. 26; Sean Murphy’s 1Breath Quartet Wednesday, Sept. 27.

Celtic Crossing 903 S. COOPER 274-5151

Jeremy Stanfill and Joshua Cosby Sundays, 6-9 p.m.; Candy Company Mondays.

The Cove 2559 BROAD 730-0719

Ed Finney and the U of M Jazz Quartet Thursdays, 8 p.m.; Bruce Barham’s Blues Kings Friday, Sept. 22, 9:30 p.m.;

continued on page 21

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FRIDAY 7pm

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WEDNESDAY FRIDAY SEPTEMBER 27 SEPTEMBER 29 RECEPTION FOR GONERFEST MURAL BY PEELANDER-YELLOW @ CROSSTOWN ARTS

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THURSDAY, SEPTEMBER 28 OPENING CEREMONIES @ COOPER -YOUNG GAZEBO 05:00 PM KING LOUIE & LARRY LAVA (New Orleans, LA) 06:00 PM GREG CARTWRIGHT (Asheville, NC)

September 21 - October 1

NIGHT SHOW @ HI TONE MC A GORILLA DJ AYA & ROBERT CUZNER 09:00 PM BENNI (NOLA) 09:45 PM BLOODBAGS (Auckland, NZ) 10:30 PM SWEET KNIVES (Memphis +) 11:15 PM DIE GROUP (Los Angeles, CA) MIDNIGHT A GIANT DOG (Austin, TX) 01:00 AM UNNATURAL AXE (Boston, MA)

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04:30 PM HARTLE ROAD (Columbus, MS) 05:00 PM COBRA MAN (Los Angeles, CA) 05:30 PM HEAVY LIDS (New Orleans, LA) 06:00 PM HASH REDACTOR (Memphis, TN) 06:30 PM X___X (Columbus, Ohio)

DAY SHOW @ MEMPHIS MADE BREWERY NIGHT SHOW @ HI TONE 02:15 PM TEN HIGH (Fayetteville, AR) 03:00 PM MAGIC FACTORY (Auckland, NZ) MC DAN ROSE DJ TOM LAX 03:45 PM JUDY & THE JERKS 9:00 PM TRAUMAHELIKOPTER (Hattiesburg, MS) (Groningen, NL) 04:30 PM MODEL ZERO (Memphis, TN) 05:15 PM THUNDERROADS (Tokyo, Japan) 9:45 PM SO WHAT (San Francisco, CA) 10:30 PM VANITY (New York, NY) 11:15 PM GOLDEN PELICANS (Orlando, FL) NIGHT SHOW @ HI TONE MIDNIGHT JACK OBLIVIAN & THE MC PEELANDER YELLOW SHEIKS (Memphis, TN) DJ GREG CARTWRIGHT 09:00 PM FRANTIC STUFFS (Osaka, Japan) 1:00 AM DERV GORDON of the EQUALS (London, UK) 09:45 PM PEACERS (San Francisco, CA) 10:30 PM FOSTER CARE (New York NY) 11:15 PM NOTS (Memphis, TN) MIDNIGHT TYVEK (Detroit, MI) 01:00 AM feedtime (Sydney, Australia)

SATURDAY SEPTEMBER 30 DAY SHOW @ MURPHYS 01:00 PM PROTO IDIOT (Manchester, UK) 01:30 PM ECHO OHS (Auckland, NZ) 02:00 PM GUSHERS (New Orleans, LA) 02:30 PM RAYS (San Francisco, CA) 03:00 PM SPODEE BOY (Nashville, TN) 03:30 PM HIPSHAKES (Manchester, UK) 04:00 PM ISIS (New Orleans, LA)

SUNDAY OCTOBER 1

CLOSING CEREMONIES @ COOPER-YOUNG GAZEBO 3:00PM CRAIG BROWN BAND (Detroit, MI)

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After Dark: Live Music Schedule September 21 - 27 Murphy’s 1589 MADISON 726-4193

Hope Clayburn & the Soul Scrimmage Saturday, Sept.

23, 10 p.m.; Don and Wayde Tuesdays, 7-10 p.m.; Karaoke Wednesdays, 9 p.m.

Rob Black Band EP Release Party with Dinero Muerto Thursday, Sept. 21.

Growlers

Rock Starkaraoke Fridays; Angel Sluts Saturday, Sept. 23; Open Mic with Tiffany Harmon Mondays, 9 p.m.-midnight; Ghost Foot Tuesday, Sept. 26; Caleb Ryan Martin Wednesday, Sept. 27.

Community Center with Grandpa Grew Trees Thursday, Sept. 21, 8-11 p.m.; No Comply with Casiowares & No Love For Lions Friday, Sept. 22, 9-11:45 p.m.; Alex Fraser with Bravado, The Ellie Badge, Empty Atlas Saturday, Sept. 23, 9-11:45 p.m.; Alex Cameron and Guest Sunday, Sept. 24, 8-10:45 p.m.; Crockett Hall Tuesdays with the Midtown Rhythm Section Tuesdays, 9 p.m.; Beer & Band feat. Eastwoods Tuesday, Sept. 26, 9-10 p.m.

Shelby Forest General Store

Buckman Arts Center at St. Mary’s School

7729 BENJESTOWN 876-5770

60 N. PERKINS EXT. 537-1483

An Evening with Lily Afshar Friday, Sept. 22, 8 p.m.

1532 MADISON 726-0906

Huey’s Poplar 4872 POPLAR 682-7729

The Settlers Sunday, Sept. 24, 4-7 p.m.; Five O’Clock Shadow Sunday, Sept. 24, 8:30 p.m.-midnight.

South Memphis Stax Museum of American Soul Music 926 E. MCLEMORE 946-2535

The MDs: McLemore Avenue on McLemore Avenue Thursday, Sept. 21, 6 p.m.

Tony Butler Friday, Sept. 22, 6-8 p.m.; Robert Hull Sundays, 12:30-3:30 p.m.; Evening Shade Sunday, Sept. 24, 12:30-3:30 p.m.

Collierville Huey’s Collierville 2130 W. POPLAR 854-4455

The Dantones Sunday, Sept. 24, 8-11:30 p.m.

Brian Johnson Band Sunday, Sept. 24, 2-4 p.m.

Germantown

Huey’s Southwind 7825 WINCHESTER 624-8911

Eddie Harrison and the Shortkuts Sunday, Sept. 24, 8:30 p.m.-midnight.

Huey’s Germantown 7677 FARMINGTON 318-3034

Bluff City Soul Collective Sunday, Sept. 24, 8-11:30 p.m.; Carson & Brewer Wednesday, Sept. 27, 6-9 p.m.

North Mississippi/ Tunica The Crossing Bar & Grill 7281 HACKS CROSS, OLIVE BRANCH, MS 662-893-6242

Karaoke with Buddha Tuesdays, Thursdays, 8 p.m.-midnight; Dantone Band Friday, Sept. 22, 6:30-11:30 p.m.

Huey’s Midtown 1927 MADISON 726-4372

The Fillin Station

RJ Mishco and the Hash Brown Blues Band Sunday, Sept. 24, 4-7 p.m.; The Chaulkies Sunday, Sept. 24, 8:30 p.m.-midnight.

4840 VENTURE DR., SOUTHAVEN, MS 662-510-5423

Brian Johnson Band Friday, Sept. 22, 8 p.m.-midnight.

Java Cabana

Hollywood Casino

2170 YOUNG 272-7210

1150 CASINO STRIP RESORT, TUNICA, MS 662-357-7700

Jeff Ruby Friday, Sept. 22, 8 p.m.

Live Entertainment Fridays, Saturdays, 9 p.m.-1 a.m.

Lafayette’s Music Room 2119 MADISON 207-5097

Southern Avenue Thursday, Sept. 21, 7-8:30 p.m.; Memphis Renaissance: Going on From Here Friday, Sept. 22, 7-8:30 p.m.; DeeDee Bridgewater Saturday, Sept. 23, 7-8:30 p.m.; Rhodes Night at the Levitt Shell featuring Dee Dee Bridgewater Saturday, Sept. 23, 7 p.m.; Dirty Dozen Brass Band Sunday, Sept.

24, 7-8:30 p.m.

Shake Rag Bar 8902 RANKIN BRANCH 876-5255

1801 EXETER 751-7500

High Waisted, the Coax, China Gate, Harlan Thursday, Sept. 21, 9 p.m.; “Gimme Shelter” Rolling Stones Tribute Friday, Sept. 22, 8 p.m.; Louise Page EP Release with Magnolia and Strong Martian Friday, Sept. 22, 8 p.m.; The Melvins, Spotlights Saturday, Sept. 23, 8 p.m.; American Aquarium Sunday, Sept. 24, 8 p.m.; Marisol, Robert Traxler, Mike Honeycutt, Disco Volante Monday, Sept. 25, 8 p.m.; Throw the Fight, Glass Houses, Deadships Tuesday, Sept. 26, 8 p.m.

Levitt Shell

Massimo Bevlacqua, Guy Venable, 12 String Tom Sunday, Sept. 24.

The Rippingtons Saturday, Sept. 23, 8 p.m.

Hi-Tone

OVERTON PARK 272-2722

6748 OLD MILLINGTON 873-4114

Germantown Performing Arts Center

412-414 N. CLEVELAND 278-TONE

Scott & Vanessa Sudbury Thursday, Sept. 21, 6 p.m. and Monday, Sept. 25, 6 p.m.; The Spazmatics Thursday, Sept. 21, 9 p.m.; Brennan Villines Friday, Sept. 22, 6:30 p.m.; Aquanet Friday, Sept. 22, 10 p.m.; Loveland Duren Saturday, Sept. 23, 11:30 a.m.; Johnny Mac Saturday, Sept. 23, 3 p.m.; The Michael Brothers Saturday, Sept.

23, 6:30 p.m.; Miles Flatt Saturday, Sept. 23, 10 p.m.; Joe Restivo 4 Sunday, Sept. 24, 11 a.m.; Jeffrey & the Pacemakers Sunday, Sept. 24, 4 p.m.; John Angotti Sunday, Sept. 24, 8 p.m.; Patty Harper & Faultline Wednesday, Sept. 27, 8 p.m.

Old Millington Winery

Huey’s Southaven 7090 MALCO, SOUTHAVEN, MS 662-349-7097

Young Petty Thieves Sunday, Sept. 24, 8:30 p.m.-midnight.

Wild Bill’s 1580 VOLLINTINE 207-3975

The Wild Bill’s Band Fridays, Saturdays, 11 p.m.-3 a.m.

Young Avenue Deli

2119 YOUNG 278-0034

Grandpa Grew Trees Saturday, Sept. 23, 10 p.m.

University of Memphis The Bluff 535 S. HIGHLAND

DJ Ben Murray Thursdays, 10 p.m.; Jay Storm Project Friday, Sept. 22, 10 p.m.; Josh Phillips Saturday, Sept. 23, 10 p.m.; Bluegrass Brunch with the River Bluff Clan Sundays, 11 a.m.

Poplar/I-240 Neil’s Music Room 5727 QUINCE 682-2300

Jack Rowell’s Celebrity Jam Thursdays, 8 p.m.; Rant Band Friday, Sept. 22, 7-11 p.m.; Eddie Smith Fridays, 8 p.m.; No Hit Wonders Saturday, Sept. 23, 8 p.m.; A Benefit for Carol Sappington Sunday, Sept. 24, 3-9 p.m.; Eddie Harrison Mondays, 6-10 p.m.; Debbie Jamison & Friends Tuesdays, 6-10 p.m.; Elmo and the Shades Wednesdays, 8 p.m.-midnight.

Arlington/Eads/ Oakland/Lakeland BoltonPalooza 7042 BRUNSWICK ROAD

Watermelon Slim, Massimo Bevilacqua, Driftwood Ramblers, and more Sunday, Sept. 24, 4-11 p.m.

Bartlett RockHouse Live 5709 RALEIGH-LAGRANGE 386-7222

Live Bands Fridays, Saturdays, 8 p.m.; Open Mic Mondays Mondays, 8 p.m.-midnight; Live Music Tuesdays, Wednesdays, 8 p.m.-midnight.

Tony’s Trophy Room

Tunica Roadhouse

929 W. POPLAR 457-7134

1107 CASINO CENTER, TUNICA, MS 662-363-4900

Brian Johnson Band Saturday, Sept. 23, 8 p.m.-midnight.

Live Music Fridays, Saturdays.

Cordova

Raleigh

Huey’s Cordova

Stage Stop

1771 N. GERMANTOWN PKWY. 754-3885

2951 CELA 382-1576

Short-In-The-Sleeve Sunday, Sept. 24, 8:30 p.m.-midnight; Gerry Finney Tuesday, Sept. 26, 6-9 p.m.

Frayser/Millington Huey’s Millington 8570 US 51 NORTH,

Memphis All Stars Sunday, Sept.

24, 8-11:30 p.m.

Blues Jam hosted by Brad Webb Thursdays, 7-11 p.m.; The Bar Misfits Friday, Sept. 22, 9 p.m.-1 a.m.; Open Mic Night and Steak Night Tuesdays, 6 p.m.midnight.

West Memphis Southland Park 1550 N. INGRAM, WEST MEMPHIS, AR 800-467-6182

Live Music Fridays, Saturdays, 10 p.m.; Live Band Karaoke Wednesdays, 7 p.m.

m e m p h i s f l y e r. c o m

1911 POPLAR 244-7904

P&H Cafe

East Memphis

ARTS & ENTERTAINMENT

continued from page 18

21

SEE IT AT THE CALENDAR of EVENTS:

M 3D OV IE

PINK PALACE

Sept. 21 - 27

Send the date, time, place, cost, info, phone number, a brief description, and photos — two weeks in advance — to calendar@memphisflyer. com or P.O. Box 1738, Memphis, TN 38101.

DUE TO SPACE LIMITATIONS, ONGOING WEEKLY EVENTS WILL APPEAR IN THE FLYER’S ONLINE CALENDAR ONLY.

TH EAT E R

7 N. Main

Years to the Day, presented by Quark Theatre, this play is about two college friends who meet up and discover their vast differences. www.quarktheatre. com. $15. Through Sept. 29.

7 N. MAIN.

Harrell Performing Arts Theatre

June 24 - November 17, 2017

Joseph and the Amazing Technicolor Dreamcoat, the Musical, given a dazzling coat of many colors by his father Jacob, Joseph’s brothers take him to Egypt and sell him into a life of slavery. A talent for interpreting dreams is a ticket to a better life. www.colliervilleartscouncil.org. $12-$20. Fri., Sat., 7 p.m., and Sun., 2:30 p.m. Through Sept. 24.

440 POWELL, COLLIERVILLE (853-3228).

Hattiloo Theatre

Fetch Clay, Make Man, inspired by the actual friendship between Muhammad Ali and Hollywood actor Stepin Fetchit, the play explores how each dealt with being a black public figure shaping identity in the face of outside forces. www.hattiloo.org. $26-$30. Sundays, 3 p.m., Saturdays, 2 & 7:30 p.m., and Thursdays, Fridays, 7:30 p.m. Through Oct. 15.

37 S. COOPER (502-3486).

The Orpheum

The King and I, www. orpheum-memphis.com. $25.

Thurs., Sept. 21, 7:30-10 p.m., Fri., Sept. 22, 8-10 p.m., Sat., Sept. 23, 2-4 & 8-10 p.m., and Sun., Sept.

24, 1-4 & 6:30-10 p.m.

Hansel & Gretel, rock musical upgrades the classic Grimm Brothers tale. www.orpheum-memphis.com. $15-$20. Tues., Sept. 26, 6:30 p.m.

203 S. MAIN (525-3000).

Playhouse on the Square

R

A Boeing Company

3050 Central Ave / Memphis 38111

LE S IONS

September 21-27, 2017

P!NK PALACE MUSEUM

901.636.2362

66 S. COOPER (726-4656).

The Fitz

The Clairvoyants, www.fitzgeraldstunica.com. $20. Sat., Sept. 23, 8 p.m.

711 LUCKY LANE (1-800-766-LUCK).

Theatre Memphis

olunteer.

PEOPLE REAL PEOPLE REAL PEOPLE REAL NEEDS NEEDS REAL NEEDS REAL SOLUTIONS REAL SOLUTIONS REAL SOLUTIONS

Visit mifa.org mifa.org to Visit mifa.org to volunteer.

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22

Shakespeare in Love, young Will Shakespeare has writer’s block. The deadline for his new play is fast approaching, but he’s in desperate need of inspiration — enter Viola, Will’s greatest admirer. www.playhouseonthesquare.org. $25-$45.

Sundays, 2 p.m., and ThursdaysSaturdays, 8 p.m. Through Oct. 8.

12 Angry Jurors, blistering character study of the American melting pot centered around the U.S. judicial system. Story of a single juror holding the rest of the jury from a guilty verdict in a patricide trial. www.theatrememphis.org. $25. Thursdays, Fridays, 7:30 p.m., Saturdays, 8 p.m., and Sundays, 2 p.m. Through Oct. 1.

630 PERKINS EXT. (682-8323).

Universal Parenting Place

PlayBack Memphis, bringing stories to life in a safe space to unlock healing, transformation, and joy.

Families welcome. (207-3694), Free. Third Thursday of every month, 4:30-6 p.m.

LEMOYNE-OWEN COLLEGE, 990 COLLEGE PARK.

A R T I ST R E C E PT I O N S

Buckman Arts Center at St. Mary’s School Opening reception for “At Peace: Nature’s Calming Presence,” exhibition of landscapes by Ian Hendry. www.buckmanartscenter. com. Fri., Sept. 22, 5-7 p.m.

60 N. PERKINS EXT. (537-1483).

Crosstown Arts

Artist reception for Gonerfest 14, exhibition of mural painting on the Moonpie Project wall for kick-off to Gonerfest 14. Featuring Peelander Yellow of the band Peelander-Z. www.crosstownarts. org. Wed., Sept. 27, 5-8 p.m.

430 N. CLEVELAND (507-8030).

Eclectic Eye

Opening reception for “Immeasurably More,” exhibition of photography by Rachel Rieves. www.eclectic-eye.com. Fri., Sept. 22, 6-8 p.m.

242 S. COOPER (276-3937).

Fogelman Galleries of Contemporary Art, University of Memphis

Opening reception for Sally Heller, exhibition of large scale installations out of everyday matter. These improbable landscapes, made of artificial debris, reflect the chaotic state of mass market culture, nature, and consumerism. (6783052), Fri., Sept. 22, 5-7 p.m.

3715 CENTRAL.

Metal Museum

Opening reception and gallery talk for Master Metalsmith: David Secrest, exhibition by sculptor and blacksmith well known for his incorporation of textures and patterns in forged iron, fabricated steel and bronze sculptures, and furniture. www.metalmuseum.org.

Fri., Sept. 22, 5 p.m.

374 METAL MUSEUM DR. (774-6380).

Lottie Nash Wade Symposium at Memphis Theology Seminary Playhouse on the Square

Opening reception for “I’m Truly Sorry for Your Loss & Other Pleasantries,” exhibition of new work

by Kristen Rambo. www.mca.edu.

Fri., Sept. 22, 5-7 p.m.

days-Fridays, 9:30 a.m.-5:30 p.m.

CROSSTOWN CONCOURSE (FORMERLY SEARS CROSSTOWN), N. CLEVELAND AT NORTH PARKWAY, WWW.CROSSTOWNARTS.ORG.

Treasures in the Ozarks

Handcraft artisans art-and-craft show in Hardy, AR. For more information, visit website. Sat.-Sun., Sept. 23-24.

66 S. COOPER (726-4656).

WWW.FACEBOOK.COM/TREASURESINTHEOZARKS.

OT H E R A R T HAPPE N I NGS

O N G O I N G ART

Caged Birds Writing Competition

Currently accepting submissions for the fall 2017 competition organized by graduates from the MFA program of the University of Memphis to encourage at-risk teens to write and affirm their literary voices. For more information, visit website or email cagedbirds901@ gmail.com. Through Nov. 15.

WWW.CAGEDBIRDSWRITINGCONTEST. WORDPRESS.COM.

Lottie Nash Wade Symposium for Theology & Arts

Art Museum at the University of Memphis (AMUM)

“The Quick and the Dead,” exhibition of drawings and obituaries by Chris Honeysuckle Ellis. Through Sept. 23.

“Stopping in Memphis,” exhibition of work by Justin Bowles, Alan Duckworth, Meredith Olinger, Alex Paulus, Esther Ruiz, Jared Small, and Jill Wissmiller. www.memphis.edu/ amum. Through Sept. 23.

“Africa: Art of a Continent,” permanent exhibition of African art from the Martha and Robert Fogelman collection. Ongoing.

For individuals interested in learning more about the connection of faith and art. Free with registration. Fri., Sept. 22, 8:30 a.m.-4 p.m.

142 COMMUNICATION & FINE ARTS BUILDING (678-2224).

MEMPHIS THEOLOGICAL SEMINARY, 168 EAST SOUTH PARKWAY (458-8232), WWW.MEMPHISSEMINARY.EDU.

“Chinese Symbols in Art,” ancient Chinese pottery and bronze. www. belzmuseum.org. Ongoing.

Moth Variety Hour “Tragic Kingdom” No Doubt Tribute Show

Variety show featuring drag, comedy, art, and more hosted by Moth. $5. Wed., Sept. 27, 9-11 p.m.

GROWLERS, 1911 POPLAR (244-7904).

“Stargazer Garden” Flower-Folding

Stop by and fold a paper flower for collaborative art installation. Mon-

Belz Museum of Asian and Judaic Art

119 S. MAIN, IN THE PEMBROKE SQUARE BUILDING (523-ARTS).

Buckman Arts Center at St. Mary’s School “At Peace: Nature’s Calming Presence,” exhibition of landscapes

by Ian Hendry. www.buckmanartscenter.com. Sept. 22-Oct. 30.

60 N. PERKINS EXT. (537-1483).

continued on page 24

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CALENDAR: SEPTEMBER 21 - 27 continued from page 22

and book signing in the lobby of the bookstore. Mon., Sept. 25, 4:30 p.m.

The Dixon Gallery & Gardens

“Fidencio Fifield-Perez and Vanessa González: Location, Location, Location,” exhibition of work utilizing maps to open up discussions on migration and ceramic and installation work processing the challenges of immigration. www.dixon. org. Through Sept. 24.

“Edward Giobbi: An Artist Comes to Memphis,” exhibition of works influenced by Italian Renaissance masterpieces by one of the founding trustees of the Hugo Dixon Foundation (which formed the Dixon Gallery and Gardens). www.dixon. org. Through Sept. 24.

“Power and Piety: Spanish Colonial Art,” exhibition of paintings, sculptures, religious objects, and decorative art from the 17th through 19th centuries influenced by Spanish Colonial Caribbean. www.dixon.org.

Through Sept. 24.

“Made in Dixon,” exhibition showcasing the colorful and joy-filled artwork created by artists of all ages in the Dixon’s educational programs. www. dixon.org. Ongoing.

4339 PARK (761-5250).

Fogelman Galleries of Contemporary Art, University of Memphis

“There May Be No Before at All,” exhibition of selected moving image work by an interna-

RHODES COLLEGE WEST CAMPUS, 613 UNIVERSITY (843-3775), WWW.RHODES.EDU.

Booksigning by Kristi Bradley, Robert J. Krog, & Wes Yahola

Authors discuss and sign books.

During this event all Dark Oak Press books and all used/vintage books will be 20 percent off. Sat., Sept. 23, 4-6 p.m.

TWO RIVERS BOOK STORE, 2171 YOUNG (630-8088).

LECT U R E /S P EA K E R tional roster of artists exploring physical transgression, gender expression, the death drive, and the archive. (678-2216), www. memphis.edu. Through Oct. 27.

3715 CENTRAL.

Memphis Brooks Museum of Art

“By the Book: A Tribute to Dolph Smith,” exhibit focusing on Dolph Smith’s artist notebooks, featuring six on display.

Also includes the work of 11 artists who have worked with Smith. Through Nov. 26.

“About Face,” exhibition located in the Education Gallery highlighting the different ways artists interpret the connection between emotion and expression. www.brooksmuseum.org.

Ongoing.

“Drawing Memory: Essence of

Memphis,” exhibition of works inspired by nsibidi, a sacred means of communication among male secret societies in southeastern Nigeria by Victor Ekpuk. www.brooksmuseum. org. Ongoing.

1934 POPLAR (544-6209).

Metal Museum

“Cascadian Lines,” exhibition of works by Christopher Gerber in the Museum Store. www.metalmuseum.org. Through Nov. 12.

Master Metalsmith: David Secrest, exhibition by sculptor and blacksmith well known for his incorporation of textures and patterns in forged iron, fabricated steel and bronze sculptures, and furniture. www.metalmuseum. org. Through Dec. 31.

“With Love, From Brent,” exhibition of nearly 200 pieces of jew-

elry alongside cards and letters drawn and written by L. Brent Kington. www.metalmuseum. org. Through Oct. 15.

Tour de Brewer #2 starting at Revolutions Bicycle Shop, Saturday, Sept. 23rd

374 METAL MUSEUM DR. (774-6380).

Slavehaven Underground Railroad Museum

“Images of Africa Before & After the Middle Passage,” exhibition of photography by Jeff and Shaakira Edison. Ongoing.

826 N. SECOND (527-3427).

WKNO Studio

“Score: A Twenty Year Retrospective,” exhibition of paintings by Garen Shrader. www.wkno.org.

Free. Through Sept. 29.

7151 CHERRY FARMS (458-2521).

OPERA

30 Days of Opera

Check Opera Memphis website for pop-up opera events in Memphis and the Mid-South.

Through Sept. 30.

VARIOUS LOCATIONS, SEE WEBSITE FOR MORE INFORMATION, WWW. OPERAMEMPHIS.ORG.

“Energy & Climate Change”

Wed., Sept. 27, 5:45-8 p.m.

BENJAMIN L. HOOKS CENTRAL LIBRARY, 3030 POPLAR (415-2700).

“What is the Memphis Sand Aquifer and Why It’s Worth Fighting For” Presentation will cover the history, geology, and threats to the Memphis Sand Aquifer today and in the future. Q&A to follow. Free. Sun., Sept. 24, 1:30-3 p.m.

BENJAMIN L. HOOKS CENTRAL LIBRARY, 3030 POPLAR (496-5349).

B O O KS I G N I N G S

Booksigning by Claudia Rankine

F EST IVA LS

Author discusses and signs Citizen: An American Lyric. Opening reception and lecture in McNeill Concert Hall. Closing reception

BreakFest

Festival dedicated to breakfast.

continued on page 27

September 21-27, 2017

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FETCH CLAY, MAKE MAN Will Power

September 21-27, 2017

SEPTEMBER 15 OCTOBER 15, 2017

26

CALENDAR: SEPTEMBER 21 - 27 Opening reception and gallery talk for Master Metalsmith David Secrest at the Metal Museum, Friday, September 22nd

continued from page 24 Benefiting the Urban Bicycle Food Ministry. $10$35. Sat., Sept. 23, 10 a.m.-4 p.m.

Hispanic Film Festival

CORNER OF UNION AND BELLEVUE. WWW.BREAKFEST901.

COM.

Celebrate Hispanic Heritage Month. All movies in Spanish with English subtitles at the University Center Theater by Department of World Languages and Literatures. Free. Through Oct. 9, 7-9 p.m.

Collierville Brewfest

Live music, food samples, and fun zone benefiting LeBonheur Children’s Hospital. 21plus, $45. Sat., Sept. 23, 4-7 p.m.

UNIVERSITY OF MEMPHIS, UNIVERSITY CENTER (678-2507), WWW.MEMPHIS.EDU.

Unreal Film Festival

Sci-fi, horror, and fantasy film fest featuring over 40 independent local, domestic, and international films. $18-$45. Fri.-Sun., Sept. 22-24.

CARRIAGE CROSSING, HOUSTON LEVEE & BILL MORRIS PKWY. (854-8240), WWW.COLLIERVILLEBREWFEST.COM.

MALCO STUDIO ON THE SQUARE, 2105 COURT, UNREALFILMFEST.COM.

Memphis Japan Festival

Celebrates the history, culture, and people of Japan featuring tours of the Japanese garden, Japanese music and dance, martial arts demonstrations, a roving Japan Candyman, and more. $5. Sun., Sept.

24, 10 a.m.-5 p.m.

MEMPHIS BOTANIC GARDEN, 750 CHERRY (636-4100), WWW.MEMPHISJAPANFESTIVAL.ORG.

S P E C IAL EVE N TS

Saturday,

David Rogers’ Big Bugs

Oct. 14

Representing eight different species, this nationally recognized traveling art exhibit features 10 giant wooden bug sculptures towering up to 18 feet tall. Through Dec. 31.

Great Hall 7 pm

MEMPHIS BOTANIC GARDEN, 750 CHERRY (636-4100), WWW.MEMPHISBOTANICGARDEN.COM.

IMB Innovation Awards

Tickets Start at $30

Annual event honors the best in local business innovation in the past year. Thurs., Sept.

21, 7:30 a.m.

Purchase tickets at Fitz, ticketmaster.com or by calling Ticketmaster at 800-745-3000.

UNIVERSITY OF MEMPHIS HOLIDAY INN, 3700 CENTRAL (678-8200).

The MDs: McLemore Avenue on McLemore Ave.

$189

Memphis’ own Booker T. & the MGs tribute band kicks off the fall Stax 60 concert series with their interpretation of the legendary MGs album, McLemore Avenue. Free. Thurs., Sept. 21, 6 p.m.

HOTEL PACKAGE

STAX MUSEUM OF AMERICAN SOUL MUSIC, 926 E. MCLEMORE (261-6338), WWW.STAXMUSEUM.COM.

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MLK50 Concert Series and Community Event

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NATIONAL CIVIL RIGHTS MUSEUM PLAZA, BETWEEN MAIN AND CIVIL RIGHTS MUSEUM, WWW.CIVILRIGHTSMUSEUM. ORG.

NOW - DEC 31

Metalsmiths from across the country make repairs on metal objects brought in by the community. See website for registration and schedule of events including dinner and auction.

Thur.-Sun., Sept. 21-24.

OVER 700 PRIZES WILL BE AWARDED. 4 WAYS TO WIN!

METAL MUSEUM, 374 METAL MUSEUM DR. (774-6380), WWW.METALMUSEUM.ORG.

STRUT! 2017

Fashion show with food, free drinks, and ways to give back to the Community Legal Center. $50, $60 door. Thurs., Sept. 21, 6-8 p.m.

MERCEDES-BENZ OF MEMPHIS, 5389 POPLAR (834-7222), WWW.CLCMEMPHIS.ORG.

FO O D & D R I N K EVE N TS

Tour de Brewer #2

Afternoon of beer, bicycles, and fun as we visit Memphis Made, Wiseacre, High Cotton, and Ghost River taprooms by bicycle at a slow pace to chat along the way. $10 Donation. Sat., Sept.

23, 2-8 p.m.

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REVOLUTIONS COMMUNITY BICYCLE SHOP, 1000 S. COOPER (INSIDE FIRST CONGREGATIONAL CHURCH) (7266409), WWW.REVOLUTIONSMEMPHIS.COM.

FI LM

The 15 Film Series

Films in the series will engage with three themes: Memphis history, art, and spatial justice. Free.

Thursdays, 6 p.m. Through Sept. 30.

CLAYBORN TEMPLE, 294 HERNANDO, WWW.ONLOCATIONMEMPHIS.ORG.

FitzgeraldsTunica.com • 1-662-363-LUCK (5825) • Must be 21 and a Key Rewards member. See Cashier•Players Club for rules. Tax and resort fee not included in listed price. Advance hotel reservations required and subject to availability. $50 credit or debit card is required upon hotel check-in. Arrivals after 6pm must be guaranteed with a credit card. Management reserves the right to cancel, change and modify the event or promotion. Gaming restricted patrons prohibited. Gambling Problem? Call 1-800-522-4700.

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Repair Days 2017

ARTS & ENTERTAINMENT

Featured artists include Devin Crutcher 9/22, and Karen Brown 9/29, spoken word artists, MLK speeches, food trucks, and a Sip & Shop at museum store. Free. Fridays, 6-8 p.m. Through Sept. 30.

27

T H E AT E R B y C h r i s D a v i s

Those People

Great performances define 12 Angry Jurors, Years to the Day.

SEPTEMBER 21

SOUTHERN AVENUE THOMAS BOGGS MEMPHIS MUSIC SERIES S P O N S O R E D B Y:

SEPTEMBER 22

MEMPHIS RENAISSANCE F E AT U R I N G M E M P H I S S Y M P H O N Y O R C H E S T R A A N D N E W B A L L E T ENSEMBLE S P O N S O R E D B Y:

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September 21-27, 2017

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28

CONCERTS BEGIN 7PM

UN LESS OTH ERWISE NOTED

T

he Ostrander Awards exTony Isbell directs Adam Remsen and ecutive committee needs David Hammons in Allen Barton’s play to create a new category about two middle-aged white guys sitting for set designer Jack Yates: around talking that’s way more engagBest Performance by an ing than that sounds. Dan (Remsen) and Onstage Bathroom. Last Jeff (Hammons) are old college buddies season, I witnessed an audience member who’ve grown apart and, prior to the walking across a realistic set into fake awkward coffee date we witness, haven’t facilities Yates built for Rasheeda Speakmade time to hang out in four years. The ing. Then last Sunday morning, I awoke ensuing conversation touches on all the to similar stories in my social media feed things one might expect from a couple of from Theatre Memphis’ sturdy, star40-something guys hanging out talking studded production of 12 Angry Jurors.

— the latest film, health, aging, sex, kids, As was the case with Rasheeda, Yates has divorce, the grim specter of death on the developed an immersive space, placing horizon, etc. Jeff’s gay now. Dan nearly the audience in an environment that’s as died of a heart attack in the parking lot of familiar as it is convincing — at least if you a discount store. There’s some catching up need to pee badly enough. But we’re not to do, and it’s not easy. here to talk toilets, are we?

Dan’s such a conservative ranter and Though its fierce, searching speeches despiser of all things “nanny state,” it’s hard feel by-the-numbers in ways that expose to imagine at times how these two men Jurors’ roots as an Eisenhower-era telewere ever friends. But the magic of Years play, Reginald Rose’s script is frustratingly to the Day is rooted in a slow-burning revcurrent in its depiction of prejudice in the elation that shared personal history creates American legal system. It tells the story 12 Angry Jurors of a murder trial that might have ended in an easy guilty verdict if not for the persistence of one skeptical juror who defied peer pressure and outright threats because a man’s life was at stake.

Director John Rone’s cast is a Who’s Who of Memphis Theater with Kim Justis, Bennett Wood, Pamela Poletti, Christina needs that outweigh cultural values.

Wellford Scott, and Jim and Jo Lynne The story is set in a familiar world Palmer in key roles — and that’s just the with an alternative history, so familiar first half-dozen. It’s a dream team, and evsituations are presented without the usual ery player’s at least as convincing as Yates’ cultural/political baggage. This nearly crapper. It’s a rare and serious treat to see trigger-free environment lets us watch deso many generations of talent working bates without becoming a part of them — together on a classic. Catch it if you can. to see the dynamics of argument, not the 12 Angry Jurors at Theatre Memphis merits of an argument. It’s a nifty, hypnotic through October 1st writing trick, though it can also feel a little gimmicky at times.

Maybe I have a weird sense of beauty, but If watching two strong, unaffected I’ve got to confess, I got a little choked up actors ruthlessly going for it in a tight, when I pulled right up to the door of 7 high-stakes game of middle-stakes Life N. Main on my bike and looked into the sounds like your idea of a good time, Years brightly lit space. When those lights finally to the Day delivers. went down on Quark’s production of I’m not sure what else I can say about Years to the Day, I knew anybody walking this show without spoiling punchlines by outside could look in and watch the that sometimes land like actual punches. show, too. They could watch the audiClocking in at under 80 minutes, it’s not a ence watching the show. Everything was huge time investment either, leaving plenty so minimal, so open, immediate, inviting of time to enjoy life on the riverfront.

Quark’s Years to the Day at 7 N. Main and accessible. It was something to see through September 29th without being remotely extravagant.

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29

FOOD By Michael Donahue

Slice of Life Kathryn Perry is the Pie Lady.

Kathryn Perry surrounded by her work that. She always used baking powder, soda, and salt.

“She could just make the best soup.

Not with all these different vegetables and things in them like we use now.

She would use soup bone and potatoes and onions and tomatoes. It was good.”

Her mother hurt her back, so Perry took over the kitchen duties when she was 13. She already knew her way around the kitchen because she watched her mom cook. Perry prepared dinner, which included fried chicken and vegetables, including green beans, pinto beans, cabbage, and squash.

Perry cooked for her husband after they were married in 1968. “He was satisfied with meat and bread. He wanted biscuits every day.”

After her son and daughter were

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MICHAEL DONAHUE

K

athryn Perry made her first pie from a recipe in her fourth-grade arithmetic book.

“It was a recipe for cookies,” she said. “I asked my mom if I could do this, and she said, ‘Yes, go on. I guess I’ll let you mess up my sugar and flour and what have you.’”

That was thousands of pies ago.

Perry, 75, makes 30 pies a week for Bozo’s Hot Pit Bar-B-Que in Mason, Tennessee. People call her “The Pie Lady.”

“I make coconut, egg custard, chocolate, German chocolate, pecan, caramel, cherry, apple, lemon meringue, and key lime.”

Everything is from scratch. And Perry doesn’t use recipes.

A native of Somerville, Perry said her mother was a good cook. “My mom never used self-rising or anything like

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SLICE OF LIFE born, Perry went to work as a teacher’s assistant at Jefferson Elementary. She also studied computer science at night at a technical school.

She later became a secretary at Jefferson, where she remained for three years before moving to Oakland Elementary, where she worked as a secretary for 31 years.

Perry got into desserts after her children began volunteering her to make cupcakes. “I made pies for the teachers.”

She became known for her pies when she went to work 30 years ago at The Hut in Somerville.

She became known for her pies when she went to work 30 years ago at The Hut in Somerville. Her dad, who did the barbecue, asked her if she would make pies at the restaurant during her summer vacation. She ended up staying at The Hut. “They always just called me ‘The Pie Lady.’ At school, this lady who worked in the office with me made me a bunch of cards with ‘Pie Lady’ on it.”

Perry left The Hut about 10 years

ago after she was offered a job at Bozo’s.

She makes pies two days a week.

Perry, who still works for the school system, says, “I just monitor on the school bus. Sit down and look at the children.”

She also cooks once a month for her AARP meeting. She recently prepared chicken salad, which she served with potato chips, lettuce, and tomatoes.

Perry still makes an occasional pie at home. “Well, there’s not that many people at my house to eat pie. So, most of the time when I make it at home, I’m making it for a neighbor or somebody.”

She also cooks for her six grandchildren. Her 14-year-old will enter her kitchen and say, “Whatcha cookin’, Gran?” They love her spaghetti and chili, she says.

What’s the most difficult pie to make? “Well, if you don’t really know what you’re doing, the caramel pie would be a difficult one for you because your milk and your sugar have to be the same temperature to keep the caramelized sugar from curdling.”

Perry forgot to add sugar the first time she made caramel pie. She threw it out because it was too bitter.

But, she says, “It was so beautiful.”

Bozo’s Hot Pit Bar-B-Q, 342 US-70 in Mason, Tennessee; 294-3400

LET’S KICK OFF BOCKTOBER!

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ARTS & ENTERTAINMENT

• Bock is Back!

m e m p h i s f l y e r. c o m

Saturday September 30th

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September 21-27, 2017

Bitter Memories A trip to the U.K. sparks thoughts about ESBs.

Cotton Brewing makes a great one, which they call “ESB,” because they are sensible and kind. It is a deep golden beer with medium hops balanced with malt and not terribly carbonated. With a 6 percent ABV, it’s stronger than a lot of pilsners, but it isn’t going to knock you off your barstool.

As far as food pairings, the ESB plays well with others — from pub grub, to good cheese, and on up the foodie chain. Here is where that balance really comes into play: It complements your food; it doesn’t fight it. High Cotton’s ESB is available around town, but if you choose to prop up that fine copper bar at Second Line, you can pair it with almost anything without a fear of a misfire. Fried chicken livers, yes; the braised chicken thigh Verno, hard to miss; the oyster po-boy, well, obviously.

Road to Biscuit Blues Festival BEALE STREET M E M PH I S

BOB MARGOLIN WITH BOB CORRITORE, HEATHER CROSSE & LEE WILLIAMS @ Ru m B o o g ie C a fe

REVEREND JOHN WILKINS

@ K i n g ’ s P a l a c e C a fe

DAN CHARETTE & THE ABSOLUTELY BLUES BAND @ Alfred’s

VINCE JOHNSON & PLANTATION ALLSTARS @ B lu e ’ s H a l l

LIBBY RAE WATSON

@ B lu e s C it y C a fe B a n d B o x

KENNY BROWN WITH BARBARA BROWN BAND @ S i l k y O ’ S u l l iv a n ’ s

JASON JAMES BAND

ERIC HUGHES BAND @ T a p r o o m DUWAYNE BURNSIDE @ C lub 1 5 2 BB KING’S ALLSTARS @ B B K i n g ’ s THE SENSATIONS BAND @ T i n R o o f CHRIS HILL @ Je r r y L awl e r ’ s

THURSDAY

OCT0BER 5

12 STAGES

m e m p h i s f l y e r. c o m

If you have an unrealistically high opinion of your own cooking and want to have an ESB at home, you’ve got a couple of good options: There is High Cotton, of course, but Hattiesburg’s own Southern Prohibition Brewing also makes a great Jack the Sipper ESB in a slightly more dramatic can. Worth a search.

As I sat at the bar taking this bitter trip down memory lane, I thought I’d date myself with the story of some deranged Brit bent out of shape about Uncle Sam poking Libya in the eye over something or other. Since then, that has become something of a timeless move for the U.S., so maybe not. And while I can’t be sure, I swear I ran into the same lady years later, between the first Gulf War and its sequel. Neither her opinions nor her breath had improved much.

@ Je r r y L e e L e w i s

ARTS & ENTERTAINMENT

High Cotton’s ESB

2017

COURTESY: FACEBOOK

I

was 17 the first time I had my first really interesting beer. At the time, you either had to go to California for interesting brew or hop the pond to Europe. In my case, I found myself in the U.K. at a place called the Black Lion. The interesting beer in question was a Tetley’s Bitter. It was one of those “Wow!” moments — and not because the legal drinking age in Britain was 16, so I didn’t have to skirt a felony every time I wanted to hoist one. It was because, for the first time, I drank a beer that was something more than an alcohol delivery system for a spirited half-wit.

I’d been told that everything in Europe was small, but not this beer.

It was the first time I’d seen a proper 16-ounce pint. Thinking about those dinky 12-ounce mugs we had back home, I thought, “Mmmm.

More.”

I had also been given to understand that all the clever people had cleared out of Britain. But that glorious Tetley bitter was an eye-opener. Tetley is “artisanal” in no one’s book, but if this was the way the Brits did garden variety, mass-market beer, they must be interesting people.

Sure, the Boston Massacre was a bit off-sides, but the Brits couldn’t be all bad.

Being my first time out of the country, I was soon to discover that Britain was full of interesting things: like the accepted global etiquette of having complete strangers start bitching at me about American foreign policy. But that’s another story.

The “bitter” is a little misleading to Americans (or it was to me). It’s basically what the Brits call a Pale Ale. It’s got some hops, but a lot less than the average IPA. The style is called different things in the U.K., but over here it’s simply known as Extra Special Bitter (ESB). In a lot of ways, the ESB is the perfect beer for making the diplomatic leap from domestic to foreign affairs. It is interesting without being overwhelming. I would say the opposite about that lady in mismatched tweeds who tried to beat me up about Libya.

Fortunately, you don’t have to go quite so far for an ESB these days. High

the

S P I R ITS By Richard Murff

33

FILM By Chris McCoy

Keeping Memphis Weird

The Unreal Film Festival brings horror and sci-fi to Studio on the Square.

September 21-27, 2017

A

34

time-traveling murder mystery, a house full of vampires, and a blind date with a demon.

Those are just a few of the scenarios in store when the 2017 Unreal Film Festival hits Studio on the Square this weekend.

The sixth annual festival highlights science fiction, horror, and fantasy films from outside the Hollywood studio system. If you need a breath of fresh air after yet another Marvel superhero sequel, this festival has plenty of alternatives: six feature films and more than 30 short films from all over the globe, including eight films shot here in Memphis.

“One of the main focuses of the festival is to bring genre films from all over the world that you normally would not be able to see in Memphis,” says festival director Cain Winstead. “The Unreal Film Festival is our way of bringing these independent movies to Memphis while also proving that we are a viable market for independent genre releases. Our other big focus is to promote our local genre artists. We believe that Memphis filmmakers can stand shoulder-to-shoulder with filmmakers all over the world.”

This is Winstead’s first year as director of the festival, and he has been using his time to connect with the Mid-South fandom community. “This is the first year we were able to promote the festival at the Cooper-Young Festival, and the response we got from the attendees was enormous,” he says.“We were really able to reach an audience we had not been able to previously, and the reaction was overwhelm-

Call of Charlie (above); The Wanderers (below)

ingly positive.”

The opening night feature on Friday, September 22nd is Altered Hours: The Tomorrow Paradox by New York filmmaker Bruce Wemple. The film explores the subjective nature of time with the story of Will Parker (Ryan Munzert), a recovering addict desperate to cure his insomnia.

But the experimental drug he tries, called Z, has the effect of sending him unstuck in time. He flashes back and forth between the present and the future while trying to solve the murder that he may or may not have committed or will commit of a person he hasn’t met yet. Like the best time travel movies, describing it plays havoc with verb tense.

Saturday afternoon at 4 p.m., planet Earth is in for a bad day. Last Broken Darkness, by director Christopher-Lee dos Santos starts off with the impact of a massive meteor swarm, which throws the planet into chaos and darkness. As if that’s not enough, the meteors bring with them a virus that mutates human survivors into horrible, rotting rage zombies. The only survivors hunker in underground bunkers, until an unlikely pair of protagonists have to go above ground to save what’s left of the human race. The South African pro-

SOUTHL-58288.2 Flyer 9.21.17 Boomer 4.575x6.1. REV.pdf

1

9/14/17

11:12 AM

FILM REVIEW By Chris McCoy duction makes the most out of its limited budget with some serious zombie chills.

The closing night feature is The Wanderers, a vampire picture that has the distinction of actually being a Romanian production filmed in Transylvania. Veteran actor Armand Assante stars as Louis, a man returning to his spooky ancestral home with a pair of Korean filmmakers trying to create a paranormal investigation TV show. Director Dragos Buliga delivers some genuinely startling images while taking on Central Europe’s chilling reputation with an edge of wry humor.

Memphis genre filmmakers make a strong showing at this year’s festival. Christopher Woodsy Smith’s “A Good Man” is a spooky hitchhiking horror story. Martina Boothes’ “Red Velvet Cake” takes us inside the mind of Marcy, a college student who has trouble differentiating between fantasy

LAST CHANCE. ENDS SEPTEMBER 28.

and reality. But when she seeks the help of a novice hypnotherapist, she discovers that some secrets of the mind are better left untouched. “Slaughterhouse Phi” is a twisty, bloody story of revenge by director/actor/ musician Christian Walker. “Old Blood” dabs in Victorian horror, with a blood magic ritual that goes horribly wrong.

“Alone” by Jake Hall tells the tale of a conspiracy investigator piecing together clues to an alien conspiracy, only to find that he’s not paranoid enough. Fight choreographer Six Carolino’s directorial debut “Gauntlet Run: Breach” is an intense, occasionally funny, first person shooter of a film that is a pure fun ride.

ALL YOU CAN EAT EAT EAT EAT EAT EAT EAT

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THE LAST WORD by Maya Smith

Facing the Stigma

m e m p h i s f l y e r. c o m

I want to take this opportunity to talk about something that’s not often discussed. It’s kind of taboo in some circles, and often avoided in most.

However, it’s real and it needs to be talked about. It’s something that impacts nearly 40,000 people of all skin colors, ages, genders, classes, and income levels each year in this country.

The “it” I’m talking about is suicide. September is National Suicide Prevention Awareness Month. It’s designed to help erase the stigma, shame, and hopelessness that surrounds mental illnesses and suicide. It’s for people to share their stories and their proven resources.

It’s an important month because 40,000 lives lost is a lot in a year’s time — especially when those deaths could have been prevented.

Statistics show that the bulk of suicide victims suffer from depression, which according to the American Psychiatric Association, is defined as a serious mental illness that affects 16 percent of the population at one point or another in their lives and 14.8 million Americans yearly.

And while research shows that over 80 percent of people who seek help for depression are able to be successfully treated and, therefore, live a seemingly normal life, only half of the said 14.8 million Americans seek help.

If you or I had a physical ailment and had the means to get medical treatment, I don’t think we’d think twice about seeing a doctor. And if we were to beat whatever the illness was, I don’t think we’d hesitate to share our story either.

There’s a stigma attached to mental illnesses, but it’s time it was broken down, because why should those who suffer from depression or any other mental illness hide from their truth?

We’re cognizant and alarmed by violence and low wages and racism and more — which we definitely should be — but I think it’s time we became aware and sympathetic to the fact that about 105 Americans die by suicide every day (according to the Centers for Disease Control). That is not okay. And it can be changed.

Suicide, depression, and other mental illnesses might be foreign subjects for some, but for others they’re all too familiar. It’s the reality that we must face and overcome every day, sometimes more than once a day, for months, or even years. And that’s why it has to be talked about and normalized.

I was diagnosed with clinical depression my freshman year in college. Even surrounded by others, I felt loneliness, coupled with unwarranted sadness.

Thinking it would never end, I felt helpless. After a while, I reached a low point when I thought ending my life seemed like a promising option.

But I’m still here. I’m not a statistic. I got help. And you can too. There are options and resources out there. There are counselors who offer talk therapy — 106,500 in the U.S. to be exact. There are psychiatrists who can provide medicine to make life more manageable. There are free public support groups like Suicide Anonymous, which meets in Memphis every Sunday evening at Hope Presbyterian Church.

In crisis, there are hotlines, like the National Suicide Prevention Lifeline, which is open 24/7 to give free, confidential support to callers. If you seek one or more of these options, you’re not crazy, and you’re not alone. You’d be one of the brave people who are doing it every day, maybe in silence but nevertheless, taking the steps to fight a hard battle and live a healthy life.

So what can the other 84 percent of the population who have never experienced depression or any other mental illness take away from this? I say we should all consider the old saying: Be kind, for everyone you meet is fighting a hard battle.

Just love your neighbor, y’all. It’s hard. I know. Literally speaking, your neighbor might be the slob who lets their trash overflow into your yard, or figuratively speaking, your neighbor could be the barefoot, homeless man you pass on the corner every day on the way to work.

Whoever your neighbor is, love them and love them well.

Acknowledge them, empathize with them, and stand with them, for we never know what they might be going through. And we never know what a lending hand in their direction could mean.

And If you’re depressed, seek help. If you think you’re alone, you’re not. If you’re suicidal, don’t give up. Your story isn’t finished.

Maya Smith is a Flyer staff writer.

THE LAST WORD

CARLOS MORÓN VILLAR | DREAMSTIME

Be kind, because depression affects millions, and everyone you meet is fighting a tough battle.

39

MINGLEWOOD HALL

9/20: MoneyBagg Yo Birthday Bash 9/27: Laughs for Relief w/ Gary Owen, Funnymaine & Gene Harding 9/28: Marshall Tucker Band Methodist Healthcare Fundraiser 10/3: Portugal. The Man w/ Lido & Maybird 10/4: Lecrae 10/7: Judah & The Lion w/ The Academic 10/13: Maren Morris w/ Ryan Hurd 10/18: Spoon w/ Mondo Cozmo 11/11: 112 & Avant 11/28: Scott Bradlee’s Postmodern Jukebox 12/16: Lucero Family Christmas

Est. 1942

Celebrating 75 Years

UPCOMING: Fri Sept 22 - Daisyland 2nd Anniversary w/ Adventure Club Sat Sept 23 - Andy Mineo w/ Social Club Misfits, Wordsplayed Sun Sept 24 - Tank SOLD OUT Tues Sept 26 - ZZ Ward Mon Oct 2 - Falling In Reverse / All That Remains Tue Oct 3 - Morgan James Wed Oct 4 - Blue October Fri Oct 6 - Downtown Live: World Wine and Jazz w/ Paul Taylor and Vincent Ingala Sat Oct 7- WellRED Comedy Tour LIMITED TICKETS STILL AVAILABLE Sat Oct 7 (11pm) Daisyland w/ Riot Ten Fri Oct 13 - Daisyland w/ Space Jesus Sat Oct 21- Yngwie Malmsteen Thu Oct 26 - Highly Suspect LIMITED TICKETS STILL AVAILABLE Fri Oct 27 - Daley Sat Oct 28 - Alice in Daisyland: Halloween w/ The Crystal Method Fri Nov 3 - Daisyland w/ Borgore Sat Nov 4 - Issues Mon Nov 6 - Cannibal Corpse Fri Nov 10 - Just Announced: The Jesus and Mary Chain LIMITED TICKETS STILL AVAILABLE Sat Nov 18 - Daisyland w/ Slander Sun Nov 26 Poptone Wed Nov 29 - Hollywood Undead Tue Dec 5 - Daisyland w/ Snails Mon Dec 11 - Kamasi Washington Sat Dec 16 - Daisyland w/ Figure and Midnight Tyrannosaurus Sat Mar 3 - Just Announced: Beth Hart NEW DAISY THEATRE | 330 Beale St Memphis 901.525.8981 • Advance Tickets available at NewDaisy.com and Box Office

MURPHY’S Pool Table • Darts • WI-FI • Digital Jukebox Visit our website for live music listings or check the AfterDark section of this Memphis Flyer KITCHEN OPEN LATE, OPEN FOR LUNCH! 1589 Madison • 726-4193 www.murphysmemphis.com

YOUNGAVENUEDELI.COM 2119 Young Ave • 278-0034

9/20: $3 Pint Night!

9/21: Memphis Trivia League!

9/23: Grandpa Grew Trees 9/30: Dedsa Kitchen Open Late! Now Delivering All Day! 278-0034 (limited delivery area)

1884 LOUNGE

10/1: Rainbow Kitten Surprise w/ Elliot Root 10/5: Perfume Genius 10/13: Nosaj Thing w/ Cleopold 11/4: The Nth Power w/ Ghost-Note & MonoNeon 11/9: Backup Planet 11/17: CBDB 12/1: Julien Baker

MORE EVENTS AT MINGLEWOODHALL.COM

Coco & Lola’s

MidTown Lingerie Tailgate and show YOUR Lace! www.cocoandlolas.com

Finest lace - Coolest place 710 S. Cox|901-425-5912|Mon-Sat 11:30-7:00

TUT-UNCOMMON ANTIQUES 421 N. Watkins St. 278-8965 1500 sq. ft. of Vintage & Antique Jewelry. Retro Furniture and Accessories. Original Paintings, Sculpture, Pottery, Art & Antiques. We are the only store in the Mid-South that replaces stones in costume jewelry.

HIGHLAND STRIP

CORDOVA

MIDTOWN

555 S HIGHLAND 901 452 4731

981 N GERMANTOWN PKWY 901 654 3678

2027 MADISON AVE 901 590 0048

whatevershops.com

Join our texting club and get 10% off your next purchase!

Text WHATEVER to 51660 . Message & data rates may apply*

#SLIMHOUSE PRESENTS...

LIVE FROM MELVIN’S BACKYARD FALL MUSIC SERIES Sept 23: Cherisse Scott Sept 30: Nick Black FREE ADMISSION. 7-9PM. 1130 COLLEGE ST, SOULSVILLE USA MEMPHISSLIMHOUSE.COM

FINDING GOD...FINDING HEALTH You’re invited to a free, live webinar with:

Michelle Nanouche, CSB

Sat, Sept 23 at 2:00 PM CDT Type into your web browser to register: tinyurl.com/y9zsdhh9 or, go to: www.Christiansciencenashville.org Sponsored by: The Christian Science Churches of Tennessee.

This webinar will be available for viewing up to 3 months after the initial viewing date.

PRESSURE WASHING Patios, Siding, Decks, Sidewalks, Driveways, Fences ans More!

Call or text Steve 901-277-2442 MEMPHIS MADE BREWING Taproom hours:

Mon 4 - 7 p.m., Thurs & Fri 4 - 10 p.m., Sat 1 - 10 p.m., Sun 1 - 7 p.m.

768 S. Cooper • 901.207.5343 FREE BREWERY TOURS 4 P.M. SATURDAY & SUNDAY

GONER RECORDS New/ Used LPs, 45s & CDs. We Buy Records!

2152 Young Ave 901-722-0095

The Coach House @ Loflin Yard

loflinyard.com • 7 W. Carolina Ave • 249-3046

I Buy Old Windup Phonographs & Records

Esp. on labels: Gennett, Paramount, Vocalion, QRS, Superior, Supertone, Champion, OKeh, Perfect, Romeo, Sun, Meteor, Flip; many others. Also large quantities of older 45’s. Paul. 901-435-6668

FABULOUS CARPET CARE Steam Clean 3 Rooms For $99.

“It’s Thorough, Dries Quickly & Stays Clean Longer - Or It’s Free.” Call 901.282.5306

The Treasures In The Ozarks Arts N Craft Show

will be held within the foothills of the beautiful Ozark Mountains beside the famous Spring River in Hardy, AR on September 23,24. Saturday hours are 9am-5pm, Sunday 10am-4pm. Our show features handcrafting artisans only from a variety of art & craft genres. A fabulous show in a gorgeous setting, it’s a perfect weekend getaway! Come join us!! facebook.com/treasuresintheozarks

PIERCER WANTED at NO REGRETS TATTOO.

Must have minimum 2 years experience, portfolio, and Tennessee piercing license or a current license in good standing from another state.

Please send all resumes to:

NOREGRETSMEMPHIS@GMAIL.COM

CHIP N’ DALE’S ANTIQUES 3457 Summer Avenue Memphis, TN 38122 EVERYTHING ON SALE! Open Tues-Sat | 901-452-5620